|
|
| Zeile 1: |
Zeile 1: |
| − | ===Habermas 1995a===
| + | <!--- --> |
| − | <bibentry>
| + | <!--- --> |
| − | @book{Habermas 1995a,
| |
| − | author = {Habermas, Jürgen},
| |
| − | title = {Theorie des kommunikativen Handelns},
| |
| − | year = {1995},
| |
| − | publisher = {Suhrkamp Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {7. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Wiesing 2009a===
| |
| − | <bibentry>
| |
| − | @book{Wiesing 2009a,
| |
| − | author = {Wiesing, Lambert},
| |
| − | title = {Das Mich der Wahrnehmung. Eine Autopsie},
| |
| − | year = {2009},
| |
| − | publisher = {Suhrkamp Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry> | |
| − | | |
| − | ===Warnke 1993a===
| |
| − | <bibentry>
| |
| − | @proceedings{Warnke 1993a,
| |
| − | title = {Bildersturm. Die Zerstörung des Kunstwerks},
| |
| − | year = {1993},
| |
| − | editor = {Warnke, Martin},
| |
| − | publisher = {S. Fischer Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mitchell 2008b===
| |
| − | <bibentry>
| |
| − | @book{Mitchell 2008b,
| |
| − | author = {Mitchell, W.J.T.},
| |
| − | title = {Das Leben der Bilder. Eine Theorie der visuellen Kultur},
| |
| − | year = {2008},
| |
| − | publisher = {Verlag C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {mit einem Vorwort von Hans Belting, aus dem Englischen von Achim Eschbach, Anna-Victoria Eschbach und Mark Halawa},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Lippold 1993a===
| |
| − | <bibentry>
| |
| − | @book{Lippold 1993a,
| |
| − | author = {Lippold, Lutz},
| |
| − | title = {Macht des Bildes - Bild der Macht: Kunst zwischen Verehrung und Zerstörung bis zum ausgehenden Mittelalter},
| |
| − | year = {1993},
| |
| − | publisher = {Edition Leipzig},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Mersch 2002b===
| |
| − | <bibentry>
| |
| − | @book{Mersch 2002b,
| |
| − | author = {Mersch, Dieter},
| |
| − | title = {Ereignis und Aura. Untersuchungen zu einer performativen Ästhetik},
| |
| − | year = {2002},
| |
| − | publisher = {Suhrkamp Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fischer-Lichte 2004a===
| |
| − | <bibentry>
| |
| − | @book{Fischer-Lichte 2004a,
| |
| − | author = {Fischer-Lichte, Erika},
| |
| − | title = {Ästhetik des Performativen},
| |
| − | year = {2004},
| |
| − | publisher = {Suhrkamp Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kris & Kurz 1995a===
| |
| − | <bibentry> | |
| − | @book{Kris & Kurz 1995a,
| |
| − | author = {Kris, Ernst & Kurz, Otto},
| |
| − | title = {Die Legende vom Künstler. Ein geschichtlicher Versuch},
| |
| − | year = {1995},
| |
| − | publisher = {Suhrkamp Verlag},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {mit einem Vorwort von Ernst H. Gombrich},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Didi-Huberman 2000a===
| |
| − | <bibentry>
| |
| − | @book{Didi-Huberman 2000a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {Vor einem Bild},
| |
| − | year = {2000},
| |
| − | publisher = {Carl Hanser Verlag},
| |
| − | address = {München/Wien},
| |
| − | note = {aus dem Französischen von Reinold Werner},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Panofsky 2002a===
| |
| − | <bibentry>
| |
| − | @book{Panofsky 2002a,
| |
| − | author = {Panofsky, Erwin},
| |
| − | title = {Sinn und Deutung in der bildenden Kunst (Meaning in the Visual Arts)},
| |
| − | year = {2002},
| |
| − | publisher = {Dumont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| | <!--- Dies ist eine Kommentarzeile --> | | <!--- Dies ist eine Kommentarzeile --> |
| | + | <!--- --> |
| | + | <!--- Diese Kommentare AUF KEINEN FALL löschen! --> |
| | <!--- In diese Seite kommen alle bibliographischen Daten rein, --> | | <!--- In diese Seite kommen alle bibliographischen Daten rein, --> |
| | <!--- also wirklich a l l e für dieses Glossar. --> | | <!--- also wirklich a l l e für dieses Glossar. --> |
| Zeile 143: |
Zeile 17: |
| | <!--- so dass eine alphabetisch geordnete Liste erhalten bleibt. --> | | <!--- so dass eine alphabetisch geordnete Liste erhalten bleibt. --> |
| | <!--- --> | | <!--- --> |
| − | <!--- Derzeit sind folgende Formen möglich Monographie (=book), --> | + | <!--- Derzeit sind folgende Formen möglich: Monographie (= book), --> |
| | <!--- Sammelband (= Proceedings), Artikel in Sammelband (= inproceedings),--> | | <!--- Sammelband (= Proceedings), Artikel in Sammelband (= inproceedings),--> |
| | <!--- Zeitschriftenartikel (= article), Rest (= misc.) --> | | <!--- Zeitschriftenartikel (= article), Rest (= misc.) --> |
| Zeile 161: |
Zeile 35: |
| | <!--- sonst sind die Literaturangaben auf den Seiten falsch geordnet. --> | | <!--- sonst sind die Literaturangaben auf den Seiten falsch geordnet. --> |
| | <!--- Den korrekt geschriebenen Namen zwischen den <bib>Klammern nutzen. --> | | <!--- Den korrekt geschriebenen Namen zwischen den <bib>Klammern nutzen. --> |
| | + | <!--- --> |
| | + | <!--- Bei "Artikel in Sammelband" (inproceedings) Herausgebervornamen ab- --> |
| | + | <!--- kürzen. Sonst nach Möglichkeit ausschreiben; immer Nachname zuerst. --> |
| | + | <!--- Bei mehreren Personen: letzte mit Kaufmannsund abtrennen; sonst ; --> |
| | + | <!--- Eintragsschlüssel: bei zwei Personen "1 & 2", bei mehr "1 et al." --> |
| | + | <!--- Immer sowohl Verlagsname als auch -ort angeben --> |
| | + | <!--- --> |
| | + | <!--- --> |
| | + | <!--- Achtung! Gegenwärtig wird das Gesamtverzeichnis umstrukturiert --> |
| | + | <!--- und auf jeweils einzelne Dateien pro Anfanbgsbuchstaben --> |
| | + | <!--- umgestellt. Falls die sich nicht bearbeiten lassen sollten, bitte --> |
| | + | <!--- bei JRJS Bescheid geben; neue Einträge sollten aber in dieser Datei --> |
| | + | <!--- funktionieren: Man erreicht die neuen Dateien unter --> |
| | + | <!--- "Vorlage:Bibliography-X" (wobei "X" jeweils durch den gewünschten --> |
| | + | <!--- Anfangsbuchstaben ersetzt wird --> |
| | {{GlossarBoxSub}}__TOC__</div> | | {{GlossarBoxSub}}__TOC__</div> |
| | <!--- --> | | <!--- --> |
| | | | |
| | ==A== | | ==A== |
| − | ===Adelmann 2009a===
| + | {{Bibliography-A}} |
| − | <bibentry>
| |
| − | @proceedings{Adelmann 2009a,
| |
| − | editor = {Adelmann, Ralf},
| |
| − | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften},
| |
| − | year = {2009},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Adelmann 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Adelmann 2004a,
| |
| − | author = {Adelmann, Ralf},
| |
| − | title = {Digitale Animationen in dokumentarischen Fernsehformaten?},
| |
| − | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
| |
| − | year = {2004},
| |
| − | editor = {Schröter & Böhnke},
| |
| − | pages = {387-406},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Adelung 1811===
| |
| − | <bibentry>
| |
| − | @proceedings{Adelung 1811,
| |
| − | editor = {Adelung, Johann Christoph},
| |
| − | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie},
| |
| − | year = {1811},
| |
| − | publisher = {Bauer},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Adorno 2003===
| |
| − | <bibentry>
| |
| − | @book{Adorno 2003,
| |
| − | author = {Adorno, Theodor W.},
| |
| − | title = {Gesammelte Schriften, Bd. 7: Ästhetische Theorie},
| |
| − | year = {2003},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Alpers 1985a===
| |
| − | <bibentry>
| |
| − | @book{Alpers 1985a,
| |
| − | author = {Alpers, Svetlana},
| |
| − | title = {Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts},
| |
| − | year = {1985},
| |
| − | publisher = {???},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Amelunxen 1996a===
| |
| − | <bibentry>
| |
| − | @book{Amelunxen 1996a,
| |
| − | author = {Amelunxen, Hubertus},
| |
| − | title = {Fotografie nach der Fotografie},
| |
| − | year = {1996},
| |
| − | publisher = {???},
| |
| − | address = {Dresden u.a.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Appadurai 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Appadurai 2003a,
| |
| − | author = {Appadurai, Arjun},
| |
| − | title = {Archive and Aspiration},
| |
| − | booktitle = {Information is Alive},
| |
| − | year = {2004},
| |
| − | editor = {Brouwer, Joke; Mulder, Arjen},
| |
| − | pages = {14-25},
| |
| − | publisher = {???},
| |
| − | address = {Rotterdam},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Aristoteles 1997===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1997,
| |
| − | author = {Aristoteles},
| |
| − | title = {Poetik. Griechisch/Deutsch},
| |
| − | year = {1997},
| |
| − | editor = {Manfred Fuhrmann},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stuttgart},
| |
| − | note = {Übers. und Hrsg.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Aristoteles 1995c===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995c,
| |
| − | author = {Aristoteles},
| |
| − | title = {Physik},
| |
| − | year = {1995},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {Philosophische Schriften 6; Übers.: Hans Günter Zekl},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Aristoteles 1995b===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995b,
| |
| − | author = {Aristoteles},
| |
| − | title = {Nikomachische Ethik},
| |
| − | year = {1995},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {Philosophische Schriften 3; Übers.: Eugen Rolfes},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Aristoteles 1995a===
| |
| − | <bibentry>
| |
| − | @book{Aristoteles 1995a,
| |
| − | author = {Aristoteles},
| |
| − | title = {Metaphysik},
| |
| − | year = {1995},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {Philosophische Schriften 5; Übers.: Hermann Bonitz},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Asemissen & Schweikhart 1994a===
| |
| − | <bibentry>
| |
| − | @book{Asemissen & Schweikhart 1994a,
| |
| − | author = {Asemissen, Hermann Ulrich & Schweikhart, Gunter},
| |
| − | title = {Malerei als Thema der Malerei},
| |
| − | year = {1994},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Attneave 1971a===
| |
| − | <bibentry>
| |
| − | @article{Attneave 1971a,
| |
| − | author = {Attneave, F.},
| |
| − | title = {Multistability in perception},
| |
| − | journal = {Sci.Am 225},
| |
| − | year = {1971},
| |
| − | volume = {225},
| |
| − | number = {},
| |
| − | pages = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Auerbach 1946===
| |
| − | <bibentry>
| |
| − | @book{Auerbach 1946,
| |
| − | author = {Auerbach, Erich},
| |
| − | title = {Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur [1946]},
| |
| − | year = {<sup>10</sup>2001},
| |
| − | publisher = {???},
| |
| − | address = {Tübingen/Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Augustinus 2002===
| |
| − | <bibentry>
| |
| − | @book{Augustinus 2002,
| |
| − | author = {Augustinus},
| |
| − | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11},
| |
| − | year = {2002},
| |
| − | publisher = {Felix Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Austin 1972a===
| |
| − | <bibentry>
| |
| − | @book{Austin 1972a,
| |
| − | author = {Austin, John L.},
| |
| − | title = {Zur Theorie der Sprechakte},
| |
| − | year = {1972},
| |
| − | publisher = {Reclam},
| |
| − | address = {Stuttgart},
| |
| − | note = {orig.: How to do things with Words, 1962},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==B== | | ==B== |
| − | ===Baader 2003a===
| + | {{Bibliography-B}} |
| − | <bibentry>
| |
| − | @inproceedings{Baader 2003a,
| |
| − | author = {Baader, Hannah},
| |
| − | title = {Paragone},
| |
| − | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe},
| |
| − | year = {2003},
| |
| − | editor = {Pfisterer, Ulrich},
| |
| − | pages = {263},
| |
| − | publisher = {???},
| |
| − | address = {Stuttgart/Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bachmann-Medick 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bachmann-Medick 2006a,
| |
| − | author = {Bachmann-Medick, Doris},
| |
| − | title = {Cultural Turns. Neuorientierungen in den Kulturwissenschaften},
| |
| − | year = {2006},
| |
| − | publisher = {Rowohlt},
| |
| − | address = {Reinbek bei Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Badakshi 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Badakshi 2006a,
| |
| − | author = {Badakshi, Harun},
| |
| − | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin},
| |
| − | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit},
| |
| − | year = {2006},
| |
| − | editor = {Hinterwaldner, Inge; Buschhaus, Markus},
| |
| − | pages = {199-205},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Badt 1963a===
| |
| − | <bibentry>
| |
| − | @book{Badt 1963a,
| |
| − | author = {Badt, Kurt },
| |
| − | title = {Raumphantasien und Raumillusionen. Wesen der Plastik}
| |
| − | year = {1963},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Balázs 2001a===
| |
| − | <bibentry>
| |
| − | @book{Balázs 2001a,
| |
| − | author = {Balázs, Béla},
| |
| − | title = {Der Geist des Films},
| |
| − | year = {2001},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Balázs 2001b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Balázs 2001b,
| |
| − | author = {Balázs, Béla},
| |
| − | title = {Der sichtbare Mensch},
| |
| − | booktitle = {Texte zur Theorie des Films},
| |
| − | year = {2001},
| |
| − | editor = {v. F. Albersmeier},
| |
| − | publisher = {Philip Reclam jun.},
| |
| − | address = {Stuttgart},
| |
| − | pages = {224-233},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baltrušaitis 1977a===
| |
| − | <bibentry>
| |
| − | @book{Baltrušaitis 77a,
| |
| − | author = {Baltrušaitis, Jurgis},
| |
| − | title = {Anamorphic Art},
| |
| − | year = {1977},
| |
| − | publisher = {Chadwyck-Healey},
| |
| − | address = {???},
| |
| − | note = {(aus dem Französischen von W.J. Strachan, zuerst: Paris 1969)},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1977a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1977a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetoric of the Image},
| |
| − | booktitle = {Image, Music, Text},
| |
| − | year = {1977},
| |
| − | editor = {Stephen Heath},
| |
| − | pages = {32–51},
| |
| − | publisher = {Fontana},
| |
| − | address = {London},
| |
| − | note = {orig. 1964 in Communications},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1964a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Barthes 1964a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Rhetorik des Bildes (1964)},
| |
| − | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III},
| |
| − | year = {1990},
| |
| − | editor = {Barthes, Roland},
| |
| − | pages = {???},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {aus dem Französischen von Hornig, Dieter},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Barthes 1989a===
| |
| − | <bibentry>
| |
| − | @book{Barthes 1989a,
| |
| − | author = {Barthes, Roland},
| |
| − | title = {Die helle Kammer. Bemerkung zur Photographie},
| |
| − | year = {1989},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Batchen 1998a===
| |
| − | <bibentry>
| |
| − | @article{Batchen 1998a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Photogenics/Fotogenik},
| |
| − | journal = {Camera Austria},
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {62/63},
| |
| − | pages = {5-16},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Batchen 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Batchen 2000a,
| |
| − | author = {Batchen, Geoffrey},
| |
| − | title = {Ectoplasm. Photography in the Digital Age},
| |
| − | booktitle = {Over Exposed. Essays on Contemporary Photography},
| |
| − | year = {2000},
| |
| − | editor = {Squiers, Carol},
| |
| − | pages = {9.23},
| |
| − | publisher = {???},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Batteux 1746/1770===
| |
| − | <bibentry>
| |
| − | @book{Batteux 1746/1770,
| |
| − | author = {Batteux, Charles},
| |
| − | title = {Einschränkung der schönen Künste auf einen einzigen Grundsatz},
| |
| − | year = {<sup>3</sup>1770},
| |
| − | publisher = {???},
| |
| − | address = {Leipzig},
| |
| − | note = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baudrillard 1978a===
| |
| − | <bibentry>
| |
| − | @book{Baudrillard 1978a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Agonie des Realen},
| |
| − | year = {1978},
| |
| − | publisher = {Merve},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baudrillard 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Baudrillard 2000a,
| |
| − | author = {Baudrillard, Jean},
| |
| − | title = {Das perfekte Verbrechen},
| |
| − | booktitle = {Theorie der Fotografie IV 1980-1995},
| |
| − | year = {2000},
| |
| − | editor = {von Amelunxen},
| |
| − | pages = {256-260},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baumberger 2010===
| |
| − | <bibentry>
| |
| − | @book{Baumberger 2010,
| |
| − | author = {Baumberger, Christoph},
| |
| − | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur},
| |
| − | year = {2010},
| |
| − | publisher = {Ontos},
| |
| − | address = {Heusenstamm},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Baxandall 1972a===
| |
| − | <bibentry>
| |
| − | @book{Baxandall 1972a,
| |
| − | author = {Baxandall, Michael},
| |
| − | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style},
| |
| − | year = {1972},
| |
| − | publisher = {Clarendon Press},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bayer 1984===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bayer 1984,
| |
| − | author = {Bayer, Udo},
| |
| − | title = {Laokoon – Momente einer semiotischen Ästhetik},
| |
| − | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik},
| |
| − | year = {1984},
| |
| − | editor = {Gunter Gebauer},
| |
| − | pages = {59-101},
| |
| − | publisher = {Metzler},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bechtloff 2001a===
| |
| − | <bibentry>
| |
| − | @article{Bechtloff 2001a,
| |
| − | author = {Bechtloff, Dieter (Hg.)},
| |
| − | title = {Choreographie der Gewalt},
| |
| − | journal = {Kunstforum International},
| |
| − | year = {2001},
| |
| − | volume = {},
| |
| − | number = {Hefte 153, 155 & 156},
| |
| − | pages = {},
| |
| − | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beckmann 1995===
| |
| − | <bibentry>
| |
| − | @book{Beckmann 1995,
| |
| − | author = {Beckmann, Jan P.},
| |
| − | title = {Wilhelm von Ockham},
| |
| − | year = {1995},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beil 2010a===
| |
| − | <bibentry>
| |
| − | @book{Beil 2010a,
| |
| − | author = {Beil, Benjamin},
| |
| − | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel},
| |
| − | year = {2010},
| |
| − | publisher = {???},
| |
| − | address = {Münster},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belach & Jacobsen 1993===
| |
| − | <bibentry>
| |
| − | @book{Belach & Jacobsen 93,
| |
| − | author = {Belach, Helga & Jacobsen, Wolfgang},
| |
| − | title = {CinemaScope. Zur Geschichte der Breitwandfilme},
| |
| − | year = {1993},
| |
| − | publisher = {Spiess},
| |
| − | address = {Berlin},
| |
| − | note = {Stiftung Deutsche Kinemathek},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beller 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Beller 2005a,
| |
| − | author = {Beller Hans},
| |
| − | title = {Aspekte der Filmmontage - Eine Art Einführung},
| |
| − | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts},
| |
| − | year = {2005},
| |
| − | editor = {Beller Hans},
| |
| − | publisher = {TR-Verlagsunion},
| |
| − | address = {München},
| |
| − | pages = {9-33},
| |
| − | note = {5., gegenüber der 4. unveränderte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2008a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2008a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Florenz und Bagdad. Eine westöstliche Geschichte des Blicks},
| |
| − | year = {2008},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2004a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2004a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst},
| |
| − | year = {2004},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {6. Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2002a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2002a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren},
| |
| − | year = {2002},
| |
| − | publisher = {Verlag C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {2., erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 2001a===
| |
| − | <bibentry>
| |
| − | @book{Belting 2001a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Bildanthropologie. Entwürfe für eine Bildwissenschaft},
| |
| − | year = {2001},
| |
| − | publisher = {Wilhelm Fink Verlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting 1983a===
| |
| − | <bibentry>
| |
| − | @book{Belting 1983a,
| |
| − | author = {Belting, Hans},
| |
| − | title = {Das Ende der Kunstgeschichte?},
| |
| − | year = {1983},
| |
| − | publisher = {Deutscher Kunstverlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Belting & Haustein 1998a===
| |
| − | <bibentry>
| |
| − | @book{Belting & Haustein 1998a,
| |
| − | author = {Belting, Hans & Haustein, Lydia},
| |
| − | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt},
| |
| − | year = {1998},
| |
| − | publisher = {C.H. Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Benkő 1976a===
| |
| − | <bibentry>
| |
| − | @proceedings{Benkő 1976a,
| |
| − | editor = {Benkő, L.},
| |
| − | title = {A magyar nyelv történeti-etimológiai szótára. I-IV},
| |
| − | year = {1976},
| |
| − | publisher = {Akadémiai Kiadó},
| |
| − | address = {Budapest},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bergson 1948a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bergson 1948a,
| |
| − | author = {Bergson, Henri},
| |
| − | title = {Das Mögliche und das Wirkliche},
| |
| − | booktitle = {Denken und Schöpferisches Werden. Aufsätze und Vorträge},
| |
| − | year = {1948},
| |
| − | editor = {Bergson, H.},
| |
| − | publisher = {Hain},
| |
| − | address = {Meisenheim am Glan},
| |
| − | note = {},
| |
| − | pages = {110-125},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bernays 1970a===
| |
| − | <bibentry>
| |
| − | @book{Bernays 1970a,
| |
| − | author = {Bernays, Jacob},
| |
| − | title = {Grundzüge der verlorenen Abhandlung des Aristoteles über Wirkung der Tragödie},
| |
| − | year = {1970}
| |
| − | publisher = {G. Olms},
| |
| − | address = {Hildesheim},
| |
| − | hidden = {}
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bernhardt et al. 2009a===
| |
| − | <bibentry>
| |
| − | @book{Bernhardt et al. 2009a,
| |
| − | author = {Bernhardt, Petra; Hadj-Abdou, Leila; Liebhart, Karin & Pribersky, Andreas},
| |
| − | title = {EUropäische Bildpolitiken. Politische Bildanalyse an Beispielen der EU-Politik},
| |
| − | year = {2009},
| |
| − | publisher = {facultas UTB},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bertram et al. 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bertram et al. 2008a,
| |
| − | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin},
| |
| − | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus},
| |
| − | year = {2008},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Berz 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Berz 2009a,
| |
| − | author = {Berz, Peter},
| |
| − | title = {Bitmapped Graphic},
| |
| − | booktitle = {Zeitkritische Medien},
| |
| − | year = {2009},
| |
| − | editor = {Volmar, Axel},
| |
| − | pages = {127-154},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bevers 1985a===
| |
| − | <bibentry>
| |
| − | @book{Bevers 1985a,
| |
| − | author = {Bevers, Antonius M.},
| |
| − | title = {Dynamik der Formen bei Georg Simmel. Eine Studie über die methodische und theoretische Einheit eines Gesamtwerkes},
| |
| − | year = {1985},
| |
| − | publisher = {Duncker & Humblot},
| |
| − | address = {Berlin},
| |
| − | note = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Beyme 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Beyme 2004a,
| |
| − | author = {Beyme, Klaus von},
| |
| − | title = {Politische Ikonologie der modernen Architektur},
| |
| − | booktitle = {Politikwissenschaft als Kulturwissenschaft. Theorien, Methoden, Problemstellungen},
| |
| − | year = {2004},
| |
| − | editor = {Schwelling, Birgit},
| |
| − | pages = {351-372},
| |
| − | publisher = {Verlag für Sozialwissenschaften},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bieger 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bieger 2007a,
| |
| − | author = {Bieger, Laura},
| |
| − | title = {Ästhetik der Immersion. Raum-Erleben zwischen Welt und Bild},
| |
| − | year = {2007},
| |
| − | publisher = {transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Black 1972===
| |
| − | <bibentry>
| |
| − | @inproceedings{Black 1972,
| |
| − | author = {Black, Max},
| |
| − | title = {How do Pictures represent?},
| |
| − | booktitle = {Art, Perception, and Reality},
| |
| − | year = {1972},
| |
| − | editor = {Gombrich, E.H.; Hochberg, Julian & Black, Max},
| |
| − | pages = {95-130},
| |
| − | publisher = {John Hopkins University Press},
| |
| − | address = {Baltimore/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blanke 2003===
| |
| − | <bibentry>
| |
| − | @book{Blanke 2003,
| |
| − | author = {Blanke, Börries},
| |
| − | title = {Vom Bild zum Sinn. Das ikonische Zeichen zwischen strukturalistischer Semiotik und analytischer Philosophie},
| |
| − | year = {2003},
| |
| − | publisher = {Deutscher Universitätsverlag},
| |
| − | address = {Wiesbaden},
| |
| − | note = {Reihe Bildwissenschaft, Bd. 4},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Block 1990a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Block 1990a,
| |
| − | author = {Block, Ned},
| |
| − | title = {The Computer Model of the Mind},
| |
| − | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3},
| |
| − | year = {1990},
| |
| − | editor = {D. N. Osherson & E. E. Smith},
| |
| − | pages = {???},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bloomfield 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bloomfield 1933a,
| |
| − | author = {Bloomfield, Leonard},
| |
| − | title = {Language},
| |
| − | year = {1933},
| |
| − | publisher = {Henry Holt and Co},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blumenberg 1986a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Blumenberg 1986a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik},
| |
| − | booktitle = {Wirklichkeiten in denen wir leben},
| |
| − | year = {1986},
| |
| − | editor = {Blumenberg, Hans},
| |
| − | pages = {104-136},
| |
| − | publisher = {???},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blumenberg 1969a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Blumenberg 1969a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {Wirklichkeitsbegriff und Möglichkeit des Romans},
| |
| − | booktitle = {Nachahmung und Illusion. Poetik und Hermeneutik 1},
| |
| − | year = {1969},
| |
| − | editor = {Hans Robert Jauß},
| |
| − | pages = {9-27},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Blumenberg 1957a===
| |
| − | <bibentry>
| |
| − | @article{Blumenberg 1957a,
| |
| − | author = {Blumenberg, Hans},
| |
| − | title = {'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen},
| |
| − | journal = {Studium Generale},
| |
| − | year = {1957},
| |
| − | volume = {10},
| |
| − | number = {5},
| |
| − | pages = {266-283},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2008a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Augenmaß. Zur Genese der ikonischen Evidenz},
| |
| − | booktitle = {Movens Bild. Zwischen Evidenz und Affekt},
| |
| − | year = {2008},
| |
| − | editor = {Mersman, Birgit & Spies, Christian},
| |
| − | pages = {???},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2007a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 2007a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2005a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Bild und die hermeneutische Reflexion},
| |
| − | booktitle = {Dimensionen des Hermeneutischen. Heidegger und Gadamer},
| |
| − | year = {2005},
| |
| − | editor = {Martin-Heidegger-Gesellschaft},
| |
| − | pages = {23-35},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {Schriftenreihe Band 7},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {34-53},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2004b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 2004b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm},
| |
| − | booktitle = {Wege zur Bildwissenschaft. Interviews},
| |
| − | year = {2004},
| |
| − | editor = {Sachs-Hombach, Klaus},
| |
| − | pages = {11-21},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 2001a===
| |
| − | <bibentry>
| |
| − | @proceedings{Boehm 2001a,
| |
| − | title = {Homo Pictor},
| |
| − | year = {2001},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | publisher = {Saur},
| |
| − | address = {München / Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | | |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1999a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)},
| |
| − | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens},
| |
| − | year = {2007},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {94-113},
| |
| − | publisher = {Berlin University Press},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994a===
| |
| − | <bibentry>
| |
| − | @book{Boehm 1994a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Wiederkehr der Bilder},
| |
| − | year = {1994},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1994b,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Die Bilderfrage},
| |
| − | booktitle = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Gottfried Boehm},
| |
| − | pages = {325-343},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1994c===
| |
| − | <bibentry>
| |
| − | @book{Boehm 1994c,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Was ist ein Bild?},
| |
| − | year = {1994},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | publisher = {Wilhelm Fink Verlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1985a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1985a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Der Andere als Prototyp},
| |
| − | booktitle = {Bildnis und Individuum. Über den Ursprung der Porträtmalerei in der italienischen Renaissance},
| |
| − | year = {1985},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {???},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm 1978a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Boehm 1978a,
| |
| − | author = {Boehm, Gottfried},
| |
| − | title = {Zu einer Hermeneutik des Bildes},
| |
| − | booktitle = {Die Hermeneutik und die Wissenschaft},
| |
| − | year = {1978},
| |
| − | editor = {Gadamer, Hans-Georg & Boehm, Gottfried},
| |
| − | pages = {444-471},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Boehm & Mersmann & Spies 2008a===
| |
| − | <bibentry>
| |
| − | @proceedings{Boehm & Mersmann & Spies 2008a,
| |
| − | title = {Movens Bild. Zwischen Evidenz und Affekt},
| |
| − | year = {2008},
| |
| − | editor = {Boehm, Gottfried; Mersmann, Birgit; Spies, Christian},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böhme 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Böhme 2004a,
| |
| − | author = {Böhme, Gernot},
| |
| − | title = {Der Raum leiblicher Anwesenheit und der Raum als Medium von Darstellung},
| |
| − | booktitle = {Performativität und Medialität},
| |
| − | year = {2004},
| |
| − | editor = {Krämer, Sybille},
| |
| − | pages = {???},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böhme 1999a===
| |
| − | <bibentry>
| |
| − | @book{Böhme 1999a,
| |
| − | author = {Böhme, Gernot},
| |
| − | title = {Theorie des Bildes},
| |
| − | year = {1999},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Böcking 2008===
| |
| − | <bibentry>
| |
| − | @book{Böcking 2008,
| |
| − | author = {Böcking, Saskia},
| |
| − | title = {Grenzen der Fiktion? Von Suspension of Disbelief zu einer Toleranztheorie für die Filmrezeption.},
| |
| − | year = {2008},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Bogen 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bogen 2005a,
| |
| − | author = {Bogen, Steffen},
| |
| − | title = {Kunstgeschichte/Kunstwissenschaft},
| |
| − | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden},
| |
| − | year = {2005},
| |
| − | editor = {Sachs-Hombach, Klaus },
| |
| − | pages = {52-67},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bonsiepe 1968a===
| |
| − | <bibentry>
| |
| − | @article{Bonsiepe 1968a,
| |
| − | author = {Bonsiepe, Gui},
| |
| − | title = {Visuell/Verbale Rhetorik},
| |
| − | journal = {Format: Zeitschrift für visuelle Kommunikation},
| |
| − | year = {1968},
| |
| − | volume = {},
| |
| − | number = {17},
| |
| − | pages = {11–18},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bousso 2002a===
| |
| − | <bibentry>
| |
| − | @article{Bousso 2002a,
| |
| − | author = {Bousso, Raphael},
| |
| − | title = {The Holographic Principle},
| |
| − | journal = {Reviews of Modern Physics},
| |
| − | year = {2002},
| |
| − | volume = {},
| |
| − | number = {74},
| |
| − | pages = {825-874},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brachfeld 1976a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brachfeld_1976a,
| |
| − | author = {Brachfeld, Otto},
| |
| − | title = {Image},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4},
| |
| − | year = {1976},
| |
| − | editor = {Joachim Ritter et al.},
| |
| − | pages = {215-217},
| |
| − | publisher = {Schwabe Verlag},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandt 1999a===
| |
| − | <bibentry>
| |
| − | @book{Brandt 1999a,
| |
| − | author = {Brandt, Reinhard},
| |
| − | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild},
| |
| − | year = {1999},
| |
| − | publisher = {Carl Hanser},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brandom 2000a===
| |
| − | <bibentry>
| |
| − | @book{Brandom 2000a,
| |
| − | author = {Brandom, Robert},
| |
| − | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)},
| |
| − | year = {2000},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {übersetzt von Gilmer, Eva & Vetter, Hermann},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2007a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand},
| |
| − | year = {2007},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2005a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2005a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte},
| |
| − | year = {2005},
| |
| − | publisher = {Klaus Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bredekamp 2004a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn},
| |
| − | booktitle = {Iconic Turn. Die neue Macht der Bilder},
| |
| − | year = {2004},
| |
| − | editor = {Maar, Christa & Burda, Hubert},
| |
| − | pages = {???},
| |
| − | publisher = {DuMont},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2003a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 2003a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {A Neglected Tradition? Art History as Bildwissenschaft},
| |
| − | journal = {Critical Inquiry},
| |
| − | year = {2003},
| |
| − | volume = {29},
| |
| − | number = {},
| |
| − | pages = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2000a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2000a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Antikensehnsucht und Maschinenglauben. Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte},
| |
| − | year = {2000},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 1994a===
| |
| − | <bibentry>
| |
| − | @article{Bredekamp 1994a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp},
| |
| − | journal = {Texte zur Kunst},
| |
| − | year = {1994},
| |
| − | volume = {4},
| |
| − | number = {},
| |
| − | pages = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp et al. 2008a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp et al. 2008a,
| |
| − | author = {Bredekamp, Horst; Schneider, Birgit; Dünkel, Vera},
| |
| − | title = {Das Technische Bild. Kompendium für eine Stilgeschichte wissenschaftlicher Bilder},
| |
| − | year = {2008},
| |
| − | publisher = {Akademie},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp & Schneider 2006a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp & Schneider 2006a,
| |
| − | author = {Bredekamp, Horst & Schneider, Pablo},
| |
| − | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt},
| |
| − | year = {2006},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bredekamp 2010a===
| |
| − | <bibentry>
| |
| − | @book{Bredekamp 2010a,
| |
| − | author = {Bredekamp, Horst},
| |
| − | title = {Theorie des Bildakts. Frankfurter Adorno-Vorlesungen 2007},
| |
| − | year = {2010},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brentano 1930a===
| |
| − | <bibentry>
| |
| − | @book{Brentano 1930a,
| |
| − | author = {Brentano, Franz},
| |
| − | title = {Wahrheit und Evidenz},
| |
| − | year = {1930},
| |
| − | publisher = {???},
| |
| − | address = {Hamburg},
| |
| − | note = {(1975??)},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Britz et al. 2010a===
| |
| − | <bibentry>
| |
| − | @article{Britz et al. 2010a,
| |
| − | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.},
| |
| − | title = {Right parietal brain activity precedes perceptual alternation during binocular rivalry},
| |
| − | journal = {Hum. Brain Mapping},
| |
| − | year = {2010},
| |
| − | volume = {???},
| |
| − | number = {},
| |
| − | pages = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.ncbi.nlm.nih.gov/pubmed/20690124},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Britz et al. 2009a===
| |
| − | <bibentry>
| |
| − | @article{Britz et al. 2009a,
| |
| − | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.},
| |
| − | title = {Right parietal brain activity precedes perceptual alternation of bistable stimuli},
| |
| − | journal = {Cereb. Cortex 19},
| |
| − | year = {2009},
| |
| − | volume = {19},
| |
| − | number = {1},
| |
| − | pages = {55-65},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brugger 1999a===
| |
| − | <bibentry>
| |
| − | @article{Brugger 1999a,
| |
| − | author = {Brugger, Peter},
| |
| − | title = {One hundred years of an ambiguous figure: happy birthday, duck/rabbit},
| |
| − | journal = {Perceptual and Motor Skills},
| |
| − | year = {1999},
| |
| − | number = {???},
| |
| − | pages = {973–977},
| |
| − | volume = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brugger & Brugger 1993a===
| |
| − | <bibentry>
| |
| − | @article{Brugger & Brugger 1993a,
| |
| − | author = {Brugger, Peter & Brugger, Susanne},
| |
| − | title = {The easterbunny in october: I is it disguised as a duck},
| |
| − | journal = {Perceptual and Motor Skills},
| |
| − | year = {1993},
| |
| − | number = {???},
| |
| − | pages = {577–578},
| |
| − | volume = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Brunet 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Brunet 2008a,
| |
| − | author = {Brunet, François},
| |
| − | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs},
| |
| − | booktitle = {The Meaning of Photography},
| |
| − | year = {2008},
| |
| − | editor = {Kelsey, Robin; Stimson, Blake},
| |
| − | pages = {34-49},
| |
| − | publisher = {???},
| |
| − | address = {Williamstown},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bruno 2007a===
| |
| − | <bibentry>
| |
| − | @book{Bruno 2007a,
| |
| − | author = {Bruno, Giuliana},
| |
| − | title = {Public Intimacy. Architecture and the Visual Arts},
| |
| − | year = {2007},
| |
| − | publisher = {MIT Press},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bryson 2001a===
| |
| − | <bibentry>
| |
| − | @book{Bryson 2001a,
| |
| − | author = {Norman Bryson},
| |
| − | title = {Das Sehen und die Malerei},
| |
| − | year = {2001},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bühler 2000a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 2000a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Die Krise der Psychologie},
| |
| − | year = {2000},
| |
| − | publisher = {Velbrück},
| |
| − | address = {Weilerswist},
| |
| − | note = {hrsg. von Achim Eschbach und Jens Kapitzky},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Büttner 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Büttner 2003a,
| |
| − | author = {Büttner, Frank},
| |
| − | title = {Perspektive},
| |
| − | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe},
| |
| − | year = {2003},
| |
| − | editor = {Pfisterer, Ulrich},
| |
| − | pages = {265},
| |
| − | publisher = {???},
| |
| − | address = {Stuttgart/Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bucher 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher 2011a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.},
| |
| − | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Jan Georg Schneider & Hartmut Stöckl},
| |
| − | pages = {},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bucher2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bucher2010a,
| |
| − | author = {Bucher, Hans-Jürgen},
| |
| − | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität},
| |
| − | booktitle = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
| |
| − | pages = {121-156},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {im Druck},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buchner 1665===
| |
| − | <bibentry>
| |
| − | @book{Buchner 1665,
| |
| − | author = {August Buchner},
| |
| − | title = {Poet}
| |
| − | year = {1665},
| |
| − | publisher = {???},
| |
| − | address = {Wittenberg},
| |
| − | note = {hrsg. v. Otto Prätorius},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Buchwald 1989a===
| |
| − | <bibentry>
| |
| − | @book{Buchwald 1989a,
| |
| − | author = {Buchwald, Jed Z.},
| |
| − | title = {The Rise of the Wave Theory of Light},
| |
| − | year = {1989},
| |
| − | publisher = {???},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bühler 1933a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1933a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Axiomatik der Sprachwissenschaften},
| |
| − | year = {1933},
| |
| − | publisher = {Klostermann},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bühler 1934a===
| |
| − | <bibentry>
| |
| − | @book{Bühler 1934a,
| |
| − | author = {Bühler, Karl},
| |
| − | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache},
| |
| − | year = {<sup>2</sup>1965},
| |
| − | publisher = {Fischer },
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Bürger 1784===
| |
| − | <bibentry>
| |
| − | @inproceedings{Bürger 1784,
| |
| − | author = {Bürger, Gottfried August},
| |
| − | title = {Von der Popularität der Poesie [1784]},
| |
| − | booktitle = {Sämtliche Werke},
| |
| − | year = {1987},
| |
| − | editor = {Günter und Hiltrud Hintzschel},
| |
| − | pages = {725-730},
| |
| − | publisher = {Hanser},
| |
| − | address = {München},
| |
| − | note = {Erstveröffentlichung 1784},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Burckhardt 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Burckhardt 2001a,
| |
| − | author = {Burckhardt, Jacob},
| |
| − | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens},
| |
| − | booktitle = {Werke. Kritische Gesamtausgabe},
| |
| − | year = {2001},
| |
| − | editor = {B. Roeck et al.},
| |
| − | pages = {Bd. 2},
| |
| − | publisher = {Beck},
| |
| − | address = {München/Basel},
| |
| − | note = {Erstveröffentlichung 1855},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Burke 2003a===
| |
| − | <bibentry>
| |
| − | @book{Burke 2003a,
| |
| − | author = {Burke, Peter},
| |
| − | title = {Augenzeugenschaft. Bilder als historische Quellen},
| |
| − | year = {2003},
| |
| − | publisher = {Wagenbach},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Busch 2004a===
| |
| − | <bibentry>
| |
| − | @book{Busch 2004a,
| |
| − | author = {Busch, Kathrin},
| |
| − | title = {Geschicktes Geben. Aporien der Gabe bei Jacques Derrida},
| |
| − | year = {2004},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Busch & Därmann 2007a===
| |
| − | <bibentry>
| |
| − | @proceedings{Busch & Därmann 2007a,
| |
| − | title = {pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes},
| |
| − | year = {2007},
| |
| − | editor = {Busch, Kathrin; Därmann, Iris},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Butler 2001a===
| |
| − | <bibentry>
| |
| − | @book{Butler 2001a,
| |
| − | author = {Butler, Judith},
| |
| − | title = {Psyche der Macht. Das Subjekt der Unterwerfung},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Büttner & Gottdank 2009a===
| |
| − | <bibentry>
| |
| − | @book{Büttner & Gottdank 2009a,
| |
| − | author = {Büttner, Frank & Gottdank, Andrea},
| |
| − | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten},
| |
| − | year = {2009},
| |
| − | publisher = {Beck},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==C== | | ==C== |
| − | ===Caglioti 1995a===
| + | {{Bibliography-C}} |
| − | <bibentry>
| |
| − | @inproceedings{Caglioti 1995a,
| |
| − | author = {Caglioti, G.},
| |
| − | title = {Perception of ambiguous figures: A qualitative Model based on Synergetics and Quantum Mechanics},
| |
| − | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena},
| |
| − | year = {1995},
| |
| − | editor = {Kruse, Peter & Stadler, Michael},
| |
| − | pages = {463–478.},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Campe 2006a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Campe 2006a,
| |
| − | author = {Campe, R.},
| |
| − | title = {Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant},
| |
| − | booktitle = {Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen},
| |
| − | year = {2006},
| |
| − | editor = {Peters, S. & Schäfer, M.J. },
| |
| − | pages = {5-43},
| |
| − | publisher = {???},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Carani 1986a===
| |
| − | <bibentry>
| |
| − | @book{Carani 1986a,
| |
| − | author = {Carani, Marie},
| |
| − | title = {Le corpus Pellan: une relecture sémiotique},
| |
| − | year = {1986},
| |
| − | publisher = {Protée},
| |
| − | address = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Carbone 2001a===
| |
| − | <bibentry>
| |
| − | @book{Carbone 2001a,
| |
| − | author = {Mauro Carbone},
| |
| − | title = {La visibilité de l’invisible},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {Hildesheim},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Carlbom & Paciorek 1978a===
| |
| − | <bibentry>
| |
| − | @article{Carlbom & Paciorek 1978a,
| |
| − | author = {Carlbom, Ingrid; Paciorek, Joseph},
| |
| − | title = {Planar Geometric Projections and Viewing Transformations},
| |
| − | journal = {ACM Computing Surveys},
| |
| − | year = {1978},
| |
| − | volume = {10},
| |
| − | number = {4},
| |
| − | pages = {465-502},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Carnap 1947a===
| |
| − | <bibentry>
| |
| − | @book{Carnap 1947a,
| |
| − | author = {Carnap, Rudolf},
| |
| − | title = {Meaning and Necessity: A Study in Semantics and Modal Logic},
| |
| − | year = {1947},
| |
| − | publisher = {Univ. Press},
| |
| − | address = {Chicago, IL},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Casey 2007a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2007a,
| |
| − | author = {Edward S. Casey},
| |
| − | title = {The World at a Glance},
| |
| − | year = {2007},
| |
| − | publisher = {???},
| |
| − | address = {Bloomington},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Casey 2005a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2005a,
| |
| − | author = {Edward S. Casey},
| |
| − | title = {Earth-Mapping. Artists Reshaping Landscape},
| |
| − | year = {2005},
| |
| − | publisher = {???},
| |
| − | address = {Minnesota},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Casey 2002a===
| |
| − | <bibentry>
| |
| − | @book{Casey 2002a,
| |
| − | author = {Edward S. Casey},
| |
| − | title = {Representing Place. Landscape Painting and Maps},
| |
| − | year = {2002},
| |
| − | publisher = {???},
| |
| − | address = {Minnesota},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 2010a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 2010a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis},
| |
| − | year = {2010},
| |
| − | publisher = {Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {hrsg. von Birgit Recki},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cassirer 2009a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften},
| |
| − | booktitle = {Schriften zur Philosophie der symbolischen Formen},
| |
| − | year = {2009},
| |
| − | pages = {63-92},
| |
| − | publisher = {Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {hrsg. von Marion Lauschke},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1990a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1990a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur},
| |
| − | year = {1990},
| |
| − | publisher = {Fischer},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1989a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1989a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Zur Logik der Kulturwissenschaften. Fünf Studien},
| |
| − | year = {1989},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {5., unveränd. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1930a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cassirer 1930a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Mythischer, ästhetischer und theoretischer Raum (1930)},
| |
| − | booktitle = {Ernst Cassirer: Gesammelte Werke, Bd. 17},
| |
| − | year = {2004},
| |
| − | editor = {B. Recki},
| |
| − | pages = {411-436 [1931]},
| |
| − | publisher = {Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1929a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1929a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis},
| |
| − | year = {1929},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1925a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1925a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken},
| |
| − | year = {1925},
| |
| − | publisher = {Bruno Cassirer Verlag},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cassirer 1923a===
| |
| − | <bibentry>
| |
| − | @book{Cassirer 1923a,
| |
| − | author = {Cassirer, Ernst},
| |
| − | title = {Philosophie der symbolischen Formen. Erster Teil: Die Sprache},
| |
| − | year = {1923},
| |
| − | publisher = {Bruno Cassirer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===CCALED===
| |
| − | <bibentry>
| |
| − | @book{CCALED-4,
| |
| − | author = {},
| |
| − | title = {Collins Cobuild Advanced Learner’s English Dictionary},
| |
| − | year = {2003},
| |
| − | editor = {???},
| |
| − | publisher = {Collins},
| |
| − | address = {Glasgow},
| |
| − | note = {4<sup>th</sup> edition},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cha & Rautzenberg 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Cha & Rautzenberg 08a,
| |
| − | author = {Cha, Kyung-Ho & Rautzenberg, Markus},
| |
| − | title = {Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher},
| |
| − | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie},
| |
| − | year = {2008},
| |
| − | editor = {dies.},
| |
| − | pages = {7-22},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Chomsky 1957a===
| |
| − | <bibentry>
| |
| − | @book{Chomsky 1957a,
| |
| − | author = {Chomsky, Noam},
| |
| − | title = {Syntactic Structures},
| |
| − | year = {1957},
| |
| − | publisher = {Mouton},
| |
| − | address = {Den Haag},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Christian 2009a===
| |
| − | <bibentry>
| |
| − | @book{Christian 2009a,
| |
| − | author = {Christian, Alexander},
| |
| − | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung},
| |
| − | year = {2009},
| |
| − | publisher = {Shaker},
| |
| − | address = {Aachen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cipolla et al. 2010a===
| |
| − | <bibentry>
| |
| − | @book{Cipolla et al. 2010a,
| |
| − | author = {Cipolla, Roberto & Battiato, Sebastiano & Farinella, Giovanni Maria },
| |
| − | title = {Computer Vision: Detection, Recognition and Reconstruction},
| |
| − | year = {2010},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin, Heidelberg },
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Collingwood 1945===
| |
| − | <bibentry>
| |
| − | @book{Collingwood 1945,
| |
| − | author = {Collingwood, Robin},
| |
| − | title = {Die Idee der Natur [The Idea of Nature (1945)]},
| |
| − | year = {2005},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {Übers.: Martin Suhr},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cunningham et al. 1995a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham et al. 1995a,
| |
| − | author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan},
| |
| − | title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1995},
| |
| − | volume = {68},
| |
| − | number = {},
| |
| − | pages = {261-279},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Cunningham 1986a===
| |
| − | <bibentry>
| |
| − | @article{Cunningham 1986a,
| |
| − | author = {Cunningham, M.R.},
| |
| − | title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty},
| |
| − | journal = {J. Personality and Social Psychology},
| |
| − | year = {1986},
| |
| − | volume = {50},
| |
| − | number = {},
| |
| − | pages = {925-935},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==D== | | ==D== |
| − | ===Damisch 1987a===
| + | {{Bibliography-D}} |
| − | <bibentry>
| |
| − | @book{Damisch 1987a,
| |
| − | author = {Damisch, Hubert},
| |
| − | title = {L'origine de la perspective},
| |
| − | year = {1987},
| |
| − | publisher = {Flammarion},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Darwin 1872a===
| |
| − | <bibentry>
| |
| − | @book{Darwin 1872a,
| |
| − | author = {Darwin, Charles},
| |
| − | title = {On the Expression of the Emotions in Man and Animals},
| |
| − | year = {1872},
| |
| − | publisher = {Murray},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Davidson 2004a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Davidson 2004a,
| |
| − | author = {Davidson, Donald},
| |
| − | title = {Drei Spielarten des Wissens},
| |
| − | booktitle = {Subjektiv, intersubjektiv, objektiv},
| |
| − | year = {2004},
| |
| − | editor = {Davidson, Donald},
| |
| − | pages = {339-363},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Davies 1991===
| |
| − | <bibentry>
| |
| − | @article{Davies 1991,
| |
| − | author = {Davies, David},
| |
| − | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork},
| |
| − | journal = {Canadian Journal of Philosophy},
| |
| − | year = {1991},
| |
| − | volume = {21},
| |
| − | number = {},
| |
| − | pages = {331-346},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Deleuze 1989a===
| |
| − | <bibentry>
| |
| − | @book{Deleuze 1989a,
| |
| − | author = {Deleuze, Gilles},
| |
| − | title = {Das Bewegungs-Bild. Kino1},
| |
| − | year = {1989},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a. M},
| |
| − | note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Demuth 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Demuth 2007a,
| |
| − | author = {Demuth, Volker},
| |
| − | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {89-104},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Depaulo 1992a===
| |
| − | <bibentry>
| |
| − | @article{Depaulo 1992a,
| |
| − | author = {DePaulo, B. M. },
| |
| − | title = {Nonverbal Behavior and Self Presentation},
| |
| − | journal = {Psychological Bulletin},
| |
| − | year = {1992},
| |
| − | volume = {111},
| |
| − | number = {2},
| |
| − | pages = {203-243},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Derrida 2007a===
| |
| − | <bibentry>
| |
| − | @book{Derrida 2007a,
| |
| − | author = {Jacques Derrida},
| |
| − | title = {Aufzeichnungen eines Blinden. Das Selbstporträt und andere Ruinen},
| |
| − | year = {2007},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {2. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Derrida 1992a===
| |
| − | <bibentry>
| |
| − | @book{Derrida 1992a,
| |
| − | author = {Derrida, J.},
| |
| − | title = {Die Wahrheit in der Malerei},
| |
| − | year = {1992},
| |
| − | publisher = {???},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===de Duve 1990a===
| |
| − | <bibentry>
| |
| − | @inproceedings{de Duve 1990a,
| |
| − | author = {de Duve, Thierry},
| |
| − | title = {The Monochrome and the Blank Canvas},
| |
| − | booktitle = {Reconstructiong Modernism. Art in New York, Paris and Montreal 1945-1964},
| |
| − | year = {1990},
| |
| − | editor = {Guilbaut, Serge},
| |
| − | pages = {244-310},
| |
| − | publisher = {???},
| |
| − | address = {Cambridge/Mass.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===de Schonen et.al. 1994a===
| |
| − | <bibentry>
| |
| − | @article{de Schonen et.al. 1994a,
| |
| − | author = {de Schonen, S.; Deruelle, C.; Pascalis, O.; & Mancini, J.},
| |
| − | title = {About funcional brain specialization.The development of face recognition (Functional cerebral specialization in the development of face recognition / A propos de la notion de specialisation cerebrale fonctionnelle: le developpement de la reconnaissance des visages)},
| |
| − | journal = {Psychologie francaise},
| |
| − | year = {1994},
| |
| − | volume = {39},
| |
| − | number = {3},
| |
| − | pages = {259-274},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Diderot 1751===
| |
| − | <bibentry>
| |
| − | @inproceedings{Diderot 1751,
| |
| − | author = {Denis Diderot},
| |
| − | title = {Brief über die Taubstummen [1751},
| |
| − | booktitle = {Ästhetische Schriften. Erster Band},
| |
| − | year = {1968},
| |
| − | editor = {Friedrich Bassenge},
| |
| − | pages = {27-97},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Didi-Huberman 1999a===
| |
| − | <bibentry>
| |
| − | @book{Didi-Huberman 1999a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {Was wir sehen blickt uns an. Zur Metapsychologie des Bildes},
| |
| − | year = {1999},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Didi-Huberman 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Didi-Huberman 2005a,
| |
| − | author = {Didi-Huberman, Georges},
| |
| − | title = {L’espace danse – Der Raum tanzt},
| |
| − | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
| |
| − | year = {2005},
| |
| − | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.},
| |
| − | pages = {16-30},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Diekmannshenke et al. 2010a===
| |
| − | <bibentry>
| |
| − | @book{Diekmannshenke et al. 2010a,
| |
| − | author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut},
| |
| − | title = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {erscheint Ende 2010},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dion 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dion 2002a,
| |
| − | author = {Dion, K. K.},
| |
| − | title = {Cultural Perspectives on Facial Attractiveness},
| |
| − | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives},
| |
| − | year = {2002},
| |
| − | editor = {Rhodes, G. & Zebrowitz, L.A.},
| |
| − | pages = {239-260},
| |
| − | publisher = {Ablex},
| |
| − | address = {Westport, CT},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ditzinger 2006a===
| |
| − | <bibentry>
| |
| − | @book{Ditzinger 2006a,
| |
| − | author = {Ditzinger, Thomas},
| |
| − | title = {Illusionen des Sehens. Eine Reise in die Welt der visuellen Wahrnehmung},
| |
| − | year = {2006},
| |
| − | publisher = {Elsevier, Spektrum, Akad. Verl.},
| |
| − | address = {München, Heidelberg},
| |
| − | note = {1. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dobbe 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Dobbe 2002a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Malerei im Bilderstreit. Eine Revision aus Anlass des Rubenspreis-Jubiläums},
| |
| − | booktitle = {10 x Malerei. Rubenspreis der Stadt Siegen in Werken der Sammlung Lambrecht-Schadeberg},
| |
| − | year = {2002},
| |
| − | editor = {???},
| |
| − | pages = {19-34},
| |
| − | publisher = {Museum für Gegenwartskunst },
| |
| − | address = {Siegen},
| |
| − | note = {Ausstellungskatalog},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dobbe 1999a===
| |
| − | <bibentry>
| |
| − | @book{Dobbe 1999a,
| |
| − | author = {Dobbe, Martina},
| |
| − | title = {Querelle des Anciens, des Modernes et des Postmodernes},
| |
| − | year = {1999},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Doelker 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Doelker 2007a,
| |
| − | author = {Doelker, Christian},
| |
| − | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten},
| |
| − | booktitle = {Bildrhetorik},
| |
| − | year = {2007},
| |
| − | editor = {Knape, J.},
| |
| − | pages = {71–112},
| |
| − | publisher = {Koerner},
| |
| − | address = {Baden-Baden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Doelker 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Doelker 2001a,
| |
| − | author = {Doelker, Christian },
| |
| − | title = {Ein Funktionenmodell für Bildtexte},
| |
| − | booktitle = {Bildhandeln},
| |
| − | year = {2001},
| |
| − | editor = {Klaus Sachs-Hombach},
| |
| − | pages = {29-39},
| |
| − | publisher = {Scriptum},
| |
| − | address = {Magdeburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Döring 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Döring 2009a,
| |
| − | author = {Döring, Sabine},
| |
| − | title = {Einleitung},
| |
| − | booktitle = {Philosophie der Gefühle},
| |
| − | year = {2009},
| |
| − | editor = {Döring, Sabine},
| |
| − | pages = {12-65},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drechsel 2006a===
| |
| − | <bibentry>
| |
| − | @article{Drechsel 2006a,
| |
| − | author = {Drechsel, Benjamin},
| |
| − | title = {Was ist ein politisches Bild? Einige Überlegungen zur Entwicklung der Politikwissenschaft als Bildwissenschaft},
| |
| − | journal = {Moderne. Kulturwissenschaftliches Jahrbuch},
| |
| − | year = {2006},
| |
| − | volume = {},
| |
| − | number = {2},
| |
| − | pages = {106-120},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drosdowski 1989a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1989a,
| |
| − | author = {Drosdowsi, Günther},
| |
| − | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.},
| |
| − | year = {1989},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {2. völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Drosdowski 1988a===
| |
| − | <bibentry>
| |
| − | @book{Drosdowski 1988a,
| |
| − | author = {Drosdowski, Günther},
| |
| − | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz.},
| |
| − | year = {1988},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {7., völlig neu bearbeitete und erweiterte Auflage},
| |
| − | hidden = {= DUDEN Band 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dubois 1998a===
| |
| − | <bibentry>
| |
| − | @book{Dubois 1998a,
| |
| − | author = {Dubois, Philippe},
| |
| − | title = {Der fotografische Akt. Versuch über ein theoretisches Dispositiv},
| |
| − | year = {1998},
| |
| − | publisher = {Verlag der Kunst},
| |
| − | address = {Dresden, Amsterdam},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dubos 1760-61===
| |
| − | <bibentry>
| |
| − | @book{Dubos 1760-61,
| |
| − | author = {Du Bos, Jean-Baptiste},
| |
| − | title = {Kritische Betrachtungen über die Poesie und Malerey, 3 Teile},
| |
| − | year = {1760-1761},
| |
| − | publisher = {???},
| |
| − | address = {Kopenhagen},
| |
| − | note = {Übers.: Gottfried Benediktus Funk},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Duden 1999a===
| |
| − | <bibentry>
| |
| − | @book{Duden 1999a,
| |
| − | author = {Duden},
| |
| − | title = {Das große Wörterbuch der deutschen Sprache in zehn Bänden},
| |
| − | year = {1999},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Dudenredaktion 2003a===
| |
| − | <bibentry>
| |
| − | @book{Dudenredaktion 2003a,
| |
| − | author = {Dudenredaktion (Hg.)},
| |
| − | title = {DUDEN. Das Stilwörterbuch.},
| |
| − | year = {2003},
| |
| − | publisher = {Dudenverlag},
| |
| − | address = {Mannheim [u.a.]},
| |
| − | note = {8. völlig neu bearbeitete Auflage},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Durand 1987a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Durand 1987a,
| |
| − | author = {Durand, Jacques},
| |
| − | title = {Rhetorical Figures in the Advertising Image},
| |
| − | booktitle = {Marketing and Semiotics},
| |
| − | year = {1987},
| |
| − | editor = {Sebeok, J.U. },
| |
| − | pages = {295–318},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==E== | | ==E== |
| − | ===Ebert 1979a===
| + | {{Bibliography-E}} |
| − | <bibentry>
| |
| − | @article{Ebert 1979a,
| |
| − | author = {Ebert, Jürgen},
| |
| − | title = {Montage Editing Schnitt},
| |
| − | journal = {Filmkritik},
| |
| − | year = {1979},
| |
| − | volume = {12},
| |
| − | number = {},
| |
| − | pages = {547-558},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eco 1998===
| |
| − | <bibentry>
| |
| − | @book{Eco 1998,
| |
| − | author = {Eco, Umberto},
| |
| − | title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten},
| |
| − | year = {1998},
| |
| − | publisher = {dtv},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Eddiks 2004a===
| |
| − | <bibentry>
| |
| − | @misc{Eddiks 2004a,
| |
| − | author = {Eddiks, Christina},
| |
| − | title = {Dem Emblem auf der Spur},
| |
| − | howpublished = {},
| |
| − | year = {2004},
| |
| − | note = {Diplomarbeit},
| |
| − | hidden = {},
| |
| − | url = {kisd.de/~tom/diplom/christina_emblematik.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Edgerton 2002a===
| |
| − | <bibentry>
| |
| − | @book{Edgerton 2002a,
| |
| − | author = {Edgerton, Samuel Y.},
| |
| − | title = {Die Entdeckung der Perspektive},
| |
| − | year = {2002},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 1992a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 1992a,
| |
| − | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
| |
| − | title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik},
| |
| − | year = {1992},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt & Sütterlin 2008a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt & Sütterlin 2008a,
| |
| − | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
| |
| − | title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation},
| |
| − | year = {2008},
| |
| − | publisher = {Brandstätter},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt 1995a===
| |
| − | <bibentry>
| |
| − | @book{Eibl-Eibesfeldt 1995a,
| |
| − | author = {Eibl-Eibesfeldt. I. },
| |
| − | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie},
| |
| − | year = {1995},
| |
| − | publisher = {Piper},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eibl-Eibesfeldt 1973a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eibl-Eibesfeldt 1973a,
| |
| − | author = {Eibl-Eibesfeldt I. },
| |
| − | title = {The expressive behavior of the deaf- and blind born},
| |
| − | booktitle = {Social Communication and Movement},
| |
| − | year = {1973},
| |
| − | editor = {M. v. Cranach & I. Vine},
| |
| − | pages = {163-194},
| |
| − | publisher = {Academic Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ekman 1973b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ekman 1973b,
| |
| − | author = {Ekman, P. },
| |
| − | title = {Cross cultural studies of facial expression},
| |
| − | booktitle = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | editor = {Ekman, P.},
| |
| − | pages = {169-222},
| |
| − | publisher = {Academic Press},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ekman 1973a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ekman 1973a,
| |
| − | editor = {Ekman, P. },
| |
| − | title = {Darwin and Facial Expression},
| |
| − | year = {1973},
| |
| − | publisher = {Academic Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elgin 1992===
| |
| − | <bibentry>
| |
| − | @inproceedings{Elgin 1992,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {Notation},
| |
| − | booktitle = {A Companion to Aesthetics},
| |
| − | year = {1992},
| |
| − | editor = {Cooper, David},
| |
| − | pages = {307-309},
| |
| − | publisher = {Blackwell},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elgin 1983===
| |
| − | <bibentry>
| |
| − | @book{Elgin 1983,
| |
| − | author = {Elgin, Catherine Z.},
| |
| − | title = {With Reference to Reference},
| |
| − | year = {1983},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elkins 2003a===
| |
| − | <bibentry>
| |
| − | @book{Elkins 2003a,
| |
| − | author = {Elkins, James},
| |
| − | title = {Visual Studies. A Skeptical Introduction},
| |
| − | year = {2003},
| |
| − | publisher = {Routledge},
| |
| − | address = {New York, London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Elkins 1999a===
| |
| − | <bibentry>
| |
| − | @book{Elkins 1999a,
| |
| − | author = {Elkins, James},
| |
| − | title = {The Domain of Images},
| |
| − | year = {1999},
| |
| − | publisher = {Cornell University Press},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ellgring 1989a===
| |
| − | <bibentry>
| |
| − | @book{Ellgring 1989a,
| |
| − | author = {Ellgring, H.},
| |
| − | title = {Nonverbal communication in depression},
| |
| − | year = {1989},
| |
| − | publisher = {???},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Else 1958===
| |
| − | <bibentry>
| |
| − | @article{Else 1958,
| |
| − | author = {Else, Gerald F.},
| |
| − | title = {Imitation in the fifth century},
| |
| − | journal = {Classical Philology},
| |
| − | year = {1958},
| |
| − | volume = {53},
| |
| − | number = {},
| |
| − | pages = {73-90},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Enright 1987a===
| |
| − | <bibentry>
| |
| − | @article{Enright 1987a,
| |
| − | author = {Enright, J. T.},
| |
| − | title = {Perspective vergence: oculomotor responses to line drawings},
| |
| − | journal = {Vision Res},
| |
| − | year = {1987},
| |
| − | volume = {27},
| |
| − | number = {},
| |
| − | pages = {1513–1526},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ernst 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ernst 2002a,
| |
| − | author = {Ernst, Wolfgang},
| |
| − | title = {Gibt es eine spezifische Videozität?},
| |
| − | booktitle = {REC - Video als mediales Phänomen},
| |
| − | year = {2002},
| |
| − | editor = {Adelmann, Ralf; Hoffmann, Hilde & Nohr, Rolf F.},
| |
| − | pages = {14-29},
| |
| − | publisher = {VDG},
| |
| − | address = {Weimar},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ernst & Heidenreich 1999a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Ernst & Heidenreich 1999a,
| |
| − | author = {Ernst, Wolfgang & Heidenreich, Stefan},
| |
| − | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül},
| |
| − | booktitle = {Konfigurationen. Zwischen Kunst und Medien},
| |
| − | year = {1999},
| |
| − | editor = {Schade, Sigrid & Tholen, Georg Christoph},
| |
| − | pages = {306-320},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ernst et al. 2003a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ernst et al. 2003a,
| |
| − | editor = {Ernst, Wolfgang et al.},
| |
| − | title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
| |
| − | year = {2003},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Esposito 1998===
| |
| − | <bibentry>
| |
| − | @inproceedings{Esposito 1998,
| |
| − | author = {Esposito, Elena},
| |
| − | title = {Fiktion und Virtualität},
| |
| − | booktitle = {edien, Computer Realität. Wirklichkeitsvorstellungen und Neue Medien},
| |
| − | year = {1998},
| |
| − | editor = {Krämer, Sybille},
| |
| − | pages = {269-296},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | | |
| − | ===Etcoff 2001a===
| |
| − | <bibentry>
| |
| − | @book{Etcoff 2001a,
| |
| − | author = {Etcoff, N. },
| |
| − | title = {Nur die Schönsten überleben. Die Ästhetik des Menschen},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Eusterschulte 2001===
| |
| − | <bibentry>
| |
| − | @inproceedings{Eusterschulte 2001,
| |
| − | author = {Eusterschulte, Anne},
| |
| − | title = {Mimesis},
| |
| − | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 5: L-Musi},
| |
| − | year = {2001},
| |
| − | editor = {Gert Ueding},
| |
| − | pages = {Sp. 1232-1294},
| |
| − | publisher = {Niemeyer},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==F== | | ==F== |
| − | ===Fahlenbrach & Viehoff 2005a===
| + | {{Bibliography-F}} |
| − | <bibentry>
| |
| − | @inproceedings{Fahlenbrach & Viehoff 2005a,
| |
| − | author = {Fahlenbrach, Kathrin & Viehoff, Reinhold},
| |
| − | title = {Medienikonen des Krieges. Die symbolische Entthronung Saddams als Versuch strategischer Ikonisierung},
| |
| − | booktitle = {War Visions. Bildkommunikation und Krieg},
| |
| − | year = {2005},
| |
| − | editor = {Knieper, Thomas & Müller, Marion G.},
| |
| − | pages = {356-387},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fantz 1966a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fantz 1966a,
| |
| − | author = {Fantz, R.L. },
| |
| − | title = {Pattern discrimination and selective attention as determinants of perceptual development from birth},
| |
| − | booktitle = {Perceptual Development in Children},
| |
| − | year = {1966},
| |
| − | editor = {Kidd, A.H. & Rivoire, J.L},
| |
| − | pages = {143-173},
| |
| − | publisher = {University Press},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Farago 1992a===
| |
| − | <bibentry>
| |
| − | @book{Farago 1992a,
| |
| − | author = {Farago, Claire J.},
| |
| − | title = {Leonardo da Vinci’s Paragone. A Critical Interpretation with a New Edition of the Text in the Codex Urbinas},
| |
| − | year = {1992},
| |
| − | publisher = {???},
| |
| − | address = {Leiden/New York/Kopenhagen/Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ferino-Pagden 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ferino-Pagden 2009a,
| |
| − | title = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, S. },
| |
| − | publisher = {Kunsthistorisches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiedler 1991a===
| |
| − | <bibentry>
| |
| − | @book{Fiedler 1991a,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {2 Bd., hrsg. von Gottfried Boehm},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiedler 1991b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991b,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Über den Ursprung der künstlerischen Tätigkeit},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {},
| |
| − | pages = {111-220},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 1, hrsg. von Gottfried Boehm},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiedler 1991c===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991c,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Aphorismen},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {},
| |
| − | pages = {7-105},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 2, hrsg. von Gottfried Boehm},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiedler 1991d===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiedler 1991d,
| |
| − | author = {Fiedler, Konrad},
| |
| − | title = {Zur neueren Kunsttheorie},
| |
| − | booktitle = {Schriften zur Kunst},
| |
| − | year = {1991},
| |
| − | editor = {},
| |
| − | pages = {247-290},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {Bd. 2, hrsg. von Gottfried Boehm},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fiske 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Fiske 2001a,
| |
| − | author = {Fiske, John },
| |
| − | title = {Videotech},
| |
| − | booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse},
| |
| − | year = {2003},
| |
| − | editor = {Adelmann, Ralf et al.},
| |
| − | publisher = {},
| |
| − | address = {Konstanz},
| |
| − | note = {},
| |
| − | pages = {484-502},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Floch 1998a===
| |
| − | <bibentry>
| |
| − | @article{Floch 1998a,
| |
| − | author = {Floch, Jean Marie},
| |
| − | title = {The Contribution of Structural Semiotics to the Design of a Hypermarket},
| |
| − | journal = {International Journal of Research in Marketing },
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {4},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Floch 1995a===
| |
| − | <bibentry>
| |
| − | @book{Floch 1995a,
| |
| − | author = {Floch, Jean-Marie},
| |
| − | title = {Identités visuelles},
| |
| − | year = {1995},
| |
| − | publisher = {Presses Universitaires de France},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Floch 1990a===
| |
| − | <bibentry>
| |
| − | @book{Floch 1990a,
| |
| − | author = {Floch, Jean-Marie},
| |
| − | title = {Sémiotique, marketing et communication},
| |
| − | year = {1990},
| |
| − | publisher = {Presses Universitaires de France.},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Flügge et al. 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Flügge et al. 2007a,
| |
| − | author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela},
| |
| − | title = {Vorwort und Dank},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {6-9},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Flusser 1994===
| |
| − | <bibentry>
| |
| − | @inproceedings{Flusser 1994,
| |
| − | author = {Flusser, Vilém},
| |
| − | title = {Abbild – Vorbild},
| |
| − | booktitle = {Was heißt „Darstellen“? },
| |
| − | year = {1994},
| |
| − | editor = {Christiaan L. Hart Nibbrig},
| |
| − | pages = {34-48},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Foley et al. 1990a===
| |
| − | <bibentry>
| |
| − | @book{Foley et al. 1990a,
| |
| − | author = {Foley, James D.; van Dam; Feiner & Hughes },
| |
| − | title = {Computer Graphics. Principles and Practice},
| |
| − | year = {1990},
| |
| − | publisher = {Addison Wesley},
| |
| − | address = {Reading, MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Foster & Krauss 1996a===
| |
| − | <bibentry>
| |
| − | @article{Foster & Krauss 1996a,
| |
| − | author = {Foster, H. & Krauss, R.},
| |
| − | title = {Introduction},
| |
| − | journal = {October},
| |
| − | pages = {3-4},
| |
| − | year = {1996},
| |
| − | volume = {77},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | ===Foucault 1976a===
| |
| − | <bibentry>
| |
| − | @book{Foucault 1976a,
| |
| − | author = {Foucault, Michael},
| |
| − | title = {Überwachen und Strafen},
| |
| − | year = {1976},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fox 2006a===
| |
| − | <bibentry>
| |
| − | @book{Fox 2006a,
| |
| − | author = {Fox, Mark},
| |
| − | title = {Quantum Optics. An Introduction},
| |
| − | year = {2006},
| |
| − | publisher = {???},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Frank & Lange 2010a===
| |
| − | <bibentry>
| |
| − | @book{Frank & Lange 10a,
| |
| − | author = {Frank, Gustav & Lange, Barbara},
| |
| − | title = {Einführung in die Bildwissenschaft. Bilder in der visuellen Kultur},
| |
| − | year = {2010},
| |
| − | publisher = {Wissenschaftliche Buchgesellschaft},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Freedberg 1991a===
| |
| − | <bibentry>
| |
| − | @book{Freedberg 1991a,
| |
| − | author = {Freedberg, David},
| |
| − | title = {The Power of Images. Studies in the History and Theory of Response (1989)},
| |
| − | year = {1991},
| |
| − | publisher = {The University of Chicago Press},
| |
| − | address = {Chicago/London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Frege 1892===
| |
| − | <bibentry>
| |
| − | @book{Frege 1892,
| |
| − | author = {Frege, Gottlob},
| |
| − | title = {Über Sinn und Bedeutung, zitiert nach der Ausgabe in: Frege, Gottlob: Funktion, Begriff, Bedeutung},
| |
| − | year = {1996},
| |
| − | editor = {G. Patzig},
| |
| − | publisher = {Vandenhoeck},
| |
| − | address = {Göttingen},
| |
| − | note = {40-65},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Freud 1946a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Freud 1946a,
| |
| − | author = {Freud, Sigmund},
| |
| − | title = {Die Verdrängung},
| |
| − | booktitle = {Gesammelte Werke, Bd. 10},
| |
| − | year = {1946},
| |
| − | editor = {},
| |
| − | pages = {247-261},
| |
| − | publisher = {Imago},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Freud 1946b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Freud 1946b,
| |
| − | author = {Freud, Sigmund},
| |
| − | title = {Das Unbewußte},
| |
| − | booktitle = {Gesammelte Werke, Bd. 10},
| |
| − | year = {1946},
| |
| − | editor = {},
| |
| − | pages = {263-303},
| |
| − | publisher = {Imago},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Fuhrmann 2003===
| |
| − | <bibentry>
| |
| − | @book{Fuhrmann 2003,
| |
| − | author = {Fuhrmann, Manfred},
| |
| − | title = {Die Dichtungstheorie der Antike. Aristoteles – Horaz – 'Longin' Eine Einführung},
| |
| − | year = {2003},
| |
| − | publisher = {Artemis & Winkler},
| |
| − | address = {Düsseldorf und Zürich},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==G== | | ==G== |
| − | | + | {{Bibliography-G}} |
| − | ===Gaede 1981a===
| |
| − | <bibentry>
| |
| − | @book{Gaede 1981a,
| |
| − | author = {Gaede, Werner},
| |
| − | title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung},
| |
| − | year = {1981},
| |
| − | publisher = {Langen Müller/Herbig},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Galison 1997a===
| |
| − | <bibentry>
| |
| − | @book{Galison 1997a,
| |
| − | author = {Galison, Peter},
| |
| − | title = {Image and Logic. A Material Culture of Microphysics},
| |
| − | year = {1997},
| |
| − | publisher = {???},
| |
| − | address = {Chicago},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Ganz & Henkel 2004a===
| |
| − | <bibentry>
| |
| − | @proceedings{Ganz & Henkel 2004a,
| |
| − | title = {Rahmen-Diskurse. Kultbilder im konfessionellen Zeitalter},
| |
| − | year = {2004},
| |
| − | editor = {Ganz, David; Henkel, Georg},
| |
| − | publisher = {Reimer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Garcia 1990a===
| |
| − | <bibentry>
| |
| − | @book{Garcia 1990a,
| |
| − | author = {Garcia, Mario},
| |
| − | title = {Newspaper Color Design},
| |
| − | year = {1990},
| |
| − | publisher = {Poynter Institute for Media Studies},
| |
| − | address = {St. Petersburg, FL},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Garcia 1997a===
| |
| − | <bibentry>
| |
| − | @book{Garcia 1997a,
| |
| − | author = {Garcia, Mario},
| |
| − | title = {Newspaper Evolutions},
| |
| − | year = {1997},
| |
| − | publisher = {Poynter Institute for Media Studies},
| |
| − | address = {St. Petersburg, FL},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gardner 1985a===
| |
| − | <bibentry>
| |
| − | @book{Gardner 1985a,
| |
| − | author = {Gardner, Howard},
| |
| − | title = {The Mind’s New Science. A History of the Cognitive Revolution},
| |
| − | year = {1985},
| |
| − | publisher = {Basic Books},
| |
| − | address = {New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gebauer & Wulf 1992a===
| |
| − | <bibentry>
| |
| − | @book{Gebauer & Wulf 1992a,
| |
| − | author = {Gebauer, Gunter & Wulf, Christoph},
| |
| − | title = {Mimesis. Kultur – Kunst - Gesellschaft},
| |
| − | year = {1992},
| |
| − | publisher = {???},
| |
| − | address = {Reinbek},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gehlen 2004a===
| |
| − | <bibentry>
| |
| − | @book{Gehlen 2004a,
| |
| − | author = {Gehlen, Arnold},
| |
| − | title = {Der Mensch. Seine Natur und seine Stellung in der Welt},
| |
| − | year = {2004},
| |
| − | publisher = {Aula},
| |
| − | address = {Wiebelsheim},
| |
| − | note = {14. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gehlen 2004b===
| |
| − | <bibentry>
| |
| − | @book{Gehlen 2004b,
| |
| − | author = {Gehlen, Arnold},
| |
| − | title = {Urmensch und Spätkultur. Philosophische Ergebnisse und Aussagen},
| |
| − | year = {2004},
| |
| − | publisher = {Kolstermann},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {6., erw. Aufl},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gehlen 1961a===
| |
| − | <bibentry>
| |
| − | @book{Gehlen 1961a,
| |
| − | author = {Gehlen, Arnold},
| |
| − | title = {Anthropologische Forschung. Zur Selbstbegegnung und Selbstentdeckung des Menschen},
| |
| − | year = {1961},
| |
| − | publisher = {Rowohlt},
| |
| − | address = {Reinbek bei Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Geiger & Henn-Memmesheimer 1998a===
| |
| − | <bibentry>
| |
| − | @article{Geiger & Henn-Memmesheimer 1998a,
| |
| − | author = {Geiger, Susi & Henn-Memmesheimer, Beate},
| |
| − | title = {Visuell-verbale Textgestaltung von Werbeanzeigen},
| |
| − | journal = {Kodikas/Code – Ars Semeiotica},
| |
| − | year = {1998},
| |
| − | volume = {21},
| |
| − | number = {1/2},
| |
| − | pages = {55–74},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gellius 1987a===
| |
| − | <bibentry>
| |
| − | @book{Gellius 1987a,
| |
| − | author = {Gellius, A.},
| |
| − | title = {Attische Nächte...},
| |
| − | year = {1987},
| |
| − | publisher = {???},
| |
| − | address = {Leipzig},
| |
| − | note = {Ü: H. Berthold},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gerhardus et al. 1975a===
| |
| − | <bibentry>
| |
| − | @book{Gerhardus et al. 1975a,
| |
| − | author = {Gerhardus, Dietfried & Kledzik, S.M. & Reitzig, G.H.},
| |
| − | title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch},
| |
| − | year = {1975},
| |
| − | publisher = {Vandenhoeck & Ruprecht},
| |
| − | address = {Göttingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gerstengrabe et al. 2010a===
| |
| − | <bibentry>
| |
| − | @article{Gerstengrabe et al. 2010a,
| |
| − | author = {Gerstengrabe, Carina; Lang, Katharina & Schneider, Anna},
| |
| − | title = {Wasserzeichen. Vom 13. Jahrhundert bis zum Digital Watermarking. Kulturen des Kopierschutzes
| |
| − | II},
| |
| − | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
| |
| − | year = {2010},
| |
| − | volume = {10},
| |
| − | number = {2},
| |
| − | pages = {9-61},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gibson 1982a===
| |
| − | <bibentry>
| |
| − | @book{Gibson 1982a,
| |
| − | author = {Gibson, James Jerome},
| |
| − | title = {Wahrnehmung und Umwelt. Der ökologische Ansatz in der visuellen Wahrnehmung},
| |
| − | year = {1982},
| |
| − | publisher = {Urban & Schwarzenberg},
| |
| − | address = {München, Wien u.a},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gibson 1982b===
| |
| − | <bibentry>
| |
| − | @book{Gibson 1982b,
| |
| − | author = {Gibson, James Jerome},
| |
| − | title = {Die Sinne und der Prozeß der Wahrnehmung},
| |
| − | year = {1982},
| |
| − | publisher = {Huber},
| |
| − | address = {Bern},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Glock 2000a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Glock 2000a,
| |
| − | author = {Glock, Hanjo},
| |
| − | title = {Aspektwahrnehmung},
| |
| − | booktitle = {Wittgenstein-Lexikon},
| |
| − | year = {2000},
| |
| − | editor = {Glock, Hanjo},
| |
| − | pages = {43},
| |
| − | publisher = {???},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Glüher 1998a===
| |
| − | <bibentry>
| |
| − | @article{Glüher 1998a,
| |
| − | author = {Glüher, Gebhard},
| |
| − | title = {Von der Theorie der Fotografie zur Theorie des digitalen Bildes},
| |
| − | journal = {Kritische Berichte},
| |
| − | year = {1998},
| |
| − | volume = {},
| |
| − | number = {2},
| |
| − | pages = {23-31},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goldie 2000a===
| |
| − | <bibentry>
| |
| − | @book{Goldie 2000a,
| |
| − | author = {Goldie, Peter},
| |
| − | title = {The Emotions. A Philosophical Exploration},
| |
| − | year = {2000},
| |
| − | publisher = {Oxford University Press},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goldie 2010a===
| |
| − | <bibentry>
| |
| − | @proceedings{Goldie 2010a,
| |
| − | title = {The Oxford Handbook of Philosophy of Emotion},
| |
| − | year = {2010},
| |
| − | editor = {Goldie, Peter},
| |
| − | publisher = {Oxford University Press},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gombrich 2002a===
| |
| − | <bibentry>
| |
| − | @book{Gombrich 2002a,
| |
| − | author = {Gombrich, Ernst H.},
| |
| − | title = {Kunst und Illusion. Zur Psychologie der bildlichen Darstellung},
| |
| − | year = {2002},
| |
| − | publisher = {Phaidon},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {6},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gombrich 1977a===
| |
| − | <bibentry>
| |
| − | @book{Gombrich 1977a,
| |
| − | author = {Gombrich, Ernst H.},
| |
| − | title = {Kunst und Illusion. Zur Psychologie der bildlichen Darstellung},
| |
| − | year = {1977},
| |
| − | publisher = {???},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gondek 1997a===
| |
| − | <bibentry>
| |
| − | @article{Gondek 1997a,
| |
| − | author = {Gondek, Hans-Dieter},
| |
| − | title = {Der Blick – zwischen Sartre und Lacan. Ein Kommentar zum VII. Kapitel des Seminar XI},
| |
| − | journal = {Riss. Zeitschrift für Psychoanalyse},
| |
| − | year = {1997},
| |
| − | volume = {},
| |
| − | number = {37/38},
| |
| − | pages = {},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gooch & Gooch 2001a===
| |
| − | <bibentry>
| |
| − | @book{Gooch & Gooch 2001a,
| |
| − | author = {Gooch, Bruce & Gooch, Amy},
| |
| − | title = {Non-Photorealistic Rendering},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {Natick, MA. },
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goodman 1968a===
| |
| − | <bibentry>
| |
| − | @book{Goodman 1968a,
| |
| − | author = {Goodman, Nelson},
| |
| − | title = {Languages of Art},
| |
| − | year = {1968, 2. rev. Aufl. 1976},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {dt.: Sprachen der Kunst. Suhrkamp 1998},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goodman & Elgin 1988===
| |
| − | <bibentry>
| |
| − | @book{Goodman & Elgin 1988,
| |
| − | author = {Goodman, Nelson & Elgin, Catherine Z.},
| |
| − | title = {Reconceptions in Philosophy and Other Arts and Sciences},
| |
| − | year = {1988},
| |
| − | publisher = {Hackett},
| |
| − | address = {Indianapolis},
| |
| − | note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Goren et al. 1975a===
| |
| − | <bibentry>
| |
| − | @article{Goren et al. 1975a,
| |
| − | author = {Goren, C. C., Sarty, M., & Wu, P. Y.},
| |
| − | title = { Visual following and pattern discrimination of face-like stimuli by newborn infants},
| |
| − | journal = {Pediatrics},
| |
| − | year = {1975},
| |
| − | volume = {56},
| |
| − | number = {},
| |
| − | pages = {544-549},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.ncbi.nlm.nih.gov/pubmed/1165958?dopt=abstract},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grabbe_Kruse_2009a,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Roland Barthes: Zeichen, Kommunikation und Mythos},
| |
| − | booktitle = {Schlüsselwerke der Cultural Studies},
| |
| − | year = {2009},
| |
| − | editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja},
| |
| − | pages = {21-31},
| |
| − | publisher = {VS/GWV},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2008a===
| |
| − | <bibentry>
| |
| − | @article{Grabbe_Kruse_2008a,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Empathische Cues und die Möglichkeit einer Affekt-Sprache des Films},
| |
| − | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
| |
| − | year = {2008},
| |
| − | volume = {31},
| |
| − | number = {3-4},
| |
| − | pages = {289-298},
| |
| − | publisher = {Gunter Narr},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2008b===
| |
| − | <bibentry>
| |
| − | @article{Grabbe_Kruse_2008b,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Gewalt als Erlebnis. Die somatische Decodierung als Strategie des Filmerlebens in CLOVERFIELD},
| |
| − | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
| |
| − | year = {2008},
| |
| − | volume = {31},
| |
| − | number = {3-4},
| |
| − | pages = {299-312},
| |
| − | note = {},
| |
| − | publisher = {Gunter Narr},
| |
| − | address = {Tübingen},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe & Kruse 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grabbe_Kruse_2009a,
| |
| − | author = {Grabbe, Lars & Kruse, Patrick},
| |
| − | title = {Roland Barthes: Zeichen, Kommunikation und Mythos},
| |
| − | booktitle = {Schlüsselwerke der Cultural Studies},
| |
| − | year = {2009},
| |
| − | editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja},
| |
| − | pages = {21-31},
| |
| − | publisher = {VS/GWV},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grabbe 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grabbe_2010a,
| |
| − | author = {Grabbe, Lars},
| |
| − | title = {Die Evolution des Cyborgs. Künstliche Lebensformen im japanischen Anime Ergo Proxy (2006)},
| |
| − | booktitle = {Japan - Europa. Wechselwirkungen zwischen den Kulturen im Film und den darstellenden Künsten},
| |
| − | year = {2010},
| |
| − | editor = {Adachi-Rabe, Kayo; Becker, Andreas; Mundhenke, Florian},
| |
| − | pages = {213-230},
| |
| − | publisher = {Büchner Verlag},
| |
| − | address = {Darmstadt},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grammer et al. 2002a===
| |
| − | <bibentry>
| |
| − | @article{Grammer et al. 2002a,
| |
| − | author = {Grammer, Karl, Fink, B. & Renninger, L. A.},
| |
| − | title = {Dynamic Systems and Inferential Information Processing in Human Communication},
| |
| − | journal = {Neuroendocrinology Letters},
| |
| − | year = {2002},
| |
| − | volume = {23},
| |
| − | number = {Suppl. 4},
| |
| − | pages = {15-22},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Graumann 1966a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Graumann 1966a,
| |
| − | author = {Graumann, Carl Friedrich},
| |
| − | title = {Grundzüge der Verhaltensbeobachtung},
| |
| − | year = {1966},
| |
| − | editor = {Meyer, Ernst & Maier, Hans},
| |
| − | booktitle = {Fernsehen in der Lehrerbildung, Neue Forschungsansätze in Pädagogik},
| |
| − | publisher = {Manz},
| |
| − | pages = {86-107},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gregory 2000a===
| |
| − | <bibentry>
| |
| − | @article{Gregory 2000a,
| |
| − | author = {Gregory, Richard L.},
| |
| − | title = {Ambiguity of ‘ambiguity’},
| |
| − | journal = {Perception},
| |
| − | volume = {29},
| |
| − | number = {},
| |
| − | pages = {1139-1142},
| |
| − | year = {2000},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {www.richardgregory.org/papers/editorials/ambiguity-of-ambiguity.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Gregory 1997a===
| |
| − | <bibentry>
| |
| − | @book{Gregory 1997a,
| |
| − | author = {Gregory, Richard L.},
| |
| − | title = {Eye and brain. The psychology of seeing},
| |
| − | year = {1997},
| |
| − | publisher = {Princeton University Press},
| |
| − | address = {Princeton, N.J},
| |
| − | note = {5. Aufl.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Greimas 1970a===
| |
| − | <bibentry>
| |
| − | @book{Greimas 1970a,
| |
| − | author = {Greimas, Algirdas Julien},
| |
| − | title = {Du sens, Teil I},
| |
| − | year = {1970},
| |
| − | publisher = {Seuil},
| |
| − | address = {Paris},
| |
| − | note = {Essais Sémiotiques},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Greimas 1966a===
| |
| − | <bibentry>
| |
| − | @book{Greimas 1966a,
| |
| − | author = {Greimas, Algirdas Julien},
| |
| − | title = {Sémantique structurale},
| |
| − | year = {1966},
| |
| − | publisher = {Seuil},
| |
| − | address = {Paris},
| |
| − | note = {Dt. Strukturale Semantik. Braunschweig: Vieweg, 1971},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Greimas & Courtés 1979a===
| |
| − | <bibentry>
| |
| − | @book{Greimas & Courtés 1979a,
| |
| − | author = {Greimas, Algirdas Julien & Courtés, Joseph},
| |
| − | title = {Sémiotique: Dictionnaire raisonné de la théorie du langage},
| |
| − | year = {1979},
| |
| − | publisher = {Hachette},
| |
| − | address = {Paris},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Greenberg 1997a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Greenberg 1997a,
| |
| − | author = {Greenberg, Clement},
| |
| − | title = {Zu einem neuen Laokoon},
| |
| − | booktitle = {Clement Greenberg – Die Essenz der Modere. Ausgewählte Essays und Kritiken},
| |
| − | year = {1997},
| |
| − | editor = {Lüdeking, Karlheinz},
| |
| − | pages = {56-81},
| |
| − | publisher = {???},
| |
| − | address = {Amsterdam/Dresden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grieshofer 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Grieshofer 2009a,
| |
| − | author = {Grieshofer, F. },
| |
| − | title = {Masken im Brennpunkt musealer Sammeltätigkeit},
| |
| − | booktitle = {Wir sind Maske},
| |
| − | year = {2009},
| |
| − | editor = {Ferino-Pagden, S.},
| |
| − | pages = {???},
| |
| − | publisher = {Kunsthistorisches Museum},
| |
| − | address = {Wien},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grimm 1860===
| |
| − | <bibentry>
| |
| − | @proceedings{Grimm 1860,
| |
| − | title = {Deutsches Wörterbuch. Bd. 2: Biermörder-D},
| |
| − | year = {1860},
| |
| − | editor = {Jacob Grimm & Wilhelm Grimm},
| |
| − | publisher = {Hirzel},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Grittmann 2007a===
| |
| − | <bibentry>
| |
| − | @book{Grittmann 2007a,
| |
| − | author = {Grittmann, Elke},
| |
| − | title = {Das politische Bild. Fotojournalismus und Pressefotografie},
| |
| − | year = {2007},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Groß et al. 1981a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Groß et al. 1981a,
| |
| − | author = {Gross, C.G.; Bruce, C.J.; Desimone, R.; Fleming, J. & Gattass, R.},
| |
| − | title = {Cortical visual areas of the temporal lobe: Three areas in the macaque},
| |
| − | booktitle = {Cortical Sensory Organization. Vol. 2: Multiple Visual Areas},
| |
| − | year = {1981},
| |
| − | editor = {C.N. Woolsey},
| |
| − | pages = {187-216},
| |
| − | publisher = {Humana Press},
| |
| − | address = {Totowa N.J.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2006a===
| |
| − | <bibentry>
| |
| − | @article{Günzel 2006a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Bildtheoretische Analyse von Computerspielen in der Perspektive Erste Person},
| |
| − | journal = {IMAGE},
| |
| − | year = {2006},
| |
| − | volume = {},
| |
| − | number = {4},
| |
| − | pages = {31-43},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2008a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Die Realität des Simulationsbildes. Raum im Computerspiel},
| |
| − | booktitle = {Die Realität der Imagination - Architektur und das digitale Bild},
| |
| − | year = {2008},
| |
| − | pages = {127-136},
| |
| − | publisher = {???},
| |
| − | address = {Weimar},
| |
| − | note = {10. internationales Bauhaus-Kolloquium},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2009a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Simulation und Perspektive. Der bildtheoretische Ansatz in der Computerspielforschung},
| |
| − | booktitle = {Shooter: Eine multdisziplinäre Einführung},
| |
| − | year = {2010},
| |
| − | editor = {Bopp, Matthias; Wiemer, Serjoscha & Nohr,Rolf F.},
| |
| − | pages = {331-352},
| |
| − | publisher = {???},
| |
| − | address = {Münster},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Günzel 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Günzel 2010a,
| |
| − | author = {Günzel, Stephan},
| |
| − | title = {Die Geste des Manipulierens. Zu Gebrauch statischer und beweglicher Digitalbilder},
| |
| − | booktitle = {Freeze Frames. Zum Verhältnis von Fotografie und Film},
| |
| − | year = {2010},
| |
| − | editor = {Diekmann & Gerlin},
| |
| − | pages = {114-129},
| |
| − | publisher = {Transcript},
| |
| − | address = {Bielefeld},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==H== | | ==H== |
| − | | + | {{Bibliography-H}} |
| − | ===Haas 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Haas 1995a,
| |
| − | author = {Haas, Stefan},
| |
| − | title = {Psychologen, Künstler, Ökonomen. Das Selbstverständnis der Werbetreibenden zwischen Fin de siècle und Nachkriegszeit},
| |
| − | booktitle = {Bilderwelt des Alltags. Werbung in der Konsumgesellschaft des 19. und 20. Jahrhunderts},
| |
| − | year = {1995},
| |
| − | editor = {Borscheid, Peter & Wischermann, Clemens},
| |
| − | pages = {78-89},
| |
| − | publisher = {Franz Steiner},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | }
| |
| − | | |
| − | ===Habermas 1995a===
| |
| − | <bibentry>
| |
| − | @book{Habermas 1995a,
| |
| − | author = {Habermas, Jürgen},
| |
| − | title = {Theorie des kommunikativen Handelns (1981), 2 Bd.},
| |
| − | year = {1995},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Habermas 1973a===
| |
| − | <bibentry>
| |
| − | @book{Habermas 1973a,
| |
| − | author = {Habermas, Jürgen},
| |
| − | title = {Erkenntnis und Interesse},
| |
| − | year = {1973},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hagen 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hagen 2002a,
| |
| − | author = {Hagen, Wolfgang},
| |
| − | title = {Die Entropie der Fotografie. Skizzen zu einer Genealogie der digitalelektronischen Bildaufzeichnung},
| |
| − | booktitle = {Paradigma Fotografie},
| |
| − | year = {2002},
| |
| − | editor = {Wolf},
| |
| − | pages = {195-238},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hagen 2002b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hagen 2002b,
| |
| − | author = {Hagen, Wolfgang},
| |
| − | title = {Es gibt kein ,digitales Bild'. Eine medienepistemologische Anmerkung},
| |
| − | booktitle = {Licht und Leitung},
| |
| − | year = {2002},
| |
| − | editor = {Engel},
| |
| − | pages = {103-112},
| |
| − | publisher = {???},
| |
| − | address = {Weimar},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Haken 1995===
| |
| − | <bibentry>
| |
| − | @inproceedings{Haken 1995,
| |
| − | author = {Haken, Hermann},
| |
| − | title = {Some basic concepts of Synergetics with respect of multistability in perception, phase transmissions and formation of meaning},
| |
| − | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena},
| |
| − | year = {1995},
| |
| − | editor = {Kruse, Peter & Stadler, Michael},
| |
| − | pages = {23–44},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Halawa 2008a===
| |
| − | <bibentry>
| |
| − | @book{Halawa 2008a,
| |
| − | author = {Halawa, Mark A.},
| |
| − | title = {Wie sind Bilder möglich? Argumente für eine semiotische Fundierung des Bildbegriffs},
| |
| − | year = {2008},
| |
| − | publisher = {Herbert von Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Halbfass 1972a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Halbfass 1972a,
| |
| − | author = {Halbfass, W.},
| |
| − | title = {Evidenz},
| |
| − | booktitle = {Historisches Wörterbuch der Philosophie, Bd. 2},
| |
| − | year = {1972},
| |
| − | editor = {Gründer, K. & Ritter, J. },
| |
| − | pages = {Sp. 829-834},
| |
| − | publisher = {???},
| |
| − | address = {Basel},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Halliday 1996a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Halliday 1996a,
| |
| − | author = {Halliday, Michael A.K.},
| |
| − | title = {Language as a Social Semiotic},
| |
| − | booktitle = {The Communication Theory Reader},
| |
| − | year = {1996},
| |
| − | editor = {Cobley, Paul},
| |
| − | pages = {359-383},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Halliday 1985a===
| |
| − | <bibentry>
| |
| − | @book{Halliday 1985a,
| |
| − | author = {Halliday, Michael A.K.},
| |
| − | title = {An Introduction to Functional Grammar},
| |
| − | year = {1985},
| |
| − | publisher = {Edward Arnold},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hansen 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hansen 2005a,
| |
| − | author = {Hansen, S. },
| |
| − | title = {Neolithische Figuralplastik im südlichen Karpatenbecken},
| |
| − | booktitle = {Masken, Menschen, Rituale},
| |
| − | year = {2005},
| |
| − | editor = {Schier, W.},
| |
| − | pages = {???},
| |
| − | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)},
| |
| − | address = {Würzburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Harris 1756===
| |
| − | <bibentry>
| |
| − | @book{Harris 1756,
| |
| − | author = {James Harris},
| |
| − | title = {Drey Abhandlungen. Die erste über die Kunst, die andere über die Music, Mahlerey und Poesie, die dritte über die Glückseligkeit},
| |
| − | year = {1756},
| |
| − | publisher = {Schuster},
| |
| − | address = {Danzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hasselbeck 1979===
| |
| − | <bibentry>
| |
| − | @book{Hasselbeck 1979,
| |
| − | author = {Hasselbeck, Otto},
| |
| − | title = {Illusion und Fiktion. Lessings Beitrag zur poetologischen Diskussion über das Verhältnis von Kunst und Wirklichkeit},
| |
| − | year = {1979},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hauschild 1982a===
| |
| − | <bibentry>
| |
| − | @book{Hauschild 1982a,
| |
| − | author = {Hauschild, Thomas},
| |
| − | title = {Der böse Blick. Ideengeschichtliche und sozialpsychologische Untersuchungen, Beiträge zur Ethnomedizin, Ethnobotanik und Ethnozoologie},
| |
| − | year = {1982},
| |
| − | publisher = {???},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hegel 1826===
| |
| − | <bibentry>
| |
| − | @book{Hegel 1826,
| |
| − | author = {Hegel, Georg W. F.},
| |
| − | title = {Philosophie der Kunst. Vorlesung von 1826},
| |
| − | year = {2005},
| |
| − | editor = {Gethmann-Siefert, Annemarie; Kwon, Jeong-Im & Berr, Karsten},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hegel 1830===
| |
| − | <bibentry>
| |
| − | @book{Hegel 1830,
| |
| − | author = {Hegel, Georg W. F.},
| |
| − | title = {Enzyklopädie der philosophischen Wissenschaften im Grundrisse [1830]},
| |
| − | year = {<sup>6</sup>1959},
| |
| − | editor = {Friedhelm Nicolin und Otto Pöggeler},
| |
| − | publisher = {Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hegel 1835===
| |
| − | <bibentry>
| |
| − | @book{Hegel 1835,
| |
| − | author = {Hegel, Georg W. F.},
| |
| − | title = {Einleitung in die Ästhetik. Mit den beiden Vorreden von Heinrich Gustav Hotho [1835]},
| |
| − | year = {1967},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hegel 1970a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hegel 1970a,
| |
| − | author = {Hegel, Georg W. F.},
| |
| − | title = {Vorlesungen über die Ästhetik II},
| |
| − | booktitle = {Werke},
| |
| − | year = {1970},
| |
| − | editor = {E. Moldenhauer & K. M. Michel},
| |
| − | pages = {Bd. 14},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {Erstveröffentlichung 1835},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Heidegger 1986a===
| |
| − | <bibentry>
| |
| − | @book{Heidegger 1986a,
| |
| − | author = {Martin Heidegger},
| |
| − | title = {Ursprung des Kunstwerkes (1935/36)},
| |
| − | year = {1986},
| |
| − | publisher = {???},
| |
| − | address = {Ditzingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Heidegger 1950a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Heidegger 1950a,
| |
| − | author = {Heidegger, Martin},
| |
| − | title = {Die Zeit des Weltbildes},
| |
| − | booktitle = {Holzwege},
| |
| − | year = {1950},
| |
| − | editor = {ders.},
| |
| − | pages = {69-104},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Heidenreich 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Heidenreich 2001a,
| |
| − | author = {Heidenreich, Stefan},
| |
| − | title = {Effekte der Digitalisierung: Berechenbarkeit und Suche},
| |
| − | booktitle = {Verwandlungen durch Licht},
| |
| − | year = {2001},
| |
| − | editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
| |
| − | pages = {259-262},
| |
| − | publisher = {???},
| |
| − | address = {Esslingen},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Heider 2009a===
| |
| − | <bibentry>
| |
| − | @book{Heider 2009a,
| |
| − | author = {Heider, Don},
| |
| − | title = {Living Virtually. Researching New Worlds},
| |
| − | year = {2009},
| |
| − | publisher = {Peter Lang Publishing},
| |
| − | address = {New Yor},
| |
| − | note = {(Digital Formations vol. 47)},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Herder 2001a===
| |
| − | <bibentry>
| |
| − | @book{Herder 2001a,
| |
| − | author = {Herder, Johann Gottfried},
| |
| − | title = {Abhandlung über den Ursprung der Sprache (1772)},
| |
| − | year = {2001},
| |
| − | editor = {Irmscher, Hans Dietrich},
| |
| − | publisher = {Philipp Reclam jun.},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Herder 1800===
| |
| − | <bibentry>
| |
| − | @book{Herder 1800,
| |
| − | author = {Herder, Johann Gottfried},
| |
| − | title = {Sämtliche Werke. Bd. 22: Kalligone [1800]},
| |
| − | year = {1880},
| |
| − | editor = {Bernhard Suphan},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hernadi 1991===
| |
| − | <bibentry>
| |
| − | @article{Hernadi 1991,
| |
| − | author = {Hernadi, Paul},
| |
| − | year = {1991},
| |
| − | title = {Reconceiving Notation and Performance},
| |
| − | journal = {Journal of Aesthetic Education},
| |
| − | volume = {25},
| |
| − | number = {1},
| |
| − | pages = {47-56},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Herter 1947a===
| |
| − | <bibentry>
| |
| − | @article{Herter 1947a,
| |
| − | author = {Herter, H. },
| |
| − | title = {Vom dionysischen Tanz zum komischen Spiel. Die Anfänge der Attischen Komödie},
| |
| − | journal = {Darstellung und Deutung},
| |
| − | year = {1947},
| |
| − | volume = {1},
| |
| − | number = {},
| |
| − | pages = {???},
| |
| − | note = {Iserlohn},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Heßler 2006a===
| |
| − | <bibentry>
| |
| − | @misc{Heßler 2006a,
| |
| − | author = {Heßler, Martina},
| |
| − | title = {Von der doppelten Unsichtbarkeit digitaler Bilder},
| |
| − | year = {2006},
| |
| − | howpublished = {Elektronische Ressource},
| |
| − | publisher = {},
| |
| − | note = {},
| |
| − | hidden ={letzter Kontrollaufruf: 07.08.2010},
| |
| − | url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hick 1999a===
| |
| − | <bibentry>
| |
| − | @book{Hick 99a,
| |
| − | author = {Hick, Ulrike},
| |
| − | title = {Geschichte der optischen Medien},
| |
| − | year = {1999},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hickethier 1995a===
| |
| − | <bibentry>
| |
| − | @article{Hickethier 1995a,
| |
| − | author = {Hickethier, Knut},
| |
| − | title = {Dispositiv Fernsehen – Skizze eines Modells},
| |
| − | journal = {Montage/av},
| |
| − | year = {1995},
| |
| − | volume = {4},
| |
| − | number = {1}
| |
| − | pages = {63-83},
| |
| − | note = {},
| |
| − | hidden = {letzter Kontrollaufruf: },
| |
| − | url = {www.montage-av.de/pdf/041_1995/04_1_Knut_Hickethier_Dispositiv_Fernsehen.pdf},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hildebrand 1969a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hildebrand 1969a,
| |
| − | author = {Hildebrand, Adolf von},
| |
| − | title = {Das Problem der Form},
| |
| − | booktitle = {Hildebrand: Gesammelte Schriften zur Kunst},
| |
| − | year = {1969},
| |
| − | editor = {Bock, H.},
| |
| − | pages = {41-350},
| |
| − | publisher = {Westdeutscher Verlag},
| |
| − | address = {Köln/Opladen},
| |
| − | note = {Erstveröffentlichung 1903},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hinterwaldner 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hinterwaldner 2008a,
| |
| − | author = {Hinterwaldner, Inge},
| |
| − | title = {Simulationsmodelle. Zur Verhältnisbestimmung von Modellierung und Bildgebung in interaktiven Echtzeitsimulationen},
| |
| − | booktitle = {Visuelle Modelle},
| |
| − | year = {2008},
| |
| − | editor = {Reichle, Ingeborg; Siegel, Steffen & Spelten, Achim},
| |
| − | pages = {301-316},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hjelmslev 1954a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hjelmslev 1954a,
| |
| − | author = {Hjelmslev, Louis},
| |
| − | title = {La stratification du langage},
| |
| − | booktitle = {Essais linguistiques},
| |
| − | year = {1954},
| |
| − | editor = {Hjelmslev, Louis},
| |
| − | pages = {???},
| |
| − | publisher = {Nordisk Sprog- od Kulturforlag},
| |
| − | address = {Kopenhagen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hjelmslev 1943a===
| |
| − | <bibentry>
| |
| − | @book{Hjelmslev 1943a,
| |
| − | author = {Hjelmslev, Louis},
| |
| − | title = {Omkring sprogteoriens grundlæggelse},
| |
| − | year = {1943},
| |
| − | publisher = {???},
| |
| − | address = {Kopenhagen},
| |
| − | note = {Dt. Prolegomena zu einer Sprachtheorie. München: Hueber},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hochberg 1977a===
| |
| − | <bibentry>
| |
| − | @book{Hochberg 1977a,
| |
| − | author = {Hochberg, Julian E.},
| |
| − | title = {Wahrnehmung},
| |
| − | year = {1977},
| |
| − | publisher = {Akademische Verlagsgesellschaft},
| |
| − | address = {Wiesbaden},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hofmann 2000a===
| |
| − | <bibentry>
| |
| − | @book{Hofmann 2000a,
| |
| − | author = {Hoffman, Donald D.},
| |
| − | title = {Visuelle Intelligenz. Wie die Welt im Kopf entsteht},
| |
| − | year = {2000},
| |
| − | publisher = {Klett-Cotta},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hofmann 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Hofmann 2007a,
| |
| − | author = {Hofmann, Werner },
| |
| − | title = {Spielräume und Raumverstecke},
| |
| − | booktitle = {RAUM. Orte der Kunst},
| |
| − | year = {2007},
| |
| − | editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
| |
| − | pages = {10-22},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holly 2010a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2010a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Bildüberschreibungen. Wie Sprechtexte Nachrichtenfilme lesbar machen (und umgekehrt)},
| |
| − | booktitle = {Bildlinguistik},
| |
| − | year = {2010},
| |
| − | editor = {Diekmannshenke, Hajo; Klemm, Michael & Stöckl, Hartmut},
| |
| − | pages = {231-254},
| |
| − | publisher = {Erich Schmidt},
| |
| − | address = {Berlin},
| |
| − | note = {erscheint Ende 2010},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holly 2009a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2009a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Der Wort-Bild-Reißverschluss. Über die performative Dynamik audiovisueller Transkriptivität},
| |
| − | booktitle = {Oberfläche und Performanz. Untersuchungen zur Sprache als dynamischer Gestalt},
| |
| − | year = {2009},
| |
| − | editor = {Linke, Angelika & Feilke, Helmuth},
| |
| − | pages = {389-406},
| |
| − | publisher = {Niemeyer},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holly 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly 2007a,
| |
| − | author = {Holly, Werner},
| |
| − | title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’},
| |
| − | booktitle = {Linguistische Hermeneutik},
| |
| − | year = {2007},
| |
| − | editor = {Hermanns, Fritz},
| |
| − | pages = {389–428},
| |
| − | publisher = {Niemeyer},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holly & Jäger 2011a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holly & Jäger 2011a,
| |
| − | author = {Holly, Werner & Jäger, Ludwig},
| |
| − | title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken},
| |
| − | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
| |
| − | year = {2011},
| |
| − | editor = {Schneider, Jan Georg & Stöckl, Hartmut},
| |
| − | pages = {???},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {erscheint Frühjahr 2011},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holmes 1980a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holmes 1980a,
| |
| − | author = {Holmes, Sir Oliver Wendell},
| |
| − | title = {Das Stereoskop und der Stereograph},
| |
| − | booktitle = {Theorie der Fotografie I. 1839-1912},
| |
| − | year = {1980},
| |
| − | editor = {Kemp, Wolfgang},
| |
| − | pages = {114-122},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {Originalausgabe 1859},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Holschbach 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Holschbach 2003a,
| |
| − | author = {Holschbach, Susanne},
| |
| − | title = {Einleitung},
| |
| − | booktitle = {Diskurse der Fotografie. Fotokritik am Ende des fotografischen Zeitalters},
| |
| − | year = {2003},
| |
| − | editor = {Wolf, Herta},
| |
| − | pages = {7-21},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a. M.},
| |
| − | note = {BD. 2},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hömberg & Karasek 2008a===
| |
| − | <bibentry>
| |
| − | @article{Hömberg & Karasek 2008a,
| |
| − | author = {Hömberg, Walter & Karasek, Johannes},
| |
| − | title = {Der Schweißfleck der Kanzlerkandidatin. Bildmanipulation, Bildfälschung und Bildethik im Zeitalter der digitalen Fotografie},
| |
| − | journal = {Communicatio Socialis},
| |
| − | year = {2008},
| |
| − | volume = {},
| |
| − | number = {3},
| |
| − | pages = {276-293},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hopkins 1998a===
| |
| − | <bibentry>
| |
| − | @book{Hopkins 1998a,
| |
| − | author = {Hopkins, Robert},
| |
| − | title = {Picture, Image and Experience},
| |
| − | year = {1998},
| |
| − | publisher = {???},
| |
| − | address = {Cambridge},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Huber 2004a===
| |
| − | <bibentry>
| |
| − | @book{Huber 2004a,
| |
| − | author = {Huber, Hans Dieter},
| |
| − | title = {Bild Beobachter Milieu. Entwurf einer allgemeinen Bildwissenschaft},
| |
| − | year = {2004},
| |
| − | publisher = {Hatje Cantz},
| |
| − | address = {Ostfildern},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Humboldt 1820a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Humboldt 1820a,
| |
| − | author = {Humboldt, Wilhelm},
| |
| − | title = {Über das vergleichende Sprachstudium in Beziehung auf die verschiedenen Epochen der Sprachentwicklung [1820]},
| |
| − | booktitle = {Werke. Bd. 4: 1820-1822},
| |
| − | year = {1905},
| |
| − | editor = {Albert Leitzmann},
| |
| − | pages = {1-34},
| |
| − | publisher = {Behr},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Humboldt 1830-1835===
| |
| − | <bibentry>
| |
| − | @inproceedings{Humboldt 1830-1835,
| |
| − | author = {Humboldt, Wilhelm},
| |
| − | title = {Über die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluß auf die geistige Entwicklung des Menschengeschlechts [1830-1835]},
| |
| − | booktitle = {Werke. Bd. 7.1},
| |
| − | year = {1907},
| |
| − | editor = {Albert Leitzmann},
| |
| − | pages = {1-344},
| |
| − | publisher = {Behr},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Husserl 2006===
| |
| − | <bibentry>
| |
| − | @book{Husserl 2006,
| |
| − | author = {Husserl, Edmund},
| |
| − | title = {Phantasie und Bildbewußtsein},
| |
| − | year = {2006},
| |
| − | publisher = {Felix Meiner},
| |
| − | address = {Hamburg},
| |
| − | note = {herausgegeben und eingeleitet von Eduard Marbach, Text nach Husserliana, Band XXIII},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Husserl 1993a===
| |
| − | <bibentry>
| |
| − | @book{Husserl 1993a,
| |
| − | author = {Husserl, E.},
| |
| − | title = {Logische Untersuchungen. Elemente einer phänomenologischen Aufklärung der Erkenntnis},
| |
| − | year = {1993},
| |
| − | publisher = {???},
| |
| − | address = {Tübingen},
| |
| − | note = {Teil II/Bd. 2},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Husserl 1980a===
| |
| − | <bibentry>
| |
| − | @book{Husserl 1980a,
| |
| − | author = {Edmund Husserl},
| |
| − | title = {Phantasie, Bildbewusstsein, Erinnerung. Zur Phänomenologie der anschaulichen Vergegenwärtigungen. Texte aus dem Nachlass (1898-1925) (Husserliana XXIII)},
| |
| − | year = {1980},
| |
| − | publisher = {Nijhoff},
| |
| − | address = {Den Haag / Boston / Dordrecht},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hyman 2006a===
| |
| − | <bibentry>
| |
| − | @book{Hyman 2006a,
| |
| − | author = {Hyman, John},
| |
| − | title = {The Objective Eye: Color, Form, and Reality in the Theory of Art},
| |
| − | year = {2006},
| |
| − | publisher = {UP},
| |
| − | address = {Chicago },
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Hynes 2005a===
| |
| − | <bibentry>
| |
| − | @article{Hynes 2005a,
| |
| − | author = {Hynes, Maria},
| |
| − | title = {Rethinking Reductionism},
| |
| − | journal = {Culture Machine},
| |
| − | year = {2005},
| |
| − | volume = {7},
| |
| − | number = {},
| |
| − | pages = {},
| |
| − | note = {online journal},
| |
| − | hidden = {},
| |
| − | url = {www.culturemachine.net/index.php/cm/article/viewArticle/33/41},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==I== | | ==I== |
| − | ===Imdahl 1996a===
| + | {{Bibliography-I}} |
| − | <bibentry>
| |
| − | @inproceedings{Imdahl 1996a,
| |
| − | author = {Max Imdahl},
| |
| − | title = {Cézanne – Bracque – Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen},
| |
| − | booktitle = {Max Imdahl, Gesammelte Schriften, Band 3: Reflexion – Theorie – Methode},
| |
| − | year = {1996},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | pages = {???},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt/Main},
| |
| − | note = {Wiederauflage der Schrift von 1974},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | <!--- ===Imdahl 1974a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Imdahl 1974a,
| |
| − | author = {Imdahl, Max},
| |
| − | title = {Cézanne – Bracque – Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen},
| |
| − | booktitle = {Gesammelte Schriften, Band 3: Reflexion – Theorie – Methode},
| |
| − | year = {1974},
| |
| − | editor = {Boehm, Gottfried},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt/Main},
| |
| − | note = {Wiederabruck},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | --> | |
| − | | |
| − | ===Imdahl 1987a===
| |
| − | <bibentry>
| |
| − | @book{Imdahl 1987a,
| |
| − | author = {Imdahl, Max},
| |
| − | title = {Farbe. Kunsttheoretische Reflexionen in Frankreich},
| |
| − | year = {1987},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==J== | | ==J== |
| − | ===Jäger & Knauer 2009a===
| + | {{Bibliography-J}} |
| − | <bibentry>
| |
| − | @proceedings{Jäger & Knauer 2009a,
| |
| − | title = {Bilder als historische Quellen? Dimensionen der Debatte um historische Bildforschung},
| |
| − | year = {2009},
| |
| − | editor = {Jäger, Jens & Knauer, Martin},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jansen 2005===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jansen 2005,
| |
| − | author = {Jansen, Ludger},
| |
| − | title = {Aristoteles und das Problem des Neuen: Wie kreativ sind Veränderungsprinzipien?},
| |
| − | booktitle = {Kreativität. XX. Deutscher Kongress für Philosophie. 26.-30. September 2005 in Berlin. Sektionsbeiträge, Bd. 2},
| |
| − | year = {2005},
| |
| − | editor = {Günter Abel},
| |
| − | pages = {15-25},
| |
| − | publisher = {Universitätsverlag der TU Berlin},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jansen 2002===
| |
| − | <bibentry>
| |
| − | @book{Jansen 2002,
| |
| − | author = {Jansen, Ludger},
| |
| − | title = {Tun und Können. Ein systematischer Kommentar zu Aristoteles' Theorie der Vermögen im neunten Buch der „Metaphysik”},
| |
| − | year = {2002},
| |
| − | publisher = {Hänsel-Hohenhausen},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jäger 2008a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jäger 2008a,
| |
| − | author = {Jäger, Ludwig},
| |
| − | title = {Transkriptive Verhältnisse. Zur Logik intra- und intermedialer Bezugnahmen in ästhetischen Diskursen},
| |
| − | booktitle = {Transkription und Fassung in der Musik des 20. Jahrhunderts. Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004},
| |
| − | year = {2008},
| |
| − | editor = {Gabriele Buschmeier & Ulrich Konrad & Albrecht Riethmüller},
| |
| − | pages = {103-134},
| |
| − | publisher = {Franz Steiner},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jäger 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jäger 2002a,
| |
| − | author = {Jäger, Ludwig},
| |
| − | title = {Transkriptivität. Zur medialen Logik der kulturellen Semantik},
| |
| − | booktitle = {Transkribieren - Medien/Lektüre},
| |
| − | year = {2002},
| |
| − | editor = {Ludwig Jäger & Georg Stanitzek},
| |
| − | pages = {19-41},
| |
| − | publisher = {Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jaubert 1998a===
| |
| − | <bibentry>
| |
| − | @book{Jaubert 1998a,
| |
| − | author = {Jaubert, Alain},
| |
| − | title = {Fotos, die lügen: Politik mit gefälschten Bildern},
| |
| − | year = {1998},
| |
| − | publisher = {Äthenaum},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jean Paul 1795===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jean Paul 1795,
| |
| − | author = {Jean Paul},
| |
| − | title = {Ueber die natürliche Magie der Einbildungskraft [1795]},
| |
| − | booktitle = {Ausgewählte Werke. Bd. 7/8: Leben des Qunitus Fixlein, aus fünfzehn Zettelschaften gezogen, nebst einem Mußtheil und einigen Jus de tablette},
| |
| − | year = {1847},
| |
| − | editor = {???},
| |
| − | pages = {???},
| |
| − | publisher = {Reimer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jewitt 2009a===
| |
| − | <bibentry>
| |
| − | @proceedings{Jewitt 2009a,
| |
| − | title = {The Routledge Handbook of Multimodal Analysis},
| |
| − | year = {2009},
| |
| − | editor = {Jewitt, Carey},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jewitt & Oyama 2001a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jewitt & Oyama 2001a,
| |
| − | author = {Jewitt, Carey & Oyama, Rumiko},
| |
| − | title = {Visual Meaning. A Social-Semiotic Approach},
| |
| − | booktitle = {Handbook of Visual Analysis},
| |
| − | year = {2001},
| |
| − | editor = {Theo van Leeuwen & Carey Jewitt},
| |
| − | pages = {134–156},
| |
| − | publisher = {Sage},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnson et al. 2001a===
| |
| − | <bibentry>
| |
| − | @book{Johnson et al. 2001a,
| |
| − | author = {Johnson, Neil F. et al.???},
| |
| − | title = {Information Hiding. Steganography and Watermarking - Attacks and Countermeasures},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {Boston, MA},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnson-Laird 1996a===
| |
| − | <bibentry>
| |
| − | @book{Johnson-Laird 1996a,
| |
| − | author = {Johnson-Laird, Philip N.},
| |
| − | title = {Der Computer im Kopf. Formen und Verfahren der Erkenntnis},
| |
| − | year = {1996},
| |
| − | publisher = {Deutscher Taschenbuch Verlag},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnson-Laird 1983a===
| |
| − | <bibentry>
| |
| − | @book{Johnson-Laird 1983a,
| |
| − | author = {Johnson-Laird, Philip N.},
| |
| − | title = {Mental Models. Towards a cognitive science of language, inference, and conciousness},
| |
| − | publisher = {Cambridge University Press},
| |
| − | address = {Cambridge},
| |
| − | year = {1983},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston 2006a===
| |
| − | <bibentry>
| |
| − | @book{Johnston 2006a,
| |
| − | author = {Johnston, Sean},
| |
| − | title = {Holographic Visions. A History of New Science},
| |
| − | year = {2006},
| |
| − | publisher = {???},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston et al. 2001a===
| |
| − | <bibentry>
| |
| − | @article{Johnston et al. 2001a,
| |
| − | author = {Johnston, V.S.; Hagel, R.; Franklin, M.; Fink, B. & Grammer, K.},
| |
| − | title = {Male Facial attractiveness. Evidence for hormone-mediated adaptive design},
| |
| − | journal = {Evolution and Human Behavior},
| |
| − | year = {2001},
| |
| − | volume = {22},
| |
| − | number = {},
| |
| − | pages = {251-267},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Johnston & Franklin 1993a===
| |
| − | <bibentry>
| |
| − | @article{Johnston & Franklin 1993a,
| |
| − | author = {Johnston, V.S. & Franklin, M.},
| |
| − | title = {Is beauty in the eye of the beholder?},
| |
| − | journal = {Ethology and Sociobiology},
| |
| − | year = {1993},
| |
| − | volume = {14},
| |
| − | number = {},
| |
| − | pages = {183-199},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jonas 1973a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jonas 1973a,
| |
| − | author = {Jonas, Hans},
| |
| − | title = {Homo pictor. Von der Freiheit des Bildens},
| |
| − | booktitle = {Organismus und Freiheit. Ansätze zu einer philosophischen Biologie},
| |
| − | year = {1973},
| |
| − | editor = {Jonas, Hans},
| |
| − | pages = {226-257},
| |
| − | publisher = {???},
| |
| − | address = {Göttingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jonas 1963===
| |
| − | <bibentry>
| |
| − | @inproceedings{Jonas 1963,
| |
| − | author = {Hans Jonas},
| |
| − | title = {Die Freiheit des Bildens. Homo pictor und die differentia des Menschen},
| |
| − | booktitle = {Zwischen Nichts und Ewigkeit. Drei Aufsätze zur Lehre vom Menschen},
| |
| − | year = {1963},
| |
| − | editor = {Hans Jonas},
| |
| − | pages = {26-43},
| |
| − | publisher = {Vandenhoeck & Ruprecht},
| |
| − | address = {Göttingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jonas 1961a===
| |
| − | <bibentry>
| |
| − | @article{Jonas 1961a,
| |
| − | author = {Jonas, Hans},
| |
| − | title = {Die Freiheit des Bildens – Homo pictor und die differentia des Menschen},
| |
| − | journal = {Zeitschrift für Philosophische Forschung},
| |
| − | year = {1961},
| |
| − | volume = {15},
| |
| − | number = {},
| |
| − | pages = {161–176},
| |
| − | note = {Wieder abgedruckt in: Jonas, Hans: <em>Zwischen Nichts und Ewigkeit – Zur Lehre vom Menschen</em>. Göttingen: Vandenhoeck & Ruprecht, 1987, 26–43},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Juhász et al. 1999a===
| |
| − | <bibentry>
| |
| − | @proceedings{Juhász et al. 1999a,
| |
| − | editor = {Juhász, J.; Szőke, I.; Nagy, G.O. & Kovalovszky, M.},
| |
| − | title = {Magyar értelmező szótár},
| |
| − | year = {1999},
| |
| − | publisher = {Akadémiai Kiadó},
| |
| − | address = {Budapest},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Jung 2003a===
| |
| − | <bibentry>
| |
| − | @proceedings{Jung 2003a,
| |
| − | title = {Holographic Network},
| |
| − | year = {2003a},
| |
| − | editor = {Jung, Dieter},
| |
| − | publisher = {???},
| |
| − | address = {Bramsche},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==K== | | ==K== |
| − | ===Kamlah & Lorenzen 1973a===
| + | {{Bibliography-K}} |
| − | <bibentry>
| |
| − | @book{Kamlah & Lorenzen 1973a,
| |
| − | author = {Kamlah, Wilhelm & Lorenzen, Paul},
| |
| − | title = {Logische Propädeutik - Vorschule des vernünftigen Redens},
| |
| − | year = {1973},
| |
| − | publisher = {BI Wissenschaftsverlag},
| |
| − | address = {München},
| |
| − | note = {2. Aufl. (<sup>1</sup>1967, <sup>3</sup>1996)},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kanizsa & Luccio 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kanizsa & Luccio 1995a,
| |
| − | author = {Kanizsa, G. & Luccio, R.},
| |
| − | title = {Multistability as a research tool in experimental phenomenology},
| |
| − | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena},
| |
| − | year = {1995},
| |
| − | editor = {Kruse, Peter & Stadler, Michael},
| |
| − | pages = {47–68},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1974a===
| |
| − | <bibentry>
| |
| − | @book{Kant 1974a,
| |
| − | author = {Kant, I.},
| |
| − | title = {Kritik der Urteilskraft},
| |
| − | year = {1974},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1787a===
| |
| − | <bibentry>
| |
| − | @book{Kant 1787a,
| |
| − | author = {Kant, I.},
| |
| − | title = {Kritik der reinen Vernunft},
| |
| − | year = {1787},
| |
| − | publisher = {???},
| |
| − | address = {???},
| |
| − | note = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1960a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kant 1960a,
| |
| − | author = {Kant, Immanuel},
| |
| − | title = {Logik},
| |
| − | booktitle = {Kant: Werke in 12 Bänden},
| |
| − | year = {1960},
| |
| − | editor = {Weischedel, W.},
| |
| − | pages = {???},
| |
| − | publisher = {???},
| |
| − | address = {Wiesbaden},
| |
| − | note = {Bd. VI},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kant 1977a===
| |
| − | <bibentry>
| |
| − | @book{Kant 1977a,
| |
| − | author = {Kant, Immanuel},
| |
| − | title = {Kritik der Urteilskraft},
| |
| − | year = {1977},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {Werkausgabe Band X, hrsg. von Wilhelm Weischedel},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kardaun 1993===
| |
| − | <bibentry>
| |
| − | @book{Kardaun 1993,
| |
| − | author = {Kardaun, Maria},
| |
| − | title = {Der Mimesisbegriff in der griechischen Antike. Neubetrachtung eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung},
| |
| − | year = {1993},
| |
| − | publisher = {North-Holland},
| |
| − | address = {Amsterdam/New York/Oxford/Tokyo},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kecskesi 1982a===
| |
| − | <bibentry>
| |
| − | @book{Kecskesi 1982a,
| |
| − | author = {Kecskesi, M. },
| |
| − | title = {Kunst aus dem alten Afrika},
| |
| − | year = {1982},
| |
| − | publisher = {Pinguin},
| |
| − | address = {Innsbruck},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kemp 1974a===
| |
| − | <bibentry>
| |
| − | @article{Kemp 1974a,
| |
| − | author = {Kemp, Wolfgang},
| |
| − | title = {Disegno. Beiträge zu einer Geschichte des Begriffs zwischen 1547 und 1607},
| |
| − | journal = {Marburger Jahrbuch für Kunstwissenschaf},
| |
| − | year = {1974},
| |
| − | volume = {19},
| |
| − | number = {},
| |
| − | pages = {219-240},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kittler 2002a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kittler 2002a,
| |
| − | author = {Kittler, Friedrich},
| |
| − | title = {Computergrafik. Eine halbtechnische Einführung},
| |
| − | booktitle = {Paradigma Fotografie},
| |
| − | year = {2002},
| |
| − | editor = {Wolf, Hertha},
| |
| − | pages = {178-194},
| |
| − | publisher = {???},
| |
| − | address = {Frankfurt a.M.},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kittler 2002b===
| |
| − | <bibentry>
| |
| − | @book{Kittler 2002b,
| |
| − | author = {Kittler, Friedrich},
| |
| − | title = {Optische Medien. Berliner Vorlesung 1999},
| |
| − | year = {2002},
| |
| − | publisher = {???},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kjørup 1978===
| |
| − | <bibentry>
| |
| − | @article{Kjørup 1978,
| |
| − | author = {Kjørup, Søren},
| |
| − | title = {Pictorial Speech Acts},
| |
| − | journal = {Erkenntnis},
| |
| − | year = {1978},
| |
| − | volume = {12},
| |
| − | number = {},
| |
| − | pages = {55-71},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Klopstock 1779===
| |
| − | <bibentry>
| |
| − | @inproceedings{Klopstock 1779,
| |
| − | author = {Klopstock, Friedrich Gottlieb},
| |
| − | title = {Von der Darstellung},
| |
| − | booktitle = {Ueber Sprache und Dichtkunst. Fragmente},
| |
| − | year = {1779},
| |
| − | editor = {ders.},
| |
| − | pages = {243-258},
| |
| − | publisher = {Heroldsche Buchhandlung},
| |
| − | address = {Hamburg},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Klopstock 1774===
| |
| − | <bibentry>
| |
| − | @book{Klopstock 1774,
| |
| − | author = {Klopstock, Friedrich Gottlieb},
| |
| − | title = {Werke und Briefe. Historisch-kritische Ausgabe. Bd. 7.1: Die deutsche Gelehrtenrepublik [1774]},
| |
| − | year = {1975},
| |
| − | editor = {Hurlebusch, Rose-Marie},
| |
| − | publisher = {de Gruyter},
| |
| − | address = {Berlin/New York},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kluge 2002a===
| |
| − | <bibentry>
| |
| − | @book{Kluge 2002a,
| |
| − | author = {Kluge, Friedrich},
| |
| − | title = {Etymologisches Wörterbuch der deutschen Sprache.},
| |
| − | year = {2002},
| |
| − | editor = {Seebold, Elmar},
| |
| − | publisher = {de Gruyter.},
| |
| − | address = {Berlin, New York},
| |
| − | note = {24. durchgesehene und erweiterte Auflage.},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Knieper & Müller 2005a===
| |
| − | <bibentry>
| |
| − | @book{Knieper & Müller 2005a,
| |
| − | author = {Knieper, Thomas & Müller, Marion G.},
| |
| − | title = {War Visions. Bildkommunikation und Krieg},
| |
| − | year = {2005},
| |
| − | publisher = {Halem},
| |
| − | address = {Köln},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===König & Obrist 1993a===
| |
| − | <bibentry>
| |
| − | @proceedings{König & Obrist 1993a,
| |
| − | title = {Der zerbrochene Spiegel. Positionen zur Malerei},
| |
| − | year = {1993},
| |
| − | editor = {König, Kasper & Obrist, Hans-Ulrich},
| |
| − | publisher = {???},
| |
| − | address = {Wien},
| |
| − | note = {Ausstellungskatalog Kunsthalle Wien / Deichtorhallen Hamburg},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Koller 1954===
| |
| − | <bibentry>
| |
| − | @book{Koller 1954,
| |
| − | author = {Koller, Hermann},
| |
| − | title = {Die Mimesis in der Antike. Nachahmung, Darstellung, Ausdruck},
| |
| − | year = {1954},
| |
| − | publisher = {Francke},
| |
| − | address = {Bern},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kondor 2008a===
| |
| − | <bibentry>
| |
| − | @book{Kondor 2008a,
| |
| − | author = {Kondor, Zsuzsanna},
| |
| − | title = {Embedded Thinking: Multimedia and the New Rationality},
| |
| − | year = {2008},
| |
| − | publisher = {Peter Lang},
| |
| − | address = {Frankfurt/M.},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kondor 2007c===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kondor 2007c,
| |
| − | author = {Kondor, Zsuzsanna },
| |
| − | title = {Multimodal Integration: From a Philosophical Point of View},
| |
| − | booktitle = {Proceedings of the IADIS International Conference: Mobile Learning },
| |
| − | year = {2007},
| |
| − | editor = {Arnedillo-Sanchez, Immaculada},
| |
| − | pages = {???},
| |
| − | publisher = {???},
| |
| − | address = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kondor 2007b===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kondor 2007b,
| |
| − | author = {Kondor, Zsuzsanna},
| |
| − | title = {The Mobile Image: Experience on the Move},
| |
| − | booktitle = {obile Studies: Paradigms and Perspectives},
| |
| − | year = {2007},
| |
| − | editor = {Nyíri, Kristóf},
| |
| − | pages = {???},
| |
| − | publisher = {Passagen},
| |
| − | address = {Vienna},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kondor 2007a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kondor 2007a,
| |
| − | author = {Kondor, Zsuzsanna},
| |
| − | title = {Old Patterns, New Bewitchments},
| |
| − | booktitle = {Philosophy of the Information Society: Papers of the 30th International Wittgenstein Symposium},
| |
| − | year = {2007},
| |
| − | editor = {Hrachovec, H.; Pichler. A. & Wang, J.},
| |
| − | pages = {???},
| |
| − | publisher = {???},
| |
| − | address = {???},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Konersmann 2006a===
| |
| − | <bibentry>
| |
| − | @book{Konersmann 2006a,
| |
| − | author = {Konersmann, Ralf},
| |
| − | title = {Kulturelle Tatsachen},
| |
| − | year = {2006},
| |
| − | publisher = {Suhrkamp},
| |
| − | address = {Frankfurt am Main},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kornmeier et al. 2009a===
| |
| − | <bibentry>
| |
| − | @article{Kornmeier et al. 2009a,
| |
| − | author = {Kornmeier, Jürgen; Hein, Christine Maira & Bach, Michael},
| |
| − | title = {Multistable perception: When bottom-up and top-down coincide},
| |
| − | journal = {Brain and Cognition},
| |
| − | year = {2009},
| |
| − | volume = {69},
| |
| − | number = {},
| |
| − | pages = {138–147},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kornmeier & Bach 2009a===
| |
| − | <bibentry>
| |
| − | @article{Kornmeier & Bach 2009a,
| |
| − | author = {Kornmeier, & Jürgen Bach, Michael},
| |
| − | title = {Object perception: When our brain is impressed but we do not notice it},
| |
| − | journal = {Journal of Vision},
| |
| − | year = {2009},
| |
| − | volume = {9},
| |
| − | number = {},
| |
| − | pages = {7},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Korte 2003a===
| |
| − | <bibentry>
| |
| − | @book{Korte 2003a,
| |
| − | author = {Korte, Helmut},
| |
| − | title = {Einführung in die Systematische Filmanalyse},
| |
| − | year = {2003},
| |
| − | publisher = {ESB},
| |
| − | address = {Tübingen},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kracauer 1992a===
| |
| − | <bibentry>
| |
| − | @book{Kracauer 1992a,
| |
| − | author = {Kracauer, Siegfried},
| |
| − | title = {Der verbotene Blick},
| |
| − | year = {1992},
| |
| − | publisher = {Reclam},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krämer & Bredekamp 2003a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Krämer & Bredekamp 2003a,
| |
| − | author = {Krämer, Sybille & Bredekamp, Horst},
| |
| − | title = {Kultur, Technik, Kulturtechnik: Wider die Diskursivierung der Kultur},
| |
| − | booktitle = {Bild, Schrift, Zahl},
| |
| − | year = {2003},
| |
| − | editor = {???},
| |
| − | pages = {???},
| |
| − | publisher = {Wilhelm Fink},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krauss 1999a===
| |
| − | <bibentry>
| |
| − | @article{Krauss 1999a,
| |
| − | author = {Krauss, Rosalind},
| |
| − | title = {Reinventing the Medium},
| |
| − | journal = {Critical Inquiry},
| |
| − | year = {1999},
| |
| − | volume = {25,},
| |
| − | number = {2},
| |
| − | pages = {289-305},
| |
| − | note = {},
| |
| − | hidden = {Winter},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krauss 2000a===
| |
| − | <bibentry>
| |
| − | @book{Krauss 2000a,
| |
| − | author = {Krauss, Rosalind},
| |
| − | title = {A Voyage on the North Sea. Art in the Age of the Post-Medium Condition},
| |
| − | year = {2000},
| |
| − | publisher = {???},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress 2010a===
| |
| − | <bibentry>
| |
| − | @book{Kress 2010a,
| |
| − | author = {Kress, Gunther},
| |
| − | title = {Multimodality. A Social-Semiotic Approach to Contemporary Communication},
| |
| − | year = {2010},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress & Leeuwen 2001a===
| |
| − | <bibentry>
| |
| − | @book{Kress & Leeuwen 2001a,
| |
| − | author = {Kress, Gunther & Leeuwen, Theo van},
| |
| − | title = {Multimodal Discourse. The Modes and Media of Contemporary Communication},
| |
| − | year = {2001},
| |
| − | publisher = {Arnold},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kress & Leeuwen 1996a===
| |
| − | <bibentry>
| |
| − | @book{Kress & Leeuwen 1996a,
| |
| − | author = {Kress, Gunther & Leeuwen, Theo van},
| |
| − | title = {Reading Images. The Grammar of Visual Design},
| |
| − | year = {1996},
| |
| − | publisher = {Routledge},
| |
| − | address = {London},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krewani 2003a===
| |
| − | <bibentry>
| |
| − | @misc{Krewani 2003a,
| |
| − | author = {Krewani, Anna Maria},
| |
| − | title = {Philosophie der Malerei bei Jacques Derrida},
| |
| − | howpublished = {Elektronische Publikation},
| |
| − | url = {deposit.ddb.de/cgi-bin/dokserv?idn=973507624},
| |
| − | year = {2003},
| |
| − | hidden = {Dissertation},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kripke 1972a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kripke 1972a,
| |
| − | author = {Kripke, Saul A.},
| |
| − | title = {Naming and Necessity},
| |
| − | booktitle = {Semantics of Natural Language},
| |
| − | year = {1972},
| |
| − | editor = {Davidson, D. & Harman, G.},
| |
| − | pages = {253-355, 763-769},
| |
| − | publisher = {Reidel},
| |
| − | address = {Dordrecht},
| |
| − | note = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Krkac 2010a===
| |
| − | <bibentry>
| |
| − | @article{Krkac 2010a,
| |
| − | author = {Krkac, Kristijan},
| |
| − | title = {Wittgensteins’s Dubbit III},
| |
| − | journal = {Wittgenstein-Studien},
| |
| − | year = {2010},
| |
| − | volume = {???},
| |
| − | number = {},
| |
| − | pages = {121-149},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kroeber-Riel 1996a===
| |
| − | <bibentry>
| |
| − | @book{Kroeber-Riel 1996a,
| |
| − | author = { Kroeber-Riel, Werner},
| |
| − | title = { Bildkommunikation. Imagerystrategien für die Werbung },
| |
| − | year = {1996},
| |
| − | publisher = {Vahlen},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kroeber-Riel & Esch 2000a===
| |
| − | <bibentry>
| |
| − | @book{Kroeber-Riel & Esch 2000a,
| |
| − | author = { Kroeber-Riel, Werner & Esch, Franz-Rudolf},
| |
| − | title = { Strategie und Technik der Werbung. Verhaltenswissenschaftliche Ansätze},
| |
| − | year = {2000},
| |
| − | publisher = {Kohlhammer},
| |
| − | address = {Stuttgart},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | | |
| − | </bibentry>
| |
| − | | |
| − | ===Krüger 2001a===
| |
| − | <bibentry>
| |
| − | @book{Krüger 2001a,
| |
| − | author = {Krüger, Klaus},
| |
| − | title = {Das Bild als Schleier des Unsichtbaren. Ästhetische Illusion in der Kunst der frühen Neuzeit in Italien},
| |
| − | year = {2001},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kruse 2003a===
| |
| − | <bibentry>
| |
| − | @book{Kruse 2003a,
| |
| − | author = {Kruse, Christiane},
| |
| − | title = {Wozu Menschen malen. Historische Begründungen eines Bildmediums},
| |
| − | year = {2003},
| |
| − | publisher = {???},
| |
| − | address = {München},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kruse & Stadler 1995a===
| |
| − | <bibentry>
| |
| − | @proceedings{Kruse & Stadler 1995a,
| |
| − | editor = {Kruse, Peter & Stadler, Michael},
| |
| − | title = {Ambiguity in mind and nature. Multistable cognitive phenomena},
| |
| − | year = {1995},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {Papers originally presented at the International Symposium on Perceptual Multistability and Semantic Ambiguity held at the University of Bremen, Germany, March 22-25, 1993},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kruse et al. 1995a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kruse et al. 1995a,
| |
| − | author = {Kruse, Peter; Strüber, D. & Stadler, Michael},
| |
| − | title = {Significance of perceptual multistability for research on cognitive self-organization},
| |
| − | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena},
| |
| − | year = {1995},
| |
| − | editor = {Kruse, Peter & Stadler, Michael},
| |
| − | pages = {69–84},
| |
| − | publisher = {Springer},
| |
| − | address = {Berlin},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | url = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kudielka 2005a===
| |
| − | <bibentry>
| |
| − | @inproceedings{Kudielka 2005a,
| |
| − | author = {Kudielka, Robert},
| |
| − | title = {Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert},
| |
| − | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
| |
| − | year = {2005},
| |
| − | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.},
| |
| − | pages = {44-57},
| |
| − | publisher = {Verlag für moderne Kunst},
| |
| − | address = {Nürnberg},
| |
| − | note = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Kulvicki 2006a===
| |
| − | <bibentry>
| |
| − | @book{Kulvicki 2006a,
| |
| − | author = {Kulvicki, John},
| |
| − | title = {On Images: Their Structure and Content},
| |
| − | year = {2006},
| |
| − | publisher = {Oxford UP},
| |
| − | address = {Oxford},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Külpe 1923a===
| |
| − | <bibentry>
| |
| − | @book{Külpe 1923a,
| |
| − | author = {Külpe, Oswald},
| |
| − | title = {Vorlesungen über Logik},
| |
| − | year = {1923},
| |
| − | publisher = {Hirzel},
| |
| − | address = {Leipzig},
| |
| − | note = {},
| |
| − | hidden = {},
| |
| − | }
| |
| − | </bibentry>
| |
| − | | |
| − | ===Künzli 1996/1997a===
| |
| − | <bibentry>
| |
| − | @article{Künzli 1996/1997a,
| |
| − | author = {Künzli, Hansjörg},
| |
| − | title = {Über die Haltbarkeit digitaler Daten},
| |
| − | journal = {Rundbrief Fotografie},
| |
| − | year = {1996/1997},
| |
| − | volume = {},
| |
| − | number = {Sonderheft 3},
| |
| − | pages = {5-8},
| |
| − | note = {},
| |
| − | } | |
| − | </bibentry>
| |
| | | | |
| | ==L== | | ==L== |
| − | ===Lacan 1987a===
| + | {{Bibliography-L}} |
| − | <bibentry>
| |
| − | @book{Lacan 1987a,
| |
| − | author = {Lacan, Jacques},
| |
| − | title = {Die vier Grundbegriffe der Psychoanalyse},
| |
| − | year = {1987},
| |
| − | publisher = {???},
| |
| − | address = {Weinh
|