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| | | | |
| | ==A== | | ==A== |
| − | | + | {{Bibliography-A}} |
| − | ===Adelmann 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Adelmann 2004a,
| |
| − | author = {Adelmann, Ralf},
| |
| − | title = {Digitale Animationen in dokumentarischen Fernsehformaten?},
| |
| − | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
| |
| − | year = {2004},
| |
| − | editor = {Schröter & Böhnke},
| |
| − | pages = {387-406},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Adelmann 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Adelmann 2009a,
| |
| − | editor = {Adelmann, Ralf},
| |
| − | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften},
| |
| − | year = {2009},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Adelung 1811a===
| |
| − | <bibentry>
| |
| − | @proceedings{Adelung 1811a,
| |
| − | editor = {Adelung, Johann Christoph},
| |
| − | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie},
| |
| − | year = {1811},
| |
| − | publisher = {Bauer},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Adorno & Horkheimer 1947a===
| |
| − | <bibentry>
| |
| − | @book{Adorno & Horkheimer 1947a,
| |
| − | author = {Adorno, Theodor W. & Horkheimer, Max},
| |
| − | title = {Dialektik der Aufklärung},
| |
| − | year = {1947},
| |
| − | publisher = {Querido},
| |
| − | address = {Amsterdam},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Adorno 2003a===
| |
| − | <bibentry>
| |
| − | @book{Adorno 2003a,
| |
| − | author = {Adorno, Theodor W.},
| |
| − | title = {Gesammelte Schriften, Bd. 7: Ästhetische Theorie},
| |
| − | year = {2003},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aguado 1994a===
| |
| − | <bibentry>
| |
| − | @book{Aguado 1994a,
| |
| − | author = {Aguado, María Isabel Peña},
| |
| − | title = {Ästhetik des Erhabenen: Burke, Kant, Adorno, Lyotard},
| |
| − | year = {1994a},
| |
| − | publisher = {Passagen},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alberro 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Alberro 2006a,
| |
| − | author = {Alberro, Alexander},
| |
| − | title = {Einleitung. Der Weg raus führt rein},
| |
| − | booktitle = {Art After Conceptual Art},
| |
| − | year = {2006},
| |
| − | editor = {Alberro A. & Buchmann, S.},
| |
| − | pages = {13-27},
| |
| − | publisher = {Generali Foundation},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alberti 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Alberti 2000a,
| |
| − | author = {Alberti, Leon Battista},
| |
| − | title = {De Statua – Das Standbild},
| |
| − | booktitle = {Das Standbild. Die Malkunst. Grundlagen der Malerei},
| |
| − | year = {2000},
| |
| − | editor = {Bätschmann, O. & Schäublin, C.},
| |
| − | pages = {142-182},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alciatus 1530a===
| |
| − | <bibentry>
| |
| − | @book{Alciatus 1530a,
| |
| − | author = {Alciatus, Andreas },
| |
| − | title = {De verborum significatione},
| |
| − | year = {1530},
| |
| − | publisher = {Sebastian Gryphius},
| |
| − | address = {Lyon},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Alciatus 1531a===
| |
| − | <bibentry>
| |
| − | @book{Alciatus 1531a,
| |
| − | author = {Alciatus, Andreas },
| |
| − | title = {Emblematum liber},
| |
| − | year = {1531},
| |
| − | publisher = {Heinrich Steyner},
| |
| − | address = {Augsburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Alciatus 1967a===
| |
| − | <bibentry>
| |
| − | @book{Alciatus 1967a,
| |
| − | author = {Alciatus, Andreas},
| |
| − | title = {Emblematum Libellus},
| |
| − | year = {1967},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Aldrich 1983a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Aldrich 1983a,
| |
| − | author = {Aldrich, Virgil C.},
| |
| − | title = {Visuelle Metapher},
| |
| − | booktitle = {Theorie der Metapher},
| |
| − | year = {1983},
| |
| − | editor = {Haverkamp, A.},
| |
| − | pages = {142-159},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alleton 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Alleton 2003a,
| |
| − | author = {Alleton, Viviane},
| |
| − | title = {Schrift},
| |
| − | booktitle = {Das große China-Lexikon},
| |
| − | year = {2003},
| |
| − | editor = {Staiger, B. et al.},
| |
| − | pages = {651- 654},
| |
| − | publisher = {WBG},
| |
| − | address = {Ham­burg},
| |
| − | note = {unter Mitarbeit von Emmerich, R.},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alloa 2011a===
| |
| − | <bibentry>
| |
| − | @book{Alloa 2011a,
| |
| − | author = {Alloa, Emmanuel},
| |
| − | title = {Das durchscheinende Bild. Konturen einer medialen Phänomenologie},
| |
| − | year = {2011},
| |
| − | publisher = {diaphanes},
| |
| − | address = {Zürich/Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alpers 1985a===
| |
| − | <bibentry>
| |
| − | @book{Alpers 1985a,
| |
| − | author = {Alpers, Svetlana},
| |
| − | title = {Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts},
| |
| − | year = {1985},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alpers 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Alpers 1995a,
| |
| − | author = {Alpers, Svetlana},
| |
| − | title = {Ekphrasis und Kunstanschauung in Vasaris Viten},
| |
| − | booktitle = {Beschreibungskunst, Kunstbeschreibung},
| |
| − | year = {1995},
| |
| − | editor = {Boehm, G. & Pfotenhauer, H.},
| |
| − | pages = {217-253},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Alpers 1960===
| |
| − | <bibentry>
| |
| − | @article{Alpers 1960a,
| |
| − | author = {Alpers, Svetlana},
| |
| − | title = {Ekphrasis and aesthetic attitudes in Vasari’s Lives},
| |
| − | journal = {Journal of the Warburg and Courtauld Institutes },
| |
| − | year = {1960},
| |
| − | volume = {23},
| |
| − | number = {1937},
| |
| − | pages = {190-215},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Althusser & Balibar 1972a===
| |
| − | <bibentry>
| |
| − | @book{Althusser & Balibar 1972a,
| |
| − | author = {Althusser, Louis & Balibar, Etienne},
| |
| − | title = {Das Kapital lesen},
| |
| − | year = {1972},
| |
| − | publisher = {Rowohlt},
| |
| − | address = {Reinbek},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Amelunxen 1996a===
| |
| − | <bibentry>
| |
| − | @book{Amelunxen 1996a,
| |
| − | author = {Amelunxen, Hubertus},
| |
| − | title = {Fotografie nach der Fotografie},
| |
| − | year = {1996},
| |
| − | publisher = {Verlag Der Kunst},
| |
| − | address = {Dresden u.a.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Anders 2009a===
| |
| − | <bibentry>
| |
| − | @book{Anders 2009a,
| |
| − | author = {Anders, Günther},
| |
| − | title = {Die Antiquiertheit des Menschen 1: Über die Seele im Zeitalter der zweiten industriellen Revolution},
| |
| − | year = {2009},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {}
| |
| − | hidden = {[Broschiert]},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Andree 2006a===
| |
| − | <bibentry>
| |
| − | @book{Andree 2006a,
| |
| − | author = {Andree, Martin},
| |
| − | title = {Archäologie der Medienwirkung. Faszinationstypen von der Antike bis heute},
| |
| − | year = {2006},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {(Simulation, Spannung, Fiktionalität, Authentizität, Unmittelbarkeit, Geheimnis, Ursprung) ???},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Andrews et.al. 2002a===
| |
| − | <bibentry>
| |
| − | @article{Andrews et.al. 2002a,
| |
| − | author = {Andrews, Timothy J.; Schluppeck, Denis; Homfray, Dave; Matthews, Paul & Blakemore, Colin},
| |
| − | title = {Activity in the Fusiform Gyrus Predicts Conscious Perception of Rubin’s Vase–Face Illusion},
| |
| − | journal = {NeuroImage},
| |
| − | year = {2002},
| |
| − | volume = {17},
| |
| − | number = {},
| |
| − | pages = {890–901},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.psychology.nottingham.ac.uk/research/vision/papers/andrews-etal-neuroimage-02.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Apel 2002a===
| |
| − | <bibentry>
| |
| − | @book{Apel 2002a,
| |
| − | author = {Apel, Karl-Otto},
| |
| − | title = {Transformation der Philosophie, Bd. 1: Sprachanalytik, Semiotik, Hermeneutik},
| |
| − | year = {2002},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Appadurai 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Appadurai 2003a,
| |
| − | author = {Appadurai, Arjun},
| |
| − | title = {Archive and Aspiration},
| |
| − | booktitle = {Information is Alive},
| |
| − | year = {2004},
| |
| − | editor = {Brouwer, J. & Mulder, A.},
| |
| − | pages = {14-25},
| |
| − | publisher = {V2_Publishing/NAI Publishers},
| |
| − | address = {Rotterdam},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aristoteles 1949a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Aristoteles 1949a,
| |
| − | author = {Aristoteles},
| |
| − | title = {De interpretatione},
| |
| − | booktitle = {Aristotelis categoriae et liber de interpretatione},
| |
| − | year = {1949},
| |
| − | editor = {Minio-Paluello, L.},
| |
| − | pages = {47-72},
| |
| − | publisher = {Ox­ford Uni­versity Press},
| |
| − | address = {Ox­ford },
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aristoteles 1995a===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995a,
| |
| − | author = {Aristoteles},
| |
| − | title = {Metaphysik},
| |
| − | year = {1995},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {Philosophische Schriften 5; Übers.: Hermann Bonitz},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aristoteles 1995b===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995b,
| |
| − | author = {Aristoteles},
| |
| − | title = {Nikomachische Ethik},
| |
| − | year = {1995},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {Philosophische Schriften 3; Übers.: Eugen Rolfes},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aristoteles 1995c===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995c,
| |
| − | author = {Aristoteles},
| |
| − | title = {Physik},
| |
| − | year = {1995},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {Philosophische Schriften 6; Übers.: Hans Günter Zekl},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aristoteles 1997a===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1997a,
| |
| − | author = {Aristoteles},
| |
| − | title = {Poetik. Griechisch/Deutsch},
| |
| − | year = {1997},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {Übers. und Hrsg.: Manfred Fuhrmann},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Arnheim 1932a===
| |
| − | <bibentry>
| |
| − | @book{Arnheim 1932a,
| |
| − | author = {Arnheim, Rudolf},
| |
| − | title = {Film als Kunst},
| |
| − | year = {2002},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {mit einem Nachwort von Karl Prümm und mit zeitgenössischen Rezensionen},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Asemissen & Schweikhart 1994a===
| |
| − | <bibentry>
| |
| − | @book{Asemissen & Schweikhart 1994a,
| |
| − | author = {Asemissen, Hermann Ulrich & Schweikhart, Gunter},
| |
| − | title = {Malerei als Thema der Malerei},
| |
| − | year = {1994},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aserinsky & Kleitman 1953a===
| |
| − | <bibentry>
| |
| − | @article{Aserinsky & Kleitman 1953a,
| |
| − | author = {Aserinsky, E. & Kleitman, N.},
| |
| − | title = {Regularly occurring periods of eye motility and concomitant phenomena during sleep},
| |
| − | journal = {Science},
| |
| − | year = {1953},
| |
| − | volume = {118},
| |
| − | number = {},
| |
| − | pages = {273f.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Asher & Vieu 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Asher & Vieu 1995a,
| |
| − | author = {Asher, Nicholas & Vieu, Laure:},
| |
| − | title = {Toward a Geometry of Common Sense: A Semantics and a Complete Axiomatization of Mereotopology},
| |
| − | booktitle = {IJCAI-95},
| |
| − | year = {1995},
| |
| − | editor = {},
| |
| − | pages = {846–852},
| |
| − | publisher = {Morgan Kaufmann},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Asmuth 1994a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Asmuth 1994a,
| |
| − | author = {Asmuth, Bernhard},
| |
| − | title = {Bild, Bildlichkeit. A-B},
| |
| − | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 2: Bi - Eul},
| |
| − | year = {1994},
| |
| − | editor = {Ueding, G.},
| |
| − | pages = {10-21},
| |
| − | publisher = {Nie­meyer},
| |
| − | address = {Tü­bingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Asmuth 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Asmuth 1998a,
| |
| − | author = {Asmuth, Bernhard},
| |
| − | title = {Imago},
| |
| − | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 4},
| |
| − | year = {1998},
| |
| − | editor = {Ueding, G.},
| |
| − | pages = {228-235},
| |
| − | publisher = {Nie­meyer},
| |
| − | address = {Tü­bingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Assmann 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Assmann 2011a,
| |
| − | author = {Assmann, Jan},
| |
| − | title = {Schriftbildlichkeit: Etymographie und Ikonographie},
| |
| − | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen},
| |
| − | year = {2011},
| |
| − | editor = {Krämer, S. & Cancik-Kirschbaum, E. & Totzke, R.},
| |
| − | pages = {139-145},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Attneave 1971a===
| |
| − | <bibentry>
| |
| − | @article{Attneave 1971a,
| |
| − | author = {Attneave, Fred},
| |
| − | title = {Multistability in perception},
| |
| − | journal = {Scientific American},
| |
| − | year = {1971},
| |
| − | volume = {225},
| |
| − | number = {6},
| |
| − | pages = {62-71},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Auerbach 1946a===
| |
| − | <bibentry>
| |
| − | @book{Auerbach 1946a,
| |
| − | author = {Auerbach, Erich},
| |
| − | title = {Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur (1946)},
| |
| − | year = {2001},
| |
| − | publisher = {A. Francke},
| |
| − | address = {Tü­bingen/Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Augustinus 2002a===
| |
| − | <bibentry>
| |
| − | @book{Augustinus 2002a,
| |
| − | author = {Augustinus},
| |
| − | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11},
| |
| − | year = {2002},
| |
| − | publisher = {Meiner},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | hidden = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Aurnague & Vieu 1993a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Aurnague & Vieu 1993a,
| |
| − | author = {Aurnague, Michel & Vieu, Laure},
| |
| − | title = {A Three-Level Approach to the Semantics of Space},
| |
| − | booktitle = {The Semantics of Prepositions – From Mental Processing to Natural Language Processing},
| |
| − | year = {1993},
| |
| − | editor = {Zelinsky-Wibbelt, C.},
| |
| − | pages = {393–439},
| |
| − | publisher = {Mouton de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Austin 1972a===
| |
| − | <bibentry>
| |
| − | @book{Austin 1972a,
| |
| − | author = {Austin, John L.},
| |
| − | title = {Zur Theorie der Sprechakte},
| |
| − | year = {1972},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {orig.: How to do things with Words, 1962},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==B== | | ==B== |
| − | | + | {{Bibliography-B}} |
| − | | |
| − | ===Baader 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baader 2003a,
| |
| − | author = {Baader, Hannah},
| |
| − | title = {Para­gone},
| |
| − | booktitle = {Metzler Lexi­kon Kunstwis­senschaft. Ideen – Metho­den – Begrif­fe},
| |
| − | year = {2003},
| |
| − | editor = {Pfiste­rer, U.},
| |
| − | pages = {263},
| |
| − | publisher = {J.B. Metzler},
| |
| − | address = {Stutt­gart, Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baader 2003b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baader 2003b,
| |
| − | author = {Baader, Hannah},
| |
| − | title = {Einfluss},
| |
| − | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe},
| |
| − | year = {2003},
| |
| − | editor = {Pfisterer, U.},
| |
| − | pages = {73-76},
| |
| − | publisher = {Metzler},
| |
| − | address = {Stutt­gart/Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bachmann-Medick 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bachmann-Medick 2006a,
| |
| − | author = {Bachmann-Medick, Doris},
| |
| − | title = {Cultural Turns. Neuorientierungen in den Kulturwissenschaften},
| |
| − | year = {2006},
| |
| − | publisher = {Rowohlt},
| |
| − | address = {Reinbek},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Badakshi 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Badakshi 2006a,
| |
| − | author = {Badakshi, Harun},
| |
| − | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin},
| |
| − | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit},
| |
| − | year = {2006},
| |
| − | editor = {Hinterwaldner, I.; Buschhaus, M.},
| |
| − | pages = {199-205},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Badt 1963a===
| |
| − | <bibentry>
| |
| − | @book{Badt 1963a,
| |
| − | author = {Badt, Kurt },
| |
| − | title = {Raumphantasien und Raumillusionen. Wesen der Plastik}
| |
| − | year = {1963},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baigrie 1996a===
| |
| − | <bibentry>
| |
| − | @proceedings{Baigrie 1996a,
| |
| − | title = {Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science},
| |
| − | year = {1996},
| |
| − | editor = {Baigrie, Brian S. },
| |
| − | publisher = {Uni­versity of Toronto Press},
| |
| − | address = {Toronto, Buffalo, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bal 1999a===
| |
| − | <bibentry>
| |
| − | @book{Bal 1999a,
| |
| − | author = {Bal, Mieke},
| |
| − | title = {Quoting Caravaggio. Contemporary Art, Preposterous History},
| |
| − | year = {1999},
| |
| − | publisher = {The Uni­versity of Chicago Press},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baltrušaitis 1977a===
| |
| − | <bibentry>
| |
| − | @book{Baltrušaitis 1977a,
| |
| − | author = {Baltrušaitis, Jurgis},
| |
| − | title = {Anamorphic Art},
| |
| − | year = {1977},
| |
| − | publisher = {Chadwyck-Healey},
| |
| − | address = {Cam­bridge},
| |
| − | note = {(zuerst: Paris 1969)},
| |
| − | hidden = {aus dem Französischen von W.J. Strachan},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Balázs 2001a===
| |
| − | <bibentry>
| |
| − | @book{Balázs 2001a,
| |
| − | author = {Balázs, Béla},
| |
| − | title = {Der Geist des Films},
| |
| − | year = {2001},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Balázs 2001b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Balázs 2001b,
| |
| − | author = {Balázs, Béla},
| |
| − | title = {Der sichtbare Mensch},
| |
| − | booktitle = {Texte zur Theorie des Films},
| |
| − | year = {2001},
| |
| − | editor = {v. F. Albersmeier},
| |
| − | publisher = {Philip Reclam jun.},
| |
| − | address = {Stutt­gart},
| |
| − | pages = {224-233},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Barabash 2010a===
| |
| − | <bibentry>
| |
| − | @book{Barabash 2010a,
| |
| − | author = {Barabash, Igor},
| |
| − | title = {Das Bildzitat im Internet},
| |
| − | year = {2010},
| |
| − | publisher = {Shaker},
| |
| − | address = {Aachen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1964a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1964a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetorik des Bildes (1964)},
| |
| − | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III},
| |
| − | year = {1990},
| |
| − | editor = {Barthes, Roland},
| |
| − | pages = {},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {aus dem Französischen von Hornig, Dieter},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Barthes 1964b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1964b,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhétorique de l'image},
| |
| − | booktitle = {Roland Barthes. Oeuvres Complètes, Band I (1993)},
| |
| − | year = {1964},
| |
| − | editor = {Marty, É.},
| |
| − | pages = {1417-1429},
| |
| − | publisher = {Éditions du Seuil},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Barthes 1977a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1977a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetoric of the Image},
| |
| − | booktitle = {Image, Music, Text},
| |
| − | year = {1977},
| |
| − | editor = {Heath, S.},
| |
| − | pages = {32–51},
| |
| − | publisher = {Fontana},
| |
| − | address = {London},
| |
| − | note = {orig. 1964 in Communications},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Barthes 1989a===
| |
| − | <bibentry>
| |
| − | @book{Barthes 1989a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Die helle Kammer. Bemer­kung zur Photo­graphie},
| |
| − | year = {1989},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barwise & Perry 1984a===
| |
| − | <bibentry>
| |
| − | @book{Barwise & Perry 1984a,
| |
| − | author = {Barwise, Jon & Perry, John },
| |
| − | title = {Situations and Attitudes},
| |
| − | year = {1984},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cam­bridge, MA},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Batchen 1998a===
| |
| − | <bibentry>
| |
| − | @article{Batchen 1998a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Photogenics/Fotogenik},
| |
| − | journal = {Camera Austria},
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {62/63},
| |
| − | pages = {5-16},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Batchen 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Batchen 2000a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Ectoplasm. Photography in the Digital Age},
| |
| − | booktitle = {Over Exposed. Essays on Contemporary Photography},
| |
| − | year = {2000},
| |
| − | editor = {Squiers, Carol},
| |
| − | pages = {9.23},
| |
| − | publisher = {New Press},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Batteux 1746a===
| |
| − | <bibentry>
| |
| − | @book{Batteux 1746a,
| |
| − | author = {Batteux, Charles},
| |
| − | title = {Les Beaux-Arts réduits à un même principe},
| |
| − | year = {1746},
| |
| − | publisher = {Durand},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Batteux 1746/1770a===
| |
| − | <bibentry>
| |
| − | @book{Batteux 1746/1770a,
| |
| − | author = {Batteux, Charles},
| |
| − | title = {Einschränkung der schönen Künste auf einen einzigen Grundsatz},
| |
| − | year = {1770},
| |
| − | publisher = {Weidmann},
| |
| − | address = {Leipzig},
| |
| − | note = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bauch 1994a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bauch 1994a,
| |
| − | author = {Bauch, Kurt},
| |
| − | title = {Imago},
| |
| − | booktitle = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {275-299},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baudrillard 1978a===
| |
| − | <bibentry>
| |
| − | @book{Baudrillard 1978a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Agonie des Realen},
| |
| − | year = {1978},
| |
| − | publisher = {Merve},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baudrillard 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baudrillard 2000a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Das perfekte Verbrechen},
| |
| − | booktitle = {Theorie der Fotografie IV 1980-1995},
| |
| − | year = {2000},
| |
| − | editor = {Amelunxen, H.},
| |
| − | pages = {256-260},
| |
| − | publisher = {Schirmer/Mosel },
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bauer & Ernst 2010a===
| |
| − | <bibentry>
| |
| − | @book{Bauer & Ernst 2010a,
| |
| − | author = {Bauer, Matthias & Ernst, Christoph},
| |
| − | title = {Diagrammatik. Einführung in ein kultur- und medienwissenschaftliches Forschungsfeld},
| |
| − | year = {2010},
| |
| − | publisher = {transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baumann 2011a===
| |
| − | <bibentry>
| |
| − | @book{Baumann 2011a,
| |
| − | author = {Baumann, Mario},
| |
| − | title = {Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones},
| |
| − | year = {2011},
| |
| − | publisher = {De Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baumberger 2010a===
| |
| − | <bibentry>
| |
| − | @book{Baumberger 2010a,
| |
| − | author = {Baumberger, Christoph},
| |
| − | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur},
| |
| − | year = {2010},
| |
| − | publisher = {Ontos},
| |
| − | address = {Heusenstamm},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baxandall 1972a===
| |
| − | <bibentry>
| |
| − | @book{Baxandall 1972a,
| |
| − | author = {Baxandall, Michael},
| |
| − | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style},
| |
| − | year = {1972},
| |
| − | publisher = {Claren­don Press},
| |
| − | address = {Ox­ford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baxandall 1990a===
| |
| − | <bibentry>
| |
| − | @book{Baxandall 1990a,
| |
| − | author = {Baxandall, Michael},
| |
| − | title = {Ursachen der Bilder. Über das historische Erklären von Kunst},
| |
| − | year = {1990},
| |
| − | publisher = {Reimer},
| |
| − | address = {Berlin},
| |
| − | note = {zuerst engl.: Patterns of intentention, 1985},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baxandall 1999a===
| |
| − | <bibentry>
| |
| − | @book{Baxandall 1999a,
| |
| − | author = {Baxandall, Michael},
| |
| − | title = {Die Wirklichkeit der Bilder. Malerei und Erfahrung im Italien der Renaissance},
| |
| − | year = {1999},
| |
| − | publisher = {Klaus Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {nach der korrigierten zweiten Auflage von: <em>Painting and Experience in 15<sup>th</sup> Century Italy. A Primer in the Social History of Pictorial Style</em>, Ox­ford Uni­versity Press 1988},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Baxmann 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baxmann 2001a,
| |
| − | author = {Baxmann, Inge},
| |
| − | title = {Körperzitate},
| |
| − | booktitle = {Zitier-Fähigkeit. Findungen und Erfindungen des Anderen},
| |
| − | year = {2001},
| |
| − | editor = {Gutenberg, A. & Poole, R.J.},
| |
| − | pages = {292-309},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bayer 1984a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bayer 1984a,
| |
| − | author = {Bayer, Udo},
| |
| − | title = {Laokoon – Momente einer semiotischen Ästhetik},
| |
| − | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik},
| |
| − | year = {1984},
| |
| − | editor = {Gebauer, G.},
| |
| − | pages = {59-101},
| |
| − | publisher = {Metzler},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bazin 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bazin 2009a,
| |
| − | author = {Bazin, André},
| |
| − | title = {Ontologie des photographischen Bildes},
| |
| − | booktitle = {Was ist Film?},
| |
| − | year = {2009},
| |
| − | editor = {Fischer, R.},
| |
| − | pages = {33-42},
| |
| − | publisher = {Alexander },
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bechtloff 2001a===
| |
| − | <bibentry>
| |
| − | @article{Bechtloff 2001a,
| |
| − | author = {Bechtloff, Dieter (Hg.)},
| |
| − | title = {Choreographie der Gewalt},
| |
| − | journal = {Kunstforum International},
| |
| − | year = {2001},
| |
| − | volume = {},
| |
| − | number = {Hefte 153, 155 & 156},
| |
| − | pages = {},
| |
| − | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Beckmann 1995a===
| |
| − | <bibentry>
| |
| − | @book{Beckmann 1995a,
| |
| − | author = {Beckmann, Jan P.},
| |
| − | title = {Wilhelm von Ockham},
| |
| − | year = {1995},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Beil 2010a===
| |
| − | <bibentry>
| |
| − | @book{Beil 2010a,
| |
| − | author = {Beil, Benjamin},
| |
| − | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel},
| |
| − | year = {2010},
| |
| − | publisher = {LIT Verlag},
| |
| − | address = {Münster},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belach & Jacobsen 1993a===
| |
| − | <bibentry>
| |
| − | @book{Belach & Jacobsen 1993a,
| |
| − | author = {Belach, Helga & Jacobsen, Wolfgang},
| |
| − | title = {CinemaScope. Zur Geschichte der Breitwandfilme},
| |
| − | year = {1993},
| |
| − | publisher = {Spiess},
| |
| − | address = {Berlin},
| |
| − | note = {Stiftung Deutsche Kinemathek},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beller 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Beller 2005a,
| |
| − | author = {Beller, Hans},
| |
| − | title = {Aspekte der Filmmontage - Eine Art Einführung},
| |
| − | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts},
| |
| − | year = {2005},
| |
| − | editor = {Beller, H.},
| |
| − | publisher = {TR-Verlagsunion},
| |
| − | address = {München},
| |
| − | pages = {9-33},
| |
| − | note = {},
| |
| − | hidden = {5., gegenüber der 4. unveränderte Auflage},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting & Haustein 1998a===
| |
| − | <bibentry>
| |
| − | @book{Belting & Haustein 1998a,
| |
| − | author = {Belting, Hans & Haustein, Lydia},
| |
| − | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt},
| |
| − | year = {1998},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belting 1983a===
| |
| − | <bibentry>
| |
| − | @book{Belting 1983a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte?},
| |
| − | year = {1983},
| |
| − | publisher = {Deutscher Kunstverlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belting 1998a===
| |
| − | <bibentry>
| |
| − | @book{Belting 1998a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das unsichtbare Meisterwerk. Die modernen Mythen der Kunst},
| |
| − | year = {1998a},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belting 2001a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2001a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Bild­anthro­polo­gie. Entwür­fe für eine Bild­wissen­schaft},
| |
| − | year = {2001},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2002a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2002a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren},
| |
| − | year = {2002},
| |
| − | publisher = {Verlag C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {2., erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belting 2004a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2004a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst},
| |
| − | year = {2004},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {6. Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Belting 2008a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2008a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Florenz und Bagdad. Eine west­östli­che Geschich­te des Blicks},
| |
| − | year = {2008},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beniger 1986a===
| |
| − | <bibentry>
| |
| − | @book{Beniger 1986a,
| |
| − | author = {Beniger, James},
| |
| − | title = {The Control Revolution. Technological and Economic Origins of the Information Society},
| |
| − | year = {1986},
| |
| − | publisher = {Har­vard Uni­versity Press},
| |
| − | address = {Cam­bridge},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Benjamin 1939a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Benjamin 1939a,
| |
| − | author = {Benjamin, Walter},
| |
| − | title = {Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit},
| |
| − | booktitle = {Walter Benjamin: Medienästhetische Schriften},
| |
| − | year = {2002},
| |
| − | editor = {Schöttker, D.},
| |
| − | pages = {351–383},
| |
| − | publisher = {Suhr­kamp },
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {dritte, autorisierte letzte Fassung, 1939},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Benjamin 1974a===
| |
| − | <bibentry>
| |
| − | @book{Benjamin 1974a,
| |
| − | author = {Benjamin Walter},
| |
| − | title = {Gesammelte Schriften. Bd. I.2},
| |
| − | year = {1974},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {Hrsg. v. Rolf Tiedemann & Hermann Schweppenhäuser},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Benjamin 1974b===
| |
| − | <bibentry>
| |
| − | @book{Benjamin 1974b,
| |
| − | author = {Benjamin, Walter},
| |
| − | title = {Charles Baudelaire. Ein Lyriker im Zeitalter des Hochkapitalismus},
| |
| − | year = {1974},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Benko 1976a===
| |
| − | <bibentry>
| |
| − | @proceedings{Benko 1976a,
| |
| − | editor = {Benko, Loránd},
| |
| − | title = {A magyar nyelv történeti-etimológiai szótára. I-IV},
| |
| − | year = {1976},
| |
| − | publisher = {Akadémiai Kiadó},
| |
| − | address = {Budapest},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bergson 1948a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bergson 1948a,
| |
| − | author = {Bergson, Henri},
| |
| − | title = {Das Mögliche und das Wirkliche},
| |
| − | booktitle = {Denken und Schöpferisches Werden. Aufsätze und Vorträge},
| |
| − | year = {1948},
| |
| − | editor = {Bergson, H.},
| |
| − | publisher = {Hain},
| |
| − | address = {Meisenheim am Glan},
| |
| − | note = {},
| |
| − | pages = {110-125},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Berlewi 1924a===
| |
| − | <bibentry>
| |
| − | @article{Berlewi 1924a,
| |
| − | author = {Berlewi, Henryk},
| |
| − | title = {Mechano-Faktur},
| |
| − | journal = {Der Sturm},
| |
| − | year = {1924},
| |
| − | volume = {},
| |
| − | number = {15},
| |
| − | pages = {155-159},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bernays 1970a===
| |
| − | <bibentry>
| |
| − | @book{Bernays 1970a,
| |
| − | author = {Bernays, Jacob},
| |
| − | title = {Grundzüge der verlorenen Abhandlung des Aristoteles über Wirkung der Tragödie},
| |
| − | year = {1970}
| |
| − | publisher = {G. Olms},
| |
| − | address = {Hildesheim},
| |
| − | hidden = {}
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bernhardt et al. 2009a===
| |
| − | <bibentry>
| |
| − | @book{Bernhardt et al. 2009a,
| |
| − | author = {Bernhardt, Petra; Hadj-Abdou, Leila; Liebhart, Karin & Pribersky, Andreas},
| |
| − | title = {EUropäische Bildpolitiken. Politische Bildanalyse an Beispielen der EU-Politik},
| |
| − | year = {2009},
| |
| − | publisher = {facultas UTB},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bertram et al. 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bertram et al. 2008a,
| |
| − | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin},
| |
| − | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus},
| |
| − | year = {2008},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Berz 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Berz 2009a,
| |
| − | author = {Berz, Peter},
| |
| − | title = {Bitmapped Graphic},
| |
| − | booktitle = {Zeitkritische Medien},
| |
| − | year = {2009},
| |
| − | editor = {Volmar, Axel},
| |
| − | pages = {127-154},
| |
| − | publisher = {Kadmos},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bevers 1985a===
| |
| − | <bibentry>
| |
| − | @book{Bevers 1985a,
| |
| − | author = {Bevers, Antonius M.},
| |
| − | title = {Dynamik der Formen bei Georg Simmel. Eine Studie über die methodische und theoretische Einheit eines Gesamtwerkes},
| |
| − | year = {1985},
| |
| − | publisher = {Duncker & Humblot},
| |
| − | address = {Berlin},
| |
| − | note = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Beyme 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Beyme 2004a,
| |
| − | author = {Beyme, Klaus von},
| |
| − | title = {Politische Ikonologie der modernen Architektur},
| |
| − | booktitle = {Politikwissenschaft als Kulturwissenschaft. Theorien, Methoden, Problemstellungen},
| |
| − | year = {2004},
| |
| − | editor = {Schwelling, B.},
| |
| − | pages = {351-372},
| |
| − | publisher = {Verlag für Sozialwissenschaften},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bidlo 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bidlo 2006a,
| |
| − | author = {Bidlo, Oliver},
| |
| − | title = {Martin Buber. Ein verges­sener Klassi­ker der Kommu­nika­tionswis­senschaft? Dialog­philo­sophie in kommu­nika­tionswis­senschaft­licher Perspek­tive},
| |
| − | year = {2002},
| |
| − | publisher = {Tectum},
| |
| − | address = {Marburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bidlo 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bidlo 2008a,
| |
| − | author = {Bidlo, Oliver},
| |
| − | title = {Vilém Flusser. Einführung},
| |
| − | year = {2008},
| |
| − | publisher = {Oldib},
| |
| − | address = {Essen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Biederman 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Biederman 1995a,
| |
| − | author = {Bieder­man, Irving},
| |
| − | title = {Visual Object Re­cogni­tion},
| |
| − | booktitle = {An Invi­tation to Cogni­tive Science, Vol. 2, Visual Cogni­tion},
| |
| − | year = {1995},
| |
| − | editor = {Kosslyn, S. F. & Osher­son, D. N.},
| |
| − | pages = {121-165},
| |
| − | publisher = {MIT},
| |
| − | address = {Cam­bridge MA},
| |
| − | note = {2<sup>nd</sup> edition},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bieger 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bieger 2007a,
| |
| − | author = {Bieger, Laura},
| |
| − | title = {Ästhetik der Immersion. Raum-Erleben zwischen Welt und Bild},
| |
| − | year = {2007},
| |
| − | publisher = {transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Billeter 1990a===
| |
| − | <bibentry>
| |
| − | @book{Billeter 1990a,
| |
| − | author = {Billeter, Jean François},
| |
| − | title = {The Chinese art of writing},
| |
| − | year = {1990},
| |
| − | publisher = {Skira/Rizzoli},
| |
| − | address = {Geneva},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Birk 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Birk 2011a,
| |
| − | author = {Birk, Elisabeth},
| |
| − | title = {Nelson Goodmans Begriff der Exemplifikation und seine Anwendung in den Bildwissenschaften},
| |
| − | booktitle = {Medienbewegungen. Praktiken der Bezugnahme},
| |
| − | year = {2011},
| |
| − | editor = {Jäger, L. et al.},
| |
| − | pages = {},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Birk 2012b===
| |
| − | <bibentry>
| |
| − | @misc{Birk 2012b,
| |
| − | author = {Birk, Elisabeth},
| |
| − | title = {Review to: Frederik Stjernfelt: Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics, New York 2007},
| |
| − | year = {2012},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = },
| |
| − | hidden = {letzter Kontrollaufruf: 8.1.2012},
| |
| − | url = {linguistlist.org/pubs/reviews/get-review.cfm?SubID=197848}
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Black 1954a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Black 1954a,
| |
| − | author = {Black, Max},
| |
| − | title = {Die Metapher (1954)},
| |
| − | booktitle = {Theorie der Metapher},
| |
| − | year = {1983},
| |
| − | editor = {Haverkamp, A.},
| |
| − | pages = {55-79},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Black 1972a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Black 1972a,
| |
| − | author = {Black, Max},
| |
| − | title = {How do Pictures Represent?},
| |
| − | booktitle = {Art, Perception, and Reality},
| |
| − | year = {1972},
| |
| − | editor = {Gombrich, E.H.; Hochberg, J. & Black, M.},
| |
| − | pages = {95-130},
| |
| − | publisher = {John Hopkins Uni­versity Press},
| |
| − | address = {Baltimore/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blanke 2003a===
| |
| − | <bibentry>
| |
| − | @book{Blanke 2003a,
| |
| − | author = {Blanke, Börries},
| |
| − | title = {Vom Bild zum Sinn. Das ikonische Zeichen zwischen strukturalistischer Semiotik und analytischer Philosophie},
| |
| − | year = {2003},
| |
| − | publisher = {Deutscher Universitätsverlag},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | hidden = {Reihe Bildwissenschaft, Bd. 4},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blanke et al. 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Blanke et al. 2005a,
| |
| − | author = {Blanke, Börries & Giannone, Antonella & Vaillant, Pascal},
| |
| − | title = {Semiotik},
| |
| − | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {149-162},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bliss 1949a===
| |
| − | <bibentry>
| |
| − | @book{Bliss 1949a,
| |
| − | author = {Bliss, Charles K.},
| |
| − | title = {Seman­togra­phy – Blissym­bolics},
| |
| − | year = {1949},
| |
| − | publisher = {Seman­togra­phy – Blissym­bolics Publi­cations},
| |
| − | address = {Sydney},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Block 1990a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Block 1990a,
| |
| − | author = {Block, Ned},
| |
| − | title = {The Computer Model of the Mind},
| |
| − | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3},
| |
| − | year = {1990},
| |
| − | editor = {Osherson, D.N. & Smith E.E.},
| |
| − | pages = {},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cam­bridge},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bloomfield 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bloomfield 1933a,
| |
| − | author = {Bloomfield, Leonard},
| |
| − | title = {Language},
| |
| − | year = {1933},
| |
| − | publisher = {Henry Holt and Co},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Blumenberg 1957a===
| |
| − | <bibentry>
| |
| − | @article{Blumenberg 1957a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen},
| |
| − | journal = {Studium Generale},
| |
| − | year = {1957},
| |
| − | volume = {10},
| |
| − | number = {5},
| |
| − | pages = {266-283},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Blumenberg 1969a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Blumenberg 1969a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {Wirklichkeitsbegriff und Möglichkeit des Romans},
| |
| − | booktitle = {Nachahmung und Illusion. Poetik und Hermeneutik 1},
| |
| − | year = {1969},
| |
| − | editor = {Jauß, H.R.},
| |
| − | pages = {9-27},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Blumenberg 1986a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Blumenberg 1986a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik},
| |
| − | booktitle = {Wirklichkeiten in denen wir leben},
| |
| − | year = {1986},
| |
| − | editor = {Blumenberg, H.},
| |
| − | pages = {104-136},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Blumenberg 1999a===
| |
| − | <bibentry>
| |
| − | @book{Blumenberg 1999a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {Paradigmen zu einer Metaphorologie},
| |
| − | year = {1999},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Blümle & von der Heiden 2005a===
| |
| − | <bibentry>
| |
| − | @proceedings{Blümle & von der Heiden 2005a,
| |
| − | title = {Blickzähmung und Augentäuschung. Zu Jacques Lacans Bildtheorie},
| |
| − | year = {2005},
| |
| − | editor = {Blümle, Claudia & von der Heiden, Anne},
| |
| − | publisher = {Diaphanes},
| |
| − | address = {Zürich / Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boeder 1996a===
| |
| − | <bibentry>
| |
| − | @book{Boeder 1996a,
| |
| − | author = {Boeder, Maria},
| |
| − | title = {Visa et vox. Sprache und Bild in der spätantiken Literatur},
| |
| − | year = {1996},
| |
| − | publisher = {Lang},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm & Mersmann & Spies 2008a===
| |
| − | <bibentry>
| |
| − | @proceedings{Boehm & Mersmann & Spies 2008a,
| |
| − | title = {Movens Bild. Zwischen Evidenz und Affekt},
| |
| − | year = {2008},
| |
| − | editor = {Boehm, Gottfried; Mersmann, Birgit & Spies, Christian},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm & Pfotenhauer 1995a===
| |
| − | <bibentry>
| |
| − | @proceedings{Boehm & Pfotenhauer 1995a,
| |
| − | title = {Beschrei­bungskunst, Kunstbe­schreibung: Ekphra­sis von der Anti­ke bis zur Gegen­wart},
| |
| − | year = {1995},
| |
| − | editor = {Boehm, Gott­fried & Pfoten­hauer, Helmut},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1969a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 1969a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Studien zur Perspektivität. Philosophie und Kunst in der frühen Neuzeit},
| |
| − | year = {1969},
| |
| − | publisher = {Carl Winter},
| |
| − | address = {Heidel­berg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 1977a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1977a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Plastik und plastischer Raum},
| |
| − | booktitle = {Skulptur. Ausstellung in Münster},
| |
| − | year = {1977},
| |
| − | editor = {Bußmann, K. },
| |
| − | pages = {23-44},
| |
| − | publisher = {Münster},
| |
| − | address = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 1978a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1978a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zu einer Hermeneutik des Bildes},
| |
| − | booktitle = {Die Hermeneutik und die Wissenschaft},
| |
| − | year = {1978},
| |
| − | editor = {Gadamer, H. & Boehm, G.},
| |
| − | pages = {444-471},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 1985a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1985a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Der Ande­re als Proto­typ},
| |
| − | booktitle = {Bildnis und Indi­viduum. Über den Ursprung der Porträt­male­rei in der ita­lieni­schen Renais­sance},
| |
| − | year = {1985},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {},
| |
| − | publisher = {Prestel},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1994a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Wiederkehr der Bilder},
| |
| − | booktitle = {Was ist ein Bild?},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {11-38}
| |
| − | year = {1994},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 1994b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1994b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Bilderfrage},
| |
| − | booktitle = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {325-343},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 1994c===
| |
| − | <bibentry>
| |
| − | @book{Boehm 1994c,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1995a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Bildbe­schreibung. Über die Grenzen von Bild und Sprache},
| |
| − | booktitle = {Beschrei­bungskunst, Kunstbe­schreibung: Ekphra­sis von der Antike bis zur Gegen­wart},
| |
| − | year = {1995},
| |
| − | editor = {Boehm, G. & Pfotenhauer, H.},
| |
| − | pages = {23-40},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1999a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {94-113},
| |
| − | publisher = {Berlin Uni­versity Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 2001a===
| |
| − | <bibentry>
| |
| − | @proceedings{Boehm 2001a,
| |
| − | title = {Homo Pictor},
| |
| − | year = {2001},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | publisher = {Saur},
| |
| − | address = {München / Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {34-53},
| |
| − | publisher = {Berlin Uni­versity Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 2004b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm},
| |
| − | booktitle = {Wege zur Bildwissenschaft. Interviews},
| |
| − | year = {2004},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {11-21},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2005a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Bild und die hermeneutische Reflexion},
| |
| − | booktitle = {Dimensionen des Hermeneutischen. Heidegger und Gadamer},
| |
| − | year = {2005},
| |
| − | editor = {Figal, G. & Gander H. H. (Martin-Heidegger-Gesellschaft)},
| |
| − | pages = {23-35},
| |
| − | publisher = {Vittorio Klostermann},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {Schriftenreihe Band 7},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2007a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 2007a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Wie Bilder Sinn erzeu­gen. Die Macht des Zei­gens},
| |
| − | year = {2007},
| |
| − | publisher = {Berlin Uni­versity Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2007b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2007b,
| |
| − | title = {Iconic Turn. Ein Brief},
| |
| − | booktitle = {Bilderfragen. Die Bildwissenschaft im Aufbruch},
| |
| − | year = {2007},
| |
| − | editor = {Belting, H.},
| |
| − | pages = {27-36},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Boehm 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2008a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Augenmaß. Zur Genese der ikonischen Evidenz},
| |
| − | booktitle = {Movens Bild. Zwischen Evidenz und Affekt},
| |
| − | year = {2008},
| |
| − | editor = {Boehm, G. & Mersmann, B. & Spies, Ch.},
| |
| − | pages = {15-43},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2009a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Spur und Gespür. Zur Archäologie der Zeichnung},
| |
| − | booktitle = {Öffnungen. Zur Theorie und Geschichte der Zeichnung},
| |
| − | year = {2009},
| |
| − | editor = {Bach, F. T. & Pichler, W.},
| |
| − | pages = {43-59},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2010a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Zeigen der Bilder},
| |
| − | booktitle = {Zeigen. Die Rhetorik des Sichtbaren},
| |
| − | year = {2010},
| |
| − | editor = {Boehm, G. & Egenhofer, S. & Spies, Ch.},
| |
| − | pages = {19-53},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2011a===
| |
| − | <bibentry>
| |
| − | @article{Boehm 2011a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Ikonische Differenz},
| |
| − | journal = {Rheinsprung 11 - Zeitschrift für Bildkritik},
| |
| − | year = {2011},
| |
| − | volume = {1},
| |
| − | number = {},
| |
| − | pages = {170-178},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {rheinsprung11.unibas.ch/fileadmin/documents/Edition_PDF/Ausgabe1/glossar-boehm.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bogen & Thürlemann 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bogen & Thürlemann 2003a,
| |
| − | author = {Bogen, Steffen & Thürlemann, Felix},
| |
| − | title = {Jenseits der Opposition von Text und Bild},
| |
| − | booktitle = {Die Bildwelt der Diagramme Joachims von Fiore: Zur Medialität religiös-politischer Programme im Mittelalter},
| |
| − | year = {2003},
| |
| − | editor = {Patschovsky, A.},
| |
| − | pages = {1-22},
| |
| − | publisher = {Jan Thorbecke},
| |
| − | address = {Ostfildern},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bogen 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bogen 2005a,
| |
| − | author = {Bogen, Steffen},
| |
| − | title = {Kunstgeschichte/Kunstwissenschaft},
| |
| − | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {52-67},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bogen 2005b===
| |
| − | <bibentry>
| |
| − | @article{Bogen 2005b,
| |
| − | author = {Bogen, Steffen},
| |
| − | title = {Schattenriss und Sonnenuhr. Überlegungen zu einer kunsthistorischen Diagrammatik},
| |
| − | journal = {Zeitschrift für Kunstgeschichte},
| |
| − | year = {2005},
| |
| − | volume = {68},
| |
| − | number = {2},
| |
| − | pages = {153-176},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bolton et al 2007a===
| |
| − | <bibentry>
| |
| − | @proceedings{Bolton et al 2007a,
| |
| − | title = {Robot ghosts and wired dreams. Japanese science fiction from origins to anime},
| |
| − | year = {2007a},
| |
| − | editor = {Christopher Bolton},
| |
| − | publisher = {Uni­versity of Minnesota Press},
| |
| − | address = {Minneapolis},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bonsiepe 1968a===
| |
| − | <bibentry>
| |
| − | @article{Bonsiepe 1968a,
| |
| − | author = {Bonsiepe, Gui},
| |
| − | title = {Visuell/Verbale Rhetorik},
| |
| − | journal = {Format: Zeitschrift für visuelle Kommunikation},
| |
| − | year = {1968},
| |
| − | volume = {},
| |
| − | number = {17},
| |
| − | pages = {11–18},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Borgo & Masolo 2010a===
| |
| − | <bibentry>
| |
| − | @article{Borgo & Masolo 2010a,
| |
| − | author = {Borgo, Stefano & Masolo, Claudio},
| |
| − | title = {Full Mereogeometries},
| |
| − | journal = {The Review of Symbolic Logic},
| |
| − | year = {2010},
| |
| − | volume = {3},
| |
| − | number = {4},
| |
| − | pages = {521 - 567},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.98.2266},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bousso 2002a===
| |
| − | <bibentry>
| |
| − | @article{Bousso 2002a,
| |
| − | author = {Bousso, Raphael},
| |
| − | title = {The Holographic Principle},
| |
| − | journal = {Reviews of Modern Physics},
| |
| − | year = {2002},
| |
| − | volume = {},
| |
| − | number = {74},
| |
| − | pages = {825-874},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brachfeld 1976a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brachfeld 1976a,
| |
| − | author = {Brachfeld, Otto},
| |
| − | title = {Image},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4},
| |
| − | year = {1976},
| |
| − | editor = {Ritter, J. et al.},
| |
| − | pages = {215-217},
| |
| − | publisher = {Schwabe Verlag},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brandom 2000a===
| |
| − | <bibentry>
| |
| − | @book{Brandom 2000a,
| |
| − | author = {Brandom, Robert},
| |
| − | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)},
| |
| − | year = {2000},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {übersetzt von E. Gilmer und H. Vetter},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandt 1999a===
| |
| − | <bibentry>
| |
| − | @book{Brandt 1999a,
| |
| − | author = {Brandt, Reinhard},
| |
| − | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild},
| |
| − | year = {1999},
| |
| − | publisher = {Carl Hanser},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandt 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brandt 2004a,
| |
| − | author = {Brandt, Reinhard},
| |
| − | title = {Das Bild: Gesehen und erkannt},
| |
| − | booktitle = {Wege zur Bildwissenschaft. Interviews},
| |
| − | year = {2004},
| |
| − | editor = {Sachs-Hombach, K.},
| |
| − | pages = {170-182},
| |
| − | publisher = {Herbert von Halem Verlag},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brecht 1992a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brecht 1992a,
| |
| − | author = {Brecht, Bertholt},
| |
| − | title = {Der Rundfunk als Kommunikationsapparat},
| |
| − | booktitle = {Gesammelte Werke. Band 18},
| |
| − | year = {1992},
| |
| − | editor = {Hauptmann, Elisabeth},
| |
| − | pages = {552-557},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp & Schneider 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp & Schneider 2006a,
| |
| − | author = {Bredekamp, Horst & Schneider, Pablo},
| |
| − | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt},
| |
| − | year = {2006},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 1994a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 1994a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp},
| |
| − | journal = {Texte zur Kunst},
| |
| − | year = {1994},
| |
| − | volume = {},
| |
| − | number = {14},
| |
| − | pages = {108-13},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 2000a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2000a,
| |
| − | author = {Brede­kamp, Horst},
| |
| − | title = {Anti­kensehn­sucht und Maschi­nenglau­ben. Die Geschich­te der Kunstkam­mer und die Zukunft der Kunstge­schichte},
| |
| − | year = {2000},
| |
| − | publisher = {Wagen­bach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2003a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 2003a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {A Neglected Tradition? Art History as Bildwissenschaft},
| |
| − | journal = {Critical Inquiry},
| |
| − | year = {2003},
| |
| − | volume = {29},
| |
| − | number = {3},
| |
| − | pages = {418-428},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 2003b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bredekamp 2003b,
| |
| − | author = {Brede­kamp, Horst},
| |
| − | title = {Bild­wissen­schaft},
| |
| − | booktitle = {Metzler Lexi­kon Kunst­wissen­schaft. Ideen, Metho­den, Begrif­fe},
| |
| − | year = {2003},
| |
| − | editor = {Pfisterer, U.},
| |
| − | pages = {56-58},
| |
| − | publisher = {J. B. Metzler},
| |
| − | address = {Stutt­gart/Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bredekamp 2004a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn},
| |
| − | booktitle = {Iconic Turn. Die neue Macht der Bilder},
| |
| − | year = {2004},
| |
| − | editor = {Maar, C. & Burda, H.},
| |
| − | pages = {},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 2005a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2005a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte},
| |
| − | year = {2005},
| |
| − | publisher = {Klaus Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2007a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand},
| |
| − | year = {2007},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp 2010a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2010a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Theorie des Bildakts. Frank­furter Adorno-Vorlesungen 2007},
| |
| − | year = {2010},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bredekamp et al. 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp et al. 2008a,
| |
| − | author = {Bredekamp, Horst; Schneider, Birgit & Dünkel, Vera},
| |
| − | title = {Das Technische Bild. Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder},
| |
| − | year = {2008},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brentano 1874a===
| |
| − | <bibentry>
| |
| − | @book{Brentano 1874a,
| |
| − | author = {Brenta­no, Franz},
| |
| − | title = {Psycho­logie vom empi­rischen Standpunkt},
| |
| − | year = {1874},
| |
| − | publisher = {Duncker & Humblot},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brentano 1930a===
| |
| − | <bibentry>
| |
| − | @book{Brentano 1930a,
| |
| − | author = {Brentano, Franz},
| |
| − | title = {Wahrheit und Evidenz},
| |
| − | year = {1930},
| |
| − | publisher = {Felix Meiner},
| |
| − | address = {Ham­burg},
| |
| − | note = {Nachdruck 1975},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Britz et al. 2009a===
| |
| − | <bibentry>
| |
| − | @article{Britz et al. 2009a,
| |
| − | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.},
| |
| − | title = {Right Parietal Brain Activity Precedes Perceptual Alternation of Bistable Stimuli},
| |
| − | journal = {Cereb. Cortex 19},
| |
| − | year = {2009},
| |
| − | volume = {19},
| |
| − | number = {1},
| |
| − | pages = {55-65},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Britz et al. 2010a===
| |
| − | <bibentry>
| |
| − | @article{Britz et al. 2010a,
| |
| − | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.},
| |
| − | title = {Right Parietal Brain Activity Precedes Perceptual Alternation During Binocular Rivalry},
| |
| − | journal = {Hum. Brain Mapping},
| |
| − | year = {2010},
| |
| − | volume = {9},
| |
| − | number = {32},
| |
| − | pages = {1432-42},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.ncbi.nlm.nih.gov/pubmed/20690124},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brodatz 1966a===
| |
| − | <bibentry>
| |
| − | @book{Brodatz 1966a,
| |
| − | author = {Brodatz, Phil},
| |
| − | title = {Textures: A Photographic Album for Artists and Designers},
| |
| − | year = {1966},
| |
| − | publisher = {Dover},
| |
| − | address = {Mineola, NY},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brugger & Brugger 1993a===
| |
| − | <bibentry>
| |
| − | @article{Brugger & Brugger 1993a,
| |
| − | author = {Brugger, Peter & Brugger, Susanne},
| |
| − | title = {The easterbunny in october: I is it disguised as a duck},
| |
| − | journal = {Perceptual and Motor Skills},
| |
| − | year = {1993},
| |
| − | number = {76},
| |
| − | pages = {577–578},
| |
| − | volume = {2},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brugger 1999a===
| |
| − | <bibentry>
| |
| − | @article{Brugger 1999a,
| |
| − | author = {Brugger, Peter},
| |
| − | title = {One hundred years of an ambiguous figure: happy birthday, duck/rabbit},
| |
| − | journal = {Perceptual and Motor Skills},
| |
| − | year = {1999},
| |
| − | number = {89},
| |
| − | pages = {973–977},
| |
| − | volume = {3 Pt 1},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bruhn 2000a===
| |
| − | <bibentry>
| |
| − | @book{Bruhn 2000a,
| |
| − | author = {Bruhn, Sieglind},
| |
| − | title = {Mucial Ecphrasis: Composers Responding to Poetry and Painting},
| |
| − | year = {2000},
| |
| − | publisher = {Pendragon Press},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brunet 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brunet 2008a,
| |
| − | author = {Brunet, François},
| |
| − | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs},
| |
| − | booktitle = {The Meaning of Photography},
| |
| − | year = {2008},
| |
| − | editor = {Kelsey, R. Stimson, B.},
| |
| − | pages = {34-49},
| |
| − | publisher = {Clark Art Institute},
| |
| − | address = {Williamstown},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brunner 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Brunner 2009a,
| |
| − | title = {Das Fundament der Kunst. Die Skulptur und ihr Sockel in der Moderne},
| |
| − | year = {2009},
| |
| − | editor = {Brunner, Dieter },
| |
| − | publisher = {Edition Braus},
| |
| − | address = {Heidel­berg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Brunner-Traut 1992a===
| |
| − | <bibentry>
| |
| − | @book{Brunner-Traut 1992a,
| |
| − | author = {Brunner-Traut, Emma},
| |
| − | title = {Frühformen des Erkennens am Beispiel Altägyptens},
| |
| − | year = {1992},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bruno 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bruno 2007a,
| |
| − | author = {Bruno, Giuliana},
| |
| − | title = {Public Intimacy. Architecture and the Visual Arts},
| |
| − | year = {2007},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cam­bridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bryson 2001a===
| |
| − | <bibentry>
| |
| − | @book{Bryson 2001a,
| |
| − | author = {Bryson, Norman },
| |
| − | title = {Das Sehen und die Malerei},
| |
| − | year = {2001},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buber 1995a===
| |
| − | <bibentry>
| |
| − | @book{Buber 1995a,
| |
| − | author = {Martin Buber},
| |
| − | title = {Ich und Du},
| |
| − | year = {1995},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bucher 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher 2011a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse},
| |
| − | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Schneider, J.-G. & Stöckl, H.},
| |
| − | pages = {},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bucher2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher2010a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität},
| |
| − | booktitle = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {Diekmannshenke, H.; Klemm, M. & Stöckl, H.},
| |
| − | pages = {121-156},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Buchholz 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Buchholz 1999a,
| |
| − | author = {Buchholz, Kai},
| |
| − | title = {Zum Verhältnis von Bildsyntax und Darstellungswert am Beispiel künstlerischer Grafik},
| |
| − | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen},
| |
| − | year = {1999},
| |
| − | editor = {Sachs-Hom­bach, K. & Rehkämper, K.},
| |
| − | pages = {255-270},
| |
| − | publisher = {Scriptum},
| |
| − | address = {Magdeburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Buchholz & Schirra 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Buchholz & Schirra 2001a,
| |
| − | author = {Buchholz, Kai & Schirra, Jörg R.J.},
| |
| − | title = {Das Haus als Gesamt­kunstwerk -- eine Heraus­forderung an die Compu­tervi­sualis­tik},
| |
| − | booktitle = {Bildhan­deln. Inter­diszi­plinä­re Forschun­gen zur Pragma­tik bildhaf­ter Darstel­lungsfor­men},
| |
| − | year = {1999},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {241-268},
| |
| − | publisher = {Scriptum},
| |
| − | address = {Magde­burg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {jrjs.de/Work/Papers/P01/P01-6/index.html},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buchner 1665a===
| |
| − | <bibentry>
| |
| − | @book{Buchner 1665a,
| |
| − | author = {Buchner, August},
| |
| − | title = {Poet}
| |
| − | year = {1665},
| |
| − | publisher = {Otto Prätorius},
| |
| − | address = {Wittenberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Buchwald 1989a===
| |
| − | <bibentry>
| |
| − | @book{Buchwald 1989a,
| |
| − | author = {Buchwald, Jed Z.},
| |
| − | title = {The Rise of the Wave Theory of Light},
| |
| − | year = {1989},
| |
| − | publisher = {Uni­versity of Chica­go Press},
| |
| − | address = {Chica­go},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bulgakowa 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bulgakowa 2001a,
| |
| − | author = {Bulgakowa, Oksana},
| |
| − | title = {Film/filmisch},
| |
| − | booktitle = {Ästhetisches Wörterbuch in sieben Bänden. Bd. 2: Dekadent — Grotesk},
| |
| − | year = {2001},
| |
| − | editor = {Barck, K. & Fontius, M. & Schlenstedt, D. & Steinwachs, B. & Wolfzettel, F.},
| |
| − | pages = {429-462},
| |
| − | publisher = {J. B. Metzler},
| |
| − | address = {Stutt­gart, Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Burckhardt 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Burckhardt 2001a,
| |
| − | author = {Burckhardt, Jacob},
| |
| − | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens},
| |
| − | booktitle = {Werke. Kritische Gesamtausgabe},
| |
| − | year = {2001},
| |
| − | editor = {B. Roeck et al.},
| |
| − | pages = {Bd. 2},
| |
| − | publisher = {Beck},
| |
| − | address = {München/Basel},
| |
| − | note = {Erstveröffentlichung 1855},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Burke 2003a===
| |
| − | <bibentry>
| |
| − | @book{Burke 2003a,
| |
| − | author = {Burke, Peter},
| |
| − | title = {Augenzeugenschaft. Bilder als historische Quellen},
| |
| − | year = {2003},
| |
| − | publisher = {Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Busch & Därmann 2007a===
| |
| − | <bibentry>
| |
| − | @proceedings{Busch & Därmann 2007a,
| |
| − | title = {pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes},
| |
| − | year = {2007},
| |
| − | editor = {Busch, Kathrin & Därmann, Iris},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Busch 2004a===
| |
| − | <bibentry>
| |
| − | @book{Busch 2004a,
| |
| − | author = {Busch, Kathrin},
| |
| − | title = {Geschicktes Geben. Aporien der Gabe bei Jacques Derrida},
| |
| − | year = {2004},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bußmann 1983a===
| |
| − | <bibentry>
| |
| − | @book{Bußmann 1983a,
| |
| − | author = {Bußmann, Hadumod },
| |
| − | title = {Lexikon der Sprachwissenschaft},
| |
| − | year = {1983},
| |
| − | publisher = {Kröner},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Butler 2001a===
| |
| − | <bibentry>
| |
| − | @book{Butler 2001a,
| |
| − | author = {Butler, Judith},
| |
| − | title = {Psyche der Macht. Das Subjekt der Unterwerfung},
| |
| − | year = {2001},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bätschmann 1984a===
| |
| − | <bibentry>
| |
| − | @book{Bätschmann 1984a,
| |
| − | author = {Bätschmann, Oskar},
| |
| − | title = {Einführung in die kunstgeschichtliche Hermeneutik},
| |
| − | year = {1984},
| |
| − | publisher = {WBG},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bätschmann 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bätschmann 2009a,
| |
| − | author = {Bätsch­mann, Oskar},
| |
| − | title = {Beschrei­bung und Illus­tration},
| |
| − | booktitle = {Eksta­tische Kunst – beson­nenes Wort. Aby Warburg und die Denkräu­me der Ekphra­sis},
| |
| − | year = {2009},
| |
| − | editor = {Kofler, Peter},
| |
| − | pages = {55-66},
| |
| − | publisher = {Studien-Verlag},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {}
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böcking 2008a===
| |
| − | <bibentry>
| |
| − | @book{Böcking 2008a,
| |
| − | author = {Böcking, Saskia},
| |
| − | title = {Grenzen der Fiktion? Von Suspension of Disbelief zu einer Toleranztheorie für die Filmrezeption},
| |
| − | year = {2008a},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böhme & Böhme 1985a===
| |
| − | <bibentry>
| |
| − | @book{Böhme & Böhme 1985a,
| |
| − | author = {Böhme, Hartmut; Böhme, Gernot},
| |
| − | title = {Das Andere der Vernunft: Zur Entwicklung von Rationalitätsstrukturen am Beispiel Kants},
| |
| − | year = {1985a},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Böhme 1999a===
| |
| − | <bibentry>
| |
| − | @book{Böhme 1999a,
| |
| − | author = {Böhme, Gernot},
| |
| − | title = {Theorie des Bildes},
| |
| − | year = {1999},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Böhme 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Böhme 2004a,
| |
| − | author = {Böhme, Gernot},
| |
| − | title = {Der Raum leiblicher Anwesenheit und der Raum als Medium von Darstellung},
| |
| − | booktitle = {Performativität und Medialität},
| |
| − | year = {2004},
| |
| − | editor = {Krämer, S.},
| |
| − | pages = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Böhn 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Böhn 1999a,
| |
| − | author = {Böhn, Andreas},
| |
| − | title = {Intermediale Form- und Stilzitate in Photographie und Film bei Godard, Greenaway und Cindy Sherman},
| |
| − | booktitle = {Formzitate, Gattungsparodien, ironische Formverwendung: Gattungsformen jenseits von Gattungsgrenzen},
| |
| − | year = {1999},
| |
| − | editor = {Böhn, A.},
| |
| − | pages = {175-198},
| |
| − | publisher = {Röhrig},
| |
| − | address = {St. Ingbert},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bühler 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1933a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Axiomatik der Sprachwissenschaften},
| |
| − | year = {1933},
| |
| − | publisher = {Klostermann},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bühler 1934a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1934a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache},
| |
| − | year = {1965},
| |
| − | publisher = {Fischer },
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bühler 1999a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1999a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache},
| |
| − | year = {1999},
| |
| − | publisher = {Lucius & Lucius},
| |
| − | address = {Stutt­gart},
| |
| − | note = {3. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bühler 2000a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 2000a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Die Krise der Psychologie},
| |
| − | year = {2000},
| |
| − | publisher = {Velbrück},
| |
| − | address = {Weilerswist},
| |
| − | note = {(orig.: 1927)},
| |
| − | hidden = {hrsg. von Eschbach, A. & Kapitzky, J.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bürger 1784a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bürger 1784a,
| |
| − | author = {Bürger, Gottfried August},
| |
| − | title = {Von der Popularität der Poesie [1784]},
| |
| − | booktitle = {Sämtliche Werke},
| |
| − | year = {1987},
| |
| − | editor = {Hintzschel G. & Hintzschel H.},
| |
| − | pages = {725-730},
| |
| − | publisher = {Hanser},
| |
| − | address = {München},
| |
| − | note ={},
| |
| − | hidden = {Erstveröffentlichung 1784},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Büttner & Gottdank 2009a===
| |
| − | <bibentry>
| |
| − | @book{Büttner & Gottdank 2009a,
| |
| − | author = {Büttner, Frank & Gottdank, Andrea},
| |
| − | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten},
| |
| − | year = {2009},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Büttner 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Büttner 2002a,
| |
| − | author = {Büttner, Andreas},
| |
| − | title = {Vom Körper zum Raum. Einige Anmerkungen zu den medialen Möglichkeiten der Plastik},
| |
| − | booktitle = {Wettstreit der Künste},
| |
| − | year = {2002},
| |
| − | editor = {Mai, E.},
| |
| − | pages = {},
| |
| − | publisher = {Edition Minerva},
| |
| − | address = {Wolfratshausen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Büttner 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Büttner 2003a,
| |
| − | author = {Büttner, Frank},
| |
| − | title = {Perspek­tive},
| |
| − | booktitle = {Metzler Lexi­kon Kunstwis­senschaft. Ideen – Metho­den – Begrif­fe},
| |
| − | year = {2003},
| |
| − | editor = {Pfiste­rer, U.},
| |
| − | pages = {265},
| |
| − | publisher = {JB Metzler},
| |
| − | address = {Stutt­gart, Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==C== | | ==C== |
| − | | + | {{Bibliography-C}} |
| − | | |
| − | ===CCALED-4===
| |
| − | <bibentry>
| |
| − | @book{CCALED-4,
| |
| − | author = {},
| |
| − | title = {Collins Cobuild Advanced Learner’s English Dictionary},
| |
| − | year = {2003},
| |
| − | editor = {Collins Cobuild},
| |
| − | publisher = {Collins},
| |
| − | address = {Glasgow},
| |
| − | note = {4<sup>th</sup> edition},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Caglioti 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Caglioti 1995a,
| |
| − | author = {Caglioti, Giuseppe},
| |
| − | title = {Perception of Ambiguous Figures: A Qualitative Model Based on Synergetics and Quantum Mechanics},
| |
| − | booktitle = {Ambiguity in Mind and Nature. Multistable Cognitive Phenomena},
| |
| − | year = {1995},
| |
| − | editor = {Kruse, P. & Stadler, M.},
| |
| − | pages = {463–478.},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Calame & Thouvenin 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Calame & Thouvenin 2008a,
| |
| − | author = {Calame, Thierry & Thouvenin, Florent},
| |
| − | title = {Das Bildzitat},
| |
| − | booktitle = {Probleme des neuen Urheberrechts für die Wissenschaft, den Buchhandel und die Bibliotheken},
| |
| − | year = {2008},
| |
| − | editor = {Schmitz, W. et al.},
| |
| − | pages = {135-146},
| |
| − | publisher = {Harrassowitz},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Campe 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Campe 2006a,
| |
| − | author = {Campe, Rüdiger},
| |
| − | title = {Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant},
| |
| − | booktitle = {Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen},
| |
| − | year = {2006},
| |
| − | editor = {Peters, S. & Schäfer, M.J. },
| |
| − | pages = {5-43},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Campenhausen 1993a===
| |
| − | <bibentry>
| |
| − | @book{Campenhausen 1993a,
| |
| − | author = {Campenhausen, Christoph},
| |
| − | title = {Die Sinne des Menschen. Einf. in die Psychophysik der Wahrnehmung},
| |
| − | year = {1993},
| |
| − | publisher = {Thieme},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | hidden = {2. völlig neu bearbeitete Auflage},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cancik-Kirschbaum 2012a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cancik-Kirschbaum 2012a,
| |
| − | author = {Cancik-Kirschbaum, Eva},
| |
| − | title = {Phänomene von Schriftbildlichkeit in der keilschriftlichen Schreibkultur Mesopotamiens},
| |
| − | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen},
| |
| − | year = {2012},
| |
| − | editor = {Krämer, S. & Cancik-Kirschbaum, E. & Totzke, R.},
| |
| − | pages = {101-121},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Canetti 2011a===
| |
| − | <bibentry>
| |
| − | @book{Canetti 2011a,
| |
| − | author = {Canetti, Elias},
| |
| − | title = {Masse und Macht},
| |
| − | year = {2011},
| |
| − | publisher = {Fischer},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Canisius 1987a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Canisius 1987a,
| |
| − | author = {Canisius, Peter},
| |
| − | title = {Einleitung},
| |
| − | booktitle = {Perspektivität in Sprache und Text},
| |
| − | year = {1987},
| |
| − | editor = {Canisius, P. & Gerlach, M.},
| |
| − | pages = {xi–xvii},
| |
| − | publisher = {Brockmeyer},
| |
| − | address = {Bochum},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Caraffa 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Caraffa 2009a,
| |
| − | title = {Fotografie als Instrument und Medium der Kunstgeschichte},
| |
| − | year = {2009},
| |
| − | editor = {Caraffa, Constanza},
| |
| − | publisher = {Deutscher Kunstverlag},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carani 1986a===
| |
| − | <bibentry>
| |
| − | @book{Carani 1986a,
| |
| − | author = {Carani, Marie},
| |
| − | title = {Le corpus Pellan: une relecture sémiotique},
| |
| − | year = {1986},
| |
| − | publisher = {Protée},
| |
| − | address = {Université Du Québec à Chicoutimi},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carbone 2001a===
| |
| − | <bibentry>
| |
| − | @book{Carbone 2001a,
| |
| − | author = {Mauro, Carbone},
| |
| − | title = {La visibilité de l’invisible},
| |
| − | year = {2001},
| |
| − | publisher = {Olms},
| |
| − | address = {Hildesheim},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carlbom & Paciorek 1978a===
| |
| − | <bibentry>
| |
| − | @article{Carlbom & Paciorek 1978a,
| |
| − | author = {Carlbom, Ingrid & Paciorek, Joseph},
| |
| − | title = {Planar Geometric Projections and Viewing Transformations},
| |
| − | journal = {ACM Computing Surveys},
| |
| − | year = {1978},
| |
| − | volume = {10},
| |
| − | number = {4},
| |
| − | pages = {465-502},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carnap 1947a===
| |
| − | <bibentry>
| |
| − | @book{Carnap 1947a,
| |
| − | author = {Carnap, Rudolf},
| |
| − | title = {Meaning and Necessity: A Study in Semantics and Modal Logic},
| |
| − | year = {1947},
| |
| − | publisher = {Univ. Press},
| |
| − | address = {Chicago, IL},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carroll 1994a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Carroll 1994a,
| |
| − | author = {Carroll, Noël},
| |
| − | title = {Visual Metaphor},
| |
| − | booktitle = {Aspects of Metaphor},
| |
| − | year = {1994},
| |
| − | editor = {Hintikka, J.},
| |
| − | pages = {189-218},
| |
| − | publisher = {Kluwer},
| |
| − | address = {Boston},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carroll 1996a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Carroll 1996a,
| |
| − | author = {Carroll, Noël},
| |
| − | title = {A Note on Film Metaphor},
| |
| − | booktitle = {Theorizing the Moving Image},
| |
| − | year = {1996},
| |
| − | editor = {Carrol, N.},
| |
| − | pages = {212-223},
| |
| − | publisher = {Cam­bridge Uni­versity Press},
| |
| − | address = {Cambrigde},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Carroll 1999a===
| |
| − | <bibentry>
| |
| − | @book{Carroll 1999a,
| |
| − | author = {Carroll, Noël},
| |
| − | title = {Philosophy of Art},
| |
| − | year = {1999},
| |
| − | publisher = {Routledge},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cartwright 1983a===
| |
| − | <bibentry>
| |
| − | @book{Cartwright 1983a,
| |
| − | author = {Cartwright, Nancy},
| |
| − | title = {How the Laws of Physics Lie},
| |
| − | year = {1983},
| |
| − | publisher = {Claren­don Press},
| |
| − | address = {Ox­ford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Casey 2002a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2002a,
| |
| − | author = {Casey, Edward S.},
| |
| − | title = {Representing Place. Landscape Painting and Maps},
| |
| − | year = {2002},
| |
| − | publisher = {Univiversity of Minnesota Press},
| |
| − | address = {Minnesota},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Casey 2005a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2005a,
| |
| − | author = {Casey, Edward S.},
| |
| − | title = {Earth-Mapping. Artists Reshaping Landscape},
| |
| − | year = {2005},
| |
| − | publisher = {Univiversity of Minnesota Press},
| |
| − | address = {Minnesota},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Casey 2007a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2007a,
| |
| − | author = {Casey, Edward S.},
| |
| − | title = {The World at a Glance},
| |
| − | year = {2007},
| |
| − | publisher = {Indiana Uni­versity Press},
| |
| − | address = {Bloomington},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cason 1930a===
| |
| − | <bibentry>
| |
| − | @article{Cason 1930a,
| |
| − | author = {Cason, H.},
| |
| − | title = {Common annoyances: A psychological study of every-day aversions and irritations},
| |
| − | journal = {Psychological Monograms},
| |
| − | year = {1930},
| |
| − | volume = {40},
| |
| − | number = {2},
| |
| − | pages = {1-218},
| |
| − | note = {},
| |
| − | hidden = {}
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1923a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1923a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Erster Teil: Die Sprache},
| |
| − | year = {1923},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1925a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1925a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken},
| |
| − | year = {1925},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1929a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1929a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis},
| |
| − | year = {1929},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1930a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cassirer 1930a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Mythischer, ästhetischer und theoretischer Raum (1930)},
| |
| − | booktitle = {Ernst Cassirer: Gesammelte Werke, Bd. 17},
| |
| − | year = {2004},
| |
| − | editor = {Recki, B.},
| |
| − | pages = {411-436 [1931]},
| |
| − | publisher = {Meiner},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1989a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1989a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Zur Logik der Kulturwissenschaften. Fünf Studien},
| |
| − | year = {1989},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {5., unveränd. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1990a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1990a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur},
| |
| − | year = {1990},
| |
| − | publisher = {Fischer},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 1996a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1996a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur},
| |
| − | year = {1996},
| |
| − | publisher = {Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cassirer 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cassirer 2009a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften},
| |
| − | booktitle = {Schriften zur Philosophie der symbolischen Formen},
| |
| − | year = {2009},
| |
| − | pages = {63-92},
| |
| − | publisher = {Meiner},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | hidden = {hrsg. von M. Lauschke},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 2010a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 2010a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis},
| |
| − | year = {2010},
| |
| − | publisher = {Meiner},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | hidden = {hrsg. von B. Recki},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cernych 2001a===
| |
| − | <bibentry>
| |
| − | @book{Cernych 2001a,
| |
| − | author = {Cernych, Pavel},
| |
| − | title = {Istoriko-etymologiceskij slovar' russkogo jasyka. V dvuch tomach},
| |
| − | year = {2001},
| |
| − | publisher = {Russkij jazyk},
| |
| − | address = {Moskva},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cha & Rautzenberg 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cha & Rautzenberg 2008a,
| |
| − | author = {Cha, Kyung-Ho & Rautzenberg, Markus},
| |
| − | title = {Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher},
| |
| − | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie},
| |
| − | year = {2008},
| |
| − | editor = {Cha, K. & Rautzenberg, M.},
| |
| − | pages = {7-22},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Chalmers 2007a===
| |
| − | <bibentry>
| |
| − | @book{Chalmers 2007a,
| |
| − | author = {Chalmers, Alan F.},
| |
| − | title = {Wege der Wissenschaft. Einführung in die Wissenschaftstheorie},
| |
| − | year = {2007},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {6. verbesserte Aufl.},
| |
| − | hidden = {hrsg. und übersetzt von N. Bergemann und Ch. Altstötter-Gleich},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Chastel 1990a===
| |
| − | <bibentry>
| |
| − | @book{Chastel 1990a,
| |
| − | author = {Chastel, André},
| |
| − | title = {Leonardo. Sämtliche Gemälde und die Schriften zur Malerei},
| |
| − | year = {1990},
| |
| − | publisher = {Schirmer/Mosel},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chateau 1976a===
| |
| − | <bibentry>
| |
| − | @article{Chateau 1976a,
| |
| − | author = {Chateau, Dominique},
| |
| − | title = {La sémantique du récit},
| |
| − | journal = {Semiotica},
| |
| − | year = {1976},
| |
| − | volume = {18},
| |
| − | number = {},
| |
| − | pages = {201-216},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cheeke 2008a===
| |
| − | <bibentry>
| |
| − | @book{Cheeke 2008a,
| |
| − | author = {Cheek, Stephen},
| |
| − | title = {Writing for Art. The Aesthetics of Ekphrasis},
| |
| − | year = {2008},
| |
| − | publisher = {Manchester Uni­versity Press},
| |
| − | address = {Manchester},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chen 2009a===
| |
| − | <bibentry>
| |
| − | @book{Chen 2009a,
| |
| − | author = {Chen, Tingyou},
| |
| − | title = {China: Die Kalligraphie},
| |
| − | year = {2009},
| |
| − | publisher = {China Intercontinental Press},
| |
| − | address = {Beijing},
| |
| − | note = {übersetzt von Winter, J. & Winter, M.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chiang 73a===
| |
| − | <bibentry>
| |
| − | @book{Chiang 73a,
| |
| − | author = {Chiang, Yee},
| |
| − | title = {Chinese Calligraphy - An Introduction to Its Aesthetic and Technique},
| |
| − | year = {1973},
| |
| − | publisher = {Havard Uni­versity Press},
| |
| − | address = {Cam­bridge, Massa­chusetts, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chion 1999a===
| |
| − | <bibentry>
| |
| − | @book{Chion 1999a,
| |
| − | author = {Chion, Michel},
| |
| − | title = {The Voice in Cinema},
| |
| − | year = {1999},
| |
| − | publisher = {Columbia Uni­versity Press},
| |
| − | address = {New York}
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chladenius 1742a===
| |
| − | <bibentry>
| |
| − | @book{Chladenius 1742a,
| |
| − | author = {Chladenius, Ernst Martin},
| |
| − | title = {Einleitung zur richtigen Auslegung vernünftiger Reden und Schriften},
| |
| − | year = {1742},
| |
| − | publisher = {},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Chomsky 1957a===
| |
| − | <bibentry>
| |
| − | @book{Chomsky 1957a,
| |
| − | author = {Chomsky, Noam},
| |
| − | title = {Syntactic Structures},
| |
| − | year = {1957},
| |
| − | publisher = {Mouton},
| |
| − | address = {Den Haag},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Christian 2009a===
| |
| − | <bibentry>
| |
| − | @book{Christian 2009a,
| |
| − | author = {Christian, Alexander},
| |
| − | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung},
| |
| − | year = {2009},
| |
| − | publisher = {Shaker},
| |
| − | address = {Aachen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cipolla et al. 2010a===
| |
| − | <bibentry>
| |
| − | @book{Cipolla et al. 2010a,
| |
| − | author = {Cipolla, Roberto; Battiato, Sebastiano & Farinella, Giovanni Maria },
| |
| − | title = {Computer Vision: Detection, Recognition and Reconstruction},
| |
| − | year = {2010},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin, Heidel­berg },
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Clarke 1981a===
| |
| − | <bibentry>
| |
| − | @article{Clarke 1981a,
| |
| − | author = {Clarke, Bowman, L.},
| |
| − | title = {A Calculus of Individuals Based on ‘Connection’},
| |
| − | journal = {Notre Dame Journal of Formal Logic},
| |
| − | year = {1981},
| |
| − | volume = {22},
| |
| − | number = {3},
| |
| − | pages = {204-218},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Collingwood 1945a===
| |
| − | <bibentry>
| |
| − | @book{Collingwood 1945a,
| |
| − | author = {Collingwood, Robin},
| |
| − | title = {Die Idee der Natur [The Idea of Nature (1945)]},
| |
| − | year = {2005},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {Übers.: Martin Suhr},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Coulmas 1999a===
| |
| − | <bibentry>
| |
| − | @book{Coulmas 1999a,
| |
| − | author = {Coulmas, Florian},
| |
| − | title = {The Back­well Encyclopedia of Writing Systems},
| |
| − | year = {1999},
| |
| − | publisher = {Back­well},
| |
| − | address = {Ox­ford u.a.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Covarrubias Orozco 1611a===
| |
| − | <bibentry>
| |
| − | @book{Covarrubias Orozco 1611a,
| |
| − | author = {Covarrubias Orozco, Sebastián de},
| |
| − | title = {Tesoro de la lengua castellana o española},
| |
| − | year = {1994},
| |
| − | publisher = {Nueva biblioteca de erudición y crítica},
| |
| − | address = {Madrid},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Coy 1997a===
| |
| − | <bibentry>
| |
| − | @book{Coy 1997a,
| |
| − | author = {Coy, Wolfgang; Tholen, Georg Christoph & Warnke, Martin},
| |
| − | title = {Hyperkult},
| |
| − | year = {1997},
| |
| − | publisher = {Stroemfeld},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cramer 2011a===
| |
| − | <bibentry>
| |
| − | @misc{Cramer 2011a,
| |
| − | author = {Cramer, Florian},
| |
| − | title = {Netzkunst und konkrete Poesie},
| |
| − | howpublished = {web},
| |
| − | year = {2001},
| |
| − | note = {},
| |
| − | hidden = {31.8.2011},
| |
| − | url = {netzliteratur.net/cramer/netzkunst_konkrete_poesie.htm},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Crary 1990a===
| |
| − | <bibentry>
| |
| − | @book{Crary 1990a,
| |
| − | author = {Crary, Jonathan},
| |
| − | title = {Techniques of the Observer. On Vision and Modernity in the Nineteenth Century},
| |
| − | year = {1990},
| |
| − | publisher = {MIT-Press},
| |
| − | address = {Cam­bridge, MA/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Crow 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Crow 2006a,
| |
| − | author = {Crow, Thomas},
| |
| − | title = {Ungeschriebene Geschichten der Konzeptkunst},
| |
| − | booktitle = {Art After Conceptual Art},
| |
| − | year = {2006},
| |
| − | editor = {Alberro, A. & Buchmann, S.},
| |
| − | pages = {158-171},
| |
| − | publisher = {Generali Foundation},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cunningham 1986a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham 1986a,
| |
| − | author = {Cunningham, Michael R.},
| |
| − | title = {Measuring the Physical in Physical Attractiveness: Quasi-Experiments on the Sociobiology of Female Facial Beauty},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1986},
| |
| − | volume = {50},
| |
| − | number = {},
| |
| − | pages = {925-935},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Cunningham et al. 1995a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham et al. 1995a,
| |
| − | author = {Cunningham, Michael R.; Roberts, Alan R.; Barbee, Anita P.; Druen, Perri B. & Wu, Cheng-Huan},
| |
| − | title = {„Their Ideas of Beauty are, on the Whole, the Same as Ours“: Consistency and Variability in the Cross-Cultural Perception of Female Physical Attractiveness},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1995},
| |
| − | volume = {68},
| |
| − | number = {},
| |
| − | pages = {261-279},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==D== | | ==D== |
| − | | + | {{Bibliography-D}} |
| − | | |
| − | ===Da Vinci 1958a===
| |
| − | <bibentry>
| |
| − | @book{da Vinci 1958a,
| |
| − | author = {da Vinci, Leonardo},
| |
| − | title = {Philosophische Tagebücher},
| |
| − | year = {1958},
| |
| − | publisher = {rowohlt},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | hidden = {übers. und hrsg. von G. Zamboni},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Da Vinci 1990a===
| |
| − | <bibentry>
| |
| − | @book{da Vinci 1990a,
| |
| − | author = {da Vinci, Leonardo},
| |
| − | title = {Sämtliche Gemälde und die Schriften zur Malerei},
| |
| − | year = {1990},
| |
| − | publisher = {Schirmer/Mosel},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {hg. v. André Chastel, übers. v. Marianne Schneider},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Damisch 1987a===
| |
| − | <bibentry>
| |
| − | @book{Damisch 1987a,
| |
| − | author = {Damisch, Hubert},
| |
| − | title = {L'origine de la perspective},
| |
| − | year = {1987},
| |
| − | publisher = {Flammarion},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Damisch 2010a===
| |
| − | <bibentry>
| |
| − | @book{Damisch 2010a,
| |
| − | author = {Damisch, Hubert},
| |
| − | title = {Der Ursprung der Perspektive},
| |
| − | year = {2010},
| |
| − | publisher = {Diaphanes},
| |
| − | address = {Zürich},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Danto 1984a===
| |
| − | <bibentry>
| |
| − | @book{Danto 1984a,
| |
| − | author = {Danto, Arthur C.},
| |
| − | title = {Die Verklärung des Gewöhnlichen},
| |
| − | year = {1984},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Danto 1993a===
| |
| − | <bibentry>
| |
| − | @book{Danto 1993a,
| |
| − | author = {Danto, Arthur C.},
| |
| − | title = {Die philosophische Entmündigung der Kunst},
| |
| − | year = {1993},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Darwin 1872a===
| |
| − | <bibentry>
| |
| − | @book{Darwin 1872a,
| |
| − | author = {Darwin, Charles},
| |
| − | title = {On the Expression of the Emotions in Man and Animals},
| |
| − | year = {1872},
| |
| − | publisher = {Murray},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Daston & Galison 1992a===
| |
| − | <bibentry>
| |
| − | @article{Daston & Galison 1992a,
| |
| − | author = {Daston, Lorraine & Galison, Peter },
| |
| − | title = {The Image of Objectivity},
| |
| − | journal = {Representations},
| |
| − | year = {1992},
| |
| − | volume = {40},
| |
| − | number = {},
| |
| − | pages = {81-128},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Daston & Galison 2007a===
| |
| − | <bibentry>
| |
| − | @book{Daston & Galison 2007a,
| |
| − | author = {Daston, Lorraine & Galison, Peter},
| |
| − | title = {Objektivität},
| |
| − | year = {2007},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {übers. v. Christa Krüger},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Daut 1975a===
| |
| − | <bibentry>
| |
| − | @book{Daut 1975a,
| |
| − | author = {Daut, Raimund},
| |
| − | title = {Imago. Untersuchungen zum Bildbegriff der Römer},
| |
| − | year = {1975},
| |
| − | publisher = {Carl Winter Universitätsverlag},
| |
| − | address = {Heidel­berg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Davidson & Noble 1989a===
| |
| − | <bibentry>
| |
| − | @article{Davidson & Noble 1989a,
| |
| − | author = {Davidson, Iain & William Noble},
| |
| − | title = {The Archaeology of Perception: Traces of Depiction and Language},
| |
| − | journal = {Current Anthropology},
| |
| − | year = {1989},
| |
| − | volume = {30},
| |
| − | number = {2},
| |
| − | pages = {125-155},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Davidson 1978a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Davidson 1978a,
| |
| − | author = {Davidson, Donald},
| |
| − | title = {What Metaphors Mean (1978)},
| |
| − | booktitle = {Inquiries into Truth and Interpretation},
| |
| − | year = {1984},
| |
| − | editor = {Davidson, D.},
| |
| − | pages = {343-370},
| |
| − | publisher = {Claren­don},
| |
| − | address = {Ox­ford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Davidson 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Davidson 2004a,
| |
| − | author = {Davidson, Donald},
| |
| − | title = {Drei Spielarten des Wissens},
| |
| − | booktitle = {Subjektiv, intersubjektiv, objektiv},
| |
| − | year = {2004},
| |
| − | editor = {Davidson, D.},
| |
| − | pages = {339-363},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Davidson 2001a===
| |
| − | <bibentry>
| |
| − | @book{Davidson 2001a,
| |
| − | author = {Davidson, Donald },
| |
| − | title = {Subjective, Intersubjective, Objective},
| |
| − | year = {2001},
| |
| − | publisher = {Claren­don},
| |
| − | address = {Ox­ford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Davies 1991a===
| |
| − | <bibentry>
| |
| − | @article{Davies 1991a,
| |
| − | author = {Davies, David},
| |
| − | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork},
| |
| − | journal = {Canadian Journal of Philosophy},
| |
| − | year = {1991},
| |
| − | volume = {21},
| |
| − | number = {},
| |
| − | pages = {331-346},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===De Duve 1990a===
| |
| − | <bibentry>
| |
| − | @inproceedings{de Duve 1990a,
| |
| − | author = {de Duve, Thierry},
| |
| − | title = {The Mono­chrome and the Blank Canvas},
| |
| − | booktitle = {Recon­structing Moder­nism. Art in New York, Paris and Montreal 1945-1964},
| |
| − | year = {1990},
| |
| − | editor = {Guilbaut, S.},
| |
| − | pages = {244-310},
| |
| − | publisher = {The MIT Press},
| |
| − | address = {Cam­bridge/Mass.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===De Schonen et al. 1994a===
| |
| − | <bibentry>
| |
| − | @article{de Schonen et al. 1994a,
| |
| − | author = {de Schonen, S.; Deruelle, C.; Pascalis, O.; & Mancini, J.},
| |
| − | title = {About Functional Brain Specialization. The Development of Face Recognition (Functional Cerebral Specialization in the Development of Face Recognition / A propos de la notion de specialisation cerebrale fonctionnelle: le développement de la reconnaissance des visages)},
| |
| − | journal = {Psychologie française},
| |
| − | year = {1994},
| |
| − | volume = {39},
| |
| − | number = {3},
| |
| − | pages = {259-274},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===DeFrancis 1989a===
| |
| − | <bibentry>
| |
| − | @book{DeFrancis 1989a,
| |
| − | author = {DeFrancis, John},
| |
| − | title = {Visible Speech. The Diverse Oneness of Writing Systems},
| |
| − | year = {1989},
| |
| − | publisher = {Uni­versi­ty of Hawaii Press},
| |
| − | address = {Hono­lulu},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Debray 1999a===
| |
| − | <bibentry>
| |
| − | @book{Debray 1999a,
| |
| − | author = {Debray, Régis},
| |
| − | title = {Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland},
| |
| − | year = {1999},
| |
| − | publisher = {Avi­nus},
| |
| − | address = {Roden­bach},
| |
| − | note = {franz. Original: Vie et mort de l'image. Une histore du regard en Occident, Paris, Éditions Gallimard 1992},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Debray 1999b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Debray 1999b,
| |
| − | author = {Debray, Régis},
| |
| − | title = {Für eine Mediologie},
| |
| − | booktitle = {Kursbuch Medienkultur. Die maßgeblichen Theorien von Brecht bis Baudrillard},
| |
| − | year = {1999},
| |
| − | editor = {Pias, Claus et al.},
| |
| − | pages = {67-75},
| |
| − | publisher = {Deutsche Verlags­anstalt},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Decker & Krah 2008a===
| |
| − | <bibentry>
| |
| − | @article{Decker & Krah 2008a,
| |
| − | author = {Decker, Jan-Oliver & Krah, Hans},
| |
| − | title = {Einführung: Zeichen(-Systeme) im Film},
| |
| − | journal = {Zeitschrift für Semiotik},
| |
| − | year = {2008},
| |
| − | volume = {30},
| |
| − | number = {3-4},
| |
| − | pages = {225-235},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Del Hierro 1732a===
| |
| − | <bibentry>
| |
| − | @book{del Hierro 1732a,
| |
| − | author = {del Hierro, Francisco},
| |
| − | title = {Diccionario de Autoridades. Bd. 2. D — Ñ},
| |
| − | year = {1979},
| |
| − | publisher = {Edi­torial Gredos},
| |
| − | address = {Madrid},
| |
| − | note = {edición facsímil},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Del Hierro 1737a===
| |
| − | <bibentry>
| |
| − | @book{del Hierro 1737a,
| |
| − | author = {del Hierro, Francisco},
| |
| − | title = {Diccionario de Autoridades. Bd. 3. O — Z},
| |
| − | year = {1979},
| |
| − | publisher = {Edi­torial Gredos},
| |
| − | address = {Madrid},
| |
| − | note = {edición facsímil},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Delaborde 1870a===
| |
| − | <bibentry>
| |
| − | @book{Delaborde 1870a,
| |
| − | author = {Delaborde, Henri},
| |
| − | title = {Ingres, sa vie, ses travaux, sa doctrine, d'après Les Notes Manuscrites et les lettres du maître},
| |
| − | year = {1870},
| |
| − | publisher = {Henri Plon},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Deleuze 1989a===
| |
| − | <bibentry>
| |
| − | @book{Deleuze 1989a,
| |
| − | author = {Deleuze, Gilles},
| |
| − | title = {Das Bewegungs-Bild. Kino1},
| |
| − | year = {1989},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | hidden = {a. d. Franz. v. U. Christians & U. Bokelmann; Erstveröffentlichung 1983},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Deleuze 1993a===
| |
| − | <bibentry>
| |
| − | @book{Deleuze 1993a,
| |
| − | author = {Deleuze, Gilles},
| |
| − | title = {Logik des Sinns},
| |
| − | year = {1993},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dement & Kleitman 1957a===
| |
| − | <bibentry>
| |
| − | @article{Dement & Kleitman 1957a,
| |
| − | author = {Dement, William & Kleitman, Nathanael},
| |
| − | title = {The relation of eye movements during sleep to dream activity: an objective method for the study of dreaming},
| |
| − | journal = {Journal of experimental psychology},
| |
| − | year = {1957},
| |
| − | volume = {53},
| |
| − | number = {3},
| |
| − | pages = {339-364},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Demuth 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Demuth 2007a,
| |
| − | author = {Demuth, Volker},
| |
| − | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {89-104},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürn­berg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dencker 2011a===
| |
| − | <bibentry>
| |
| − | @book{Dencker 2011a,
| |
| − | author = {Dencker, Klaus Peter},
| |
| − | title = {Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart},
| |
| − | year = {2011},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin, New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Depaulo 1992a===
| |
| − | <bibentry>
| |
| − | @article{Depaulo 1992a,
| |
| − | author = {DePaulo, Bella M. },
| |
| − | title = {Nonverbal Behavior and Self Presentation},
| |
| − | journal = {Psychological Bulletin},
| |
| − | year = {1992},
| |
| − | volume = {111},
| |
| − | number = {2},
| |
| − | pages = {203-243},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Derrida 1992a===
| |
| − | <bibentry>
| |
| − | @book{Derrida 1992a,
| |
| − | author = {Derrida, Jacques},
| |
| − | title = {Die Wahrheit in der Malerei},
| |
| − | year = {1992},
| |
| − | publisher = {Passagen Verlag},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Derrida 2007a===
| |
| − | <bibentry>
| |
| − | @book{Derrida 2007a,
| |
| − | author = {Derrida, Jacques},
| |
| − | title = {Aufzeichnungen eines Blinden. Das Selbstporträt und andere Ruinen},
| |
| − | year = {2007},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {2. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Descartes 1637a===
| |
| − | <bibentry>
| |
| − | @book{Descartes 1637a,
| |
| − | author = {Descartes, René},
| |
| − | title = {La géométrie},
| |
| − | year = {1637},
| |
| − | publisher = {Jan Maire},
| |
| − | address = {Leiden},
| |
| − | note = {Anhang des ‘Discours de la méthode’},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Descartes 1965a===
| |
| − | <bibentry>
| |
| − | @book{Descartes 1965a,
| |
| − | author = {Descartes, René},
| |
| − | title = {La Dioptrique. Œvres. Bd. 6},
| |
| − | year = {1965},
| |
| − | publisher = {Libraire philosophique J. Vrien},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {hrsg. v. Charles Adam u. Paul Tannery},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dewey 1934a===
| |
| − | <bibentry>
| |
| − | @book{Dewey 1934a,
| |
| − | author = {Dewey, John},
| |
| − | title = {Art as Experience},
| |
| − | year = {1934},
| |
| − | publisher = {Minton, Balch & Company},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dewey 2006a===
| |
| − | <bibentry>
| |
| − | @book{Dewey 2006a,
| |
| − | author = {Dewey, John},
| |
| − | title = {Kunst als Erfahrung},
| |
| − | year = {2006},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dewitz & Nekes 2002a===
| |
| − | <bibentry>
| |
| − | @proceedings{Dewitz & Nekes 2002a,
| |
| − | title = {Ich sehe was, was Du nicht siehst! Sehmaschinen und Bilderwelten. Die Sammlung Werner Nekes},
| |
| − | year = {2002},
| |
| − | editor = {Dewitz, Bodo von & Nekes, Werner},
| |
| − | address = {Göttingen},
| |
| − | note = {Ausst.Kat. Köln, Museum Ludwig 2002},
| |
| − | publisher = {Steidl},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dick 1964a===
| |
| − | <bibentry>
| |
| − | @book{Dick 1964a,
| |
| − | author = {Dick, Philip K.},
| |
| − | title = {The Simulacra},
| |
| − | year = {1964},
| |
| − | publisher = {Ace Books},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Diderot 1751a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Diderot 1751a,
| |
| − | author = {Diderot, Denis},
| |
| − | title = {Brief über die Taubstummen},
| |
| − | booktitle = {Ästhetische Schriften. Erster Band},
| |
| − | year = {1968},
| |
| − | editor = {Bassenge, F.},
| |
| − | pages = {27-97},
| |
| − | publisher = {Euro­päische Verlags­anstalt},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Didi-Huberman 1999a===
| |
| − | <bibentry>
| |
| − | @book{Didi-Huberman 1999a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {Was wir sehen blickt uns an. Zur Metapsychologie des Bildes},
| |
| − | year = {1999},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Didi-Huberman 2000a===
| |
| − | <bibentry>
| |
| − | @book{Didi-Huberman 2000a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {Vor einem Bild},
| |
| − | year = {2000},
| |
| − | publisher = {Carl Hanser},
| |
| − | address = {München/Wien},
| |
| − | hidden = {aus dem Französischen von R. Werner},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Didi-Huberman 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Didi-Huberman 2005a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {L’espace danse – Der Raum tanzt},
| |
| − | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
| |
| − | year = {2005},
| |
| − | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.},
| |
| − | pages = {16-30},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürn­berg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Diekmannshenke et al. 2010a===
| |
| − | <bibentry>
| |
| − | @book{Diekmannshenke et al. 2010a,
| |
| − | author = {Diekmannshenke, Hajo; Klemm, Micha
| |
| − | @book{Chiang 73a,
| |
| − | author = {Chiang, Yee},
| |
| − | title = {Chinese Calligraphy - An Introduction to Its Aesthetic and Technique},
| |
| − | year = {1973},
| |
| − | publisher = {Havard Uni­versity Press},
| |
| − | address = {Cam­bridge, Massa­chusetts, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | el & Stöckl, Hartmut},
| |
| − | title = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dion 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dion 2002a,
| |
| − | author = {Dion, Karen K.},
| |
| − | title = {Cultural Perspectives on Facial Attractiveness},
| |
| − | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives},
| |
| − | year = {2002},
| |
| − | editor = {Rhodes, G. & Zebrowitz, L.A.},
| |
| − | pages = {239-260},
| |
| − | publisher = {Ablex},
| |
| − | address = {West­port, CT},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dirmoser 2004a===
| |
| − | <bibentry>
| |
| − | @misc{Dirmoser 2004a,
| |
| − | author = {Dirmoser, Gerhard},
| |
| − | title = {Vom Nutzen schematischer Zeichnungen – Teil I},
| |
| − | year = {2004},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = },
| |
| − | hidden = {letzter Kontrollaufruf: 8.1.2012},
| |
| − | url = {servus.at/kontext/diagramm/01_Schematanutzen.htm},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dirmoser 2006a===
| |
| − | <bibentry>
| |
| − | @misc{Dirmoser 2006a,
| |
| − | author = {Dirmoser, Gerhard},
| |
| − | title = {Ein Diagramm ist (k)ein Bild},
| |
| − | year = {2006},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = },
| |
| − | hidden = {letzter Kontrollaufruf: 8.1.2012},
| |
| − | url = {servus.at/kontext/diagramm/Diagrammbild_3_0_D.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ditzinger 2006a===
| |
| − | <bibentry>
| |
| − | @book{Ditzinger 2006a,
| |
| − | author = {Ditzinger, Thomas},
| |
| − | title = {Illusionen des Sehens. Eine Reise in die Welt der visuellen Wahrnehmung},
| |
| − | year = {2006},
| |
| − | publisher = {Else­vier, Spektrum, Akad. Verl.},
| |
| − | address = {München, Heidel­berg},
| |
| − | note = {1. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dobbe 1999a===
| |
| − | <bibentry>
| |
| − | @book{Dobbe 1999a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Querelle des Anciens, des Modernes et des Postmodernes},
| |
| − | year = {1999},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dobbe 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dobbe 2002a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Malerei im Bilderstreit. Eine Revision aus Anlass des Rubenspreis-Jubiläums},
| |
| − | booktitle = {10 x Malerei. Rubenspreis der Stadt Siegen in Werken der Sammlung Lambrecht-Schadeberg},
| |
| − | year = {2002},
| |
| − | editor = {Winter, G. & Dobbe, M.},
| |
| − | pages = {19-34},
| |
| − | publisher = {Museum für Gegen­warts­kunst},
| |
| − | address = {Siegen},
| |
| − | note = {Aus­stellungs­katalog},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dobbe 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dobbe 2003a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Das verkörperte Auge. Einige bildwissenschaftliche Fragen an das Medium Plastik},
| |
| − | booktitle = {Winter-Bilder. Zwischen Motiv und Medium. Festschrift für Gundolf Winter zum 60. Geburtstag},
| |
| − | year = {2003},
| |
| − | editor = {Dobbe, M. & Gendolla, P.},
| |
| − | pages = {258-274},
| |
| − | publisher = {Universi },
| |
| − | address = {Siegen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dobbe 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dobbe 2006a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Die Fotografie im Spannungsfeld von Kunstgeschichte und Bildwissenschaft},
| |
| − | booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft},
| |
| − | year = {2006},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {132-148},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dobbe 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dobbe 2010a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Zeigen als ''faire voir''. Für eine Bildtheorie des Fotografischen},
| |
| − | booktitle = {Zeigen. Die Rhetorik des Sichtbaren},
| |
| − | year = {2010},
| |
| − | editor = {Boehm, G.& Egenhofer, S. & Spies, C.},
| |
| − | pages = {159-178},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Doelker 1997a===
| |
| − | <bibentry>
| |
| − | @book{Doelker 1997a,
| |
| − | author = {Doelker, Christian},
| |
| − | title = {Ein Bild ist mehr als ein Bild: Visuelle Kompetenz in der Multimedia-Gesellschaft},
| |
| − | year = {1997},
| |
| − | publisher = {Klett-Cotta},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Doelker 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Doelker 2001a,
| |
| − | author = {Doelker, Christian },
| |
| − | title = {Ein Funktionenmodell für Bildtexte},
| |
| − | booktitle = {Bildhandeln},
| |
| − | year = {2001},
| |
| − | editor = {Sachs-Hom­bach, K.},
| |
| − | pages = {29-39},
| |
| − | publisher = {Scriptum},
| |
| − | address = {Magde­burg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Doelker 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Doelker 2007a,
| |
| − | author = {Doelker, Christian},
| |
| − | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten},
| |
| − | booktitle = {Bildrhetorik},
| |
| − | year = {2007},
| |
| − | editor = {Knape, J.},
| |
| − | pages = {71–112},
| |
| − | publisher = {Koerner},
| |
| − | address = {Baden-Baden},
| |
| − | note = {},
| |
| − | hidden = {Saecvla Spiritalia 45},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Donald 1993a===
| |
| − | <bibentry>
| |
| − | @book{Donald 1993a,
| |
| − | author = {Donald, Merlin },
| |
| − | title = {Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition},
| |
| − | year = {1993},
| |
| − | publisher = {Har­vard Uni­versity Press},
| |
| − | address = {Cam­bridge MA},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Downey 1959a===
| |
| − | <bibentry>
| |
| − | @article{Downey 1959a,
| |
| − | author = {Downey, Glanville},
| |
| − | title = {Ekphrasis},
| |
| − | journal = {Reallexikon für Antike und Christentum},
| |
| − | year = {1959},
| |
| − | volume = {IV},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {Sp.921-944},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Drechsel 2006a===
| |
| − | <bibentry>
| |
| − | @article{Drechsel 2006a,
| |
| − | author = {Drechsel, Benjamin},
| |
| − | title = {Was ist ein politisches Bild? Einige Überlegungen zur Entwicklung der Politikwissenschaft als Bildwissenschaft},
| |
| − | journal = {Moderne. Kulturwissenschaftliches Jahrbuch},
| |
| − | year = {2006},
| |
| − | volume = {},
| |
| − | number = {2},
| |
| − | pages = {106-120},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Drosdowski 1988a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1988a,
| |
| − | author = {Drosdowski, Günther},
| |
| − | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz},
| |
| − | year = {1988},
| |
| − | publisher = {Duden­verlag},
| |
| − | address = {Mann­heim [u.a.]},
| |
| − | note = {7., völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {= DUDEN Band 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Drosdowski 1989a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1989a,
| |
| − | author = {Drosdowsi, Günther},
| |
| − | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache},
| |
| − | year = {1989},
| |
| − | publisher = {Duden­verlag},
| |
| − | address = {Mann­heim [u.a.]},
| |
| − | note = {2. völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Drucker 1996a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Drucker 1996a,
| |
| − | author = {Drucker, Johanna},
| |
| − | title = {Experimental, Visual, and Concrete Poetry: A Note on Historical Context and Basic Concepts},
| |
| − | booktitle = {Experimental – Visual – Concrete: Avant-garde Poetry since the 1960s},
| |
| − | year = {1996},
| |
| − | editor = {Jackson, D.; Vos, E. & Drucker, J.},
| |
| − | pages = {39–61},
| |
| − | publisher = {Rodopi},
| |
| − | address = {Amster­dam, Atlanta},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drügh 2006a===
| |
| − | <bibentry>
| |
| − | @proceedings{Drügh 2006a,
| |
| − | editor = {Drügh, Heinz J.},
| |
| − | title = {Ästhe­tik der Beschrei­bung – poeti­sche und kultu­relle Ener­gie deskrip­tiver Texte (1700-2000). Studien und Texte zur Kultur­geschich­te deutschspra­chiger Lite­ratur},
| |
| − | year = {2006},
| |
| − | publisher = {Francke},
| |
| − | address = {Tübin­gen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dubois 1998a===
| |
| − | <bibentry>
| |
| − | @book{Dubois 1998a,
| |
| − | author = {Dubois, Philippe},
| |
| − | title = {Der fotografische Akt. Versuch über ein theoretisches Dispositiv},
| |
| − | year = {1998},
| |
| − | publisher = {Verlag der Kunst},
| |
| − | address = {Dresden, Amster­dam},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dubos 1760-61a===
| |
| − | <bibentry>
| |
| − | @book{Dubos 1760-61a,
| |
| − | author = {Du Bos, Jean-Baptiste},
| |
| − | title = {Kritische Betrachtungen über die Poesie und Malerey, 3 Teile},
| |
| − | year = {1760-1761},
| |
| − | publisher = {Mumm},
| |
| − | address = {Kopen­hagen},
| |
| − | hidden = {Übers.: Gottfried Benediktus Funk},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Duden 2013a===
| |
| − | <bibentry>
| |
| − | @book{Duden 2013a,
| |
| − | author = {Duden},
| |
| − | title = {Homepage},
| |
| − | year = {2013a},
| |
| − | publisher = {Duden­verlag},
| |
| − | address = {Mann­heim},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.duden.de/rechtschreibung/virtuell},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dudenredaktion 2003a===
| |
| − | <bibentry>
| |
| − | @book{Dudenredaktion 2003a,
| |
| − | author = {Duden (Hg.)},
| |
| − | title = {DUDEN. Das Stilwörterbuch.},
| |
| − | year = {2003},
| |
| − | publisher = {Duden­verlag},
| |
| − | address = {Mann­heim [u.a.]},
| |
| − | note = {8. völlig neu bearbeitete Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Durand 1987a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Durand 1987a,
| |
| − | author = {Durand, Jacques},
| |
| − | title = {Rhetorical Figures in the Advertising Image},
| |
| − | booktitle = {Marketing and Semiotics},
| |
| − | year = {1987},
| |
| − | editor = {Sebeok, J.U. },
| |
| − | pages = {295–318},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Döring 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Döring 2009a,
| |
| − | author = {Döring, Sabine},
| |
| − | title = {Einleitung},
| |
| − | booktitle = {Philosophie der Gefühle},
| |
| − | year = {2009},
| |
| − | editor = {Döring, S.},
| |
| − | pages = {12-65},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dünkelsbühler 1991a===
| |
| − | <bibentry>
| |
| − | @book{Dünkelsbühler 1991a,
| |
| − | author = {Dünkelsbühler, Ulrike},
| |
| − | title = {Kritik der Rahmen-Vernunft. Parergon- Versionen nach Kant und Derrida},
| |
| − | year = {1991},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dürre 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dürre 2007a,
| |
| − | author = {Dürre, Stefan},
| |
| − | title = {Skulptur – Plastik – Bildhauerei},
| |
| − | booktitle = {Seemanns Lexikon der Skulptur},
| |
| − | year = {2007},
| |
| − | editor = {Dürre, S.},
| |
| − | pages = {6-8},
| |
| − | publisher = {See­mann},
| |
| − | address = {Leip­zig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Dürscheid 2010a===
| |
| − | <bibentry>
| |
| − | @book{Dürscheid 2010a,
| |
| − | author = {Dürscheid, Christa },
| |
| − | title = {Syntax. Grundlagen und Theorien},
| |
| − | year = {2010},
| |
| − | publisher = {Vanden­hoeck & Rup­recht},
| |
| − | address = {Göttin­gen },
| |
| − | note = {},
| |
| − | hidden = {UTB Sprachwissenschaften 3319},
| |
| − | } | |
| − | </bibentry>
| |
| − | | |
| | | | |
| | ==E== | | ==E== |
| − | | + | {{Bibliography-E}} |
| − | | |
| − | ===Ebert 1979a===
| |
| − | <bibentry>
| |
| − | @article{Ebert 1979a,
| |
| − | author = {Ebert, Jürgen},
| |
| − | title = {Montage Editing Schnitt},
| |
| − | journal = {Filmkritik},
| |
| − | year = {1979},
| |
| − | volume = {12},
| |
| − | number = {},
| |
| − | pages = {547-558},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eco 1977a===
| |
| − | <bibentry>
| |
| − | @book{Eco 1977a,
| |
| − | author = {Eco, Umberto},
| |
| − | title = {Zeichen. Einführung in einen Begriff und seine Geschichte},
| |
| − | year = {1977},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eco 1984a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eco 1984a,
| |
| − | author = {Eco, Umberto},
| |
| − | title = {Massenkultur und 'Kultur-Niveaus'},
| |
| − | booktitle = {Apokalyptiker und Integrierte},
| |
| − | year = {1984},
| |
| − | editor = {Eco, Umberto},
| |
| − | pages = {37-59},
| |
| − | publisher = {DTB},
| |
| − | address = {Ham­burg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eco 1998b===
| |
| − | <bibentry>
| |
| − | @book{Eco 1998b,
| |
| − | author = {Eco, Umberto},
| |
| − | title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten},
| |
| − | year = {1998b},
| |
| − | publisher = {dtv},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eddiks 2004a===
| |
| − | <bibentry>
| |
| − | @misc{Eddiks 2004a,
| |
| − | author = {Eddiks, Christina},
| |
| − | title = {Dem Emblem auf der Spur},
| |
| − | howpublished = {online},
| |
| − | year = {2004},
| |
| − | note = {Diplom­arbeit},
| |
| − | hidden = {},
| |
| − | url = {kisd.de/~tom/diplom/christina_emblematik.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Edgerton 2002a===
| |
| − | <bibentry>
| |
| − | @book{Edgerton 2002a,
| |
| − | author = {Edgerton, Samuel Y.},
| |
| − | title = {Die Entdeckung der Perspektive},
| |
| − | year = {2002},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Egenhofer 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Egenhofer 2002a,
| |
| − | author = {Egenhofer, Sebastian},
| |
| − | title = {Minimal Art},
| |
| − | booktitle = {DuMonts Begriffslexikon zur zeitgenössischen Kunst},
| |
| − | year = {2002},
| |
| − | editor = {Butin, H.},
| |
| − | pages = {210-215},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ehrenfels 1890a===
| |
| − | <bibentry>
| |
| − | @article{Ehrenfels 1890a,
| |
| − | author = {Ehrenfels, Christian von},
| |
| − | title = {Über Gestaltqualitäten},
| |
| − | journal = {Vierteljahrsschrift für wissenschaftliche Philosophie},
| |
| − | year = {1890},
| |
| − | volume = {14},
| |
| − | number = {},
| |
| − | pages = {242-292},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 1992a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 1992a,
| |
| − | author = {Eibl-Eibesfeldt, Irenäus & Sütterlin, Christa},
| |
| − | title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik},
| |
| − | year = {1992},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 2008a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 2008a,
| |
| − | author = {Eibl-Eibesfeldt, Irenäus & Sütterlin, Christa},
| |
| − | title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation},
| |
| − | year = {2008},
| |
| − | publisher = {Brand­stätter},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eibl-Eibesfeldt 1973a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eibl-Eibesfeldt 1973a,
| |
| − | author = {Eibl-Eibesfeldt, Irenäus},
| |
| − | title = {The Expressive Behavior of the Deaf and Blind Born},
| |
| − | booktitle = {Social Communication and Movement},
| |
| − | year = {1973},
| |
| − | editor = {Cranach, M. v. & Vine, I.},
| |
| − | pages = {163-194},
| |
| − | publisher = {Aca­demic Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eibl-Eibesfeldt 1974a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eibl-Eibesfeldt 1974a,
| |
| − | author = {Eibl-Eibesfeldt, Irenäus},
| |
| − | title = {Stammesgeschichtliche Anpassungen im menschlichen Verhalten},
| |
| − | booktitle = {Grzimeks Tierleben. Ergänzungsband Verhaltensforschung},
| |
| − | year = {1974},
| |
| − | editor = {Immelmann, K.},
| |
| − | pages = {604-617},
| |
| − | publisher = {Kindler },
| |
| − | address = {Zürich},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eibl-Eibesfeldt 1995a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt 1995a,
| |
| − | author = {Eibl-Eibesfeldt, Irenäus},
| |
| − | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie},
| |
| − | year = {1995},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eilert 1991a===
| |
| − | <bibentry>
| |
| − | @book{Eilert 1991a,
| |
| − | author = {Eilert, Heide},
| |
| − | title = {Das Kunstzitat in der erzählenden Dichtung. Studien zur Literatur um 1900},
| |
| − | year = {1991},
| |
| − | publisher = {Steiner},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eismann 1985a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eismann 1985a,
| |
| − | author = {Eismann, Wolfgang},
| |
| − | title = {Zur Geschichte des ''obraz''-Begriffs in der russischen und sowjetischen Literaturwissenschaft},
| |
| − | booktitle = {Einführung in allgemeine Probleme der Semiotik},
| |
| − | year = {1985},
| |
| − | editor = {Ivanov, V. V.},
| |
| − | pages = {1-45},
| |
| − | publisher = {Narr},
| |
| − | address = {Tü­bingen},
| |
| − | hidden = {aus dem Russischen übersetzt von B. Eidemüller und W. Eismann},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eizenštein 1975a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eizenštein 1975a,
| |
| − | author = {Eizenštein, Sergej M.},
| |
| − | title = {Perspektiven (1929)},
| |
| − | booktitle = {Schriften. Bd. 3},
| |
| − | year = {1975},
| |
| − | editor = {Eizenštein, S. M.},
| |
| − | pages = {191},
| |
| − | publisher = {Hanser},
| |
| − | address = {München },
| |
| − | hidden = {Übersetzt von Hans-Joachim Schlegel},
| |
| − | note = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ekman 1973a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ekman 1973a,
| |
| − | title = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | editor = {Ekman, Paul},
| |
| − | publisher = {Aca­demic Press},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ekman 1973b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ekman 1973b,
| |
| − | author = {Ekman, Paul},
| |
| − | title = {Cross Cultural Studies of Facial Expression},
| |
| − | booktitle = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | editor = {Ekman, P.},
| |
| − | pages = {169-222},
| |
| − | publisher = {Aca­demic Press},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Elgin 1983a===
| |
| − | <bibentry>
| |
| − | @book{Elgin 1983a,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {With Reference to Reference},
| |
| − | year = {1983},
| |
| − | publisher = {Hackett},
| |
| − | address = {India­napolis},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Elgin 1992a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Elgin 1992a,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {Notation},
| |
| − | booktitle = {A Companion to Aesthetics},
| |
| − | year = {1992},
| |
| − | editor = {Cooper, D.},
| |
| − | pages = {307-309},
| |
| − | publisher = {Back­well},
| |
| − | address = {Ox­ford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Elgin 1993a===
| |
| − | <bibentry>
| |
| − | @article{Elgin 1993a,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {Relocating Aesthetics. Goodman’s Epistemic Turn},
| |
| − | journal = {Revue Internationale de Philosophie},
| |
| − | year = {1993},
| |
| − | volume = {},
| |
| − | number = {46},
| |
| − | pages = {171-186},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Elkins 1999a===
| |
| − | <bibentry>
| |
| − | @book{Elkins 1999a,
| |
| − | author = {Elkins, James},
| |
| − | title = {The Domain of Images},
| |
| − | year = {1999},
| |
| − | publisher = {Cornell Uni­versity Press},
| |
| − | address = {Ithaca, London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Elkins 2003a===
| |
| − | <bibentry>
| |
| − | @book{Elkins 2003a,
| |
| − | author = {Elkins, James},
| |
| − | title = {Visual Studies. A Skeptical Introduction},
| |
| − | year = {2003},
| |
| − | publisher = {Routledge},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ellgring 1989a===
| |
| − | <bibentry>
| |
| − | @book{Ellgring 1989a,
| |
| − | author = {Ellgring, Heiner},
| |
| − | title = {Nonverbal communication in depression},
| |
| − | year = {1989},
| |
| − | publisher = {Cam­bridge Uni­versity Press},
| |
| − | address = {Cam­bridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Else 1958a===
| |
| − | <bibentry>
| |
| − | @article{Else 1958a,
| |
| − | author = {Else, Gerald F.},
| |
| − | title = {Imitation in the Fifth Century},
| |
| − | journal = {Classical Philology},
| |
| − | year = {1958},
| |
| − | volume = {53},
| |
| − | number = {},
| |
| − | pages = {73-90},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Engell 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Engell 1999a,
| |
| − | author = {Engell, Lorenz & Vogl, Joseph},
| |
| − | title = {Vorwort},
| |
| − | booktitle = {Kursbuch Medienphilosophie},
| |
| − | year = {1999},
| |
| − | editor = {Pias, Claus et. al.},
| |
| − | pages = {8-11},
| |
| − | publisher = {DVA},
| |
| − | address = {Stutt­gart},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Enright 1987a===
| |
| − | <bibentry>
| |
| − | @article{Enright 1987a,
| |
| − | author = {Enright, Jim T.},
| |
| − | title = {Perspective Vergence: Oculomotor Responses to Line Drawings},
| |
| − | journal = {Vision Res},
| |
| − | year = {1987},
| |
| − | volume = {27},
| |
| − | number = {},
| |
| − | pages = {1513–1526},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Erlbaugh 2002a===
| |
| − | <bibentry>
| |
| − | @proceedings{Erlbaugh 2002a,
| |
| − | title = {Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing},
| |
| − | year = {2002},
| |
| − | editor = {Erbaugh, Mary S.},
| |
| − | publisher = {National East Asian Language Resource Center},
| |
| − | address = {Columbus, Ohio},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ernst & Heidenreich 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ernst & Heidenreich 1999a,
| |
| − | author = {Ernst, Wolfgang & Heidenreich, Stefan},
| |
| − | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül},
| |
| − | booktitle = {Konfigurationen. Zwischen Kunst und Medien},
| |
| − | year = {1999},
| |
| − | editor = {Schade, S. & Tholen, G. C.},
| |
| − | pages = {306-320},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ernst 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ernst 2002a,
| |
| − | author = {Ernst, Wolfgang},
| |
| − | title = {Gibt es eine spezifische Videozität?},
| |
| − | booktitle = {REC - Video als mediales Phänomen},
| |
| − | year = {2002},
| |
| − | editor = {Adelmann, R.; Hoffmann, H. & Nohr, R. F.},
| |
| − | pages = {14-29},
| |
| − | publisher = {VDG},
| |
| − | address = {Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ernst et al. 2003a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ernst et al. 2003a,
| |
| − | editor = {Ernst, Wolfgang et al.},
| |
| − | title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
| |
| − | year = {2003},
| |
| − | publisher = {Kultur­verlag Kadmos},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eser 1998a===
| |
| − | <bibentry>
| |
| − | @proceedings{Eser 1998a,
| |
| − | title = {Schiefe Bilder. Die Zimmernsche Anamorphose und andere Augenspiele aus der Sammlung des Germanischen Nationalmuseums},
| |
| − | year = {1998},
| |
| − | editor = {Eser, Thomas},
| |
| − | publisher = {Germa­nisches Natio­nalmu­seum},
| |
| − | address = {Nürn­berg},
| |
| − | note = {},
| |
| − | hidden = {Ausst.Kat. Nürn­berg, Germanisches Nationalmuseum, 1998},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Esposito 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Esposito 1998a,
| |
| − | author = {Esposito, Elena},
| |
| − | title = {Fiktion und Virtualität},
| |
| − | booktitle = {Medien, Computer Realität. Wirklichkeitsvorstellungen und Neue Medien},
| |
| − | year = {1998a},
| |
| − | editor = {Krämer, S.},
| |
| − | pages = {269-296},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Etcoff 2001a===
| |
| − | <bibentry>
| |
| − | @book{Etcoff 2001a,
| |
| − | author = {Etcoff, Nancy},
| |
| − | title = {Nur die Schönsten überleben. Die Ästhetik des Menschen},
| |
| − | year = {2001},
| |
| − | publisher = {Diederichs},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eusterschulte 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eusterschulte 2001a,
| |
| − | author = {Eusterschulte, Anne},
| |
| − | title = {Mimesis},
| |
| − | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 5: L-Musi},
| |
| − | year = {2001},
| |
| − | editor = {Gert Ueding},
| |
| − | pages = {Sp. 1232-1294},
| |
| − | publisher = {Nie­meyer},
| |
| − | address = {Tü­bingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Evans 2002a===
| |
| − | <bibentry>
| |
| − | @proceedings{Evans 2002a,
| |
| − | title = {Wörterbuch der Lacanschen Psychoanalyse},
| |
| − | year = {2002},
| |
| − | editor = {Evans, Dylan},
| |
| − | publisher = {Turia + Kant},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==F== | | ==F== |
| − | | + | {{Bibliography-F}} |
| − | | |
| − | ===Fahlenbrach & Viehoff 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fahlenbrach & Viehoff 2005a,
| |
| − | author = {Fahlenbrach, Kathrin & Viehoff, Reinhold},
| |
| − | title = {Medienikonen des Krieges. Die symbolische Entthronung Saddams als Versuch strategischer Ikonisierung},
| |
| − | booktitle = {War Visions. Bildkommunikation und Krieg},
| |
| − | year = {2005},
| |
| − | editor = {Knieper, T. & Müller, M. G.},
| |
| − | pages = {356-387},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fantz 1966a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fantz 1966a,
| |
| − | author = {Fantz, Robert L.},
| |
| − | title = {Pattern Discrimination and Selective Attention as Determinants of Perceptual Development from Birth},
| |
| − | booktitle = {Perceptual Development in Children},
| |
| − | year = {1966},
| |
| − | editor = {Kidd, A.H. & Rivoire, J.L},
| |
| − | pages = {143-173},
| |
| − | publisher = {Uni­versity Press},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Farago 1992a===
| |
| − | <bibentry>
| |
| − | @book{Farago 1992a,
| |
| − | author = {Fara­go, Claire J.},
| |
| − | title = {Leonar­do da Vinci’s Para­gone. A Criti­cal Inter­preta­tion with a New Edi­tion of the Text in the Codex Urbi­nas},
| |
| − | year = {1992},
| |
| − | publisher = {Brill},
| |
| − | address = {Leiden, New York, Kopen­hagen, Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fauconnier 1985a===
| |
| − | <bibentry>
| |
| − | @book{Fauconnier 1985a,
| |
| − | author = {Faucon­nier, Gilles},
| |
| − | title = {Mental Spaces. Aspects of Meaning Con­struc­tion in Natural Lan­guage},
| |
| − | year = {1985},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cam­bridge, MA},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Faßler 1997a===
| |
| − | <bibentry>
| |
| − | @book{Faßler 1997a,
| |
| − | author = {Faßler, Manfred},
| |
| − | title = {Was ist Kommunikation?},
| |
| − | year = {1997},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Ferino-Pagden 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ferino-Pagden 2009a,
| |
| − | title = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, Sylvia},
| |
| − | publisher = {Kunst­histo­risches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fiedler 1991a===
| |
| − | <bibentry>
| |
| − | @book{Fiedler 1991a,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {2 Bd.},
| |
| − | hidden = {hrsg. von G. Boehm},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiedler 1991b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991b,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Über den Ursprung der künstlerischen Tätigkeit},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {111-220},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 1},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fiedler 1991c===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991c,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Aphorismen},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {7-105},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 2},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fiedler 1991d===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991d,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Zur neueren Kunsttheorie},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {Boehm, G.},
| |
| − | pages = {247-290},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 2},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fink 1966a===
| |
| − | <bibentry>
| |
| − | @book{Fink 1966a,
| |
| − | author = {Fink, Eugen},
| |
| − | title = {Studien zur Phänomenologie 1930-1939},
| |
| − | year = {1966},
| |
| − | publisher = {Martinus Nijhoff},
| |
| − | address = {Den Haag},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fink 1988a===
| |
| − | <bibentry>
| |
| − | @book{Fink 1988a,
| |
| − | author = {Fink, Monika},
| |
| − | title = {Musik nach Bildern. Programmbezogenes Komponieren im 19. und 20. Jahrhundert},
| |
| − | year = {1988},
| |
| − | publisher = {Helbling},
| |
| − | address = {Inns­bruck},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Finke & Halawa 2012a===
| |
| − | <bibentry>
| |
| − | @proceedings{Finke & Halawa 2012a,
| |
| − | title = {Materialität und Bildlichkeit. Visuelle Artefakte zwischen Aisthesis und Semiosis},
| |
| − | year = {2012},
| |
| − | editor = {Finke, Marcel & Halawa, Mark A.},
| |
| − | publisher = {Kadmos},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Finke 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Finke 2007a,
| |
| − | author = {Finke, Marcel},
| |
| − | title = {Materialität und Performativität. Ein bildwissenschaftlicher Versuch über Bild/Körper},
| |
| − | booktitle = {Verwandte Bilder. Die Fragen der Bildwissenschaft},
| |
| − | year = {2007},
| |
| − | editor = {Reichle, I. & Siegel, S. & Spelten, A.},
| |
| − | pages = {57–78},
| |
| − | publisher = {Kadmos},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fischart 1581a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fischart 1581a,
| |
| − | author = {Fischart, Johann},
| |
| − | title = {Kurtzer vnd Woldienlicher Vorbericht / von Vrsprung / Namen vnd Gebrauch der Emblematen / oder Eingeblömeten Zierwercken},
| |
| − | booktitle = {Emblematum Tyrocinia. Sive Picta Poesis Latinogermanica },
| |
| − | year = {1581},
| |
| − | editor = {Holtzwart, M.},
| |
| − | pages = {fol. a6<sup>v</sup>-a7<sup>r</sup>},
| |
| − | publisher = {Jobin},
| |
| − | address = {Straß­burg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fischer-Lichte 2004a===
| |
| − | <bibentry>
| |
| − | @book{Fischer-Lichte 2004a,
| |
| − | author = {Fischer-Lichte, Erika},
| |
| − | title = {Ästhetik des Performativen},
| |
| − | year = {2004},
| |
| − | publisher = {Suhr­kamp},
| |
| − | address = {Frank­furt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fiske 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiske 2001a,
| |
| − | author = {Fiske, John },
| |
| − | title = {Videotech},
| |
| − | booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse},
| |
| − | year = {2003},
| |
| − | editor = {Adelmann, R. et al.},
| |
| − | publisher = {Utb},
| |
| − | address = {Konstanz},
| |
| − | note = {},
| |
| − | pages = {484-502},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Fiske 2003a===
| |
| − | <bibentry>
| |
| − |