Druckansicht
Die Tischplatte der Authentizität. Von der kunstvollen Wissenschaft zum Anfassen


Autor: Rolf Nohr
[erschienen in: Image 18: Bild und Moderne (Ausgabe Juli 2013)]


This paper tries to trace regimes of order which produce visibility at the border to Modernism on the example of illustrations (e.g. Joseph Wright of Derby), which seems to be formations of natural scientific knowledge. A special interest is drawn to the complex configurations of similarity, equality an reference of image, sign, world and knowledge. By reference to the works of Michel Foucault and Barbara Stafford the most problematic process of the production of image-knowledge is reflected - a knowledge which depends on the use of images (or the particular contextual explanation of the image).


Volltext des Artikels:

IMAGE 18_Nohr.pdf