|
|
| Zeile 1: |
Zeile 1: |
| | + | <!--- --> |
| | + | <!--- --> |
| | <!--- Dies ist eine Kommentarzeile --> | | <!--- Dies ist eine Kommentarzeile --> |
| | + | <!--- --> |
| | + | <!--- Diese Kommentare AUF KEINEN FALL löschen! --> |
| | <!--- In diese Seite kommen alle bibliographischen Daten rein, --> | | <!--- In diese Seite kommen alle bibliographischen Daten rein, --> |
| | <!--- also wirklich a l l e für dieses Glossar. --> | | <!--- also wirklich a l l e für dieses Glossar. --> |
| | <!--- Wer es kennt, wird erkennen, dass wir uns an BibTex orientieren. --> | | <!--- Wer es kennt, wird erkennen, dass wir uns an BibTex orientieren. --> |
| | <!--- --> | | <!--- --> |
| − | <!--- Bitte erst mal durchsuchen, ob der geplante Eintrag hier nicht --> | + | <!--- !!!!! Bitte erst mal durchsuchen, ob der geplante Eintrag !!! --> |
| − | <!--- schon unter anderer Bezeichnung steht! --> | + | <!--- !!!!! hier nicht schon unter anderer Bezeichnung steht! !!! --> |
| | <!--- --> | | <!--- --> |
| | <!--- Ein Schema für neue Einträge wird hier oben automatisch --> | | <!--- Ein Schema für neue Einträge wird hier oben automatisch --> |
| Zeile 13: |
Zeile 17: |
| | <!--- so dass eine alphabetisch geordnete Liste erhalten bleibt. --> | | <!--- so dass eine alphabetisch geordnete Liste erhalten bleibt. --> |
| | <!--- --> | | <!--- --> |
| − | <!--- Derzeit sind folgende Formen möglich Monographie (=book), --> | + | <!--- Derzeit sind folgende Formen möglich: Monographie (= book), --> |
| | <!--- Sammelband (= Proceedings), Artikel in Sammelband (= inproceedings),--> | | <!--- Sammelband (= Proceedings), Artikel in Sammelband (= inproceedings),--> |
| | <!--- Zeitschriftenartikel (= article), Rest (= misc.) --> | | <!--- Zeitschriftenartikel (= article), Rest (= misc.) --> |
| Zeile 26: |
Zeile 30: |
| | <!--- indizieren, auch wenn noch kein zweites Werk des Autors im gleichen --> | | <!--- indizieren, auch wenn noch kein zweites Werk des Autors im gleichen --> |
| | <!--- Jahr aufgenommen wurde; kann ja noch kommen. --> | | <!--- Jahr aufgenommen wurde; kann ja noch kommen. --> |
| − | __TOC__ | + | <!--- --> |
| | + | <!--- Wenn ein als Identifier benutzter Nachname mit einem Sonderzeichen --> |
| | + | <!--- (insbesondere Umlaut) beginnt, bitte die Normalumschrift benutzen, --> |
| | + | <!--- sonst sind die Literaturangaben auf den Seiten falsch geordnet. --> |
| | + | <!--- Den korrekt geschriebenen Namen zwischen den <bib>Klammern nutzen. --> |
| | + | <!--- --> |
| | + | <!--- Bei "Artikel in Sammelband" (inproceedings) Herausgebervornamen ab- --> |
| | + | <!--- kürzen. Sonst nach Möglichkeit ausschreiben; immer Nachname zuerst. --> |
| | + | <!--- Bei mehreren Personen: letzte mit Kaufmannsund abtrennen; sonst ; --> |
| | + | <!--- Eintragsschlüssel: bei zwei Personen "1 & 2", bei mehr "1 et al." --> |
| | + | <!--- Immer sowohl Verlagsname als auch -ort angeben --> |
| | + | <!--- --> |
| | + | <!--- --> |
| | + | <!--- Achtung! Gegenwärtig wird das Gesamtverzeichnis umstrukturiert --> |
| | + | <!--- und auf jeweils einzelne Dateien pro Anfanbgsbuchstaben --> |
| | + | <!--- umgestellt. Falls die sich nicht bearbeiten lassen sollten, bitte --> |
| | + | <!--- bei JRJS Bescheid geben; neue Einträge sollten aber in dieser Datei --> |
| | + | <!--- funktionieren: Man erreicht die neuen Dateien unter --> |
| | + | <!--- "Vorlage:Bibliography-X" (wobei "X" jeweils durch den gewünschten --> |
| | + | <!--- Anfangsbuchstaben ersetzt wird --> |
| | + | {{GlossarBoxSub}}__TOC__</div> |
| | <!--- --> | | <!--- --> |
| | | | |
| | ==A== | | ==A== |
| − | ===Adelmann 2004a===
| + | {{Bibliography-A}} |
| − | <bibentry>
| |
| − | @inproceedings{Adelmann 2004a,
| |
| − | author = {Adelmann, Ralf},
| |
| − | title = {Digitale Animationen in dokumentarischen Fernsehformaten?},
| |
| − | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
| |
| − | year = {2004},
| |
| − | editor = {Schröter & Böhnke},
| |
| − | pages = {387-406},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Adelmann 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Adelmann 2009a,
| |
| − | editor = {Adelmann, Ralf},
| |
| − | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften},
| |
| − | year = {2009},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Adelung 1811===
| |
| − | <bibentry>
| |
| − | @proceedings{Adelung 1811,
| |
| − | editor = {Adelung, Johann Christoph},
| |
| − | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie},
| |
| − | year = {1811},
| |
| − | publisher = {Bauer},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Amelunxen 1996a===
| |
| − | <bibentry>
| |
| − | @book{Amelunxen 1996a,
| |
| − | author = {Amelunxen, Hubertus},
| |
| − | title = {Fotografie nach der Fotografie},
| |
| − | year = {1996},
| |
| − | publisher = {},
| |
| − | address = {Dresden u.a.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Appadurai 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Appadurai 2003a,
| |
| − | author = {Appadurai, Arjun},
| |
| − | title = {Archive and Aspiration},
| |
| − | booktitle = {Information is Alive},
| |
| − | year = {2004},
| |
| − | editor = {Brouwer, Joke; Mulder, Arjen},
| |
| − | pages = {14-25},
| |
| − | publisher = {},
| |
| − | address = {Rotterdam},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Augustinus 2002a===
| |
| − | <bibentry>
| |
| − | @book{Augustinus 2002a,
| |
| − | author = {Augustinus},
| |
| − | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11},
| |
| − | year = {2002},
| |
| − | editor = {},
| |
| − | publisher = {Felix Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Austin 1972a===
| |
| − | <bibentry>
| |
| − | @book{Austin 1972a,
| |
| − | author = {Austin, John L.},
| |
| − | title = {Zur Theorie der Sprechakte},
| |
| − | year = {1972},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stuttgart},
| |
| − | note = {orig.: How to do things with Words, 1962},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==B== | | ==B== |
| − | ===Badakshi 2006a===
| + | {{Bibliography-B}} |
| − | <bibentry>
| |
| − | @inproceedings{Badakshi 2006a,
| |
| − | author = {Badakshi, Harun},
| |
| − | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin},
| |
| − | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit},
| |
| − | year = {2006},
| |
| − | editor = {Hinterwaldner, Inge; Buschhaus, Markus},
| |
| − | pages = {199-205},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Badt 1963a===
| |
| − | <bibentry>
| |
| − | @book{Badt 1963a,
| |
| − | author = {Badt, Kurt },
| |
| − | title = {Raumphantasien und Raumillusionen. Wesen der Plastik}
| |
| − | year = {1963},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Balazs 2001a===
| |
| − | <bibentry>
| |
| − | @book{Balazs 2001a,
| |
| − | author = {Balazs, Bela},
| |
| − | title = {Der Geist des Films},
| |
| − | year = {2001},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1977a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1977a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetoric of the Image},
| |
| − | booktitle = {Image, Music, Text},
| |
| − | year = {1977},
| |
| − | editor = {Stephen Heath},
| |
| − | pages = {32–51},
| |
| − | publisher = {Fontana},
| |
| − | address = {London},
| |
| − | note = {orig. 1964 in Communications},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1964a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1964a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetorik des Bildes (1964)},
| |
| − | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III},
| |
| − | year = {1990},
| |
| − | editor = {},
| |
| − | pages = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {aus dem Französischen von Hornig, Dieter},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Batchen 1998a===
| |
| − | <bibentry>
| |
| − | @article{Batchen 1998a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Photogenics/Fotogenik},
| |
| − | journal = {Camera Austria},
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {62/63},
| |
| − | pages = {5-16},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baudrillard 1978a===
| |
| − | <bibentry>
| |
| − | @book{Baudrillard 1978a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Agonie des Realen},
| |
| − | year = {1978},
| |
| − | publisher = {Merve},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baudrillard 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baudrillard 2000a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Das perfekte Verbrechen},
| |
| − | booktitle = {Theorie der Fotografie IV 1980-1995},
| |
| − | year = {2000},
| |
| − | editor = {von Amelunxen},
| |
| − | pages = {256-260},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baumberger 2010===
| |
| − | <bibentry>
| |
| − | @book{Baumberger 2010,
| |
| − | author = {Baumberger, Christoph},
| |
| − | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur},
| |
| − | year = {2010},
| |
| − | publisher = {Ontos},
| |
| − | address = {Heusenstamm},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Batchen 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Batchen 2000a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Ectoplasm. Photography in the Digital Age},
| |
| − | booktitle = {Over Exposed. Essays on Contemporary Photography},
| |
| − | year = {2000},
| |
| − | editor = {Squiers, Carol},
| |
| − | pages = {9.23},
| |
| − | publisher = {},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bechtloff 2001a===
| |
| − | <bibentry>
| |
| − | @article{Bechtloff 2001a,
| |
| − | author = {Bechtloff, Dieter (Hg.)},
| |
| − | title = {Choreographie der Gewalt},
| |
| − | journal = {Kunstforum International},
| |
| − | year = {2001},
| |
| − | volume = {},
| |
| − | number = {Hefte 153, 155 & 156},
| |
| − | pages = {},
| |
| − | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beil 2010a===
| |
| − | <bibentry>
| |
| − | @book{Beil 2010a,
| |
| − | author = {Beil, Benjamin},
| |
| − | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel},
| |
| − | year = {2010},
| |
| − | publisher = {},
| |
| − | address = {Münster},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2004a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2004a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst (1991)},
| |
| − | year = {2004},
| |
| − | editor = {},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2002a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2002a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren (1995)},
| |
| − | year = {2002},
| |
| − | editor = {},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {Dieser Text erschien in seiner ersten Fassung noch mit einem Fragezeichen im Titel. Vgl. ders. (1983): Das Ende der Kunstgeschichte?, München: Deutscher Kunstverlag.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 1983a===
| |
| − | <bibentry>
| |
| − | @book{Belting 1983a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte?},
| |
| − | year = {1983},
| |
| − | editor = {},
| |
| − | publisher = {Deutscher Kunstverlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting & Haustein 1998a===
| |
| − | <bibentry>
| |
| − | @book{Belting & Haustein 1998a,
| |
| − | author = {Belting, Hans & Haustein, Lydia},
| |
| − | title = { Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt},
| |
| − | year = {1998},
| |
| − | editor = {},
| |
| − | publisher = {C.H. Beck.},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bertram, Lauer, Liptow und Seel 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bertram, Lauer, Liptow und Seel 2008,
| |
| − | author = {Georg W. Bertram, David Lauer, Jasper Liptow und Martin Seel},
| |
| − | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus}
| |
| − | year = {2008},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Berz 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Berz 2009a,
| |
| − | author = {Berz, Peter},
| |
| − | title = {Bitmapped Graphic},
| |
| − | booktitle = {Zeitkritische Medien},
| |
| − | year = {2009},
| |
| − | editor = {Volmar, Axel},
| |
| − | pages = {127-154},
| |
| − | publisher = {},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bloomfield 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bloomfield 1933a,
| |
| − | author = {Bloomfield, Leonard},
| |
| − | title = {Language},
| |
| − | year = {1933},
| |
| − | publisher = {Henry Holt and Co},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2008a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Augenmaß. Zur Genese der ikonischen Evidenz},
| |
| − | booktitle = {Movens Bild. Zwischen Evidenz und Affekt},
| |
| − | year = {2008},
| |
| − | editor = {Mersman, Birgit & Spies, Christian},
| |
| − | pages = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2007a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 2007a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens.},
| |
| − | year = {2007},
| |
| − | editor = {},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {S. 34-53},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2004b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm},
| |
| − | booktitle = {Wege zur Bildwissenschaft. Interviews},
| |
| − | year = {2004},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | pages = {S. 11-21},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1999a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {S. 94-113},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 1994a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Wiederkehr der Bilder},
| |
| − | year = {1994},
| |
| − | editor = {},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1994b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Bilderfrage},
| |
| − | booktitle = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Gottfried Boehm},
| |
| − | pages = {325-343},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1978a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1978a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zu einer Hermeneutik des Bildes},
| |
| − | booktitle = {Die Hermeneutik und die Wissenschaft},
| |
| − | year = {1978},
| |
| − | editor = {Gadamer, Hans-Georg & Boehm, Gottfried},
| |
| − | pages = {S. 444-471.},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böhme 1999a===
| |
| − | <bibentry>
| |
| − | @book{Böhme 1999a,
| |
| − | author = {Böhme, Gernot},
| |
| − | title = {Theorie des Bildes},
| |
| − | year = {1999},
| |
| − | editor = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bogen 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bogen 2005a,
| |
| − | author = {Bogen, Steffen},
| |
| − | title = {Kunstgeschichte/Kunstwissenschaft},
| |
| − | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hombach, Klaus },
| |
| − | pages = {52-67},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bonsiepe 1968a===
| |
| − | <bibentry>
| |
| − | @article{Bonsiepe 1968a,
| |
| − | author = {Bonsiepe, Gui},
| |
| − | title = {Visuell/Verbale Rhetorik},
| |
| − | journal = {Format: Zeitschrift für visuelle Kommunikation},
| |
| − | year = {1968},
| |
| − | volume = {},
| |
| − | number = {17},
| |
| − | pages = {11–18},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bousso 2002a===
| |
| − | <bibentry>
| |
| − | @article{Bousso 2002a,
| |
| − | author = {Bousso, Raphael},
| |
| − | title = {The Holographic Principle},
| |
| − | journal = {Reviews of Modern Physics},
| |
| − | year = {2002},
| |
| − | volume = {},
| |
| − | number = {74},
| |
| − | pages = {825-874},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brachfeld 1976a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brachfeld_1976a,
| |
| − | author = {Brachfeld, Otto},
| |
| − | title = {Image},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4},
| |
| − | year = {1976},
| |
| − | editor = {Joachim Ritter et al.},
| |
| − | pages = {215-217},
| |
| − | publisher = {Schwabe Verlag},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandt 1999a===
| |
| − | <bibentry>
| |
| − | @book{Brandt 1999a,
| |
| − | author = {Brandt, Reinhard},
| |
| − | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild},
| |
| − | year = {1999},
| |
| − | editor = {},
| |
| − | publisher = {Carl Hanser},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandom 2000a===
| |
| − | <bibentry>
| |
| − | @book{Brandom 2000a,
| |
| − | author = {Brandom, Robert},
| |
| − | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)},
| |
| − | year = {2000},
| |
| − | editor = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {übersetzt von Gilmer, Eva & Vetter, Hermann},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2007a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand},
| |
| − | year = {2007},
| |
| − | editor = {},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2005a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2005a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte},
| |
| − | year = {2005},
| |
| − | editor = {},
| |
| − | publisher = {Klaus Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bredekamp 2004a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn},
| |
| − | booktitle = {Iconic Turn. Die neue Macht der Bilder},
| |
| − | year = {2004},
| |
| − | editor = {Maar, Christa & Burda, Hubert},
| |
| − | pages = {},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2003a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 2003a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {A Neglected Tradition? Art History as Bildwissenschaft},
| |
| − | journal = {Critical Inquiry 29},
| |
| − | year = {2003},
| |
| − | volume = {},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 1994a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 1994a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp},
| |
| − | journal = {Texte zur Kunst 4},
| |
| − | year = {1994},
| |
| − | volume = {},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp et al. 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp et al. 2008a,
| |
| − | author = {Bredekamp, Horst; Schneider, Birgit; Dünkel, Vera},
| |
| − | title = {Das Technische Bild. Kompendium für eine Stilgeschichte wissenschaftlicher Bilder},
| |
| − | year = {2008},
| |
| − | editor = {},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp & Schneider 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp & Schneider 2006a,
| |
| − | author = {Bredekamp, Horst & Schneider, Pablo},
| |
| − | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt},
| |
| − | year = {2006},
| |
| − | editor = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brunet 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brunet 2008a,
| |
| − | author = {Brunet, François},
| |
| − | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs},
| |
| − | booktitle = {The Meaning of Photography},
| |
| − | year = {2008},
| |
| − | editor = {Kelsey, Robin; Stimson, Blake},
| |
| − | pages = {34-49},
| |
| − | publisher = {},
| |
| − | address = {Williamstown},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bruno 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bruno 2007a,
| |
| − | author = {Bruno, Giuliana},
| |
| − | title = {Public Intimacy. Architecture and the Visual Arts},
| |
| − | year = {2007},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bucher 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher 2011a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.},
| |
| − | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Jan Georg Schneider & Hartmut Stöckl},
| |
| − | pages = {},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bucher2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher2010a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität},
| |
| − | booktitle = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
| |
| − | pages = {121-156},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buchner 1665===
| |
| − | <bibentry>
| |
| − | @book{Buchner 1665,
| |
| − | author = {August Buchner},
| |
| − | title = {Poet}
| |
| − | year = {1665},
| |
| − | publisher = {hrsg. v. Otto Prätorius},
| |
| − | address = {Wittenberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buchwald 1989a===
| |
| − | <bibentry>
| |
| − | @book{Buchwald 1989a,
| |
| − | author = {Buchwald, Jed Z.},
| |
| − | title = {The Rise of the Wave Theory of Light},
| |
| − | year = {1989},
| |
| − | publisher = {},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bühler 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1933a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Axiomatik der Sprachwissenschaften},
| |
| − | year = {1933},
| |
| − | publisher = {Klostermann},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bühler 1934a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1934a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache},
| |
| − | year = {2. Aufl. 1965},
| |
| − | publisher = {Fischer },
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bürger 1784===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bürger 1784,
| |
| − | author = {Gottfried August Bürger},
| |
| − | title = {Von der Popularität der Poesie [1784]},
| |
| − | booktitle = {Sämtliche Werke},
| |
| − | year = {1987},
| |
| − | editor = {hrsg. v. Günter und Hiltrud Hintzschel},
| |
| − | pages = {S. 725-730},
| |
| − | publisher = {Hanser},
| |
| − | address = {München},
| |
| − | note = {Erstveröffentlichung 1784},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Burckhardt 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Burckhardt 2001a,
| |
| − | author = {Burckhardt, Jacob},
| |
| − | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens},
| |
| − | booktitle = {Werke. Kritische Gesamtausgabe},
| |
| − | year = {2001},
| |
| − | editor = {B. Roeck et al.},
| |
| − | pages = {Bd. 2},
| |
| − | publisher = {Beck},
| |
| − | address = {München/Basel},
| |
| − | note = {Erstveröffentlichung 1855},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Büttner & Gottdank 2009a===
| |
| − | <bibentry>
| |
| − | @book{Büttner & Gottdank 2009a,
| |
| − | author = {Büttner, Frank & Gottdank, Andrea},
| |
| − | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten},
| |
| − | year = {2009},
| |
| − | editor = {},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==C== | | ==C== |
| − | ===Carlbom & Paciorek 1978a===
| + | {{Bibliography-C}} |
| − | <bibentry>
| |
| − | @article{Carlbom & Paciorek 1978a,
| |
| − | author = {Carlbom, Ingrid; Paciorek, Joseph},
| |
| − | title = {Planar Geometric Projections and Viewing Transformations},
| |
| − | journal = {ACM Computing Surveys},
| |
| − | year = {1978},
| |
| − | volume = {10},
| |
| − | number = {4},
| |
| − | pages = {465-502},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Carnap 1947a===
| |
| − | <bibentry>
| |
| − | @book{Carnap 1947a,
| |
| − | author = {Carnap, Rudolf},
| |
| − | title = {Meaning and Necessity: A Study in Semantics and Modal Logic},
| |
| − | year = {1947},
| |
| − | publisher = {Univ. Press},
| |
| − | address = {Chicago, IL},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1925a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1925a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken},
| |
| − | year = {1925},
| |
| − | editor = {},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Christian 2009a===
| |
| − | <bibentry>
| |
| − | @book{Christian 2009a,
| |
| − | author = {Christian, Alexander},
| |
| − | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung},
| |
| − | year = {2009},
| |
| − | editor = {},
| |
| − | publisher = {Shaker},
| |
| − | address = {Aachen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cunningham et al. 1995a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham et al. 1995a,
| |
| − | author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan},
| |
| − | title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1995},
| |
| − | volume = {68},
| |
| − | number = {},
| |
| − | pages = {261-279},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cunningham 1986a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham 1986a,
| |
| − | author = {Cunningham, M.R.},
| |
| − | title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1986},
| |
| − | volume = {50},
| |
| − | number = {},
| |
| − | pages = {925-935},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==D== | | ==D== |
| − | ===Darwin 1872a===
| + | {{Bibliography-D}} |
| − | <bibentry>
| |
| − | @book{Darwin 1872a,
| |
| − | author = {Darwin, Charles},
| |
| − | title = {On the Expression of the Emotions in Man and Animals},
| |
| − | year = {1872},
| |
| − | publisher = {Murray},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Davies 1991===
| |
| − | <bibentry>
| |
| − | @article{Davies 1991,
| |
| − | author = {Davies, David},
| |
| − | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork},
| |
| − | journal = {Canadian Journal of Philosophy},
| |
| − | year = {1991},
| |
| − | volume = {21},
| |
| − | number = {},
| |
| − | pages = {331-346},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Deleuze 1989a===
| |
| − | <bibentry>
| |
| − | @book{Deleuze 1989a,
| |
| − | author = {Deleuze, Gilles},
| |
| − | title = {Das Bewegungs-Bild. Kino1},
| |
| − | year = {1989},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a. M},
| |
| − | note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Demuth 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Demuth 2007a,
| |
| − | author = {Demuth, Volker},
| |
| − | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {89-104},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Depaulo 1992a===
| |
| − | <bibentry>
| |
| − | @article{Depaulo 1992a,
| |
| − | author = {DePaulo, B. M. },
| |
| − | title = {Nonverbal Behavior and Self Presentation},
| |
| − | journal = {Psychological Bulletin},
| |
| − | year = {1992},
| |
| − | volume = {111},
| |
| − | number = {2},
| |
| − | pages = {203-243},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Derrida 1992a===
| |
| − | <bibentry>
| |
| − | @book{Derrida 1992a,
| |
| − | author = {Derrida, J.},
| |
| − | title = {Die Wahrheit in der Malerei},
| |
| − | year = {1992},
| |
| − | publisher = {},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Diekmannshenke & Klemm & Stöckl 2010a===
| |
| − | <bibentry>
| |
| − | @book{Diekmannshenke & Klemm & Stöckl 2010a,
| |
| − | author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut},
| |
| − | title = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {erscheint Ende 2010},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dion 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dion 2002a,
| |
| − | author = {Dion, K. K.},
| |
| − | title = {Cultural Perspectives on Facial Attractiveness},
| |
| − | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives},
| |
| − | year = {2002},
| |
| − | editor = {G. Rhodes & L.A. Zebrowitz },
| |
| − | pages = {239-260},
| |
| − | publisher = {Ablex},
| |
| − | address = {Westport, CT},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Doelker 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Doelker 2007a,
| |
| − | author = {Doelker, Christian},
| |
| − | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten},
| |
| − | booktitle = {Bildrhetorik},
| |
| − | year = {2007},
| |
| − | editor = {J. Knape},
| |
| − | pages = {71–112},
| |
| − | publisher = {Koerner},
| |
| − | address = {Baden-Baden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drosdowski 1989a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1989a,
| |
| − | author = {Drosdowsi, Günther},
| |
| − | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.},
| |
| − | year = {1989},
| |
| − | editor = {},
| |
| − | publisher = {Dudenverlag 2.},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drosdowski 1988a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1988a,
| |
| − | author = {Drosdowski, Günther},
| |
| − | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz.},
| |
| − | year = {1988},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {7., völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {= DUDEN Band 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dudenredaktion 2003a===
| |
| − | <bibentry>
| |
| − | @book{Dudenredaktion 2003a,
| |
| − | author = {Dudenredaktion (Hg.)},
| |
| − | title = {DUDEN. Das Stilwörterbuch.},
| |
| − | year = {2003},
| |
| − | editor = {},
| |
| − | publisher = {Dudenverlag 8.},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {völlig neu bearbeitete Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Durand 1987a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Durand 1987a,
| |
| − | author = {Durand, Jacques},
| |
| − | title = {Rhetorical Figures in the Advertising Image},
| |
| − | booktitle = {Marketing and Semiotics},
| |
| − | year = {1987},
| |
| − | editor = {J.U. Sebeok},
| |
| − | pages = {295–318},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==E== | | ==E== |
| − | ===Eddiks 2004a===
| + | {{Bibliography-E}} |
| − | <bibentry>
| |
| − | @misc{Eddiks 2004a,
| |
| − | author = {Eddiks, Christina},
| |
| − | title = {Dem Emblem auf der Spur},
| |
| − | howpublished = {},
| |
| − | year = {2004},
| |
| − | note = {Diplomarbeit},
| |
| − | hidden = {},
| |
| − | url = {kisd.de/~tom/diplom/christina_emblematik.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 1992a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 1992a,
| |
| − | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
| |
| − | title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik},
| |
| − | year = {1992},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 2008a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 2008a,
| |
| − | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
| |
| − | title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation},
| |
| − | year = {2008},
| |
| − | publisher = {Brandstätter},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt 1995a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt 1995a,
| |
| − | author = {Eibl-Eibesfeldt. I. },
| |
| − | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie},
| |
| − | year = {1995},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt 1973a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eibl-Eibesfeldt 1973a,
| |
| − | author = {Eibl-Eibesfeldt I. },
| |
| − | title = {The expressive behavior of the deaf- and blind born},
| |
| − | booktitle = {Social Communication and Movement},
| |
| − | year = {1973},
| |
| − | editor = {M. v. Cranach & I. Vine},
| |
| − | pages = {163-194},
| |
| − | publisher = {Academic Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ekman 1973b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ekman 1973b,
| |
| − | author = {Ekman, P. },
| |
| − | title = {Cross cultural studies of facial expression},
| |
| − | booktitle = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | editor = {P. Ekman},
| |
| − | pages = {169-222},
| |
| − | publisher = {Academic Press},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ekman 1973a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ekman 1973a,
| |
| − | editor = {Ekman, P. },
| |
| − | title = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | publisher = {Academic Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elgin 1992===
| |
| − | <bibentry>
| |
| − | @inproceedings{Elgin 1992,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {Notation},
| |
| − | booktitle = {A Companion to Aesthetics},
| |
| − | year = {1992},
| |
| − | editor = {Cooper, David},
| |
| − | pages = {307-309},
| |
| − | publisher = {Blackwell},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elgin 1983===
| |
| − | <bibentry>
| |
| − | @book{Elgin 1983,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {With Reference to Reference},
| |
| − | year = {1983},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elkins 1999===
| |
| − | <bibentry>
| |
| − | @book{Elkins 1999,
| |
| − | author = {Elkins, James},
| |
| − | title = {The Domain of Images},
| |
| − | year = {1999},
| |
| − | publisher = {Cornell University Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ellgring 1989a===
| |
| − | <bibentry>
| |
| − | @book{Ellgring 1989a,
| |
| − | author = {Ellgring, H.},
| |
| − | title = {Nonverbal communication in depression},
| |
| − | year = {1989},
| |
| − | publisher = {},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ernst & Heidenreich 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ernst & Heidenreich 1999a,
| |
| − | author = {Ernst, Wolfgang; Heidenreich, Stefan},
| |
| − | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül},
| |
| − | booktitle = {Konfigurationen. Zwischen Kunst und Medien},
| |
| − | year = {1999},
| |
| − | editor = {Schade, Sigrid; Tholen, Georg Christoph},
| |
| − | pages = {306-320},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ernst et al. 2003a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ernst et al. 2003a,
| |
| − | editor = {Ernst, Wolfgang et al.},
| |
| − | title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
| |
| − | year = {2003},
| |
| − | publisher = {},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Etcoff 2001a===
| |
| − | <bibentry>
| |
| − | @book{Etcoff 2001a,
| |
| − | author = {Etcoff, N. },
| |
| − | title = {Nur die Schönsten überleben. Die Ästhetik des Menschen},
| |
| − | year = {2001},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==F== | | ==F== |
| − | ===Fantz 1966a===
| + | {{Bibliography-F}} |
| − | <bibentry>
| |
| − | @inproceedings{Fantz 1966a,
| |
| − | author = {Fantz, R.L. },
| |
| − | title = {Pattern discrimination and selective attention as determinants of perceptual development from birth},
| |
| − | booktitle = {Perceptual Development in Children},
| |
| − | year = {1966},
| |
| − | editor = {A.H. Kidd & J.L Rivoire},
| |
| − | pages = {143-173},
| |
| − | publisher = {University Press},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ferino-Pagden 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ferino-Pagden 2009a,
| |
| − | title = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, S. },
| |
| − | publisher = {Kunsthistorisches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiske 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiske 2001a,
| |
| − | author = {Fiske, John },
| |
| − | title = {Videotech},
| |
| − | booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse},
| |
| − | year = {2003},
| |
| − | editor = {Adelmann, Ralf et al.},
| |
| − | publisher = {},
| |
| − | address = {Konstanz},
| |
| − | note = {},
| |
| − | pages = {484-502},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Flügge et al. 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Flügge et al. 2007a,
| |
| − | author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela},
| |
| − | title = {Vorwort und Dank},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {6-9},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Foley et al. 1990a===
| |
| − | <bibentry>
| |
| − | @book{Foley et al. 1990a,
| |
| − | author = {Foley, James D.; van Dam; Feiner & Hughes },
| |
| − | title = {Computer Graphics. Principles and Practice},
| |
| − | year = {1990},
| |
| − | publisher = {Addison Wesley},
| |
| − | address = {Reading, MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fox 2006a===
| |
| − | <bibentry>
| |
| − | @book{Fox 2006a,
| |
| − | author = {Fox, Mark},
| |
| − | title = {Quantum Optics. An Introduction},
| |
| − | year = {2006},
| |
| − | publisher = {},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Freedberg 1991a===
| |
| − | <bibentry>
| |
| − | @book{Freedberg 1991a,
| |
| − | author = {Freedberg, David},
| |
| − | title = {he Power of Images. Studies in the History and Theory of Response (1989)},
| |
| − | year = {1991},
| |
| − | editor = {},
| |
| − | publisher = {The University of Chicago Press},
| |
| − | address = {Chicago/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==G== | | ==G== |
| − | | + | {{Bibliography-G}} |
| − | ===Gaede 1981a===
| |
| − | <bibentry>
| |
| − | @book{Gaede 1981a,
| |
| − | author = {Gaede, Werner},
| |
| − | title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung},
| |
| − | year = {1981},
| |
| − | editor = {},
| |
| − | publisher = {Langen Müller/Herbig},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Galison 1997a===
| |
| − | <bibentry>
| |
| − | @book{Galison 1997a,
| |
| − | author = {Galison, Peter},
| |
| − | title = {Image and Logic. A Material Culture of Microphysics},
| |
| − | year = {1997},
| |
| − | publisher = {},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Geiger & Henn-Memmesheimer 1998a===
| |
| − | <bibentry>
| |
| − | @article{Geiger & Henn-Memmesheimer 1998a,
| |
| − | author = {Geiger, Susi & Henn-Memmesheimer, Beate},
| |
| − | title = {Visuell-verbale Textgestaltung von Werbeanzeigen},
| |
| − | journal = {Kodikas/Code – Ars Semeiotica},
| |
| − | year = {1998},
| |
| − | volume = {21},
| |
| − | number = {1/2},
| |
| − | pages = {55–74},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gerhardus et al. 1975a===
| |
| − | <bibentry>
| |
| − | @book{Gerhardus et al. 1975a,
| |
| − | author = {Gerhardus, Dietfried & Kledzik, S.M. & Reitzig, G.H.},
| |
| − | title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch},
| |
| − | year = {1975},
| |
| − | publisher = {Vandenhoeck & Ruprecht},
| |
| − | address = {Göttingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gerstengrabe et al. 2010a===
| |
| − | <bibentry>
| |
| − | @article{Gerstengrabe et al. 2010a,
| |
| − | author = {Gerstengrabe, Carina; Lang, Katharina & Schneider, Anna},
| |
| − | title = {Wasserzeichen. Vom 13. Jahrhundert bis zum Digital Watermarking. Kulturen des Kopierschutzes
| |
| − | II},
| |
| − | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
| |
| − | year = {2010},
| |
| − | volume = {10},
| |
| − | number = {2},
| |
| − | pages = {9-61},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Glüher 1998a===
| |
| − | <bibentry>
| |
| − | @article{Glüher 1998a,
| |
| − | author = {Glüher, Gebhard},
| |
| − | title = {Von der Theorie der Fotografie zur Theorie des digitalen Bildes},
| |
| − | journal = {Kritische Berichte},
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {2},
| |
| − | pages = {23-31},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gooch & Gooch 2001a===
| |
| − | <bibentry>
| |
| − | @book{Gooch & Gooch 2001a,
| |
| − | author = {Gooch, Bruce & Gooch, Amy},
| |
| − | title = {Non-Photorealistic Rendering},
| |
| − | year = {2001},
| |
| − | publisher = {},
| |
| − | address = {Natick, MA. },
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goodman 1968a===
| |
| − | <bibentry>
| |
| − | @book{Goodman 1968a,
| |
| − | author = {Goodman, Nelson},
| |
| − | title = {Languages of Art},
| |
| − | year = {1968, 2. rev. Aufl. 1976},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {dt.: Sprachen der Kunst. Suhrkamp 1998},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goodman & Elgin 1988===
| |
| − | <bibentry>
| |
| − | @book{Goodman & Elgin 1988,
| |
| − | author = {Goodman, Nelson & Elgin, Catherine Z.},
| |
| − | title = {Reconceptions in Philosophy and Other Arts and Sciences},
| |
| − | year = {1988},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goren et al. 1975a===
| |
| − | <bibentry>
| |
| − | @article{Goren et al. 1975a,
| |
| − | author = {Goren, C. C., Sarty, M., & Wu, P. Y.},
| |
| − | title = { Visual following and pattern discrimination of face-like stimuli by newborn infants},
| |
| − | journal = {Pediatrics},
| |
| − | year = {1975},
| |
| − | volume = {56},
| |
| − | number = {},
| |
| − | pages = {544-549},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.ncbi.nlm.nih.gov/pubmed/1165958?dopt=abstract},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2008a===
| |
| − | <bibentry>
| |
| − | @article{Grabbe_Kruse_2008a,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Empathische Cues und die Möglichkeit einer Affekt-Sprache des Films},
| |
| − | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
| |
| − | year = {2008},
| |
| − | volume = {31},
| |
| − | number = {3-4},
| |
| − | pages = {289-298},
| |
| − | publisher = {Gunter Narr},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2008b===
| |
| − | <bibentry>
| |
| − | @article{Grabbe_Kruse_2008b,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Gewalt als Erlebnis. Die somatische Decodierung als Strategie des Filmerlebens in CLOVERFIELD},
| |
| − | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
| |
| − | year = {2008},
| |
| − | volume = {31},
| |
| − | number = {3-4},
| |
| − | pages = {299-312},
| |
| − | note = {},
| |
| − | publisher = {Gunter Narr},
| |
| − | address = {Tübingen},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2009===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grabbe_Kruse_2009,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Roland Barthes: Zeichen, Kommunikation und Mythos},
| |
| − | booktitle = {Schlüsselwerke der Cultural Studies},
| |
| − | year = {2009},
| |
| − | editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja},
| |
| − | pages = {21-31},
| |
| − | publisher = {VS/GWV},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grammer et al. 2002a===
| |
| − | <bibentry>
| |
| − | @article{Grammer et al. 2002a,
| |
| − | author = {Grammer, Karl, Fink, B. & Renninger, L. A.},
| |
| − | title = {Dynamic Systems and Inferential Information Processing in Human Communication},
| |
| − | journal = {Neuroendocrinology Letters},
| |
| − | year = {2002},
| |
| − | volume = {23},
| |
| − | number = {Suppl. 4},
| |
| − | pages = {15-22},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Graumann 1966a===
| |
| − | <bibentry>
| |
| − | @book{Graumann 1966a,
| |
| − | author = {Graumann, Carl Friedrich},
| |
| − | title = {Grundzüge der Verhaltensbeobachtung},
| |
| − | year = {1966},
| |
| − | editor = {in: Meyer, Ernst / Maier, Hans: Fernsehen in der Lehrerbildung, Neue Forschungsansätze in Pädagogik.},
| |
| − | publisher = {Manz 1966, S. 86-107.},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grieshofer 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grieshofer 2009a,
| |
| − | author = {Grieshofer, F. },
| |
| − | title = {Masken im Brennpunkt musealer Sammeltätigkeit},
| |
| − | booktitle = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, S.},
| |
| − | pages = {},
| |
| − | publisher = {Kunsthistorisches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Groß et al. 1981a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Groß et al. 1981a,
| |
| − | author = {Gross, C.G.; Bruce, C.J.; Desimone, R.; Fleming, J. & Gattass, R.},
| |
| − | title = {Cortical visual areas of the temporal lobe: Three areas in the macaque},
| |
| − | booktitle = {Cortical Sensory Organization. Vol. 2: Multiple Visual Areas},
| |
| − | year = {1981},
| |
| − | editor = {C.N. Woolsey},
| |
| − | pages = {187-216},
| |
| − | publisher = {Humana Press},
| |
| − | address = {Totowa N.J.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2006a===
| |
| − | <bibentry>
| |
| − | @article{Günzel 2006a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Bildtheoretische Analyse von Computerspielen in der Perspektive Erste Person},
| |
| − | journal = {IMAGE},
| |
| − | year = {2006},
| |
| − | volume = {},
| |
| − | number = {4},
| |
| − | pages = {31-43},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2008a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Die Realität des Simulationsbildes. Raum im Computerspiel},
| |
| − | booktitle = {Die Realität der Imagination - Architektur und das digitale Bild},
| |
| − | year = {2008},
| |
| − | pages = {127-136},
| |
| − | publisher = {},
| |
| − | address = {Weimar},
| |
| − | note = {10. internationales Bauhaus-Kolloquium},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2009a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Simulation und Perspektive. Der bildtheoretische Ansatz in der Computerspielforschung},
| |
| − | booktitle = {Shooter: eine multdisziplinäre Einführung},
| |
| − | year = {2010},
| |
| − | editor = {Bopp, Matthias; Wiemer, Serjoscha & Nohr,Rolf F.},
| |
| − | pages = {331-352},
| |
| − | publisher = {},
| |
| − | address = {Münster},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2010a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Die Geste des Manipulierens. Zu Gebrauch statischer und beweglicher Digitalbilder},
| |
| − | booktitle = {Freeze Frames. Zum Verhältnis von Fotografie und Film},
| |
| − | year = {2010},
| |
| − | editor = {Diekmann & Gerlin},
| |
| − | pages = {114-129},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==H== | | ==H== |
| | + | {{Bibliography-H}} |
| | | | |
| − | ===Habermas 1995a=== | + | ==I== |
| − | <bibentry>
| + | {{Bibliography-I}} |
| − | @book{Habermas 1995a,
| |
| − | author = {Habermas, Jürgen},
| |
| − | title = {Theorie des kommunikativen Handelns (1981), 2 Bd.},
| |
| − | year = {1995},
| |
| − | editor = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Hagen 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hagen 2002a,
| |
| − | author = {Hagen, Wolfgang},
| |
| − | title = {Die Entropie der Fotografie. Skizzen zu einer Genealogie der digitalelektronischen Bildaufzeichnung},
| |
| − | booktitle = {Paradigma Fotografie},
| |
| − | year = {2002},
| |
| − | editor = {Wolf},
| |
| − | pages = {195-238},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hagen 2002b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hagen 2002b,
| |
| − | author = {Hagen, Wolfgang},
| |
| − | title = {Es gibt kein ,digitales Bild'. Eine medienepistemologische Anmerkung},
| |
| − | booktitle = {Licht und Leitung},
| |
| − | year = {2002},
| |
| − | editor = {Engel},
| |
| − | pages = {103-112},
| |
| − | publisher = {},
| |
| − | address = {Weimar},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Halawa 2008a===
| |
| − | <bibentry>
| |
| − | @book{Halawa 2008a,
| |
| − | author = {Halawa, Mark A.},
| |
| − | title = {Wie sind Bilder möglich? Argumente für eine semiotische Fundierung des Bildbegriffs},
| |
| − | year = {2008},
| |
| − | editor = {},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Halliday 1996a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Halliday 1996a,
| |
| − | author = {Halliday, Michael A.K.},
| |
| − | title = {Language as a Social Semiotic},
| |
| − | booktitle = {The Communication Theory Reader},
| |
| − | year = {1996},
| |
| − | editor = {Cobley, Paul},
| |
| − | pages = {359-383},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hansen 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hansen 2005a,
| |
| − | author = {Hansen, S. },
| |
| − | title = {Neolithische Figuralplastik im südlichen Karpatenbecken},
| |
| − | booktitle = {Masken, Menschen, Rituale},
| |
| − | year = {2005},
| |
| − | editor = {Schier, W.},
| |
| − | pages = {},
| |
| − | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)},
| |
| − | address = {Würzburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hegel 1970a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hegel 1970a,
| |
| − | author = {Hegel, Georg W. F.},
| |
| − | title = {Vorlesungen über die Ästhetik II},
| |
| − | booktitle = {Werke},
| |
| − | year = {1970, Erstveröffentlichung 1835},
| |
| − | editor = {E. Moldenhauer & K. M. Michel},
| |
| − | pages = {Bd. 14},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Heidegger 1950a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Heidegger 1950a,
| |
| − | author = {Heidegger, Martin},
| |
| − | title = {Die Zeit des Weltbildes},
| |
| − | booktitle = {Holzwege},
| |
| − | year = {1950},
| |
| − | editor = {ders.},
| |
| − | pages = {69-104},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Heidenreich 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Heidenreich 2001a,
| |
| − | author = {Heidenreich, Stefan},
| |
| − | title = {Effekte der Digitalisierung: Berechenbarkeit und Suche},
| |
| − | booktitle = {Verwandlungen durch Licht},
| |
| − | year = {2001},
| |
| − | editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
| |
| − | pages = {259-262},
| |
| − | publisher = {},
| |
| − | address = {Esslingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Herder 2001a===
| |
| − | <bibentry>
| |
| − | @book{Herder 2001a,
| |
| − | author = {Herder, Johann Gottfried},
| |
| − | title = {Abhandlung über den Ursprung der Sprache (1772)},
| |
| − | year = {2001},
| |
| − | editor = {Irmscher, Hans Dietrich},
| |
| − | publisher = {Philipp Reclam jun.},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hernadi 1991===
| |
| − | <bibentry>
| |
| − | @article{Hernadi 1991,
| |
| − | author = {Hernadi, Paul},
| |
| − | year = {1991},
| |
| − | title = {Reconceiving Notation and Performance},
| |
| − | journal = {Journal of Aesthetic Education},
| |
| − | volume = {25},
| |
| − | number = {1},
| |
| − | pages = {47-56},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Herter 1947a===
| |
| − | <bibentry>
| |
| − | @article{Herter 1947a,
| |
| − | author = {Herter, H. },
| |
| − | title = {Vom dionysischen Tanz zum komischen Spiel. Die Anfänge der Attischen Komödie},
| |
| − | journal = {Darstellung und Deutung},
| |
| − | year = {1947},
| |
| − | volume = {1},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {Iserlohn},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Heßler 2006a===
| |
| − | <bibentry>
| |
| − | @misc{Heßler 2006a,
| |
| − | author = {Heßler, Martina},
| |
| − | title = {Von der doppelten Unsichtbarkeit digitaler Bilder},
| |
| − | year = {2006},
| |
| − | howpublished = {Elektronische Ressource},
| |
| − | publisher = {},
| |
| − | note = {},
| |
| − | hidden ={letzter Kontrollaufruf: 07.08.2010},
| |
| − | url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hildebrand 1969a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hildebrand 1969a,
| |
| − | author = {Hildebrand, Adolf von},
| |
| − | title = {Das Problem der Form},
| |
| − | booktitle = {Gesammelte Schriften zur Kunst},
| |
| − | year = {1969, Erstveröffentlichung 1903},
| |
| − | editor = {H. Bock},
| |
| − | pages = {41-350},
| |
| − | publisher = {Westdeutscher Verlag},
| |
| − | address = {Köln/Opladen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hinterwaldner 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hinterwaldner 2008a,
| |
| − | author = {Hinterwaldner, Inge},
| |
| − | title = {Simulationsmodelle. Zur Verhältnisbestimmung von Modellierung und Bildgebung in interaktiven Echtzeitsimulationen},
| |
| − | booktitle = {Visuelle Modelle},
| |
| − | year = {2008},
| |
| − | editor = {Reichle, Ingeborg; Siegel, Steffen & Spelten, Achim},
| |
| − | pages = {301-316},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Hofmann 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hofmann 2007a,
| |
| − | author = {Hofmann, Werner },
| |
| − | title = {Spielräume und Raumverstecke},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = { M. Flügge, R. Kudielka & A. Lammert},
| |
| − | pages = {10-22},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holly 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2010a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Bildüberschreibungen. Wie Sprechtexte Nachrichtenfilme lesbar machen (und umgekehrt)},
| |
| − | booktitle = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
| |
| − | pages = {231-254},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {erscheint Ende 2010},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holly 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2009a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Der Wort-Bild-Reißverschluss. Über die performative Dynamik audiovisueller Transkriptivität},
| |
| − | booktitle = {Oberfläche und Performanz. Untersuchungen zur Sprache als dynamischer Gestalt},
| |
| − | year = {2009},
| |
| − | editor = {Angelika Linke & Helmuth Feilke},
| |
| − | pages = {389-406},
| |
| − | publisher = {Niemeyer},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holly 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2007a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’},
| |
| − | booktitle = {Linguistische Hermeneutik},
| |
| − | year = {2007},
| |
| − | editor = {Fritz Hermanns},
| |
| − | pages = {389–428},
| |
| − | publisher = {Niemeyer},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holly & Jäger 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly & Jäger 2011a,
| |
| − | author = {Holly, Werner & Jäger, Ludwig},
| |
| − | title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken},
| |
| − | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Jan Geog Schneider & Hartmut Stöckl},
| |
| − | pages = {},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {erscheint Frühjahr 2011},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holmes 1980a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holmes 1980a,
| |
| − | author = {Holmes, Sir Oliver Wendell},
| |
| − | title = {Das Stereoskop und der Stereograph},
| |
| − | booktitle = {Theorie der Fotografie I. 1839-1912},
| |
| − | year = {1980},
| |
| − | editor = {Kemp, Wolfgang},
| |
| − | pages = {114-122},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {Originalausgabe 1859},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Holschbach 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holschbach 2003a,
| |
| − | author = {Holschbach, Susanne},
| |
| − | title = {Einleitung},
| |
| − | booktitle = {Diskurse der Fotografie. Fotokritik am Ende des fotografischen Zeitalters},
| |
| − | year = {2003},
| |
| − | editor = {Wolf, Herta},
| |
| − | pages = {7-21},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {BD. 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Huber 2004a===
| |
| − | <bibentry>
| |
| − | @book{Huber 2004a,
| |
| − | author = {Huber, Hans Dieter},
| |
| − | title = {Bild Beobachter Milieu. Entwurf einer allgemeinen Bildwissenschaft},
| |
| − | year = {2004},
| |
| − | editor = {},
| |
| − | publisher = {Hatje Cantz},
| |
| − | address = {Ostfildern},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ==I==
| |
| | ==J== | | ==J== |
| − | ===Jaubert 1998a===
| + | {{Bibliography-J}} |
| − | <bibentry>
| |
| − | @book{Jaubert 1998a,
| |
| − | author = {Jaubert, Alain},
| |
| − | title = {Fotos, die lügen: Politik mit gefälschten Bildern},
| |
| − | year = {1998},
| |
| − | publisher = {Äthenaum},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jäger 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jäger 2008a,
| |
| − | author = {Jäger, Ludwig},
| |
| − | title = {Transkriptive Verhältnisse. Zur Logik intra- und intermedialer Bezugnahmen in ästhetischen Diskursen},
| |
| − | booktitle = {Transkription und Fassung in der Musik des 20. Jahrhunderts. Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004},
| |
| − | year = {2008},
| |
| − | editor = {Gabriele Buschmeier & Ulrich Konrad & Albrecht Riethmüller},
| |
| − | pages = {103-134},
| |
| − | publisher = {Franz Steiner},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jäger 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jäger 2002a,
| |
| − | author = {Jäger, Ludwig},
| |
| − | title = {Transkriptivität. Zur medialen Logik der kulturellen Semantik},
| |
| − | booktitle = {Transkribieren - Medien/Lektüre},
| |
| − | year = {2002},
| |
| − | editor = {Ludwig Jäger & Georg Stanitzek},
| |
| − | pages = {19-41},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jewitt 2009a===
| |
| − | <bibentry>
| |
| − | @book{Jewitt 2009a,
| |
| − | author = {},
| |
| − | title = {The Routledge Handbook of Multimodal Analysis},
| |
| − | year = {2009},
| |
| − | editor = {Jewitt, Carey},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnson et al. 2001a===
| |
| − | <bibentry>
| |
| − | @book{Johnson et al. 2001a,
| |
| − | author = {Johnson, Neil F. et al.},
| |
| − | title = {Information Hiding. Steganography and Watermarking - Attacks and Countermeasures},
| |
| − | year = {2001},
| |
| − | publisher = {},
| |
| − | address = {Boston, MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston 2006a===
| |
| − | <bibentry>
| |
| − | @book{Johnston 2006a,
| |
| − | author = {Johnston, Sean},
| |
| − | title = {Holographic Visions. A History of New Science},
| |
| − | year = {2006},
| |
| − | publisher = {},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston et al. 2001a===
| |
| − | <bibentry>
| |
| − | @article{Johnston et al. 2001a,
| |
| − | author = {Johnston, V.S.; Hagel, R.; Franklin, M.; Fink, B. & Grammer, K.},
| |
| − | title = {Male Facial attractiveness. Evidence for hormone-mediated adaptive design},
| |
| − | journal = {Evolution and Human Behavior},
| |
| − | year = {2001},
| |
| − | volume = {22},
| |
| − | number = {},
| |
| − | pages = {251-267},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston & Franklin 1993a===
| |
| − | <bibentry>
| |
| − | @article{Johnston & Franklin 1993a,
| |
| − | author = {Johnston, V.S. & Franklin, M.},
| |
| − | title = {Is beauty in the eye of the beholder?},
| |
| − | journal = {Ethology and Sociobiology},
| |
| − | year = {1993},
| |
| − | volume = {14},
| |
| − | number = {},
| |
| − | pages = {183-199},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jonas 1961a===
| |
| − | <bibentry>
| |
| − | @article{Jonas 1961a,
| |
| − | author = {Jonas, Hans},
| |
| − | title = {Die Freiheit des Bildens – Homo pictor und die differentia des Menschen},
| |
| − | journal = {Zeitschrift für Philosophische Forschung},
| |
| − | year = {1961},
| |
| − | volume = {15},
| |
| − | number = {},
| |
| − | pages = {161–176},
| |
| − | note = {Wieder abgedruckt in: Jonas, Hans: <em>Zwischen Nichts und Ewigkeit – Zur Lehre vom Menschen</em>. Göttingen: Vandenhoeck & Ruprecht, 1987, 26–43},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jung 2003a===
| |
| − | <bibentry>
| |
| − | @proceedings{Jung 2003a,
| |
| − | title = {Holographic Network},
| |
| − | year = {2003a},
| |
| − | editor = {Jung, Dieter},
| |
| − | publisher = {},
| |
| − | address = {Bramsche},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==K== | | ==K== |
| − | ===Kamlah & Lorenzen 1973a===
| + | {{Bibliography-K}} |
| − | <bibentry>
| |
| − | @book{Kamlah & Lorenzen 1973a,
| |
| − | author = {Kamlah, Wilhelm & Lorenzen, Paul},
| |
| − | title = {Logische Propädeutik - Vorschule des vernünftigen Redens},
| |
| − | year = {1973},
| |
| − | publisher = {BI Wissenschaftsverlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1974a===
| |
| − | <bibentry>
| |
| − | @book{Kant 1974a,
| |
| − | author = {Kant, I.},
| |
| − | title = {Kritik der Urteilskraft},
| |
| − | year = {1974},
| |
| − | publisher = {},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1787a===
| |
| − | <bibentry>
| |
| − | @book{Kant 1787a,
| |
| − | author = {Kant, I.},
| |
| − | title = {Kritik der reinen Vernunft},
| |
| − | year = {1787},
| |
| − | url = {},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kecskesi 1982a===
| |
| − | <bibentry>
| |
| − | @book{Kecskesi 1982a,
| |
| − | author = {Kecskesi, M. },
| |
| − | title = {Kunst aus dem alten Afrika},
| |
| − | year = {1982},
| |
| − | publisher = {Pinguin},
| |
| − | address = {Innsbruck},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kluge 2002a===
| |
| − | <bibentry>
| |
| − | @book{Kluge 2002a,
| |
| − | author = {Kluge, Friedrich},
| |
| − | title = {Etymologisches Wörterbuch der deutschen Sprache.},
| |
| − | year = {2002},
| |
| − | editor = {Bearbeitet von Elmar Seebold. 24.},
| |
| − | publisher = {de Gruyter.},
| |
| − | address = {Berlin, New York},
| |
| − | note = {durchgesehene und erweiterte Auflage.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kracauer 1992a===
| |
| − | <bibentry>
| |
| − | @book{Kracauer 1992a,
| |
| − | author = {Kracauer, Siegfried},
| |
| − | title = {Der verbotene Blick},
| |
| − | year = {1992},
| |
| − | publisher = {Reclam},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krämer & Bredekamp 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Krämer & Bredekamp 2003a,
| |
| − | author = {Krämer, Sybille & Bredekamp, Horst},
| |
| − | title = {Kultur, Technik, Kulturtechnik: Wider die Diskursivierung der Kultur},
| |
| − | booktitle = {Bild, Schrift, Zahl},
| |
| − | year = {2003},
| |
| − | editor = {},
| |
| − | pages = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress 2010a===
| |
| − | <bibentry>
| |
| − | @book{Kress 2010a,
| |
| − | author = {Kress, Gunther},
| |
| − | title = {Multimodality. A Social-Semiotic Approach to Contemporary Communication},
| |
| − | year = {2010},
| |
| − | editor = {},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress & Leeuwen 2001a===
| |
| − | <bibentry>
| |
| − | @book{Kress & Leeuwen 2001a,
| |
| − | author = {Kress, Gunther & Leeuwen, Theo van},
| |
| − | title = {Multimodal Discourse. The Modes and Media of Contemporary Communication},
| |
| − | year = {2001},
| |
| − | editor = {},
| |
| − | publisher = {Arnold},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress & Leeuwen 1996a===
| |
| − | <bibentry>
| |
| − | @book{Kress & Leeuwen 1996a,
| |
| − | author = {Kress, Gunther & Leeuwen, Theo van},
| |
| − | title = {Reading Images. The Grammar of Visual Design},
| |
| − | year = {1996},
| |
| − | editor = {},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krewani 2003a===
| |
| − | <bibentry>
| |
| − | @misc{Krewani 2003a,
| |
| − | author = {Krewani, Anna Maria},
| |
| − | title = {Philosophie der Malerei bei Jacques Derrida},
| |
| − | howpublished = {Elektronische Publikation},
| |
| − | url = {deposit.ddb.de/cgi-bin/dokserv?idn=973507624},
| |
| − | year = {2003},
| |
| − | hidden = {Dissertation},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kripke 1972a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kripke 1972a,
| |
| − | author = {Kripke, Saul A.},
| |
| − | title = {Naming and Necessity},
| |
| − | booktitle = {Semantics of Natural Language},
| |
| − | year = {1972},
| |
| − | editor = {Davidson, D. & Harman, G.},
| |
| − | pages = {253-355, 763-769},
| |
| − | publisher = {Reidel},
| |
| − | address = {Dordrecht},
| |
| − | note = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kittler 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kittler 2002a,
| |
| − | author = {Kittler, Friedrich},
| |
| − | title = {Computergrafik. Eine halbtechnische Einführung},
| |
| − | booktitle = {Paradigma Fotografie},
| |
| − | year = {2002},
| |
| − | editor = {Wolf, Hertha},
| |
| − | pages = {178 - 194},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kittler 2002b===
| |
| − | <bibentry>
| |
| − | @book{Kittler 2002b,
| |
| − | author = {Kittler, Friedrich},
| |
| − | title = {Optische Medien. Berliner Vorlesung 1999},
| |
| − | year = {2002},
| |
| − | publisher = {},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kudielka 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kudielka 2005a,
| |
| − | author = {Kudielka, Robert},
| |
| − | title = {Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert},
| |
| − | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
| |
| − | year = {2005},
| |
| − | editor = {A. Lammert, M. Diers, R. Kudielka & G. Mattenklott},
| |
| − | pages = {44-57},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Künzli 1996/1997a===
| |
| − | <bibentry>
| |
| − | @article{Künzli 1996/1997a,
| |
| − | author = {Künzli, Hansjörg},
| |
| − | title = {Über die Haltbarkeit digitaler Daten},
| |
| − | journal = {Rundbrief Fotografie},
| |
| − | year = {1996/1997},
| |
| − | volume = {},
| |
| − | number = {Sonderheft 3},
| |
| − | pages = {5-8},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==L== | | ==L== |
| − | ===Lammert 2007a===
| + | {{Bibliography-L}} |
| − | <bibentry>
| |
| − | @inproceedings{Lammert 2007a,
| |
| − | author = {Lammert, Angela},
| |
| − | title = {Die vertrauten Sichtweisen sind umzustoßen. Zum Raum der Nachkriegszeit in ungewohnten Begegnungen},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {M. Flügge, R. Kudielka & A. Lammert},
| |
| − | pages = {55-69},
| |
| − | publisher = {Verlag für moderne Kunst}
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Langlois & Roggman 1990a===
| |
| − | <bibentry>
| |
| − | @article{Langlois & Roggman 1990a,
| |
| − | author = {Langlois, J.H. & Roggman I.A.},
| |
| − | title = {Attractive faces are only average},
| |
| − | journal = {American Psychol. Society},
| |
| − | year = {1990},
| |
| − | volume = {1/2},
| |
| − | number = {},
| |
| − | pages = {115-121},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Latour 2007a===
| |
| − | <bibentry>
| |
| − | @book{Latour 2007a,
| |
| − | author = {Latour, Bruno},
| |
| − | title = {Eine neue Soziologie für eine neue Gesellschaft. Einführung in die Akteur-Netzwerk-Theorie},
| |
| − | year = {2007},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Law & Whittaker 1988a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Law & Whittaker 1988a,
| |
| − | author = {Law, John & Whittaker, John},
| |
| − | title = {On the Art of Representation. Notes on the Politics of Visualisation},
| |
| − | booktitle = {Picturing Power: Visual Depiction and Social Relations},
| |
| − | year = {1988},
| |
| − | editor = {Fyfe, Gordon & Law, John},
| |
| − | pages = {160-183},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Leeuwen 2005a===
| |
| − | <bibentry>
| |
| − | @book{Leeuwen 2005a,
| |
| − | author = {Leeuwen, Theo van},
| |
| − | title = {Introducing Social Semiotics},
| |
| − | year = {2005},
| |
| − | editor = {},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lefebvre 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Lefebvre 2007a,
| |
| − | author = {Lefebvre, Martin},
| |
| − | title = {The Art of Pointing: On Peirce, Indexicality, and Photographic Images},
| |
| − | booktitle = {Photography Theory},
| |
| − | year = {2007},
| |
| − | editor = {Elkins, James},
| |
| − | pages = {220-244},
| |
| − | publisher = {},
| |
| − | address = {New York u. a.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Leroi-Gourhan 1971a===
| |
| − | <bibentry>
| |
| − | @book{Leroi-Gourhan 1971a,
| |
| − | author = {Leroi-Gourhan, André},
| |
| − | title = {Präshistorische Kunst},
| |
| − | year = {1971},
| |
| − | publisher = {Herder},
| |
| − | address = {Freiburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lessing 1974a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Lessing 1974a,
| |
| − | author = {Lessing, Gotthold Ephraim},
| |
| − | title = {Laokoon oder über die Grenzen der Malerei und Poesie},
| |
| − | booktitle = {Werke, Bd. 6},
| |
| − | year = {1974},
| |
| − | editor = {Göpfert, H. G.},
| |
| − | pages = {7-187},
| |
| − | publisher = {Hanser},
| |
| − | address = {München},
| |
| − | note = {Erstveröffentlichung 1766},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Levinson 1990b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Levinson 1990b,
| |
| − | author = {Levinson, Jerrold},
| |
| − | title = {Autographic and Allographic Art Revisited},
| |
| − | booktitle = {Music, Art, and Metaphysics},
| |
| − | year = {1990},
| |
| − | editor = {Levinson, Jerrold},
| |
| − | pages = {89-106},
| |
| − | publisher = {Cornell University Press},
| |
| − | address = {Ithaca},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Levinson 1990a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Levinson 1990a,
| |
| − | author = {Levinson, Jerrold},
| |
| − | title = {What a Musical Work is},
| |
| − | booktitle = {Music, Art, and Metaphysics},
| |
| − | year = {1990},
| |
| − | editor = {Levinson, Jerrold},
| |
| − | pages = {63-88},
| |
| − | publisher = {Cornell University Press},
| |
| − | address = {Ithaca},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lipps 1920a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Lipps 1920a,
| |
| − | author = {Lipps, Theodor },
| |
| − | title = {»Zur Einfühlung«, in: Psychologische Untersuchungen 2/3, 1913},
| |
| − | booktitle = {Die ästhetische Betrachtung und die bildende Kunst},
| |
| − | year = {1920},
| |
| − | editor = {},
| |
| − | pages = {111-491},
| |
| − | publisher = {Voss},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Löbner 2003a===
| |
| − | <bibentry>
| |
| − | @book{Löbner 2003a,
| |
| − | author = {Löbner, Sebastian},
| |
| − | title = {Semantik. Eine Einführung},
| |
| − | year = {2003},
| |
| − | editor = {},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lorenz 1970a===
| |
| − | <bibentry>
| |
| − | @book{Lorenz 1970a,
| |
| − | author = {Lorenz, Kuno},
| |
| − | title = {Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie},
| |
| − | year = {1970},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Luhmann 1996a===
| |
| − | <bibentry>
| |
| − | @book{Luhmann 1996a,
| |
| − | author = {Luhmann, Niklas},
| |
| − | title = {Realität der Massenmedien},
| |
| − | year = {1996},
| |
| − | publisher = {},
| |
| − | address = {Opladen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Luhmann 1997a===
| |
| − | <bibentry>
| |
| − | @book{Luhmann 1997a,
| |
| − | author = {Luhmann, Niklas},
| |
| − | title = {Die Kunst der Gesellschaft},
| |
| − | year = {1997},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lunenfeld 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Lunenfeld 2002a,
| |
| − | author = {Levinson, Jerrold},
| |
| − | title = {Digitale Fotografie. Das dubitative Bild},
| |
| − | booktitle = {Paradigma Fotografies},
| |
| − | year = {2002},
| |
| − | editor = {Wolf, Herta},
| |
| − | pages = {158-177},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lynch & Edgerton 1988a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Lynch & Edgerton 1988a,
| |
| − | author = {Lynch, Michael & Edgerton, Samuel Y.},
| |
| − | title = {Aesthetics and Digital Image Processing. Re-presentational Craft in Contemporary Astronomy},
| |
| − | booktitle = {Picturing Power: Visual Depiction and Social Relations},
| |
| − | year = {1988},
| |
| − | editor = {Fyfe, Gordon & Law, John},
| |
| − | pages = {184-220},
| |
| − | publisher = {},
| |
| − | address = {London u.a.},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==M== | | ==M== |
| − | ===Manovich 2001a===
| + | {{Bibliography-M}} |
| − | <bibentry>
| |
| − | @book{Manovich 2001a,
| |
| − | author = {Manovich, Lev},
| |
| − | title = {The Language of New Media},
| |
| − | year = {2001},
| |
| − | publisher = {},
| |
| − | address = {Cambridge/MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Manovich 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Manovich 2005a,
| |
| − | author = {Manovich, Lev},
| |
| − | title = {Die Poetik des erweiterten Raums},
| |
| − | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
| |
| − | year = {2005},
| |
| − | editor = {A. Lammert, M. Diers, R. Kudielka & G. Mattenklott},
| |
| − | pages = {337-350},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Martinec & Salway 2005a===
| |
| − | <bibentry>
| |
| − | @article{Martinec & Salway 2005a,
| |
| − | author = {Martinec, Radan & Salway, Andrew},
| |
| − | title = {A System for Image-Text-Relations in New (and Old) Media},
| |
| − | journal = {Visual Communication},
| |
| − | year = {2005},
| |
| − | volume = {4},
| |
| − | number = {3},
| |
| − | pages = {337–371},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mead 1968a===
| |
| − | <bibentry>
| |
| − | @book{Mead 1968a,
| |
| − | author = {Mead, George Herbert},
| |
| − | title = {Geist, Identität und Gesellschaft aus der Sicht des Sozialbehaviorismus},
| |
| − | year = {1968},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {Original: <em>Mind, Self, and Society</em>. Hg. v. Charles W. Morris. Chicago, 1934},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mersch 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Mersch 2003a,
| |
| − | author = {Mersch, Dieter},
| |
| − | title = {Wort, Bild, Ton, Zahl – Modalitäten medialen Darstellens},
| |
| − | booktitle = {Die Medien der Künste. Beiträge zur Theorie des Darstellens},
| |
| − | year = {},
| |
| − | editor = {Mersch, Dieter},
| |
| − | pages = {S. 9-49},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Merleau-Ponty 1966a===
| |
| − | <bibentry>
| |
| − | @book{Merleau-Ponty 1966a,
| |
| − | author = {Merleau-Ponty, Maurice},
| |
| − | title = {Phänomenologie der Wahrnehmung (1945)},
| |
| − | year = {1966},
| |
| − | editor = {},
| |
| − | publisher = {Walter de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {aus dem Französischen übersetzt und eingeführt durch eine Vorrede von Boehm, Rudolf},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Merleau-Ponty 1961a===
| |
| − | <bibentry>
| |
| − | @book{Merleau-Ponty 1961a,
| |
| − | author = {Merleau-Ponty, Maurice},
| |
| − | title = {Das Auge und der Geist. Philosophische Essays.}
| |
| − | year = {1961},
| |
| − | editor = {},
| |
| − | publisher = {Felix Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {neu bearbeitet, kommentiert und mit einer Einleitung versehen von Bermes, Christian (2003)},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Metz 1972a===
| |
| − | <bibentry>
| |
| − | @book{Metz 1972a,
| |
| − | author = {Metz, Christian},
| |
| − | title = {Semiologie des Films (1968)},
| |
| − | year = {1972},
| |
| − | editor = {},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {aus dem Französischen von Koch, Renate},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 1994a===
| |
| − | <bibentry>
| |
| − | @book{Mitchell 1994a,
| |
| − | author = {Mitchell, William J.},
| |
| − | title = {Picture Theory. Essays on Verbal and Visual Representation},
| |
| − | year = {1994},
| |
| − | editor = {},
| |
| − | publisher = {University of Chicago Press},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 1986a===
| |
| − | <bibentry>
| |
| − | @book{Mitchell_1986a,
| |
| − | author = {Mitchell, William James Thomas},
| |
| − | title = {Iconology. Image, Text, Ideology},
| |
| − | year = {1986},
| |
| − | editor = {},
| |
| − | publisher = {University of Chicago Press},
| |
| − | address = {London, Chicago},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 1992a===
| |
| − | <bibentry>
| |
| − | @book{Mitchell 1992a,
| |
| − | author = {Mitchell, William J.},
| |
| − | title = {The Reconfigured Eye. Visual Truth in the Post-Photographic Era},
| |
| − | year = {1992},
| |
| − | publisher = {},
| |
| − | address = {Cambridge, MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 1992b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Mitchell 1992b,
| |
| − | author = {Mitchell W. J. T.},
| |
| − | title = {"The Pictorial Turn"},
| |
| − | year = {1992},
| |
| − | booktitle = {Picture Theory. Essays on Verbal and Visual Repräsentation},
| |
| − | editor = {},
| |
| − | publisher = {Universität of Chicago Press},
| |
| − | address = {Chicago},
| |
| − | pages = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Mitchell 2007a,
| |
| − | author = {Mitchell, William J.},
| |
| − | title = {Realismus im digitalen Bild},
| |
| − | booktitle = {Bilderfragen. Die Bildwissenschaften im Aufbruch},
| |
| − | year = {2007},
| |
| − | editor = {Belting, Hans},
| |
| − | pages = {237-256},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Morris 1994a===
| |
| − | <bibentry>
| |
| − | @book{Morris 1994a,
| |
| − | author = {Morris, D.},
| |
| − | title = {Das Tier Mensch},
| |
| − | year = {1994},
| |
| − | publisher = {Verlagsgesellschaft},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Müller 1985a===
| |
| − | <bibentry>
| |
| − | @book{Müller 1985a,
| |
| − | author = {Müller, Wolfgang},
| |
| − | title = {DUDEN Bedeutungswörterbuch = DUDEN Band 10},
| |
| − | year = {1985},
| |
| − | editor = {},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Müller-Beck & Albrecht 1978a===
| |
| − | <bibentry>
| |
| − | @book{Müller-Beck & Albrecht 1978a,
| |
| − | author = {Müller-Beck, H. & Albrecht, G. },
| |
| − | title = {Die Anfänge der Kunst vor 30'000 Jahren},
| |
| − | year = {1978},
| |
| − | publisher = {Theiss},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Musterle & Roessler 1986a===
| |
| − | <bibentry>
| |
| − | @article{Musterle & Roessler 1986a,
| |
| − | author = {Musterle, W.A. & Roessler, O.E.},
| |
| − | title = {Computer faces: The human Lorenz Matrix},
| |
| − | journal = {Bio Systems},
| |
| − | year = {1986},
| |
| − | volume = {19},
| |
| − | number = {},
| |
| − | pages = {61-80},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==N== | | ==N== |
| − | ===Naef 2007a===
| + | {{Bibliography-N}} |
| − | <bibentry>
| |
| − | @book{Naef_2007a,
| |
| − | author = {Naef, Silvia},
| |
| − | title = {Bilder und Bilderverbot im Islam},
| |
| − | year = {2007},
| |
| − | editor = {},
| |
| − | publisher = {C. H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Nöth 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Nöth 2000a,
| |
| − | author = {Nöth, Winfried},
| |
| − | title = {Der Zusammenhang von Text und Bild},
| |
| − | booktitle = {Text- und Gesprächslinguistik. Handbücher zur Sprach- und Kommunikationswissenschaft 16},
| |
| − | year = {2000},
| |
| − | editor = {Klaus Brinker et al.},
| |
| − | pages = {489–496},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==O== | | ==O== |
| − | | + | {{Bibliography-O}} |
| − | ===Ott 2007a===
| |
| − | <bibentry>
| |
| − | @book{Ott 2007a,
| |
| − | author = {Ott, Michaela},
| |
| − | title = {Der unbestimmte Raum in Philosophie und Film},
| |
| − | year = {2007},
| |
| − | editor = {},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==P== | | ==P== |
| − | ===Pang 2002a===
| + | {{Bibliography-P}} |
| − | <bibentry>
| |
| − | @inproceedings{Pang 2002a,
| |
| − | author = {Pang, Alex Soojung-Kim},
| |
| − | title = {Technologie und Ästhetik der Astrofotografie},
| |
| − | booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie},
| |
| − | year = {2002},
| |
| − | editor = {Geimer, Peter},
| |
| − | pages = {101-141},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| − | ===Panofsky 1924a=== | + | ==Q== |
| − | <bibentry>
| + | {{Bibliography-Q}} |
| − | @inproceedings{Panofsky 1924a,
| |
| − | author = {Panofsky, Erwin},
| |
| − | title = {Die Perspektive als symbolische Form (1924)},
| |
| − | booktitle = {Erwin Panofsky, Deutschsprachige Aufsätze Bd. 2},
| |
| − | year = {1998},
| |
| − | editor = {K. Michels & M. Warnke},
| |
| − | pages = {664-757},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {Erstpublikation in: <em>Vorträge der Bibliothek Warburg (1924/25)</em>. Leipzig, 1927, 258-330},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Paret 1960a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Paret_1960a,
| |
| − | author = {Paret, Rudi},
| |
| − | title = {Textbelege zum islamischen Bilderverbot},
| |
| − | booktitle = {Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte},
| |
| − | year = {1960},
| |
| − | editor = {Hans Fegers},
| |
| − | pages = {36-48},
| |
| − | publisher = {Kohlhammer},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Paret 1968===
| |
| − | <bibentry>
| |
| − | @inproceedings{Paret_1968a,
| |
| − | author = {Paret, Rudi},
| |
| − | title = {Das islamische Bilderverbot und die Schia},
| |
| − | booktitle = {Festschrift Werner Caskel. Zum siebzigsten Geburtstag 5. März 1966 gewidmet von Freunden und Schülern},
| |
| − | year = {1968},
| |
| − | editor = {Erwin Gräf},
| |
| − | pages = {242-232},
| |
| − | publisher = {Brill},
| |
| − | address = {Leiden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pesch 2001a===
| |
| − | <bibentry>
| |
| − | @article{Pesch 2001a,
| |
| − | author = {Pesch, Martin},
| |
| − | title = {Raumbilder-Bildräume. Zu den Arbeiten von Julia Ziegler},
| |
| − | journal = {Kunstforum International},
| |
| − | year = {2001},
| |
| − | volume = {153},
| |
| − | number = {},
| |
| − | pages = {261-267},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pias 2003a===
| |
| − | <bibentry>
| |
| − | @misc{Pias 2003a,
| |
| − | author = {Pias, Claus},
| |
| − | title = {Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion},
| |
| − | howpublished = {Elektronische Publikation},
| |
| − | url = {www.zeitenblicke.de/2003/01/pias/pias.pdf}
| |
| − | year = {2003},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pillow 2003===
| |
| − | <bibentry>
| |
| − | @article{Pillow 2003,
| |
| − | author = {Pillow, Kirk},
| |
| − | title = {Did Goodman's Distinction Survive LeWitt?},
| |
| − | journal = {Journal of Aesthetics and Art Criticism},
| |
| − | year = {2003},
| |
| − | volume = {61},
| |
| − | number = {},
| |
| − | pages = {365-380},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Plinius 2004===
| |
| − | <bibentry>
| |
| − | @proceedings{Plinius 2004,
| |
| − | title = {G. Plinius Secundus d. Ä: Naturkunde / Naturalis historia : lateinisch-deutsch},
| |
| − | year = {1990–2004},
| |
| − | editor = {Roderich König et al.},
| |
| − | publisher = {Artemis},
| |
| − | address = {Zürich},
| |
| − | note = {unkritische Ausgabe des lateinischen Textes mit Übersetzung und Erläuterungen},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pöppel 1982a===
| |
| − | <bibentry>
| |
| − | @book{Pöppel 1982a,
| |
| − | author = {Pöppel, E.},
| |
| − | title = {Lust und Schmerz},
| |
| − | year = {1982},
| |
| − | publisher = {Severin & Siedler},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pollmeier 2005a===
| |
| − | <bibentry>
| |
| − | @misc{Pollmeier 2005a,
| |
| − | author = {Pollmeier, Klaus},
| |
| − | title = {Vom Baryt zum Bit. Zur Konservierung analoger und digitaler fotografischer Bilder. Digitale Bildverarbeitung, eine Erweiterung oder radikale Veränderung der Fotografie?},
| |
| − | howpublished = {},
| |
| − | year = {2005},
| |
| − | note = {Hasenpflug (Red.): Dokumentation des Symposiums am 12./13. November 2004 im Museum Folkwang, Essen, Ludwigsburg},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Popper 2002a===
| |
| − | <bibentry>
| |
| − | @book{Popper 2002a,
| |
| − | author = {Popper, Karl R.},
| |
| − | title = {Alle Menschen sind Philosophen},
| |
| − | year = {2002},
| |
| − | editor = {Bohnet, Heidi & Stadler, Klaus},
| |
| − | publisher = {Piper},
| |
| − | address = {München/Zürich},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pratschke 2005a===
| |
| − | <bibentry>
| |
| − | @book{Pratschke 2005a,
| |
| − | author = {Pratschke, Margarete},
| |
| − | title = {Digitale Form},
| |
| − | year = {2005},
| |
| − | publisher = {},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Pratschke 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Pratschke 2008a,
| |
| − | author = {Pratschke, Margarete},
| |
| − | title = {Interaktion mit Bildern. Digitale Bildgeschichte am Beispiel grafischer Benutzeroberflächen},
| |
| − | booktitle = {Technische Bilder},
| |
| − | year = {2008},
| |
| − | editor = {Bredekamp, Horst et al.},
| |
| − | pages = {68-80},
| |
| − | publisher = {},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Predelli 1999===
| |
| − | <bibentry>
| |
| − | @article{Predelli 1999,
| |
| − | author = {Predelli, Stefano},
| |
| − | title = {Goodman and the Score},
| |
| − | journal = {British Journal of Aesthetics},
| |
| − | year = {1999},
| |
| − | volume = {39},
| |
| − | number = {},
| |
| − | pages = {138-147},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ==Q==
| |
| | ==R== | | ==R== |
| − | ===Raphael 1986a===
| + | {{Bibliography-R}} |
| − | <bibentry>
| |
| − | @book{Raphael 1986a,
| |
| − | author = {Raphael, Max},
| |
| − | title = {Raumgestaltungen. Der Beginn der modernen Kunst im Kubismus und im Werk von Georges Braque},
| |
| − | year = {1986, Erstausgabe 1949},
| |
| − | publisher = {Campus}
| |
| − | address = {Frankfurt a. M./New York},
| |
| − | note = {hg. v. H.-J. Heinrichs},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Renz 2006a===
| |
| − | <bibentry>
| |
| − | @book{Renz 2006a,
| |
| − | author = {Renz, U.},
| |
| − | title = {Schönheit. Eine Wissenschaft für sich},
| |
| − | year = {2006},
| |
| − | publisher = {Berlin Verlag},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rieger 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Rieger 2009a,
| |
| − | author = {Rieger, Stefan},
| |
| − | title = {Holographie. Das Versprechen der Ganzheit},
| |
| − | booktitle = {Das holographische Wissen},
| |
| − | year = {2009},
| |
| − | editor = {ders. & Schröter, Jens},
| |
| − | pages = {87-106},
| |
| − | publisher = {},
| |
| − | address = {Zürich/Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rieger & Schröter 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Rieger & Schröter 2009a,
| |
| − | title = {Das holographische Wissen}, year = {2009},
| |
| − | editor = {Rieger, Stefan & Schröter, Jens},
| |
| − | publisher = {},
| |
| − | address = {Zürich/Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Riegl 1931a===
| |
| − | <bibentry>
| |
| − | @book{Riegl 1931a,
| |
| − | author = {Riegl, Alois},
| |
| − | title = {Das holländische Gruppenporträt},
| |
| − | year = {1931, Erstveröffentlichung 1902},
| |
| − | publisher = {Staatsdruckerei},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ritchin 1990a===
| |
| − | <bibentry>
| |
| − | @book{Ritchin 1990a,
| |
| − | author = {Ritchin, Fred},
| |
| − | title = {In Our Image: The Coming Revolution in Photography. How Computer Technology is Changing our View of the World},
| |
| − | year = {1990},
| |
| − | publisher = {},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ritchin 1990b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ritchin 1990b,
| |
| − | author = {Ritchin, Fred},
| |
| − | title = {Photojournalism in the Age of Computers},
| |
| − | booktitle = {The Critical Image. Essays on Contemporary Photography},
| |
| − | year = {1990},
| |
| − | editor = {Squiers},
| |
| − | pages = {28.37},
| |
| − | publisher = {},
| |
| − | address = {Seattle},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Roch 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Roch 1998a,
| |
| − | author = {Roch, Axel},
| |
| − | title = {Radartechnologie und Computergraphik. Zur Geschichte der Beleuchtungsmodelle in computergenerierten Bildern},
| |
| − | booktitle = {Geschichte der Medien},
| |
| − | year = {1998},
| |
| − | editor = {Faßler, Manfred & Halbach, Wulf R.},
| |
| − | pages = {227-254},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Roloff 1972a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Roloff_1972a,
| |
| − | author = {Roloff, D.},
| |
| − | title = {Eidolon, Eikon, Bild},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie. Bd.2},
| |
| − | year = {1972},
| |
| − | editor = {Joachim Ritter et al.},
| |
| − | pages = {330-332},
| |
| − | publisher = {Schwabe Verlag},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rorty 1967a===
| |
| − | <bibentry>
| |
| − | @book{Rorty 1967a,
| |
| − | author = {Rorty, Richard},
| |
| − | title = {The Linguistic Turn: Essays in Philosophical Method},
| |
| − | year = {1967},
| |
| − | editor = {},
| |
| − | publisher = {The University of Chicago Press.},
| |
| − | address = {Chicago/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ros 2005a===
| |
| − | <bibentry>
| |
| − | @book{Ros 2005a,
| |
| − | author = {Ros, Arno},
| |
| − | title = {Materie und Geist. Eine philosophische Untersuchung},
| |
| − | year = {2005},
| |
| − | publisher = {Mentis},
| |
| − | address = {Paderborn},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ros 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ros 1999a,
| |
| − | author = {Ros, Arno},
| |
| − | title = {Was ist Philosophie?},
| |
| − | booktitle = {Philosophieren über Philosophie}
| |
| − | year = {1999},
| |
| − | editor = {Raatzsch, Richard},
| |
| − | pages = {36–58},
| |
| − | publisher = {Leipziger Universitätsverlag},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ros 1989a===
| |
| − | <bibentry>
| |
| − | @article{Ros 1989a,
| |
| − | author = {Ros, Arno},
| |
| − | title = {“Bedeutung”, “Idee” und “Begriff” – Zur Behandlung einiger bedeutungstheoretischer Paradoxien durch Leibniz},
| |
| − | journal = {Studia Leibnitiana},
| |
| − | year = {1989},
| |
| − | volume = {21},
| |
| − | number = {},
| |
| − | pages = {133-154},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ros 1979a===
| |
| − | <bibentry>
| |
| − | @book{Ros 1979a,
| |
| − | author = {Ros, Arno},
| |
| − | title = {Objektkonstitution und elementare Sprachhandlungsbegriffe},
| |
| − | year = {1979},
| |
| − | publisher = {Hain},
| |
| − | address = {Königstein/Ts.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rosch 1978a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Rosch 1978a,
| |
| − | author = {Rosch, E.H.},
| |
| − | title = {Principles of categorization}
| |
| − | booktitle = {Cognition and Categorization},
| |
| − | year = {1978},
| |
| − | editor = {Rosch, E.H.},
| |
| − | pages = {27-48},
| |
| − | publisher = {Hillsdale},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rosler 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Rosler 2000a,
| |
| − | author = {Rosler, Martha},
| |
| − | title = {Bildsimulationen, Computermanipulationen: einige Überlegungen},
| |
| − | booktitle = {Theorie der Fotografie IV. 1980-1995},
| |
| − | year = {2000},
| |
| − | editor = {von Amelunxen, Hubertus},
| |
| − | pages = {129-170},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Royce 1998a===
| |
| − | <bibentry>
| |
| − | @article{Royce 1998a,
| |
| − | author = {Royce, Terry},
| |
| − | title = {Synergy on the Page: Exploring Intersemiotic Complementarity in Page-based Multimodal Text},
| |
| − | journal = {JASFL Occasional Papers},
| |
| − | year = {1998},
| |
| − | volume = {1},
| |
| − | number = {1},
| |
| − | pages = {25-48},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Rötzer 1993a===
| |
| − | <bibentry>
| |
| − | @proceedings{Rötzer 1993a,
| |
| − | author = {Rötzer, Florian},
| |
| − | title = {Cyberspace. Zum medialen Gesamtkunstwerk},
| |
| − | year = {1993},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ruff 2009a===
| |
| − | <bibentry>
| |
| − | @book{Ruff 2009a,
| |
| − | author = {Ruff, Thomas},
| |
| − | title = {Jpegs},
| |
| − | year = {2009},
| |
| − | publisher = {},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==S== | | ==S== |
| − | ===Sachs-Hombach 2005b===
| + | {{Bibliography-S}} |
| − | <bibentry>
| |
| − | @proceedings{Sachs-Hombach 2005b,
| |
| − | title = {Bildwissenschaft. Zwischen Reflexion und Anwendung},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sachs-Hombach 2005a===
| |
| − | <bibentry>
| |
| − | @proceedings{Sachs-Hombach 2005a,
| |
| − | title = {Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | publisher = {suhrkamp},
| |
| − | address = {Frankfurt/Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sachs-Hombach 2003a===
| |
| − | <bibentry>
| |
| − | @book{Sachs-Hombach 2003a,
| |
| − | author = {Sachs-Hombach, Klaus},
| |
| − | title = {Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft}
| |
| − | year = {2003},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sachs-Hombach & Schirra 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Sachs-Hombach & Schirra 2009a,
| |
| − | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. },
| |
| − | title = {Medientheorie, visuelle Kultur und Bildanthropologie},
| |
| − | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn},
| |
| − | year = {2009},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | pages = {393-424},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Salomon 2006a===
| |
| − | <bibentry>
| |
| − | @book{Salomon 2006a,
| |
| − | author = {Salomon, David},
| |
| − | title = {Transformations and Projections in Computer Graphics},
| |
| − | year = {2006},
| |
| − | publisher = {},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Salomon 2008a===
| |
| − | <bibentry>
| |
| − | @book{Salomon 2008a,
| |
| − | author = {Salomon, David},
| |
| − | title = {A Concise Introduction to Data Compression},
| |
| − | year = {2008},
| |
| − | publisher = {},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Saxena & Sahay 2005a===
| |
| − | <bibentry>
| |
| − | @book{Saxena & Sahay 2005a,
| |
| − | author = {Saxena, Anupam; Sahay, Birendra},
| |
| − | title = {Computer Aided Engineering Design},
| |
| − | year = {2005},
| |
| − | publisher = {},
| |
| − | address = {New York u.a},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schier 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schier 2005a,
| |
| − | author = {Schier, W. },
| |
| − | title = {Die Maske von Uivar},
| |
| − | booktitle = {Masken, Menschen, Rituale},
| |
| − | year = {2005},
| |
| − | editor = {Schier, W. },
| |
| − | pages = {},
| |
| − | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)},
| |
| − | address = {Würzburg },
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2007a===
| |
| − | <bibentry>
| |
| − | @proceedings{Schirra 2007a,
| |
| − | editor = {Schirra, Jörg R.J. (Hg.)},
| |
| − | title = {Computational Visualistics and Picture Morphology},
| |
| − | publisher = {IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
| |
| − | note = {Themenbeiheft zu Band 5},
| |
| − | year = {2007},
| |
| − | url = {www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf},
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 2006a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen},
| |
| − | booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft},
| |
| − | year = {2006},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | pages = {197-215},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P06/P06-3/index.html},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2005a===
| |
| − | <bibentry>
| |
| − | @book{Schirra 2005a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Foundation of Computational Visualistics},
| |
| − | year = {2005},
| |
| − | url = {},
| |
| − | publisher = {DUV},
| |
| − | address = {Wiesbaden},
| |
| − | abstract = {},
| |
| − | note = {ISBN: 3-8350-6015-5},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2005b===
| |
| − | <bibentry>
| |
| − | @article{Schirra 2005b,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach},
| |
| − | year = {2005},
| |
| − | url = {www.jrjs.de/Work/Papers/P05/P05-1/index.html},
| |
| − | journal ={IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
| |
| − | volume = {1},
| |
| − | pages = {30-45},
| |
| − | note = {},
| |
| − | abstract = {Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2005c===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 2005c,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Computervisualistik},
| |
| − | booktitle = { Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hombach, K.},
| |
| − | pages = {268-280},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P05/P05-2/index.html},
| |
| − | abstract = {Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 2001a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Bilder —— Kontextbilder},
| |
| − | booktitle = {Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen},
| |
| − | year = {2001},
| |
| − | editor = {Sachs-Hombach, K.},
| |
| − | pages = {77-100},
| |
| − | publisher = {Skriptum},
| |
| − | address = {Magdeburg},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P01/P01-5/index.html},
| |
| − | abstract = {Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 2000a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis},
| |
| − | booktitle = {Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen},
| |
| − | year = {2000},
| |
| − | editor = {Rehkämper, K.& Sachs-Hombach, K.},
| |
| − | pages = {119-135},
| |
| − | publisher = {Skriptum},
| |
| − | address = {Magdeburg},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P00/P00-1/index.html},
| |
| − | abstract = {Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 1999a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik},
| |
| − | booktitle = {bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen},
| |
| − | year = {1999},
| |
| − | editor = {Sachs-Hombach, K. & Rehkämper, K.},
| |
| − | pages = {103-119},
| |
| − | publisher = {Skriptum},
| |
| − | address = {Magdeburg},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P99/P99-3/index.html},
| |
| − | abstract = {Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 1995a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning},
| |
| − | booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen},
| |
| − | year = {1995},
| |
| − | editor = {Sachs-Hombach, K.},
| |
| − | pages = {107-136},
| |
| − | publisher = {Rodopi},
| |
| − | address = {Amsterdam},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P95/index.html},
| |
| − | abstract = {Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 1994a===
| |
| − | <bibentry>
| |
| − | @book{Schirra 1994a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum},
| |
| − | year = {1994},
| |
| − | publisher = {DISKI},
| |
| − | address = {St. Augustin},
| |
| − | abstract = {},
| |
| − | note = {ISBN 3-929037-71-8},
| |
| − | url = {www.jrjs.de/Work/Papers/P94/P94-1-d/index.html},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra 1993a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra 1993a,
| |
| − | author = {Schirra, Jörg R.J.},
| |
| − | title = {Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«},
| |
| − | booktitle = {Semantics of Time, Space, and Movement},
| |
| − | year = {1993},
| |
| − | editor = {M. Aurnague, A. Borillo, M. Borillo & M. Bras},
| |
| − | pages = {105-121},
| |
| − | publisher = {Univ. Paul Sabatier},
| |
| − | address = {Toulouse},
| |
| − | note = {},
| |
| − | url = {www.jrjs.de/Work/Papers/P93/P93-2/index.html},
| |
| − | abstract = {AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra & Sachs-Hombach 2010a===
| |
| − | <bibentry>
| |
| − | @article{Schirra & Sachs-Hombach 2010a,
| |
| − | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus},
| |
| − | title = {Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology},
| |
| − | journal = {Linguistic and Philosophical Investigations},
| |
| − | year = {2010},
| |
| − | volume = {9},
| |
| − | number = {},
| |
| − | pages = {144–181},
| |
| − | url = {www.jrjs.de/Work/Papers/P10/P10-2/index.html},
| |
| − | note = {},
| |
| − | abstract = {There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra & Sachs-Hombach 2006a===
| |
| − | <bibentry>
| |
| − | @article{Schirra & Sachs-Hombach 2006a,
| |
| − | author = {Schirra, Jörg R.J. & Sachs-Hombach, Klaus},
| |
| − | title = {Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht},
| |
| − | journal = {ELiSe: Essener Linguistische Skripte – elektronisch},
| |
| − | year = {2006},
| |
| − | volume = {6},
| |
| − | number = {1},
| |
| − | pages = {51-72},
| |
| − | url = {www.uni-due.de/germanistik/elise/ausgabe_12006},
| |
| − | hidden = {letzter Zugriff: 25. September 2010},
| |
| − | note = {},
| |
| − | abstract ={Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra & Sachs-Hombach 2006b===
| |
| − | <bibentry>
| |
| − | @article{Schirra_Sachs-Hombach_2006b,
| |
| − | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus},
| |
| − | title = {Fähigkeiten zum Bild- und Sprachgebrauch },
| |
| − | journal = {Deutsche Zeitschrift für Philosophie},
| |
| − | year = {2006},
| |
| − | volume = {54},
| |
| − | number = {6},
| |
| − | pages = {887-905},
| |
| − | url = {www.jrjs.de/Work/Papers/P06/P06-5/index.html},
| |
| − | note = {},
| |
| − | abstract = {Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist. },
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schirra & Scholz 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schirra & Scholz 1998a,
| |
| − | author = {Schirra, Jörg R.J. & Scholz, Martin},
| |
| − | title = {Abstraction versus Realism: Not the Real Question},
| |
| − | booktitle = {Computer Visualization – Graphics, Abstraction, and Interactivity},
| |
| − | year = {1998},
| |
| − | editor = {Strothotte, T. (et al.)},
| |
| − | pages = {379-401},
| |
| − | publisher = {Springer},
| |
| − | address = {Heidelberg},
| |
| − | note = {Chapter 22},
| |
| − | url = {www.jrjs.de/Work/Papers/P98/P98-3/index.html},
| |
| − | abstract = {When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schleicher 1859a===
| |
| − | <bibentry>
| |
| − | @article{Schleicher 1859a,
| |
| − | author = {Schleicher, August},
| |
| − | title = {Zur Morphologie der Sprache},
| |
| − | journal = {Mémoires de l'académdie impériale des sciences de St. Pétersbourg},
| |
| − | year = {1859},
| |
| − | volume = {1?},
| |
| − | number = {7},
| |
| − | pages = {1-38},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schlenstedt 2000===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schlenstedt 2000,
| |
| − | author = {Schlenstedt, Dieter},
| |
| − | title = {Darstellung},
| |
| − | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: : Absenz – Darstellung},
| |
| − | year = {2000},
| |
| − | editor = {Karlheinz Barck et al.},
| |
| − | pages = {831-875},
| |
| − | publisher = {J. B. Metzler},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schlenstedt & George 2005===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schlenstedt_George_2005a,
| |
| − | author = {Schlenstedt, Dieter; George, Marion},
| |
| − | title = {Typisch/Typ(us)},
| |
| − | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1},
| |
| − | year = {2005},
| |
| − | editor = {Karlheinz Barck et al.},
| |
| − | pages = {191-246},
| |
| − | publisher = {J. B. Metzler},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schlosser 1952a===
| |
| − | <bibentry>
| |
| − | @book{Schlosser 1952a,
| |
| − | author = {Schlosser, K.},
| |
| − | title = {Der Signalismus in der Kunst der Naturvölker: Biologisch-psychologische Gesetzlichkeiten in den Abweichungen von der Norm des Vorbildes},
| |
| − | year = {1952},
| |
| − | publisher = {Mühlau},
| |
| − | address = {Kiel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schmid 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schmid 2009a,
| |
| − | author = {Schmid, Gabriele},
| |
| − | title = {Zwischen Bildern. Die holographische Installation als Handlungsfeld},
| |
| − | booktitle = {holographische Wissen},
| |
| − | year = {2009},
| |
| − | editor = {Rieger, Stefan & Schröter, Jens},
| |
| − | pages = {161-180},
| |
| − | publisher = {},
| |
| − | address = {Zürich/Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schneider 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schneider 2009a,
| |
| − | author = {Schneider, Birgit},
| |
| − | title = {Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”},
| |
| − | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft},
| |
| − | year = {2009},
| |
| − | editor = {Heßler & Mersch},
| |
| − | pages = {188-200},
| |
| − | publisher = {},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schneider & Berz 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schneider & Berz 2002a,
| |
| − | author = {Schneider, Birgit & Berz, Peter},
| |
| − | title = {Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie}
| |
| − | booktitle = {Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung},
| |
| − | year = {2002},
| |
| − | editor = {Flach, Sabine & Tholen, Georg Christoph},
| |
| − | pages = {181-220},
| |
| − | publisher = {},
| |
| − | address = {Kassel},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Schneider & Stöckl 2011a===
| |
| − | <bibentry>
| |
| − | @proceedings{Schneider & Stöckl 2011a,
| |
| − | title = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Schneider, Jan Georg & Stöckl, Hartmut},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {erscheint Frühjahr 2011},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | ===Scholz 2004a===
| |
| − | <bibentry>
| |
| − | @book{Scholz 2004a,
| |
| − | author = {Scholz, Oliver R.},
| |
| − | title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen},
| |
| − | year = {2004},
| |
| − | publisher = {Klostermann},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {2., vollständig überarbeitete Aufl.},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2001a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Eine kurze Geschichte der digitalen Fotografie},
| |
| − | booktitle = {Verwandlungen durch Licht. Fotografieren in Museen & Archiven & Bibliotheken},
| |
| − | year = {2001},
| |
| − | editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
| |
| − | pages = {249-257},
| |
| − | publisher = {},
| |
| − | address = {Esslingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2003a===
| |
| − | <bibentry>
| |
| − | @article{Schröter 2003a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern},
| |
| − | journal = {Fotogeschichte},
| |
| − | year = {2003},
| |
| − | volume = {23},
| |
| − | number = {88},
| |
| − | pages = {3-16},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2004a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?},
| |
| − | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
| |
| − | year = {2004},
| |
| − | editor = {Schröter & Böhnke},
| |
| − | pages = {335-354},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2004b===
| |
| − | <bibentry>
| |
| − | @book{Schröter 2004b,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine},
| |
| − | year = {2004},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2004c===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2004c,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Computer/Simulation. Kopie ohne Original oder das Original kontrollierende Kopie},
| |
| − | booktitle = {OriginalKopie. Praktiken des Sekundären},
| |
| − | year = {2004},
| |
| − | editor = {Fehrmann et al., Gisela},
| |
| − | pages = {139-155},
| |
| − | publisher = {},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2004d===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2004d,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Notizen zu einer Geschichte des Löschens. Am Beispiel von Video und Robert Rauschenbergs Erased de Kooning-Drawing},
| |
| − | booktitle = {Im Banne der Ungewissheit. Bilder zwischen Medien, Kunst und Menschen},
| |
| − | year = {2004},
| |
| − | editor = {Schumacher-Chilla, Doris},
| |
| − | pages = {171-194},
| |
| − | publisher = {},
| |
| − | address = {Oberhausen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2005a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {MetaMorphing. Camerons Analysen der digitalen Bilder in Terminator 2 und The Abyss},
| |
| − | booktitle = {Mythen, Mütter, Maschinen. Die Filme des James Cameron},
| |
| − | year = {2005},
| |
| − | editor = {Pabst, Eckhard},
| |
| − | pages = {289-315},
| |
| − | publisher = {},
| |
| − | address = {Kiel},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2009a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Wirklichkeit ist überhaupt nur darzustellen, indem man sie konstruiert (Andreas Gursky)},
| |
| − | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft},
| |
| − | year = {2009},
| |
| − | editor = {Heßler & Mersch},
| |
| − | pages = {201-218},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2009b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2009b,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {On the Logic of the Digital Archive},
| |
| − | booktitle = {The You Tube Reader},
| |
| − | year = {2009},
| |
| − | editor = {Vonderau, Patrick & Snickars, Pelle},
| |
| − | pages = {330-346},
| |
| − | publisher = {},
| |
| − | address = {Stockholm},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2009c===
| |
| − | <bibentry>
| |
| − | @book{Schröter 2009c,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {3D. Zur Theorie, Geschichte und Medienästhetik des technischtransplanen Bildes},
| |
| − | year = {2009},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2009d===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2009d,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Das holographische Wissen und die Nicht-Reproduzierbarkeit},
| |
| − | booktitle = {Das holographische Wissen},
| |
| − | year = {2009},
| |
| − | editor = {Rieger, Stefan & ders.},
| |
| − | pages = {77-86},
| |
| − | publisher = {},
| |
| − | address = {Zürich/Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2010a,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Fotografie und Fiktionalität},
| |
| − | booktitle = {Die fotografische Wirklichkeit. Inszenierung - Fiktion - Narration},
| |
| − | year = {2010},
| |
| − | editor = {Blunck, Lars},
| |
| − | pages = {143-158},
| |
| − | publisher = {},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter 2010b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Schröter 2010b,
| |
| − | author = {Schröter, Jens},
| |
| − | title = {Das Zeitalter der technischen Nichtreproduzierbarkeit},
| |
| − | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
| |
| − | editor = {Schröter et al, Jens},
| |
| − | year = {2010},
| |
| − | volume = {10},
| |
| − | number = {1},
| |
| − | pages = {1-38},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schröter & Thielmann 2006a===
| |
| − | <bibentry>
| |
| − | @article{Schröter & Thielmann 2006a,
| |
| − | author = {Schröter, Jens & Thielmann, Tristan},
| |
| − | title = {Display I: Analog},
| |
| − | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften}
| |
| − | year = {2006},
| |
| − | volume = {6},
| |
| − | number = {2},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schulz 2005a===
| |
| − | <bibentry>
| |
| − | @book{Schulz 2005a,
| |
| − | author = {Schulz, Martin},
| |
| − | title = {Ordnungen der Bilder. Eine Einführung in die Bildwissenschaft},
| |
| − | year = {2005},
| |
| − | editor = {},
| |
| − | publisher = {Wilhelm Finke},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Schulze 2000a===
| |
| − | <bibentry>
| |
| − | @book{Schulze 2000a,
| |
| − | author = {Schulze, Gerhard},
| |
| − | title = {Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe.},
| |
| − | year = {2000},
| |
| − | editor = {},
| |
| − | publisher = {Campus},
| |
| − | address = {Frankfurt a. M., New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Searle 1971===
| |
| − | <bibentry>
| |
| − | @book{Searle 1971,
| |
| − | author = {Searle, John R.},
| |
| − | title = {Sprechakttheorie - Ein sprachphilosophischer Essay},
| |
| − | year = {1971},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Seel 2003a===
| |
| − | <bibentry>
| |
| − | @book{Seel 2003a,
| |
| − | author = {Seel, Martin},
| |
| − | title = {Ästhetik des Erscheinens},
| |
| − | year = {2003},
| |
| − | editor = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Seiterle 1988a===
| |
| − | <bibentry>
| |
| − | @article{Seiterle 1988a,
| |
| − | author = {Seiterle, G. },
| |
| − | title = {Maske, Ziegenbock und Satyr},
| |
| − | journal = {Antike Welt. Z. für Archäologie und Kulturgeschichte},
| |
| − | year = {1988},
| |
| − | volume = {},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sekula 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Sekula 2002a,
| |
| − | author = {Sekula, Allan},
| |
| − | title = {Der Handel mit Fotografien},
| |
| − | booktitle = {Paradigma Fotografie},
| |
| − | year = {2002},
| |
| − | editor = {Wolf, Herta},
| |
| − | pages = {255-290},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Simmel 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Simmel 1995a,
| |
| − | author = {Simmel, G.},
| |
| − | title = {Der Bildrahmen. Ein ästhetischer Versuch},
| |
| − | booktitle = {Aufsätze und Abhandlungen 1901-1908 Bd. 1},
| |
| − | year = {1995},
| |
| − | editor = {Simmel, G.},
| |
| − | pages = {101-108},
| |
| − | publisher = {},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Smith & Tatarewicz 1985a===
| |
| − | <bibentry>
| |
| − | @article{Smith & Tatarewicz 1985a,
| |
| − | author = {Smith, Robert W. & Tatarewicz, Joseph N.},
| |
| − | title = {Replacing a Technology: The Large Space Telescope and CCDs},
| |
| − | journal = {Proceedings of the IEEE},
| |
| − | year = {1985},
| |
| − | volume = {73},
| |
| − | number = {7},
| |
| − | pages = {1221-1235},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sobchack 1997a===
| |
| − | <bibentry>
| |
| − | @book{Sobchack 1997a,
| |
| − | author = {Sobchack, Vivian},
| |
| − | title = {Meta-Morphing. Visual Transformation and the Culture of Quick-Change},
| |
| − | year = {1997},
| |
| − | publisher = {},
| |
| − | address = {Minneapolis},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Spillner 1982a===
| |
| − | <bibentry>
| |
| − | @article{Spillner 1982a,
| |
| − | author = {Spillner, Bernd},
| |
| − | title = {Stilanalyse semiotisch komplexer Texte: Zum Verhältnis von sprachlicher und bil¬dicher Information in Werbeanzeigen},
| |
| − | journal = {Kodikas/Code – Ars Semeiotica},
| |
| − | year = {1982},
| |
| − | volume = {},
| |
| − | number = {4/5},
| |
| − | pages = {91–106},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Steinbrenner 1996===
| |
| − | <bibentry>
| |
| − | @book{Steinbrenner 1996,
| |
| − | author = {Steinbrenner, Jakob},
| |
| − | title = {Kognitivismus in der Ästhetik},
| |
| − | year = {1996},
| |
| − | publisher = {Königshausen & Neumann},
| |
| − | address = {Würzburg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stiegler 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Stiegler 2004a,
| |
| − | author = {Stiegler, Bernd},
| |
| − | title = {Digitale Photographie als epistemologischer Bruch und historische Wende},
| |
| − | booktitle = {Das Gesicht der Welt. Medien in der digitalen Kultur},
| |
| − | year = {1995},
| |
| − | editor = {Engell & Neitzel},
| |
| − | pages = {105-126},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Stöckl 2011a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Werbekommunikation semiotisch},
| |
| − | booktitle = {Handbuch Werbekommunikation},
| |
| − | year = {2011},
| |
| − | editor = {Nina Janich},
| |
| − | pages = {},
| |
| − | publisher = {UTB},
| |
| − | address = {Tübingen},
| |
| − | note = {erscheint Mitte 2011},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2009b===
| |
| − | <bibentry>
| |
| − | @article{Stöckl 2009b,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {The Language-Image-Text. Theoretical and Analytical Inroads into Semiotic Complexity},
| |
| − | journal = {AAA Arbeiten aus Anglistik und Amerikanistik},
| |
| − | year = {2009},
| |
| − | volume = {34},
| |
| − | number = {2},
| |
| − | pages = {202-226},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2009a===
| |
| − | <bibentry>
| |
| − | @article{Stöckl 2009a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Beyond Depicting. Language-Image-Links in the Service of Advertising},
| |
| − | journal = {AAA Arbeiten aus Anglistik und Amerikanistik},
| |
| − | year = {2009},
| |
| − | volume = {34},
| |
| − | number = {1},
| |
| − | pages = {3-28},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Stöckl 2008a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Werbetypographie. Formen und Funktionen},
| |
| − | booktitle = {Werbung – grenzenlos. Multimodale Werbetexte im interkulturellen Vergleich},
| |
| − | year = {2008},
| |
| − | editor = {Bendel, Sylvia & Held, Gudrun},
| |
| − | pages = {13–36},
| |
| − | publisher = {Lang},
| |
| − | address = {Frankfurt/Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2005a===
| |
| − | <bibentry>
| |
| − | @article{Stöckl 2005a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Typography: Body and Dress of a Text – A Signing Mode between Language and Image},
| |
| − | journal = {Visual Communication},
| |
| − | year = {2005},
| |
| − | volume = {4},
| |
| − | number = {2},
| |
| − | pages = {204-214},
| |
| − | note = {Special Issue “The New Typography”},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2004b===
| |
| − | <bibentry>
| |
| − | @article{Stöckl 2004b,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Typographie: Körper und Gewand des Textes. Linguistische Überlegungen zu typographischer Gestaltung},
| |
| − | journal = {Zeitschrift für Angewandte Linguistik},
| |
| − | year = {2004},
| |
| − | volume = {},
| |
| − | number = {41},
| |
| − | pages = {5-48},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2004a===
| |
| − | <bibentry>
| |
| − | @book{Stöckl 2004a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Die Sprache im Bild – Das Bild in der Sprache. Zur Verknüpfung von Sprache und Bild im massenmedialen Text},
| |
| − | year = {2004},
| |
| − | editor = {},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Stöckl 2003a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {„Imagine“: Stilanalyse multimodal. Am Beispiel des TV-Werbespots},
| |
| − | booktitle = {Sprachstil – Zugänge und Anwendungen. Ulla Fix zum 60. Geburtstag},
| |
| − | year = {2003},
| |
| − | editor = {Barz, Irmhild & Lerchner, Gotthard & Schröder, },
| |
| − | pages = {305-323},
| |
| − | publisher = {Winter},
| |
| − | address = {Heidelberg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Stöckl 1992a===
| |
| − | <bibentry>
| |
| − | @article{Stöckl 1992a,
| |
| − | author = {Stöckl, Hartmut},
| |
| − | title = {Der ‚picture relation type’ – Ein praktischer Analysemodus zur Beschreibung der vielfältigen Einbettungs- und Verknüpfungsbeziehungen von Bild und Text},
| |
| − | journal = {Papiere zur Linguistik},
| |
| − | year = {1992},
| |
| − | volume = {46},
| |
| − | number = {11},
| |
| − | pages = {49-61},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Strauß 1998a===
| |
| − | <bibentry>
| |
| − | @book{Strauß 1998a,
| |
| − | author = {Strauß, Bernd (Hg.)},
| |
| − | title = {Zuschauer},
| |
| − | year = {1998},
| |
| − | editor = {},
| |
| − | publisher = {Hogrefe},
| |
| − | address = {Göttingen [u.a.]},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Strenge 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Strenge_1998a,
| |
| − | author = {Strenge, Britta},
| |
| − | title = {Typos/Typologie},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 10},
| |
| − | year = {1998},
| |
| − | editor = {Joachim Ritter et al.},
| |
| − | pages = {1587-1595},
| |
| − | publisher = {Schwabe Verlag},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Striedter 1984a===
| |
| − | <bibentry>
| |
| − | @book{Striedter 1984a,
| |
| − | author = {Striedter, K.H.},
| |
| − | title = {Felsbilder der Sahara},
| |
| − | year = {1984},
| |
| − | publisher = {Prestel},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Strauss 1979a===
| |
| − | <bibentry>
| |
| − | @article{Strauss 1979a,
| |
| − | author = {Strauss, M.S.},
| |
| − | title = {Abstraction of prototypical information by adults and 10-month-old infants},
| |
| − | journal = {J. of Experimental Psychology: Human Leraning and Memory},
| |
| − | year = {1979},
| |
| − | volume = {5},
| |
| − | number = {},
| |
| − | pages = {618-632},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Strothotte & Schlechtweg 2002a===
| |
| − | <bibentry>
| |
| − | @book{Strothotte & Schlechtweg 2002a,
| |
| − | author = {Strothotte, Thomas & Schlechtweg, Stefan},
| |
| − | title = {Non-photorealistic Computer Graphics: Modeling, Rendering, and Animation},
| |
| − | year = {2002},
| |
| − | publisher = {},
| |
| − | address = {San Francisco u.a},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sütterlin 1992a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Sütterlin 1992a,
| |
| − | author = {Sütterlin, Ch.},
| |
| − | title = {Schreck-Gesichter. Symbole des magischen Alltags},
| |
| − | booktitle = {Symbole des Alltags, Alltag der Symbole},
| |
| − | year = {1992},
| |
| − | editor = {Blaschitz, G.; et al. },
| |
| − | pages = {517-554},
| |
| − | publisher = {ADV},
| |
| − | address = {Graz},
| |
| − | note = {Festschrift Harry Kühnel zum 65. Geburtstag},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Sütterlin 1998a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Sütterlin 1998a,
| |
| − | author = {Sütterlin, Ch. },
| |
| − | title = {Grenzen der Komplexität. Die Kunst als Bild der Wirklichkeit. Neuropsychologische und ethologische Erkenntnisse in der Kunst},
| |
| − | booktitle = {Vom Einfachen zur Ganzheitlichkeit. Das Problem der Komplexität auf organismischer und soziokultureller Ebene},
| |
| − | year = {1998},
| |
| − | editor = {A.M. Wobus, & U. Wobus},
| |
| − | pages = {167-188},
| |
| − | publisher = {Nova Acta Leopoldina 77(304)},
| |
| − | address = {},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==T== | | ==T== |
| − | ===Thielmann & Schröter 2007a===
| + | {{Bibliography-T}} |
| − | <bibentry>
| |
| − | @proceedings{Thielmann & Schröter 2007a,
| |
| − | title = {Display II: Digital. Navigationen},
| |
| − | year = {2007},
| |
| − | editor = {Thielmann, Tristan & Schröter, Jens},
| |
| − | publisher = {<em>Zeitschrift für Medien- und Kulturwissenschaften</em>},
| |
| − | address = {},
| |
| − | note = {Jg. 7, H. 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Thornhill & Gangestad 1993a===
| |
| − | <bibentry>
| |
| − | @article{Thornhill & Gangestad 1993a,
| |
| − | author = {Thornhill, R. & Gangestad, S.W. },
| |
| − | title = {Human facial beauty: averageness, symmetry and parasite resistance},
| |
| − | journal = {Human nature},
| |
| − | year = {1993},
| |
| − | volume = {4},
| |
| − | number = {},
| |
| − | pages = {237-269},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Tischner 1954a===
| |
| − | <bibentry>
| |
| − | @book{Tischner 1954a,
| |
| − | author = {Tischner, H.},
| |
| − | title = {Kunst der Südsee},
| |
| − | year = {1954},
| |
| − | publisher = {},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Tugendhat 1976a===
| |
| − | <bibentry>
| |
| − | @book{Tugendhat 1976a,
| |
| − | author = {Tugendhat, Ernst},
| |
| − | title = {Vorlesungen zur Einführung in die sprachanalytische Philosophie},
| |
| − | year = {1976},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Tugendhat & Wolf 1983a===
| |
| − | <bibentry>
| |
| − | @book{Tugendhat & Wolf 1983a,
| |
| − | author = {Tugendhat, Ernst & Wolf, Ursula},
| |
| − | title = {Logisch-semantische Propädeutik},
| |
| − | year = {1983},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stuttgart},
| |
| − | note = {(revid. 1986)},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==U== | | ==U== |
| − | ===Ullrich 1997a===
| + | {{Bibliography-U}} |
| − | <bibentry>
| |
| − | @article{Ullrich 1997a,
| |
| − | author = {Ullrich, Wolfgang},
| |
| − | title = {Digitaler Nominalismus. Zum Status der Computerfotografie},
| |
| − | journal = {Fotogeschichte},
| |
| − | year = {1997},
| |
| − | volume = {},
| |
| − | number = {64},
| |
| − | pages = {63-73},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==V== | | ==V== |
| − | ===Valenza et al. 1996a===
| + | {{Bibliography-V}} |
| − | <bibentry>
| |
| − | @article{Valenza et al. 1996a,
| |
| − | author = {Valenza, E.; Simion, F.; Cassia, V.M. & Umiltà, C.},
| |
| − | title = {Face preference at birth},
| |
| − | journal = {J. of experimental Psychology (Human Perception and Performance) },
| |
| − | year = {1996},
| |
| − | volume = {22},
| |
| − | number = {4},
| |
| − | pages = {892-903},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ventola et al. 2009a===
| |
| − | <bibentry>
| |
| − | @book{Ventola et al. 2009a,
| |
| − | author = {Ventola, Eija & Guijarro, Moya & Arsenio, Jesús},
| |
| − | title = {The World Told and the World Shown. Multisemiotic Issues},
| |
| − | year = {2009},
| |
| − | publisher = {Palgrave Macmillan},
| |
| − | address = {Basingstoke},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Venus 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Venus 2009a,
| |
| − | author = {Venus, Jochen},
| |
| − | title = {Raumbild und Tätigkeitssimulation. Video- und Computerspiele als Darstellungsmedien des Tätigkeitsempfindens},
| |
| − | booktitle = {Das Raumbild. Bilder jenseits ihrer Flächen},
| |
| − | year = {2009},
| |
| − | editor = {Winter, Gundolf; Schröter, Jens & Barck, Joanna},
| |
| − | pages = {259-280},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==W== | | ==W== |
| | + | {{Bibliography-W}} |
| | | | |
| − | ===Warburg 2008a=== | + | ==X== |
| − | <bibentry>
| + | {{Bibliography-X}} |
| − | @book{Warburg 2008a,
| |
| − | author = {Warburg, Aby},
| |
| − | title = {Der Bilderatlas Mnemosyne (2000)},
| |
| − | year = {2008},
| |
| − | editor = {Warnke, Martin; unter Mitarbeit von Brink, Claudia},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Watt 2002a=== | + | ==Y== |
| − | <bibentry>
| + | {{Bibliography-Y}} |
| − | @book{Watt 2002a,
| |
| − | author = {Watt, Alan},
| |
| − | title = {3D-Computergrafik},
| |
| − | year = {2002},
| |
| − | publisher = {},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Weber 2000a=== | + | ==Z== |
| − | <bibentry>
| + | {{Bibliography-Z}} |
| − | @inproceedings{Weber 2000a,
| |
| − | author = { Weber, Hartmut},
| |
| − | title = {Windmühlen oder Mauern? Die Archive und der neue Wind in der Informationstechnik},
| |
| − | booktitle = {Digitale Archive - Ein neues Paradigma?},
| |
| − | year = {2000},
| |
| − | editor = {Metzing, Andreas},
| |
| − | pages = {79-94},
| |
| − | publisher = {},
| |
| − | address = {Marburg },
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| − | ===Weiss 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Weiss 2009a,
| |
| − | author = {Weiss, G. },
| |
| − | title = {Masken begleiten, erinnern, ehren und erneuern},
| |
| − | booktitle = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, S.},
| |
| − | pages = {},
| |
| − | publisher = {Kunsthistorisches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Wiesing 2005===
| |
| − | <bibentry>
| |
| − | @book{Wiesing 2005,
| |
| − | author = {Wiesing, Lambert},
| |
| − | title = {Artifizielle Präsenz. Studien zur Philosophie des Bildes},
| |
| − | year = {2005},
| |
| − | editor = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Wimmer 1991a=== | + | ==Fehlerhafte Angaben== |
| − | <bibentry>
| |
| − | @inproceedings{Wimmer 1991a,
| |
| − | author = {Wimmer, Thomas},
| |
| − | title = {Fabrikation der Fiktion?},
| |
| − | booktitle = {Digitaler Schein. Ästhetik der digitalen Medien},
| |
| − | year = {1991},
| |
| − | editor = {Rötzer, },
| |
| − | pages = {519-533},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Winkler 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Winkler 2003a,
| |
| − | author = {Winkler, Hartmut},
| |
| − | title = {Zugriff. Thesen zur Umorganisation der gesellschaftlichen Bildarchive unter den Bedingungen des Digitalen},
| |
| − | booktitle = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
| |
| − | year = {2003},
| |
| − | editor = {Ernst, Wolfgang; Heidenreich, Stefan & Holl, Ute},
| |
| − | pages = {144-148},
| |
| − | publisher = {},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| | | | |
| − | ===Wirth 2004a=== | + | ===Lunenfeld 2002a=== |
| | <bibentry> | | <bibentry> |
| − | @inproceedings{Wirth 2004a, | + | @inproceedings{Lunenfeld 2002a, |
| − | author = {Wirth, Uwe}, | + | author = {Levinson, Jerrold}, |
| − | title = {Das Vorwort als performative, paratextuelle und parergonale Rahmung}, | + | title = {Digitale Fotografie. Das dubitative Bild}, |
| − | booktitle = {Rhetorik. Figuration und Performanz}, | + | booktitle = {Paradigma Fotografie}, |
| − | year = {2004}, | + | year = {2002}, |
| − | editor = {Fohrmann, Jürgen}, | + | editor = {Wolf, H.}, |
| − | pages = {603-628}, | + | pages = {158-177}, |
| − | publisher = {}, | + | publisher = {Suhr­kamp}, |
| − | address = {Stuttgart}, | + | address = {Frank­furt/M.}, |
| | note = {}, | | note = {}, |
| | } | | } |
| | </bibentry> | | </bibentry> |
| − |
| |
| − | ===Wiesing 2008a===
| |
| − | <bibentry>
| |
| − | @book{Wiesing 2008a,
| |
| − | author = {Wiesing, Lambert},
| |
| − | title = {Die Sichtbarkeit des Bildes. Geschichte und Perspektiven der formalen Ästhetik. (1997)},
| |
| − | year = {2008},
| |
| − | editor = {},
| |
| − | publisher = {Campus},
| |
| − | address = {Frankfurt a.M., New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Wiesing 2005a===
| |
| − | <bibentry>
| |
| − | @book{Wiesing 2005a,
| |
| − | author = {Wiesing, Lambert},
| |
| − | title = {Artifizielle Präsenz. Studien zur Philosophie des Bildes.},
| |
| − | year = {2005},
| |
| − | editor = {},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Wittgenstein 1971a===
| |
| − | <bibentry>
| |
| − | @book{Wittgenstein 1971a,
| |
| − | author = {Wittgenstein, Ludwig},
| |
| − | title = {Philosophische Untersuchungen},
| |
| − | year = {1971},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Wittgenstein 1922===
| |
| − | <bibentry>
| |
| − | @book{Wittgenstein 1922,
| |
| − | author = {Wittgenstein, Ludwig},
| |
| − | title = {Tractatus Logico-Philosophicus},
| |
| − | year = {1922},
| |
| − | publisher = {Kegan Paul},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Wollheim 1980a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Wollheim 1980a,
| |
| − | author = {Wollheim, Richard},
| |
| − | title = {Sehen-als, sehen-in und bildliche Darstellung},
| |
| − | booktitle = {Objekte der Kunst},
| |
| − | year = {1980},
| |
| − | editor = {},
| |
| − | pages = {192-210},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {übersetzt von Looser, Max},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ===Wollheim 1978===
| |
| − | <bibentry>
| |
| − | @article{Wollheim 1978,
| |
| − | author = {Wollheim, Richard},
| |
| − | title = {Are the Criteria of Identity that Hold für a Work of Art in the Different Arts Aesthetically Relevant?},
| |
| − | journal = {Ratio},
| |
| − | year = {1978},
| |
| − | volume = {20},
| |
| − | number = {},
| |
| − | pages = {29-48},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| − | ==X==
| |
| − | ==Y==
| |
| − | ==Z==
| |
| − | ===Zaloscer 1974a===
| |
| − | <bibentry>
| |
| − | @article{Zaloscer 1974a,
| |
| − | author = {Zaloscer, Hilde},
| |
| − | title = {Versuch einer Phänomenologie des Rahmens},
| |
| − | journal = {Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft},
| |
| − | year = {1974},
| |
| − | volume = {19},
| |
| − | number = {2},
| |
| − | pages = {189-224},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − |
| |
| | | | |
| | <!--- Die folgende Zeile muß immer am Ende der Seite stehen!! --> | | <!--- Die folgende Zeile muß immer am Ende der Seite stehen!! --> |
| | <!--- Nicht entfernen und keinen Biblio-Eintrag danach setzen --> | | <!--- Nicht entfernen und keinen Biblio-Eintrag danach setzen --> |
| | <bibexport/> | | <bibexport/> |