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===Stöckl 2009a===
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<bibentry>
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@article{Stöckl 2009a,
 
author = {Stöckl, Hartmut},
 
title = {Beyond Depicting. Language-Image-Links in the Service of Advertising},
 
journal = {AAA Arbeiten aus Anglistik und Amerikanistik},
 
year = {2009},
 
volume = {34},
 
number = {1},
 
pages = {3-28},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 2008a===
 
<bibentry>
 
@inproceedings{Stöckl 2008a,
 
author = {Stöckl, Hartmut},
 
title = {Werbetypographie. Formen und Funktionen},
 
booktitle = {Werbung – grenzenlos. Multimodale Werbetexte im interkulturellen Vergleich},
 
year = {2008},
 
editor = {Sylvia Bendel & Gudrun Held},
 
pages = {13–36},
 
publisher = {Lang},
 
address = {Frankfurt/Main},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 2005a===
 
<bibentry>
 
@article{Stöckl 2005a,
 
author = {Stöckl, Hartmut},
 
title = {Typography: Body and Dress of a Text – A Signing Mode between Language and Image},
 
journal = {Visual Communication},
 
year = {2005},
 
volume = {4},
 
number = {2},
 
pages = {204-214},
 
note = {Special Issue “The New Typography”},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 2004b===
 
<bibentry>
 
@article{Stöckl 2004b,
 
author = {Stöckl, Hartmut},
 
title = {Typographie: Körper und Gewand des Textes. Linguistische Überlegungen zu typographischer Gestaltung},
 
journal = {Zeitschrift für Angewandte Linguistik},
 
year = {2004},
 
volume = {},
 
number = {41},
 
pages = {5-48},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 2004a===
 
<bibentry>
 
@book{Stöckl 2004a,
 
author = {Stöckl, Hartmut},
 
title = {Die Sprache im Bild – Das Bild in der Sprache. Zur Verknüpfung von Sprache und Bild im massenmedialen Text},
 
year = {2004},
 
editor = {},
 
publisher = {de Gruyter},
 
address = {Berlin},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 2003a===
 
<bibentry>
 
@inproceedings{Stöckl 2003a,
 
author = {Stöckl, Hartmut},
 
title = {„Imagine“: Stilanalyse multimodal. Am Beispiel des TV-Werbespots},
 
booktitle = {Sprachstil – Zugänge und Anwendungen. Ulla Fix zum 60. Geburtstag},
 
year = {2003},
 
editor = {Irmhild Barz & Gotthard Lerchner & Marianne Schröder},
 
pages = {305-323},
 
publisher = {Winter},
 
address = {Heidelberg},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Stöckl 1992a===
 
<bibentry>
 
@article{Stöckl 1992a,
 
author = {Stöckl, Hartmut},
 
title = {Der ‚picture relation type’ – Ein praktischer Analysemodus zur Beschreibung der vielfältigen Einbettungs- und Verknüpfungsbeziehungen von Bild und Text},
 
journal = {Papiere zur Linguistik},
 
year = {1992},
 
volume = {46},
 
number = {11},
 
pages = {49-61},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Spillner 1982a===
 
<bibentry>
 
@article{Spillner 1982a,
 
author = {Spillner, Bernd},
 
title = {Stilanalyse semiotisch komplexer Texte: Zum Verhältnis von sprachlicher und bil¬dicher Information in Werbeanzeigen},
 
journal = {Kodikas/Code – Ars Semeiotica},
 
year = {1982},
 
volume = {},
 
number = {4/5},
 
pages = {91–106},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Schneider & Stöckl 2011a===
 
<bibentry>
 
@proceedings{Schneider & Stöckl 2011a,
 
title = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
 
year = {2011},
 
editor = {Schneider, Jan Georg & Stöckl, Hartmut},
 
publisher = {Halem},
 
address = {Köln},
 
note = {erscheint Frühjahr 2011},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Sachs-Hombach 2005b===
 
<bibentry>
 
@proceedings{Sachs-Hombach 2005b,
 
title = {Bildwissenschaft. Zwischen Reflexion und Anwendung},
 
year = {2005},
 
editor = {Sachs.Hombach, Klaus},
 
publisher = {Halem},
 
address = {Köln},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Sachs-Hombach 2005a===
 
<bibentry>
 
@proceedings{Sachs-Hombach 2005a,
 
title = {Bildwissenschaft. Disziplinen, Themen, Methoden},
 
year = {2005},
 
editor = {Sachs-Hombach, Klaus},
 
publisher = {suhrkamp},
 
address = {Frankfurt/Main},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Royce 1998a===
 
<bibentry>
 
@article{Royce 1998a,
 
author = {Royce, Terry},
 
title = {Synergy on the Page: Exploring Intersemiotic Complementarity in Page-based Multimodal Text},
 
journal = {JASFL Occasional Papers},
 
year = {1998},
 
volume = {1},
 
number = {1},
 
pages = {25-48},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Nöth 2000a===
 
<bibentry>
 
@inproceedings{Nöth 2000a,
 
author = {Nöth, Winfried},
 
title = {Der Zusammenhang von Text und Bild},
 
booktitle = {Text- und Gesprächslinguistik},
 
year = {2000},
 
editor = {Klaus Brinker et al.},
 
pages = {489–496},
 
publisher = {de Gruyter},
 
address = {Berlin},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Martinec & Salway 2005a===
 
<bibentry>
 
@article{Martinec & Salway 2005a,
 
author = {Martinec, Radan & Salway, Andrew},
 
title = {A System for Image-Text-Relations in New (and Old) Media},
 
journal = {Visual Communication},
 
year = {2005},
 
volume = {4},
 
number = {3},
 
pages = {337–371},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Löbner 2003a===
 
<bibentry>
 
@book{Löbner 2003a,
 
author = {Löbner, Sebastian},
 
title = {Semantik. Eine Einführung},
 
year = {2003},
 
editor = {},
 
publisher = {de Gruyter},
 
address = {Berlin},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Leeuwen 2005a===
 
<bibentry>
 
@book{Leeuwen 2005a,
 
author = {Leeuwen, Theo van},
 
title = {Introducing Social Semiotics},
 
year = {2005},
 
editor = {},
 
publisher = {Routledge},
 
address = {London},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Kress 2010a===
 
<bibentry>
 
@book{Kress 2010a,
 
author = {Kress, Gunther},
 
title = {Multimodality. A Social-Semiotic Approach to Contemporary Communication},
 
year = {2010},
 
editor = {},
 
publisher = {Routledge},
 
address = {London},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Kress & Leeuwen 2001a===
 
<bibentry>
 
@book{Kress & Leeuwen 2001a,
 
author = {Kress, Gunther & Leeuwen, Theo van},
 
title = {Multimodal Discourse. The Modes and Media of Contemporary Communication},
 
year = {2001},
 
editor = {},
 
publisher = {Arnold},
 
address = {London},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Kress & Leeuwen 1996a===
 
<bibentry>
 
@book{Kress & Leeuwen 1996a,
 
author = {Kress, Gunther & Leeuwen, Theo van},
 
title = {Reading Images. The Grammar of Visual Design},
 
year = {1996},
 
editor = {},
 
publisher = {Routledge},
 
address = {London},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Jäger 2008a===
 
<bibentry>
 
@inproceedings{Jäger 2008a,
 
author = {Jäger, Ludwig},
 
title = {Transkriptive Verhältnisse. Zur Logik intra- und intermedialer Bezugnahmen in ästhetischen Diskursen},
 
booktitle = {Transkription und Fassung in der Musik des 20. Jahrhunderts. Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004},
 
year = {2008},
 
editor = {Gabriele Buschmeier & Ulrich Konrad & Albrecht Riethmüller},
 
pages = {103-134},
 
publisher = {Franz Steiner},
 
address = {Stuttgart},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Jäger 2002a===
 
<bibentry>
 
@inproceedings{Jäger 2002a,
 
author = {Jäger, Ludwig},
 
title = {Transkriptivität. Zur medialen Logik der kulturellen Semantik},
 
booktitle = {Transkribieren - Medien/Lektüre},
 
year = {2002},
 
editor = {Ludwig Jäger & Georg Stanitzek},
 
pages = {19-41},
 
publisher = {Fink},
 
address = {München},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Jewitt 2009a===
 
<bibentry>
 
@book{Jewitt 2009a,
 
author = {},
 
title = {The Routledge Handbook of Multimodal Analysis},
 
year = {2009},
 
editor = {Jewitt, Carey},
 
publisher = {Routledge},
 
address = {London},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Holly 2010a===
 
<bibentry>
 
@inproceedings{Holly 2010a,
 
author = {Holly, Werner},
 
title = {Bildüberschreibungen. Wie Sprechtexte Nachrichtenfilme lesbar machen (und umgekehrt)},
 
booktitle = {Bildlinguistik},
 
year = {2010},
 
editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
 
pages = {231-254},
 
publisher = {Erich Schmidt},
 
address = {Berlin},
 
note = {erscheint Ende 2010},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Holly 2009a===
 
<bibentry>
 
@inproceedings{Holly 2009a,
 
author = {Holly, Werner},
 
title = {Der Wort-Bild-Reißverschluss. Über die performative Dynamik audiovisueller Transkriptivität},
 
booktitle = {Oberfläche und Performanz. Untersuchungen zur Sprache als dynamischer Gestalt},
 
year = {2009},
 
editor = {Angelika Linke & Helmuth Feilke},
 
pages = {},
 
publisher = {Niemeyer},
 
address = {Tübingen},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Holly 2007a===
 
<bibentry>
 
@inproceedings{Holly 2007a,
 
author = {Holly, Werner},
 
title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’},
 
booktitle = {Linguistische Hermeneutik},
 
year = {2007},
 
editor = {Fritz Hermanns},
 
pages = {389–428},
 
publisher = {Niemeyer},
 
address = {Tübingen},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Holly & Jäger 2011a===
 
<bibentry>
 
@inproceedings{Holly & Jäger 2011a,
 
author = {Holly, Werner & Jäger, Ludwig},
 
title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken},
 
booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
 
year = {2011},
 
editor = {Jan Geog Schneider & Hartmut Stöckl},
 
pages = {},
 
publisher = {Halem},
 
address = {Köln},
 
note = {erscheint Frühjahr 2011},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Geiger & Henn-Memmesheimer 1998a===
 
<bibentry>
 
@article{Geiger & Henn-Memmesheimer 1998a,
 
author = {Geiger, Susi & Henn-Memmesheimer, Beate},
 
title = {Visuell-verbale Textgestaltung von Werbeanzeigen},
 
journal = {Kodikas/Code – Ars Semeiotica},
 
year = {1998},
 
volume = {21},
 
number = {1/2},
 
pages = {55–74},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Gaede 1981a===
 
<bibentry>
 
@book{Gaede 1981a,
 
author = {Gaede, Werner},
 
title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung},
 
year = {1981},
 
editor = {},
 
publisher = {Langen Müller/Herbig},
 
address = {München},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Eddiks 2004a===
 
<bibentry>
 
@misc{Eddiks 2004a,
 
author = {Eddiks, Christina},
 
title = {Dem Emblem auf der Spur},
 
howpublished = {},
 
year = {2004},
 
note = {Diplomarbeit},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Durand 1987a===
 
<bibentry>
 
@inproceedings{Durand 1987a,
 
author = {Durand, Jacques},
 
title = {Rhetorical Figures in the Advertising Image},
 
booktitle = {Marketing and Semiotics},
 
year = {1987},
 
editor = {J.U. Sebeok},
 
pages = {295–318},
 
publisher = {de Gruyter},
 
address = {Berlin},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Doelker 2007a===
 
<bibentry>
 
@inproceedings{Doelker 2007a,
 
author = {Doelker, Christian},
 
title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten},
 
booktitle = {Bildrhetorik},
 
year = {2007},
 
editor = {J. Knape},
 
pages = {71–112},
 
publisher = {Koerner},
 
address = {Baden-Baden},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Diekmannshenke & Klemm & Stöckl 2010a===
 
<bibentry>
 
@book{Diekmannshenke & Klemm & Stöckl 2010a,
 
author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut},
 
title = {Bildlinguistik},
 
year = {2010},
 
editor = {},
 
publisher = {Erich Schmidt},
 
address = {Berlin},
 
note = {erscheint Ende 2010},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Christian 2009a===
 
<bibentry>
 
@book{Christian 2009a,
 
author = {Christian, Alexander},
 
title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung},
 
year = {2009},
 
editor = {},
 
publisher = {Shaker},
 
address = {Aachen},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Drosdowski 1989a===
 
<bibentry>
 
@book{Drosdowski 1989a,
 
author = {Drosdowsi, Günther},
 
title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.},
 
year = {1989},
 
editor = {},
 
publisher = {Dudenverlag 2.},
 
address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Drosdowski 1988a===
 
<bibentry>
 
@book{Drosdowski 1988a,
 
author = {Drosdowsi, Günther},
 
title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wärter im Satz.},
 
year = {1988},
 
editor = {},
 
publisher = {Dudenverlag 2.},
 
address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Dudenredaktion 2003a===
 
<bibentry>
 
@book{Dudenredaktion 2003a,
 
author = {Dudenredaktion (Hg.)},
 
title = {DUDEN. Das Stilwörterbuch.},
 
year = {2003},
 
editor = {},
 
publisher = {Dudenverlag 8.},
 
address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Graumann 1966a===
 
<bibentry>
 
@book{Graumann 1966a,
 
author = {Graumann, Carl Friedrich},
 
title = {Grundzüge der Verhaltensbeobachtung},
 
year = {1966},
 
editor = {in: Meyer, Ernst / Maier, Hans: Fernsehen in der Lehrerbildung, Neue Forschungsansätze in Pädagogik.},
 
publisher = {Manz 1966, S. 86-107.},
 
address = {München},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Kluge 2002a===
 
<bibentry>
 
@book{Kluge 2002a,
 
author = {Kluge, Friedrich},
 
title = {Etymologisches Wörterbuch der deutschen Sprache.},
 
year = {2002},
 
editor = {Bearbeitet von Elmar Seebold. 24.},
 
publisher = {de Gruyter.},
 
address = {Berlin, New York},
 
note = {durchgesehene und erweiterte Auflage.},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Müller 1985a===
 
<bibentry>
 
@book{Müller 1985a,
 
author = {Müller, Wolfgang},
 
title = {DUDEN Bedeutungswörterbuch = DUDEN Band 10},
 
year = {1985},
 
editor = {},
 
publisher = {Dudenverlag},
 
address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Schulze 2000a===
 
<bibentry>
 
@book{Schulze 2000a,
 
author = {Schulze, Gerhard},
 
title = {Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe.},
 
year = {2000},
 
editor = {},
 
publisher = {Campus-Verlag},
 
address = {Frankfurt am Main, New York},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Strauß 1998a===
 
<bibentry>
 
@book{Strauß 1998a,
 
author = {Strauß, Bernd (Hg.)},
 
title = {Zuschauer},
 
year = {1998},
 
editor = {},
 
publisher = {Hogrefe},
 
address = {Göttingen [u.a.]},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
 
 
 
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==A==
 
==A==
===Adelmann 2004a===
+
{{Bibliography-A}}
<bibentry>
 
@inproceedings{Adelmann 2004a,
 
author = {Adelmann, Ralf},
 
title = {Digitale Animationen in dokumentarischen Fernsehformaten?},
 
booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
 
year = {2004},
 
editor = {Schröter & Böhnke},
 
pages = {387-406},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Adelmann 2009a===
 
<bibentry>
 
@proceedings{Adelmann 2009a,
 
editor = {Adelmann, Ralf},
 
title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften},
 
year = {2009},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Amelunxen 1996a===
 
<bibentry>
 
@book{Amelunxen 1996a,
 
author = {Amelunxen, Hubertus},
 
title = {Fotografie nach der Fotografie},
 
year = {1996}, 
 
publisher = {},
 
address = {Dresden u.a.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Appadurai 2003a===
 
<bibentry>
 
@inproceedings{Appadurai 2003a,
 
author = {Appadurai, Arjun},
 
title = {Archive and Aspiration},
 
booktitle = {Information is Alive},
 
year = {2004},
 
editor = {Brouwer, Joke; Mulder, Arjen},
 
pages = {14-25},
 
publisher = {},
 
address = {Rotterdam},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Austin 1972a===
 
<bibentry>
 
@book{Austin 1972a,
 
author = {Austin, John L.},
 
title = {Zur Theorie der Sprechakte},
 
year = {1972},
 
publisher = {Reclam},
 
address = {Stuttgart},
 
note = {orig.: How to do things with Words, 1962},
 
}
 
</bibentry>
 
  
 
==B==
 
==B==
===Badakshi 2006a===
+
{{Bibliography-B}}
<bibentry>
 
@inproceedings{Badakshi 2006a,
 
author = {Badakshi, Harun},
 
title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin},
 
booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit},
 
year = {2006},
 
editor = {Hinterwaldner, Inge; Buschhaus, Markus},
 
pages = {199-205},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Badt 1963a===
 
<bibentry>
 
@book{Badt 1963a,
 
author = {Badt, Kurt },
 
title = {Raumphantasien und Raumillusionen. Wesen der Plastik}
 
year = {1963},
 
publisher = {DuMont},
 
address = {Köln},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Balazs 2001a===
 
<bibentry>
 
@book{Balazs 2001a,
 
author = {Balazs, Bela},
 
title = {Der Geist des Films},
 
year = {2001},
 
publisher = {Suhrkamp},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Barthes 1977a===
 
<bibentry>
 
@inproceedings{Barthes 1977a,
 
author = {Barthes, Roland},
 
title = {Rhetoric of the Image},
 
booktitle = {Image, Music, Text},
 
year = {1977},
 
editor = {Stephen Heath},
 
pages = {32–51},
 
publisher = {Fontana},
 
address = {London},
 
note = {orig. 1964 in Communications},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Batchen 1998a===
 
<bibentry>
 
@article{Batchen 1998a,
 
author = {Batchen, Geoffrey},
 
title = {Photogenics/Fotogenik},
 
journal = {Camera Austria},
 
year = {1998},
 
volume = {},
 
number = {62/63},
 
pages = {5-16},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Baudrillard 1978a===
 
<bibentry>
 
@book{Baudrillard 1978a,
 
author = {Baudrillard, Jean},
 
title = {Agonie des Realen},
 
year = {1978},
 
publisher = {Merve},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Baudrillard 2000a===
 
<bibentry>
 
@inproceedings{Baudrillard 2000a,
 
author = {Baudrillard, Jean},
 
title = {Das perfekte Verbrechen},
 
booktitle = {Theorie der Fotografie IV 1980-1995},
 
year = {2000},
 
editor = {von Amelunxen},
 
pages = {256-260},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Baumberger 2010===
 
<bibentry>
 
@book{Baumberger 2010,
 
author = {Baumberger, Christoph},
 
title = {Gebaute Zeichen. Eine Symboltheorie der Architektur},
 
year = {2010},
 
publisher = {Ontos},
 
address = {Heusenstamm},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Batchen 2000a===
 
<bibentry>
 
@inproceedings{Batchen 2000a,
 
author = {Batchen, Geoffrey},
 
title = {Ectoplasm. Photography in the Digital Age},
 
booktitle = {Over Exposed. Essays on Contemporary Photography},
 
year = {2000},
 
editor = {Squiers, Carol},
 
pages = {9.23},
 
publisher = {},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bechtloff 2001a===
 
<bibentry>
 
@article{Bechtloff 2001a,
 
author = {Bechtloff, Dieter (Hg.)},
 
title = {Choreographie der Gewalt},
 
journal = {Kunstforum International},
 
year = {2001},
 
volume = {},
 
number = {Hefte 153, 155 & 156},
 
pages = {},
 
note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit},
 
}
 
</bibentry>
 
 
 
===Beil 2010a===
 
<bibentry>
 
@book{Beil 2010a,
 
author = {Beil, Benjamin},
 
title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel},
 
year = {2010},
 
publisher = {},
 
address = {Münster},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Berz 2009a===
 
<bibentry>
 
@inproceedings{Berz 2009a,
 
author = {Berz, Peter},
 
title = {Bitmapped Graphic},
 
booktitle = {Zeitkritische Medien},
 
year = {2009},
 
editor = {Volmar, Axel},
 
pages = {127-154},
 
publisher = {},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bloomfield 1933a===
 
<bibentry>
 
@book{Bloomfield 1933a,
 
author = {Bloomfield, Leonard},
 
title = {Language},
 
year = {1933},
 
publisher = {Henry Holt and Co},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Boehm 1994a===
 
<bibentry>
 
@inproceedings{Boehm_1994a,
 
author = {Boehm, Gottfried},
 
title = {Die Bilderfrage},
 
booktitle = {Was ist ein Bild?},
 
year = {1994},
 
editor = {Gottfried Boehm},
 
pages = {325-343},
 
publisher = {Fink},
 
address = {München},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Bonsiepe 1968a===
 
<bibentry>
 
@article{Bonsiepe 1968a,
 
author = {Bonsiepe, Gui},
 
title = {Visuell/Verbale Rhetorik},
 
journal = {Format: Zeitschrift für visuelle Kommunikation},
 
year = {1968},
 
volume = {},
 
number = {17},
 
pages = {11–18},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Bousso 2002a===
 
<bibentry>
 
@article{Bousso 2002a,
 
author = {Bousso, Raphael},
 
title = {The Holographic Principle},
 
journal = {Reviews of Modern Physics},
 
year = {2002},
 
volume = {},
 
number = {74},
 
pages = {825-874},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Brachfeld 1976a===
 
<bibentry>
 
@inproceedings{Brachfeld_1976a,
 
author = {Brachfeld, Otto},
 
title = {Image},
 
booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4},
 
year = {1976},
 
editor = {Joachim Ritter et al.},
 
pages = {215-217},
 
publisher = {Schwabe Verlag},
 
address = {Basel},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Brunet 2008a===
 
<bibentry>
 
@inproceedings{Brunet 2008a,
 
author = {Brunet, François},
 
title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs},
 
booktitle = {The Meaning of Photography},
 
year = {2008},
 
editor = {Kelsey, Robin; Stimson, Blake},
 
pages = {34-49},
 
publisher = {},
 
address = {Williamstown},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bruno 2007a===
 
<bibentry>
 
@book{Bruno 2007a,
 
author = {Bruno, Giuliana},
 
title = {Public Intimacy. Architecture and the Visual Arts},
 
year = {2007},
 
publisher = {MIT Press},
 
address = {Cambridge},
 
note = {},
 
}
 
</bibentry>
 
 
 
 
 
===Bucher 2011a===
 
<bibentry>
 
@inproceedings{Bucher 2011a,
 
author = {Bucher, Hans-Jürgen},
 
title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.},
 
booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
 
year = {2011},
 
editor = {Jan Georg Schneider & Hartmut Stöckl},
 
pages = {},
 
publisher = {Halem},
 
address = {Köln},
 
note = {im Druck},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Bucher2010a===
 
<bibentry>
 
@inproceedings{Bucher2010a,
 
author = {Bucher, Hans-Jürgen},
 
title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität},
 
booktitle = {Bildlinguistik},
 
year = {2010},
 
editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
 
pages = {121-156},
 
publisher = {Erich Schmidt},
 
address = {Berlin},
 
note = {im Druck},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Buchwald 1989a===
 
<bibentry>
 
@book{Buchwald 1989a,
 
author = {Buchwald, Jed Z.},
 
title = {The Rise of the Wave Theory of Light},
 
year = {1989},
 
publisher = {},
 
address = {Chicago},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bühler 1933a===
 
<bibentry>
 
@book{Bühler 1933a,
 
author = {Bühler, Karl},
 
title = {Axiomatik der Sprachwissenschaften},
 
year = {1933},
 
publisher = {Klostermann},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Burckhardt 2001a===
 
<bibentry>
 
@inproceedings{Burckhardt 2001a,
 
author = {Burckhardt, Jacob},
 
title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens},
 
booktitle = {Werke. Kritische Gesamtausgabe},
 
year = {2001},
 
editor = {B. Roeck et al.},
 
pages = {Bd. 2},
 
publisher = {Beck},
 
address = {München/Basel},
 
note = {Erstveröffentlichung 1855},
 
}
 
</bibentry>
 
 
 
===Büttner & Gottdank 2009a===
 
<bibentry>
 
@book{Büttner & Gottdank 2009a,
 
author = {Büttner, Frank & Gottdank, Andrea},
 
title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten},
 
year = {2009},
 
editor = {},
 
publisher = {Beck},
 
address = {München},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
  
 
==C==
 
==C==
===Carlbom & Paciorek 1978a===
+
{{Bibliography-C}}
<bibentry>
 
@article{Carlbom & Paciorek 1978a,
 
author = {Carlbom, Ingrid; Paciorek, Joseph},
 
title = {Planar Geometric Projections and Viewing Transformations},
 
journal = {ACM Computing Surveys},
 
year = {1978},
 
volume = {10},
 
number = {4},
 
pages = {465-502},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Carnap 1947a===
 
<bibentry>
 
@book{Carnap 1947a,
 
author = {Carnap, Rudolf},
 
title = {Meaning and Necessity: A Study in Semantics and Modal Logic},
 
year = {1947},
 
publisher = {Univ. Press},
 
address = {Chicago, IL},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Cunningham et al. 1995a===
 
<bibentry>
 
@article{Cunningham et al. 1995a,
 
author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan},
 
title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness},
 
journal = {J. Personality and Social Psychology},
 
year = {1995},
 
volume = {68},
 
number = {},
 
pages = {261-279},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Cunningham 1986a===
 
<bibentry>
 
@article{Cunningham 1986a,
 
author = {Cunningham, M.R.},
 
title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty},
 
journal = {J. Personality and Social Psychology},
 
year = {1986},
 
volume = {50},
 
number = {},
 
pages = {925-935},
 
note = {},
 
}
 
</bibentry>
 
  
 
==D==
 
==D==
===Darwin 1872a===
+
{{Bibliography-D}}
<bibentry>
 
@book{Darwin 1872a,
 
author = {Darwin, Charles},
 
title = {On the Expression of the Emotions in Man and Animals},
 
year = {1872},
 
publisher = {Murray},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Davies 1991===
 
<bibentry>
 
@article{Davies 1991,
 
author = {Davies, David},
 
title = {Works, Texts, and Contexts. Goodman on the Literary Artwork},
 
journal = {Canadian Journal of Philosophy},
 
year = {1991},
 
volume = {21},
 
number = {},
 
pages = {331-346},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Deleuze 1989a===
 
<bibentry>
 
@book{Deleuze 1989a,
 
author = {Deleuze, Gilles},
 
title = {Das Bewegungs-Bild. Kino1},
 
year = {1989},
 
publisher = {Suhrkamp},
 
address = {Frankfurt a. M},
 
note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983},
 
}
 
</bibentry>
 
 
 
===Demuth 2007a===
 
<bibentry>
 
@inproceedings{Demuth 2007a,
 
author = {Demuth, Volker},
 
title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume},
 
booktitle = {RAUM. Orte der Kunst},
 
year = {2007},
 
editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
 
pages = {89-104},
 
publisher = {Verlag für moderne Kunst},
 
address = {Nürnberg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Depaulo 1992a===
 
<bibentry>
 
@article{Depaulo 1992a,
 
author = {DePaulo, B. M. },
 
title = {Nonverbal Behavior and Self Presentation},
 
journal = {Psychological Bulletin},
 
year = {1992},
 
volume = {111},
 
number = {2},
 
pages = {203-243},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Derrida 1992a===
 
<bibentry>
 
@book{Derrida 1992a,
 
author = {Derrida, J.},
 
title = {Die Wahrheit in der Malerei},
 
year = {1992},
 
publisher = {},
 
address = {Wien},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Dion 2002a===
 
<bibentry>
 
@inproceedings{Dion 2002a,
 
author = {Dion, K. K.},
 
title = {Cultural Perspectives on Facial Attractiveness},
 
booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives},
 
year = {2002},
 
editor = {G. Rhodes & L.A. Zebrowitz },
 
pages = {239-260},
 
publisher = {Ablex},
 
address = {Westport, CT},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Drosdowski 1988a===
 
<bibentry>
 
@book{Drosdowski 1988a,
 
author = {Drosdowski, Günther},
 
title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wärter im Satz.},
 
year = {1988},
 
publisher = {Dudenverlag},
 
address = {Mannheim [u.a.]},
 
note = {7., völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {= DUDEN Band 2},
 
}
 
</bibentry>
 
  
 
==E==
 
==E==
===Eibl-Eibesfeldt & Sütterlin 1992a===
+
{{Bibliography-E}}
<bibentry>
 
@book{Eibl-Eibesfeldt & Sütterlin 1992a,
 
author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
 
title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik},
 
year = {1992},
 
publisher = {Piper},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt & Sütterlin 2008a===
 
<bibentry>
 
@book{Eibl-Eibesfeldt & Sütterlin 2008a,
 
author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
 
title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation},
 
year = {2008},
 
publisher = {Brandstätter},
 
address = {Wien},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt 1995a===
 
<bibentry>
 
@book{Eibl-Eibesfeldt 1995a,
 
author = {Eibl-Eibesfeldt. I. },
 
title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie},
 
year = {1995},
 
publisher = {Piper},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt 1973a===
 
<bibentry>
 
@inproceedings{Eibl-Eibesfeldt 1973a,
 
author = {Eibl-Eibesfeldt I. },
 
title = {The expressive behavior of the deaf- and blind born},
 
booktitle = {Social Communication and Movement},
 
year = {1973},
 
editor = {M. v. Cranach & I. Vine},
 
pages = {163-194},
 
publisher = {Academic Press},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ekman 1973b===
 
<bibentry>
 
@inproceedings{Ekman 1973b,
 
author = {Ekman, P. },
 
title = {Cross cultural studies of facial expression},
 
booktitle = {Darwin and Facial Expression},
 
year = {1973},
 
editor = {P. Ekman},
 
pages = {169-222},
 
publisher = {Academic Press},
 
address = {New York, London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ekman 1973a===
 
<bibentry>
 
@proceedings{Ekman 1973a,
 
editor = {Ekman, P. },
 
title = {Darwin and Facial Expression},
 
year = {1973},
 
publisher = {Academic Press},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Elgin 1992===
 
<bibentry>
 
@inproceedings{Elgin 1992,
 
author = {Elgin, Catherine Z.},
 
title = {Notation},
 
booktitle = {A Companion to Aesthetics},
 
year = {1992},
 
editor = {Cooper, David},
 
pages = {307-309},
 
publisher = {Blackwell},
 
address = {Oxford},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Elgin 1983===
 
<bibentry>
 
@book{Elgin 1983,
 
author = {Elgin, Catherine Z.},
 
title = {With Reference to Reference},
 
year = {1983},
 
publisher = {Hackett},
 
address = {Indianapolis},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Elkins 1999===
 
<bibentry>
 
@book{Elkins 1999,
 
author = {Elkins, James},
 
title = {The Domain of Images},
 
year = {1999},
 
publisher = {Cornell University Press},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ellgring 1989a===
 
<bibentry>
 
@book{Ellgring 1989a,
 
author = {Ellgring, H.},
 
title = {Nonverbal communication in depression},
 
year = {1989},
 
publisher = {},
 
address = {Cambridge},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ernst & Heidenreich 1999a===
 
<bibentry>
 
@inproceedings{Ernst & Heidenreich 1999a,
 
author = {Ernst, Wolfgang; Heidenreich, Stefan},
 
title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül},
 
booktitle = {Konfigurationen. Zwischen Kunst und Medien},
 
year = {1999},
 
editor = {Schade, Sigrid; Tholen, Georg Christoph},
 
pages = {306-320},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ernst et al. 2003a===
 
<bibentry>
 
@proceedings{Ernst et al. 2003a,
 
editor = {Ernst, Wolfgang et al.},
 
title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
 
year = {2003},
 
publisher = {},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Etcoff 2001a===
 
<bibentry>
 
@book{Etcoff 2001a,
 
author = {Etcoff, N. },
 
title = {Nur die Schönsten überleben. Die Ästhetik des Menschen},
 
year = {2001},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
  
 
==F==
 
==F==
===Fantz 1966a===
+
{{Bibliography-F}}
<bibentry>
 
@inproceedings{Fantz 1966a,
 
author = {Fantz, R.L. },
 
title = {Pattern discrimination and selective attention as determinants of perceptual development from birth},
 
booktitle = {Perceptual Development in Children},
 
year = {1966},
 
editor = {A.H. Kidd & J.L Rivoire},
 
pages = {143-173},
 
publisher = {University Press},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ferino-Pagden 2009a===
 
<bibentry>
 
@proceedings{Ferino-Pagden 2009a,
 
title = {Wir sind Maske},
 
year = {2009},
 
editor = {Ferino-Pagden, S. },
 
publisher = {Kunsthistorisches Museum},
 
address = {Wien},
 
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Fiske 2001a===
 
<bibentry>
 
@inproceedings{Fiske 2001a,
 
author = {Fiske, John },
 
title = {Videotech},
 
booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse},
 
year = {2003},
 
editor = {Adelmann, Ralf et al.},
 
publisher = {},
 
address = {Konstanz},
 
note = {},
 
pages = {484-502},
 
}
 
</bibentry>
 
 
 
===Flügge et al. 2007a===
 
<bibentry>
 
@inproceedings{Flügge et al. 2007a,
 
author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela},
 
title = {Vorwort und Dank},
 
booktitle = {RAUM. Orte der Kunst},
 
year = {2007},
 
editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
 
pages = {6-9},
 
publisher = {Verlag für moderne Kunst},
 
address = {Nürnberg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Foley et al. 1990a===
 
<bibentry>
 
@book{Foley et al. 1990a,
 
author = {Foley, James D.; van Dam; Feiner & Hughes },
 
title = {Computer Graphics. Principles and Practice},
 
year = {1990},
 
publisher = {Addison Wesley},
 
address = {Reading, MA},
 
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}
 
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===Fox 2006a===
 
<bibentry>
 
@book{Fox 2006a,
 
author = {Fox, Mark},
 
title = {Quantum Optics. An Introduction},
 
year = {2006},
 
publisher = {},
 
address = {Oxford},
 
note = {},
 
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==G==
 
==G==
===Galison 1997a===
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{{Bibliography-G}}
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title = {Image and Logic. A Material Culture of Microphysics},
 
year = {1997},
 
publisher = {},
 
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===Gerhardus et al. 1975a===
 
<bibentry>
 
@book{Gerhardus et al. 1975a,
 
author = {Gerhardus, Dietfried & Kledzik, S.M. & Reitzig, G.H.},
 
title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch},
 
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===Gerstengrabe et al. 2010a===
 
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@article{Gerstengrabe et al. 2010a,
 
author = {Gerstengrabe, Carina; Lang, Katharina & Schneider, Anna},
 
title = {Wasserzeichen. Vom 13. Jahrhundert bis zum Digital Watermarking. Kulturen des Kopierschutzes
 
II},
 
journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
 
year = {2010},
 
volume = {10},
 
number = {2},
 
pages = {9-61},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Glüher 1998a===
 
<bibentry>
 
@article{Glüher 1998a,
 
author = {Glüher, Gebhard},
 
title = {Von der Theorie der Fotografie zur Theorie des digitalen Bildes},
 
journal = {Kritische Berichte},
 
year = {1998},
 
volume = {},
 
number = {2},
 
pages = {23-31},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Gooch & Gooch 2001a===
 
<bibentry>
 
@book{Gooch & Gooch 2001a,
 
author = {Gooch, Bruce & Gooch, Amy},
 
title = {Non-Photorealistic Rendering},
 
year = {2001},
 
publisher = {},
 
address = {Natick, MA. },
 
note = {},
 
}
 
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===Goodman 1968a===
 
<bibentry>
 
@book{Goodman 1968a,
 
author = {Goodman, Nelson},
 
title = {Languages of Art},
 
year = {1968, 2. rev. Aufl. 1976},
 
publisher = {Hackett},
 
address = {Indianapolis},
 
note = {dt.: Sprachen der Kunst. Suhrkamp 1998},
 
}
 
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===Goodman & Elgin 1988===
 
<bibentry>
 
@book{Goodman & Elgin 1988,
 
author = {Goodman, Nelson & Elgin, Catherine Z.},
 
title = {Reconceptions in Philosophy and Other Arts and Sciences},
 
year = {1988},
 
publisher = {Hackett},
 
address = {Indianapolis},
 
note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2008a===
 
<bibentry>
 
@article{Grabbe_Kruse_2008a,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Empathische Cues und die Möglichkeit einer Affekt-Sprache des Films},
 
journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
 
year = {2008},
 
volume = {31},
 
number = {3-4},
 
pages = {289-298},
 
publisher = {Gunter Narr},
 
address = {Tübingen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2008b===
 
<bibentry>
 
@article{Grabbe_Kruse_2008b,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Gewalt als Erlebnis. Die somatische Decodierung als Strategie des Filmerlebens in CLOVERFIELD},
 
journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
 
year = {2008},
 
volume = {31},
 
number = {3-4},
 
pages = {299-312},
 
note = {},
 
publisher = {Gunter Narr},
 
address = {Tübingen},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2009===
 
<bibentry>
 
@inproceedings{Grabbe_Kruse_2009,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Roland Barthes: Zeichen, Kommunikation und Mythos},
 
booktitle = {Schlüsselwerke der Cultural Studies},
 
year = {2009},
 
editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja},
 
pages = {21-31},
 
publisher = {VS/GWV},
 
address = {Wiesbaden},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Grieshofer 2009a===
 
<bibentry>
 
@inproceedings{Grieshofer 2009a,
 
author = {Grieshofer, F. },
 
title = {Masken im Brennpunkt musealer Sammeltätigkeit},
 
booktitle = {Wir sind Maske},
 
year = {2009},
 
editor = {Ferino-Pagden, S.},
 
pages = {},
 
publisher = {Kunsthistorisches Museum},
 
address = {Wien},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Groß et al. 1981a===
 
<bibentry>
 
@inproceedings{Groß et al. 1981a,
 
author = {Gross, C.G.; Bruce, C.J.; Desimone, R.; Fleming, J. & Gattass, R.},
 
title = {Cortical visual areas of the temporal lobe: Three areas in the macaque},
 
booktitle = {Cortical Sensory Organization. Vol. 2: Multiple Visual Areas},
 
year = {1981},
 
editor = {C.N. Woolsey},
 
pages = {187-216},
 
publisher = {Humana Press},
 
address = {Totowa N.J.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Günzel 2006a===
 
<bibentry>
 
@article{Günzel 2006a,
 
author = {Günzel, Stephan},
 
title = {Bildtheoretische Analyse von Computerspielen in der Perspektive Erste Person},
 
journal = {IMAGE},
 
year = {2006},
 
volume = {},
 
number = {4},
 
pages = {31-43},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Günzel 2008a===
 
<bibentry>
 
@inproceedings{Günzel 2008a,
 
author = {Günzel, Stephan},
 
title = {Die Realität des Simulationsbildes. Raum im Computerspiel},
 
booktitle = {Die Realität der Imagination - Architektur und das digitale Bild},
 
year = {2008},
 
pages = {127-136},
 
publisher = {},
 
address = {Weimar},
 
note = {10. internationales Bauhaus-Kolloquium},
 
}
 
</bibentry>
 
 
 
===Günzel 2009a===
 
<bibentry>
 
@inproceedings{Günzel 2009a,
 
author = {Günzel, Stephan},
 
title = {Simulation und Perspektive. Der bildtheoretische Ansatz in der Computerspielforschung},
 
booktitle = {Shooter: eine multdisziplinäre Einführung},
 
year = {2010},
 
editor = {Bopp, Matthias; Wiemer, Serjoscha & Nohr,Rolf F.},
 
pages = {331-352},
 
publisher = {},
 
address = {Münster},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Günzel 2010a===
 
<bibentry>
 
@inproceedings{Günzel 2010a,
 
author = {Günzel, Stephan},
 
title = {Die Geste des Manipulierens. Zu Gebrauch statischer und beweglicher Digitalbilder}, 
 
booktitle = {Freeze Frames. Zum Verhältnis von Fotografie und Film},
 
year = {2010},
 
editor = {Diekmann & Gerlin},
 
pages = {114-129},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
  
 
==H==
 
==H==
===Hagen 2002a===
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author = {Hagen, Wolfgang},
 
title = {Die Entropie der Fotografie. Skizzen zu einer Genealogie der digitalelektronischen Bildaufzeichnung},
 
booktitle = {Paradigma Fotografie},
 
year = {2002},
 
editor = {Wolf},
 
pages = {195-238},
 
publisher = {},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
  
===Hagen 2002b===
+
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<bibentry>
 
@inproceedings{Halliday 1996a,
 
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<bibentry>
 
@inproceedings{Hansen 2005a,
 
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@inproceedings{Hegel 1970a,
 
author = {Hegel, Georg W. F.},
 
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author = {Heidegger, Martin},
 
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@article{Herter 1947a,
 
author = {Herter, H. },
 
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journal = {Darstellung und Deutung},
 
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<bibentry>
 
@misc{Heßler 2006a,
 
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title = {Von der doppelten Unsichtbarkeit digitaler Bilder},
 
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url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf},
 
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<bibentry>
 
@inproceedings{Hildebrand 1969a,
 
author = {Hildebrand, Adolf von},
 
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year = {1969, Erstveröffentlichung 1903},
 
editor = {H. Bock},
 
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author = {Hinterwaldner, Inge},
 
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booktitle = {Visuelle Modelle},
 
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editor = {Reichle, Ingeborg; Siegel, Steffen & Spelten, Achim},
 
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<bibentry>
 
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author = {Hofmann, Werner },
 
title = {Spielräume und Raumverstecke},
 
booktitle = {RAUM. Orte der Kunst},
 
year = {2007},
 
editor = { M. Flügge, R. Kudielka & A. Lammert},
 
pages = {10-22},
 
publisher = {Verlag für moderne Kunst},
 
address = {Nürnberg},
 
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}
 
</bibentry>
 
 
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<bibentry>
 
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author = {Holmes, Sir Oliver Wendell},
 
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booktitle = {Theorie der Fotografie I. 1839-1912},
 
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<bibentry>
 
@inproceedings{Holschbach 2003a,
 
author = {Holschbach, Susanne},
 
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year = {2003},
 
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==I==
 
 
==J==
 
==J==
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<bibentry>
 
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<bibentry>
 
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<bibentry>
 
@article{Jonas 1961a,
 
author = {Jonas, Hans},
 
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<bibentry>
 
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==K==
 
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author = {Kant, I.},
 
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author = {Kittler, Friedrich},
 
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==L==
 
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===Latour 2007a===
 
<bibentry>
 
@book{Latour 2007a,
 
author = {Latour, Bruno},
 
title = {Eine neue Soziologie für eine neue Gesellschaft. Einführung in die Akteur-Netzwerk-Theorie},
 
year = {2007},
 
publisher = {},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Law & Whittaker 1988a===
 
<bibentry>
 
@inproceedings{Law & Whittaker 1988a,
 
author = {Law, John & Whittaker, John},
 
title = {On the Art of Representation. Notes on the Politics of Visualisation},
 
booktitle = {Picturing Power: Visual Depiction and Social Relations},
 
year = {1988},
 
editor = {Fyfe, Gordon & Law, John},
 
pages = {160-183},
 
publisher = {},
 
address = {},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lefebvre 2007a===
 
<bibentry>
 
@inproceedings{Lefebvre 2007a,
 
author = {Lefebvre, Martin},
 
title = {The Art of Pointing: On Peirce, Indexicality, and Photographic Images},
 
booktitle = {Photography Theory},
 
year = {2007},
 
editor = {Elkins, James},
 
pages = {220-244},
 
publisher = {},
 
address = {New York u. a.},
 
note = {},
 
}
 
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===Lessing 1974a===
 
<bibentry>
 
@inproceedings{Lessing 1974a,
 
author = {Lessing, Gotthold Ephraim},
 
title = {Laokoon oder über die Grenzen der Malerei und Poesie},
 
booktitle = {Werke, Bd. 6},
 
year = {1974},
 
editor = {Göpfert, H. G.},
 
pages = {7-187},
 
publisher = {Hanser},
 
address = {München},
 
note = {Erstveröffentlichung 1766},
 
}
 
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===Levinson 1990b===
 
<bibentry>
 
@inproceedings{Levinson 1990b,
 
author = {Levinson, Jerrold},
 
title = {Autographic and Allographic Art Revisited},
 
booktitle = {Music, Art, and Metaphysics},
 
year = {1990},
 
editor = {Levinson, Jerrold},
 
pages = {89-106},
 
publisher = {Cornell University Press},
 
address = {Ithaca},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Levinson 1990a===
 
<bibentry>
 
@inproceedings{Levinson 1990a,
 
author = {Levinson, Jerrold},
 
title = {What a Musical Work is},
 
booktitle = {Music, Art, and Metaphysics},
 
year = {1990},
 
editor = {Levinson, Jerrold},
 
pages = {63-88},
 
publisher = {Cornell University Press},
 
address = {Ithaca},
 
note = {},
 
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===Lipps 1920a===
 
<bibentry>
 
@inproceedings{Lipps 1920a,
 
author = {Lipps, Theodor },
 
title = {»Zur Einfühlung«, in: Psychologische Untersuchungen 2/3, 1913},
 
booktitle = {Die ästhetische Betrachtung und die bildende Kunst},
 
year = {1920},
 
editor = {},
 
pages = {111-491},
 
publisher = {Voss},
 
address = {Leipzig},
 
note = {},
 
}
 
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===Lorenz 1970a===
 
<bibentry>
 
@book{Lorenz 1970a,
 
author = {Lorenz, Kuno},
 
title = {Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie},
 
year = {1970},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Luhmann 1996a===
 
<bibentry>
 
@book{Luhmann 1996a,
 
author = {Luhmann, Niklas},
 
title = {Realität der Massenmedien},
 
year = {1996},
 
publisher = {},
 
address = {Opladen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Luhmann 1997a===
 
<bibentry>
 
@book{Luhmann 1997a,
 
author = {Luhmann, Niklas},
 
title = {Die Kunst der Gesellschaft},
 
year = {1997},
 
publisher = {},
 
address = {Frankfurt a. M.},
 
note = {},
 
}
 
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===Lunenfeld 2002a===
 
<bibentry>
 
@inproceedings{Lunenfeld 2002a,
 
author = {Levinson, Jerrold},
 
title = {Digitale Fotografie. Das dubitative Bild},
 
booktitle = {Paradigma Fotografies},
 
year = {2002},
 
editor = {Wolf, Herta},
 
pages = {158-177},
 
publisher = {},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lynch & Edgerton 1988a===
 
<bibentry>
 
@inproceedings{Lynch & Edgerton 1988a,
 
author = {Lynch, Michael & Edgerton, Samuel Y.},
 
title = {Aesthetics and Digital Image Processing. Re-presentational Craft in Contemporary Astronomy},
 
booktitle = {Picturing Power: Visual Depiction and Social Relations},
 
year = {1988},
 
editor = {Fyfe, Gordon & Law, John},
 
pages = {184-220},
 
publisher = {},
 
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note = {},
 
}
 
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==M==
 
==M==
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title = {The Language of New Media},
 
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<bibentry>
 
@inproceedings{Manovich 2005a,
 
author = {Manovich, Lev},
 
title = {Die Poetik des erweiterten Raums},
 
booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
 
year = {2005},
 
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pages = {337-350},
 
publisher = {Verlag für moderne Kunst},
 
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===Mead 1968a===
 
<bibentry>
 
@book{Mead 1968a,
 
author = {Mead, George Herbert},
 
title = {Geist, Identität und Gesellschaft aus der Sicht des Sozialbehaviorismus},
 
year = {1968},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
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}
 
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===Mitchell 1986a===
 
<bibentry>
 
@book{Mitchell_1986a,
 
author = {Mitchell, William James Thomas},
 
title = {Iconology. Image, Text, Ideology},
 
year = {1986},
 
editor = {},
 
publisher = {University of Chicago Press},
 
address = {London, Chicago},
 
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===Mitchell 1992a===
 
<bibentry>
 
@book{Mitchell 1992a,
 
author = {Mitchell, William J.},
 
title = {The Reconfigured Eye. Visual Truth in the Post-Photographic Era},
 
year = {1992},
 
publisher = {},
 
address = {Cambridge, MA},
 
note = {},
 
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===Mitchell 2007a===
 
<bibentry>
 
@inproceedings{Mitchell 2007a,
 
author = {Mitchell, William J.},
 
title = {Realismus im digitalen Bild},
 
booktitle = {Bilderfragen. Die Bildwissenschaften im Aufbruch},
 
year = {2007},
 
editor = {Belting, Hans},
 
pages = {237-256},
 
publisher = {},
 
address = {München},
 
note = {},
 
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===Morris 1994a===
 
<bibentry>
 
@book{Morris 1994a,
 
author = {Morris, D.},
 
title = {Das Tier Mensch},
 
year = {1994},
 
publisher = {Verlagsgesellschaft},
 
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note = {},
 
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===Müller-Beck & Albrecht 1978a===
 
<bibentry>
 
@book{Müller-Beck & Albrecht 1978a,
 
author = {Müller-Beck, H. & Albrecht, G. },
 
title = {Die Anfänge der Kunst vor 30'000 Jahren},
 
year = {1978},
 
publisher = {Theiss},
 
address = {Stuttgart},
 
note = {},
 
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}
 
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===Musterle & Roessler 1986a===
 
<bibentry>
 
@article{Musterle & Roessler 1986a,
 
author = {Musterle, W.A. & Roessler, O.E.},
 
title = {Computer faces: The human Lorenz Matrix},
 
journal = {Bio Systems},
 
year = {1986},
 
volume = {19},
 
number = {},
 
pages = {61-80},
 
note = {},
 
}
 
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==N==
 
==N==
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author = {Naef, Silvia},
 
title = {Bilder und Bilderverbot im Islam},
 
year = {2007},
 
editor = {},
 
publisher = {C. H. Beck},
 
address = {München},
 
note = {},
 
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}
 
</bibentry>
 
  
 
==O==
 
==O==
 
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author = {Ott, Michaela},
 
title = {Der unbestimmte Raum in Philosophie und Film},
 
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editor = {},
 
publisher = {},
 
address = {},
 
note = {},
 
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}
 
</bibentry>
 
  
 
==P==
 
==P==
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@inproceedings{Pang 2002a,
 
author = {Pang, Alex Soojung-Kim},
 
title = {Technologie und Ästhetik der Astrofotografie},
 
booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie},
 
year = {2002},
 
editor = {Geimer, Peter},
 
pages = {101-141},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
  
===Panofsky 1924a===
+
==Q==
<bibentry>
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@inproceedings{Panofsky 1924a,
 
author = {Panofsky, Erwin},
 
title = {Die Perspektive als symbolische Form (1924)},
 
booktitle = {Erwin Panofsky, Deutschsprachige Aufsätze Bd. 2},
 
year = {1998},
 
editor = {K. Michels & M. Warnke},
 
pages = {664-757},
 
publisher = {Akademie},
 
address = {Berlin},
 
note = {Erstpublikation in: <em>Vorträge der Bibliothek Warburg (1924/25)</em>. Leipzig, 1927, 258-330},
 
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<bibentry>
 
@inproceedings{Paret_1960a,
 
author = {Paret, Rudi},
 
title = {Textbelege zum islamischen Bilderverbot},
 
booktitle = {Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte},
 
year = {1960},
 
editor = {Hans Fegers},
 
pages = {36-48},
 
publisher = {Kohlhammer},
 
address = {Stuttgart},
 
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}
 
</bibentry>
 
 
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<bibentry>
 
@inproceedings{Paret_1968a,
 
author = {Paret, Rudi},
 
title = {Das islamische Bilderverbot und die Schia},
 
booktitle = {Festschrift Werner Caskel. Zum siebzigsten Geburtstag 5. März 1966 gewidmet von Freunden und Schülern},
 
year = {1968},
 
editor = {Erwin Gräf},
 
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<bibentry>
 
@article{Pesch 2001a,
 
author = {Pesch, Martin},
 
title = {Raumbilder-Bildräume. Zu den Arbeiten von Julia Ziegler},
 
journal = {Kunstforum International},
 
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<bibentry>
 
@misc{Pias 2003a,
 
author = {Pias, Claus},
 
title = {Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion},
 
howpublished = {Elektronische Publikation},
 
url = {http://www.zeitenblicke.de/2003/01/pias/pias.pdf}
 
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@article{Pillow 2003,
 
author = {Pillow, Kirk},
 
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<bibentry>
 
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author = {Pöppel, E.},
 
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<bibentry>
 
@misc{Pollmeier 2005a,
 
author = {Pollmeier, Klaus},
 
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}
 
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<bibentry>
 
@book{Pratschke 2005a,
 
author = {Pratschke, Margarete},
 
title = {Digitale Form},
 
year = {2005},
 
publisher = {},
 
address = {Berlin},
 
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<bibentry>
 
@inproceedings{Pratschke 2008a,
 
author = {Pratschke, Margarete},
 
title = {Interaktion mit Bildern. Digitale Bildgeschichte am Beispiel grafischer  Benutzeroberflächen},
 
booktitle = {Technische Bilder},
 
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<bibentry>
 
@article{Predelli 1999,
 
author = {Predelli, Stefano},
 
title = {Goodman and the Score},
 
journal = {British Journal of Aesthetics},
 
year = {1999},
 
volume = {39},
 
number = {},
 
pages = {138-147},
 
note = {},
 
}
 
</bibentry>
 
 
==Q==
 
 
==R==
 
==R==
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@book{Raphael 1986a,
 
author = {Raphael, Max},
 
title = {Raumgestaltungen. Der Beginn der modernen Kunst im Kubismus und im Werk von Georges Braque},
 
year = {1986, Erstausgabe 1949},
 
publisher = {Campus}
 
address = {Frankfurt a. M./New York},
 
note = {hg. v. H.-J. Heinrichs},
 
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<bibentry>
 
@book{Renz 2006a,
 
author = {Renz, U.},
 
title = {Schönheit. Eine Wissenschaft für sich},
 
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<bibentry>
 
@inproceedings{Rieger 2009a,
 
author = {Rieger, Stefan},
 
title = {Holographie. Das Versprechen der Ganzheit},
 
booktitle = {Das holographische Wissen},
 
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<bibentry>
 
@proceedings{Rieger & Schröter 2009a,
 
title = {Das holographische Wissen}, year = {2009},
 
editor = {Rieger, Stefan & Schröter, Jens},
 
publisher = {},
 
address = {Zürich/Berlin},
 
note = {},
 
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@book{Riegl 1931a,
 
author = {Riegl, Alois},
 
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author = {Ritchin, Fred},
 
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author = {Roch, Axel},
 
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<bibentry>
 
@inproceedings{Roloff_1972a,
 
author = {Roloff, D.},
 
title = {Eidolon, Eikon, Bild},
 
booktitle = {Historisches Wörterbuch der Philosophie. Bd.2},
 
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author = {Ros, Arno},
 
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author = {Ros, Arno},
 
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<bibentry>
 
@article{Ros 1989a,
 
author = {Ros, Arno},
 
title = {“Bedeutung”, “Idee” und “Begriff” – Zur Behandlung einiger bedeutungstheoretischer Paradoxien durch Leibniz},
 
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number = {},
 
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author = {Ros, Arno},
 
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<bibentry>
 
@inproceedings{Rosch 1978a,
 
author = {Rosch, E.H.},
 
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editor = {Rosch, E.H.},
 
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<bibentry>
 
@inproceedings{Rosler 2000a,
 
author = {Rosler, Martha},
 
title = {Bildsimulationen, Computermanipulationen: einige Überlegungen},
 
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year = {2000},
 
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author = {Ruff, Thomas},
 
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==S==
 
==S==
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note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Schirra 2007a===
 
<bibentry>
 
@proceedings{Schirra 2007a,
 
editor = {Schirra, Jörg R.J. (Hg.)},
 
title = {Computational Visualistics and Picture Morphology},
 
publisher = {IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
 
note = {Themenbeiheft zu Band 5},
 
year = {2007},
 
url = {http://www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf},
 
</bibentry>
 
 
 
===Schirra 2006a===
 
<bibentry>
 
@inproceedings{Schirra 2006a,
 
author = {Schirra, Jörg R.J.},
 
title = {Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen},
 
booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft},
 
year = {2006},
 
editor = {Sachs-Hombach, Klaus},
 
pages = {197-215},
 
publisher = {Halem},
 
address = {Köln},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P06/P06-3/index.html},
 
}
 
</bibentry>
 
 
 
===Schirra 2005a===
 
<bibentry>
 
@book{Schirra 2005a,
 
author = {Schirra, J&ouml;rg R.J.},
 
title = {Foundation of Computational Visualistics},
 
year = {2005},
 
url = {},
 
publisher = {DUV},
 
address = {Wiesbaden},
 
abstract = {},
 
note = {ISBN: 3-8350-6015-5},
 
}
 
</bibentry>
 
 
 
===Schirra 2005b===
 
<bibentry>
 
@article{Schirra 2005b,
 
author = {Schirra, J&ouml;rg R.J.},
 
title = {Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach},
 
year = {2005},
 
url = {http://www.jrjs.de/Work/Papers/P05/P05-1/index.html},
 
journal ={IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
 
volume = {1},
 
pages = {30-45},
 
note = {},
 
abstract = {Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben. },
 
}
 
</bibentry>
 
 
 
===Schirra 2005c===
 
<bibentry>
 
@inproceedings{Schirra 2005c,
 
author = {Schirra, Jörg R.J.},
 
title = {Computervisualistik},
 
booktitle = { Bildwissenschaft. Disziplinen, Themen, Methoden},
 
year = {2005},
 
editor = {Sachs-Hombach, K.},
 
pages = {268-280},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P05/P05-2/index.html},
 
abstract = {Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen. },
 
}
 
</bibentry>
 
 
 
===Schirra 2001a===
 
<bibentry>
 
@inproceedings{Schirra 2001a,
 
author = {Schirra, Jörg R.J.},
 
title = {Bilder &nbsp;&nbsp;  —— &nbsp;&nbsp;  Kontextbilder},
 
booktitle = {Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen},
 
year = {2001},
 
editor = {Sachs-Hombach, K.},
 
pages = {77-100},
 
publisher = {Skriptum},
 
address = {Magdeburg},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P01/P01-5/index.html},
 
abstract = {Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar. },
 
}
 
</bibentry>
 
 
 
===Schirra 2000a===
 
<bibentry>
 
@inproceedings{Schirra 2000a,
 
author = {Schirra, Jörg R.J.},
 
title = {Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis},
 
booktitle = {Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen},
 
year = {2000},
 
editor = {Rehkämper, K.& Sachs-Hombach, K.},
 
pages = {119-135},
 
publisher = {Skriptum},
 
address = {Magdeburg},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P00/P00-1/index.html},
 
abstract = {Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.},
 
}
 
</bibentry>
 
 
 
===Schirra 1999a===
 
<bibentry>
 
@inproceedings{Schirra 1999a,
 
author = {Schirra, Jörg R.J.},
 
title = {Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik},
 
booktitle = {bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen},
 
year = {1999},
 
editor = {Sachs-Hombach, K. & Rehkämper, K.},
 
pages = {103-119},
 
publisher = {Skriptum},
 
address = {Magdeburg},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P99/P99-3/index.html},
 
abstract = {Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.},
 
}
 
</bibentry>
 
 
 
===Schirra 1995a===
 
<bibentry>
 
@inproceedings{Schirra 1995a,
 
author = {Schirra, Jörg R.J.},
 
title = {Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning},
 
booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen},
 
year = {1995},
 
editor = {Sachs-Hombach, K.},
 
pages = {107-136},
 
publisher = {Rodopi},
 
address = {Amsterdam},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P95/index.html},
 
abstract = {Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of  grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees. },
 
}
 
</bibentry>
 
 
 
===Schirra 1994a===
 
<bibentry>
 
@book{Schirra 1994a,
 
author = {Schirra, J&ouml;rg R.J.},
 
title = {Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum},
 
year = {1994},
 
publisher = {DISKI},
 
address = {St. Augustin},
 
abstract = {},
 
note = {ISBN 3-929037-71-8},
 
url = {http://www.jrjs.de/Work/Papers/P94/P94-1-d/index.html},
 
}
 
</bibentry>
 
 
 
===Schirra 1993a===
 
<bibentry>
 
@inproceedings{Schirra 1993a,
 
author = {Schirra, Jörg R.J.},
 
title = {Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«},
 
booktitle = {Semantics of Time, Space, and Movement},
 
year = {1993},
 
editor = {M. Aurnague, A. Borillo, M. Borillo & M. Bras},
 
pages = {105-121},
 
publisher = {Univ. Paul Sabatier},
 
address = {Toulouse},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P93/P93-2/index.html},
 
abstract = {AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.},
 
}
 
</bibentry>
 
 
 
===Schirra & Sachs-Hombach 2010a===
 
<bibentry>
 
@article{Schirra_Sachs-Hombach_2010a,
 
author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
 
title = {Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology},
 
journal = {Linguistic and Philosophical Investigations},
 
year = {2010},
 
volume = {9},
 
number = {},
 
pages = {144–181},
 
url = {http://www.jrjs.de/Work/Papers/P10/P10-2/index.html},
 
note = {},
 
abstract = {There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.},
 
}
 
</bibentry>
 
 
 
===Schirra & Sachs-Hombach 2006a===
 
<bibentry>
 
@article{Schirra_Sachs-Hombach_2006a,
 
author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
 
title = {Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht},
 
journal = {ELiSe: Essener Linguistische Skripte – elektronisch},
 
year = {2006},
 
volume = {6},
 
number = {1},
 
pages = {51-72},
 
url = {http://www.uni-due.de/germanistik/elise/ausgabe_12006},
 
hidden = {(letzter Zugriff: 15. September 2009)},
 
note = {},
 
abstract ={Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre. },
 
}
 
</bibentry>
 
 
 
===Schirra & Sachs-Hombach 2006b===
 
<bibentry>
 
@article{Schirra_Sachs-Hombach_2006b,
 
author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
 
title = {Fähigkeiten zum Bild- und Sprachgebrauch },
 
journal = {Deutsche Zeitschrift für Philosophie},
 
year = {2006},
 
volume = {54},
 
number = {6},
 
pages = {887-905},
 
url = {http://www.jrjs.de/Work/Papers/P06/P06-5/index.html},
 
note = {},
 
abstract = {Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist. },
 
}
 
</bibentry>
 
 
 
===Schirra & Scholz 1998a===
 
<bibentry>
 
@inproceedings{Schirra & Scholz 1998a,
 
author = {Schirra, Jörg R.J. & Scholz, Martin},
 
title = {Abstraction versus Realism: Not the Real Question},
 
booktitle = {Computer Visualization – Graphics, Abstraction, and Interactivity},
 
year = {1998},
 
editor = {Strothotte, T. (et al.)},
 
pages = {379-401},
 
publisher = {Springer},
 
address = {Heidelberg},
 
note = {Chapter 22},
 
url = {http://www.jrjs.de/Work/Papers/P98/P98-3/index.html},
 
abstract = {When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.},
 
}
 
</bibentry>
 
 
 
===Schleicher 1859a===
 
<bibentry>
 
@article{Schleicher 1859a,
 
author = {Schleicher, August},
 
title = {Zur Morphologie der Sprache},
 
journal = {Mémoires de l'académdie impériale des sciences de St. Pétersbourg},
 
year = {1859},
 
volume = {1?},
 
number = {7},
 
pages = {1-38},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schlenstedt & George 2005===
 
<bibentry>
 
@inproceedings{Schlenstedt_George_2005a,
 
author = {Schlenstedt, Dieter; George, Marion},
 
title = {Typisch/Typ(us)},
 
booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1},
 
year = {2005},
 
editor = {Karlheinz Barck et al.},
 
pages = {191-246},
 
publisher = {J. B. Metzler},
 
address = {Stuttgart},
 
note = {},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Schmid 2009a===
 
<bibentry>
 
@inproceedings{Schmid 2009a,
 
author = {Schmid, Gabriele},
 
title = {Zwischen Bildern. Die holographische Installation als Handlungsfeld},
 
booktitle = {holographische Wissen},
 
year = {2009},
 
editor = {Rieger, Stefan & Schröter, Jens},
 
pages = {161-180},
 
publisher = {},
 
address = {Zürich/Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schneider 2009a===
 
<bibentry>
 
@inproceedings{Schneider 2009a,
 
author = {Schneider, Birgit},
 
title = {Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”},
 
booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft},
 
year = {2009},
 
editor = {Heßler & Mersch},
 
pages = {188-200},
 
publisher = {},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schneider Berz 2002a===
 
<bibentry>
 
@inproceedings{Schneider & Berz 2002a,
 
author = {Schneider, Birgit & Berz, Peter},
 
title = {Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie}
 
booktitle = {Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung},
 
year = {2002},
 
editor = {Flach, Sabine & Tholen, Georg Christoph},
 
pages = {181-220},
 
publisher = {},
 
address = {Kassel},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Scholz 2004a===
 
<bibentry>
 
@book{Scholz 2004a,
 
author = {Scholz, Oliver R.},
 
title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen},
 
year = {2004},
 
publisher = {Klostermann},
 
address = {Frankfurt a. M.},
 
note = {2., vollständig überarbeitete Aufl.},
 
}
 
</bibentry>
 
 
 
===Schröter 2001a===
 
<bibentry>
 
@inproceedings{Schröter 2001a,
 
author = {Schröter, Jens},
 
title = {Eine kurze Geschichte der digitalen Fotografie},
 
booktitle = {Verwandlungen durch Licht. Fotografieren in Museen & Archiven & Bibliotheken},
 
year = {2001},
 
editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
 
pages = {249-257},
 
publisher = {},
 
address = {Esslingen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2003a===
 
<bibentry>
 
@article{Schröter 2003a,
 
author = {Schröter, Jens},
 
title = {Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern},
 
journal = {Fotogeschichte},
 
year = {2003},
 
volume = {23},
 
number = {88},
 
pages = {3-16},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2004a===
 
<bibentry>
 
@inproceedings{Schröter 2004a,
 
author = {Schröter, Jens},
 
title = {Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?},
 
booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
 
year = {2004},
 
editor = {Schröter & Böhnke},
 
pages = {335-354},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2004b===
 
<bibentry>
 
@book{Schröter 2004b,
 
author = {Schröter, Jens},
 
title = {Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine},
 
year = {2004},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2004c===
 
<bibentry>
 
@inproceedings{Schröter 2004c,
 
author = {Schröter, Jens},
 
title = {Computer/Simulation. Kopie ohne Original oder das Original kontrollierende Kopie},
 
booktitle = {OriginalKopie. Praktiken des Sekundären},
 
year = {2004},
 
editor = {Fehrmann et al., Gisela},
 
pages = {139-155},
 
publisher = {},
 
address = {Köln},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2004d===
 
<bibentry>
 
@inproceedings{Schröter 2004d,
 
author = {Schröter, Jens},
 
title = {Notizen zu einer Geschichte des Löschens. Am Beispiel von Video und Robert Rauschenbergs Erased de Kooning-Drawing},
 
booktitle = {Im Banne der Ungewissheit. Bilder zwischen Medien, Kunst und Menschen},
 
year = {2004},
 
editor = {Schumacher-Chilla, Doris},
 
pages = {171-194},
 
publisher = {},
 
address = {Oberhausen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2005a===
 
<bibentry>
 
@inproceedings{Schröter 2005a,
 
author = {Schröter, Jens},
 
title = {MetaMorphing. Camerons Analysen der digitalen Bilder in Terminator 2 und The Abyss},
 
booktitle = {Mythen, Mütter, Maschinen. Die Filme des James Cameron},
 
year = {2005},
 
editor = {Pabst, Eckhard},
 
pages = {289-315},
 
publisher = {},
 
address = {Kiel},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2009a===
 
<bibentry>
 
@inproceedings{Schröter 2009a,
 
author = {Schröter, Jens},
 
title = {Wirklichkeit ist überhaupt nur darzustellen, indem man sie konstruiert (Andreas Gursky)},
 
booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft},
 
year = {2009},
 
editor = {Heßler & Mersch},
 
pages = {201-218},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2009b===
 
<bibentry>
 
@inproceedings{Schröter 2009b,
 
author = {Schröter, Jens},
 
title = {On the Logic of the Digital Archive},
 
booktitle = {The You Tube Reader},
 
year = {2009},
 
editor = {Vonderau, Patrick & Snickars, Pelle},
 
pages = {330-346},
 
publisher = {},
 
address = {Stockholm},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2009c===
 
<bibentry>
 
@book{Schröter 2009c,
 
author = {Schröter, Jens},
 
title = {3D. Zur Theorie, Geschichte und Medienästhetik des technischtransplanen Bildes},
 
year = {2009},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2009d===
 
<bibentry>
 
@inproceedings{Schröter 2009d,
 
author = {Schröter, Jens},
 
title = {Das holographische Wissen und die Nicht-Reproduzierbarkeit},
 
booktitle = {Das holographische Wissen},
 
year = {2009},
 
editor = {Rieger, Stefan & ders.},
 
pages = {77-86},
 
publisher = {},
 
address = {Zürich/Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2010a===
 
<bibentry>
 
@inproceedings{Schröter 2010a,
 
author = {Schröter, Jens},
 
title = {Fotografie und Fiktionalität},
 
booktitle = {Die fotografische Wirklichkeit. Inszenierung - Fiktion - Narration},
 
year = {2010},
 
editor = {Blunck, Lars},
 
pages = {143-158},
 
publisher = {},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schröter 2010b===
 
<bibentry>
 
@inproceedings{Schröter 2010b,
 
author = {Schröter, Jens},
 
title = {Das Zeitalter der technischen Nichtreproduzierbarkeit},
 
journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
 
editor = {Schröter et al, Jens},
 
year = {2010},
 
volume = {10},
 
number = {1},
 
pages = {1-38},
 
}
 
</bibentry>
 
 
 
===Schröter & Thielmann 2006a===
 
<bibentry>
 
@article{Schröter & Thielmann 2006a,
 
author = {Schröter, Jens & Thielmann, Tristan},
 
title = {Display I: Analog},
 
journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften}
 
year = {2006},
 
volume = {6},
 
number = {2},
 
pages = {},
 
note = {},
 
}
 
</bibentry>
 
 
 
 
 
===Seiterle 1988a===
 
<bibentry>
 
@article{Seiterle 1988a,
 
author = {Seiterle, G. },
 
title = {Maske, Ziegenbock und Satyr},
 
journal = {Antike Welt. Z. für Archäologie und Kulturgeschichte},
 
year = {1988},
 
volume = {},
 
number = {},
 
pages = {},
 
note = {},
 
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url = {},
 
}
 
</bibentry>
 
 
 
===Schlosser 1952a===
 
<bibentry>
 
@book{Schlosser 1952a,
 
author = {Schlosser, K. },
 
title = {Der Signalismus in der Kunst der Naturvölker: Biologisch-psychologische Gesetzlichkeiten in den Abweichungen von der Norm des Vorbildes},
 
year = {1952},
 
publisher = {Mühlau},
 
address = {Kiel},
 
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}
 
</bibentry>
 
 
 
===Sekula 2002a===
 
<bibentry>
 
@inproceedings{Sekula 2002a,
 
author = {Sekula, Allan},
 
title = {Der Handel mit Fotografien},
 
booktitle = {Paradigma Fotografie},
 
year = {2002},
 
editor = {Wolf, Herta},
 
pages = {255-290},
 
publisher = {},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Simmel 1995a===
 
<bibentry>
 
@inproceedings{Simmel 1995a,
 
author = {Simmel, G.},
 
title = {Der Bildrahmen. Ein ästhetischer Versuch},
 
booktitle = {Aufsätze und Abhandlungen 1901-1908 Bd. 1},
 
year = {1995},
 
editor = {Simmel, G.},
 
pages = {101-108},
 
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}
 
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<bibentry>
 
@article{Smith & Tatarewicz 1985a,
 
author = {Smith, Robert W. & Tatarewicz, Joseph N.},
 
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year = {1985},
 
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}
 
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<bibentry>
 
@book{Sobchack 1997a,
 
author = {Sobchack, Vivian},
 
title = {Meta-Morphing. Visual Transformation and the Culture of Quick-Change},
 
year = {1997},
 
publisher = {},
 
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}
 
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<bibentry>
 
@book{Steinbrenner 1996,
 
author = {Steinbrenner, Jakob},
 
title = {Kognitivismus in der Ästhetik},
 
year = {1996},
 
publisher = {Königshausen & Neumann},
 
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}
 
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<bibentry>
 
@inproceedings{Stiegler 2004a,
 
author = {Stiegler, Bernd},
 
title = {Digitale Photographie als epistemologischer Bruch und historische Wende},
 
booktitle = {Das Gesicht der Welt. Medien in der digitalen Kultur},
 
year = {1995},
 
editor = {Engell & Neitzel},
 
pages = {105-126},
 
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<bibentry>
 
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author = {Strenge, Britta},
 
title = {Typos/Typologie},
 
booktitle = {Historisches Wörterbuch der Philosophie. Bd. 10},
 
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editor = {Joachim Ritter et al.},
 
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}
 
</bibentry>
 
 
 
===Strothotte & Schlechtweg 2002a===
 
<bibentry>
 
@book{Strothotte & Schlechtweg 2002a,
 
author = {Strothotte, Thomas & Schlechtweg, Stefan},
 
title = {Non-photorealistic Computer Graphics: Modeling, Rendering, and Animation},
 
year = {2002},
 
publisher = {},
 
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note = {},
 
}
 
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<bibentry>
 
@inproceedings{Sütterlin 1992a,
 
author = {Sütterlin, Ch.},
 
title = {Schreck-Gesichter. Symbole des magischen Alltags},
 
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year = {1992},
 
editor = {Blaschitz, G.; et al. },
 
pages = {517-554},
 
publisher = {ADV},
 
address = {Graz},
 
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hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Sütterlin 1998a===
 
<bibentry>
 
@inproceedings{Sütterlin 1998a,
 
author = {Sütterlin, Ch. },
 
title = {Grenzen der Komplexität. Die Kunst als Bild der Wirklichkeit. Neuropsychologische und ethologische Erkenntnisse in der Kunst},
 
booktitle = {Vom Einfachen zur Ganzheitlichkeit. Das Problem der Komplexität auf organismischer und soziokultureller Ebene},
 
year = {1998},
 
editor = {A.M. Wobus, & U. Wobus},
 
pages = {167-188},
 
publisher = {Nova Acta Leopoldina 77(304)},
 
address = {},
 
note = {},
 
}
 
</bibentry>
 
  
 
==T==
 
==T==
===Thielmann & Schröter 2007a===
+
{{Bibliography-T}}
<bibentry>
 
@proceedings{Thielmann & Schröter 2007a,
 
title = {Display II: Digital. Navigationen},
 
year = {2007},
 
editor = {Thielmann, Tristan & Schröter, Jens},
 
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note = {Jg. 7, H. 2},
 
}
 
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author = {Tischner, H.},
 
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==U==
 
==U==
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}
 
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==V==
 
==V==
===Valenza et al. 1996a===
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<bibentry>
 
@inproceedings{Venus 2009a,
 
author = {Venus, Jochen},
 
title = {Raumbild und Tätigkeitssimulation. Video- und Computerspiele als Darstellungsmedien des Tätigkeitsempfindens},
 
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editor = {Winter, Gundolf; Schröter, Jens & Barck, Joanna},
 
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</bibentry>
 
  
 
==W==
 
==W==
===Watt 2002a===
+
{{Bibliography-W}}
<bibentry>
 
@book{Watt 2002a,
 
author = {Watt, Alan},
 
title = {3D-Computergrafik},
 
year = {2002},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
  
===Weber 2000a===
+
==X==
<bibentry>
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{{Bibliography-X}}
@inproceedings{Weber 2000a,
 
author = { Weber, Hartmut},
 
title = {Windmühlen oder Mauern? Die Archive und der neue Wind in der Informationstechnik},
 
booktitle = {Digitale Archive - Ein neues Paradigma?},
 
year = {2000},
 
editor = {Metzing, Andreas},
 
pages = {79-94},
 
publisher = {},
 
address = {Marburg },
 
note = {},
 
}
 
</bibentry>
 
  
===Weiss 2009a===
+
==Y==
<bibentry>
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{{Bibliography-Y}}
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author = {Weiss, G. },
 
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booktitle = {Wir sind Maske},
 
year = {2009},
 
editor = {Ferino-Pagden, S.},
 
pages = {},
 
publisher = {Kunsthistorisches Museum},
 
address = {Wien},
 
note = {},
 
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url = {},
 
}
 
</bibentry>
 
  
===Wimmer 1991a===
+
==Z==
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@inproceedings{Wimmer 1991a,
 
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booktitle = {Digitaler Schein. Ästhetik der digitalen Medien},
 
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editor = {Rötzer, },
 
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@inproceedings{Winkler 2003a,
 
author = {Winkler, Hartmut},
 
title = {Zugriff. Thesen zur Umorganisation der gesellschaftlichen Bildarchive unter den Bedingungen des Digitalen},
 
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}
 
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===Wirth 2004a===
 
<bibentry>
 
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author = {Wirth, Uwe},
 
title = {Das Vorwort als performative, paratextuelle und parergonale Rahmung},
 
booktitle = {Rhetorik. Figuration und Performanz},
 
year = {2004},
 
editor = {Fohrmann, Jürgen},
 
pages = {603-628},
 
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address = {Stuttgart},
 
note = {},
 
}
 
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<bibentry>
 
@book{Wittgenstein 1971a,
 
author = {Wittgenstein, Ludwig},
 
title = {Philosophische Untersuchungen},
 
year = {1971},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
  
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+
==Fehlerhafte Angaben==
<bibentry>
 
@book{Wittgenstein 1922,
 
author = {Wittgenstein, Ludwig},
 
title = {Tractatus Logico-Philosophicus},
 
year = {1922},
 
publisher = {Kegan Paul},
 
address = {London},
 
note = {},
 
}
 
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@article{Wollheim 1978,
 
author = {Wollheim, Richard},
 
title = {Are the Criteria of Identity that Hold für a Work of Art in the Different Arts Aesthetically Relevant?},
 
journal = {Ratio},
 
year = {1978},
 
volume = {20},
 
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note = {},
 
}
 
</bibentry>
 
  
==X==
+
===Lunenfeld 2002a===
==Y==
 
==Z==
 
===Zaloscer 1974a===
 
 
<bibentry>
 
<bibentry>
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+
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+
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+
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+
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</bibentry>
 
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Aktuelle Version vom 27. Juni 2018, 19:56 Uhr

Inhaltsverzeichnis

A

Abbot 2011a

Abbot, H. Porter (2011): Narrativity.
Publiziert durch: In: The Living Handbook of Narratology
link: www.lhn.uni-hamburg.de/article/narrativity
( letzter Zugriff: 12.02.2016 ).
(Typ: 'andere Publikation')

Adelmann 2004a

Adel­mann, Ralf (2004): Digi­tale Ani­mati­onen in doku­menta­rischen Fernseh­forma­ten?.
In: Böhnke A. & Schröter, J. (Hg.), Ana­log/Di­gital – Oppo­siti­on oder Konti­nuum? Beiträ­ge zu Theorie und Geschich­te einer Unter­scheidung. Trans­cript, Biele­feld, 387-406.
(Typ: 'Beitrag in Sammelband')

Adelmann 2009a

Adel­mann, Ralf (Hg.)(2009): Da­ten­bilder. Zur digi­talen Bild­praxis in den Natur­wissen­schaften.
Trans­cript, Biele­feld.
(Typ: 'Sammelband')

Adelung 1811a

Adelung, Johann Christoph (Hg.)(1811): Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie.
Bauer, Wien.
(Typ: 'Sammelband')

Adorno & Horkheimer 1947a

Ador­no, Theodor W. & Horkhei­mer, Max (1947): Dialek­tik der Aufklä­rung.
Queri­do, Amster­dam.
(Typ: 'Buch')

Adorno 2003a

Ador­no, Theodor W. (2003): Gesam­melte Schriften, Bd. 7: Ästhe­tische Theorie.
Suhr­kamp, Frank­furt/M..
(Typ: 'Buch')

Aguado 1994a

Aguado, María Isabel Peña (1994a): Ästhetik des Erhabenen: Burke, Kant, Adorno, Lyotard.
Passagen, Wien.
(Typ: 'Buch')

Alberro 2006a

Alberro, Alexander (2006): Einleitung. Der Weg raus führt rein.
In: Alberro A. & Buchmann, S. (Hg.), Art After Conceptual Art. Generali Foundation, Wien, 13-27.
(Typ: 'Beitrag in Sammelband')

Alberti 2000a

Alberti, Leon Battista (2000): De Statua – Das Standbild.
In: Bätsch­mann, O. & Schäublin, C. (Hg.), Das Stand­bild. Die Malkunst. Grundla­gen der Male­rei. WBG, Darmstadt, 142-182.
(Typ: 'Beitrag in Sammelband')

Alciatus 1530a

Alciatus, Andreas (1530): De verborum significatione.
Sebastian Gryphius, Lyon.
(Typ: 'Buch')

Alciatus 1531a

Alciatus, Andreas (1531): Em­ble­ma­tum liber.
Hein­rich Stey­ner, Augs­burg, (= VD 16 A 1641).
(Typ: 'Buch')

Alciatus 1967a

Alciatus, Andreas (1967): Em­ble­ma­tum Libel­lus.
Wissen­schaft­li­che Buchge­sellschaft, Darmstadt.
(Typ: 'Buch')

Aldrich 1983a

Aldrich, Virgil C. (1983): Visu­elle Meta­pher.
In: Haver­kamp, A. (Hg.), Theorie der Meta­pher. WBG, Darm­stadt, 142-​159.
(Typ: 'Beitrag in Sammelband')

Allesch 2006a

Allesch, Christian G. (2006): Einführung in die psychologische Ästhetik.
WUV (UTB), Wien.
(Typ: 'Buch')

Alleton 2003a

Alleton, Viviane (2003): Schrift.
In: Staiger, B. et al. (Hg.), Das große China-​Lexi­kon. WBG, Ham­burg, 651-​654
( unter Mitarbeit von Emmerich, R. ).
(Typ: 'Beitrag in Sammelband')

Alloa 2011a

Alloa, Emmanuel (2011): Das durchscheinende Bild. Konturen einer medialen Phänomenologie.
diaphanes, Zürich/Berlin.
(Typ: 'Buch')

Alpers 1985a

Alpers, Svetlana (1985): Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts.
DuMont, Köln.
(Typ: 'Buch')

Alpers 1995a

Alpers, Svetlana (1995): Ekphrasis und Kunstanschauung in Vasaris Viten.
In: Boehm, G. & Pfotenhauer, H. (Hg.), Beschreibungskunst, Kunstbeschreibung. Fink, München, 217-253.
(Typ: 'Beitrag in Sammelband')

Alpers 1960

Alpers, Svetlana (1960): Ekphrasis and aesthetic attitudes in Vasari’s Lives.
Journal of the Warburg and Courtauld Institutes, 23, 1937, 190-215.
(Typ: 'Artikel in Zeitschrift')

Althusser & Balibar 1972a

Althusser, Louis & Bali­bar, Etienne (1972): Das Kapi­tal lesen.
Rowohlt, Reinbek.
(Typ: 'Buch')

Amelunxen 1996a

Amelun­xen, Hubertus (1996): Foto­grafie nach der Foto­grafie.
Verlag Der Kunst, Dresden u.a..
(Typ: 'Buch')

Anati 1981a

Anati, Emmanuel (1981): Le statue-stele della Lunigiana.
Jaca, Mailand.
(Typ: 'Buch')

Anders 2009a

Anders, Günther (2009): Die Antiquiertheit des Menschen 1: Über die Seele im Zeitalter der zweiten industriellen Revolution.
Beck, München
( [Broschiert] ).
(Typ: 'Buch')

Andree 2006a

Andree, Martin (2006): Archä­olo­gie der Medien­wirkung. Faszi­nations­typen von der Anti­ke bis heute.
Fink, München.
(Typ: 'Buch')

Andrews et.al. 2002a

Andrews, Timothy J.; Schluppeck, Denis; Homfray, Dave; Matthews, Paul & Blake­more, Colin (2002): Activity in the Fusi­form Gyrus Predicts Conscious Perception of Rubin’s Vase—​Face Illusion.
Neuro­Image, 17, 890-​901
link: www.psychology.nottingham.ac.uk/research/vision/papers/andrews-etal-neuroimage-02.pdf.
(Typ: 'Artikel in Zeitschrift')

Apel 2002a

Apel, Karl-Otto (2002): Transformation der Philosophie, Bd. 1: Sprachanalytik, Semiotik, Hermeneutik.
Suhr­kamp, Frank­furt/M..
(Typ: 'Buch')

Appadurai 2003a

Appa­durai, Arjun (2004): Archi­ve and Aspi­ration.
In: Brouwer, J. & Mulder, A. (Hg.), Infor­mation is Alive. V2_Publish­ing / NAI Publish­ers, Rotter­dam, 14-25.
(Typ: 'Beitrag in Sammelband')

Aristoteles 1949a

Aris­tote­les (1949): De inter­preta­tione.
In: Minio-Palu­ello, L. (Hg.), Aris­tote­lis cate­goriae et liber de inter­preta­tione. Ox­ford Uni­versity Press, Ox­ford, 47-72.
(Typ: 'Beitrag in Sammelband')

Aristoteles 1995a

Aris­tote­les (1995): Meta­physik.
WBG, Darm­stadt
( Philosophische Schriften 5; Übers.: Hermann Bonitz ).
(Typ: 'Buch')

Aristoteles 1995b

Aris­tote­les (1995): Niko­machi­sche Ethik.
WBG, Darm­stadt
( Philosophische Schriften 3; Übers.: Eugen Rolfes ).
(Typ: 'Buch')

Aristoteles 1995c

Aris­tote­les (1995): Physik.
WBG, Darm­stadt
( Philosophische Schriften 6; Übers.: Hans Günter Zekl ).
(Typ: 'Buch')

Aristoteles 1997a

Aris­tote­les (1997): Poetik. Grie­chisch/​Deutsch.
Reclam, Stutt­gart
( Übers. und Hrsg.: Manfred Fuhrmann ).
(Typ: 'Buch')

Arnheim 1932a

Arnheim, Rudolf (2002): Film als Kunst.
Suhr­kamp, Frank­furt/M.
( mit einem Nachwort von Karl Prümm und mit zeitgenössischen Rezensionen ).
(Typ: 'Buch')

Arnheim 1969a

Arnheim, Rudolf (1969): Visual Thinking.
University of California Press, Berkeley, Los Angeles.
(Typ: 'Buch')

Arnheim 2000a

Arnheim, Rudolf (2000): Kunst und Sehen: Eine Psychologie des schöpferischen Auges.
DeGruyter, Berlin, New York
( 11954 ).
(Typ: 'Buch')

Arnheim 2001a

Arnheim, Rudolf (2001): Anschauliches Denken. Zur Einheit von Bild und Begriff.
DuMont Schauberg, Köln
( aus dem Amerikanischen übersetzt vom Verfasser ).
(Typ: 'Buch')

Arnold 1869a

Arnold, Matthew (1932): Culture and Anar­chy.
Cam­bridge Uni­ver­sity Press, Cam­bridge
( Edited with an introduction by J. Dover Wilson ).
(Typ: 'Buch')

Asemissen & Schweikhart 1994a

Asemissen, Hermann Ulrich & Schweik­hart, Gunter (1994): Ma­le­rei als Thema der Mal­erei.
Aka­demie, Ber­lin.
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Aserinsky & Kleitman 1953a

Aserinsky, E. & Kleitman, N. (1953): Reg­ular­ly Occur­ring Peri­ods of Eye Motil­ity and Con­comi­tant Phenom­ena During Sleep.
Science, 118, 273f..
(Typ: 'Artikel in Zeitschrift')

Asher & Vieu 1995a

Asher, Nicholas & Vieu, Laure (1995): To­ward a Geo­metry of Common Sense: A Seman­tics and a Com­plete Axio­mati­zation of Mereo­topo­logy.
In: IJCAI-95. Morgan Kauf­mann, 846–852.
(Typ: 'Beitrag in Sammelband')

Asmuth 1994a

Asmuth, Bernhard (1994): Bild, Bild­lichkeit. A-B.
In: Ueding, G. (Hg.), Histo­risches Wörter­buch der Rheto­rik. Bd. 2: Bi - Eul. Nie­meyer, Tü­bingen, 10-21.
(Typ: 'Beitrag in Sammelband')

Asmuth 1998a

Asmuth, Bernhard (1998): Ima­go.
In: Ueding, G. (Hg.), Histo­risches Wörter­buch der Rheto­rik. Bd. 4. Nie­meyer, Tü­bingen, 228-235.
(Typ: 'Beitrag in Sammelband')

Assmann 2011a

Assmann, Jan (2011): Schriftbildlichkeit: Etymographie und Ikonographie.
In: Krämer, S. & Cancik-Kirschbaum, E. & Totzke, R. (Hg.), Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen. Akademie, Berlin, 139-145.
(Typ: 'Beitrag in Sammelband')

Attneave 1971a

Attneave, Fred (1971): Multi­stabil­ity in Percep­tion.
Scien­tific Amer­ican, 225, 6, 62-71.
(Typ: 'Artikel in Zeitschrift')

Auerbach 1946a

Auer­bach, Erich (2001): Mime­sis. Darge­stellte Wirk­lichkeit in der abend­ländi­schen Lite­ratur (1946).
A. Francke, Tü­bingen, Basel.
(Typ: 'Buch')

Augustinus 2002a

Augustinus (2002): Was ist Zeit? Confessiones XI/Bekenntnisse 11.
Meiner, Ham­burg
( lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer ).
(Typ: 'Buch')

Aurnague & Vieu 1993a

Aurnague, Michel & Vieu, Laure (1993): A Three-Level Approach to the Seman­tics of Space.
In: Zelin­sky-Wibbelt, C. (Hg.), The Seman­tics of Prepo­sitions – From Mental Process­ing to Natu­ral Lan­guage Process­ing. Mouton de Gruyter, Berlin, 393–439.
(Typ: 'Beitrag in Sammelband')

Austin 1972a

Austin, John L. (1972): Zur Theorie der Sprechakte.
Reclam, Stutt­gart
( orig.: How to do things with Words, 1962 ).
(Typ: 'Buch')

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Baader 2003a

Baader, Hannah (2003): Para­gone.
In: Pfiste­rer, U. (Hg.), Metzler Lexi­kon Kunstwis­senschaft. Ideen – Metho­den – Begrif­fe. J.B. Metzler, Stutt­gart, Weimar, 263.
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Baader 2003b

Baader, Hannah (2003): Ein­fluss.
In: Pfis­terer, U. (Hg.), Metz­ler Lexi­kon Kunst­wissen­schaft. Ideen – Metho­den – Begrif­fe. Metz­ler, Stutt­gart, Weimar, 73-76.
(Typ: 'Beitrag in Sammelband')

Bachmann 2013a

Bachmann, Christian A. (2013): Der Comic als Labor semiotischer Interpiktorialitätsforschung. Paul Karasiks und David Mazzucchellis City of Glass.
In: Isekenmeier, G. (Hg.), Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. transcript, Bielefeld, 299-318.
(Typ: 'Beitrag in Sammelband')

Bachmann-Medick 2006a

Bachmann-Medick, Doris (2006): Cultural Turns. Neuorientierungen in den Kulturwissenschaften.
Rowohlt, Reinbek.
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Badakshi 2006a

Badak­shi, Harun (2006): Körper in/aus Zahlen. Digi­tale Bildge­bung in der Medi­zin.
In: Hinter­waldner, I.; Busch­haus, M. (Hg.), The Picture's Image. Wissen­schaftli­che Visu­ali­sierung als Kompo­sit. Fink, München, 199-205.
(Typ: 'Beitrag in Sammelband')

Badt 1963a

Badt, Kurt (1963): Raum­phanta­sien und Raum­illu­sionen. Wesen der Plas­tik.
DuMont, Köln.
(Typ: 'Buch')

Baetens 2011a

Baetens, Jan (2011): Abstraction in Comics.
SubStance, 40, 124, 94-113
( Special issue: Graphic Narratives and Narrative Theory ).
(Typ: 'Artikel in Zeitschrift')

Bätschmann 1984a

Bätschmann, Oskar (1984): Ein­führung in die kunst­geschicht­liche Herme­neutik.
WBG, Darm­stadt.
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Bätschmann 2009a

Bätsch­mann, Oskar (2009): Beschrei­bung und Illus­tration.
In: Kofler, Peter (Hg.), Eksta­tische Kunst – beson­nenes Wort. Aby Warburg und die Denkräu­me der Ekphra­sis. Studien-Verlag, Wien, 55-66.
(Typ: 'Beitrag in Sammelband')

Baigrie 1996a

Baigrie, Brian S. (Hg.)(1996): Pic­turing Know­ledge. Histor­ical and Philo­sophi­cal Problems Concern­ing the Use of Art in Science.
Uni­ver­sity of Toron­to Press, Toron­to, Buffa­lo, London.
(Typ: 'Sammelband')

Bal 1999a

Bal, Mieke (1999): Quoting Ca­ra­vaggio. Con­tempo­rary Art, Pre­pos­terous His­tory.
The Uni­versity of Chica­go Press, Chica­go.
(Typ: 'Buch')

Bal 2003a

Bal, Mieke (2003): Visual Essen­tialism and the Object of Visual Cul­ture.
Journal of Visual Cul­ture, 1, 2, 5-32
link: http://people.ucsc.edu/~stamp/200a/FILM_200A/Readings_files/Bal-visualessentialism.pdf.
(Typ: 'Artikel in Zeitschrift')

Balavoine 1981a

Balavoine, Claudio (1981): Arché­olo­gie de l’emblème litté­raire. La dédi­cace à Conrad Peutin­ger des Emble­mata d’André Alciat.
In: Jones-​Davies, M. T. (Hg.), Em­blèmes et de­vises au temps de la Renais­sance. Touzot, Paris, 9-21.
(Typ: 'Beitrag in Sammelband')

Balázs 2001a

Balázs, Béla (2001): Der Geist des Films.
Suhr­kamp, Frank­furt/M..
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Balázs 2001b

Balázs, Béla (2001): Der sichtbare Mensch.
In: Albersmeier, F.-J. (Hg.), Texte zur Theorie des Films. Philip Reclam jun., Stutt­gart, 224-233.
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Baltrušaitis 1977a

Baltrušaitis, Jurgis (1977): Ana­morphic Art.
Chadwyck-​Healey, Cam­bridge, (zuerst: Paris 1969)
( aus dem Französischen von W.J. Strachan ).
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Barabash 2010a

Barabash, Igor (2010): Das Bild­zitat im Inter­net.
Shaker, Aachen.
(Typ: 'Buch')

Barbieri 2002a

Barbieri, Daniele (2002): Zeit und Rhythmus in der Bilderzählung.
In: Hein, M.; Hüners, M. & Michaelsen, T. (Hg.), Ästhetik des Comic. Erich Schmidt, Berlin, 125-142.
(Typ: 'Beitrag in Sammelband')

Barck et al 2000ffa

Barck, Karlheinz; Fontius, Martin; Schlenstedt, Dieter; Steinwachs, Burkhart & Wolfzettel, Friedrich (Hg.)(2000–2005): Ästhetische Grundbegriffe. Historisches Wörterbuch in sieben Bänden.
J. B. Metzler, Stuttgart, Weima.
(Typ: 'Sammelband')

Barthes 1957a

Barthes, Roland (1996): Mythen des Alltags.
Suhr­kamp, Frank­furt/M..
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Barthes 1961a

Barthes, Roland (1961): Le messa­ge photo­graphique.
Commu­nica­tions, 1, 127-​138.
(Typ: 'Artikel in Zeitschrift')

Barthes 1963a

Barthes, Roland (1963): Le message publicitaire.
Cahiers de publicité, 7, 91-96.
(Typ: 'Artikel in Zeitschrift')

Barthes 1964a

Barthes, Roland (1990): Rheto­rik des Bildes (1964).
In: Barthes, R. (Hg.), Der entge­genkom­mende und der stumpfe Sinn. Kriti­sche Essays III. Suhr­kamp, Frank­furt/M., 28-46
( aus dem Französischen von Hornig, Dieter ).
(Typ: 'Beitrag in Sammelband')

Barthes 1964b

Barthes, Roland (1964): Rhéto­rique de l'image.
In: Marty, É. (Hg.), Ro­land Barthes. Oeuvres Com­plètes, Band I (1993). Édi­tions du Seuil, Paris, 1417-​1429.
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Barthes 1964c

Barthes, Roland (1964): Rhéto­rique de l'image.
Commu­nica­tions, 4, 40-51.
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Barthes 1967a

Barthes, Roland (1967): Systè­me de la Mode.
Édi­tions du Seuil, Paris.
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Barthes 1977a

Barthes, Roland (1977): Rhetoric of the Im­age.
In: Heath, S. (Hg.), Im­age, Music, Text. Fon­ta­na, London, 32–51, orig. 1964 in Commu­nica­tions.
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Barthes 1989a

Barthes, Roland (1989): Die helle Kammer. Bemer­kung zur Photo­graphie.
Suhr­kamp, Frank­furt/M..
(Typ: 'Buch')

Bartosch 2016a

Bartosch, Sebastian (2016): Understanding Comics’ Mediality as an Actor-Network. Some Elements of Translation in the Works of Brian Fies and Dylan Horrocks.
Journal of Graphic Novels and Comics, 7, 4, în Vorbereitung.
(Typ: 'Artikel in Zeitschrift')

Bartz et al. 2012 a

Bartz, Christina & Jäger, Ludwig & Krause, Marcus & Linz, Erika (Hg.)(2012): Hand­buch der Medio­logie. Signa­turen des Medi­alen.
Fink, München.
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Barwise & Perry 1984a

Barwise, Jon & Perry, John (1984): Situations and Attitudes.
MIT Press, Cam­bridge, MA.
(Typ: 'Buch')

Bataille 1981a

Bataille, Georges (1981): Die Tränen des Eros.
Matthes und Seitz, Berlin, mit einer Einfüh­rung von Lo Duca und unver­öffent­lichten Briefen Batail­les.
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Batchen 1998a

Batchen, Geoffrey (1998): Photo­genics / Foto­genik.
Camera Austria, 62/63, 5-16.
(Typ: 'Artikel in Zeitschrift')

Batchen 2000a

Batchen, Geoffrey (2000): Ecto­plasm. Photo­graphy in the Digi­tal Age.
In: Squiers, C. (Hg.), Over Ex­posed. Essays on Contem­porary Photo­graphy. New Press, New York, 9.23.
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Batteux 1746a

Batteux, Charles (1746): Les Beaux-Arts réduits à un même principe.
Durand, Paris.
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Batteux 1746/1770a

Batteux, Charles (1770): Einschrän­kung der schönen Künste auf einen einzi­gen Grund­satz.
Weidmann, Leipzig
( Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel ).
(Typ: 'Buch')

Bauch 1994a

Bauch, Kurt (1994): Ima­go.
In: Boehm, G. (Hg.), Was ist ein Bild?. Fink, München, 275-​299.
(Typ: 'Beitrag in Sammelband')

Baudrillard 1978a

Baudrillard, Jean (1978): Ago­nie des Realen.
Merve, Berlin.
(Typ: 'Buch')

Baudrillard 2000a

Baudrillard, Jean (2000): Das perfek­te Verbre­chen.
In: Ame­lunxen, H. (Hg.), Theorie der Foto­grafie IV 1980-1995. Schirmer & Mosel, München, 256-260.
(Typ: 'Beitrag in Sammelband')

Bauer & Ernst 2010a

Bauer, Matthias & Ernst, Christoph (2010): Dia­gram­matik. Einfüh­rung in ein kultur- und medien­wissen­schaftli­ches Forschungs­feld.
trans­cript, Biele­feld.
(Typ: 'Buch')

Baumann 2011a

Baumann, Mario (2011): Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones.
De Gruyter, Berlin.
(Typ: 'Buch')

Baumberger 2010a

Baumberger, Christoph (2010): Ge­baute Zeichen. Eine Symbol­theorie der Archi­tektur.
Ontos, Heusen­stamm.
(Typ: 'Buch')

Baumgarten 2011a

Baumgarten, Alexander Gottlieb (2011): Metaphysica – Metaphysik.
Frommann-Holzboog, Stuttgart, übersetzt und herausgeg. von Gawlick, G. & Kreimendahl, l.; lateinisch/deutsch.
(Typ: 'Buch')

Baxandall 1972a

Baxandall, Michael (1972): Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style.
Claren­don Press, Ox­ford.
(Typ: 'Buch')

Baxandall 1990a

Baxandall, Michael (1990): Ursachen der Bilder. Über das h