Bibliography: Unterschied zwischen den Versionen
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| − | == | + | ==A== |
| − | === | + | |
| + | ===Adelmann 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Adelmann 2004a, |
| − | author = { | + | author = {Adelmann, Ralf}, |
| − | title = { | + | title = {Digitale Animationen in dokumentarischen Fernsehformaten?}, |
| − | year = { | + | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung}, |
| − | + | year = {2004}, | |
| − | + | editor = {Schröter & Böhnke}, | |
| − | + | pages = {387-406}, | |
| − | + | publisher = {Transcript}, | |
| + | address = {Bielefeld}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Adelmann 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Adelmann 2009a, |
| − | + | editor = {Adelmann, Ralf}, | |
| − | title = { | + | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Transcript}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | } | |
| − | |||
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Adelung 1811a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Adelung 1811a, |
| − | + | editor = {Adelung, Johann Christoph}, | |
| − | + | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie}, | |
| − | + | year = {1811}, | |
| − | publisher = { | + | publisher = {Bauer}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
| − | + | } | |
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Adorno & Horkheimer 1947a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Adorno & Horkheimer 1947a, |
| − | author = { | + | author = {Adorno, Theodor W. & Horkheimer, Max}, |
| − | title = { | + | title = {Dialektik der Aufklärung}, |
| − | year = { | + | year = {1947}, |
| − | publisher = { | + | publisher = {Querido}, |
| − | address = { | + | address = {Amsterdam}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Adorno 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Adorno 2003a, |
| − | author = { | + | author = {Adorno, Theodor W.}, |
| − | title = { | + | title = {Gesammelte Schriften, Bd. 7: Ästhetische Theorie}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aguado 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aguado 1994a, |
| − | author = { | + | author = {Aguado, María Isabel Peña}, |
| − | title = { | + | title = {Ästhetik des Erhabenen: Burke, Kant, Adorno, Lyotard}, |
| − | + | year = {1994a}, | |
| − | + | publisher = {Passagen Verlag}, | |
| − | + | address = {Wien}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Alberro 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Alberro 2006a, |
| − | author = { | + | author = {Alberro, Alexander}, |
| − | title = { | + | title = {Einleitung. Der Weg raus führt rein}, |
| + | booktitle = {Art After Conceptual Art}, | ||
year = {2006}, | year = {2006}, | ||
| − | publisher = { | + | editor = {Alexander Alberro & Sabeth Buchmann}, |
| − | address = { | + | pages = {13-27}, |
| + | publisher = {Generali Foundation}, | ||
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | === | + | ===Alberti 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Alberti 2000a, |
| − | author = { | + | author = {Alberti, Leon Battista}, |
| − | title = {Die | + | title = {De Statua – Das Standbild}, |
| + | booktitle = {Das Standbild. Die Malkunst. Grundlagen der Malerei}, | ||
year = {2000}, | year = {2000}, | ||
| − | publisher = { | + | editor = {Bätschmann, O. & Schäublin, C.}, |
| − | address = { | + | pages = {142-182}, |
| − | note = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| + | address = {Darmstadt}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aldrich 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Aldrich 1983a, |
| − | title = {Theorie der | + | author = {Aldrich, Virgil C.}, |
| − | year = { | + | title = {Visuelle Metapher}, |
| − | editor = { | + | booktitle = {Theorie der Metapher}, |
| − | publisher = { | + | year = {1983}, |
| − | address = { | + | editor = {Haverkamp, A.}, |
| + | pages = {142-159}, | ||
| + | publisher = {WBG}, | ||
| + | address = {Darmstadt}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Alleton 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Alleton 2003a, |
| − | author = { | + | author = {Alleton, Viviane}, |
| − | title = { | + | title = {Schrift}, |
| − | + | booktitle = {Das große China-Lexikon}, | |
| − | publisher = { | + | year = {2003}, |
| + | editor = {Staiger, B. et al.}, | ||
| + | pages = {651- 654}, | ||
| + | publisher = {WBG}, | ||
address = {Hamburg}, | address = {Hamburg}, | ||
| − | note = {}, | + | note = {unter Mitarbeit von Emmerich, R.}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Alloa 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Alloa 2011a, |
| − | author = { | + | author = {Alloa, Emmanuel}, |
| − | title = { | + | title = {Das durchscheinende Bild. Konturen einer medialen Phänomenologie}, |
| − | + | year = {2011}, | |
| − | year = { | + | publisher = {diaphanes}, |
| − | + | address = {Zürich/Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Alpers 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Alpers 1985a, |
| − | author = { | + | author = {Alpers, Svetlana}, |
| − | title = { | + | title = {Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts}, |
| − | + | year = {1985}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {DuMont}, | publisher = {DuMont}, | ||
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Althusser & Balibar 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Althusser & Balibar 1972a, |
| − | author = { | + | author = {Althusser, Louis & Balibar, Etienne}, |
| − | title = { | + | title = {Das Kapital lesen}, |
| − | + | year = {1972}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Amelunxen 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Amelunxen 1996a, |
| − | author = { | + | author = {Amelunxen, Hubertus}, |
| − | title = { | + | title = {Fotografie nach der Fotografie}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Verlag Der Kunst}, |
| − | + | address = {Dresden u.a.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Anders 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Anders 2009a, |
| − | author = { | + | author = {Anders, Günther}, |
| − | title = { | + | title = {Die Antiquiertheit des Menschen 1: Über die Seele im Zeitalter der zweiten industriellen Revolution [Broschiert] }, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Beck}, |
| − | address = { | + | address = {München}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Andree 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Andree 2006a, |
| − | author = { | + | author = {Andree, Martin}, |
| − | title = { | + | title = {Archäologie der Medienwirkung. Faszinationstypen von der Antike bis heute; (Simulation, Spannung, Fiktionalität, Authentizität, Unmittelbarkeit, Geheimnis, Ursprung)}, |
| − | + | year = {2006}, | |
| − | year = {2006}, | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Apel 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Apel 2002a, |
| − | + | author = {Apel, Karl-Otto}, | |
| − | title = { | + | title = {Transformation der Philosophie, Bd. 1: Sprachanalytik, Semiotik, Hermeneutik}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Appadurai 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Appadurai 2003a, |
| − | title = { | + | author = {Appadurai, Arjun}, |
| − | year = { | + | title = {Archive and Aspiration}, |
| − | editor = { | + | booktitle = {Information is Alive}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Brouwer, J.; Mulder, A.}, |
| + | pages = {14-25}, | ||
| + | publisher = {V2_Publishing/NAI Publishers}, | ||
| + | address = {Rotterdam}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1949a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Aristoteles 1949a, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {De interpretatione}, |
| − | booktitle = { | + | booktitle = {Aristotelis categoriae et liber de interpretatione}, |
| − | year = { | + | year = {1949}, |
| − | editor = { | + | editor = {Minio-Paluello, Lorenzo}, |
| − | pages = { | + | pages = {47-72}, |
| − | publisher = { | + | publisher = {Oxford University Press}, |
| − | address = { | + | address = {Oxford }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 370: | Zeile 358: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995a, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Metaphysik}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | + | note = {Philosophische Schriften 5; Übers.: Hermann Bonitz}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 387: | Zeile 373: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1995b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Aristoteles 1995b, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Nikomachische Ethik}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {Philosophische Schriften 3; Übers.: Eugen Rolfes}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1995c=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Aristoteles 1995c, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Physik}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = { | + | note = {Philosophische Schriften 6; Übers.: Hans Günter Zekl}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Aristoteles 1997a, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Poetik. Griechisch/Deutsch}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | editor = {Manfred Fuhrmann}, |
| − | address = { | + | publisher = {Reclam}, |
| − | note = {}, | + | address = {Stuttgart}, |
| + | note = {Übers. und Hrsg.}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aristoteles 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Aristoteles 1997a, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Poetik}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Philipp Reclam jun.}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Arnheim 1932a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Arnheim 1932a, |
| − | author = { | + | author = {Arnheim, Rudolf}, |
| − | title = { | + | title = {Film als Kunst}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = {Frankfurt | + | address = {Frankfurt am Main}, |
| − | note = { | + | note = {mit einem Nachwort von Karl Prümm und mit zeitgenössischen Rezensionen}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Asemissen & Schweikhart 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Asemissen & Schweikhart 1994a, |
| − | author = { | + | author = {Asemissen, Hermann Ulrich & Schweikhart, Gunter}, |
| − | title = { | + | title = {Malerei als Thema der Malerei}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Akademie Verlag}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Asher & Vieu 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asher & Vieu 1995a, |
| − | + | author = {Asher, Nicholas & Vieu, Laure:}, | |
| − | title = { | + | title = {Toward a Geometry of Common Sense: A Semantics and a Complete Axiomatization of Mereotopology}, |
| − | year = { | + | booktitle = {IJCAI-95}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {}, |
| + | pages = {846–852}, | ||
| + | publisher = {}, | ||
| + | address = {}, | ||
note = {}, | note = {}, | ||
| − | } | + | hidden = {}, |
| + | url = {}, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Asmuth 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asmuth 1994a, |
| − | + | author = {Asmuth, Bernhard}, | |
| − | title = { | + | title = {Bild, Bildlichkeit. A-B}, |
| − | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 2: Bi - Eul}, | |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Ueding, Gert}, |
| + | pages = {10-21}, | ||
| + | publisher = {Max Niemeyer Verlag}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| − | } | + | hidden = {}, |
| + | url = {}, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Asmuth 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asmuth 1998a, |
| − | author = { | + | author = {Asmuth, Bernhard}, |
| − | + | title = {Imago}, | |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 4}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Ueding, Gert}, |
| + | pages = {228-235}, | ||
| + | publisher = {Max Niemeyer Verlag}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Assmann 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Assmann 2011a, |
| − | author = { | + | author = {Assmann, Jan}, |
| − | title = { | + | title = {Schriftbildlichkeit: Etymographie und Ikonographie}, |
| − | year = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Krämer, S.; Cancik-Kirschbaum, E. & Totzke, R.}, |
| + | pages = {XXX}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Attneave 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Attneave 1971a, |
| − | author = { | + | author = {Attneave, Fred}, |
| − | title = { | + | title = {Multistability in perception}, |
| − | + | journal = {Scientific American}, | |
| − | + | year = {1971}, | |
| − | + | volume = {225}, | |
| + | number = {6}, | ||
| + | pages = {62-71}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Auerbach 1946a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Auerbach 1946a, |
| − | author = { | + | author = {Auerbach, Erich}, |
| − | title = { | + | title = {Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur (1946)}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {A.Francke}, |
| − | + | address = {Tübingen/Basel}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Augustinus 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Augustinus 2002a, |
| − | author = { | + | author = {Augustinus}, |
| − | title = { | + | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Felix Meiner}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Hamburg}, | address = {Hamburg}, | ||
| − | note = { | + | note = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Aurnague & Vieu 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Aurnague & Vieu 1993a, |
| − | author = { | + | author = {Aurnague, Michel & Vieu, Laure}, |
| − | title = { | + | title = {A Three-Level Approach to the Semantics of Space}, |
| − | + | booktitle = {The Semantics of Prepositions – From Mental Processing to Natural Language Processing}, | |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {Zelinsky-Wibbelt, C.}, |
| + | pages = {393–439}, | ||
| + | publisher = {Mouton de Gruyter}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Austin 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Austin 1972a, |
| − | author = { | + | author = {Austin, John L.}, |
| − | title = { | + | title = {Zur Theorie der Sprechakte}, |
year = {1972}, | year = {1972}, | ||
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {orig.: How to do things with Words, 1962}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==B== |
| + | |||
| + | |||
| + | ===Baader 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baader 2003a, |
| − | author = { | + | author = {Baader, Hannah}, |
| − | title = { | + | title = {Paragone}, |
| − | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, | |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, U.}, |
| + | pages = {263}, | ||
| + | publisher = {J.B. Metzler}, | ||
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baader 2003b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baader 2003b, |
| − | author = { | + | author = {Baader, Hannah}, |
| − | title = { | + | title = {Einfluss}, |
| − | year = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, U.}, |
| + | pages = {73-76}, | ||
| + | publisher = {Metzler}, | ||
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bachmann-Medick 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bachmann-Medick 2006a, |
| − | author = { | + | author = {Bachmann-Medick, Doris}, |
| − | title = { | + | title = {Cultural Turns. Neuorientierungen in den Kulturwissenschaften}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Badakshi 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Badakshi 2006a, |
| − | author = { | + | author = {Badakshi, Harun}, |
| − | title = { | + | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin}, |
| − | + | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit}, | |
| + | year = {2006}, | ||
| + | editor = {Hinterwaldner, I.; Buschhaus, M.}, | ||
| + | pages = {199-205}, | ||
publisher = {Fink}, | publisher = {Fink}, | ||
| − | address = {München}, | + | address = {München}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Badt 1963a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Badt 1963a, |
| − | author = { | + | author = {Badt, Kurt }, |
| − | title = { | + | title = {Raumphantasien und Raumillusionen. Wesen der Plastik} |
| − | year = { | + | year = {1963}, |
| − | publisher = { | + | publisher = {DuMont}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baigrie 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Baigrie 1996a, |
| − | + | title = {Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science}, | |
| − | title = { | + | year = {1996}, |
| − | + | editor = {Baigrie, Brian S. }, | |
| − | year = { | + | publisher = {University of Toronto Press}, |
| − | editor = { | + | address = {Toronto, Buffalo, London}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bal 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bal 1999a, |
| − | author = { | + | author = {Bal, Mieke}, |
| − | title = { | + | title = {Quoting Caravaggio. Contemporary Art, Preposterous History}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {The University of Chicago Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baltrušaitis 77a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baltrušaitis 77a, |
| − | author = { | + | author = {Baltrušaitis, Jurgis}, |
| − | title = { | + | title = {Anamorphic Art}, |
| − | year = { | + | year = {1977}, |
| − | publisher = { | + | publisher = {Chadwyck-Healey}, |
| − | address = { | + | address = {Cambridge}, |
| − | note = { | + | note = {(aus dem Französischen von W.J. Strachan, zuerst: Paris 1969)}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Balázs 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Balázs 2001a, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der Geist des Films}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Balázs 2001b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Balázs 2001b, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der sichtbare Mensch}, |
| − | year = { | + | booktitle = {Texte zur Theorie des Films}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {v. F. Albersmeier}, |
| − | note = { | + | publisher = {Philip Reclam jun.}, |
| + | address = {Stuttgart}, | ||
| + | pages = {224-233}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barabash 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Barabash 2010a, |
| − | author = { | + | author = {Barabash, Igor}, |
| − | title = { | + | title = {Das Bildzitat im Internet}, |
| − | year = { | + | year = {2010}, |
| − | + | publisher = {Shaker Verlag}, | |
| − | publisher = { | + | address = {Aachen}, |
| − | address = { | + | note = {}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Barthes 1964a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1964a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Rhetorik des Bildes (1964)}, |
| − | year = { | + | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III}, |
| + | year = {1990}, | ||
| + | editor = {Barthes, Roland}, | ||
| + | pages = {}, | ||
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
address = {Frankfurt am Main}, | address = {Frankfurt am Main}, | ||
| − | note = { | + | note = {aus dem Französischen von Hornig, Dieter}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barthes 1964b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1964b, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | + | title = {Rhétorique de l'image}, | |
| − | year = { | + | booktitle = {Roland Barthes. Oeuvres Complètes, Band I (1993)}, |
| − | publisher = { | + | year = {1964}, |
| − | address = { | + | editor = {Marty, É.}, |
| + | pages = {1417-1429}, | ||
| + | publisher = {Éditions du Seuil}, | ||
| + | address = {Paris}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barthes 1977a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Barthes 1977a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Rhetoric of the Image}, |
| − | booktitle = { | + | booktitle = {Image, Music, Text}, |
| − | year = { | + | year = {1977}, |
| − | editor = {}, | + | editor = {Heath, S.}, |
| − | pages = { | + | pages = {32–51}, |
| − | publisher = {}, | + | publisher = {Fontana}, |
| − | address = {}, | + | address = {London}, |
| − | note = {}, | + | note = {orig. 1964 in Communications}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 814: | Zeile 828: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barthes 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barthes 1989a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Die helle Kammer. Bemerkung zur Photographie}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barwise & Perry 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barwise & Perry 1984a, |
| − | author = { | + | author = {Barwise, Jon & Perry, John }, |
| − | title = { | + | title = {Situations and Attitudes}, |
| − | + | year = {1984}, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {Cambridge, MA}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Batchen 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Batchen 1998a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Photogenics/Fotogenik}, |
| − | + | journal = {Camera Austria}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {}, | |
| − | + | number = {62/63}, | |
| − | + | pages = {5-16}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Batchen 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Batchen 2000a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Ectoplasm. Photography in the Digital Age}, |
| − | + | booktitle = {Over Exposed. Essays on Contemporary Photography}, | |
| − | year = { | + | year = {2000}, |
| − | + | editor = {Squiers, Carol}, | |
| − | + | pages = {9.23}, | |
| − | + | publisher = {New Press}, | |
| + | address = {New York}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Batteux 1746/1770a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Batteux 1746/1770a, |
| − | author = { | + | author = {Batteux, Charles}, |
| − | title = { | + | title = {Einschränkung der schönen Künste auf einen einzigen Grundsatz}, |
| − | year = { | + | year = {1770}, |
| − | publisher = { | + | publisher = {Weidmann}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = {}, | + | note = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bauch 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bauch 1994a, |
| − | author = { | + | author = {Bauch, Kurt}, |
| − | title = {Was ist | + | title = {Imago}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| − | note = { | + | pages = {275-299}, |
| + | publisher = {Fink Verlag}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baudrillard 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baudrillard 1978a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Agonie des Realen}, |
| − | + | year = {1978}, | |
| − | year = { | + | publisher = {Merve}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baudrillard 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baudrillard 2000a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Das perfekte Verbrechen}, |
| − | year = { | + | booktitle = {Theorie der Fotografie IV 1980-1995}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Amelunxen, H.}, |
| − | note = { | + | pages = {256-260}, |
| + | publisher = {Schirmer/Mosel }, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Bauer & Ernst 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bauer & Ernst 2010a, |
| − | author = { | + | author = {Bauer, Matthias & Ernst, Christoph}, |
| − | title = { | + | title = {Diagrammatik. Einführung in ein kultur- und medienwissenschaftliches Forschungsfeld}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {transcript}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | |||
| + | ===Baumann 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumann 2011a, |
| − | author = { | + | author = {Baumann, Mario}, |
| − | title = { | + | title = {Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones}, |
| − | + | year = {2011}, | |
| − | year = { | + | publisher = {De Gruyter}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baumberger 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baumberger 2010a, |
| − | author = { | + | author = {Baumberger, Christoph}, |
| − | title = { | + | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Ontos}, |
| − | address = { | + | address = {Heusenstamm}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baxandall 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baxandall 1972a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style}, |
| − | + | year = {1972}, | |
| − | year = { | + | publisher = {Clarendon Press}, |
| − | + | address = {Oxford}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baxandall 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baxandall 1990a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Ursachen der Bilder. Über das historische Erklären von Kunst}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Reimer}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {zuerst engl.: Patterns of intentention, 1985}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baxandall 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baxandall 1999a, |
| − | + | author = {Baxandall, Michael}, | |
| − | + | title = {Die Wirklichkeit der Bilder. Malerei und Erfahrung im Italien der Renaissance}, | |
| − | + | year = {1999}, | |
| − | publisher = { | + | publisher = {Klaus Wagenbach}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {nach der korrigierten zweiten Auflage von: <em>Painting and Experience in 15<sup>th</sup> Century Italy. A Primer in the Social History of Pictorial Style</em>, Oxford University Press 1988}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Baxmann 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baxmann 2001a, |
| − | author = { | + | author = {Baxmann, Inge}, |
| − | title = { | + | title = {Körperzitate}, |
| − | + | booktitle = {Zitier-Fähigkeit. Findungen und Erfindungen des Anderen}, | |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Gutenberg, A. & Poole, R.J.}, |
| + | pages = {292-309}, | ||
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Bayer 1984a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bayer 1984a, |
| − | author = { | + | author = {Bayer, Udo}, |
| − | title = { | + | title = {Laokoon – Momente einer semiotischen Ästhetik}, |
| − | booktitle = { | + | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik}, |
| − | year = { | + | year = {1984}, |
| − | editor = { | + | editor = {Gebauer, G.}, |
| − | publisher = { | + | pages = {59-101}, |
| + | publisher = {Metzler}, | ||
address = {Stuttgart}, | address = {Stuttgart}, | ||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Bazin 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bazin 2009a, |
| − | author = { | + | author = {Bazin, André}, |
| − | title = { | + | title = {Ontologie des photographischen Bildes}, |
| − | year = { | + | booktitle = {Was ist Film?}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Fischer, Robert}, |
| + | pages = {33-42}, | ||
| + | publisher = {Alexander Verlag}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bechtloff 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bechtloff 2001a, |
| − | author = { | + | author = {Bechtloff, Dieter (Hg.)}, |
| − | title = { | + | title = {Choreographie der Gewalt}, |
| − | + | journal = {Kunstforum International}, | |
| − | year = { | + | year = {2001}, |
| − | + | volume = {}, | |
| + | number = {Hefte 153, 155 & 156}, | ||
pages = {}, | pages = {}, | ||
| − | + | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit}, | |
| − | |||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Beckmann 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Beckmann 1995a, |
| − | author = { | + | author = {Beckmann, Jan P.}, |
| − | title = { | + | title = {Wilhelm von Ockham}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Beck}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Beil 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beil 2010a, |
| − | author = { | + | author = {Beil, Benjamin}, |
| − | title = { | + | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {LIT Verlag}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belach & Jacobsen 93a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belach & Jacobsen 93a, |
| − | author = { | + | author = {Belach, Helga & Jacobsen, Wolfgang}, |
| − | title = { | + | title = {CinemaScope. Zur Geschichte der Breitwandfilme}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Spiess}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {Stiftung Deutsche Kinemathek}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Beller 2005a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Beller 2005a, | ||
| + | author = {Beller, Hans}, | ||
| + | title = {Aspekte der Filmmontage - Eine Art Einführung}, | ||
| + | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts}, | ||
| + | year = {2005}, | ||
| + | editor = {Beller, H.}, | ||
| + | publisher = {TR-Verlagsunion}, | ||
| + | address = {München}, | ||
| + | pages = {9-33}, | ||
| + | note = {5., gegenüber der 4. unveränderte Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Belting & Haustein 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting & Haustein 1998a, |
| − | author = { | + | author = {Belting, Hans & Haustein, Lydia}, |
| − | title = { | + | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt}, |
| − | |||
year = {1998}, | year = {1998}, | ||
| − | + | publisher = {C.H. Beck}, | |
| − | + | address = {München}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belting 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 1983a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte?}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Deutscher Kunstverlag}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belting 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 1998a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das unsichtbare Meisterwerk. Die modernen Mythen der Kunst}, |
| − | year = { | + | year = {1998a}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.210: | Zeile 1.197: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belting 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 2001a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bildanthropologie. Entwürfe für eine Bildwissenschaft}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Wilhelm Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | hidden = {} | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belting 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2002a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Verlag C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {2., erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Belting 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 2004a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {C.H. Beck}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {6. Auflage}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Belting 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 2008a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Florenz und Bagdad. Eine westöstliche Geschichte des Blicks}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {C.H. Beck}, |
| − | |||
| − | |||
| − | |||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Beniger 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beniger 1986a, |
| − | author = { | + | author = {Beniger, James}, |
| − | title = { | + | title = {The Control Revolution. Technological and Economic Origins of the Information Society}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {Harvard University Press}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Benjamin 1939a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Benjamin 1939a, |
| − | author = { | + | author = {Benjamin, Walter}, |
| − | title = { | + | title = {Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit}, |
| − | + | booktitle = {Walter Benjamin: Medienästhetische Schriften}, | |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Schöttker, D.}, |
| − | note = {}, | + | pages = {351–383}, |
| + | publisher = {Suhrkamp }, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {dritte, autorisierte letzte Fassung, 1939}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Benjamin 1974a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Benjamin 1974a, |
| − | author = { | + | author = {Benjamin Walter}, |
| − | title = { | + | title = {Gesammelte Schriften. Bd. I.2}, |
| − | year = { | + | year = {1974}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
| − | note = {}, | + | note = {Hrsg. v. Rolf Tiedemann & Hermann Schweppenhäuser}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Benko 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Benko 1976a, |
| − | + | editor = {Benko, Loránd}, | |
| − | title = { | + | title = {A magyar nyelv történeti-etimológiai szótára. I-IV}, |
| − | year = { | + | year = {1976}, |
| − | publisher = { | + | publisher = {Akadémiai Kiadó}, |
| − | address = { | + | address = {Budapest}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.332: | Zeile 1.313: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bergson 1948a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bergson 1948a, |
| − | author = { | + | author = {Bergson, Henri}, |
| − | title = { | + | title = {Das Mögliche und das Wirkliche}, |
| − | year = { | + | booktitle = {Denken und Schöpferisches Werden. Aufsätze und Vorträge}, |
| − | publisher = { | + | year = {1948}, |
| − | address = { | + | editor = {Bergson, H.}, |
| − | note = { | + | publisher = {Hain}, |
| + | address = {Meisenheim am Glan}, | ||
| + | note = {}, | ||
| + | pages = {110-125}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Berlewi 1924a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Berlewi 1924a, |
| − | author = { | + | author = {Berlewi, Henryk}, |
| − | title = { | + | title = {Mechano-Faktur}, |
| − | year = { | + | journal = {Der Sturm}, |
| − | + | year = {1924}, | |
| − | + | volume = {}, | |
| − | note = { | + | number = {15}, |
| + | pages = {155-159}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bernays 1970a=== | ||
| + | <bibentry> | ||
| + | @book{Bernays 1970a, | ||
| + | author = {Bernays, Jacob}, | ||
| + | title = {Grundzüge der verlorenen Abhandlung des Aristoteles über Wirkung der Tragödie}, | ||
| + | year = {1970} | ||
| + | publisher = {G. Olms}, | ||
| + | address = {Hildesheim}, | ||
| + | hidden = {} | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Bernhardt et al. 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bernhardt et al. 2009a, |
| − | author = { | + | author = {Bernhardt, Petra; Hadj-Abdou, Leila; Liebhart, Karin & Pribersky, Andreas}, |
| − | + | title = {EUropäische Bildpolitiken. Politische Bildanalyse an Beispielen der EU-Politik}, | |
| − | + | year = {2009}, | |
| − | + | publisher = {facultas UTB}, | |
| − | + | address = {Wien}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bertram et al. 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bertram et al. 2008a, |
| − | author = { | + | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin}, |
| − | title = { | + | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Berz 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Berz 2009a, |
| − | author = { | + | author = {Berz, Peter}, |
| − | title = { | + | title = {Bitmapped Graphic}, |
| − | booktitle = { | + | booktitle = {Zeitkritische Medien}, |
year = {2009}, | year = {2009}, | ||
| − | editor = { | + | editor = {Volmar, Axel}, |
| − | pages = { | + | pages = {127-154}, |
| − | publisher = { | + | publisher = {Kadmos}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Bevers 1985a=== | ||
| + | <bibentry> | ||
| + | @book{Bevers 1985a, | ||
| + | author = {Bevers, Antonius M.}, | ||
| + | title = {Dynamik der Formen bei Georg Simmel. Eine Studie über die methodische und theoretische Einheit eines Gesamtwerkes}, | ||
| + | year = {1985}, | ||
| + | publisher = {Duncker & Humblot}, | ||
| + | address = {Berlin}, | ||
| + | note = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Beyme 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Beyme 2004a, |
| − | author = { | + | author = {Beyme, Klaus von}, |
| − | title = { | + | title = {Politische Ikonologie der modernen Architektur}, |
| − | + | booktitle = {Politikwissenschaft als Kulturwissenschaft. Theorien, Methoden, Problemstellungen}, | |
| − | year = { | + | year = {2004}, |
| − | + | editor = {Schwelling, Birgit}, | |
| − | + | pages = {351-372}, | |
| − | + | publisher = {Verlag für Sozialwissenschaften}, | |
| − | note = { | + | address = {Wiesbaden}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bidlo 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bidlo 2008a, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Vilém Flusser. Einführung}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Oldib}, |
| − | address = { | + | address = {Essen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.435: | Zeile 1.449: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Biederman 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Biederman 1995a, |
| − | author = { | + | author = {Biederman, Irving}, |
| − | + | title = {Visual object recognition}, | |
| − | year = { | + | booktitle = {An Invitation to Cognitive Science, Volume 2., Visual Cognition}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kosslyn, S. F. & Osherson, D. N.}, |
| − | note = { | + | pages = {121-165}, |
| + | publisher = {??}, | ||
| + | address = {Cambridge MA}, | ||
| + | note = {2nd edition}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bieger 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bieger 2007a, |
| − | author = { | + | author = {Bieger, Laura}, |
| − | title = { | + | title = {Ästhetik der Immersion. Raum-Erleben zwischen Welt und Bild}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {transcript}, |
| − | + | address = {Bielefeld}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Billeter 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Billeter 1990a, |
| − | author = { | + | author = {Billeter, Jean François}, |
| − | title = { | + | title = {The Chinese art of writing}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Skira/Rizzoli}, |
| − | address = { | + | address = {Geneva}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.489: | Zeile 1.495: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Birk 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Birk 2011a, |
| − | author = { | + | author = {Birk, Elisabeth}, |
| − | title = { | + | title = {Nelson Goodmans Begriff der Exemplifikation und seine Anwendung in den Bildwissenschaften}, |
| − | year = { | + | booktitle = {Medienbewegungen. Praktiken der Bezugnahme}, |
| − | + | year = {2011}, | |
| + | editor = {Jäger, L. et al.}, | ||
| + | pages = {}, | ||
| + | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {im Druck}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Birk 2012b=== | ||
| + | <bibentry> | ||
| + | @misc{Birk 2012b, | ||
| + | author = {Birk, Elisabeth}, | ||
| + | title = {Review to: Frederik Stjernfelt: Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics, New York 2007}, | ||
| + | year = {2012}, | ||
| + | publisher = {}, | ||
| + | address = {}, | ||
| + | note = }, | ||
| + | hidden = {letzter Kontrollaufruf: 8.1.2012}, | ||
| + | url = {linguistlist.org/pubs/reviews/get-review.cfm?SubID=197848} | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Black 1954a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Black 1954a, |
| − | author = { | + | author = {Black, Max}, |
| − | title = { | + | title = {Die Metapher (1954)}, |
| − | + | booktitle = {Theorie der Metapher}, | |
| − | publisher = { | + | year = {1983}, |
| − | address = { | + | editor = {Haverkamp, A.}, |
| + | pages = {55-79}, | ||
| + | publisher = {WBG}, | ||
| + | address = {Darmstadt}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Black 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Black 1972a, |
| − | author = { | + | author = {Black, Max}, |
| − | title = { | + | title = {How do Pictures represent?}, |
| − | year = { | + | booktitle = {Art, Perception, and Reality}, |
| − | + | year = {1972}, | |
| − | address = { | + | editor = {Gombrich, E.H.; Hochberg, Julian & Black, Max}, |
| − | note = { | + | pages = {95-130}, |
| + | publisher = {John Hopkins University Press}, | ||
| + | address = {Baltimore/London}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blanke 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Blanke 2003a, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = {Bild und | + | title = {Vom Bild zum Sinn. Das ikonische Zeichen zwischen strukturalistischer Semiotik und analytischer Philosophie}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Deutscher Universitätsverlag}, |
| − | address = { | + | address = {Wiesbaden}, |
| − | note = { | + | note = {Reihe Bildwissenschaft, Bd. 4}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blanke et al. 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Blanke et al. 2005a, |
| − | author = { | + | author = {Blanke, Börries & Giannone, Antonella & Vaillant, Pascal}, |
| − | title = { | + | title = {Semiotik}, |
| − | year = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus}, |
| + | pages = {149-162}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bliss 1949a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bliss 1949a, |
| − | author = { | + | author = {Bliss, Charles K.}, |
| − | title = { | + | title = {Semantography – Blissymbolics}, |
| − | year = { | + | year = {1949}, |
| − | publisher = { | + | publisher = {Semantography – Blissymbolics Publications}, |
| − | address = { | + | address = {Sydney}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.567: | Zeile 1.610: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Block 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Block 1990a, |
| − | author = { | + | author = {Block, Ned}, |
| − | title = { | + | title = {The Computer Model of the Mind}, |
| − | booktitle = { | + | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Osherson, D.N. & Smith E.E.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.584: | Zeile 1.628: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bloomfield 1933a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bloomfield 1933a, |
| − | author = { | + | author = {Bloomfield, Leonard}, |
| − | title = { | + | title = {Language}, |
| − | year = { | + | year = {1933}, |
| − | publisher = { | + | publisher = {Henry Holt and Co}, |
| − | address = { | + | address = {New York}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blumenberg 1957a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Blumenberg 1957a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen}, |
| − | year = { | + | journal = {Studium Generale}, |
| − | + | year = {1957}, | |
| − | + | volume = {10}, | |
| + | number = {5}, | ||
| + | pages = {266-283}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blumenberg 1969a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Blumenberg 1969a, |
| − | + | author = {Blumenberg, Hans}, | |
| − | title = { | + | title = {Wirklichkeitsbegriff und Möglichkeit des Romans}, |
| − | year = { | + | booktitle = {Nachahmung und Illusion. Poetik und Hermeneutik 1}, |
| − | publisher = { | + | year = {1969}, |
| − | address = { | + | editor = {Jauß, H.R.}, |
| + | pages = {9-27}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blumenberg 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blumenberg 1986a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik}, |
| − | booktitle = { | + | booktitle = {Wirklichkeiten in denen wir leben}, |
| − | year = { | + | year = {1986}, |
| − | editor = { | + | editor = {Blumenberg, H.}, |
| − | pages = { | + | pages = {104-136}, |
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.640: | Zeile 1.694: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blumenberg 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Blumenberg 1999a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Paradigmen zu einer Metaphorologie}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Blümle & von der Heiden 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Blümle & von der Heiden 2005a, |
| − | + | title = {Blickzähmung und Augentäuschung. Zu Jacques Lacans Bildtheorie}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Blümle, Claudia & von der Heiden, Anne}, | |
| − | + | publisher = {Diaphanes}, | |
| − | + | address = {Zürich / Berlin}, | |
| − | + | note = {}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Boeder 1996a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Boeder 1996a, |
| − | author = { | + | author = {Boeder, Maria}, |
| − | title = { | + | title = {Visa et vox. Sprache und Bild in der spätantiken Literatur}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {Lang}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.697: | Zeile 1.735: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm & Mersmann & Spies 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Mersmann & Spies 2008a, |
| − | + | title = {Movens Bild. Zwischen Evidenz und Affekt}, | |
| − | |||
year = {2008}, | year = {2008}, | ||
| − | publisher = { | + | editor = {Boehm, Gottfried; Mersmann, Birgit & Spies, Christian}, |
| − | address = { | + | publisher = {Fink}, |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm & Pfotenhauer 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Pfotenhauer 1995a, |
| − | + | title = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, | |
| − | title = { | + | year = {1995}, |
| − | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, | |
| − | year = { | + | publisher = {Fink}, |
| − | editor = { | + | address = {München}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1969a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Boehm 1969a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Studien zur Perspektivität. Philosophie und Kunst in der frühen Neuzeit}, |
| − | year = { | + | year = {1969}, |
| − | publisher = { | + | publisher = {Carl Winter}, |
| − | address = { | + | address = {Heidelberg}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1977a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1977a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Plastik und plastischer Raum}, |
| − | booktitle = { | + | booktitle = {Skulptur. Ausstellung in Münster}, |
| − | year = { | + | year = {1977}, |
| − | editor = { | + | editor = {Bußmann, K. }, |
| − | pages = { | + | pages = {23-44}, |
| − | publisher = { | + | publisher = {Münster}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.754: | Zeile 1.795: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1978a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | + | title = {Zu einer Hermeneutik des Bildes}, | |
| − | + | booktitle = {Die Hermeneutik und die Wissenschaft}, | |
| − | publisher = { | + | year = {1978}, |
| − | address = { | + | editor = {Gadamer, H. & Boehm, G.}, |
| + | pages = {444-471}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1985a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Der Andere als Prototyp}, |
| − | booktitle = { | + | booktitle = {Bildnis und Individuum. Über den Ursprung der Porträtmalerei in der italienischen Renaissance}, |
| − | year = { | + | year = {1985}, |
| − | editor = { | + | editor = {Boehm, G.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {Prestel- Verlag}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.784: | Zeile 1.831: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1994a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Die Wiederkehr der Bilder}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | publisher = { | + | editor = {Boehm, G.}, |
| − | address = { | + | pages = {11-38} |
| + | year = {1994}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.797: | Zeile 1.848: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1994b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1994b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Die Bilderfrage}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Boehm, G.}, |
| + | pages = {325-343}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1994c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 1994c, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Was ist ein Bild?}, |
| − | + | year = {1994}, | |
| − | year = { | + | editor = {Boehm, Gottfried}, |
| − | editor = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | |||
| − | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Boehm 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1995a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Bildbeschreibung. Über die Grenzen von Bild und Sprache}, |
| − | booktitle = { | + | booktitle = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Boehm, G.; Pfotenhauer, H.}, |
| − | pages = { | + | pages = {23-40}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.858: | Zeile 1.899: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1999a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, G.}, |
| − | pages = { | + | pages = {94-113}, |
| − | publisher = { | + | publisher = {Berlin University Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.875: | Zeile 1.917: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm 2001a, |
| − | + | title = {Homo Pictor}, | |
| − | + | year = {2001}, | |
| − | + | editor = {Boehm, Gottfried}, | |
| − | publisher = { | + | publisher = {Saur}, |
| − | address = { | + | address = {München / Leipzig}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2004a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, Gottfried}, |
| − | pages = { | + | pages = {34-53}, |
| − | publisher = { | + | publisher = {Berlin University Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.905: | Zeile 1.949: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2004b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2004b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | + | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm}, | |
| − | year = { | + | booktitle = {Wege zur Bildwissenschaft. Interviews}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Sachs-Hombach, K.}, |
| + | pages = {11-21}, | ||
| + | publisher = {Herbert von Halem}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2005a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild und die hermeneutische Reflexion}, |
| − | booktitle = { | + | booktitle = {Dimensionen des Hermeneutischen. Heidegger und Gadamer}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Figal, G. & Gander H. H. (Martin-Heidegger-Gesellschaft)}, |
| − | pages = {}, | + | pages = {23-35}, |
| − | publisher = { | + | publisher = {Vittorio Klostermann}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = {}, | + | note = {Schriftenreihe Band 7}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.935: | Zeile 1.985: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Boehm 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 2007a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Berlin University Press}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2008a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Augenmaß. Zur Genese der ikonischen Evidenz}, |
| − | booktitle = { | + | booktitle = {Movens Bild. Zwischen Evidenz und Affekt}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Gottfried Boehm, Birgit Mersmann & Christian Spies}, |
| − | pages = { | + | pages = {15-43}, |
| − | publisher = {Fink}, | + | publisher = {Wilhelm Fink Verlag}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.980: | Zeile 2.017: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Boehm 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Boehm 2011a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Ikonische Differenz}, |
| − | + | journal = {Rheinsprung 11 - Zeitschrift für Bildkritik}, | |
| − | year = { | + | year = {2011}, |
| − | + | volume = {1}, | |
| − | + | number = {}, | |
| − | + | pages = {170-178}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {http://rheinsprung11.unibas.ch/fileadmin/documents/Edition_PDF/Ausgabe1/glossar-boehm.pdf}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bogen & Thürlemann 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bogen & Thürlemann 2003a, |
| − | author = { | + | author = {Bogen, Steffen & Thürlemann, Felix}, |
| − | title = { | + | title = {Jenseits der Opposition von Text und Bild}, |
| − | year = { | + | booktitle = {Die Bildwelt der Diagramme Joachims von Fiore: Zur Medialität religiös-politischer Programme im Mittelalter}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Patschovsky, A.}, |
| + | pages = {1-22}, | ||
| + | publisher = {Jan Thorbecke}, | ||
| + | address = {Ostfildern}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bogen 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bogen 2005a, |
| − | title = { | + | author = {Bogen, Steffen}, |
| + | title = {Kunstgeschichte/Kunstwissenschaft}, | ||
| + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, | ||
year = {2005}, | year = {2005}, | ||
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | publisher = { | + | pages = {52-67}, |
| − | address = { | + | publisher = {Suhrkamp}, |
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bogen 2005b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bogen 2005b, |
| − | author = { | + | author = {Bogen, Steffen}, |
| − | title = { | + | title = {Schattenriss und Sonnenuhr. Überlegungen zu einer kunsthistorischen Diagrammatik}, |
| − | year = { | + | journal = {Zeitschrift für Kunstgeschichte}, |
| − | + | year = {2005}, | |
| − | + | volume = {68}, | |
| + | number = {2}, | ||
| + | pages = {153-176}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bolton et al 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Bolton et al 2007a, |
| − | + | title = {Robot ghosts and wired dreams. Japanese science fiction from origins to anime}, | |
| − | + | year = {2007a}, | |
| − | + | editor = {Christopher Bolton}, | |
| − | publisher = { | + | publisher = {University of Minnesota Press}, |
| − | address = { | + | address = {Minneapolis}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.048: | Zeile 2.100: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Bonsiepe 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bonsiepe 1968a, |
| − | author = { | + | author = {Bonsiepe, Gui}, |
| − | title = { | + | title = {Visuell/Verbale Rhetorik}, |
| − | + | journal = {Format: Zeitschrift für visuelle Kommunikation}, | |
| − | year = { | + | year = {1968}, |
| − | + | volume = {}, | |
| − | + | number = {17}, | |
| − | + | pages = {11–18}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.078: | Zeile 2.117: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Borgo & Masolo 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Borgo & Masolo 2010a, |
| − | author = { | + | author = {Borgo, Stefano & Masolo, Claudio}, |
| − | title = { | + | title = {Full Mereogeometries}, |
| − | + | journal = {The Review of Symbolic Logic}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {3}, | |
| − | + | number = {4}, | |
| − | + | pages = {521 - 567}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.98.2266}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bousso 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bousso 2002a, |
| − | author = { | + | author = {Bousso, Raphael}, |
| − | title = { | + | title = {The Holographic Principle}, |
| − | + | journal = {Reviews of Modern Physics}, | |
| − | year = { | + | year = {2002}, |
| − | + | volume = {}, | |
| − | + | number = {74}, | |
| − | + | pages = {825-874}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brachfeld 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brachfeld 1976a, |
| − | author = { | + | author = {Brachfeld, Otto}, |
| − | title = { | + | title = {Image}, |
| − | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4}, | |
| − | editor = { | + | year = {1976}, |
| − | pages = { | + | editor = {Ritter, J. et al.}, |
| − | + | pages = {215-217}, | |
| − | publisher = { | + | publisher = {Schwabe Verlag}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brandom 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandom 2000a, |
| − | author = { | + | author = {Brandom, Robert}, |
| − | title = { | + | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | + | address = {Frankfurt am Main}, | |
| − | + | note = {übersetzt von Eva Gilmer und Hermann Vetter}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brandt 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brandt 1999a, |
| − | author = { | + | author = {Brandt, Reinhard}, |
| − | title = { | + | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild}, |
| − | year = { | + | year = {1999}, |
| − | + | publisher = {Carl Hanser}, | |
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 2.159: | Zeile 2.195: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brecht 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brecht 1992a, |
| − | author = { | + | author = {Brecht, Bertholt}, |
| − | title = { | + | title = {Der Rundfunk als Kommunikationsapparat}, |
| − | booktitle = { | + | booktitle = {Gesammelte Werke. Band 18}, |
| − | year = { | + | year = {1992}, |
| − | editor = { | + | editor = {Hauptmann, Elisabeth}, |
| − | + | pages = {552-557}, | |
| − | publisher = {Fink}, | + | publisher = {Suhrkamp}, |
| + | address = {Frankfurt}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Bredekamp & Schneider 2006a=== | ||
| + | <bibentry> | ||
| + | @book{Bredekamp & Schneider 2006a, | ||
| + | author = {Bredekamp, Horst & Schneider, Pablo}, | ||
| + | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt}, | ||
| + | year = {2006}, | ||
| + | publisher = {Wilhelm Fink}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 1994a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp}, |
| − | + | journal = {Texte zur Kunst}, | |
| − | year = { | + | year = {1994}, |
| − | + | volume = {}, | |
| − | + | number = {14}, | |
| − | + | pages = {108-13}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.193: | Zeile 2.244: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2000a, |
| − | + | author = {Bredekamp, Horst}, | |
| − | + | title = {Antikensehnsucht und Maschinenglauben. Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte}, | |
| − | + | year = {2000}, | |
| − | publisher = { | + | publisher = {Wagenbach}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.206: | Zeile 2.258: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 2003a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {A Neglected Tradition? Art History as Bildwissenschaft}, |
| − | + | journal = {Critical Inquiry}, | |
| − | year = { | + | year = {2003}, |
| − | + | volume = {29}, | |
| − | + | number = {3}, | |
| − | + | pages = {418-428}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.223: | Zeile 2.275: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2003b=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bredekamp 2003b, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Bildwissenschaft}, |
| − | booktitle = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen, Methoden, Begriffe}, |
| + | year = {2003}, | ||
| + | editor = {Ulrich Pfisterer}, | ||
| + | pages = {56-58}, | ||
| + | publisher = {Verlag J. B. Metzler}, | ||
| + | address = {Stuttgart/Weimar}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Bredekamp 2004a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bredekamp 2004a, | ||
| + | author = {Bredekamp, Horst}, | ||
| + | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn}, | ||
| + | booktitle = {Iconic Turn. Die neue Macht der Bilder}, | ||
year = {2004}, | year = {2004}, | ||
| − | editor = { | + | editor = {Maar, C. & Burda, H.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {DuMont}, |
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
| Zeile 2.240: | Zeile 2.311: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2005a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte}, |
| − | |||
year = {2005}, | year = {2005}, | ||
| − | + | publisher = {Klaus Wagenbach}, | |
| − | + | address = {Berlin}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2007a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand}, |
year = {2007}, | year = {2007}, | ||
| − | publisher = { | + | publisher = {Akademie}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| Zeile 2.270: | Zeile 2.339: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2010a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Theorie des Bildakts. Frankfurter Adorno-Vorlesungen 2007}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bredekamp et al. 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp et al. 2008a, |
| − | author = { | + | author = {Bredekamp, Horst; Schneider, Birgit & Dünkel, Vera}, |
| − | title = { | + | title = {Das Technische Bild. Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Akademie}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brentano 1874a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brentano 1874a, |
| − | + | author = {Brentano, Franz}, | |
| − | + | title = {Psychologie vom empirischen Standpunkt}, | |
| − | + | year = {1874}, | |
| − | publisher = { | + | publisher = {Duncker & Humblot}, |
| − | address = { | + | address = { Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.316: | Zeile 2.381: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brentano 1930a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brentano 1930a, |
| − | + | author = {Brentano, Franz}, | |
| − | + | title = {Wahrheit und Evidenz}, | |
| − | + | year = {1930}, | |
| − | publisher = { | + | publisher = {Felix Meiner}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = {}, | + | note = {Nachdruck 1975}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Britz et al. 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Britz et al. 2009a, |
| − | author = { | + | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.}, |
| − | title = { | + | title = {Right Parietal Brain Activity Precedes Perceptual Alternation of Bistable Stimuli}, |
| − | + | journal = {Cereb. Cortex 19}, | |
| − | year = { | + | year = {2009}, |
| − | + | volume = {19}, | |
| − | + | number = {1}, | |
| − | + | pages = {55-65}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.346: | Zeile 2.412: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Britz et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Britz et al. 2010a, |
| − | author = { | + | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.}, |
| − | title = { | + | title = {Right Parietal Brain Activity Precedes Perceptual Alternation During Binocular Rivalry}, |
| − | journal = { | + | journal = {Hum. Brain Mapping}, |
| − | year = { | + | year = {2010}, |
| − | volume = { | + | volume = {9}, |
| − | number = { | + | number = {32}, |
| − | pages = { | + | pages = {1432-42}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {www.ncbi.nlm.nih.gov/pubmed/20690124}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brodatz 1966a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brodatz 1966a, |
| − | author = { | + | author = {Brodatz, Phil}, |
| − | title = { | + | title = {Textures: A Photographic Album for Artists and Designers}, |
| − | + | year = {1966}, | |
| − | year = { | + | publisher = {Dover}, |
| − | + | address = {Mineola, NY}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.378: | Zeile 2.443: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brugger & Brugger 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Brugger & Brugger 1993a, |
| − | author = { | + | author = {Brugger, Peter & Brugger, Susanne}, |
| − | title = { | + | title = {The easterbunny in october: I is it disguised as a duck}, |
| − | year = { | + | journal = {Perceptual and Motor Skills}, |
| − | + | year = {1993}, | |
| − | + | number = {76}, | |
| + | pages = {577–578}, | ||
| + | volume = {2}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brugger 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Brugger 1999a, |
| − | author = { | + | author = {Brugger, Peter}, |
| − | title = { | + | title = {One hundred years of an ambiguous figure: happy birthday, duck/rabbit}, |
| + | journal = {Perceptual and Motor Skills}, | ||
year = {1999}, | year = {1999}, | ||
| − | + | number = {89}, | |
| − | + | pages = {973–977}, | |
| + | volume = {3 Pt 1}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bruhn 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bruhn 2000a, |
| − | author = { | + | author = {Bruhn, Sieglind}, |
| − | title = { | + | title = {Mucial Ecphrasis: Composers Responding to Poetry and Painting}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Pendragon Press}, |
| − | + | address = {New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brunet 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brunet 2008a, |
| − | author = { | + | author = {Brunet, François}, |
| − | title = { | + | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs}, |
| − | booktitle = { | + | booktitle = {The Meaning of Photography}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Kelsey, R. Stimson, B.}, |
| − | pages = { | + | pages = {34-49}, |
| − | publisher = { | + | publisher = {Clark Art Institute}, |
| − | address = { | + | address = {Williamstown}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brunner 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Brunner 2009a, |
| − | title = { | + | title = {Das Fundament der Kunst. Die Skulptur und ihr Sockel in der Moderne}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Brunner, Dieter }, |
| − | publisher = { | + | publisher = {Edition Braus}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.451: | Zeile 2.520: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Brunner-Traut 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brunner-Traut 1992a, |
| − | author = { | + | author = {Brunner-Traut, Emma}, |
| − | title = { | + | title = {Frühformen des Erkennens am Beispiel Altägyptens}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bruno 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bruno 2007a, |
| − | author = { | + | author = {Bruno, Giuliana}, |
| − | title = { | + | title = {Public Intimacy. Architecture and the Visual Arts}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bryson 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bryson 2001a, |
| − | author = { | + | author = {Norman Bryson}, |
| − | title = { | + | title = {Das Sehen und die Malerei}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bucher 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bucher 2011a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | title = { | + | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse}, |
| − | booktitle = { | + | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Schneider, J.-G. & Stöckl, H.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
| − | note = {}, | + | note = {im Druck}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 2.514: | Zeile 2.579: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bucher2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bucher2010a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | title = { | + | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität}, |
| − | year = { | + | booktitle = {Bildlinguistik}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Diekmannshenke, H.; Klemm, M. & Stöckl, H.}, |
| − | note = { | + | pages = {121-156}, |
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
| + | note = {im Druck}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Buchholz 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Buchholz 1999a, |
| − | author = { | + | author = {Buchholz, Kai}, |
| − | title = { | + | title = {Zum Verhältnis von Bildsyntax und Darstellungswert am Beispiel künstlerischer Grafik}, |
| + | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, | ||
year = {1999}, | year = {1999}, | ||
| − | publisher = { | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, |
| − | address = { | + | pages = {255-270}, |
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Buchner 1665a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Buchner 1665a, |
| − | author = { | + | author = {Buchner, August}, |
| − | title = { | + | title = {Poet} |
| − | + | year = {1665}, | |
| − | year = { | + | publisher = {Otto Prätorius}, |
| − | + | address = {Wittenberg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Buchwald 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Buchwald 1989a, |
| − | author = { | + | author = {Buchwald, Jed Z.}, |
| − | title = { | + | title = {The Rise of the Wave Theory of Light}, |
| − | + | year = {1989}, | |
| − | + | publisher = {University of Chicago Press}, | |
| − | + | address = {Chicago}, | |
| − | + | note = {}, | |
| − | pages = { | + | } |
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Bulgakowa 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bulgakowa 2001a, | ||
| + | author = {Bulgakowa, Oksana}, | ||
| + | title = {Film/filmisch}, | ||
| + | booktitle = {Ästhetisches Wörterbuch in sieben Bänden. Bd. 2: Dekadent — Grotesk}, | ||
| + | year = {2001}, | ||
| + | editor = {Barck, Karlheinz; Fontius, Martin; Schlenstedt, Dieter; Steinwachs, Burkhart; Wolfzettel, Friedrich}, | ||
| + | pages = {429-462}, | ||
| + | publisher = {J. B. Metzler}, | ||
| + | address = {Stuttgart, Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.573: | Zeile 2.659: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Burckhardt 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Burckhardt 2001a, | ||
| + | author = {Burckhardt, Jacob}, | ||
| + | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens}, | ||
| + | booktitle = {Werke. Kritische Gesamtausgabe}, | ||
| + | year = {2001}, | ||
| + | editor = {B. Roeck et al.}, | ||
| + | pages = {Bd. 2}, | ||
| + | publisher = {Beck}, | ||
| + | address = {München/Basel}, | ||
| + | note = {Erstveröffentlichung 1855}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Burke 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Burke 2003a, |
| − | author = { | + | author = {Burke, Peter}, |
| − | title = { | + | title = {Augenzeugenschaft. Bilder als historische Quellen}, |
| − | year = { | + | year = {2003}, |
publisher = {Wagenbach}, | publisher = {Wagenbach}, | ||
address = {Berlin}, | address = {Berlin}, | ||
| Zeile 2.586: | Zeile 2.689: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Busch & Därmann 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Busch & Därmann 2007a, |
| − | + | title = {pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Busch, Kathrin & Därmann, Iris}, | |
| − | + | publisher = {Transcript}, | |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Busch 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Busch 2004a, |
| − | author = { | + | author = {Busch, Kathrin}, |
| − | title = { | + | title = {Geschicktes Geben. Aporien der Gabe bei Jacques Derrida}, |
| − | |||
year = {2004}, | year = {2004}, | ||
| − | + | publisher = {Fink}, | |
| − | + | address = {München}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Butler 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Butler 2001a, |
| − | author = { | + | author = {Butler, Judith}, |
| − | title = { | + | title = {Psyche der Macht. Das Subjekt der Unterwerfung}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.632: | Zeile 2.731: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bätschmann 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bätschmann 1984a, |
| − | author = { | + | author = {Bätschmann, Oskar}, |
| − | title = { | + | title = {Einführung in die kunstgeschichtliche Hermeneutik}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {WBG}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.645: | Zeile 2.745: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bätschmann 2009a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bätschmann 2009a, | ||
| + | author = {Bätschmann, Oskar}, | ||
| + | title = {Beschreibung und Illustration}, | ||
| + | booktitle = {Ekstatische Kunst - besonnenes Wort. Aby Warburg und die Denkräume der Ekphrasis}, | ||
| + | year = {2009}, | ||
| + | editor = {Kofler, Peter}, | ||
| + | pages = {55-66}, | ||
| + | publisher = {Studien-Verlag}, | ||
| + | address = {Wien}, | ||
| + | note = {}, | ||
| + | hidden = {} | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Böcking 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Böcking 2008a, |
| − | author = { | + | author = {Böcking, Saskia}, |
| − | title = { | + | title = {Grenzen der Fiktion? Von Suspension of Disbelief zu einer Toleranztheorie für die Filmrezeption}, |
| − | year = { | + | year = {2008a}, |
| − | publisher = { | + | publisher = {Herbert von Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.658: | Zeile 2.776: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Böhme & Böhme 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Böhme & Böhme 1985a, |
| − | author = { | + | author = {Böhme, Hartmut; Böhme, Gernot}, |
| − | title = {Das | + | title = {Das Andere der Vernunft: Zur Entwicklung von Rationalitätsstrukturen am Beispiel Kants}, |
| − | year = { | + | year = {1985a}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.671: | Zeile 2.790: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Böhme 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Böhme 1999a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Theorie des Bildes}, |
| − | year = { | + | year = {1999}, |
publisher = {Wilhelm Fink}, | publisher = {Wilhelm Fink}, | ||
address = {München}, | address = {München}, | ||
| Zeile 2.684: | Zeile 2.804: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Böhme 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Böhme 2004a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Der Raum leiblicher Anwesenheit und der Raum als Medium von Darstellung}, |
| − | year = { | + | booktitle = {Performativität und Medialität}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Krämer, S.}, |
| + | pages = {}, | ||
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Böhn 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Böhn 1999a, |
| − | author = { | + | author = {Böhn, Andreas}, |
| − | + | title = {Intermediale Form- und Stilzitate in Photographie und Film bei Godard, Greenaway und Cindy Sherman}, | |
| − | + | booktitle = {Formzitate, Gattungsparodien, ironische Formverwendung: Gattungsformen jenseits von Gattungsgrenzen}, | |
| − | + | year = {1999}, | |
| − | + | editor = {Böhn, A.}, | |
| − | + | pages = {175-198}, | |
| − | + | publisher = {Röhrig}, | |
| + | address = {St. Ingbert}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.726: | Zeile 2.840: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bühler 1933a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 1933a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Axiomatik der Sprachwissenschaften}, |
| − | + | year = {1933}, | |
| − | year = { | + | publisher = {Klostermann}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bühler 1934a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bühler 1934a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache}, |
| − | year = { | + | year = {1965}, |
| − | publisher = { | + | publisher = {Fischer }, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bühler 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 1999a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache}, |
| − | |||
year = {1999}, | year = {1999}, | ||
| − | + | publisher = {Lucius & Lucius}, | |
| − | + | address = {Stuttgart}, | |
| − | + | note = {3. Aufl.}, | |
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bühler 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 2000a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Die Krise der Psychologie}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Velbrück}, |
| − | + | address = {Weilerswist}, | |
| − | + | note = {hrsg. von Achim Eschbach und Jens Kapitzky}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bürger 1784a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bürger 1784a, |
| − | author = { | + | author = {Bürger, Gottfried August}, |
| − | title = { | + | title = {Von der Popularität der Poesie [1784]}, |
| − | year = { | + | booktitle = {Sämtliche Werke}, |
| − | publisher = { | + | year = {1987}, |
| − | address = { | + | editor = {Hintzschel G. & Hintzschel H.}, |
| − | note = {}, | + | pages = {725-730}, |
| + | publisher = {Hanser}, | ||
| + | address = {München}, | ||
| + | note = {Erstveröffentlichung 1784}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Büttner & Gottdank 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Büttner & Gottdank 2009a, |
| − | title = { | + | author = {Büttner, Frank & Gottdank, Andrea}, |
| + | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten}, | ||
year = {2009}, | year = {2009}, | ||
| − | + | publisher = {Beck}, | |
| − | publisher = { | + | address = {München}, |
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.827: | Zeile 2.924: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==C== |
| + | |||
| + | |||
| + | ===Büttner 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Büttner 2002a, |
| − | author = { | + | author = {Büttner, Andreas}, |
| − | title = { | + | title = {Vom Körper zum Raum. Einige Anmerkungen zu den medialen Möglichkeiten der Plastik}, |
| − | year = { | + | booktitle = {Wettstreit der Künste}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Mai, E.}, |
| + | pages = {}, | ||
| + | publisher = {Edition Minerva}, | ||
| + | address = {Wolfratshausen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Büttner 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Büttner 2003a, |
| − | author = { | + | author = {Büttner, Frank}, |
| − | title = { | + | title = {Perspektive}, |
| − | year = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, U.}, |
| + | pages = {265}, | ||
| + | publisher = {JB Metzler}, | ||
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===CCALED-4a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{CCALED-4a, |
| − | author = { | + | author = {}, |
| − | title = { | + | title = {Collins Cobuild Advanced Learner’s English Dictionary}, |
| − | + | year = {2003}, | |
| − | year = { | + | editor = {Collins Cobuild}, |
| − | editor = { | + | publisher = {Collins}, |
| − | + | address = {Glasgow}, | |
| − | publisher = { | + | note = {4<sup>th</sup> edition}, |
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Caglioti 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Caglioti 1995a, |
| − | author = { | + | author = {Caglioti, Giuseppe}, |
| − | title = { | + | title = {Perception of Ambiguous Figures: A Qualitative Model Based on Synergetics and Quantum Mechanics}, |
| − | booktitle = { | + | booktitle = {Ambiguity in Mind and Nature. Multistable Cognitive Phenomena}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Kruse, P. & Stadler, M.}, |
| − | pages = { | + | pages = {463–478.}, |
| − | publisher = { | + | publisher = {Springer}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 2.899: | Zeile 2.995: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Calame & Thouvenin 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Calame & Thouvenin 2008a, |
| − | author = { | + | author = {Calame, Thierry & Thouvenin, Florent}, |
| − | title = { | + | title = {Das Bildzitat}, |
| − | booktitle = { | + | booktitle = {Probleme des neuen Urheberrechts für die Wissenschaft, den Buchhandel und die Bibliotheken}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Schmitz, W. et al.}, |
| − | pages = { | + | pages = {135-146}, |
| − | publisher = { | + | publisher = {Harrassowitz Verlag}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.916: | Zeile 3.013: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Campe 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Campe 2006a, |
| − | author = { | + | author = {Campe, Rüdiger}, |
| − | title = { | + | title = {Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant}, |
| − | year = { | + | booktitle = {Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Peters, S. & Schäfer, M.J. }, |
| + | pages = {5-43}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Campenhausen 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Campenhausen 1993a, |
| − | author = { | + | author = {Campenhausen, Christoph}, |
| − | title = { | + | title = {Die Sinne des Menschen. Einf. in die Psychophysik der Wahrnehmung}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Georg Thieme Verlag}, |
| − | address = { | + | address = {New York}, |
| − | note = {}, | + | note = {2. völlig neu bearbeitete Auflage}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cancik-Kirschbaum 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cancik-Kirschbaum 2012a, |
| − | author = { | + | author = {Cancik-Kirschbaum, Eva}, |
| − | title = { | + | title = {Phänomene von Schriftbildlichkeit in der keilschriftlichen Schreibkultur Mesopotamiens}, |
| − | year = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | publisher = { | + | year = {2012}, |
| − | address = { | + | editor = {Krämer, Sybille & Cancik-Kirschbaum, Eva & Totzke, Rainer }, |
| + | pages = {101-121}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Canetti 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Canetti 2011a, |
| − | author = { | + | author = {Canetti, Elias}, |
| − | title = { | + | title = {Masse und Macht}, |
| − | year = { | + | year = {2011}, |
| − | publisher = {Fischer }, | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Canisius 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Canisius 1987a, |
| − | author = { | + | author = {Canisius, Peter}, |
| − | title = { | + | title = {Einleitung}, |
| − | year = { | + | booktitle = {Perspektivität in Sprache und Text}, |
| − | publisher = { | + | year = {1987}, |
| − | address = { | + | editor = {Canisius, P. & Gerlach, M.}, |
| − | note = { | + | pages = {xi–xvii}, |
| + | publisher = {Brockmeyer}, | ||
| + | address = {Bochum}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Caraffa 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Caraffa 2009a, |
| − | + | title = {Fotografie als Instrument und Medium der Kunstgeschichte}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Caraffa, Constanza}, | |
| − | publisher = { | + | publisher = {Deutscher Kunstverlag}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carani 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carani 1986a, |
| − | author = { | + | author = {Carani, Marie}, |
| − | title = { | + | title = {Le corpus Pellan: une relecture sémiotique}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Protée}, |
| − | + | address = {Université Du Québec à Chicoutimi}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carbone 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carbone 2001a, |
| − | author = { | + | author = {Mauro, Carbone}, |
| − | title = { | + | title = {La visibilité de l’invisible}, |
| − | |||
year = {2001}, | year = {2001}, | ||
| − | + | publisher = {Olms}, | |
| − | + | address = {Hildesheim}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carlbom & Paciorek 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Carlbom & Paciorek 1978a, |
| − | author = { | + | author = {Carlbom, Ingrid & Paciorek, Joseph}, |
| − | title = { | + | title = {Planar Geometric Projections and Viewing Transformations}, |
| − | + | journal = {ACM Computing Surveys}, | |
| − | year = { | + | year = {1978}, |
| − | + | volume = {10}, | |
| − | + | number = {4}, | |
| − | + | pages = {465-502}, | |
| − | + | note = {}, | |
| − | note = { | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carnap 1947a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Carnap 1947a, |
| − | author = { | + | author = {Carnap, Rudolf}, |
| − | title = { | + | title = {Meaning and Necessity: A Study in Semantics and Modal Logic}, |
| − | year = { | + | year = {1947}, |
| − | publisher = { | + | publisher = {Univ. Press}, |
| − | address = { | + | address = {Chicago, IL}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carroll 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Carroll 1994a, |
| − | author = { | + | author = {Carroll, Noël}, |
| − | title = { | + | title = {Visual Metaphor}, |
| − | + | booktitle = {Aspects of Metaphor}, | |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Hintikka, J.}, |
| + | pages = {189-218}, | ||
| + | publisher = {Kluwer}, | ||
| + | address = {Boston}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Carroll 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Carroll 1996a, |
| − | title = { | + | author = {Carroll, Noël}, |
| − | year = { | + | title = {A Note on Film Metaphor}, |
| − | editor = { | + | booktitle = {Theorizing the Moving Image}, |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {Carrol, N.}, |
| + | pages = {212-223}, | ||
| + | publisher = {Cambridge University Press}, | ||
| + | address = {Cambrigde}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Carroll 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carroll 1999a, |
| − | author = { | + | author = {Carroll, Noël}, |
| − | title = { | + | title = {Philosophy of Art}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Routledge}, |
| − | + | address = {New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cartwright 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cartwright 1983a, |
| − | author = { | + | author = {Cartwright, Nancy}, |
| − | title = { | + | title = {How the Laws of Physics Lie}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Clarendon Press}, |
| − | + | address = {Oxford}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Casey 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Casey 2002a, |
| − | author = { | + | author = {Casey, Edward S.}, |
| − | title = { | + | title = {Representing Place. Landscape Painting and Maps}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Univiversity of Minnesota Press}, |
| − | address = { | + | address = {Minnesota}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.136: | Zeile 3.243: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Casey 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Casey 2005a, |
| − | author = { | + | author = {Casey, Edward S.}, |
| − | title = { | + | title = {Earth-Mapping. Artists Reshaping Landscape}, |
| − | + | year = {2005}, | |
| − | year = { | + | publisher = {Univiversity of Minnesota Press}, |
| − | + | address = {Minnesota}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Casey 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Casey 2007a, |
| − | author = { | + | author = {Casey, Edward S.}, |
| − | title = { | + | title = {The World at a Glance}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Indiana University Press}, |
| − | + | address = {Bloomington}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cason 1930a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cason 1930a, |
| − | author = { | + | author = {Cason, H.}, |
| − | title = { | + | title = {Common annoyances: A psychological study of every-day aversions and irritations}, |
| − | + | journal = {Psychological Monograms}, | |
| − | year = { | + | year = {1930}, |
| − | + | volume = {40}, | |
| − | + | number = {2}, | |
| − | + | pages = {1-218}, | |
| − | |||
note = {}, | note = {}, | ||
| − | hidden = {} | + | hidden = {} |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Cassirer 1923a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1923a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Erster Teil: Die Sprache}, |
| − | year = { | + | year = {1923}, |
| − | publisher = { | + | publisher = {Bruno Cassirer Verlag}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.215: | Zeile 3.301: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 1925a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1925a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken}, |
| − | + | year = {1925}, | |
| − | year = { | + | publisher = {Bruno Cassirer}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 1929a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1929a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | + | year = {1929}, | |
| − | year = { | + | publisher = {Bruno Cassirer}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 1930a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cassirer 1930a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Mythischer, ästhetischer und theoretischer Raum (1930)}, |
| − | year = { | + | booktitle = {Ernst Cassirer: Gesammelte Werke, Bd. 17}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Recki, B.}, |
| + | pages = {411-436 [1931]}, | ||
| + | publisher = {Meiner}, | ||
| + | address = {Hamburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1989a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Zur Logik der Kulturwissenschaften. Fünf Studien}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {5., unveränd. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1990a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Fischer}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Cassirer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Cassirer 2009a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften}, |
| − | booktitle = { | + | booktitle = {Schriften zur Philosophie der symbolischen Formen}, |
| − | year = { | + | year = {2009}, |
| − | + | pages = {63-92}, | |
| − | pages = { | + | publisher = {Meiner}, |
| − | publisher = { | + | address = {Hamburg}, |
| − | address = { | + | note = {hrsg. von Marion Lauschke}, |
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 3.318: | Zeile 3.392: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cassirer 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 2010a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {hrsg. von Birgit Recki}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cernych 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cernych 2001a, |
| − | author = { | + | author = {Cernych, Pavel}, |
| − | title = { | + | title = {Istoriko-etymologiceskij slovar' russkogo jasyka. V dvuch tomach}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Russkij jazyk}, |
| − | address = { | + | address = {Moskva}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.348: | Zeile 3.420: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cha & Rautzenberg 08a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cha & Rautzenberg 08a, |
| − | author = { | + | author = {Cha, Kyung-Ho & Rautzenberg, Markus}, |
| − | title = { | + | title = {Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher}, |
| − | year = { | + | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Cha, K. & Rautzenberg, M.}, |
| + | pages = {7-22}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chalmers 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chalmers 2007a, |
| − | author = { | + | author = {Chalmers, Alan F.}, |
| − | title = { | + | title = {Wege der Wissenschaft. Einführung in die Wissenschaftstheorie}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {6. verbesserte Aufl., hrsg. und übersetzt von Niels Bergemann und Christine Altstötter-Gleich}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chastel 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chastel 1990a, |
| − | author = { | + | author = {Chastel, André}, |
| − | title = { | + | title = {Leonardo. Sämtliche Gemälde und die Schriften zur Malerei}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Schirmer/Mosel}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chateau 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Chateau 1976a, |
| − | author = { | + | author = {Chateau, Dominique}, |
| − | title = { | + | title = {La sémantique du récit}, |
| − | year = { | + | journal = {Semiotica}, |
| − | + | year = {1976}, | |
| − | + | volume = {18}, | |
| + | number = {}, | ||
| + | pages = {201-216}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cheeke 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cheeke 2008a, |
| − | author = { | + | author = {Cheek, Stephen}, |
| − | title = { | + | title = {Writing for Art. The Aesthetics of Ekphrasis}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Manchester University Press}, |
| − | address = { | + | address = {Manchester}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chen 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chen 2009a, |
| − | author = { | + | author = {Chen, Tingyou}, |
| − | title = { | + | title = {China: Die Kalligraphie}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {China Intercontinental Press}, |
| − | address = { | + | address = {Beijing}, |
| − | note = {}, | + | note = {übersetzt von Winter, J. & Winter, M.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chiang 73a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chiang 73a, |
| − | author = { | + | author = {Chiang, Yee}, |
| − | title = { | + | title = {Chinese Calligraphy - An Introduction to Its Aesthetic and Technique}, |
| − | year = { | + | year = {1973}, |
| − | publisher = { | + | publisher = {Havard University Press}, |
| − | address = { | + | address = {Cambridge, Massachusetts, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.439: | Zeile 3.523: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chion 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Chion 1999a, |
| − | author = { | + | author = {Chion, Michel}, |
| − | title = { | + | title = {The Voice in Cinema}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Columbia University Press}, |
| − | + | address = {New York} | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chladenius 1742a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chladenius 1742a, |
| − | author = { | + | author = {Chladenius, Ernst Martin}, |
| − | title = { | + | title = {Einleitung zur richtigen Auslegung vernünftiger Reden und Schriften}, |
| − | year = { | + | year = {1742}, |
| − | publisher = { | + | publisher = {}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Chomsky 1957a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chomsky 1957a, |
| − | author = { | + | author = {Chomsky, Noam}, |
| − | title = { | + | title = {Syntactic Structures}, |
| − | year = { | + | year = {1957}, |
| − | publisher = { | + | publisher = {Mouton}, |
| − | address = { | + | address = {Den Haag}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.482: | Zeile 3.565: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Christian 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Christian 2009a, |
| − | author = { | + | author = {Christian, Alexander}, |
| − | title = { | + | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung}, |
| − | |||
year = {2009}, | year = {2009}, | ||
| − | + | publisher = {Shaker}, | |
| − | publisher = { | + | address = {Aachen}, |
| − | address = { | + | note = {}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cipolla et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cipolla et al. 2010a, |
| − | author = { | + | author = {Cipolla, Roberto; Battiato, Sebastiano & Farinella, Giovanni Maria }, |
| − | title = { | + | title = {Computer Vision: Detection, Recognition and Reconstruction}, |
year = {2010}, | year = {2010}, | ||
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Berlin, Heidelberg }, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Clarke 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Clarke 1981a, |
| − | author = { | + | author = {Clarke, Bowman, L.}, |
| − | title = { | + | title = {A Calculus of Individuals Based on ‘Connection’}, |
| − | journal = { | + | journal = {Notre Dame Journal of Formal Logic}, |
| − | year = { | + | year = {1981}, |
| − | volume = { | + | volume = {22}, |
| − | number = { | + | number = {3}, |
| − | pages = { | + | pages = {204-218}, |
note = {}, | note = {}, | ||
| − | hidden = {} | + | hidden = {}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Collingwood 1945a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Collingwood 1945a, |
| − | author = {}, | + | author = {Collingwood, Robin}, |
| − | title = { | + | title = {Die Idee der Natur [The Idea of Nature (1945)]}, |
| − | year = { | + | year = {2005}, |
| − | + | publisher = {Suhrkamp}, | |
| − | publisher = { | + | address = {Frankfurt a.M.}, |
| − | address = { | + | note = {Übers.: Martin Suhr}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Coulmas 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Coulmas 1999a, |
| − | author = { | + | author = {Coulmas, Florian}, |
| − | title = { | + | title = {The Blackwell Encyclopedia of Writing Systems}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Blackwell}, |
| − | address = { | + | address = {Oxford u.a.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.553: | Zeile 3.638: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Covarrubias Orozco 1611a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Covarrubias Orozco 1611a, |
| − | author = { | + | author = {Covarrubias Orozco, Sebastián de}, |
| − | title = { | + | title = {Tesoro de la lengua castellana o española}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Nueva biblioteca de erudición y crítica}, |
| − | + | address = {Madrid}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Coy 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Coy 1997a, |
| − | author = { | + | author = {Coy, Wolfgang; Tholen, Georg Christoph & Warnke, Martin}, |
| − | title = { | + | title = {Hyperkult}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Stroemfeld}, |
| − | address = { | + | address = {Basel}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cramer 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Cramer 2011a, |
| − | author = { | + | author = {Cramer, Florian}, |
| − | title = { | + | title = {Netzkunst und konkrete Poesie}, |
| − | + | howpublished = {web}, | |
| − | + | year = {2001}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {31.8.2011}, | ||
| + | url = {netzliteratur.net/cramer/netzkunst_konkrete_poesie.htm}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Crary 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Crary 1990a, |
| − | author = { | + | author = {Crary, Jonathan}, |
| − | title = { | + | title = {Techniques of the Observer. On Vision and Modernity in the Nineteenth Century}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {MIT-Press}, |
| − | + | address = {Cambridge, MA/London}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Crow 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Crow 2006a, |
| − | author = { | + | author = {Crow, Thomas}, |
| − | title = { | + | title = {Ungeschriebene Geschichten der Konzeptkunst}, |
| − | year = { | + | booktitle = {Art After Conceptual Art}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Alexander Alberro & Sabeth Buchmann}, |
| + | pages = {158-171}, | ||
| + | publisher = {Generali Foundation}, | ||
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cunningham 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cunningham 1986a, |
| − | author = { | + | author = {Cunningham, Michael R.}, |
| − | title = { | + | title = {Measuring the Physical in Physical Attractiveness: Quasi-Experiments on the Sociobiology of Female Facial Beauty}, |
| − | year = { | + | journal = {J. Personality and Social Psychology}, |
| − | + | year = {1986}, | |
| − | + | volume = {50}, | |
| − | + | number = {}, | |
| − | + | pages = {925-935}, | |
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Cunningham et al. 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cunningham et al. 1995a, |
| − | author = { | + | author = {Cunningham, Michael R.; Roberts, Alan R.; Barbee, Anita P.; Druen, Perri B. & Wu, Cheng-Huan}, |
| − | title = { | + | title = {„Their Ideas of Beauty are, on the Whole, the Same as Ours“: Consistency and Variability in the Cross-Cultural Perception of Female Physical Attractiveness}, |
| − | year = { | + | journal = {J. Personality and Social Psychology}, |
| − | + | year = {1995}, | |
| − | + | volume = {68}, | |
| + | number = {}, | ||
| + | pages = {261-279}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | /bibentry | ||
| + | |||
| + | ==D== | ||
| − | === | + | |
| + | ===Damisch 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Damisch 1987a, |
| − | author = { | + | author = {Damisch, Hubert}, |
| − | title = { | + | title = {L'origine de la perspective}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Flammarion}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.662: | Zeile 3.759: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Damisch 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Damisch 2010a, |
| − | author = { | + | author = {Damisch, Hubert}, |
| − | title = { | + | title = {Der Ursprung der Perspektive}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Zürich}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.675: | Zeile 3.773: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Danto 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Danto 1984a, |
| − | author = { | + | author = {Danto, Arthur C.}, |
| − | title = { | + | title = {Die Verklärung des Gewöhnlichen}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.688: | Zeile 3.787: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Danto 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Danto 1993a, |
| − | author = { | + | author = {Danto, Arthur C.}, |
| − | title = { | + | title = {Die philosophische Entmündigung der Kunst}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.701: | Zeile 3.801: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Darwin 1872a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Darwin 1872a, |
| − | author = { | + | author = {Darwin, Charles}, |
| − | title = { | + | title = {On the Expression of the Emotions in Man and Animals}, |
| − | year = { | + | year = {1872}, |
| − | publisher = { | + | publisher = {Murray}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Daston & Galison 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Daston & Galison 1992a, |
| − | author = { | + | author = {Daston, Lorraine & Galison, Peter }, |
| − | title = { | + | title = {The Image of Objectivity}, |
| − | year = { | + | journal = {Representations}, |
| − | + | year = {1992}, | |
| − | + | volume = {40}, | |
| + | number = {}, | ||
| + | pages = {81-128}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Daston & Galison 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Daston & Galison 2007a, |
| − | author = { | + | author = {Daston, Lorraine & Galison, Peter}, |
| − | title = { | + | title = {Objektivität}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | + | note = {übers. v. Christa Krüger}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Daut 1975a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Daut 1975a, |
| − | author = { | + | author = {Daut, Raimund}, |
| − | title = { | + | title = {Imago. Untersuchungen zum Bildbegriff der Römer}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | publisher = {Carl Winter Universitätsverlag}, |
| − | address = { | + | address = {Heidelberg}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Davidson & Noble 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Davidson & Noble 1989a, |
| − | author = { | + | author = {Davidson, Iain & William Noble}, |
| − | title = {The | + | title = {The Archaeology of Perception: Traces of Depiction and Language}, |
| − | year = { | + | journal = {Current Anthropology}, |
| − | + | year = {1989}, | |
| − | + | volume = {30}, | |
| + | number = {2}, | ||
| + | pages = {125-155}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Davidson 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Davidson 1978a, |
| − | author = { | + | author = {Davidson, Donald}, |
| − | title = { | + | title = {What Metaphors Mean (1978)}, |
| − | year = { | + | booktitle = {Inquiries into Truth and Interpretation}, |
| − | publisher = { | + | year = {1984}, |
| − | address = { | + | editor = {Davidson, D.}, |
| + | pages = {343-370}, | ||
| + | publisher = {Clarendon Press}, | ||
| + | address = {Oxford}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Davidson 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Davidson 2004a, |
| − | author = { | + | author = {Davidson, Donald}, |
| − | + | title = {Drei Spielarten des Wissens}, | |
| − | + | booktitle = {Subjektiv, intersubjektiv, objektiv}, | |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Davidson, Donald}, |
| + | pages = {339-363}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Davies 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Davies 1991a, |
| − | author = { | + | author = {Davies, David}, |
| − | title = { | + | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork}, |
| − | + | journal = {Canadian Journal of Philosophy}, | |
| − | year = { | + | year = {1991}, |
| + | volume = {21}, | ||
| + | number = {}, | ||
| + | pages = {331-346}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===DeFrancis 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{DeFrancis 1989a, |
| − | author = { | + | author = {DeFrancis, John}, |
| − | title = { | + | title = {Visible Speech. The Diverse Oneness of Writing Systems}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {University of Hawaii Press}, |
| − | + | address = {Honolulu}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | == | + | ===Debray 1999a=== |
| − | |||
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Debray 1999a, |
| − | author = { | + | author = {Debray, Régis}, |
| − | title = { | + | title = {Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Avinus Verlag}, |
| − | address = { | + | address = {Rodenbach}, |
| − | note = { | + | note = {franz. Original: Vie et mort de l'image. Une histore du regard en Occident, Paris, Éditions Gallimard 1992}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Debray 1999b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Debray 1999b, |
| − | author = { | + | author = {Debray, Régis}, |
| − | title = { | + | title = {Für eine Mediologie}, |
| − | year = { | + | booktitle = {Kursbuch Medienkultur. Die maßgeblichen Theorien von Brecht bis Baudrillard}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Pias, Claus et al.}, |
| + | pages = {67-75}, | ||
| + | publisher = {Deutsche Verlagsanstalt}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Decker & Krah 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Decker & Krah 2008a, |
| − | author = { | + | author = {Decker, Jan-Oliver; Krah, Hans}, |
| − | title = { | + | title = {Einführung: Zeichen(-Systeme) im Film}, |
| − | year = { | + | journal = {Zeitschrift für Semiotik}, |
| − | + | year = {2008a}, | |
| − | + | volume = {30}, | |
| + | number = {3-4}, | ||
| + | pages = {225-235}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Delaborde 1870a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Delaborde 1870a, |
| − | author = { | + | author = {Delaborde, Henri}, |
| − | title = { | + | title = {Ingres, sa vie, ses travaux, sa doctrine, d'après Les Notes Manuscrites et les lettres du maître}, |
| − | year = { | + | year = {1870}, |
| − | publisher = { | + | publisher = {Henri Plon}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.891: | Zeile 4.004: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Deleuze 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Deleuze 1989a, |
| − | author = { | + | author = {Deleuze, Gilles}, |
| − | title = { | + | title = {Das Bewegungs-Bild. Kino1}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M}, |
| − | note = { | + | note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Deleuze 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Deleuze 1993a, |
| − | author = { | + | author = {Deleuze, Gilles}, |
| − | title = { | + | title = {Logik des Sinns}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Demuth 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Demuth 2007a, |
| − | author = { | + | author = {Demuth, Volker}, |
| − | title = { | + | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume}, |
| − | + | booktitle = {RAUM. Orte der Kunst}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, | |
| − | + | pages = {89-104}, | |
| − | + | publisher = {Verlag für moderne Kunst}, | |
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dencker 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Dencker 2011a, |
| − | author = { | + | author = {Dencker, Klaus Peter}, |
| − | title = { | + | title = {Optische Poesie: Von den prähistorischen Schriftzeichen bis zu den digitalen Experimenten der Gegenwart}, |
| − | year = { | + | year = {2011}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin, New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.945: | Zeile 4.061: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Depaulo 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Depaulo 1992a, |
| − | author = { | + | author = {DePaulo, Bella M. }, |
| − | title = { | + | title = {Nonverbal Behavior and Self Presentation}, |
| − | + | journal = {Psychological Bulletin}, | |
| − | year = { | + | year = {1992}, |
| − | + | volume = {111}, | |
| − | + | number = {2}, | |
| − | + | pages = {203-243}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Derrida 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Derrida 1992a, |
| − | author = { | + | author = {Derrida, Jacques}, |
| − | title = { | + | title = {Die Wahrheit in der Malerei}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {Passagen Verlag}, |
| − | + | address = {Wien}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Derrida 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Derrida 2007a, |
| − | author = { | + | author = {Derrida, Jacques}, |
| − | title = { | + | title = {Aufzeichnungen eines Blinden. Das Selbstporträt und andere Ruinen}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | + | note = {2. Aufl.}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Descartes 1637a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Descartes 1637a, |
| − | author = { | + | author = {Descartes, René}, |
| − | title = { | + | title = {La géométrie}, |
| − | + | year = {1637}, | |
| − | year = { | + | publisher = {Jan Maire}, |
| − | + | address = {Leiden}, | |
| − | + | note = {Anhang des ‘Discours de la méthode’}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Descartes 1965a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Descartes 1965a, |
| − | author = { | + | author = {Descartes, René}, |
| − | title = { | + | title = {La Dioptrique. Œvres. Bd. 6}, |
| − | + | year = {1965}, | |
| − | year = { | + | publisher = {Libraire philosophique J. Vrien 1965}, |
| − | + | address = {Paris}, | |
| − | + | note = {hrsg. v. Charles Adam u. Paul Tannery}, | |
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dewey 1934a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dewey 1934a, |
| − | author = { | + | author = {Dewey, John}, |
| − | title = { | + | title = {Art as Experience}, |
| − | + | year = {1934}, | |
| − | year = { | + | publisher = {Minton, Balch & Company}, |
| − | + | address = {New York}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dewitz & Nekes 02a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Dewitz & Nekes 02a, |
| − | + | title = {Ich sehe was, was Du nicht siehst! Sehmaschinen und Bilderwelten. Die Sammlung Werner Nekes}, | |
| − | + | year = {2002}, | |
| − | year = { | + | editor = {Dewitz, Bodo von & Nekes, Werner}, |
| − | + | address = {}, | |
| − | address = { | + | note = {Ausst.Kat. Köln, Museum Ludwig 2002}, |
| − | note = { | + | publisher = {Steidl, Göttingen}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dick 1964a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dick 1964a, |
| − | author = { | + | author = {Dick, Philip K.}, |
| − | title = { | + | title = {The Simulacra}, |
| − | + | year = {1964}, | |
| − | year = { | + | publisher = {Ace Books}, |
| − | + | address = {New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Diderot 1751a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Diderot 1751a, |
| − | author = { | + | author = {Diderot, Denis}, |
| − | title = { | + | title = {Brief über die Taubstummen}, |
| − | + | booktitle = {Ästhetische Schriften. Erster Band}, | |
| − | year = { | + | year = {1968}, |
| − | + | editor = {Bassenge, F.}, | |
| − | + | pages = {27-97}, | |
| − | + | publisher = {Europäische Verlagsanstalt}, | |
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.088: | Zeile 4.191: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Didi-Huberman 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Didi-Huberman 1999a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Was wir sehen blickt uns an. Zur Metapsychologie des Bildes}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.101: | Zeile 4.205: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Didi-Huberman 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Didi-Huberman 2000a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Vor einem Bild}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Carl Hanser}, |
| − | address = { | + | address = {München/Wien}, |
| − | note = {}, | + | note = {aus dem Französischen von R. Werner}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Didi-Huberman 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Didi-Huberman 2005a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {L’espace danse – Der Raum tanzt}, |
| − | year = { | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| − | note = { | + | pages = {16-30}, |
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Diekmannshenke et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Diekmannshenke et al. 2010a, |
| − | author = { | + | author = {Diekmannshenke, Hajo; Klemm, Micha |
| − | title = { | + | @book{Chiang 73a, |
| − | year = { | + | author = {Chiang, Yee}, |
| − | publisher = { | + | title = {Chinese Calligraphy - An Introduction to Its Aesthetic and Technique}, |
| − | address = { | + | year = {1973}, |
| + | publisher = {Havard University Press}, | ||
| + | address = {Cambridge, Massachusetts, London}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| − | + | el & Stöckl, Hartmut}, | |
| − | + | title = {Bildlinguistik}, | |
| − | + | year = {2010}, | |
| − | + | publisher = {Erich Schmidt}, | |
| − | + | address = {Berlin}, | |
| − | |||
| − | title = { | ||
| − | |||
| − | year = { | ||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dion 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dion 2002a, |
| − | author = { | + | author = {Dion, Karen K.}, |
| − | title = { | + | title = {Cultural Perspectives on Facial Attractiveness}, |
| − | year = { | + | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Rhodes, G. & Zebrowitz, L.A.}, |
| + | pages = {239-260}, | ||
| + | publisher = {Ablex}, | ||
| + | address = {Westport, CT}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dirmoser 2004a=== | ||
| + | <bibentry> | ||
| + | @misc{Dirmoser 2004a, | ||
| + | author = {Dirmoser, Gerhard}, | ||
| + | title = {Vom Nutzen schematischer Zeichnungen – Teil I}, | ||
| + | year = {2004}, | ||
| + | publisher = {}, | ||
| + | address = {}, | ||
| + | note = }, | ||
| + | hidden = {letzter Kontrollaufruf: 8.1.2012}, | ||
| + | url = {servus.at/kontext/diagramm/01_Schematanutzen.htm}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Dirmoser 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Dirmoser 2006a, |
| − | author = { | + | author = {Dirmoser, Gerhard}, |
| − | title = { | + | title = {Ein Diagramm ist (k)ein Bild}, |
| − | + | year = {2006}, | |
| − | + | publisher = {}, | |
| − | + | address = {}, | |
| − | + | note = }, | |
| − | + | hidden = {letzter Kontrollaufruf: 8.1.2012}, | |
| − | + | url = {servus.at/kontext/diagramm/Diagrammbild_3_0_D.pdf}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ditzinger 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ditzinger 2006a, |
| − | author = { | + | author = {Ditzinger, Thomas}, |
| − | title = { | + | title = {Illusionen des Sehens. Eine Reise in die Welt der visuellen Wahrnehmung}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Elsevier, Spektrum, Akad. Verl.}, |
| − | address = { | + | address = {München, Heidelberg}, |
| − | note = {}, | + | note = {1. Aufl.}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dobbe 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Dobbe 1999a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Querelle des Anciens, des Modernes et des Postmodernes}, |
| − | year = { | + | year = {1999}, |
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dobbe 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2002a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Malerei im Bilderstreit. Eine Revision aus Anlass des Rubenspreis-Jubiläums}, |
| − | year = { | + | booktitle = {10 x Malerei. Rubenspreis der Stadt Siegen in Werken der Sammlung Lambrecht-Schadeberg}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Winter, G. & Dobbe, M.}, |
| − | note = { | + | pages = {19-34}, |
| + | publisher = {Museum für Gegenwartskunst}, | ||
| + | address = {Siegen}, | ||
| + | note = {Ausstellungskatalog}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dobbe 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2003a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Das verkörperte Auge. Einige bildwissenschaftliche Fragen an das Medium Plastik}, |
| − | year = { | + | booktitle = {Winter-Bilder. Zwischen Motiv und Medium. Festschrift für Gundolf Winter zum 60. Geburtstag}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Dobbe, M. & Gendolla, P.}, |
| − | note = { | + | pages = {258-274}, |
| + | publisher = {Universi }, | ||
| + | address = {Siegen}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dobbe 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2006a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Die Fotografie im Spannungsfeld von Kunstgeschichte und Bildwissenschaft}, |
| − | year = { | + | booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Klaus Sachs-Hombach}, |
| + | pages = {132-148}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Dobbe 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2010a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | + | title = {Zeigen als ''faire voir''. Für eine Bildtheorie des Fotografischen}, | |
| − | year = { | + | booktitle = {Zeigen. Die Rhetorik des Sichtbaren}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Gottfried Boehm, Sebstian Egenhofer & Christian Spies}, |
| + | pages = {159-178}, | ||
| + | publisher = {Wilhelm Fink Verlag}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Doelker 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Doelker 1997a, |
| − | author = { | + | author = {Doelker, Christian}, |
| − | title = { | + | title = {Ein Bild ist mehr als ein Bild: Visuelle Kompetenz in der Multimedia-Gesellschaft}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Klett-Cotta}, |
| − | + | address = {Stuttgard}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Doelker 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Doelker 2001a, |
| − | author = { | + | author = {Doelker, Christian }, |
| − | title = { | + | title = {Ein Funktionenmodell für Bildtexte}, |
| − | + | booktitle = {Bildhandeln}, | |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Sachs-Hombach, K.}, |
| + | pages = {29-39}, | ||
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Doelker 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Doelker 2007a, |
| − | author = { | + | author = {Doelker, Christian}, |
| − | title = { | + | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten}, |
| − | booktitle = { | + | booktitle = {Bildrhetorik}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Knape, J.}, |
| − | pages = { | + | pages = {71–112}, |
| − | publisher = { | + | publisher = {Koerner}, |
| − | address = { | + | address = {Baden-Baden}, |
| − | note = {}, | + | note = {Saecvla Spiritalia 45}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 4.331: | Zeile 4.457: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Donald 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Donald 1993a, |
| − | author = { | + | author = {Donald, Merlin }, |
| − | title = { | + | title = {Origins of the Modern Mind: Three Stages in the Evolution of Culture and Cognition}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Harvard University Press}, |
| − | address = { | + | address = {Cambridge MA}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.344: | Zeile 4.471: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Downey 1959a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Downey 1959a, |
| − | author = { | + | author = {Downey, Glanville}, |
| − | title = { | + | title = {Ekphrasis}, |
| − | + | journal = {Reallexikon für Antike und Christentum}, | |
| − | year = { | + | year = {1959}, |
| − | + | volume = {IV}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
| − | + | note = {Sp.921-944}, | |
| − | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Drechsel 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Drechsel 2006a, |
| − | author = { | + | author = {Drechsel, Benjamin}, |
| − | title = { | + | title = {Was ist ein politisches Bild? Einige Überlegungen zur Entwicklung der Politikwissenschaft als Bildwissenschaft}, |
| + | journal = {Moderne. Kulturwissenschaftliches Jahrbuch}, | ||
year = {2006}, | year = {2006}, | ||
| − | + | volume = {}, | |
| − | + | number = {2}, | |
| − | note = }, | + | pages = {106-120}, |
| − | hidden = { | + | note = {}, |
| − | url = { | + | hidden = {}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Drosdowski 1988a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Drosdowski 1988a, |
| − | author = { | + | author = {Drosdowski, Günther}, |
| − | title = { | + | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz}, |
| − | year = { | + | year = {1988}, |
| − | publisher = { | + | publisher = {Dudenverlag}, |
| − | address = { | + | address = {Mannheim [u.a.]}, |
| − | note = { | + | note = {7., völlig neu bearbeitete und erweiterte Auflage}, |
| − | hidden = {}, | + | hidden = {= DUDEN Band 2}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Drosdowski 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Drosdowski 1989a, |
| − | author = { | + | author = {Drosdowsi, Günther}, |
| − | title = { | + | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {Dudenverlag}, |
| − | address = { | + | address = {Mannheim [u.a.]}, |
| − | note = {}, | + | note = {2. völlig neu bearbeitete und erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Drucker 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Drucker 1996a, |
| − | author = { | + | author = {Drucker, Johanna}, |
| − | title = { | + | title = {Experimental, Visual, and Concrete Poetry: A Note on Historical Context and Basic Concepts}, |
| − | booktitle = { | + | booktitle = {Experimental – Visual – Concrete: Avant-garde Poetry since the 1960s}, |
| − | year = { | + | year = {1996}, |
| − | editor = { | + | editor = {Jackson,D.; Vos, E. & Drucker, J.}, |
| − | pages = { | + | pages = {39–61}, |
| − | publisher = { | + | publisher = {Rodopi}, |
| − | address = { | + | address = {Amsterdam, Atlanta}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 4.430: | Zeile 4.549: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Drügh 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Drügh 2006a, |
| − | + | editor = {Drügh, Heinz J.}, | |
| − | title = { | + | title = {Ästhetik der Beschreibung - poetische und kulturelle Energie deskriptiver Texte (1700-2000). Studien und Texte zur Kulturgeschichte deutschsprachiger Literatur}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Francke}, |
| − | + | address = {Tübingen}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dubois 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Dubois 1998a, |
| − | author = { | + | author = {Dubois, Philippe}, |
| − | title = { | + | title = {Der fotografische Akt. Versuch über ein theoretisches Dispositiv}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Verlag der Kunst}, |
| − | address = { | + | address = {Dresden, Amsterdam}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.460: | Zeile 4.577: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dubos 1760-61a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dubos 1760-61a, |
| − | author = { | + | author = {Du Bos, Jean-Baptiste}, |
| − | title = { | + | title = {Kritische Betrachtungen über die Poesie und Malerey, 3 Teile}, |
| − | + | year = {1760-1761}, | |
| − | year = { | + | publisher = {Mumm}, |
| − | + | address = {Kopenhagen}, | |
| − | + | note = {Übers.: Gottfried Benediktus Funk}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Duden 2013a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @book{Duden 2013a, |
| − | author = { | + | author = {Duden}, |
| − | title = { | + | title = {Homepage}, |
| − | booktitle = { | + | year = {2013a}, |
| − | year = { | + | publisher = {Dudenverlag}, |
| − | editor = { | + | address = {Mannheim}, |
| − | pages = { | + | note = {}, |
| − | publisher = { | + | hidden = {}, |
| − | address = { | + | url = {http://www.duden.de/rechtschreibung/virtuell}, |
| − | note = { | + | } |
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Dudenredaktion 2003a=== | ||
| + | <bibentry> | ||
| + | @book{Dudenredaktion 2003a, | ||
| + | author = {Duden (Hg.)}, | ||
| + | title = {DUDEN. Das Stilwörterbuch.}, | ||
| + | year = {2003}, | ||
| + | publisher = {Dudenverlag}, | ||
| + | address = {Mannheim [u.a.]}, | ||
| + | note = {8. völlig neu bearbeitete Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Durand 1987a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Durand 1987a, | ||
| + | author = {Durand, Jacques}, | ||
| + | title = {Rhetorical Figures in the Advertising Image}, | ||
| + | booktitle = {Marketing and Semiotics}, | ||
| + | year = {1987}, | ||
| + | editor = {Sebeok, J.U. }, | ||
| + | pages = {295–318}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Döring 2009a=== | ===Döring 2009a=== | ||
| Zeile 4.511: | Zeile 4.656: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dünkelsbühler 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Dünkelsbühler 1991a, |
| − | author = { | + | author = {Dünkelsbühler, Ulrike}, |
| − | title = { | + | title = {Kritik der Rahmen-Vernunft. Parergon- Versionen nach Kant und Derrida}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.524: | Zeile 4.670: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Dürre 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dürre 2007a, |
| − | author = { | + | author = {Dürre, Stefan}, |
| − | title = { | + | title = {Skulptur – Plastik – Bildhauerei}, |
| − | + | booktitle = {Seemanns Lexikon der Skulptur}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Dürre, S.}, | |
| − | + | pages = {6-8}, | |
| − | + | publisher = {Seemann}, | |
| − | note = { | + | address = {Leipzig}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===da Vinci 1958a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{da Vinci 1958a, |
| − | author = { | + | author = {da Vinci, Leonardo}, |
| − | title = { | + | title = {Philosophische Tagebücher}, |
| − | + | year = {1958}, | |
| − | year = { | + | publisher = {rowohlt}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {übers. und hrsg. von G. Zamboni}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===da Vinci 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{da Vinci 1990a, |
| − | author = { | + | author = {da Vinci, Leonardo}, |
| − | title = { | + | title = {Sämtliche Gemälde und die Schriften zur Malerei}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Schirmer/Mosel}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {hg. v. André Chastel, übers. v. Marianne Schneider}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===de Duve 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{de Duve 1990a, |
| − | author = { | + | author = {de Duve, Thierry}, |
| − | title = { | + | title = {The Monochrome and the Blank Canvas}, |
| − | booktitle = { | + | booktitle = {Reconstructiong Modernism. Art in New York, Paris and Montreal 1945-1964}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Guilbaut, S.}, |
| − | pages = { | + | pages = {244-310}, |
| − | publisher = { | + | publisher = {The MIT Press}, |
| − | address = { | + | address = {Cambridge/Mass.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.597: | Zeile 4.733: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===de Schonen et al. 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{de Schonen et al. 1994a, |
| − | + | author = {de Schonen, S.; Deruelle, C.; Pascalis, O.; & Mancini, J.}, | |
| − | title = { | + | title = {About Functional Brain Specialization. The Development of Face Recognition (Functional Cerebral Specialization in the Development of Face Recognition / A propos de la notion de specialisation cerebrale fonctionnelle: le développement de la reconnaissance des visages)}, |
| − | year = { | + | journal = {Psychologie française}, |
| − | + | year = {1994}, | |
| − | + | volume = {39}, | |
| + | number = {3}, | ||
| + | pages = {259-274}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===del Hierro 1732a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{del Hierro 1732a, |
| − | author = { | + | author = {del Hierro, Francisco}, |
| − | title = { | + | title = {Diccionario de Autoridades. Bd. 2. D — Ñ}, |
| − | year = { | + | year = {1979}, |
| − | publisher = { | + | publisher = {Editorial Gredos}, |
| − | address = { | + | address = {Madrid}, |
| − | note = {}, | + | note = {edición facsímil}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===del Hierro 1737a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{del Hierro 1737a, |
| − | author = { | + | author = {del Hierro, Francisco}, |
| − | title = { | + | title = {Diccionario de Autoridades. Bd. 3. O — Z}, |
| − | year = { | + | year = {1979}, |
| − | publisher = { | + | publisher = {Editorial Gredos}, |
| − | address = { | + | address = {Madrid}, |
| − | note = { | + | note = {edición facsímil}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ==E== | ||
| + | |||
| + | |||
| + | ===Ebert 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Ebert 1979a, |
| − | author = { | + | author = {Ebert, Jürgen}, |
| − | title = { | + | title = {Montage Editing Schnitt}, |
| − | year = { | + | journal = {Filmkritik}, |
| − | + | year = {1979}, | |
| − | + | volume = {12}, | |
| + | number = {}, | ||
| + | pages = {547-558}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Eco 1984a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Eco 1984a, |
| − | author = { | + | author = {Eco, Umberto}, |
| − | title = { | + | title = {Massenkultur und 'Kultur-Niveaus'}, |
| − | booktitle = { | + | booktitle = {Apokalyptiker und Integrierte}, |
| − | year = { | + | year = {1984}, |
| − | editor = { | + | editor = {Eco, Umberto}, |
| − | pages = { | + | pages = {37-59}, |
| − | publisher = { | + | publisher = {DTB}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Eco 1998b=== | ||
<bibentry> | <bibentry> | ||
| − | + | @book{Eco 1998b, | |
| − | |||
| − | |||
| − | |||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @book{Eco 1998b, | ||
author = {Eco, Umberto}, | author = {Eco, Umberto}, | ||
title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten}, | title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten}, | ||
| Zeile 4.754: | Zeile 4.826: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Eddiks 2004a=== | ===Eddiks 2004a=== | ||
| Zeile 4.767: | Zeile 4.840: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Edgerton 2002a=== | ===Edgerton 2002a=== | ||
| Zeile 4.780: | Zeile 4.854: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Egenhofer 2002a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Egenhofer 2002a, | ||
| + | author = {Egenhofer, Sebastian}, | ||
| + | title = {Minimal Art}, | ||
| + | booktitle = {DuMonts Begriffslexikon zur zeitgenössischen Kunst}, | ||
| + | year = {2002}, | ||
| + | editor = {Hubertus Butin}, | ||
| + | pages = {210-215}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Ehrenfels 1890a=== | ===Ehrenfels 1890a=== | ||
| Zeile 4.796: | Zeile 4.889: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Eibl-Eibesfeldt & Sütterlin 1992a=== | ===Eibl-Eibesfeldt & Sütterlin 1992a=== | ||
| Zeile 4.808: | Zeile 4.902: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Eibl-Eibesfeldt & Sütterlin 2008a=== | ===Eibl-Eibesfeldt & Sütterlin 2008a=== | ||
| Zeile 4.821: | Zeile 4.916: | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
| − | |||
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| − | |||
| − | |||
===Eibl-Eibesfeldt 1973a=== | ===Eibl-Eibesfeldt 1973a=== | ||
| Zeile 4.847: | Zeile 4.931: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Eibl-Eibesfeldt 1995a=== | ||
| + | <bibentry> | ||
| + | @book{Eibl-Eibesfeldt 1995a, | ||
| + | author = {Eibl-Eibesfeldt, Irenäus}, | ||
| + | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie}, | ||
| + | year = {1995}, | ||
| + | publisher = {Piper}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Eilert 1991a=== | ===Eilert 1991a=== | ||
| Zeile 4.861: | Zeile 4.959: | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
===Eismann 1985a=== | ===Eismann 1985a=== | ||
| Zeile 4.893: | Zeile 4.975: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Eizenštein 1975a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Eizenštein 1975a, | ||
| + | author = {Eizenštein, Sergej M.}, | ||
| + | title = {Perspektiven (1929)}, | ||
| + | booktitle = {Schriften. Bd. 3}, | ||
| + | year = {1975}, | ||
| + | editor = {Eizenštein, S. M.}, | ||
| + | pages = {191}, | ||
| + | publisher = {Hanser}, | ||
| + | address = {München }, | ||
| + | note = {Übersetzt von Hans-Joachim Schlegel}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Ekman 1973a=== | ===Ekman 1973a=== | ||
| Zeile 4.906: | Zeile 5.007: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Ekman 1973b=== | ===Ekman 1973b=== | ||
| Zeile 4.922: | Zeile 5.024: | ||
</bibentry> | </bibentry> | ||
| − | ===Elgin | + | |
| + | ===Elgin 1983a=== | ||
| + | <bibentry> | ||
| + | @book{Elgin 1983a, | ||
| + | author = {Elgin, Catherine Z.}, | ||
| + | title = {With Reference to Reference}, | ||
| + | year = {1983}, | ||
| + | publisher = {Hackett}, | ||
| + | address = {Indianapolis}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Elgin 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Elgin | + | @inproceedings{Elgin 1992a, |
author = {Elgin, Catherine Z.}, | author = {Elgin, Catherine Z.}, | ||
title = {Notation}, | title = {Notation}, | ||
| Zeile 4.936: | Zeile 5.052: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Elgin 1993a=== | ===Elgin 1993a=== | ||
| Zeile 4.953: | Zeile 5.070: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Elkins 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elkins 1999a, |
| − | author = { | + | author = {Elkins, James}, |
| − | title = { | + | title = {The Domain of Images}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Cornell University Press}, |
| − | address = { | + | address = {Ithaca, London}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Elkins 2003a=== | ===Elkins 2003a=== | ||
| Zeile 4.978: | Zeile 5.097: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ellgring 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @book{Ellgring 1989a, | |
| − | + | author = {Ellgring, Heiner}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @book{Ellgring 1989a, | ||
| − | author = {Ellgring, Heiner}, | ||
title = {Nonverbal communication in depression}, | title = {Nonverbal communication in depression}, | ||
year = {1989}, | year = {1989}, | ||
| Zeile 5.001: | Zeile 5.109: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Else 1958a=== | ===Else 1958a=== | ||
| Zeile 5.017: | Zeile 5.126: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Engell 1999a=== | ===Engell 1999a=== | ||
| Zeile 5.032: | Zeile 5.142: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Enright 1987a=== | ===Enright 1987a=== | ||
| Zeile 5.048: | Zeile 5.159: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Erlbaugh 2002a=== | ===Erlbaugh 2002a=== | ||
| Zeile 5.061: | Zeile 5.173: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Ernst & Heidenreich 1999a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Ernst & Heidenreich 1999a, | ||
| + | author = {Ernst, Wolfgang & Heidenreich, Stefan}, | ||
| + | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül}, | ||
| + | booktitle = {Konfigurationen. Zwischen Kunst und Medien}, | ||
| + | year = {1999}, | ||
| + | editor = {Schade, S. & Tholen, G. C.}, | ||
| + | pages = {306-320}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Ernst 2002a=== | ===Ernst 2002a=== | ||
| Zeile 5.079: | Zeile 5.208: | ||
</bibentry> | </bibentry> | ||
| − | |||
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===Ernst et al. 2003a=== | ===Ernst et al. 2003a=== | ||
| Zeile 5.106: | Zeile 5.221: | ||
</bibentry> | </bibentry> | ||
| − | ===Eser | + | |
| + | ===Eser 98a=== | ||
<bibentry> | <bibentry> | ||
@proceedings{Eser 98a, | @proceedings{Eser 98a, | ||
| Zeile 5.118: | Zeile 5.234: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Esposito 1998a=== | ===Esposito 1998a=== | ||
| Zeile 5.133: | Zeile 5.250: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Etcoff 2001a=== | ===Etcoff 2001a=== | ||
| Zeile 5.145: | Zeile 5.263: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Eusterschulte 2001a=== | ===Eusterschulte 2001a=== | ||
| Zeile 5.163: | Zeile 5.282: | ||
</bibentry> | </bibentry> | ||
| − | ===Evans | + | |
| + | ===Evans 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{Evans | + | @proceedings{Evans 2002a, |
title = {Wörterbuch der Lacanschen Psychoanalyse}, | title = {Wörterbuch der Lacanschen Psychoanalyse}, | ||
year = {2002}, | year = {2002}, | ||
| Zeile 5.177: | Zeile 5.297: | ||
==F== | ==F== | ||
| + | |||
===Fahlenbrach & Viehoff 2005a=== | ===Fahlenbrach & Viehoff 2005a=== | ||
| Zeile 5.194: | Zeile 5.315: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fantz 1966a=== | ===Fantz 1966a=== | ||
| Zeile 5.209: | Zeile 5.331: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Farago 1992a=== | ===Farago 1992a=== | ||
| Zeile 5.222: | Zeile 5.345: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Fauconnier 1985a=== | ||
| + | <bibentry> | ||
| + | @book{Fauconnier 1985a, | ||
| + | author = {Fauconnier, Gilles}, | ||
| + | title = {Mental Spaces - Aspects of Meaning Construction in Natural Language}, | ||
| + | year = {1985}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cambridge, MA}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Faßler 1997a=== | ===Faßler 1997a=== | ||
| Zeile 5.236: | Zeile 5.374: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
===Ferino-Pagden 2009a=== | ===Ferino-Pagden 2009a=== | ||
| Zeile 5.261: | Zeile 5.387: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiedler 1991a=== | ===Fiedler 1991a=== | ||
| Zeile 5.274: | Zeile 5.401: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiedler 1991b=== | ===Fiedler 1991b=== | ||
| Zeile 5.291: | Zeile 5.419: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiedler 1991c=== | ===Fiedler 1991c=== | ||
| Zeile 5.308: | Zeile 5.437: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiedler 1991d=== | ===Fiedler 1991d=== | ||
| Zeile 5.325: | Zeile 5.455: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fink 1966a=== | ===Fink 1966a=== | ||
| Zeile 5.338: | Zeile 5.469: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fink 1988a=== | ===Fink 1988a=== | ||
| Zeile 5.351: | Zeile 5.483: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Finke & Halawa 2012a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Finke & Halawa 2012a, | ||
| + | title = {Materialität und Bildlichkeit. Visuelle Artefakte zwischen Aisthesis und Semiosis}, | ||
| + | year = {2012}, | ||
| + | editor = {Finke, Marcel & Halawa, Mark A.}, | ||
| + | publisher = {Kadmos}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Finke 2007a=== | ===Finke 2007a=== | ||
| Zeile 5.369: | Zeile 5.516: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
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| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
===Fischer-Lichte 2004a=== | ===Fischer-Lichte 2004a=== | ||
| Zeile 5.394: | Zeile 5.529: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiske 2001a=== | ===Fiske 2001a=== | ||
| Zeile 5.409: | Zeile 5.545: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fiske 2003a=== | ===Fiske 2003a=== | ||
| Zeile 5.422: | Zeile 5.559: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fleck 1980a=== | ===Fleck 1980a=== | ||
| Zeile 5.436: | Zeile 5.574: | ||
</bibentry> | </bibentry> | ||
| − | ===Floch | + | |
| + | ===Floch 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Floch 1990a, |
| − | author = {Floch, Jean Marie}, | + | author = {Floch, Jean-Marie}, |
| − | title = { | + | title = {Sémiotique, marketing et communication}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Presses Universitaires de France.}, |
| − | + | address = {Paris}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Floch 1995a=== | ===Floch 1995a=== | ||
| Zeile 5.465: | Zeile 5.602: | ||
</bibentry> | </bibentry> | ||
| − | ===Floch | + | |
| + | ===Floch 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Floch 1998a, |
| − | author = {Floch, Jean | + | author = {Floch, Jean Marie}, |
| − | title = { | + | title = {The Contribution of Structural Semiotics to the Design of a Hypermarket}, |
| − | year = { | + | journal = {International Journal of Research in Marketing}, |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {4}, | ||
| + | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Florenskij 2007a=== | ===Florenskij 2007a=== | ||
| Zeile 5.491: | Zeile 5.633: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Flusser 1983a=== |
<bibentry> | <bibentry> | ||
| − | + | @book{Flusser 1983a, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @book{Flusser | ||
author = {Flusser, Vilém}, | author = {Flusser, Vilém}, | ||
| − | title = { | + | title = {Für eine Philosophie der Fotografie}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {European Photography}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.532: | Zeile 5.647: | ||
</bibentry> | </bibentry> | ||
| − | ===Flusser | + | |
| + | ===Flusser 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Flusser | + | @book{Flusser 1993a, |
author = {Flusser, Vilém}, | author = {Flusser, Vilém}, | ||
| − | title = { | + | title = {Lob der Oberflächlichkeit. Für eine Phänomenologie der Medien}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Bollmann}, |
| − | address = { | + | address = {Bensheim, Düsseldorf}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Flusser 1994a=== | ===Flusser 1994a=== | ||
| Zeile 5.562: | Zeile 5.679: | ||
</bibentry> | </bibentry> | ||
| − | ===Flusser | + | |
| + | ===Flusser 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Flusser | + | @book{Flusser 1999a, |
author = {Flusser, Vilém}, | author = {Flusser, Vilém}, | ||
| − | title = { | + | title = {Ins Universum der technischen Bilder}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {European Photography}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.575: | Zeile 5.693: | ||
</bibentry> | </bibentry> | ||
| − | ===Flusser | + | |
| + | ===Flusser 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Flusser | + | @book{Flusser 2003a, |
author = {Flusser, Vilém}, | author = {Flusser, Vilém}, | ||
| − | title = { | + | title = {Kommunikologie}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.588: | Zeile 5.707: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Flügge et al. 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Flügge et al. 2007a, |
| − | + | title = {RAUM. Orte der Kunst}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Flügge, Matthias & Kudielka, Robert & Lammert, Angela}, | |
| − | publisher = { | + | publisher = {Verlag für moderne Kunst}, |
| − | address = { | + | address = {Nürnberg}, |
| − | + | note = {Ausstellungskatalog, Akademie der Künste, Berlin}, | |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Foppa 2002a=== | + | |
| + | ===Flügge et al. 2007b=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Flügge et al. 2007b, | ||
| + | author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela}, | ||
| + | title = {Vorwort und Dank}, | ||
| + | booktitle = {RAUM. Orte der Kunst}, | ||
| + | year = {2007}, | ||
| + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, | ||
| + | pages = {6-9}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Foley et al. 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Foley et al. 1990a, | ||
| + | author = {Foley, James D.; van Dam, Andries; Feiner, Steven, K. & Hughes, John F.}, | ||
| + | title = {Computer Graphics. Principles and Practice}, | ||
| + | year = {1990}, | ||
| + | publisher = {Addison Wesley}, | ||
| + | address = {Reading, MA}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Foppa 2002a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Foppa 2002a, | @inproceedings{Foppa 2002a, | ||
| Zeile 5.616: | Zeile 5.767: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Forceville 1996a=== | ===Forceville 1996a=== | ||
| Zeile 5.629: | Zeile 5.781: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Forceville 2005a=== | ===Forceville 2005a=== | ||
| Zeile 5.646: | Zeile 5.799: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Forceville 2006a=== | ===Forceville 2006a=== | ||
| Zeile 5.663: | Zeile 5.817: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Foster & Krauss 1996a=== | ===Foster & Krauss 1996a=== | ||
| Zeile 5.677: | Zeile 5.832: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Foster 1995a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Foster 1995a, | ||
| + | author = {Foster, Hal}, | ||
| + | title = {Die Crux des Minimalismus}, | ||
| + | booktitle = {Minimal Art. Eine kritische Retrospektive}, | ||
| + | year = {1995}, | ||
| + | editor = {Gregor Stemmrich}, | ||
| + | pages = {589-633}, | ||
| + | publisher = {Philo Verlagsgesellschaft}, | ||
| + | address = {Dresden/Basel}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Foucault 1976a=== | ===Foucault 1976a=== | ||
| Zeile 5.690: | Zeile 5.864: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fowler 1991a=== | ===Fowler 1991a=== | ||
| Zeile 5.704: | Zeile 5.879: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fox 2006a=== | ===Fox 2006a=== | ||
| Zeile 5.716: | Zeile 5.892: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Frangenberg 2003a=== | ===Frangenberg 2003a=== | ||
| Zeile 5.728: | Zeile 5.905: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Frank & Lange 10a=== | ||
| + | <bibentry> | ||
| + | @book{Frank & Lange 10a, | ||
| + | author = {Frank, Gustav & Lange, Barbara}, | ||
| + | title = {Einführung in die Bildwissenschaft. Bilder in der visuellen Kultur}, | ||
| + | year = {2010}, | ||
| + | publisher = {Wissenschaftliche Buchgesellschaft}, | ||
| + | address = {Darmstadt}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Frank 1990a=== | ===Frank 1990a=== | ||
| Zeile 5.742: | Zeile 5.934: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
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| − | |||
| − | |||
===Freedberg 1991a=== | ===Freedberg 1991a=== | ||
| Zeile 5.767: | Zeile 5.947: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Frege 1892a=== | ===Frege 1892a=== | ||
| Zeile 5.784: | Zeile 5.965: | ||
</bibentry> | </bibentry> | ||
| − | ===Frege | + | |
| + | ===Frege 1892a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Frege | + | @book{Frege 1892a, |
author = {Frege, Gottlob}, | author = {Frege, Gottlob}, | ||
title = {Über Sinn und Bedeutung, zitiert nach der Ausgabe in: Frege, Gottlob: Funktion, Begriff, Bedeutung}, | title = {Über Sinn und Bedeutung, zitiert nach der Ausgabe in: Frege, Gottlob: Funktion, Begriff, Bedeutung}, | ||
| Zeile 5.796: | Zeile 5.978: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Frercks 2009a=== | ===Frercks 2009a=== | ||
| Zeile 5.813: | Zeile 5.996: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Frercks 2009b=== | ===Frercks 2009b=== | ||
| Zeile 5.831: | Zeile 6.015: | ||
</bibentry> | </bibentry> | ||
| − | ===Freud | + | |
| + | ===Freud 1900a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Freud | + | @book{Freud 1900a, |
author = {Freud, Sigmund}, | author = {Freud, Sigmund}, | ||
title = {Die Traumdeutung}, | title = {Die Traumdeutung}, | ||
year = {1991}, | year = {1991}, | ||
| − | publisher = { | + | publisher = { |
| − | + | ||
| − | + | ==E== | |
| − | + | ||
| − | |||
| − | |||
| − | ===Freud | + | ===Freud 1910a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Freud | + | @inproceedings{Freud 1910a, |
author = {Freud, Sigmund}, | author = {Freud, Sigmund}, | ||
title = {Eine Kindheitserinnerung des Leonardo da Vinci}, | title = {Eine Kindheitserinnerung des Leonardo da Vinci}, | ||
| Zeile 5.861: | Zeile 6.044: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
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| − | |||
===Freud 1914a=== | ===Freud 1914a=== | ||
| Zeile 5.894: | Zeile 6.061: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Freud 1914b=== | ===Freud 1914b=== | ||
| Zeile 5.911: | Zeile 6.079: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Freud 1915a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Freud 1915a, | ||
| + | author = {Freud, Sigmund}, | ||
| + | title = {Die metapsychologischen Schriften von 1915}, | ||
| + | booktitle = {Psychologie des Unbewußten. Studienausgabe Band III}, | ||
| + | year = {1975}, | ||
| + | editor = {}, | ||
| + | pages = {69-213}, | ||
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt a. M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Freud 1946a=== | ===Freud 1946a=== | ||
| Zeile 5.928: | Zeile 6.115: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Freud 1946b=== | ===Freud 1946b=== | ||
| Zeile 5.946: | Zeile 6.134: | ||
</bibentry> | </bibentry> | ||
| − | ===Friedländer | + | |
| + | ===Friedländer 1912a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Friedländer | + | @book{Friedländer 1912a, |
author = {Friedländer, Paul}, | author = {Friedländer, Paul}, | ||
title = {Johannes von Gaza und Paulus Silentiarius. Kunstbeschreibungen justinianischer Zeit}, | title = {Johannes von Gaza und Paulus Silentiarius. Kunstbeschreibungen justinianischer Zeit}, | ||
| Zeile 5.958: | Zeile 6.147: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Fuhrmann 2003a=== | ===Fuhrmann 2003a=== | ||
| Zeile 5.972: | Zeile 6.162: | ||
</bibentry> | </bibentry> | ||
| − | ===Füsslin & Hentze | + | |
| + | ===Füsslin & Hentze 99a=== | ||
<bibentry> | <bibentry> | ||
@book{Füsslin & Hentze 99a, | @book{Füsslin & Hentze 99a, | ||
| Zeile 5.986: | Zeile 6.177: | ||
==G== | ==G== | ||
| + | |||
===Gadamer 1960a=== | ===Gadamer 1960a=== | ||
| Zeile 5.999: | Zeile 6.191: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gaede 1981a=== | ===Gaede 1981a=== | ||
| Zeile 6.012: | Zeile 6.205: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Galison 1997a=== | ===Galison 1997a=== | ||
| Zeile 6.024: | Zeile 6.218: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gall 2007a=== | ===Gall 2007a=== | ||
| Zeile 6.037: | Zeile 6.232: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gallistel 1980a=== | ===Gallistel 1980a=== | ||
| Zeile 6.050: | Zeile 6.246: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gamer 2007a=== | ===Gamer 2007a=== | ||
| Zeile 6.067: | Zeile 6.264: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gamm 2000a=== | ===Gamm 2000a=== | ||
| Zeile 6.079: | Zeile 6.277: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gamper 2007a=== | ===Gamper 2007a=== | ||
| Zeile 6.091: | Zeile 6.290: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Ganz & Henkel 2004a=== | ===Ganz & Henkel 2004a=== | ||
| Zeile 6.104: | Zeile 6.304: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Garcia 1990a=== | ===Garcia 1990a=== | ||
| Zeile 6.117: | Zeile 6.318: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Garcia 1997a=== | ===Garcia 1997a=== | ||
| Zeile 6.130: | Zeile 6.332: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gardner 1985a=== | ===Gardner 1985a=== | ||
| Zeile 6.143: | Zeile 6.346: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gebauer & Wulf 1992a=== | ===Gebauer & Wulf 1992a=== | ||
| Zeile 6.156: | Zeile 6.360: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gehlen 1961a=== | ||
| + | <bibentry> | ||
| + | @book{Gehlen 1961a, | ||
| + | author = {Gehlen, Arnold}, | ||
| + | title = {Anthropologische Forschung. Zur Selbstbegegnung und Selbstentdeckung des Menschen}, | ||
| + | year = {1961}, | ||
| + | publisher = {Rowohlt}, | ||
| + | address = {Reinbek bei Hamburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Gehlen 2004a=== | ===Gehlen 2004a=== | ||
| Zeile 6.169: | Zeile 6.388: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gehlen 2004b=== | ===Gehlen 2004b=== | ||
| Zeile 6.183: | Zeile 6.403: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | ===Gehring | + | ===Gehring 1992a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Gehring | + | @inproceedings{Gehring 1992a, |
author = {Gehring, Petra}, | author = {Gehring, Petra}, | ||
title = {Paradigma einer Methode. Der Begriff des Diagramms im Strukturdenken von M. Foucault und M. Serres}, | title = {Paradigma einer Methode. Der Begriff des Diagramms im Strukturdenken von M. Foucault und M. Serres}, | ||
| Zeile 6.210: | Zeile 6.418: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Geiger & Henn-Memmesheimer 1998a=== | ===Geiger & Henn-Memmesheimer 1998a=== | ||
| Zeile 6.226: | Zeile 6.435: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Geimer 2007a=== | ===Geimer 2007a=== | ||
| Zeile 6.243: | Zeile 6.453: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Geimer 2009a=== | ||
| + | <bibentry> | ||
| + | @book{Geimer 2009a, | ||
| + | author = {Geimer, Peter}, | ||
| + | title = {Theorien der Fotografie zur Einführung}, | ||
| + | year = {2009}, | ||
| + | publisher = {Junius Verlag}, | ||
| + | address = {Hamburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Geimer 2010a=== | ||
| + | <bibentry> | ||
| + | @book{Geimer 2010a, | ||
| + | author = {Geimer, Peter}, | ||
| + | title = {Bilder aus Versehen. Eine Geschichte fotografischer Erscheinungen}, | ||
| + | year = {2010}, | ||
| + | publisher = {Philo Fine Arts}, | ||
| + | address = {Hamburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Gellius 1987a=== | ===Gellius 1987a=== | ||
| Zeile 6.256: | Zeile 6.495: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gemoll & Vretska 2006a=== | ===Gemoll & Vretska 2006a=== | ||
| Zeile 6.269: | Zeile 6.509: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Genette 1972a=== | ===Genette 1972a=== | ||
| Zeile 6.282: | Zeile 6.523: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Genova 1995a=== | ===Genova 1995a=== | ||
| Zeile 6.295: | Zeile 6.537: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Georges 1998a=== | ===Georges 1998a=== | ||
| Zeile 6.309: | Zeile 6.552: | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
===Gerhardus 1999a=== | ===Gerhardus 1999a=== | ||
| Zeile 6.337: | Zeile 6.569: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gerhardus 2003a=== | ===Gerhardus 2003a=== | ||
| Zeile 6.354: | Zeile 6.587: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gerhardus et al. 1975a=== | ||
| + | <bibentry> | ||
| + | @book{Gerhardus et al. 1975a, | ||
| + | author = {Gerhardus, Dietfried; Kledzik, Silke M. & Reitzig, Gerd H.}, | ||
| + | title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch}, | ||
| + | year = {1975}, | ||
| + | publisher = {Vandenhoeck & Ruprecht}, | ||
| + | address = {Göttingen}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Gerstein 2007a=== | ===Gerstein 2007a=== | ||
| Zeile 6.367: | Zeile 6.614: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gerstengrabe et al. 2010a=== | ===Gerstengrabe et al. 2010a=== | ||
| Zeile 6.382: | Zeile 6.630: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gibson 1950a=== | ||
| + | <bibentry> | ||
| + | @article{Gibson 1950a, | ||
| + | author = {Gibson, James J.}, | ||
| + | title = {The perception of visual surfaces}, | ||
| + | journal = {The American Journal of Psychology}, | ||
| + | year = {1950}, | ||
| + | volume = {63}, | ||
| + | number = {3}, | ||
| + | pages = {367-384}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Gibson 1982a=== | ===Gibson 1982a=== | ||
| Zeile 6.395: | Zeile 6.661: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gibson 1982b=== | ===Gibson 1982b=== | ||
| Zeile 6.409: | Zeile 6.676: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Giertler 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @article{Giertler 2011a, | |
| − | + | author = {Giertler, Mareike}, | |
| − | |||
| − | |||
| − | |||
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| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @article{Giertler 2011a, | ||
| − | author = {Giertler, Mareike}, | ||
title = {Lesen als Akt des Sehens der Schrift - Am Beispiel von Kafkas Betrachtungen im Erstdruck}, | title = {Lesen als Akt des Sehens der Schrift - Am Beispiel von Kafkas Betrachtungen im Erstdruck}, | ||
journal = {Sprache und Literatur}, | journal = {Sprache und Literatur}, | ||
| Zeile 6.441: | Zeile 6.693: | ||
</bibentry> | </bibentry> | ||
| − | ===Gillam | + | |
| + | ===Gillam 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Gillam | + | @article{Gillam 1987a, |
author = {Gillam, Barbara}, | author = {Gillam, Barbara}, | ||
title = {Geometrisch-optische Täuschungen}, | title = {Geometrisch-optische Täuschungen}, | ||
| Zeile 6.454: | Zeile 6.707: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Giuliani 2003a=== | ===Giuliani 2003a=== | ||
| Zeile 6.467: | Zeile 6.721: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Giuliani 2006a=== | ===Giuliani 2006a=== | ||
| Zeile 6.483: | Zeile 6.738: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Giuriato/Kammer 2006a=== | ===Giuriato/Kammer 2006a=== | ||
| Zeile 6.496: | Zeile 6.752: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Glock 2000a=== | ===Glock 2000a=== | ||
| Zeile 6.513: | Zeile 6.770: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Glüher 1998a=== | ===Glüher 1998a=== | ||
| Zeile 6.527: | Zeile 6.785: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goldie 2000a=== | ===Goldie 2000a=== | ||
| Zeile 6.540: | Zeile 6.799: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goldie 2010a=== | ===Goldie 2010a=== | ||
| Zeile 6.553: | Zeile 6.813: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goldstein 1997a=== | ===Goldstein 1997a=== | ||
| Zeile 6.565: | Zeile 6.826: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 1952a=== | ===Gombrich 1952a=== | ||
| Zeile 6.582: | Zeile 6.844: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 1962a=== | ===Gombrich 1962a=== | ||
| Zeile 6.595: | Zeile 6.858: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 1977a=== | ===Gombrich 1977a=== | ||
| Zeile 6.608: | Zeile 6.872: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 1978a=== | ===Gombrich 1978a=== | ||
| Zeile 6.621: | Zeile 6.886: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 1984a=== | ===Gombrich 1984a=== | ||
| Zeile 6.634: | Zeile 6.900: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gombrich 2002a=== | ===Gombrich 2002a=== | ||
| Zeile 6.647: | Zeile 6.914: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gomringer 1997a=== | ===Gomringer 1997a=== | ||
| Zeile 6.660: | Zeile 6.928: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gondek 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Gondek 1990a, | ||
| + | author = {Gondek, Hans-Dieter}, | ||
| + | title = {Angst. Einbildungskraft. Sprache. Ein verbindender Aufriß zwischen Freud – Kant – Lacan}, | ||
| + | year = {1990a}, | ||
| + | publisher = {Boer}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Gondek 1997a=== | ===Gondek 1997a=== | ||
| Zeile 6.677: | Zeile 6.960: | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
===Gooch & Gooch 2001a=== | ===Gooch & Gooch 2001a=== | ||
| Zeile 6.701: | Zeile 6.972: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Goodman & Elgin 1988a=== | ||
| + | <bibentry> | ||
| + | @book{Goodman & Elgin 1988a, | ||
| + | author = {Goodman, Nelson & Elgin, Catherine Z.}, | ||
| + | title = {Reconceptions in Philosophy and Other Arts and Sciences}, | ||
| + | year = {1988}, | ||
| + | publisher = {Hackett}, | ||
| + | address = {Indianapolis}, | ||
| + | note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Goodman & Elgin 1993a=== | ||
| + | <bibentry> | ||
| + | @book{Goodman & Elgin 1993a, | ||
| + | author = {Nelson Goodman & Catherine C. Elgin}, | ||
| + | title = {Revisionen. Philosophie und andere Künste und Wissenschaften}, | ||
| + | year = {1993}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {übers. v. Bernd Philippi}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Goodman 1968a=== | ===Goodman 1968a=== | ||
| Zeile 6.713: | Zeile 7.012: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goodman 1978a=== | ===Goodman 1978a=== | ||
| Zeile 6.726: | Zeile 7.026: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goodman 1990a=== | ===Goodman 1990a=== | ||
| Zeile 6.739: | Zeile 7.040: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goodman 1995a=== | ===Goodman 1995a=== | ||
| Zeile 6.752: | Zeile 7.054: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Goodman 1997a=== | ===Goodman 1997a=== | ||
| Zeile 6.766: | Zeile 7.069: | ||
</bibentry> | </bibentry> | ||
| − | |||
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===Goren et al. 1975a=== | ===Goren et al. 1975a=== | ||
| Zeile 6.794: | Zeile 7.086: | ||
</bibentry> | </bibentry> | ||
| − | ===Grabbe | + | |
| + | ===Grabbe 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Grabbe 2010a, |
| − | author = {Grabbe, Lars | + | author = {Grabbe, Lars}, |
| − | title = { | + | title = {Die Evolution des Cyborgs. Künstliche Lebensformen im japanischen Anime Ergo Proxy (2006)}, |
| − | booktitle = { | + | booktitle = {Japan - Europa. Wechselwirkungen zwischen den Kulturen im Film und den darstellenden Künsten}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Adachi-Rabe, K.; Becker, A.; Mundhenke, F.}, |
| − | pages = { | + | pages = {213-230}, |
| − | publisher = { | + | publisher = {Büchner Verlag}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Grabbe | + | |
| + | ===Grabbe 2011b=== | ||
| + | <bibentry> | ||
| + | @book{Grabbe 2011b, | ||
| + | author = {Grabbe, Lars Christian}, | ||
| + | title = {Georg Simmels Objektwelt. Verstehensmodelle zwischen Geschichtsphilosophie und Ästhetik}, | ||
| + | year = {2011b}, | ||
| + | publisher = {ibidem}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {Zugl.: Dissertation Technische Universität Chemnitz}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Grabbe_Kruse_2008a=== | ||
<bibentry> | <bibentry> | ||
@article{Grabbe_Kruse_2008a, | @article{Grabbe_Kruse_2008a, | ||
| Zeile 6.825: | Zeile 7.133: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Grabbe_Kruse_2008b=== | ||
<bibentry> | <bibentry> | ||
@article{Grabbe_Kruse_2008b, | @article{Grabbe_Kruse_2008b, | ||
| Zeile 6.841: | Zeile 7.150: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Grabbe_Kruse_2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Grabbe_Kruse_2009a, |
| − | author = {Grabbe, Lars}, | + | author = {Grabbe, Lars & Kruse, Patrick}, |
| − | title = { | + | title = {Roland Barthes: Zeichen, Kommunikation und Mythos}, |
| − | booktitle = { | + | booktitle = {Schlüsselwerke der Cultural Studies}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Hepp, A.; Krotz, F. & Thomas, T.}, |
| − | pages = { | + | pages = {21-31}, |
| − | publisher = { | + | publisher = {VS/GWV}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
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===Graf 1995a=== | ===Graf 1995a=== | ||
| Zeile 6.885: | Zeile 7.183: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grammer et al. 2002a=== | ===Grammer et al. 2002a=== | ||
| Zeile 6.901: | Zeile 7.200: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Graumann 1966a=== | ===Graumann 1966a=== | ||
| Zeile 6.917: | Zeile 7.217: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Graumann 2002a=== | ===Graumann 2002a=== | ||
| Zeile 6.934: | Zeile 7.235: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Greenberg 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Greenberg 1997a, |
| − | author = { | + | author = {Greenberg, Clement}, |
| − | title = { | + | title = {Zu einem neuen Laokoon}, |
| − | + | booktitle = {Clement Greenberg – Die Essenz der Modere. Ausgewählte Essays und Kritiken}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Lüdeking, K.}, | |
| − | pages = { | + | pages = {56-81}, |
| − | + | publisher = {Philo Fine Arts}, | |
| + | address = {Amsterdam/Dresden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Gregory 1997a=== | ===Gregory 1997a=== | ||
| Zeile 6.962: | Zeile 7.266: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gregory 2000a=== | ||
| + | <bibentry> | ||
| + | @article{Gregory 2000a, | ||
| + | author = {Gregory, Richard L.}, | ||
| + | title = {Ambiguity of ‘Ambiguity’}, | ||
| + | journal = {Perception}, | ||
| + | volume = {29}, | ||
| + | number = {}, | ||
| + | pages = {1139-1142}, | ||
| + | year = {2000}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {www.richardgregory.org/papers/editorials/ambiguity-of-ambiguity.pdf}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Greif 1998a=== | ===Greif 1998a=== | ||
| Zeile 6.976: | Zeile 7.298: | ||
</bibentry> | </bibentry> | ||
| − | ===Greimas | + | |
| + | ===Greimas & Courtés 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Greimas | + | @book{Greimas & Courtés 1979a, |
| − | author = {Greimas, Algirdas Julien}, | + | author = {Greimas, Algirdas Julien & Courtés, Joseph}, |
| − | title = { | + | title = {Sémiotique: Dictionnaire raisonné de la théorie du langage}, |
| − | year = { | + | year = {1979}, |
| − | publisher = { | + | publisher = {Hachette}, |
address = {Paris}, | address = {Paris}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Greimas 1966a=== | ===Greimas 1966a=== | ||
| Zeile 7.003: | Zeile 7.327: | ||
</bibentry> | </bibentry> | ||
| − | ===Greimas | + | |
| + | ===Greimas 1970a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Greimas | + | @book{Greimas 1970a, |
| − | author = {Greimas, Algirdas Julien | + | author = {Greimas, Algirdas Julien}, |
| − | title = { | + | title = {Du sens, Teil I}, |
| − | year = { | + | year = {1970}, |
| − | publisher = { | + | publisher = {Seuil}, |
address = {Paris}, | address = {Paris}, | ||
| − | note = {}, | + | note = {Essais Sémiotiques}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
===Grice 1970a=== | ===Grice 1970a=== | ||
| Zeile 7.046: | Zeile 7.355: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grieshofer 2009a=== | ===Grieshofer 2009a=== | ||
| Zeile 7.063: | Zeile 7.373: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grimm 1860a=== | ===Grimm 1860a=== | ||
| Zeile 7.076: | Zeile 7.387: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grimm 1889a=== | ===Grimm 1889a=== | ||
| Zeile 7.089: | Zeile 7.401: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grittmann 2003a=== | ===Grittmann 2003a=== | ||
| Zeile 7.106: | Zeile 7.419: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Grittmann 2007a=== | ===Grittmann 2007a=== | ||
| Zeile 7.119: | Zeile 7.433: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Groß & Westermann 2007a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Groß & Westermann 2007a, | ||
| + | title = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, | ||
| + | year = {2007}, | ||
| + | editor = {Groß, Dominik & Westermann, Stefanie}, | ||
| + | publisher = {Kassel Univ. Press}, | ||
| + | address = {Kassel}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Groß et al. 1981a=== | ===Groß et al. 1981a=== | ||
| Zeile 7.134: | Zeile 7.463: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Groß u. Schäfer 2007a=== | ===Groß u. Schäfer 2007a=== | ||
| Zeile 7.152: | Zeile 7.482: | ||
</bibentry> | </bibentry> | ||
| − | |||
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===Grube et al. 2005a=== | ===Grube et al. 2005a=== | ||
| Zeile 7.177: | Zeile 7.495: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gumbrecht 1986a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Gumbrecht 1986a, | ||
| + | author = {Gumbrecht, Hans Ulrich}, | ||
| + | title = {Schwindende Stabilität der Wirklichkeit. Eine Geschichte des Stilbegriffs}, | ||
| + | booktitle = {Stil. Geschichten und Funktionen eines kunstwissenschaftlichen Diskurses}, | ||
| + | year = {1986}, | ||
| + | editor = {Gumbrecht, H. U. & Pfeiffer, K. L.}, | ||
| + | pages = {726-787}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a. M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gumbrecht 2004a=== | ||
| + | <bibentry> | ||
| + | @book{Gumbrecht 2004a, | ||
| + | author = {Gumbrecht, Hans Ulrich}, | ||
| + | title = {Diesseits der Hermeneutik. Die Produktion von Präsenz}, | ||
| + | year = {2004}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M}, | ||
| + | note = {übers. v. Joachim Schulte}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Gumbrecht/Pfeiffer 1988a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Gumbrecht/Pfeiffer 1988a, | ||
| + | title = {Materialität der Kommunikation}, | ||
| + | year = {1988}, | ||
| + | editor = {Gumbrecht, Hans Ulrich & Pfeiffer, K. Ludwig}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ==H== | ||
| + | |||
===Günzel 2006a=== | ===Günzel 2006a=== | ||
| Zeile 7.191: | Zeile 7.558: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Günzel 2008a=== | ===Günzel 2008a=== | ||
| Zeile 7.206: | Zeile 7.574: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Günzel 2009a=== | ===Günzel 2009a=== | ||
| Zeile 7.221: | Zeile 7.590: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Günzel 2010a=== | ===Günzel 2010a=== | ||
| Zeile 7.236: | Zeile 7.606: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Günzel 2012a=== | ===Günzel 2012a=== | ||
| Zeile 7.250: | Zeile 7.621: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Haas 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Haas 1995a, | |
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| − | |||
| − | @inproceedings{Haas 1995a, | ||
author = {Haas, Stefan}, | author = {Haas, Stefan}, | ||
title = {Psychologen, Künstler, Ökonomen. Das Selbstverständnis der Werbetreibenden zwischen Fin de siècle und Nachkriegszeit}, | title = {Psychologen, Künstler, Ökonomen. Das Selbstverständnis der Werbetreibenden zwischen Fin de siècle und Nachkriegszeit}, | ||
| Zeile 7.310: | Zeile 7.637: | ||
</bibentry> | </bibentry> | ||
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===Habermas 1973a=== | ===Habermas 1973a=== | ||
| Zeile 7.336: | Zeile 7.651: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Habermas 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Habermas 1995a, |
| − | author = { | + | author = {Habermas, Jürgen}, |
| − | title = { | + | title = {Theorie des kommunikativen Handelns (1981), 2 Bd.}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | + | note = {7. Aufl}, | |
| − | |||
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hagen 2002a=== | ===Hagen 2002a=== | ||
| Zeile 7.367: | Zeile 7.680: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hagen 2002b=== | ===Hagen 2002b=== | ||
| Zeile 7.382: | Zeile 7.696: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hagen 2003a=== | ===Hagen 2003a=== | ||
| Zeile 7.396: | Zeile 7.711: | ||
</bibentry> | </bibentry> | ||
| − | ===Haken | + | |
| + | ===Haken 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Haken | + | @inproceedings{Haken 1995a, |
author = {Haken, Hermann}, | author = {Haken, Hermann}, | ||
title = {Some Basic Concepts of Synergetics with Respect of Multistability in Perception, Phase Transmissions and Formation of Meaning}, | title = {Some Basic Concepts of Synergetics with Respect of Multistability in Perception, Phase Transmissions and Formation of Meaning}, | ||
| Zeile 7.413: | Zeile 7.729: | ||
</bibentry> | </bibentry> | ||
| − | ===Halawa 2008a=== | + | |
| + | ===Halawa & Grabbe 2013a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Halawa & Grabbe 2013a, | ||
| + | author = {Halawa, Mark & Grabbe, Nils}, | ||
| + | title = {Anthropologische / kulturalistische Ansätze}, | ||
| + | booktitle = {Bild und Methode. Theoretische Hintergründe und methodische Verfahren der Bildwissenschaft}, | ||
| + | year = {2013}, | ||
| + | editor = {Sachs-Hombach, Klaus et al.}, | ||
| + | pages = {??}, | ||
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {im Erscheinen}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Halawa 2008a=== | ||
<bibentry> | <bibentry> | ||
@book{Halawa 2008a, | @book{Halawa 2008a, | ||
| Zeile 7.425: | Zeile 7.760: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Halawa 2009a=== | ===Halawa 2009a=== | ||
| Zeile 7.442: | Zeile 7.778: | ||
</bibentry> | </bibentry> | ||
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===Halbfass 1972a=== | ===Halbfass 1972a=== | ||
| Zeile 7.475: | Zeile 7.795: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Halliday 1985a=== | ||
| + | <bibentry> | ||
| + | @book{Halliday 1985a, | ||
| + | author = {Halliday, Michael A.K.}, | ||
| + | title = {An Introduction to Functional Grammar}, | ||
| + | year = {1985}, | ||
| + | publisher = {Edward Arnold}, | ||
| + | address = {London}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Halliday 1996a=== | ===Halliday 1996a=== | ||
| Zeile 7.491: | Zeile 7.826: | ||
</bibentry> | </bibentry> | ||
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===Hammer-Tugendhat 2009a=== | ===Hammer-Tugendhat 2009a=== | ||
| Zeile 7.516: | Zeile 7.839: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hansen 2005a=== | ===Hansen 2005a=== | ||
| Zeile 7.533: | Zeile 7.857: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Harris 1756a=== | ===Harris 1756a=== | ||
| Zeile 7.546: | Zeile 7.871: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Harris 1783a=== | ===Harris 1783a=== | ||
| Zeile 7.559: | Zeile 7.885: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Harth 2001a=== | ===Harth 2001a=== | ||
| Zeile 7.576: | Zeile 7.903: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hartog 2009a=== | ===Hartog 2009a=== | ||
| Zeile 7.593: | Zeile 7.921: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hasselbeck 1979a=== | ===Hasselbeck 1979a=== | ||
| Zeile 7.606: | Zeile 7.935: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hauck 1879a=== | ===Hauck 1879a=== | ||
| Zeile 7.619: | Zeile 7.949: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hauschild 1982a=== | ===Hauschild 1982a=== | ||
| Zeile 7.632: | Zeile 7.963: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hausman 1989a=== | ===Hausman 1989a=== | ||
| Zeile 7.646: | Zeile 7.978: | ||
</bibentry> | </bibentry> | ||
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===Heffernan 1993a=== | ===Heffernan 1993a=== | ||
| Zeile 7.672: | Zeile 7.991: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Heffernan 1999a=== | ||
| + | <bibentry> | ||
| + | @article{Heffernan 1999a, | ||
| + | author = {Heffernan, James A.W.}, | ||
| + | year = {1999}, | ||
| + | title = {Speaking for Pictures: The Rhetoric of Art Criticism}, | ||
| + | journal = {Word & Image}, | ||
| + | volume = {15}, | ||
| + | number = {}, | ||
| + | pages = {19-33}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Hegel 1826a=== | ===Hegel 1826a=== | ||
| Zeile 7.686: | Zeile 8.021: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hegel 1830a=== | ===Hegel 1830a=== | ||
| Zeile 7.700: | Zeile 8.036: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hegel 1835a=== | ===Hegel 1835a=== | ||
| Zeile 7.713: | Zeile 8.050: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hegel 1970a=== | ===Hegel 1970a=== | ||
| Zeile 7.729: | Zeile 8.067: | ||
</bibentry> | </bibentry> | ||
| − | ===Heidegger | + | |
| + | ===Heidegger 1950a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Heidegger 1950a, |
author = {Heidegger, Martin}, | author = {Heidegger, Martin}, | ||
| − | title = { | + | title = {Die Zeit des Weltbildes}, |
| − | year = { | + | booktitle = {Holzwege}, |
| − | publisher = { | + | year = {1950}, |
| − | address = { | + | editor = {ders.}, |
| + | pages = {69-104}, | ||
| + | publisher = {Klostermann}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Heidegger 1986a=== | ===Heidegger 1986a=== | ||
| Zeile 7.755: | Zeile 8.097: | ||
</bibentry> | </bibentry> | ||
| − | ===Heidegger | + | |
| + | ===Heidegger 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Heidegger 2006a, |
author = {Heidegger, Martin}, | author = {Heidegger, Martin}, | ||
| − | title = { | + | title = {Seind und Zeit}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Niemeyer}, |
| − | + | address = {Tübingen}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Heidenreich 2001a=== | ===Heidenreich 2001a=== | ||
| Zeile 7.784: | Zeile 8.126: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Heider 2009a=== | ===Heider 2009a=== | ||
| Zeile 7.797: | Zeile 8.140: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Helson 1925a=== | ===Helson 1925a=== | ||
| Zeile 7.813: | Zeile 8.157: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hempfer 2000a=== | ===Hempfer 2000a=== | ||
| Zeile 7.826: | Zeile 8.171: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Heng 2003a=== | ===Heng 2003a=== | ||
| Zeile 7.843: | Zeile 8.189: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hennig 2006a=== | ===Hennig 2006a=== | ||
| Zeile 7.861: | Zeile 8.208: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hennig 2007a=== | ===Hennig 2007a=== | ||
| Zeile 7.879: | Zeile 8.227: | ||
</bibentry> | </bibentry> | ||
| − | ===Hensel | + | |
| + | ===Hensel 09a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Hensel 09a, | @inproceedings{Hensel 09a, | ||
| Zeile 7.896: | Zeile 8.245: | ||
</bibentry> | </bibentry> | ||
| − | ===Herder | + | |
| + | ===Herder 1800a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Herder | + | @book{Herder 1800a, |
author = {Herder, Johann Gottfried}, | author = {Herder, Johann Gottfried}, | ||
| − | title = { | + | title = {Sämtliche Werke. Bd. 22: Kalligone (1800)}, |
| − | year = { | + | year = {1800}, |
| − | + | publisher = {Olms-Weidmann}, | |
| − | publisher = { | + | address = {Berlin}, |
| − | address = { | + | note = {Reprint}, |
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Herder 1969a=== | ===Herder 1969a=== | ||
| Zeile 7.923: | Zeile 8.273: | ||
</bibentry> | </bibentry> | ||
| − | ===Herder | + | |
| + | ===Herder 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Herder | + | @book{Herder 2001a, |
author = {Herder, Johann Gottfried}, | author = {Herder, Johann Gottfried}, | ||
| − | title = { | + | title = {Abhandlung über den Ursprung der Sprache (1772)}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | editor = {Irmscher, H.D.}, |
| − | address = { | + | publisher = {Philipp Reclam jun.}, |
| − | note = { | + | address = {Stuttgart}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Hernadi | + | |
| + | ===Hernadi 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Hernadi | + | @article{Hernadi 1991a, |
author = {Hernadi, Paul}, | author = {Hernadi, Paul}, | ||
year = {1991}, | year = {1991}, | ||
| Zeile 7.949: | Zeile 8.302: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Herskovits 1986a=== | ===Herskovits 1986a=== | ||
| Zeile 7.962: | Zeile 8.316: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Herter 1947a=== | ===Herter 1947a=== | ||
| Zeile 7.976: | Zeile 8.331: | ||
</bibentry> | </bibentry> | ||
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===Hessler 2002a=== | ===Hessler 2002a=== | ||
| Zeile 8.007: | Zeile 8.349: | ||
</bibentry> | </bibentry> | ||
| − | ===Hick | + | |
| + | ===Heßler 2006a=== | ||
| + | <bibentry> | ||
| + | @misc{Heßler 2006a, | ||
| + | author = {Heßler, Martina}, | ||
| + | title = {Von der doppelten Unsichtbarkeit digitaler Bilder}, | ||
| + | year = {2006}, | ||
| + | howpublished = {Elektronische Ressource}, | ||
| + | publisher = {}, | ||
| + | note = {}, | ||
| + | hidden ={letzter Kontrollaufruf: 07.08.2010}, | ||
| + | url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Hick 99a=== | ||
<bibentry> | <bibentry> | ||
@book{Hick 99a, | @book{Hick 99a, | ||
| Zeile 8.019: | Zeile 8.377: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hickethier 1995a=== | ===Hickethier 1995a=== | ||
| Zeile 8.035: | Zeile 8.394: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hicks/Beaudry 2010a=== | ===Hicks/Beaudry 2010a=== | ||
| Zeile 8.049: | Zeile 8.409: | ||
</bibentry> | </bibentry> | ||
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===Hilbert 1899a=== | ===Hilbert 1899a=== | ||
| Zeile 8.087: | Zeile 8.422: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hildebrand 1969a=== | ===Hildebrand 1969a=== | ||
| Zeile 8.102: | Zeile 8.438: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hilgert 2010a=== | ===Hilgert 2010a=== | ||
| Zeile 8.118: | Zeile 8.455: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hinterwaldner 2008a=== | ===Hinterwaldner 2008a=== | ||
| Zeile 8.133: | Zeile 8.471: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Hjelmslev 1943a=== | ||
| + | <bibentry> | ||
| + | @book{Hjelmslev 1943a, | ||
| + | author = {Hjelmslev, Louis}, | ||
| + | title = {Omkring sprogteoriens grundlæggelse}, | ||
| + | year = {1943}, | ||
| + | publisher = {Nordisk Sprog- od Kulturforlag}, | ||
| + | address = {Kopenhagen}, | ||
| + | note = {Dt. Prolegomena zu einer Sprachtheorie. München: Hueber}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Hjelmslev 1954a=== | ===Hjelmslev 1954a=== | ||
| Zeile 8.151: | Zeile 8.504: | ||
</bibentry> | </bibentry> | ||
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| − | |||
| − | |||
| − | |||
===Hochberg 1977a=== | ===Hochberg 1977a=== | ||
<bibentry> | <bibentry> | ||
| Zeile 8.176: | Zeile 8.517: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hofmann 2000a=== | ===Hofmann 2000a=== | ||
| Zeile 8.189: | Zeile 8.531: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hofmann 2007a=== | ===Hofmann 2007a=== | ||
| Zeile 8.205: | Zeile 8.548: | ||
</bibentry> | </bibentry> | ||
| − | ===Hollander | + | |
| + | ===Hollander 1988a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Hollander | + | @article{Hollander 1988a, |
author = {Hollander, John}, | author = {Hollander, John}, | ||
year = {1988}, | year = {1988}, | ||
| Zeile 8.219: | Zeile 8.563: | ||
</bibentry> | </bibentry> | ||
| − | ===Holly | + | |
| + | ===Holly & Jäger 2011a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Holly & Jäger 2011a, | ||
| + | author = {Holly, Werner & Jäger, Ludwig}, | ||
| + | title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken}, | ||
| + | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, | ||
| + | year = {2011}, | ||
| + | editor = {Schneider, J.G. & Stöckl, H.}, | ||
| + | pages = {}, | ||
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Holly 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Holly | + | @inproceedings{Holly 2007a, |
author = {Holly, Werner}, | author = {Holly, Werner}, | ||
| − | title = { | + | title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’}, |
| − | booktitle = { | + | booktitle = {Linguistische Hermeneutik}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Hermanns, F.}, |
| − | pages = { | + | pages = {389–428}, |
| − | publisher = { | + | publisher = {Niemeyer}, |
| − | address = { | + | address = {Tübingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.235: | Zeile 8.598: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Holly 2009a=== | ===Holly 2009a=== | ||
| Zeile 8.253: | Zeile 8.617: | ||
</bibentry> | </bibentry> | ||
| − | ===Holly | + | |
| + | ===Holly 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Holly | + | @inproceedings{Holly 2010a, |
author = {Holly, Werner}, | author = {Holly, Werner}, | ||
| − | title = { | + | title = {Bildüberschreibungen. Wie Sprechtexte Nachrichtenfilme lesbar machen (und umgekehrt)}, |
| − | booktitle = { | + | booktitle = {Bildlinguistik}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Diekmannshenke, H.; Klemm, M. & Stöckl, H.}, |
| − | pages = { | + | pages = {231-254}, |
| − | publisher = { | + | publisher = {Erich Schmidt}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.270: | Zeile 8.635: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Holmes 1980a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Holmes 1980a, | |
| − | + | author = {Holmes, Sir Oliver Wendell}, | |
| − | + | title = {Das Stereoskop und der Stereograph}, | |
| − | + | booktitle = {Theorie der Fotografie I. 1839-1912}, | |
| − | + | year = {1980}, | |
| − | + | editor = {Kemp, W.}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @inproceedings{Holmes 1980a, | ||
| − | author = {Holmes, Sir Oliver Wendell}, | ||
| − | title = {Das Stereoskop und der Stereograph}, | ||
| − | booktitle = {Theorie der Fotografie I. 1839-1912}, | ||
| − | year = {1980}, | ||
| − | editor = {Kemp, W.}, | ||
pages = {114-122}, | pages = {114-122}, | ||
publisher = {Schirmer/Mosel}, | publisher = {Schirmer/Mosel}, | ||
| Zeile 8.301: | Zeile 8.650: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Holschbach 2003a=== | ===Holschbach 2003a=== | ||
| Zeile 8.317: | Zeile 8.667: | ||
</bibentry> | </bibentry> | ||
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| − | |||
| − | ===Homer | + | ===Homer 1979a=== |
<bibentry> | <bibentry> | ||
| − | @book{Homer | + | @book{Homer 1979a, |
author = {Homer}, | author = {Homer}, | ||
title = {Ilias}, | title = {Ilias}, | ||
| Zeile 8.345: | Zeile 8.680: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hoormann 2007a=== | ===Hoormann 2007a=== | ||
| Zeile 8.362: | Zeile 8.698: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hopkins 1998a=== | ===Hopkins 1998a=== | ||
| Zeile 8.375: | Zeile 8.712: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Horstkotte & Leonhard 2006a=== | ===Horstkotte & Leonhard 2006a=== | ||
| Zeile 8.389: | Zeile 8.727: | ||
</bibentry> | </bibentry> | ||
| − | ===Horten | + | |
| + | ===Horten 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Horten | + | @book{Horten 1994a, |
author = {Horten, William}, | author = {Horten, William}, | ||
title = {Das Icon-Buch: Entwurf und Gestaltung visueller Symbole und Zeichen}, | title = {Das Icon-Buch: Entwurf und Gestaltung visueller Symbole und Zeichen}, | ||
| Zeile 8.401: | Zeile 8.740: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hub 2009a=== | ===Hub 2009a=== | ||
| Zeile 8.415: | Zeile 8.755: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Huber 2004a=== | ===Huber 2004a=== | ||
| Zeile 8.428: | Zeile 8.769: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Huber 2004b=== | ===Huber 2004b=== | ||
| Zeile 8.445: | Zeile 8.787: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Huber 2008c=== | ===Huber 2008c=== | ||
| Zeile 8.463: | Zeile 8.806: | ||
</bibentry> | </bibentry> | ||
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===Humboldt 1820a=== | ===Humboldt 1820a=== | ||
| Zeile 8.513: | Zeile 8.823: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Humboldt 1830-1835a=== | ===Humboldt 1830-1835a=== | ||
| Zeile 8.530: | Zeile 8.841: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Humboldt 1988a=== | ===Humboldt 1988a=== | ||
| Zeile 8.547: | Zeile 8.859: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Husserl 1929a=== | ===Husserl 1929a=== | ||
| Zeile 8.560: | Zeile 8.873: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Husserl 1976a=== | ===Husserl 1976a=== | ||
| Zeile 8.573: | Zeile 8.887: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Husserl 1980a=== | ===Husserl 1980a=== | ||
| Zeile 8.586: | Zeile 8.901: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Husserl 1993a=== | ===Husserl 1993a=== | ||
| Zeile 8.600: | Zeile 8.916: | ||
</bibentry> | </bibentry> | ||
| − | ===Husserl | + | |
| + | ===Husserl 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Husserl | + | @book{Husserl 2006a, |
author = {Husserl, Edmund}, | author = {Husserl, Edmund}, | ||
title = {Phantasie und Bildbewußtsein}, | title = {Phantasie und Bildbewußtsein}, | ||
| Zeile 8.613: | Zeile 8.930: | ||
</bibentry> | </bibentry> | ||
| − | ===Huth | + | |
| + | ===Huth 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Huth | + | @article{Huth 1985a, |
author = {Huth, Lutz}, | author = {Huth, Lutz}, | ||
year = {1985}, | year = {1985}, | ||
| Zeile 8.626: | Zeile 8.944: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hyman 2006a=== | ===Hyman 2006a=== | ||
| Zeile 8.639: | Zeile 8.958: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hyman 2009a=== | ===Hyman 2009a=== | ||
| Zeile 8.655: | Zeile 8.975: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Hynes 2005a=== | ===Hynes 2005a=== | ||
| Zeile 8.674: | Zeile 8.995: | ||
==I== | ==I== | ||
| − | === | + | |
| + | ===Häseler 2002a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Häseler 2002a, | ||
| + | author = {Häseler, Jens}, | ||
| + | title = {Original/Originalität}, | ||
| + | booktitle = {Ästhetische Grundbegriffe. Historisches Wörterbuch in sieben Bänden. Bd. 4: Medien – Populär}, | ||
| + | year = {2002}, | ||
| + | editor = {Barck, Karlheinz; Fontius, Martin; Schlenstedt, Dieter; Steinwachs, Burkhart; Wolfzettel, Friedrich}, | ||
| + | pages = {638-655}, | ||
| + | publisher = {J. B. Metzler}, | ||
| + | address = {Stuttgart, Weimar}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Hömberg & Karasek 2008a=== | ||
| + | <bibentry> | ||
| + | @article{Hömberg & Karasek 2008a, | ||
| + | author = {Hömberg, Walter & Karasek, Johannes}, | ||
| + | title = {Der Schweißfleck der Kanzlerkandidatin. Bildmanipulation, Bildfälschung und Bildethik im Zeitalter der digitalen Fotografie}, | ||
| + | journal = {Communicatio Socialis}, | ||
| + | year = {2008}, | ||
| + | volume = {}, | ||
| + | number = {3}, | ||
| + | pages = {276-293}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Hüllen 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hüllen 1971a, |
| − | author = { | + | author = {Hüllen, Jürgen}, |
| − | title = { | + | title = {Archetypus}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 1 (A-C)}, |
| − | year = { | + | year = {1971}, |
| − | editor = { | + | editor = {Ritter, Joachim}, |
| − | pages = { | + | pages = {497-500}, |
| − | publisher = { | + | publisher = {Schwabe}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.691: | Zeile 9.048: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Hüppauf & Wulf 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hüppauf & Wulf 2006a, |
| − | author = { | + | author = {Hüppauf, Bernd & Wulf, Christoph}, |
| − | title = { | + | title = {Warum Bilder die Einbildungskraft brauchen}, |
| − | booktitle = { | + | booktitle = {Bild und Einbildungskraft}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Hüppauf, B. & Wulf, C.}, |
| − | pages = { | + | pages = {9-44}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Imdahl 1974a=== | ===Imdahl 1974a=== | ||
| Zeile 8.722: | Zeile 9.082: | ||
</bibentry> | </bibentry> | ||
| − | ===Imdahl | + | |
| + | ===Imdahl 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Imdahl 1987a, | + | @book{Imdahl 1985a, |
| + | author = {Imdahl, Max}, | ||
| + | title = {Picassos Guernica}, | ||
| + | year = {1985}, | ||
| + | publisher = {Insel}, | ||
| + | address = {Frankfurt a.M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Imdahl 1987a=== | ||
| + | <bibentry> | ||
| + | @book{Imdahl 1987a, | ||
author = {Imdahl, Max}, | author = {Imdahl, Max}, | ||
title = {Farbe. Kunsttheoretische Reflexionen in Frankreich}, | title = {Farbe. Kunsttheoretische Reflexionen in Frankreich}, | ||
| Zeile 8.735: | Zeile 9.110: | ||
</bibentry> | </bibentry> | ||
| − | ===Imdahl | + | |
| + | ===Imdahl 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Imdahl 1994a, |
author = {Imdahl, Max}, | author = {Imdahl, Max}, | ||
| − | title = { | + | title = {Ikonik: Bilder und ihre Anschauung}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Böhm, G.}, |
| + | pages = {300-324}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Imdahl 1996a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Imdahl 1996a, | ||
| + | author = {Imdahl, Max}, | ||
| + | title = {Cézanne – Bracque – Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen}, | ||
| + | booktitle = {Max Imdahl, Gesammelte Schriften, Band 3: Reflexion – Theorie – Methode}, | ||
| + | year = {1996}, | ||
| + | editor = {Boehm, G.}, | ||
| + | pages = {300-324}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/Main}, | ||
| + | note = {Wiederauflage der Schrift von 1974}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Ingarden 1962a=== | ===Ingarden 1962a=== | ||
| Zeile 8.760: | Zeile 9.158: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Isidor von Sevilla 2008a=== | ===Isidor von Sevilla 2008a=== | ||
| Zeile 8.773: | Zeile 9.172: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Ivanov 1985a=== | ===Ivanov 1985a=== | ||
<bibentry> | <bibentry> | ||
@book{Ivanov 1985a, | @book{Ivanov 1985a, | ||
| − | author = {Ivanov, | + | author = {Ivanov, Vjaceslav}, |
title = {Einführung in allgemeine Probleme der Semiotik}, | title = {Einführung in allgemeine Probleme der Semiotik}, | ||
year = {1985}, | year = {1985}, | ||
| Zeile 8.789: | Zeile 9.189: | ||
==J== | ==J== | ||
| − | |||
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| − | |||
| − | === | + | ===Jansen 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Jansen 2002a, |
| − | author = { | + | author = {Jansen, Ludger}, |
| − | title = { | + | title = {Tun und Können. Ein systematischer Kommentar zu Aristoteles' Theorie der Vermögen im neunten Buch der „Metaphysik”}, |
| − | |||
year = {2002}, | year = {2002}, | ||
| − | + | publisher = {Hänsel-Hohenhausen}, | |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ||
| − | + | ===Jansen 2005a=== | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | ===Jansen 2005a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Jansen 2005a, | @inproceedings{Jansen 2005a, | ||
| Zeile 8.853: | Zeile 9.221: | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
===Jantschek 1997a=== | ===Jantschek 1997a=== | ||
| Zeile 8.882: | Zeile 9.238: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Jantzen 1951a=== | ===Jantzen 1951a=== | ||
| Zeile 8.899: | Zeile 9.256: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Jaspers 1994a=== | ||
| + | <bibentry> | ||
| + | @book{Jaspers 1994a, | ||
| + | author = {Jaspers,Karl}, | ||
| + | title = {Psychologie der Weltanschauungen}, | ||
| + | year = {1994}, | ||
| + | publisher = {Piper}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Jaubert 1998a=== | ===Jaubert 1998a=== | ||
| Zeile 8.912: | Zeile 9.283: | ||
</bibentry> | </bibentry> | ||
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===Jean Paul 1795a=== | ===Jean Paul 1795a=== | ||
| Zeile 8.941: | Zeile 9.301: | ||
</bibentry> | </bibentry> | ||
| − | |||
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===Jewitt & Oyama 2001a=== | ===Jewitt & Oyama 2001a=== | ||
| Zeile 8.970: | Zeile 9.318: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Jewitt 2009a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Jewitt 2009a, | ||
| + | title = {The Routledge Handbook of Multimodal Analysis}, | ||
| + | year = {2009}, | ||
| + | editor = {Jewitt, Carey}, | ||
| + | publisher = {Routledge}, | ||
| + | address = {London}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Johansen & Posner 2003a=== | ===Johansen & Posner 2003a=== | ||
| Zeile 8.986: | Zeile 9.349: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Johnson et al. 2001a=== | ===Johnson et al. 2001a=== | ||
| Zeile 8.999: | Zeile 9.363: | ||
</bibentry> | </bibentry> | ||
| − | ===Johnson-Laird | + | |
| + | ===Johnson-Laird 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Johnson-Laird | + | @book{Johnson-Laird 1983a, |
author = {Johnson-Laird, Philip N.}, | author = {Johnson-Laird, Philip N.}, | ||
| − | title = {Der Computer im Kopf. Formen und Verfahren der Erkenntnis}, | + | title = {Mental Models. Towards a Cognitive Science of Language, Inference and Conciousness}, |
| + | publisher = {Cambridge University Press}, | ||
| + | address = {Cambridge}, | ||
| + | year = {1983}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Johnson-Laird 1996a=== | ||
| + | <bibentry> | ||
| + | @book{Johnson-Laird 1996a, | ||
| + | author = {Johnson-Laird, Philip N.}, | ||
| + | title = {Der Computer im Kopf. Formen und Verfahren der Erkenntnis}, | ||
year = {1996}, | year = {1996}, | ||
publisher = {Deutscher Taschenbuch Verlag}, | publisher = {Deutscher Taschenbuch Verlag}, | ||
| Zeile 9.012: | Zeile 9.391: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Johnston & Franklin 1993a=== | ||
| + | <bibentry> | ||
| + | @article{Johnston & Franklin 1993a, | ||
| + | author = {Johnston, Victor S. & Franklin, Melissa}, | ||
| + | title = {Is Beauty in the Eye of the Beholder?}, | ||
| + | journal = {Ethology and Sociobiology}, | ||
| + | year = {1993}, | ||
| + | volume = {14}, | ||
| + | number = {}, | ||
| + | pages = {183-199}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Johnston & Thomas 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Johnston & Thomas 1981a, |
| − | author = { | + | author = {Johnston, Ollie & Thomas, Frank}, |
| − | title = { | + | title = {The Illusion of Life. Disney Animation}, |
| − | + | year = {1981a}, | |
| − | + | publisher = {Abbeville Press}, | |
| − | + | address = {New York}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Johnston 2006a=== | ===Johnston 2006a=== | ||
| Zeile 9.036: | Zeile 9.431: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Johnston et al. 2001a=== | ===Johnston et al. 2001a=== | ||
| Zeile 9.051: | Zeile 9.447: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Jonas 1961a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Jonas 1961a, |
| − | author = { | + | author = {Jonas, Hans}, |
| − | title = { | + | title = {Die Freiheit des Bildens – Homo pictor und die differentia des Menschen}, |
| − | journal = { | + | journal = {Zeitschrift für Philosophische Forschung}, |
| − | year = { | + | year = {1961}, |
| − | volume = { | + | volume = {15}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {161–176}, |
| − | note = {}, | + | note = {Wieder abgedruckt in: Jonas, Hans: <em>Zwischen Nichts und Ewigkeit – Zur Lehre vom Menschen</em>. Göttingen: Vandenhoeck & Ruprecht, 1987, 26–43}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Jonas | + | |
| + | ===Jonas 1963a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Jonas | + | @inproceedings{Jonas 1963a, |
author = {Jonas, Hans}, | author = {Jonas, Hans}, | ||
| − | title = {Homo pictor | + | title = {Die Freiheit des Bildens. Homo pictor und die differentia des Menschen}, |
| − | booktitle = { | + | booktitle = {Zwischen Nichts und Ewigkeit. Drei Aufsätze zur Lehre vom Menschen}, |
| − | year = { | + | year = {1963}, |
editor = {Jonas, H.}, | editor = {Jonas, H.}, | ||
| − | pages = { | + | pages = {26-43}, |
publisher = {Vandenhoeck & Ruprecht}, | publisher = {Vandenhoeck & Ruprecht}, | ||
address = {Göttingen}, | address = {Göttingen}, | ||
| Zeile 9.094: | Zeile 9.480: | ||
</bibentry> | </bibentry> | ||
| − | ===Jonas | + | |
| + | ===Jonas 1973a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Jonas | + | @inproceedings{Jonas 1973a, |
author = {Jonas, Hans}, | author = {Jonas, Hans}, | ||
| − | title = { | + | title = {Homo pictor. Von der Freiheit des Bildens}, |
| − | booktitle = { | + | booktitle = {Organismus und Freiheit. Ansätze zu einer philosophischen Biologie}, |
| − | year = { | + | year = {1973}, |
editor = {Jonas, H.}, | editor = {Jonas, H.}, | ||
| − | pages = { | + | pages = {226-257}, |
publisher = {Vandenhoeck & Ruprecht}, | publisher = {Vandenhoeck & Ruprecht}, | ||
address = {Göttingen}, | address = {Göttingen}, | ||
| Zeile 9.111: | Zeile 9.498: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
===Judd 1986a=== | ===Judd 1986a=== | ||
| Zeile 9.141: | Zeile 9.515: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Juhász et al. 1999a=== | ===Juhász et al. 1999a=== | ||
<bibentry> | <bibentry> | ||
@proceedings{Juhász et al. 1999a, | @proceedings{Juhász et al. 1999a, | ||
| − | editor = {Juhász, J.; | + | editor = {Juhász, J.; Szoke, I.; Nagy, G.O. & Kovalovszky, M.}, |
| − | title = {Magyar | + | title = {Magyar értelmezo szótár}, |
year = {1999}, | year = {1999}, | ||
publisher = {Akadémiai Kiadó}, | publisher = {Akadémiai Kiadó}, | ||
| Zeile 9.154: | Zeile 9.529: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Julesz 1986a=== | ===Julesz 1986a=== | ||
| Zeile 9.171: | Zeile 9.547: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Jung 2003a=== | ===Jung 2003a=== | ||
| Zeile 9.185: | Zeile 9.562: | ||
==K== | ==K== | ||
| − | === | + | |
| + | ===Jäger & Knauer 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Jäger & Knauer 2009a, |
| − | + | title = {Bilder als historische Quellen? Dimensionen der Debatte um historische Bildforschung}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Jäger, Jens & Knauer, Martin}, | |
| − | publisher = { | + | publisher = {Fink}, |
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Jäger 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jäger 2002a, |
| − | author = { | + | author = {Jäger, Ludwig}, |
| − | title = { | + | title = {Transkriptivität. Zur medialen Logik der kulturellen Semantik}, |
| − | booktitle = { | + | booktitle = {Transkribieren - Medien/Lektüre}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Jäger, L. & Stanitzek, G.}, |
| − | pages = { | + | pages = {19-41}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.214: | Zeile 9.594: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Jäger 2008a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jäger 2008a, |
| − | author = { | + | author = {Jäger, Ludwig}, |
| − | title = { | + | title = {Transkriptive Verhältnisse. Zur Logik intra- und intermedialer Bezugnahmen in ästhetischen Diskursen}, |
| − | booktitle = { | + | booktitle = {Transkription und Fassung in der Musik des 20. Jahrhunderts. Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Buschmeier, G.; Konrad, U. & Riethmüller, A.}, |
| − | pages = { | + | pages = {103-134}, |
| − | publisher = { | + | publisher = {Franz Steiner}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.243: | Zeile 9.612: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Kaczmarek 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kaczmarek 2007a, |
| − | author = { | + | author = {Kaczmarek, Ludger}, |
| − | title = { | + | title = {Allyfying Leibniz. Einige Aspekte von Kompossibilität und |
| − | year = { | + | Diegese in filmischen Texten}, |
| − | + | journal = {montage AV - Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation}, | |
| − | + | year = {2007}, | |
| + | volume = {12}, | ||
| + | number = {2}, | ||
| + | pages = {131-145}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kalkofen 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kalkofen 2006a, |
| − | author = { | + | author = {Kalkofen, Herrmann}, |
| − | title = { | + | title = {Inversion und Ambiguität. Ein Kapitel aus der psychologischen Optik}, |
| − | + | journal = {IMAGE 3}, | |
| − | + | year = {2006}, | |
| − | + | pages = {25-42}, | |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kamlah & Lorenzen 1973a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kamlah & Lorenzen 1973a, |
| − | author = { | + | author = {Kamlah, Wilhelm & Lorenzen, Paul}, |
| − | title = { | + | title = {Logische Propädeutik - Vorschule des vernünftigen Redens}, |
| − | + | year = {1973}, | |
| − | year = { | + | publisher = {BI Wissenschaftsverlag}, |
| − | + | address = {München}, | |
| − | + | note = {2. Aufl. (<sup>1</sup>1967, <sup>3</sup>1996)}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kamp 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Kamp 1990a, | |
| − | + | author = {Kamp, Hans}, | |
| − | + | title = {On the Representation and Transmission of Information: Sketch of a Theory of Verbal Communication Based On Discourse Representation Theory}, | |
| − | + | booktitle = {Natural Language and Speech}, | |
| − | + | year = {1990}, | |
| − | + | editor = {Klein, E. & Veltman, F.}, | |
| − | + | pages = {135-158}, | |
| − | + | publisher = {Springer}, | |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | @inproceedings{ | ||
| − | author = { | ||
| − | title = { | ||
| − | booktitle = { | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.327: | Zeile 9.676: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kandinsky 1926a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kandinsky 1926a, |
| − | author = { | + | author = {Kandinsky, Wassily}, |
| − | title = { | + | title = {Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente}, |
| − | year = { | + | year = {1926}, |
| − | publisher = { | + | publisher = {Verlag Albert Langen}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kanizsa & Luccio 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kanizsa & Luccio 1995a, |
| − | author = { | + | author = {Kanizsa, Gaetano & Luccio, Riccardo}, |
| − | title = { | + | title = {Multistability as a research tool in experimental phenomenology}, |
| − | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, | |
| − | + | year = {1995}, | |
| − | + | editor = {Kruse, P. & Stadler, M.}, | |
| − | + | pages = {47–68}, | |
| − | + | publisher = {Springer}, | |
| − | + | address = {Berlin}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.357: | Zeile 9.707: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kant 1787a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kant 1787a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Kritik der reinen Vernunft}, |
| − | + | year = {1787}, | |
| − | + | publisher = {???}, | |
| − | + | address = {???}, | |
note = {}, | note = {}, | ||
| − | |||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kant 1960a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kant 1960a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Logik}, |
| − | + | booktitle = {Kant: Werke in 12 Bänden}, | |
| − | + | year = {1960}, | |
| − | + | editor = {Weischedel, W.}, | |
| − | + | pages = {}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | note = {}, | + | address = {Wiesbaden}, |
| + | note = {Bd. VI}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 9.387: | Zeile 9.739: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kant 1968a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kant 1968a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Kritik der reinen Vernunft}, |
| − | year = { | + | year = {1968}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {A: 1781, B: 1787}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kant 1974a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kant 1974a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Kritik der Urteilskraft}, |
| − | |||
year = {1974}, | year = {1974}, | ||
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kant 1977a=== | ||
| + | <bibentry> | ||
| + | @book{Kant 1977a, | ||
| + | author = {Kant, Immanuel}, | ||
| + | title = {Kritik der Urteilskraft}, | ||
| + | year = {1977}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {Werkausgabe Band X, hrsg. von Wilhelm Weischedel}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kaplan 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kaplan 2004a, |
| − | author = { | + | author = {Kaplan, Frédéric}, |
| − | title = { | + | title = {Who is afraid of the humanoid? Investigating cultural differences in the acceptance of robots}, |
| − | + | journal = {International Journal of Humanoid Robotics}, | |
| − | year = { | + | year = {2004a}, |
| − | + | volume = {1}, | |
| − | number = {}, | + | number = {3}, |
| − | pages = { | + | pages = {1-16}, |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.434: | Zeile 9.796: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kapust 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kapust 2009a, |
| − | author = { | + | author = {Kapust, Antje}, |
| − | title = { | + | title = {Phänomenologische Bildpositionen}, |
| − | booktitle = { | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {255-283}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.450: | Zeile 9.813: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kardaun 1993a=== | ||
| + | <bibentry> | ||
| + | @book{Kardaun 1993a, | ||
| + | author = {Kardaun, Maria}, | ||
| + | title = {Der Mimesisbegriff in der griechischen Antike. Neubetrachtung eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung}, | ||
| + | year = {1993}, | ||
| + | publisher = {North-Holland}, | ||
| + | address = {Amsterdam/New York/Oxford/Tokyo}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kecskesi 1982a=== | ||
| + | <bibentry> | ||
| + | @book{Kecskesi 1982a, | ||
| + | author = {Kecskesi, Maria}, | ||
| + | title = {Kunst aus dem alten Afrika}, | ||
| + | year = {1982}, | ||
| + | publisher = {Pinguin}, | ||
| + | address = {Innsbruck}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Keitz 1994a=== | ===Keitz 1994a=== | ||
| Zeile 9.468: | Zeile 9.860: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kemp 1974a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kemp 1974a, |
| − | author = { | + | author = {Kemp, Wolfgang}, |
| − | title = { | + | title = {Disegno. Beiträge zu einer Geschichte des Begriffs zwischen 1547 und 1607}, |
| − | + | journal = {Marburger Jahrbuch für Kunstwissenschaf}, | |
| − | + | year = {1974}, | |
| − | + | volume = {19}, | |
| + | number = {}, | ||
| + | pages = {219-240}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kemp 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kemp 1979a, |
| − | + | title = {Theorie der Fotografie II, 1912-1945}, | |
| − | + | year = {1979}, | |
| − | + | editor = {Kemp, Wolfgang}, | |
| − | publisher = { | + | publisher = {Schirmer/Mosel}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kemp 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Kittler 1993a, | + | @inproceedings{Kemp 1985a, |
| + | author = {Kemp, Wolfgang}, | ||
| + | title = {Verständlichkeit und Spannung. Über Leerstellen in der Malerei des 19. Jahrhunderts}, | ||
| + | booktitle = {Der Betrachter ist im Bild. Kunstwissenschaft und Rezeptionsästhetik}, | ||
| + | year = {1985}, | ||
| + | editor = {Kemp, W.}, | ||
| + | number = {}, | ||
| + | pages = {253-278}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kemp 1995a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kemp 1995a, | ||
| + | author = {Kemp, Wolfgang}, | ||
| + | title = {Praktische Bildbeschreibung. Über Bilder in Bildern, besonders bei Van Eyck und Mantegna}, | ||
| + | booktitle = {Beschreibungskunst - Kunstbeschreibung. Ekphrasis von der Antike bis zur Gegenwart}, | ||
| + | year = {1995}, | ||
| + | editor = {Boehm, G. & Pfotenhauer, H.}, | ||
| + | pages = {99-119}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kittler 1986a=== | ||
| + | <bibentry> | ||
| + | @book{Kittler 1986a, | ||
| + | author = {Kittler, Friedrich}, | ||
| + | title = {Grammophon, Film, Typewriter}, | ||
| + | year = {1986}, | ||
| + | publisher = {Brinkmann & Bose}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kittler 1989a=== | ||
| + | <bibentry> | ||
| + | @book{Kittler 1989a, | ||
| + | author = {Kittler, Friedrich & Tholen, Georg Christoph}, | ||
| + | title = {Arsenale der Seele. Literatur- und Medienanalyse seit 1870}, | ||
| + | year = {1989}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kittler 1993a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kittler 1993a, | ||
author = {Kittler, Friedrich}, | author = {Kittler, Friedrich}, | ||
title = {Geschichte der Kommunikationsmedien}, | title = {Geschichte der Kommunikationsmedien}, | ||
| Zeile 9.506: | Zeile 9.969: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kittler 2002a=== | ===Kittler 2002a=== | ||
| Zeile 9.521: | Zeile 9.985: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kittler 2002b=== | ===Kittler 2002b=== | ||
| Zeile 9.533: | Zeile 9.998: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kittler 2003a=== | ===Kittler 2003a=== | ||
| Zeile 9.546: | Zeile 10.012: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kiyomitsu 2004a=== | ===Kiyomitsu 2004a=== | ||
| Zeile 9.563: | Zeile 10.030: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kjörup 1974a=== | ===Kjörup 1974a=== | ||
| Zeile 9.579: | Zeile 10.047: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kjörup 1978a=== | ===Kjörup 1978a=== | ||
| Zeile 9.596: | Zeile 10.065: | ||
</bibentry> | </bibentry> | ||
| − | ===Kjørup | + | |
| + | ===Kjørup 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Kjørup | + | @article{Kjørup 1978a, |
author = {Kjørup, Søren}, | author = {Kjørup, Søren}, | ||
title = {Pictorial Speech Acts}, | title = {Pictorial Speech Acts}, | ||
journal = {Erkenntnis}, | journal = {Erkenntnis}, | ||
| − | year = { | + | year = {1978}, |
volume = {12}, | volume = {12}, | ||
| + | number = {}, | ||
pages = {55-71}, | pages = {55-71}, | ||
note = {}, | note = {}, | ||
| Zeile 9.610: | Zeile 10.081: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kjørup 1978a=== | ===Kjørup 1978a=== | ||
| Zeile 9.617: | Zeile 10.089: | ||
title = {Pictorial Speech Acts}, | title = {Pictorial Speech Acts}, | ||
journal = {Erkenntnis}, | journal = {Erkenntnis}, | ||
| − | year = { | + | year = {1987}, |
volume = {12}, | volume = {12}, | ||
| − | |||
pages = {55-71}, | pages = {55-71}, | ||
note = {}, | note = {}, | ||
| Zeile 9.627: | Zeile 10.098: | ||
</bibentry> | </bibentry> | ||
| − | ===Klee | + | |
| + | ===Klee 1925a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Klee | + | @book{Klee 1925a, |
author = {Klee, Paul}, | author = {Klee, Paul}, | ||
title = {Pädagogisches Skizzenbuch}, | title = {Pädagogisches Skizzenbuch}, | ||
| Zeile 9.639: | Zeile 10.111: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Klopfenstein-Arii 1992a=== | ===Klopfenstein-Arii 1992a=== | ||
<bibentry> | <bibentry> | ||
@book{Klopfenstein-Arii 1992a, | @book{Klopfenstein-Arii 1992a, | ||
| − | author = {Klopfenstein, Arii & | + | author = {Klopfenstein, Arii & Suishu, Tomoko}, |
title = {Schrift und Schriftkunst in China und Japan}, | title = {Schrift und Schriftkunst in China und Japan}, | ||
year = {1992}, | year = {1992}, | ||
| Zeile 9.653: | Zeile 10.126: | ||
</bibentry> | </bibentry> | ||
| − | ===Klopstock | + | |
| + | ===Klopstock 1774a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Klopstock 1779a, | + | @book{Klopstock 1774a, |
| + | author = {Klopstock, Friedrich Gottlieb}, | ||
| + | title = {Werke und Briefe. Historisch-kritische Ausgabe. Bd. 7.1: Die deutsche Gelehrtenrepublik (1774)}, | ||
| + | year = {1975}, | ||
| + | editor = {Hurlebusch, R.}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin/New York}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Klopstock 1779a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Klopstock 1779a, | ||
author = {Klopstock, Friedrich Gottlieb}, | author = {Klopstock, Friedrich Gottlieb}, | ||
title = {Von der Darstellung}, | title = {Von der Darstellung}, | ||
| Zeile 9.670: | Zeile 10.159: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
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| − | |||
===Klotz 1995a=== | ===Klotz 1995a=== | ||
| Zeile 9.700: | Zeile 10.176: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kluge 2002a=== | ===Kluge 2002a=== | ||
| Zeile 9.715: | Zeile 10.192: | ||
</bibentry> | </bibentry> | ||
| − | ===Knape | + | |
| + | ===Knape 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Knape | + | @inproceedings{Knape 1994a, |
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = { | + | title = {Rhetorizität und Semiotik. Kategorientransfer zwischen Rhetorik und Kunsttheorie in der Frühen Neuzeit}, |
| − | booktitle = { | + | booktitle = {Intertextualität in der Frühen Neuzeit. Studien zu ihren theoretischen und praktischen Perspektiven}, |
| − | year = { | + | year = {1994}, |
| − | editor = { | + | editor = {Kühlmann, W. & Neuber, W.}, |
| − | pages = { | + | pages = {507-532}, |
| − | publisher = { | + | publisher = {Lang}, |
| − | address = { | + | address = {Bern etc}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.732: | Zeile 10.210: | ||
</bibentry> | </bibentry> | ||
| − | ===Knape | + | |
| + | ===Knape 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Knape | + | @inproceedings{Knape 2005a, |
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = {Rhetorik | + | title = {Rhetorik}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {134-148}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Knape 2007a=== | ===Knape 2007a=== | ||
| Zeile 9.766: | Zeile 10.246: | ||
</bibentry> | </bibentry> | ||
| − | ===Knape | + | |
| + | ===Knape 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Knape | + | @inproceedings{Knape 2008a, |
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = {Rhetorik}, | + | title = {Rhetorik der Künste}, |
| − | booktitle = { | + | booktitle = {Rhetorik und Stilistik / Rhetoric and Stylistics. Ein internationales Handbuch historischer und systematischer Forschung / An International Handbook of Historical and Systematic Research, 1. Halbband/Volume 1}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Fix, U.; Gardt, A. & Knape, J.}, |
| − | pages = { | + | pages = {894-927}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin u. New York}, |
| − | note = {}, | + | note = {HSK. Handbücher zur Sprach- und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science, 31.1}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 9.783: | Zeile 10.264: | ||
</bibentry> | </bibentry> | ||
| − | ===Knape | + | |
| + | ===Knape 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Knape | + | @inproceedings{Knape 2010a, |
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = { | + | title = {Werk, Bildtext und Medium in agonaler Kunstrhetorik}, |
| − | booktitle = { | + | booktitle = {Gedächtnisparagone - intermediale Konstellationen}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Heiser, S. & Holm, Ch.}, |
| − | pages = { | + | pages = {79-92}, |
| − | publisher = { | + | publisher = {V&R}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.799: | Zeile 10.281: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Knieper & Müller 2003a=== | ===Knieper & Müller 2003a=== | ||
| Zeile 9.816: | Zeile 10.299: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Knieper & Müller 2005a=== | ===Knieper & Müller 2005a=== | ||
| Zeile 9.829: | Zeile 10.313: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kohns 2007a=== | ===Kohns 2007a=== | ||
| Zeile 9.843: | Zeile 10.328: | ||
</bibentry> | </bibentry> | ||
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===Koller 1954a=== | ===Koller 1954a=== | ||
| Zeile 9.869: | Zeile 10.342: | ||
</bibentry> | </bibentry> | ||
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===Kondor 2007a=== | ===Kondor 2007a=== | ||
| Zeile 9.911: | Zeile 10.359: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kondor 2007b=== | ===Kondor 2007b=== | ||
| Zeile 9.928: | Zeile 10.377: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kondor 2007c=== | ===Kondor 2007c=== | ||
| Zeile 9.945: | Zeile 10.395: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kondor 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Kondor 2008a, | ||
| + | author = {Kondor, Zsuzsanna}, | ||
| + | title = {Embedded Thinking: Multimedia and the New Rationality}, | ||
| + | year = {2008}, | ||
| + | publisher = {Lang, P.}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Konersmann 1991a=== | ===Konersmann 1991a=== | ||
| Zeile 9.958: | Zeile 10.423: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Konersmann 2006a=== | ===Konersmann 2006a=== | ||
| Zeile 9.972: | Zeile 10.438: | ||
</bibentry> | </bibentry> | ||
| − | ===Kornmeier | + | |
| + | ===Kornmeier & Bach 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Kornmeier | + | @article{Kornmeier & Bach 2009a, |
| − | author = {Kornmeier, Jürgen | + | author = {Kornmeier, Jürgen & Bach, Michael}, |
| − | title = { | + | title = {Object Perception: When our Brain is Impressed but we do not Notice it}, |
| − | journal = { | + | journal = {Journal of Vision}, |
year = {2009}, | year = {2009}, | ||
| − | volume = { | + | volume = {9}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {7}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.988: | Zeile 10.455: | ||
</bibentry> | </bibentry> | ||
| − | ===Kornmeier | + | |
| + | ===Kornmeier et al. 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{Kornmeier | + | @article{Kornmeier et al. 2009a, |
| − | author = {Kornmeier, Jürgen & Bach, Michael}, | + | author = {Kornmeier, Jürgen; Hein, Christine Maira & Bach, Michael}, |
| − | title = { | + | title = {Multistable Perception: When Bottom-up and Top-down Coincide}, |
| − | journal = { | + | journal = {Brain and Cognition}, |
year = {2009}, | year = {2009}, | ||
| − | volume = { | + | volume = {69}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {138–147}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.003: | Zeile 10.471: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Korte 2003a=== | ===Korte 2003a=== | ||
| Zeile 10.016: | Zeile 10.485: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kracauer 1992a=== | ===Kracauer 1992a=== | ||
| Zeile 10.029: | Zeile 10.499: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kranz 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kranz 1976a, |
| − | + | title = {Gedichte auf Bilder. Anthologie und Galerie}, | |
| − | title = { | + | year = {1976}, |
| − | + | editor = {Kranz, Gisbert}, | |
| − | year = { | + | publisher = {Dt. Taschenbuch Verlag}, |
| − | editor = { | ||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kraus 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kraus 1991a, |
| − | author = { | + | author = {Kraus, Richard Curt}, |
| − | title = { | + | title = {Brushes with Power}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {University of California Press}, |
| − | + | address = {Berkeley}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krauss 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 1990a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Passages in Modern Sculpture}, |
| − | + | year = {1990 }, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {London}, | |
| − | + | note = {Reprint von 1977 (?)}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krauss 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 1998a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Das Photographische. Eine Theorie der Abstände}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | |||
| − | |||
| − | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {übers. v. Henning Schmidgen}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krauss 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Krauss 1999a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Reinventing the Medium}, |
| − | + | journal = {Critical Inquiry}, | |
| − | year = { | + | year = {1999}, |
| − | + | volume = {25,}, | |
| − | + | number = {2}, | |
| − | + | pages = {289-305}, | |
| − | |||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Winter}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krauss 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 2000a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {A Voyage on the North Sea. Art in the Age of the Post-Medium Condition}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Thames & Hudson}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
| − | === | + | ===Krauss 2000b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krauss 2000b, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Skulptur im erweiterten Feld (1978)}, |
| − | + | booktitle = {Die Originalität der Avantgarde und andere Mythen der Moderne}, | |
| − | year = { | + | year = {2000}, |
| + | editor = {Wolf , H.}, | ||
| + | pages = {331-346}, | ||
| + | publisher = {Verlag der Kunst}, | ||
| + | address = {Amsterdam}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.157: | Zeile 10.604: | ||
</bibentry> | </bibentry> | ||
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| − | |||
| − | === | + | ===Krauss 2000c=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Krauss 2000c, |
| − | |||
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| − | |||
author = {Krauss, Rosalind}, | author = {Krauss, Rosalind}, | ||
| − | title = { | + | title = {Die Originalität der Avantgarde und andere Mythen der Moderne}, |
year = {2000}, | year = {2000}, | ||
| − | publisher = { | + | publisher = {Philo Verlagsgesellschaft}, |
| − | address = { | + | address = {Amsterdam/Dresden}, |
| − | note = { | + | note = {übers. v. Jörg Enninger}, |
| − | |||
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hidden = {}, | hidden = {}, | ||
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</bibentry> | </bibentry> | ||
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===Krebs 2006a=== | ===Krebs 2006a=== | ||
| Zeile 10.258: | Zeile 10.635: | ||
</bibentry> | </bibentry> | ||
| − | ===Kreimeier | + | |
| + | ===Kreimeier 2012a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Kreimeier 2012a, | @inproceedings{Kreimeier 2012a, | ||
| Zeile 10.275: | Zeile 10.653: | ||
</bibentry> | </bibentry> | ||
| − | ===Kress | + | |
| + | ===Kress & Leeuwen 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Kress | + | @book{Kress & Leeuwen 1996a, |
| − | author = {Kress, Gunther}, | + | author = {Kress, Gunther & Leeuwen, Theo van}, |
| − | title = { | + | title = {Reading Images. The Grammar of Visual Design}, |
| − | year = { | + | year = {1996}, |
publisher = {Routledge}, | publisher = {Routledge}, | ||
address = {London}, | address = {London}, | ||
| Zeile 10.287: | Zeile 10.666: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kress & Leeuwen 2001a=== | ===Kress & Leeuwen 2001a=== | ||
| Zeile 10.301: | Zeile 10.681: | ||
</bibentry> | </bibentry> | ||
| − | ===Kress | + | |
| + | ===Kress 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{Kress | + | @book{Kress 2010a, |
| − | author = {Kress, Gunther | + | author = {Kress, Gunther}, |
| − | title = { | + | title = {Multimodality. A Social-Semiotic Approach to Contemporary Communication}, |
| − | year = { | + | year = {2010}, |
publisher = {Routledge}, | publisher = {Routledge}, | ||
address = {London}, | address = {London}, | ||
| Zeile 10.313: | Zeile 10.694: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Krewani 2003a=== | ===Krewani 2003a=== | ||
| Zeile 10.325: | Zeile 10.707: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Krieger 1992a=== | ===Krieger 1992a=== | ||
| Zeile 10.338: | Zeile 10.721: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Krieger 1995a=== | ===Krieger 1995a=== | ||
| Zeile 10.352: | Zeile 10.736: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kripke 1972a=== | ===Kripke 1972a=== | ||
| Zeile 10.368: | Zeile 10.753: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kris & Kurz 1995a=== | ===Kris & Kurz 1995a=== | ||
| Zeile 10.381: | Zeile 10.767: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Krkac 2010a=== | ===Krkac 2010a=== | ||
| Zeile 10.397: | Zeile 10.784: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
| + | |||
| + | ===Kroeber-Riel & Esch 2000a=== | ||
| + | <bibentry> | ||
| + | @book{Kroeber-Riel & Esch 2000a, | ||
| + | author = {Kroeber-Riel, Werner & Esch, Franz-Rudolf}, | ||
| + | title = {Strategie und Technik der Werbung. Verhaltenswissenschaftliche Ansätze}, | ||
| + | year = {2000}, | ||
| + | publisher = {Kohlhammer}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
===Kroeber-Riel 1996a=== | ===Kroeber-Riel 1996a=== | ||
| Zeile 10.411: | Zeile 10.813: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
===Krois 1995a=== | ===Krois 1995a=== | ||
| Zeile 10.440: | Zeile 10.830: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kruse & Stadler 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kruse & Stadler 1995a, |
| − | + | editor = {Kruse, Peter & Stadler, Michael}, | |
| − | title = { | + | title = {Ambiguity in Mind and Nature. Multistable Cognitive Phenomena}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {Papers originally presented at the International Symposium on Perceptual Multistability and Semantic Ambiguity held at the University of Bremen, Germany, March 22-25, 1993}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Kruse 2003a=== | ===Kruse 2003a=== | ||
| Zeile 10.466: | Zeile 10.858: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
===Kruse et al. 1995a=== | ===Kruse et al. 1995a=== | ||
| Zeile 10.496: | Zeile 10.876: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer & Bredekamp 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer & Bredekamp 2003a, |
| − | author = { | + | author = {Krämer, Sybille & Bredekamp, Horst}, |
| − | title = { | + | title = {Kultur, Technik, Kulturtechnik: Wider die Diskursivierung der Kultur}, |
| − | booktitle = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Krämer, S. & Bredekamp, H.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer & Giertler 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Krämer & Giertler 2011a, |
| − | author = { | + | author = {Krämer, Sybille & Giertler, Mareike}, |
| − | title = { | + | title = {Schriftbildlichkeit}, |
| − | + | howpublished = {Themenheft der Zeitschrift ''Sprache und Literatur'' 107/42}, | |
| − | + | year = {2011}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2003a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {"Schriftbildlichkeit" oder: Über eine (fast) vergessene Dimension der Schrift}, |
| − | year = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Krämer, S. & Bredekamp, H.}, |
| + | pages = {157-176}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2004a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {Friedrich Kittler - Kulturtechniken der Zeitachsenmanipulation}, |
| − | + | booktitle = {Medientheorien. Eine philosophische Einführung}, | |
| − | year = { | + | year = {2004}, |
| − | + | editor = {Lagaay, A.}, | |
| − | + | pages = {201-224}, | |
| − | + | publisher = {Campus}, | |
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.553: | Zeile 10.944: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer 2004b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2004b, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {Was haben ‚Performativität’ und ‚Medialität’ miteinander zu tun? Plädoyer für eine in der ‚Aisthetisierung’ gründende Konzeption des Performativen}, |
| − | year = { | + | booktitle = {Performativität und Medialität}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Krämer, Sybille}, |
| + | pages = {13-32}, | ||
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2005a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = {Über | + | title = {"Operationsraum Schrift": Über einen Perspektivenwechsel in der Betrachtung der Schrift}, |
| − | + | booktitle = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, | |
| − | year = { | + | year = {2005}, |
| − | + | editor = {Grube, G.; Kogge, W. & Krämer, S.}, | |
| − | + | pages = {23-57}, | |
| − | + | publisher = {Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krämer 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2009a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {Operative Bildlichkeit: Von der Grammatologie zu einer Diagrammatologie? Reflexionen über erkennendes ‚Sehen’}, |
| − | year = { | + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Heßler, M. & Mersch, D.}, |
| + | pages = {94-123}, | ||
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Krämer et al. 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Krämer et al. 2011a, |
| − | + | title = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, | |
| − | + | year = {2011}, | |
| − | + | editor = {Krämer, Sybille; Canci | |
| − | + | @book{Kecskesi 1982a, | |
| − | + | author = {Kecskesi, Maria}, | |
| − | + | title = {Kunst aus dem alten Afrika}, | |
| − | publisher = { | + | year = {1982}, |
| − | address = { | + | publisher = {Pinguin}, |
| + | address = {Innsbruck}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
| − | + | Bach 2009a, | |
| − | + | author = {Kornmeier, Jürgen bibentryk-Kirschbaum, Eva & Totzke, Rainer}, | |
| − | + | publisher = {Akademie}, | |
| − | + | address = {Berlin}, | |
| − | |||
| − | author = { | ||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = {Berlin | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.625: | Zeile 11.023: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Krüger 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krüger 2001a, |
| − | author = { | + | author = {Krüger, Klaus}, |
| − | title = {. | + | title = {Das Bild als Schleier des Unsichtbaren. Ästhetische Illusion in der Kunst der frühen Neuzeit in Italien}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kudielka 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kudielka 2005a, |
| − | author = { | + | author = {Kudielka, Robert}, |
| − | title = { | + | title = {Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert}, |
| − | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| + | pages = {44-57}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kuhn 1973a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kuhn 1973a, |
| − | author = { | + | author = {Kuhn, Thomas}, |
| − | title = { | + | title = {Die Struktur wissenschaftlicher Revolution}, |
| − | year = { | + | year = {1973}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frakfurt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.668: | Zeile 11.067: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kulvicki 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kulvicki 2006a, |
| − | author = { | + | author = {Kulvicki, John}, |
| − | title = { | + | title = {On Images: Their Structure and Content}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Oxford UP}, |
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.681: | Zeile 11.081: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kulvicki 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kulvicki 2010a, |
| − | author = { | + | author = {Kulvicki, John}, |
| − | title = { | + | title = {Knowing with Images: Medium and Message}, |
| − | + | journal = {Philosophy of Science}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {77}, | |
| − | + | number = {}, | |
| − | + | pages = {295-313}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kwo 81a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kwo 81a, |
| − | author = { | + | author = {Kwo, Da-Wei}, |
| − | title = { | + | title = {Chinese Brushwork - Its History, Aesthetics and Techniques}, |
| − | year = { | + | year = {1981a}, |
| − | publisher = { | + | publisher = {Allanheld & Schram}, |
| − | address = { | + | address = {Montclair}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.709: | Zeile 11.112: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==L== |
| + | |||
| + | |||
| + | ===Kwo Da-Wei 81a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kwo Da-Wei 81a, |
| − | author = { | + | author = {Kwo Da-Wei}, |
| − | title = { | + | title = {Chinese Brushwork - Its History, Aesthetics and Technics}, |
| − | year = { | + | year = {1981}, |
| − | publisher = { | + | publisher = {Allanheld & Schram}, |
| − | address = { | + | address = {Montclair}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.722: | Zeile 11.128: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Köller 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Köller 2004a, |
| − | author = { | + | author = {Köller, Wilhelm}, |
| − | title = { | + | title = {Perspektivität und Sprache. Zur Struktur von Objektivierungsformen in Bildern, im Denken und in der Sprache}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {de Gruyter}, |
| − | + | address = {Berlin/New York}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===König & Obrist 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{König & Obrist 1993a, |
| − | + | title = {Der zerbrochene Spiegel. Positionen zur Malerei}, | |
| − | title = { | + | year = {1993}, |
| − | + | editor = {König, Kasper & Obrist, Hans-Ulrich}, | |
| − | year = { | + | publisher = {Kunsthalle Wien/ Deichtorhallen Hamburg}, |
| − | editor = { | + | address = {Wien}, |
| − | + | note = {Ausstellungskatalog Kunsthalle Wien / Deichtorhallen Hamburg}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kühne-Bertram/Rodi 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kühne-Bertram/Rodi 2008a, |
| − | + | title = {Dilthey und die hermeneutische Wende in der Philosophie : wirkungsgeschichtliche Aspekte seines Werkes}, | |
| − | title = { | + | year = {2008}, |
| − | + | editor = {Gudrun Kühne-Bertram, Frithjof Rodi}, | |
| − | year = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | editor = { | + | address = {Göttingen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Külpe 1923a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Külpe 1923a, |
| − | author = { | + | author = {Külpe, Oswald}, |
| − | title = { | + | title = {Vorlesungen über Logik}, |
| − | year = { | + | year = {1923}, |
| − | publisher = { | + | publisher = {Hirzel}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Künzli 1996/1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Künzli 1996/1997a, |
| − | author = { | + | author = {Künzli, Hansjörg}, |
| − | title = { | + | title = {Über die Haltbarkeit digitaler Daten}, |
| − | + | journal = {Rundbrief Fotografie}, | |
| − | year = { | + | year = {1996/1997}, |
| − | + | volume = {}, | |
| − | + | number = {Sonderheft 3}, | |
| − | + | pages = {5-8}, | |
| − | |||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lacan 1949a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lacan 1949a, |
| − | author = { | + | author = {Lacan, Jacques}, |
| − | title = { | + | title = {Das Spiegelstadium als Bildner der Ich-Funktion}, |
| − | booktitle = { | + | booktitle = {Schriften I}, |
| − | year = { | + | year = {1973}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {61-71}, |
| − | publisher = { | + | publisher = {Walter}, |
| − | address = { | + | address = {Olten / Freiburg im Breisgau}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 10.814: | Zeile 11.217: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Lacan 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lacan 1987a, |
| − | author = { | + | author = {Lacan, Jacques}, |
| − | title = { | + | title = {Die vier Grundbegriffe der Psychoanalyse}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Quadriga}, |
| − | address = {}, | + | address = {Berlin/Weinheim}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.844: | Zeile 11.231: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lacan 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lacan 1996a, |
| − | author = { | + | author = {Lacan, Jaques}, |
| − | title = { | + | title = {... [1973]}, |
| − | year = { | + | booktitle = {...}, |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {...}, |
| + | pages = {...}, | ||
| + | publisher = {...}, | ||
| + | address = {...}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Lakoff & Johnson 1980a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lakoff & Johnson 1980a, |
| − | author = { | + | author = {Lakoff, George & Johnson, Mark}, |
| − | title = { | + | title = {Metaphors We Live By}, |
| − | year = { | + | year = {1980}, |
| − | publisher = { | + | publisher = {University of Chicago Press}, |
| − | address = { | + | address = {Chicago & London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.885: | Zeile 11.263: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lakoff & Turner 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lakoff & Turner 1989a, |
| − | author = { | + | author = {Lakoff, George & Turner, Mark}, |
| − | title = { | + | title = {More than Cool Reason}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {University of Chicago Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lakoff 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lakoff 1987a, |
| − | author = { | + | author = {Lakoff, George}, |
| − | title = { | + | title = {Women, Fire, and Dangerous Things – What Categories Reveal about the Mind}, |
| − | + | year = {1987}, | |
| − | year = { | + | publisher = {Chicago University Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.917: | Zeile 11.291: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lammert 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lammert 2007a, |
| − | author = { | + | author = {Lammert, Angela}, |
| − | title = { | + | title = {Die vertrauten Sichtweisen sind umzustoßen. Zum Raum der Nachkriegszeit in ungewohnten Begegnungen}, |
| − | + | booktitle = {RAUM. Orte der Kunst}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, | |
| − | + | pages = {55-69}, | |
| − | + | publisher = {Verlag für moderne Kunst} | |
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
| − | === | + | ===Langacker 1991a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Langacker 1991a, |
| − | author = { | + | author = {Langacker, Ronald W.}, |
| − | title = { | + | title = {Concept, Image, and Symbol: The Cognitive Basis of Grammar}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Mouton de Gruyter}, |
| − | address = { | + | address = {Berlin/New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.959: | Zeile 11.321: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Langer 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Langer 1984a, |
| − | author = { | + | author = {Langer, Susanne}, |
| − | title = { | + | title = {Philosophie auf neuem Wege. Das Symbol im Denken, im Ritus und in der Kunst}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.972: | Zeile 11.335: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Langlois & Roggman 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Langlois & Roggman 1990a, |
| − | author = { | + | author = {Langlois, Judith H. & Roggman Lori A.}, |
| − | title = { | + | title = {Attractive Faces are only Average}, |
| − | + | journal = {American Psychol. Society}, | |
year = {1990}, | year = {1990}, | ||
| − | + | volume = {1/2}, | |
| − | + | number = {}, | |
| − | + | pages = {115-121}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lanz 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lanz 1971a, |
| − | author = { | + | author = {Lanz, Jakob}, |
| − | title = { | + | title = {Affekt}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie}, |
| − | year = { | + | year = {1971}, |
| − | editor = { | + | editor = {Ritter, J.}, |
| − | pages = { | + | pages = {Spalte 89-100}, |
| − | publisher = { | + | publisher = {Schwabe}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.006: | Zeile 11.368: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Laplanche & Pontalis 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Laplanche & Pontalis 1973a, |
| − | author = { | + | author = {Laplanche, Jean & Pontalis, Jean-Bertrand}, |
| − | title = { | + | title = {Affekt}, |
| − | year = { | + | booktitle = {Das Vokabular der Psychoanalyse}, |
| − | publisher = { | + | year = {1971}, |
| − | address = { | + | editor = {Laplanche, J. & Pontalis, J.}, |
| − | note = { | + | pages = {37-38}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a. M.}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Latour 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Latour 2007a, |
| − | author = { | + | author = {Latour, Bruno}, |
| − | title = { | + | title = {Eine neue Soziologie für eine neue Gesellschaft. Einführung in die Akteur-Netzwerk-Theorie}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Law & Whittaker 1988a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Law & Whittaker 1988a, |
| − | author = { | + | author = {Law, John & Whittaker, John}, |
| − | title = { | + | title = {On the Art of Representation. Notes on the Politics of Visualisation}, |
| − | year = { | + | booktitle = {Picturing Power: Visual Depiction and Social Relations}, |
| − | publisher = { | + | year = {1988}, |
| − | address = { | + | editor = {Fyfe, G. & Law, J.}, |
| + | pages = {160-183}, | ||
| + | publisher = {Rotledge}, | ||
| + | address = {London}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ledderose 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ledderose 2003a, |
| − | author = { | + | author = {Ledderose, Lothar}, |
| − | title = { | + | title = {Kalligraphie}, |
| − | year = { | + | booktitle = {Das große China-Lexikon}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Staiger, B.; Friedrich, S. & Schütte, H.}, |
| − | note = { | + | pages = {366- 367}, |
| + | publisher = {WBG}, | ||
| + | address = {Hamburg}, | ||
| + | note = {unter Mitarbeit von Emmerich, R.}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ledderose 85a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ledderose 85a, |
| − | author = { | + | author = {Ledderose, Lothar}, |
| − | title = { | + | title = {Die Malerei der Literaten}, |
| − | booktitle = { | + | booktitle = {Im Schatten hoher Bäume. Malerei der Ming- und Qing-Dynastie (1368- 1911) aus der Volksrepublik China. Staatliche Kunsthalle Baden-Baden 13. Januar- 10. März 1985}, |
| − | year = { | + | year = {1985a}, |
| − | editor = { | + | editor = {Ledderose, L.}, |
| − | pages = { | + | pages = {10- 21}, |
| − | publisher = { | + | publisher = {Staatl. Kunsthalle}, |
| − | address = { | + | address = {Baden-Baden}, |
| − | note = {}, | + | note = {unter Zusammenarbeit mit der Staatlichen Kunsthalle Baden-Baden und dem Kunsthistorischen Institut der Universität Heidelberg}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Leeman 75a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leeman 75a, |
| − | author = { | + | author = {Leeman, Fred}, |
| − | title = { | + | title = {Anamorphosen. Ein Spiel mit der Wahrnehmung, dem Schein und der Wirklichkeit}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | publisher = {DuMont Schauberg, Köln}, |
| − | address = { | + | address = {}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.116: | Zeile 11.465: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Leeuwen 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leeuwen 2005a, |
| − | author = { | + | author = {Leeuwen, Theo van}, |
| − | title = { | + | title = {Introducing Social Semiotics}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.129: | Zeile 11.479: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lefebvre 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lefebvre 2007a, |
| − | author = { | + | author = {Lefebvre, Martin}, |
| − | title = { | + | title = {The Art of Pointing: On Peirce, Indexicality, and Photographic Images}, |
| − | booktitle = { | + | booktitle = {Photography Theory}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Elkins, J.}, |
| − | pages = { | + | pages = {220-244}, |
| − | publisher = { | + | publisher = {Taylor & Francis}, |
| − | address = { | + | address = {New York u. a.}, |
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Leibniz 1710a=== | ||
| + | <bibentry> | ||
| + | @book{Leibniz 1710a, | ||
| + | author = {V, Gottfried Wilhelm}, | ||
| + | title = {Essais de théodicée sur la bonté de Dieu, la liberté de l'homme et l'origine du mal}, | ||
| + | year = {1710}, | ||
| + | publisher = {Troyel}, | ||
| + | address = {Amsterdam }, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lenzen 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lenzen 1997a, |
| − | author = { | + | author = {Lenzen, Dieter}, |
| − | title = { | + | title = {Lebenslauf oder Humanontogenese? Vom Erziehungssystem zum kurativen System – von der Erziehungswissenschaft zur Humanvitologie}, |
| − | + | booktitle = {Bildung und Weiterbildung im Erziehungssystem. Lebenslauf und Humanontogenese als Medium und Form}, | |
| − | year = { | + | year = {1997}, |
| − | + | editor = {Lenzen, D. & Luhmann, N.}, | |
| − | + | pages = {228-247}, | |
| − | + | publisher = {Suhrkamp}, | |
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.162: | Zeile 11.527: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Leonard 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Leonard 2005a, |
| − | author = { | + | author = {Leonard, Sean}, |
| − | title = { | + | title = {Progress against the law. Anime and fandom, with the key to the globalization of culture}, |
| − | year = { | + | journal = {International Journal of Cultural Studies}, |
| − | + | year = {2005a}, | |
| − | + | volume = {8}, | |
| + | number = {}, | ||
| + | pages = {281-305}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.175: | Zeile 11.543: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Leopold & Logothetis 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Leopold & Logothetis 1999a, |
| − | title = { | + | author = {Leopold, David A. & Logothetis, Nikos K.}, |
| − | year = { | + | title = {Multistable Phenomena: Changing Views in Perception}, |
| − | + | journal = {Trends Cogn. Sci. (Regul. Ed.)}, | |
| − | + | year = {1999}, | |
| − | + | volume = {3}, | |
| + | number = {}, | ||
| + | pages = {254–264}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Leroi-Gourhan 1964/65a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leroi-Gourhan 1964/65a, |
| − | author = { | + | author = {Leroi-Gourhan, André}, |
| − | title = { | + | title = {Le geste et la parole}, |
| − | year = { | + | year = {1964/65}, |
| − | publisher = { | + | publisher = {Albin Michel}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {D: «Hand und Wort - Die Evolution von Technik, Sprache und Kunst», 1980, Suhrkamp}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Leroi-Gourhan 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leroi-Gourhan 1971a, |
| − | author = { | + | author = {Leroi-Gourhan, André}, |
| − | title = { | + | title = {Präshistorische Kunst}, |
| − | year = { | + | year = {1971}, |
| − | publisher = { | + | publisher = {Herder}, |
| − | address = { | + | address = {Freiburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.227: | Zeile 11.588: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lessig 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lessig 1999a, |
| − | + | author = {Lessig, Lawrence}, | |
| − | + | title = {Code and Other Laws of Cyberspace}, | |
| − | + | year = {1999}, | |
| − | publisher = { | + | publisher = {Basic Books}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.240: | Zeile 11.602: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lessing 1766a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lessing 1766a, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon oder über die Grenzen der Malerei und Poesie (1766)}, |
| − | year = { | + | booktitle = {Werke und Briefe in zwölf Bänden. Bd. 5/2: Werke 1766-1769}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Barner, W.}, |
| + | pages = {11-206}, | ||
| + | publisher = {Deutscher Klassiker Verlag}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lessing 1788a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lessing 1788a, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon: Paralipomena (Erstveröffentlichung 1788)}, |
| − | year = { | + | booktitle = {Werke und Briefe. Bd. 5/2. Werke 1766-169}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Barner, W.}, |
| + | pages = {207-321}, | ||
| + | publisher = {Deutscher Klassiker Verlag}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lessing 1974a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Lessing 1974a, | ||
| + | author = {Lessing, Gotthold Ephraim}, | ||
| + | title = {Laokoon oder über die Grenzen der Malerei und Poesie}, | ||
| + | booktitle = {Werke, Bd. 6}, | ||
| + | year = {1974}, | ||
| + | editor = {Göpfert, H. G.}, | ||
| + | pages = {7-187}, | ||
| + | publisher = {Hanser}, | ||
| + | address = {München}, | ||
| + | note = {Erstveröffentlichung 1766}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Lessing 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lessing 1994a, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon oder Über die Grenzen der Malerei und Poesie}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Reclam}, |
| − | + | address = {Stuttgart}, | |
| − | + | note = {''das Werk ist bereits in 2 anderen Ausgaben in der Bibliographiesammlung: evt. anpassen??''}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lessing 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lessing 1998a, |
| − | author = { | + | author = {Lessing, Hans-Ulrich}, |
| − | title = { | + | title = {Hermeneutik der Sinne. Eine Untersuchung zu Helmuth Plessners Projekt einer „Ästhesiologie des Geistes“ nebst einem Plessner-Ineditum}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Karl Alber}, |
| − | address = { | + | address = {Freiburg/München }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.294: | Zeile 11.682: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Levi 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Levi 2001a, |
| − | author = { | + | author = {Levi, Antonia}, |
| − | title = { | + | title = {Samurai from outer space. Understanding Japanese animation}, |
| − | year = { | + | year = {2001a}, |
| − | publisher = { | + | publisher = {Open Court Publishing Company}, |
| − | address = { | + | address = {Chicago}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Levinson 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Levinson 1983a, |
| − | author = { | + | author = {Levinson, Stephen C.}, |
| − | title = { | + | title = {Pragmatics}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Cambridge University Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Levinson 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Levinson 1990a, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {What a Musical Work is}, |
| − | year = { | + | booktitle = {Music, Art, and Metaphysics}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Levinson, J.}, |
| + | pages = {63-88}, | ||
| + | publisher = {Cornell University Press}, | ||
| + | address = {Ithaca}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Levinson 1990b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Levinson 1990b, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {Autographic and Allographic Art Revisited}, |
| − | year = { | + | booktitle = {Music, Art, and Metaphysics}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Levinson, J.}, |
| + | pages = {89-106}, | ||
| + | publisher = {Cornell University Press}, | ||
| + | address = {Ithaca}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Levinson 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Levinson 2003a, |
| − | author = { | + | author = {Levinson, Stephen C.}, |
| − | title = { | + | title = {Space in Language and Cognition. Explorations in Cognitive Diversity.}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Cambridge University Press}, |
| − | address = { | + | address = {Cambridge}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lichtblau 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lichtblau 2009a, |
| − | author = { | + | author = {Lichtblau, Klaus}, |
| − | title = { | + | title = {Einleitung}, |
| − | + | booktitle = {Georg Simmel: Soziologische Ästhetik}, | |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Lichtblau, K.}, |
| + | pages = {7-27}, | ||
| + | publisher = {VS Verlag für Sozialwissenschaften}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Licklider 1960a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Licklider 1960a, |
| − | author = { | + | author = {Licklider, Joseph C. R.}, |
| − | title = { | + | title = {Man-Computer Symbiosis}, |
| − | year = { | + | journal = {IRE Transactions on Human Factors in Electronics}, |
| − | + | year = {1960}, | |
| − | + | volume = {1}, | |
| + | number = {1}, | ||
| + | pages = {4-11}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Liebsch & Mößner 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Liebsch & Mößner 2012a, |
| − | + | title = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, | |
| − | + | year = {2012}, | |
| − | + | editor = {Liebsch, Dimitri & Mößner, Nicola}, | |
| − | publisher = { | + | publisher = {Herbert von Halem Verlag}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.414: | Zeile 11.805: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Liebsch 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Liebsch 2001a, |
| − | author = { | + | author = {Liebsch, Dimitri}, |
| − | title = {Die | + | title = {Die Geburt der ästhetischen Bildung aus dem Körper der antiken Plastik. Zur Bildungssemantik im ästhetischen Diskurs zwischen 1750 und 1800}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Meiner}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Liesbrock 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Liesbrock 2010a, |
| − | + | title = {Ad Reinhardt: Letzte Bilder}, | |
| − | + | year = {2010}, | |
| − | + | editor = {Liesbrock, Heinz}, | |
| − | publisher = { | + | publisher = {Josef Albers Museum Quadrat Bottrop}, |
| − | address = { | + | address = {Düsseldorf}, |
| − | note = {}, | + | note = {Ausstellungskatalog}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Liessmann 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Liessmann 2004a, |
| − | author = { | + | author = {Liessmann, Konrad Paul}, |
| − | title = { | + | title = {Reiz und Rührung. Über ästhetische Empfindungen}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {WUV}, |
| − | + | address = {Wien}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Liessmann 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Liessmann 2009a, |
| − | author = { | + | author = {Liessmann, Konrad Paul}, |
| − | title = { | + | title = {Ästhetische Empfindungen. Eine Einführung}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Facultas-WUV}, |
| − | + | address = {Wien}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lippard 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Lippard 1997a, |
| − | + | title = {Six Years. the Dematerialization of the Art Object from 1966 to 1972}, | |
| − | title = { | + | year = {1997}, |
| − | + | editor = {Lippard, Lucy R.}, | |
| − | year = { | + | publisher = {University of California Press}, |
| − | editor = { | + | address = {Berkeley}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ||
| − | === | + | ===Lippold 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lippold 1993a, |
| − | author = { | + | author = {Lippold, Lutz}, |
| − | title = { | + | title = {Macht des Bildes - Bild der Macht: Kunst zwischen Verehrung und Zerstörung bis zum ausgehenden Mittelalter}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Edition Leipzig}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.499: | Zeile 11.889: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lipps 1903a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lipps 1903a, |
| − | author = { | + | author = {Lipps, Theodor}, |
| − | title = { | + | title = {Grundlegung der Ästhetik. Erster Teil}, |
| − | + | year = {1903}, | |
| − | year = { | + | publisher = {Leopold Voss}, |
| − | + | address = {Leipzig}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lipps 1920a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lipps 1920a, |
| − | title = { | + | author = {Lipps, Theodor}, |
| − | year = { | + | title = {»Zur Einfühlung«, in: Psychologische Untersuchungen 2/3, 1913}, |
| − | editor = { | + | booktitle = {Die ästhetische Betrachtung und die bildende Kunst}, |
| − | publisher = { | + | year = {1920}, |
| − | address = { | + | editor = {ders.}, |
| + | pages = {111-491}, | ||
| + | publisher = {Voss}, | ||
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Locke 1975a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Locke 1975a, |
| − | + | author = {Locke, John}, | |
| − | + | title = {An Essay Concerning Human Understanding}, | |
| − | + | year = {1975}, | |
| − | publisher = { | + | publisher = {Oxford University Press}, |
| − | address = { | + | address = {Oxford}, |
| − | note = {}, | + | note = {hg. von Nidditch, P. H.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Logothetis 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Logothetis 1998a, |
| − | author = { | + | author = {Logothetis, Nikos K.}, |
| − | + | journal = {Philos. Trans. R. Soc. Lond., B, Biol. Sci.}, | |
| − | + | title = {Single units and conscious vision}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {353}, | |
| − | + | number = {1377}, | |
| − | + | pages = {1801–1818}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.571: | Zeile 11.950: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lopes 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lopes 1996a, |
| − | author = { | + | author = {Lopes, Dominic}, |
| − | title = { | + | title = {Understanding Pictures}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Claredon Press}, |
| − | + | address = {Oxford}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lorenz 1970a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lorenz 1970a, |
| − | author = { | + | author = {Lorenz, Kuno}, |
| − | title = { | + | title = {Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie}, |
| − | year = { | + | year = {1970}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lorenz 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lorenz 1990a, |
| − | author = { | + | author = {Lorenz, Kuno}, |
| − | title = { | + | title = {Einführung in die philosophische Anthropologie}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {WBG}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {(<sup>2</sup>1992)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lotman 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lotman 1990a, |
| − | author = { | + | author = {Lotman, Juri M.}, |
| − | title = {The | + | title = {The Universe of the Mind. A Semiotic Theory of Culture}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Indiana University Press}, |
| − | address = { | + | address = {London, New York}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lovejoy 1936a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lovejoy 1936a, |
| − | author = { | + | author = {Lovejoy, Arthur O.}, |
| − | title = {Die | + | title = {Die große Kette der Wesen. Geschichte eines Gedankens [The Great Chain of Being. A Study in the History of an Idea (1936)]}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Luhmann 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Luhmann 1993a, |
| − | author = { | + | author = {Luhmann, Niklas}, |
| − | title = { | + | title = {Die Form der Schrift}, |
| − | year = { | + | booktitle = {Schrift}, |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {Gumbrecht, H. U. & Pfeiffer, K. L.}, |
| + | pages = {349-366}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Luhmann 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Luhmann 1995a, |
| − | author = { | + | author = {Luhmann, Niklas}, |
| − | title = { | + | title = {Die Kunst der Gesellschaft}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.667: | Zeile 12.051: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Luhmann 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Luhmann 1996a, |
| − | + | author = {Luhmann, Niklas}, | |
| − | + | title = {Realität der Massenmedien}, | |
| − | + | year = {1996}, | |
| − | publisher = { | + | publisher = {Westdeutscher Verlag}, |
| − | address = { | + | address = {Opladen}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Luhmann 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Luhmann 1997a, |
| − | author = { | + | author = {Luhmann, Niklas}, |
| − | title = { | + | title = {Die Kunst der Gesellschaft}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Lunenfeld 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lunenfeld 2002a, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {Digitale Fotografie. Das dubitative Bild}, |
| − | + | booktitle = {Paradigma Fotografie}, | |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Wolf, H.}, |
| + | pages = {158-177}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Lynch & Edgerton 1988a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lynch & Edgerton 1988a, |
| − | author = { | + | author = {Lynch, Michael & Edgerton, Samuel Y.}, |
| − | title = { | + | title = {Aesthetics and Digital Image Processing. Re-presentational Craft in Contemporary Astronomy}, |
| − | booktitle = { | + | booktitle = {Picturing Power: Visual Depiction and Social Relations}, |
| − | year = { | + | year = {1988}, |
| − | editor = { | + | editor = {Fyfe, G. & Law, J.}, |
| − | pages = { | + | pages = {184-220}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London u.a.}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==M== |
| + | |||
| + | ===Lévi-Strauss 1958a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lévi-Strauss 1958a, |
| − | author = { | + | author = {Lévi-Straus, Claude}, |
| − | title = { | + | title = {Anthropologie structurale}, |
| − | year = { | + | year = {1958}, |
| − | publisher = { | + | publisher = {Plon}, |
| − | address = { | + | address = {Paris}, |
| − | note = {}, | + | note = {Dt. Strukturale Anthropologie. Frankfurt/Main: Suhrkamp}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Löbner 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Löbner 2003a, |
| − | author = { | + | author = {Löbner, Sebastian}, |
| − | title = { | + | title = {Semantik. Eine Einführung}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.763: | Zeile 12.138: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Löhr 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Löhr 2003a, |
| − | author = { | + | author = {Löhr, Wolf-Dietrich}, |
| − | title = { | + | title = {Ekphrasis}, |
| − | year = { | + | booktitle = {Metzler-Lexikon Kulturwissenschaft: Ideen, Methoden, Begriffe}, |
| − | + | year = {2003}, | |
| − | + | editor = {Pfisterer, U.}, | |
| − | + | pages = {76-80}, | |
| − | + | publisher = {Metzler}, | |
| + | address = {Stuttgart [u.a.]}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mach 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mach 1987a, |
| − | author = { | + | author = {Mach, Ernst}, |
| − | title = { | + | title = {Die Analyse der Empfindungen und das Verhältnis des Physischen zum Psychischen}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Macpherson 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Macpherson 1996a, |
| − | author = { | + | author = {Macpherson, Fiona}, |
| − | title = { | + | title = {Ambiguous Figures and the Content of Experience}, |
| − | year = { | + | journal = {Nous}, |
| − | + | year = {1996}, | |
| − | + | volume = {40}, | |
| − | note = {}, | + | number = {1}, |
| + | pages = {82-117}, | ||
| + | note = {2006?}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mai 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Mai 2002a, |
| − | + | title = {Wettstreit der Künste}, | |
| − | + | year = {2002}, | |
| − | + | editor = {Mai, Ekkehard}, | |
| − | publisher = { | + | publisher = {Ed. Minerva}, |
| − | address = { | + | address = {Wolfratshausen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.814: | Zeile 12.198: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Majetschak 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Majetschak 1997a, |
| − | + | title = {Auge und Hand. Konrad Fiedlers Kunsttheorie im Kontext}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Majetschak, Stefan}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.827: | Zeile 12.212: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Majetschak 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Majetschak 1997a, |
| − | + | title = {Auge und Hand. Konrad Fiedlers Kunsttheorie im Kontext}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Stefan Majetschak}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.840: | Zeile 12.226: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Majetschak 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Majetschak 2005a, |
| − | author = { | + | author = {Majetschak, Stefan}, |
| − | title = { | + | title = {Sichtbare Metaphern}, |
| − | + | booktitle = {Logik der Bilder}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Hoppe-Sailer, R.}, |
| + | pages = {239-253}, | ||
| + | publisher = {Reimer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Majetschak 2005b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Majetschak 2005b, |
| − | author = { | + | author = {Majetschak, Stefan}, |
| − | title = { | + | title = {Von der Darstellungsmetaphysik zur Darstellungspragmatik. Eine historisch-systematische Untersuchung von Platon bis Davidson}, |
| − | year = { | + | booktitle = {Bild-Zeichen. Perspektiven einer Wissenschaft vom Bild}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Majetschak, Stefan}, |
| + | pages = {S. 97-121}, | ||
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Makkreel 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Makkreel 1997a, |
| − | author = { | + | author = {Makkreel, Rudolf A.}, |
| − | title = {Die | + | title = {Einbildungskraft und Interpretation: Die hermeneutische Tragweite von Kants Kritik der Urteilskraft}, |
| − | year = { | + | year = {1997a}, |
| − | publisher = { | + | publisher = {Schöningh}, |
| − | address = {München}, | + | address = {Paderborn; München; Wien; Zürich}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Manovich 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Manovich 2001a, |
| − | author = { | + | author = {Manovich, Lev}, |
| − | title = { | + | title = {The Language of New Media}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge/MA}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Manovich 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Manovich 2005a, |
| − | author = { | + | author = {Manovich, Lev}, |
| − | title = { | + | title = {Die Poetik des erweiterten Raums}, |
| − | booktitle = { | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| − | pages = { | + | pages = {337-350}, |
| − | publisher = { | + | publisher = {Verlag für moderne Kunst}, |
| − | address = { | + | address = {Nürnberg}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Manow 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Manow 2008a, |
| − | author = { | + | author = {Manow, Philip}, |
| − | title = { | + | title = {Im Schatten des Königs. Die politische Anatomie demokratischer Repräsentation}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Marin 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Marin 2006a, |
| − | author = { | + | author = {Marin, Louis}, |
| − | title = { | + | title = {Texturen des Bildlichen}, |
| − | |||
year = {2006}, | year = {2006}, | ||
| − | + | publisher = {Diaphanes}, | |
| − | + | address = {Zürich / Berlin}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Marshall 1968a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Marshall 1968a, |
| − | + | title = {Gellius: Noctes Atticae XIII, 17}, | |
| − | title = { | + | year = {1968}, |
| − | + | editor = {Marshall, Peter K.}, | |
| − | year = { | + | publisher = {Oxford University Press}, |
| − | editor = { | + | address = {Oxford}, |
| − | + | note = {Scriptorum Classicorum Bibliotheca Oxoniensis}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Martinec & Salway 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Martinec & Salway 2005a, |
| − | author = { | + | author = {Martinec, Radan & Salway, Andrew}, |
| − | title = { | + | title = {A System for Image-Text-Relations in New (and Old) Media}, |
| − | journal = { | + | journal = {Visual Communication}, |
| − | year = { | + | year = {2005}, |
| − | volume = {}, | + | volume = {4}, |
| − | number = { | + | number = {3}, |
| − | pages = { | + | pages = {337–371}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.988: | Zeile 12.364: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Massey 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Massey 2007a, |
| − | author = { | + | author = {Massey, Lyle}, |
| − | title = { | + | title = {Picturing Space, Displacing Bodies. Anamorphosis in Early Modern Theories of Perspective}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Pennsylvania State University Press}, |
| − | address = { | + | address = {University Park, Pa}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.001: | Zeile 12.378: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Maul 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Maul 2007a, |
| − | author = { | + | author = {Maul, Stefan M.}, |
| − | title = { | + | title = {Gilgamesch}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Beck}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {aus dem Babylonischen [auf der Grundlage von zum Teil noch unveröffentlichten Textzeugnissen neu und vollständig] übersetzt und mit einem Nachwort versehen}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Maynard 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Maynard 2003a, |
| − | author = { | + | author = {Maynard, Patrik}, |
| − | title = { | + | title = {Pictures of Perspective: Theory or Therapy?}, |
| − | + | booktitle = {Looking into Pictures. An Interdisciplinary Approach to Pictorial Space.}, | |
| − | year = { | + | year = {2003}, |
| − | + | editor = {Hecht, H. & Schwartz, R. & Atherton, M.}, | |
| − | + | pages = {191-211}, | |
| − | + | publisher = {The MIT Press}, | |
| + | address = {Cambridge, MA}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===McGinn 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{McGinn 2004a, |
| − | author = { | + | author = {McGinn, Colinn}, |
| − | title = { | + | title = {Image, Dream, Meaning}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Harvard University Press}, |
| − | address = { | + | address = {Cambridge, Mass.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| + | </bibentry> | ||
| − | |||
| − | === | + | ===McLuhan 1962a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{McLuhan 1962a, |
| − | author = { | + | author = {McLuhan, Marshall}, |
| − | title = { | + | title = {The Gutenberg Galaxy: The Making of Typographic Man}, |
| − | year = { | + | year = {1962}, |
| − | publisher = { | + | publisher = {University of Toronto Press}, |
| − | address = { | + | address = {Toronto}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.074: | Zeile 12.436: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===McLuhan 1964a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{McLuhan 1964a, |
| − | author = { | + | author = {McLuhan, Marshall}, |
| − | title = { | + | title = {Understanding Media. The Extensions of Man}, |
| − | year = { | + | year = {1964a}, |
| − | publisher = { | + | publisher = {Mentor}, |
| − | address = { | + | address = {New York}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mead 1968a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mead 1968a, |
| − | author = { | + | author = {Mead, George Herbert}, |
| − | title = { | + | title = {Geist, Identität und Gesellschaft aus der Sicht des Sozialbehaviorismus}, |
| − | year = { | + | year = {1968}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = { | + | note = {Original: <em>Mind, Self, and Society</em>. Hg. v. Charles W. Morris. Chicago, 1934}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Meier 1757a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Meier 1757a, |
| − | author = { | + | author = {Meier, Georg Friedrich}, |
| − | title = { | + | title = {Betrachtungen über den ersten Grundsatz aller Schönen Künste und Wissenschaften}, |
| − | year = { | + | year = {1757}, |
| − | publisher = { | + | publisher = {Carl Hermann Hemmerde}, |
| − | address = { | + | address = {Halle}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Meinhardt 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Meinhardt 1997a, |
| − | author = { | + | author = {Meinhardt, Johannes}, |
| − | title = { | + | title = {Ende der Malerei und Malerei nach dem Ende der Malerei}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Hatje Cantz}, |
| − | + | address = {Ostfildern-Ruit}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Meinong 1907a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Meinong 1907a, |
| − | author = { | + | author = {Meinong, Alexius}, |
| − | title = { | + | title = {Über die Stellung der Gegenstandstheorie im System der Wissenschaften}, |
| − | year = { | + | year = {1907}, |
| − | publisher = { | + | publisher = {Voigtländer}, |
| − | address = { | + | address = {Leipzig }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.143: | Zeile 12.505: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mendelsohn 1982a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mendelsohn 1982a, |
| − | author = { | + | author = {Mendelsohn, Leatrice}, |
| − | title = { | + | title = {Paragoni. Benedetto Varchi’s Due Lezioni and Cinquecento Art Theory}, |
| − | year = { | + | year = {1982}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Ann Arbor}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.156: | Zeile 12.519: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Menzer 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Menzer 1992a, |
| − | author = { | + | author = {Menzer, Ursula}, |
| − | title = { | + | title = {Subjektive und objektive Kultur. Georg Simmels Philosophie der Geschlechter vor dem Hintergrund seines Kultur-Begriffs}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {Centaurus}, |
| − | + | address = {Pfaffenweiler}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merleau-Ponty 1961a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Merleau-Ponty 1961a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Das Auge und der Geist. Philosophische Essays} |
| − | + | year = {1961}, | |
| − | year = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {neu bearbeitet, kommentiert und mit einer Einleitung versehen von Christian Bermes (2003)}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merleau-Ponty 1966a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Merleau-Ponty 1966a, |
| − | + | author = {Merleau-Ponty, Maurice}, | |
| − | + | title = {Phänomenologie der Wahrnehmung (1945)}, | |
| − | + | year = {1966}, | |
| − | publisher = { | + | publisher = {Walter de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {aus dem Französischen übersetzt und eingeführt durch eine Vorrede von Boehm, Rudolf}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Merleau-Ponty 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Merleau-Ponty 1993a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Die Prosa der Welt}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {2. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merleau-Ponty 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Merleau-Ponty 1994a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Der Zweifel Cézannes (1948)}, |
| − | + | booktitle = {Was ist ein Bild?}, | |
| − | publisher = { | + | year = {1994}, |
| + | editor = {Boehm, G.}, | ||
| + | pages = {39-59}, | ||
| + | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merleau-Ponty 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Merleau-Ponty 2003a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Das Auge und der Geist. Philosophisches Essays}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merleau-Ponty 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Merleau-Ponty 2006a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Das Kino und die neue Psychologie (1947)}, |
| − | booktitle = { | + | booktitle = {Philosophie des Films}, |
year = {2006}, | year = {2006}, | ||
| − | editor = { | + | editor = {Liebsch, D.}, |
| − | pages = { | + | pages = {70-84}, |
| − | publisher = { | + | publisher = {Mentis}, |
| − | address = { | + | address = {Paderborn}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.278: | Zeile 12.625: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mersch 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mersch 2002a, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Was sich zeigt. Materialität, Präsenz, Ereignis}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.291: | Zeile 12.639: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mersch 2002b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mersch 2002b, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Ereignis und Aura. Untersuchungen zu einer performativen Ästhetik}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.304: | Zeile 12.653: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mersch 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mersch 2003a, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Wort, Bild, Ton, Zahl – Modalitäten medialen Darstellens}, |
| − | year = { | + | booktitle = {Die Medien der Künste. Beiträge zur Theorie des Darstellens}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Mersch, D.}, |
| + | pages = {9-49}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mersch 2003b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mersch 2003b, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Technikapriori und Begründungsdefizit. Medienphilosophien zwischen uneingelöstem Anspruch und theoretischer Neufundierung}, |
| − | year = { | + | journal = {Philosophische Rundschau}, |
| − | + | year = {2003}, | |
| − | + | volume = {}, | |
| + | number = {50}, | ||
| + | pages = {193-219}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mersch 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mersch 2006a, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Mediale Paradoxa. Einleitung in eine negative Medienphilosophie}, |
| − | + | journal = {Sic et Non. Zeitschrift für Philosophie und Kultur im Netz}, | |
| − | + | year = {2006}, | |
| − | + | volume = {}, | |
| − | + | number = {6}, | |
| − | |||
pages = {}, | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {sicetnon.org/content/perform/Mersch_Medienphilosophie_sw.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Mersmann 08a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mersmann 08a, |
| − | author = { | + | author = {Mersmann, Jasmin}, |
| − | + | title = {Wandelgänge. Monumentale Anamorphosen im 17. Jahrhundert}, | |
| − | + | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie}, | |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Cha, K.-H. & Rautzenberg, M.}, |
| + | pages = {23-41}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Merzeau 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Merzeau 1998a, |
| − | author = { | + | author = {Merzeau, Louise}, |
| − | title = { | + | title = {Ceci ne tuera pas cela}, |
| − | year = { | + | journal = {Cahiers des médiologie}, |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {6}, | ||
| + | pages = {27-39}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Messaris 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Messaris 1997a, |
| − | author = { | + | author = {Messaris, Paul}, |
| − | title = { | + | title = {Visual Persuasion: The Role of Images in Advertising}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Sage}, |
| − | + | address = {Thousand Oaks}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metscher 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metscher 2001a, |
| − | author = { | + | author = {Metscher, Thomas}, |
| − | title = { | + | title = {Mimesis}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Aisthesis}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.418: | Zeile 12.769: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Metz 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metz 1972a, |
| − | author = { | + | author = {Metz, Christian}, |
| − | title = { | + | title = {Semiologie des Films (1968)}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {aus dem Französischen von Koch, Renate}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Metz 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metz 2000a, |
| − | author = { | + | author = {Metz, Christian}, |
| − | title = { | + | title = {Der imaginäre Signifikant. Psychoanalyse und Kino}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Nodus}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.444: | Zeile 12.797: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Metzger 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metzger 2008a, |
| − | author = { | + | author = {Metzger, Wolfgang}, |
| − | title = { | + | title = {Gesetze des Sehens}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Klotz}, |
| − | address = { | + | address = {Taunus}, |
| − | note = {}, | + | note = {4. unveränd. Aufl., Repr. nach d. 3., völlig neu bearb. Aufl. 1975.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Metzinger 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Metzinger 1999a, |
| − | author = { | + | author = {Metzinger, Thomas}, |
| − | title = { | + | title = {Subjekt und Selbstmodell. Die Perspektivität phänomenalen Bewusstseins vor dem Hintergrund einer naturalistischen Theorie mentaler Repräsentation}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Mentis}, |
| − | + | address = {Paderborn}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Metzinger 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Metzinger 2000a, |
| − | author = { | + | author = {Metzinger, Thomas}, |
| − | title = { | + | title = {Philosophische Perspektiven auf das Selbstbewusstsein: Die Selbstmodell-Theorie der Subjektivität}, |
| − | year = { | + | booktitle = {Psychologie des Selbst}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Greve, W.}, |
| − | note = {}, | + | pages = {}, |
| + | publisher = {Beltz PVU}, | ||
| + | address = {Weinheim}, | ||
| + | note = {Zitiert aus der überarbeiteten Online-Version}, | ||
| + | hidden = {}, | ||
| + | url = {www.philosophie.uni-mainz.de/metzinger/publikationen}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Meyer 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Meyer 2001a, |
| − | author = { | + | author = {Meyer, Thomas}, |
| − | title = { | + | title = {Mediokratie. Die Kolonisierung der Politik durch das Mediensystem}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | + | } | |
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Meyer-Fujara 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Meyer-Fujara 1998a, |
| − | author = { | + | author = {Meyer-Fujara, Josef Heinrich & Rieser, Hannes }, |
| − | title = { | + | title = {Zur Semiotik von Repräsentationsrelationen. Eine Fallstudie}, |
| − | booktitle = { | + | booktitle = {Bild – Bildwahrnehmung – Bildverarbeitung. Interdisziplinäre Beiträge zur Bildwissenschaft}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus & Rehkämper, Klaus}, |
| − | pages = { | + | pages = {131-142}, |
| − | publisher = { | + | publisher = {Deutscher Universitätsverlag }, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.518: | Zeile 12.875: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Michalsky 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Michalsky 2005a, |
| − | author = { | + | author = {Michalsky, Tanja}, |
| − | title = { | + | title = {Raum visualisieren. Zur Genese des modernen Raumverständnisses in den Medien der Frühen Neuzeit}, |
| − | year = { | + | booktitle = {Ortsgespräche. Raum und Kommunikation im 19. und 20. Jahrhundert}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Geppert, A. C.; Jensen, U. & Weinhold, J.}, |
| + | pages = {287-310}, | ||
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mirmehdi et al. 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Mirmehdi et al. 2008a, |
| − | + | title = {Handbook of Texture Analysis }, | |
| − | title = { | + | year = {2008}, |
| − | + | editor = {Mirmehdi, Majid & Xie, Xianghua & Suri, Jasjit}, | |
| − | year = { | + | publisher = {Imperial College Press}, |
| − | editor = { | + | address = {London}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mirzoeff 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Mirzoeff 2007a, |
| − | author = { | + | author = {Mirzoeff, Nicholas}, |
| − | title = { | + | title = {Von Bildern und Helden. Sichtbarkeit im Krieg der Bilder}, |
| − | booktitle = { | + | booktitle = {Feindbilder. Ideologien und visuelle Strategien der Kulturen}, |
year = {2007}, | year = {2007}, | ||
| − | editor = { | + | editor = {Haustein, L.; Scherer, B. & Hager, M.}, |
| − | pages = { | + | pages = {135-156}, |
| − | publisher = { | + | publisher = {Wallstein}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.565: | Zeile 12.925: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 1986a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Iconology. Image, Text, Ideology}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {The University of Chicago Press}, |
| − | address = { | + | address = {Chicago, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.578: | Zeile 12.939: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 1992a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {The Reconfigured Eye. Visual Truth in the Post-Photographic Era}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge, MA}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 1992b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 1992b, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {"The Pictorial Turn"}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | booktitle = {Picture Theory. Essays on Verbal and Visual Repräsentation}, |
| − | address = { | + | editor = {ders.}, |
| + | publisher = {Universität of Chicago Press}, | ||
| + | address = {Chicago}, | ||
| + | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.604: | Zeile 12.969: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 1992c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mitchell 1992c, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Ekphrasis and the Other}, |
| − | + | journal = {South Atlantic Quarterly}, | |
| − | year = { | + | year = {1992}, |
| − | + | volume = {91}, | |
| − | + | number = {3}, | |
| − | + | pages = {696-703}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.621: | Zeile 12.986: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 1994a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Picture Theory. Essays on Verbal and Visual Representation}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {University of Chicago Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Mitchell 1994b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 1994b, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {The Reconfigured Eye. Visual Truth in Post-Photographic Era}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.650: | Zeile 13.014: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Mitchell 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 2005a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {What Do Pictures Want? The Lives and Loves of Images}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {University of Chicago Press}, |
| − | address = { | + | address = {Chicago, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.677: | Zeile 13.028: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 2006a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Den Terror klonen. Der Krieg der Bilder 2001-2004}, |
| + | booktitle = {Iconic Worlds. Neue Bilderwelten und Wissensräume}, | ||
year = {2006}, | year = {2006}, | ||
| − | publisher = { | + | editor = {Maar, Ch. & Burda, H.}, |
| − | address = { | + | pages = {255-285}, |
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 2007a, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Realismus im digitalen Bild}, |
| − | year = { | + | booktitle = {Bilderfragen. Die Bildwissenschaften im Aufbruch}, |
| − | publisher = { | + | year = {2007}, |
| − | address = {}, | + | editor = {Belting, H.}, |
| + | pages = {237-256}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 2008a, |
| − | + | author = {Mitchell, William J. Thomas}, | |
| − | + | title = {Bildtheorie}, | |
| − | + | year = {2008}, | |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = { | + | note = {hrsg. von Gustav Frank}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mitchell 2008b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 2008b, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title | + | title = {Das Leben der Bilder. Eine Theorie der visuellen Kultur}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {C.H. Beck}, |
| − | |||
| − | |||
| − | |||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {mit einem Vorwort von H. Belting, aus dem Englischen von A. Eschbach, A.-V. Eschbach & M. Halawa}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Moholy-Nagy 1929a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Moholy-Nagy 1929a, |
| − | author = { | + | author = {Moholy-Nagy, Lásló}, |
| − | title = { | + | title = {Von material zu architektur (1929)}, |
| − | + | year = {1968}, | |
| − | year = { | + | publisher = {Kupferberg}, |
| − | + | address = {Mainz / Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Moholy-Nagy 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Moholy-Nagy 1986a, |
| − | author = { | + | author = {Moholy-Nagy, László}, |
| − | title = { | + | title = {Malerei Fotografie Film}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Gebr. Mann Verlag}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mojsisch 1983a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mojsisch 1983a, |
| − | author = { | + | author = {Mojsisch, Burkhard}, |
| − | title = { | + | title = {Meister Eckhart. Analogie, Univozität und Einheit}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.780: | Zeile 13.132: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Monaco 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Monaco 2007a, |
| − | author = { | + | author = {Monaco, James}, |
| − | title = { | + | title = {Film verstehen: Kunst, Technik, Sprache, Geschichte und Theorie des Films und der Medien. Mit einer Einführung in Multimedia}, |
| − | + | year = {2007a}, | |
| − | + | publisher = {Rowohlt Taschenbuch}, | |
| − | + | address = {Reinbek}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mondzain 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mondzain 2006a, |
| − | author = { | + | author = {Mondzain, Marie-José}, |
| − | title = { | + | title = {Können Bilder töten?}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Diaphanes}, |
| − | + | address = {Zürich, Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Moog-Grünewald 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Moog-Grünewald 2001a, |
| − | author = { | + | author = {Moog-Grünewald, Maria}, |
| − | title = { | + | title = {Der Sänger im Schild - oder: Über den Grund ekphrastischen Schreibens}, |
| − | year = { | + | booktitle = {Behext von Bildern? Ursachen, Funktionen und Perspektiven der textuellen Faszination durch Bilder}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Drügh, H. J.}, |
| + | pages = {}, | ||
| + | publisher = {Winter}, | ||
| + | address = {Heidelberg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Morris 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Morris 1994a, |
| − | author = { | + | author = {Morris, Desmond}, |
| − | title = { | + | title = {Das Tier Mensch}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Verlagsgesellschaft}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | |||
| + | ===Moser 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Moser 2011a, |
| − | author = { | + | author = {Moser, Natalie}, |
| − | title = { | + | title = {Gegen das Bild ,anerzählen’}, |
| − | + | journal = {Rheinsprung 11: Zeitschrift für Bildkritik}, | |
| − | year = { | + | year = {2011}, |
| − | + | volume = {1}, | |
| − | + | number = {1}, | |
| − | + | pages = {56-70}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {rheinsprung11.unibas.ch/ausgabe-01.html} |
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Musterle & Roessler 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Musterle & Roessler 1986a, |
| − | author = { | + | author = {Musterle, Wilfried A. & Roessler, Otto E.}, |
| − | title = { | + | title = {Computer Faces: The Human Lorenz Matrix}, |
| − | year = { | + | journal = {Bio Systems}, |
| − | + | year = {1986}, | |
| − | + | volume = {19}, | |
| − | + | number = {}, | |
| − | + | pages = {61-80}, | |
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==N== |
| + | |||
| + | |||
| + | ===Männlein-Robert 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Männlein-Robert 2007a, |
| − | author = { | + | author = {Männlein-Robert, Irmgard}, |
| − | title = { | + | title = {Stimme, Schrift und Bild: zum Verhältnis der Künste in der hellenistischen Dichtung}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Universitätsverlag Winter}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.886: | Zeile 13.238: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Möller 1984a=== |
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Möller 1984a, | |
| − | + | author = {Möller, Karl-Dietmar}, | |
| − | + | title = {Schichten des Filmbildes und Ebenen des Films}, | |
| − | + | booktitle = {Die Einstellung als Größe einer Filmsemiotik}, | |
| − | + | year = {1984a}, | |
| − | + | editor = {Münsteraner Arbeitskreis für Semiotik MakS}, | |
| − | + | pages = {45-85}, | |
| − | + | publisher = {MakS Publikationen}, | |
| − | + | address = {Münster}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | @inproceedings{ | ||
| − | author = { | ||
| − | title = { | ||
| − | booktitle = { | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.919: | Zeile 13.256: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mörchen 1970a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mörchen 1970a, |
| − | author = { | + | author = {Mörchen, Hermann}, |
| − | title = { | + | title = {Die Einbildungskraft bei Kant}, |
| − | year = { | + | year = {1970a}, |
| − | publisher = { | + | publisher = {Niemeyer}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.932: | Zeile 13.270: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Mößner im Erscheinena=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mößner im Erscheinena, |
| − | author = { | + | author = {Mößner, Nicola}, |
| − | title = { | + | title = {Können Bilder Argumente sein?}, |
| − | year = { | + | booktitle = {Bilder als Gründe}, |
| − | + | year = {im Erscheinen}, | |
| − | + | editor = {Harth, Manfred; Jakob Steinbrenner}, | |
| + | pages = {}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | |||
| + | ===Mülder-Bach 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mülder-Bach 1998a, |
| − | author = { | + | author = {Mülder-Bach, Inka}, |
| − | title = { | + | title = {Im Zeichen Pygmalions. Das Modell der Statue und die Entdeckung der „Darstellung“ im 18. Jahrhunderts}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.958: | Zeile 13.303: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Müller 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Müller 1985a, |
| − | author = { | + | author = {Müller, Wolfgang}, |
| − | title = { | + | title = {DUDEN Bedeutungswörterbuch = DUDEN Band 10}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {Dudenverlag}, |
| − | address = { | + | address = {Mannheim [u.a.]}, |
| − | note = {}, | + | note = {völlig neu bearbeitete und erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Müller 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Müller 1997a, |
| − | author = { | + | author = {Müller, Marion G.}, |
| − | title = { | + | title = {Politische Bildstrategien im amerikanischen Präsidentschaftswahlkampf, 1828-1996}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Akademie Verlag}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| Zeile 12.984: | Zeile 13.331: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Müller 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Müller 2007a, |
| − | author = { | + | author = {Müller, Sabine}, |
| − | title = { | + | title = {Visualisierung in der astronomischen Digitalfotografie mit Hilfe von Falschfarben}, |
| − | booktitle = { | + | booktitle = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Groß, D. & Westermann, S.}, |
| − | pages = { | + | pages = {93-110}, |
| − | publisher = { | + | publisher = {Kassel Univ. Press}, |
| − | address = { | + | address = {Kassel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.001: | Zeile 13.349: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Müller et al. 2012a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Müller et al. 2012a, |
| − | author = { | + | author = {Müller, Andreas et al.}, |
| − | title = { | + | title = {Schöne Bilder in den Naturwissenschaften: motivierend, anregend oder doch nur schmückendes Beiwerk? }, |
| − | booktitle = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | year = { | + | year = {2012}, |
| − | editor = { | + | editor = {Liebsch, Dimitri & Mößner, Nicola}, |
| − | pages = { | + | pages = {207-236}, |
| − | publisher = { | + | publisher = {Herbert von Halem Verlag}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.020: | Zeile 13.367: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Müller-Beck & Albrecht 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Müller-Beck & Albrecht 1978a, |
| − | author = { | + | author = {Müller-Beck, Hansjürgen & Albrecht, Gerd}, |
| − | title = { | + | title = {Die Anfänge der Kunst vor 30'000 Jahren}, |
| − | + | year = {1978}, | |
| − | year = { | + | publisher = {Theiss}, |
| − | + | address = {Stuttgart}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Münkler 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Münkler 2009a, |
| − | author = { | + | author = {Münkler, Herfried}, |
| − | title = { | + | title = {Visualisierungsstrategien im politischen Machtkampf: Der Übergang vom Personenverband zum institutionellen Territorialstaat}, |
| − | booktitle = { | + | booktitle = {Strategien der Visualisierung. Verbildlichung als Mittel politischer Kommunikation}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Münkler, H. & Hacke, J.}, |
| − | + | pages = {23-51}, | |
| − | + | publisher = {Campus}, | |
address = {Frankfurt a. M.}, | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Naef 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Naef 2007a, |
| − | author = { | + | author = {Naef, Silvia}, |
| − | title = { | + | title = {Bilder und Bilderverbot im Islam}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {C. H. Beck}, |
| − | + | address = {München}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nancy 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Nancy 2006a, |
| − | author = { | + | author = {Nancy, Jean Luc}, |
| − | title = { | + | title = {Am Grund der Bilder}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Diaphanes}, |
| − | + | address = {Zürich / Berlin}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nancy 2006b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Nancy 2006b, |
| − | author = { | + | author = {Nancy, Jean Luc & Ferrari, Federico}, |
| − | title = { | + | title = {Die Haut der Bilder}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.094: | Zeile 13.441: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Napier 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Napier 2001a, |
| − | author = { | + | author = {Napier, Susan J.}, |
| − | title = { | + | title = {Anime. From Akira to Princess Mononoke}, |
| − | + | year = {2001a}, | |
| − | year = { | + | publisher = {Palgrave Mcmillan}, |
| − | + | address = {}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Netzwerk Bildphilosophie 2013a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Netzwerk Bildphilosophie 2013a, |
| − | + | title = {Bild und Methode. Theoretische Hintergründe und methodische Verfahren der Bildwissenschaft}, | |
| − | title = { | + | year = {2013fc}, |
| − | + | editor = {Netzwerk Bildphilosophie}, | |
| − | year = { | + | publisher = {Halem}, |
| − | editor = { | + | address = {Köln}, |
| − | + | note = {ISBN 978-3-86962-067-1}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Neuber 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Neuber 2010a, |
| − | author = { | + | author = {Neuber, Simone}, |
| − | title = { | + | title = {Versuch einer einleitenden historisch-semantischen Rekonstruktion}, |
| − | year = { | + | booktitle = {Das Bild als Denkfigur. Funktionen des Bildbegriffs in der Philosophie}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Neuber, S. & Veressov, R.}, |
| + | pages = {7-32}, | ||
| + | publisher = {Fink} | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Neuhaus 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Neuhaus 2006a, |
| − | title = { | + | author = {Neuhaus, Wolfgang}, |
| + | title = {Als William Gibson den Cyberspace erfand ... - Die Faszination für ein Vielzweck-Symbol aus der Science Fiction-Literatur}, | ||
| + | journal = {Telepolis}, | ||
year = {2006}, | year = {2006}, | ||
| − | + | volume = {}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {heise.de/tp/r4/artikel/23/23727/1.html}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | |||
| + | ===Neumann 1980a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Neumann 1980a, |
| − | title = {Das | + | author = {Neumann, Horst Peter}, |
| − | year = { | + | title = {Das Eigene und das Fremde. Über die Wünschbarkeit einer Theorie des Zitierens}, |
| − | + | journal = {Akzente. Zeitschrift für Literatur}, | |
| − | + | year = {1980}, | |
| − | + | volume = {27}, | |
| + | number = {4}, | ||
| + | pages = {292-305}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Neurath 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Neurath 1991a, |
| − | title = { | + | author = {Neurath, Otto}, |
| − | year = { | + | title = {Gesammelte bildpädagogische Schriften}, |
| − | + | year = {2006}, | |
| − | + | publisher = {Hölder-Pichler-Tempsky}, | |
| − | address = { | + | editor = {R. Haller & R. Kinross}, |
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.180: | Zeile 13.537: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Niederée & Heyer 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Niederée & Heyer 2003a, |
| − | author = { | + | author = {Niederée, Reinhard & Heyer, Dieter}, |
| − | title = {Visual | + | title = {The Dual Nature of Picture Perception: A Challenge to Current General Accounts of Visual Perception}, |
| − | + | booktitle = {Looking into Pictures. An Interdisciplinary Approach to Pictorial Space}, | |
| − | + | year = {2003}, | |
| − | + | editor = {Hecht, H.; Schwartz, R. & Atherton, M.}, | |
| − | + | pages = {77–98}, | |
| − | + | publisher = {MIT Press}, | |
| + | address = {Cambridge, Mass}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nietzsche 1870-1873a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Nietzsche 1870-1873a, |
| − | author = { | + | author = {Nietzsche, Friedrich}, |
| − | title = { | + | title = {Ueber Wahrheit und Lüge im aussermoralischen Sinne [1870-1873]}, |
| − | + | booktitle = {Sämtliche Werke. Kritische Studienausgabe in 15 Bänden. Bd. 1}, | |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Giorgio Colli und Mazzino Montinari}, |
| + | pages = {873-890}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nivelle 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Nivelle 1971a, |
| − | author = { | + | author = {Nivelle, Armand}, |
| − | title = { | + | title = {Kunst- und Dichtungstheorien zwischen Aufklärung und Klassik}, |
| − | + | year = {2. Auflage 1971}, | |
| − | year = { | + | publisher = {de Gruyter}, |
| − | + | address = {Berlin/New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nordman 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Nordman 2003a, |
| − | author = { | + | author = {Nordman, A.}, |
| − | title = { | + | title = {,I have changed his way of seeing’. Goethe, Lichtenberg and Wittgenstein}, |
| − | year = { | + | booktitle = {Goethe and Wittgenstein}, |
| − | publisher = { | + | year = {2003}, |
| − | address = {Frankfurt | + | editor = {Breithaupt, F. u.a.}, |
| − | note = { | + | pages = {91-110}, |
| + | publisher = {Lang}, | ||
| + | address = {Frankfurt}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Novitz 1977a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Novitz 1977a, |
| − | author = { | + | author = {Novitz, David}, |
| − | title = { | + | title = {Pictures and their Use in Communication. A Philosphical Essay}, |
| − | + | year = {1977}, | |
| − | year = { | + | publisher = {Nijhoff}, |
| − | + | address = {Den Haag}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==O== |
| + | |||
| + | |||
| + | ===Nänni 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Nänni 2008a, |
| − | author = { | + | author = {Nänni, Jürg}, |
| − | title = { | + | title = {Visuelle Wahrnehmung}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Niggli}, |
| − | address = { | + | address = {Sulgen}, |
| − | note = { | + | note = {1. Aufl.}, |
| + | url = {www.worldcat.org/oclc/254718373}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nöth 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Nöth 2000a, |
| − | author = { | + | author = {Nöth, Winfried}, |
| − | title = { | + | title = {Der Zusammenhang von Text und Bild}, |
| − | + | booktitle = {Text- und Gesprächslinguistik. Handbücher zur Sprach- und Kommunikationswissenschaft 16}, | |
| − | + | year = {2000}, | |
| − | + | editor = {Brinker, K. et al.}, | |
| − | + | pages = {489–496}, | |
| − | + | publisher = {de Gruyter}, | |
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Nöth 2000b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Nöth 2000b, |
| − | author = { | + | author = {Nöth, Winfried}, |
| − | title = { | + | title = {Handbuch der Semiotik}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Metzler}, |
| − | + | address = {Stuttgart/Weimar}, | |
| − | + | note = {2., vollständig neu bearbeitete u. erweiterte Auflage}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===OED-3a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{OED-3a, |
| − | author = { | + | author = {University of Oxford}, |
| − | title = { | + | title = {Oxford English Dictionary}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Oxford University Press}, |
| − | address = { | + | address = {}, |
| − | note = {}, | + | url = {oed.com}, |
| + | note = {3<sup>rd</sup> edition}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Oehlschläger 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Oehlschläger 2005a, |
| − | author = { | + | author = {Öhlschläger, Claudia}, |
| − | title = { | + | title = {Evidenz und Ereignis. Musils poetische ‚Momentaufnahmen‘ im Kontext der Moderne}, |
| − | + | booktitle = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, | |
| − | year = { | + | year = {2005}, |
| − | + | editor = {Pfotenhauer, H.; Riedel, W. & Schneider, S.}, | |
| − | + | pages = {203-216}, | |
| − | + | publisher = {Könighshausen & Neumann}, | |
| + | address = {Würzburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.328: | Zeile 13.700: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Oevermann et al. 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Oevermann et al. 1979a, |
| − | author = { | + | author = {Ulrich Oevermann & ??????????????}, |
| − | title = {Die | + | title = {Die Methodologie einer ‘objektiven Hermeneutik’ und ihre allgemeine forschungslogische Bedeutung in den Sozialwissenschaften}, |
| − | year = { | + | booktitle = {Interpretative Verfahren in den Sozial- und Textwissenschaften}, |
| − | publisher = { | + | year = {1979}, |
| − | address = { | + | editor = {Soeffner, H.-G.}, |
| + | pages = {352–434}, | ||
| + | publisher = {Metzler}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ohler 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ohler 1994a, |
| − | + | author = {Ohler, Peter}, | |
| − | + | title = {Kognitive Filmpsychologie. Verarbeitung und mentale Repräsentation narrativer Filme}, | |
| − | + | year = {1994}, | |
| − | publisher = { | + | publisher = {MAkS Publikationen}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.354: | Zeile 13.732: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Okolowitz 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Okolowitz 2006a, |
| − | + | author = {Okolowitz, Herbert}, | |
| − | + | title = {Virtualität bei G.W. Leibniz. Eine Retrospektive}, | |
| − | + | year = {2006}, | |
| − | + | howpublished = {Diss. Universität Augsburg}, | |
| − | + | url = {deposit.ddb.de/cgi-bin/dokserv?idn=98278726X}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.367: | Zeile 13.746: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Olbrich 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Olbrich 1987a, |
| − | author = { | + | author = {Olbrich, Harald}, |
| − | title = { | + | title = {Lexikon der Kunst. Architektur, bildende Kunst, angewandte Kunst, industrielle Formgestaltung, Kunsttheorie. Bd. 1-7}, |
| − | + | year = {1987ff.}, | |
| − | year = { | + | publisher = {E. A. Seemann Verlag}, |
| − | + | address = {Leipzig}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ott 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ott 2007a, |
| − | author = { | + | author = {Ott, Michaela}, |
| − | title = { | + | title = {Der unbestimmte Raum in Philosophie und Film}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Philo}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.396: | Zeile 13.774: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Otto 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Otto 2001a, |
| − | author = { | + | author = {Otto, Julia}, |
| − | + | title = {Skulptur als Feld}, | |
| − | + | booktitle = {Skulptur als Feld}, | |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Otto, J.}, |
| + | pages = {9-14}, | ||
| + | publisher = {Hatje-Cantz}, | ||
| + | address = {Ostfildern-Ruit}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==P== |
| + | |||
| + | |||
| + | ===O’Riley 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{O’Riley 1998a, |
| − | author = { | + | author = {O’Riley, Tim}, |
| − | title = { | + | title = {Representing Illusions: Space, Narrative and the Spectator}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {College of Art & Design}, |
| − | address = { | + | address = {Chelsea}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.422: | Zeile 13.808: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paech 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Paech 2005a, |
| − | author = { | + | author = {Paech, Joachim}, |
| − | + | title = {Medienwissenschaft}, | |
| − | year = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | publisher = { | + | year = {2005a}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus}, |
| + | pages = {79-96}, | ||
| + | publisher = {suhrkamp}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Paech 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Paech 2006a, |
| − | author = { | + | author = {Paech, Joachim}, |
| − | title = { | + | title = {Was ist ein kinematographisches Bewegungsbild?}, |
| − | year = { | + | booktitle = {Bildtheorie und Film}, |
| − | publisher = { | + | year = {2006a}, |
| − | address = { | + | editor = {Koebner, Thomas & Meder, Thomas}, |
| + | pages = {92-108}, | ||
| + | publisher = {Edition Text + Kritik}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pang 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Pang 2002a, |
| − | author = { | + | author = {Pang, Alex Soojung-Kim}, |
| − | title = { | + | title = {Technologie und Ästhetik der Astrofotografie}, |
| − | + | booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie}, | |
| − | year = { | + | year = {2002}, |
| − | + | editor = {Geimer, P.}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | pages = { | + | pages = {101-141}, |
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Panofsky 1924a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Panofsky 1924a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Die Perspektive als symbolische Form (1924)}, |
| − | booktitle = { | + | booktitle = {Erwin Panofsky, Deutschsprachige Aufsätze Bd. 2}, |
| − | year = { | + | year = {1998}, |
| − | + | editor = {Michels, K. & Warnke, M.}, | |
| − | + | pages = {664-757}, | |
| − | pages = { | + | publisher = {Akademie}, |
| − | + | address = {Berlin}, | |
| − | + | note = {Erstpublikation in: <em>Vorträge der Bibliothek Warburg (1924/25)</em>. Leipzig, 1927, 258-330}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Panofsky 1927a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Panofsky 1927a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Die Perspektive als symbolische Form}, |
| − | + | booktitle = {Vorträge der Bibliothek Warburg, 1924/25}, | |
| − | year = { | + | year = {1927}, |
| − | + | editor = {Saxl, F.}, | |
| − | + | pages = {258-330}, | |
| − | + | publisher = {Teubner}, | |
| − | + | address = {Leipzig/Berlin}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Panofsky 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Panofsky 2002a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Sinn und Deutung in der bildenden Kunst (Meaning in the Visual Arts)}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Dumont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paret 1960a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Paret 1960a, |
| − | author = { | + | author = {Paret, Rudi}, |
| − | title = { | + | title = {Textbelege zum islamischen Bilderverbot}, |
| − | + | booktitle = {Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte}, | |
| − | year = { | + | year = {1960}, |
| − | + | editor = {Fegers, H.}, | |
| − | pages = { | + | pages = {36-48}, |
| − | + | publisher = {Kohlhammer}, | |
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.536: | Zeile 13.923: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paret 1968a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Paret 1968a, |
| − | author = { | + | author = {Paret, Rudi}, |
| − | title = { | + | title = {Das islamische Bilderverbot und die Schia}, |
| − | booktitle = { | + | booktitle = {Festschrift Werner Caskel. Zum siebzigsten Geburtstag 5. März 1966 gewidmet von Freunden und Schülern}, |
| − | year = { | + | year = {1968}, |
| − | editor = { | + | editor = {Gräf, E.}, |
| − | pages = { | + | pages = {242-232}, |
| − | publisher = { | + | publisher = {Brill}, |
| − | address = { | + | address = {Leiden}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 13.553: | Zeile 13.941: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Passuth 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Passuth 1987a, |
| − | author = { | + | author = {Passuth, Krisztina}, |
| − | title = { | + | title = {Moholy-Nagy}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Verlag der Kunst & Kunstverlag Weingarten}, |
| − | + | address = {Dresden/Weingarten}, | |
| − | + | note = {übers. v. Heribert Thierry}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paul 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Paul 2005a, |
| − | author = { | + | author = {Paul, Gerhard}, |
| − | title = { | + | title = {Der Bilderkrieg. Inszenierungen, Bilder und Perspektiven der "Operation Irakische Freiheit"}, |
| − | + | year = {2005}, | |
| − | year = { | + | publisher = {Wallstein}, |
| − | + | address = {Göttingen}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paul 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2006a, |
| − | + | title = {Visual History. Ein Studienbuch}, | |
| − | title = { | + | year = {2006}, |
| − | + | editor = {Paul, Gerhard}, | |
| − | year = { | + | publisher = {Vandenhoeck und Ruprecht}, |
| − | editor = { | + | address = {Göttingen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paul 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2008a, |
| − | + | title = {Das Jahrhundert der Bilder. 1949 bis heute}, | |
| − | + | year = {2008}, | |
| − | + | editor = {Paul, Gerhard}, | |
| − | publisher = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paul 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2009a, |
| − | + | title = {Das Jahrhundert der Bilder. 1900 bis 1949}, | |
| − | title = { | + | year = {2009}, |
| − | + | editor = {Paul, Gerhard}, | |
| − | year = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | editor = { | + | address = {Göttingen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Paul 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Paul 2010a, |
| − | author = { | + | author = {Paul, Gerhard}, |
| − | title = { | + | title = {Visual History, Version: 1.0}, |
| − | + | journal = {Docupedia-Zeitgeschichte}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {11}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {http://docupedia.de/docupedia/index.php?title=Visual_History&oldid=68958}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pearcy 1975a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pearcy 1975a, |
| − | author = { | + | author = {Pearcy, Lee Theron}, |
| − | title = { | + | title = {Tacitus' use of ›Species‹, ›Imago‹, ›Effigies‹, and ›Simulacrum‹}, |
| − | + | year = {1975}, | |
| − | + | publisher = {Xerox University Microfilms}, | |
| − | + | address = {Ann Arbor, Michigan}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.667: | Zeile 14.042: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Peirce 1906a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Peirce 1906a, |
| − | author = { | + | author = {Peirce, Charles Sanders}, |
| − | title = { | + | title = {Prolegomena to an Apology for Pragmaticism}, |
| − | booktitle = { | + | booktitle = {Collected Papers. Bd. 4}, |
| − | year = { | + | year = {1933}, |
| − | editor = { | + | editor = {Hartshorne, C. & Weiss, P.}, |
| − | pages = { | + | pages = {530-572}, |
| − | publisher = { | + | publisher = {Harvard University Press}, |
| − | address = { | + | address = {Cambrigde, Mass.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.684: | Zeile 14.060: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Peirce 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Peirce 1983a, |
| − | + | author = {Peirce, Charles S.}, | |
| − | + | title = {Phänomen und Logik der Zeichen}, | |
| − | + | year = {1983}, | |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M}, |
| − | note = { | + | note = {hg. u. übers. v. Helmut Pape}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Perini 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Perini 2005a, |
| − | author = { | + | author = {Perini, Laura}, |
| − | title = { | + | title = {Visual Representations and Confirmation}, |
| − | + | journal = {Philosophy of Science}, | |
year = {2005}, | year = {2005}, | ||
| − | + | volume = {72}, | |
| − | + | number = {}, | |
| − | + | pages = {913-926}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.731: | Zeile 14.091: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Perrault 1964a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Perrault 1964a, |
| − | author = { | + | author = {Perrault, Charles}, |
| − | title = { | + | title = {Parallèle des Anciens et des Modernes en ce qui regarde les Arts et les Sciences}, |
| − | + | year = {1964}, | |
| − | year = { | + | publisher = {Eidos}, |
| − | + | address = {München}, | |
| − | + | note = {orig.: Paris (4 Bde): 1688, 1690, 1692, 1694; Faksimileausgabe mit einer Einführung von Hans Robert Jauss und einem Kommentar von Max Imdahl}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pesch 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pesch 2001a, |
| − | author = { | + | author = {Pesch, Martin}, |
| − | + | title = {Raumbilder-Bildräume. Zu den Arbeiten von Julia Ziegler}, | |
| − | year = { | + | journal = {Kunstforum International}, |
| − | + | year = {2001}, | |
| − | + | volume = {153}, | |
| + | number = {}, | ||
| + | pages = {261-267}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Peters 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Peters 2011a, |
| − | author = { | + | author = {Peters, John Durham}, |
| − | title = { | + | title = {Mass Media}, |
| − | booktitle = { | + | booktitle = {Critical Terms for Media Studies}, |
year = {2011}, | year = {2011}, | ||
| − | editor = { | + | editor = {Mitchell, W.J.T. & Hansen, Mark B.N.}, |
| − | pages = { | + | pages = {266-279}, |
| − | publisher = { | + | publisher = {University of Chicago Press}, |
| − | address = { | + | address = {Chicago}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.777: | Zeile 14.138: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Petersen 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Petersen 1992a, |
| − | author = { | + | author = {Petersen, Jürgen H.}, |
| − | title = { | + | title = {‚Mimesis’ versus ‚Nachahmung’. Die Poetik des Aristoteles – nochmals neu gelesen}, |
| − | + | journal = {Arcadia. Zeitschrift für vergleichende Literaturwissenschaft}, | |
| − | + | year = {1992}, | |
| − | note = { | + | volume = {27}, |
| + | number = {}, | ||
| + | pages = {3-46}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Petersen 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Petersen 2000a, |
| − | author = { | + | author = {Petersen, Jürgen H.}, |
| − | title = { | + | title = {Mimesis – Imitatio – Nachahmung. Eine Geschichte der europäischen Poetik}, |
| − | year = { | + | year = {2000}, |
| − | + | publisher = {UTB}, | |
| − | publisher = { | + | address = {Stuttgart}, |
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.802: | Zeile 14.169: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pfaller 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pfaller 2002a, |
| − | author = { | + | author = {Pfaller, Robert}, |
| − | title = { | + | title = {Die Illusion des Anderen}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.} |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.815: | Zeile 14.183: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pfisterer & von Rosen 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Pfisterer & von Rosen 2006a, |
| − | + | title = {Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis zur Gegenwart}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Pfisterer, Ulrich & von Rosen, Valeska}, | |
| − | publisher = { | + | publisher = {reclam}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pfotenhauer 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pfotenhauer 1996a, |
| − | author = { | + | author = {Pfotenhauer, Helmut}, |
| − | title = { | + | title = {Die nicht mehr abbildenden Bilder: zur Verräumlichung der Zeit in der Prosaliteratur um 1800}, |
| − | + | journal = {Poetica : Zeitschrift für Sprach- und Literaturwissenschaft}, | |
| − | year = { | + | year = {1996}, |
| − | + | volume = {28}, | |
| − | + | number = {3/4}, | |
| − | + | pages = {345-355}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pfotenhauer et al. 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Pfotenhauer et al. 2005a, |
| − | + | title = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, | |
| − | title = { | + | year = {2005}, |
| − | + | editor = {Pfotenhauer, Helmut; Riedel, Wolfgang & Schneider, Sabine}, | |
| − | + | publisher = {Königshausen & Neumann}, | |
| − | + | address = {Würzburg}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Piaget & Inhelder 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget & Inhelder 1972a, |
| − | author = { | + | author = {Piaget, Jean & Inhelder, Bärbel}, |
| − | title = { | + | title = {Die Psychologie des Kindes}, |
| − | + | year = {1972}, | |
| − | year = { | + | publisher = {Walter}, |
| − | + | address = {Olten}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Piaget 1956a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Piaget 1956a, |
| − | author = { | + | author = {Piaget, Jean}, |
| − | title = { | + | title = {The Child’s Construction of Space}, |
| − | year = { | + | year = {1956}, |
| − | publisher = { | + | publisher = {Routledge / Kegan Paul}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.885: | Zeile 14.256: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Piaget 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget 1978a, |
| − | author = { | + | author = {Piaget, Jean}, |
| − | title = { | + | title = {Das Weltbild des Kindes}, |
| − | + | year = {1978}, | |
| − | year = { | + | publisher = {dtv/Klett-Cotta}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Piaget et al. 1960a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Piaget et al. 1960a, |
| − | author = { | + | author = {Piaget, Jean; Inhelder, Bärbel & Szeminska, Alina}, |
| − | title = { | + | title = {The Child’s Conception of Geometry}, |
| − | year = { | + | year = {1960}, |
| − | publisher = { | + | publisher = {Harper}, |
| − | address = {New | + | address = {New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.915: | Zeile 14.284: | ||
</bibentry> | </bibentry> | ||
| − | + | ||
| − | === | + | ===Pias 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Pias 2003a, |
| − | author = { | + | author = {Pias, Claus}, |
| − | title = { | + | title = {Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion}, |
| − | + | howpublished = {Elektronische Publikation}, | |
| − | + | url = {www.zeitenblicke.de/2003/01/pias/pias.pdf} | |
| − | + | year = {2003}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pias 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pias 2004a, |
| − | author = { | + | author = {Pias, Claus}, |
| − | title = { | + | title = {Zukünfte des Computers}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.942: | Zeile 14.311: | ||
</bibentry> | </bibentry> | ||
| − | + | ||
| − | === | + | ===Piccolino & Wade 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Piccolino & Wade 2006a, |
| − | author = { | + | author = {Piccolino, Marco & Wade, Nicholas J.}, |
| − | title = { | + | title = {Flagging early Examples of Ambiguity (1)}, |
| − | + | journal = {Perception}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {35}, | |
| − | + | number = {7}, | |
| − | + | pages = {861–864}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.960: | Zeile 14.328: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Piccolino & Wade 2006b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Piccolino & Wade 2006b, |
| − | author = { | + | author = {Piccolino, Marco &. Wade, Nicholas J.}, |
| − | title = { | + | title = {Flagging early Examples of Ambiguity (2)}, |
| − | year = { | + | booktitle = {Perception 35 (8)}, |
| − | + | year = {2006}, | |
| − | + | volume = {35}, | |
| + | number = {8}, | ||
| + | pages = {1003–1006}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pillow 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pillow 2003a, |
| − | author = { | + | author = {Pillow, Kirk}, |
| − | title = { | + | title = {Did Goodman's Distinction Survive LeWitt?}, |
| − | year = { | + | journal = {Journal of Aesthetics and Art Criticism}, |
| − | + | year = {2003}, | |
| − | + | volume = {61}, | |
| + | number = {}, | ||
| + | pages = {365-380}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pirenne 1952/53a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pirenne 1952/53a, |
| − | author = { | + | author = {Pirenne, Maurice}, |
| − | title = { | + | title = {The Scientific Basis of Leonardo da Vinci’s Theory of Perspective}, |
| − | year = { | + | journal = {British Journal for the Philosophy of Science}, |
| − | + | year = {1952/53}, | |
| − | + | volume = {3}, | |
| − | note = { | + | number = {}, |
| + | pages = {169-185}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pitts et al. 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pitts et al. 2008a, |
| − | author = { | + | author = {Pitts, Michael A.; Gavin, William J. & Nerger, Janice L.}, |
| − | title = { | + | title = {Early Top-down Influences on Bistable Perception Revealed by Event-related Potentials}, |
| − | + | journal = {Brain and Cognition}, | |
| − | year = { | + | year = {2008}, |
| − | + | number = {1}, | |
| − | pages = { | + | pages = {11–24}, |
| − | + | volume = {67}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.015: | Zeile 14.392: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Platon 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Platon 1991a, |
| − | + | author = {Platon}, | |
| − | + | title = {Sämtliche Werke V: Politeia. Griechisch/Deutsch}, | |
| − | + | year = {1991}, | |
| − | publisher = { | + | publisher = {Insel}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = { | + | note = {übers. v. Friedrich Schleiermacher, hrsg. v. Karlheinz Hülser}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==A== |
| + | |||
| + | |||
| + | ===Platon 1991b=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Platon 1991b, |
| − | author = { | + | author = {Platon}, |
| − | title = { | + | title = {Timaios}, |
| − | booktitle = { | + | booktitle = {Sämtliche Werke VIII}, |
| − | year = { | + | year = {1991}, |
| − | editor = { | + | editor = {Hülser, K.}, |
| − | pages = { | + | pages = {197-425}, |
| − | publisher = { | + | publisher = {Insel}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = {}, | + | note = {Ü: Friedrich Schleiermacher}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 14.045: | Zeile 14.426: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Platon 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Platon 2008a, |
| − | author = { | + | author = {Platon}, |
| − | + | title = {Politeia}, | |
| − | year = { | + | booktitle = {Sämtliche Werke, Band 2}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Wolf, Ursula}, |
| − | note = {}, | + | pages = {195-537}, |
| + | publisher = {Rowohlt}, | ||
| + | address = {Reinbek bei Hamburg}, | ||
| + | note = {Ü: Friedrich Schleiermacher}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1923a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1923a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Die Einheit der Sinne. Grundlinien einer Ästhesiologie des Geistes (1923)}, |
| − | year = { | + | booktitle = {Gesammelte Schriften, Band III}, |
| − | publisher = { | + | year = {1980}, |
| − | address = { | + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, |
| − | note = { | + | pages = {7-315}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1923b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1923b, |
| − | author = { | + | author = {Plessner Helmuth}, |
| − | title = { | + | title = {Selbstanzeige der „Einheit der Sinne“ (ca. 1923)}, |
| − | year = { | + | booktitle = {Hermeneutik der Sinne. Eine Untersuchung zu Helmuth Plessners Projekt einer „Ästhesiologie des Geistes“ nebst einem Plessner-Ineditum}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Lessing, H.-U.}, |
| − | note = { | + | pages = {375-385}, |
| + | publisher = {Karl Aber}, | ||
| + | address = {Freiburg/München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1928a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Plessner 1928a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Die Stufen des Organischen und der Mensch}, |
| − | year = { | + | year = {1928}, |
| − | publisher = { | + | publisher = {W. de Gruyter}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = {}, | + | note = {<sup>3</sup>1975}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1951a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Plessner 1951a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Zur Anthropologie der Musik}, |
| − | booktitle = { | + | booktitle = {Gesammelte Schriften, Band VII}, |
| − | year = { | + | year = {1982}, |
| − | editor = { | + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, |
| − | pages = { | + | pages = {184-199}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1970a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1970a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Anthropologie der Sinne (1970)}, |
| − | + | booktitle = {Gesammelte Schriften, Band III}, | |
| − | publisher = { | + | year = {1980}, |
| − | address = { | + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, |
| + | pages = {317-393}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1982a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Plessner 1982a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Trieb und Leidenschaft}, |
| − | booktitle = { | + | booktitle = {Mit anderen Augen}, |
| − | year = { | + | year = {1982}, |
| − | editor = { | + | editor = {Plessner, Helmuth}, |
| − | pages = { | + | pages = {110-123}, |
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plessner 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1989a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Zur Anthropologie der Nachahmung}, |
| − | + | booktitle = {Anthropologie}, | |
| − | year = { | + | year = {1989}, |
| − | + | editor = {Gebauer, G.}, | |
| − | + | pages = {176-184}, | |
| − | + | publisher = {Relcam}, | |
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plinius 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Plinius 2004a, |
| − | + | title = {G. Plinius Secundus d. Ä: Naturkunde / Naturalis historia : lateinisch-deutsch}, | |
| − | + | year = {1990–2004}, | |
| − | + | editor = {Roderich König et al.}, | |
| − | publisher = { | + | publisher = {Artemis}, |
| − | address = { | + | address = {Zürich}, |
| − | note = {}, | + | note = {unkritische Ausgabe des lateinischen Textes mit Übersetzung und Erläuterungen}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Plumpe 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plumpe 1988a, |
| − | author = { | + | author = {Gerhard Plumpe}, |
| − | title = { | + | title = {Kunst und juristischer Diskurs. Mit einer Vorbemerkung zum Diskursbegriff}, |
| − | year = { | + | booktitle = {Diskurstheorien und Literaturwissenschaft}, |
| − | publisher = { | + | year = {1988}, |
| − | address = { | + | editor = {Fohrmann, Jürgen & Müller, Harro}, |
| + | pages = {330-345}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plümacher 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plümacher 1999a, |
| − | author = { | + | author = {Plümacher, Martina}, |
| − | title = { | + | title = {Wohlgeformtheitsbedingugen für Bilder?}, |
| − | year = { | + | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, |
| + | pages = {47-56}, | ||
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Plümacher 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Plümacher 2005a, |
| − | author = { | + | author = {Plümacher, Martina}, |
| − | title = { | + | title = {Bildtypologie als Grundlage der Bildwissenschaft}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft zwischen Reflexion und Anwendung}, |
year = {2005}, | year = {2005}, | ||
| − | editor = { | + | editor = {Sachs-Hombach, Klaus}, |
| − | pages = { | + | pages = {132-143}, |
| − | publisher = { | + | publisher = {Herbert von Halem Verlag}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.226: | Zeile 14.633: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Polaschegg 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Polaschegg 2011a, |
| − | author = { | + | author = {Polaschegg, Andrea}, |
| − | title = { | + | title = {Literatur auf einen Blick. Zur Schriftbildlichkeit der Lyrik}, |
| − | year = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Krämer, S.; Cancik-Kirschbaum, E. & Totzke, R.}, |
| + | pages = {245-264}, | ||
| + | publisher = {Akademie Verlag}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pollmeier 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Pollmeier 2005a, |
| − | author = { | + | author = {Pollmeier, Klaus}, |
| − | title = { | + | title = {Vom Baryt zum Bit. Zur Konservierung analoger und digitaler fotografischer Bilder. Digitale Bildverarbeitung, eine Erweiterung oder radikale Veränderung der Fotografie?}, |
| − | + | howpublished = {Ludwigsburg}, | |
| − | year = { | + | year = {2005}, |
| − | + | note = {Hasenpflug (Red.): Dokumentation des Symposiums am 12./13. November 2004 im Museum Folkwang, Essen}, | |
| − | |||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Popper 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Popper 2002a, |
| − | title = { | + | author = {Popper, Karl R.}, |
| − | year = { | + | title = {Alle Menschen sind Philosophen}, |
| − | editor = { | + | year = {2002}, |
| − | publisher = { | + | editor = {Bohnet, Heidi & Stadler, Klaus}, |
| − | address = {Zürich | + | publisher = {Piper}, |
| + | address = {München/Zürich}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Potts 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Potts 2000a, |
| − | author = { | + | author = {Potts, Alex }, |
| − | title = { | + | title = {The Sculptural Imagination}, |
| − | + | year = {2000}, | |
| − | + | publisher = {Yale University Press}, | |
| − | + | address = {London/New Haven}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.278: | Zeile 14.692: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pratschke 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pratschke 2005a, |
| − | author = { | + | author = {Pratschke, Margarete}, |
| − | title = { | + | title = {Digitale Form}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pratschke 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Pratschke 2008a, |
| − | author = { | + | author = {Pratschke, Margarete}, |
| − | title = { | + | title = {Interaktion mit Bildern. Digitale Bildgeschichte am Beispiel grafischer Benutzeroberflächen}, |
| − | + | booktitle = {Technische Bilder}, | |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Bredekamp, Horst et al.}, |
| + | pages = {68-80}, | ||
| + | publisher = {???}, | ||
| + | address = {???}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pratt-Hartmann 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Pratt-Hartmann 2000a, |
| − | author = { | + | author = {Pratt-Hartmann, Ian}, |
| − | title = { | + | title = {Empiricism and Rationalism in Region-based Theories of Space}, |
| − | journal = { | + | journal = {Fundamenta Informaticae}, |
| − | year = { | + | year = {2000}, |
| − | volume = {}, | + | volume = {34}, |
| − | number = { | + | number = {}, |
| − | pages = {}, | + | pages = {1–31}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Predelli 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Predelli 1999a, |
| − | author = { | + | author = {Predelli, Stefano}, |
| − | title = { | + | title = {Goodman and the Score}, |
| − | year = { | + | journal = {British Journal of Aesthetics}, |
| − | + | year = {1999}, | |
| − | + | volume = {39}, | |
| + | number = {}, | ||
| + | pages = {138-147}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pross 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pross 1972a, |
| − | author = { | + | author = {Pross, Harry}, |
| − | title = { | + | title = {Medienforschung. Film, Funk, Presse, Fernsehen}, |
| − | + | year = {1972}, | |
| − | + | publisher = {Habel}, | |
| − | + | address = {Darmstadt}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Puttfarken 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Puttfarken 1985a, |
| − | author = { | + | author = {Puttfarken, Thomas}, |
| − | title = { | + | title = {Roger de Piles‘ Theory of Art}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {New Haven/London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.359: | Zeile 14.781: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==Q== |
| + | |||
| + | ===Puttfarken 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Puttfarken 1991a, |
| − | author = { | + | author = {Puttfarken, Thomas}, |
| − | title = {The | + | title = {The Dispute about Disegno and Colorito in Venice. Paolo Pino, Lodovico Dolce and Titian}, |
| − | year = { | + | booktitle = {Kunst und Kunsttheorie 1400–1900}, |
| − | publisher = { | + | year = {1991}, |
| − | address = { | + | editor = {Peter Glanz et al.}, |
| + | pages = {75-95}, | ||
| + | publisher = {Harrassowitz}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pöppel 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pöppel 1982a, |
| − | author = { | + | author = {Pöppel, E.}, |
| − | title = { | + | title = {Lust und Schmerz}, |
| − | + | year = {1982}, | |
| − | year = { | + | publisher = {Severin & Siedler}, |
| − | |||
| − | |||
| − | |||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 14.388: | Zeile 14.813: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Qiu 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Qiu 2000a, |
| − | author = { | + | author = {Qiu Xigui}, |
| − | title = { | + | title = {Chinese Writing}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Birdtrack Press}, |
| − | address = { | + | address = {New Haven}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.401: | Zeile 14.827: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Quintilian 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Quintilian 1995a, |
| − | author = { | + | author = {Quintilianus, Marcus Fabius}, |
| − | title = { | + | title = {Ausbildung des Redners. Zwölf Bücher. Erster Teil. Buch I-VI}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.414: | Zeile 14.841: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==R== |
| + | |||
| + | ===Rager 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rager 1997a, |
| − | author = { | + | author = {Rager, Dietmar}, |
| − | title = { | + | title = {Aspekte Sehen}, |
| − | + | booktitle = {Bilder in der Philosophie & in anderen Künsten & Wissenschaften}, | |
| − | year = { | + | year = {1997}, |
| − | + | editor = {Steinbrenner, Jakob/ & Winko, Ulrich}, | |
| − | + | pages = {???}, | |
| − | + | publisher = {???}, | |
| + | address = {Paderborn}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.430: | Zeile 14.860: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Raible 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Raible 1991a, |
| − | author = { | + | author = {Raible, Wolfgang}, |
| − | title = { | + | title = {Die Semiotik der Textgestalt. Erscheinungsformen und Folgen eines kulturellen Evolutionsprozesses}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {Universitätsverlag Winter}, |
| − | + | address = {Heidelberg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rang 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rang 1990a, |
| − | author = { | + | author = {Rang, Bernhard}, |
| − | title = { | + | title = {Husserls Phänomenologie der materiellen Natur}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Klostermann}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Raphael 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Raphael 1986a, |
| − | author = { | + | author = {Raphael, Max}, |
| − | title = { | + | title = {Raumgestaltungen. Der Beginn der modernen Kunst im Kubismus und im Werk von Georges Braque}, |
| − | + | year = {1986, Erstausgabe 1949}, | |
| − | year = { | + | publisher = {Campus} |
| − | + | address = {Frankfurt a. M./New York}, | |
| − | + | note = {hg. v. H.-J. Heinrichs}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rastier 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rastier 1972a, |
| − | author = { | + | author = {Rastier, François }, |
| − | title = { | + | title = {Systematiques des isotopies}, |
| − | booktitle = { | + | booktitle = {Essais de sémiotique poétique}, |
year = {1972}, | year = {1972}, | ||
| − | editor = { | + | editor = {Greimas, A.J.}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Larousse}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.498: | Zeile 14.919: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ratkowitsch 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ratkowitsch 2006a, |
| − | + | title = {Die poetische Ekphrasis von Kunstwerken - eine literarische Tradition der Großdichtung in Antike, Mittelalter und früher Neuzeit}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Ratkowitsch, Christiane}, | |
| − | publisher = { | + | publisher = {Verlag d. Österr. Akademie der Wissenschaften}, |
| − | address = { | + | address = {Wien}, |
| − | note = {}, | + | note = {Sitzungsberichte der Österr. Akademie der Wissenschaften, Philosophisch-Historische Klasse, Nr. 735}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ratzka 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ratzka 2012a, |
| − | author = { | + | author = {Ratzka, Thorsten}, |
| − | title = { | + | title = {Die Fenster zum Himmel}, |
| − | year = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | publisher = { | + | year = {2012}, |
| − | address = { | + | editor = {Liebsch, Dimitri & Mößner, Nicola}, |
| + | pages = {237-264}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rautzenberg 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rautzenberg 2009a, |
| − | author = { | + | author = {Rautzenberg, Markus}, |
| − | title = { | + | title = {Die Gegenwendigkeit der Störung. Aspekte einer postmetaphysischen Präsenztheorie}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Zürich/Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Real Academia Española 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Real Academia Española 1992a, |
| − | author = { | + | author = {Real Academia Española}, |
| − | title = { | + | title = {Diccionario de la lengua española}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {Espasa Calpe}, |
| − | + | address = {Madrid}, | |
| − | + | note = {21ª edición}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rebel 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rebel 2009a, |
| − | author = { | + | author = {Rebel, Ernst}, |
| − | title = { | + | title = {Druckgrafik. Geschichte und Fachbegriffe. Mit 56 Abbildungen und Risszeichnungen}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Philipp Reclam jun.}, |
| − | + | address = {Stuttgart}, | |
| − | + | note = {2., durchgesehene und aktualisierte Auflage}, | |
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Recki 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Recki 2004a, |
| − | author = { | + | author = {Recki, Birgit}, |
| − | title = { | + | title = {Kultur als Praxis. Eine Einführung in Ernst Cassirers Philosophie der symbolischen Formen}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Akademie-Verlag}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {}, |
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rehkämper 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rehkämper 2003a, |
| − | author = { | + | author = {Rehkämper, Klaus}, |
| − | title = { | + | title = {What You See Is What You Get: The Problems of Linear Perspective}, |
| − | year = { | + | booktitle = {Looking into pictures. An interdisciplinary approach to pictorial space}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Hecht, H., Schwartz, R. & Atherton, M.}, |
| + | pages = {179-189}, | ||
| + | publisher = {The MIT Press}, | ||
| + | address = {Cambridge, MA}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Reiche 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Reiche 2001a, |
| − | author = { | + | author = {Reiche, Reimut}, |
| − | title = { | + | title = {Mutterseelenallein. Kunst, Form, Psychoanalyse}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Stroemfeld}, |
| − | + | address = {Basel} | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Reichert 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Reichert 2011a, |
| − | author = { | + | author = {Reichert, André}, |
| − | + | title = {Diagrammatik als Präphilosophie und Metaphysik. Von einer schriftbildlichen Perspektive zu einer Perspektivierung von Schriftbildlichkeit}, | |
| − | + | booktitle = {Schriftbildlichkeit}, | |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Krämer, Sybille und Mareike Giertler}, |
| − | note = {}, | + | pages = {37-45}, |
| + | publisher = {Fink}, | ||
| + | address = {Paderborn}, | ||
| + | note = {Sprache und Literatur, Themenheft, 107/2011}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Renger-Patzsch 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Renger-Patzsch 2010a, |
| − | author = { | + | author = {Renger-Patzsch, Albert}, |
| − | title = { | + | title = {Die Freude am Gegenstand. Gesammelte Aufsätze zur Photographie}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | + | address = {München}, | |
| − | + | note = {hg. v. Bernd Stiegler, Ann Wilde und Jürgen Wilde}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Renner 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Renner 2011a, |
| − | author = { | + | author = {Renner, Michael}, |
| − | title = { | + | title = {Die stumme Bildkritik des Entwurfs}, |
| − | + | journal = {Rheinsprung 11: Zeitschrift für Bildkritik}, | |
| − | year = { | + | year = {2011}, |
| − | + | volume = {1}, | |
| − | + | number = {1}, | |
| − | + | pages = {92-116}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {rheinsprung11.unibas.ch/ausgabe-01.html.}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rentsch 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rentsch 2003a, |
| − | author = { | + | author = {Rentsch, Thomas}, |
| − | title = { | + | title = {Heidegger und Wittgenstein}, |
year = {2003}, | year = {2003}, | ||
| − | publisher = { | + | publisher = {Klett-Cotta}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.682: | Zeile 15.100: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Renz 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Renz 2006a, |
| − | author = { | + | author = {Renz, U.}, |
| − | title = { | + | title = {Schönheit. Eine Wissenschaft für sich}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Berlin Verlag}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Reulecke 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Reulecke 2002a, |
| − | author = { | + | author = {Reulecke, Anne-Kathrin}, |
| − | title = { | + | title = {Geschriebene Bilder - zum Kunst- und Mediendiskurs in der Gegenwartsliteratur}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ricoeur 1974a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ricoeur 1974a, |
| − | author = { | + | author = {Ricoeur, Paul}, |
| − | title = { | + | title = {Die Interpretation. Ein Versuch über Freud}, |
| − | + | year = {1974}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ricœur 1973a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ricœur 1973a, |
| − | author = { | + | author = {Ricœur, Paul}, |
| − | title = { | + | title = {Hermeneutik und Strukturalismus. Der Konflikt der Interpretationen 1}, |
| − | + | year = {1973}, | |
| − | year = { | + | publisher = {Koesel}, |
| − | + | address = {München}, | |
| − | + | note = {übers. v. Johannes Rütsche}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Riedel 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Riedel 2005a, |
| − | author = { | + | author = {Riedel, W.}, |
| − | title = { | + | title = {Endogene Bilder. Anthropologie und Poetik bei Gottfried Benn}, |
| − | + | booktitle = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Pfotenhauer, H.; Riedel, W. & Schneider, S.}, | |
| − | + | pages = {163-202}, | |
| − | + | publisher = {Königshausen & Neumann}, | |
| + | address = {Würzburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.763: | Zeile 15.173: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rieger & Schröter 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Rieger & Schröter 2009a, |
| − | + | title = {Das holographische Wissen}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Rieger, Stefan & Schröter, Jens}, | |
| − | publisher = { | + | publisher = {diaphanes}, |
| − | address = { | + | address = {Zürich/Berlin}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rieger 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rieger 2001a, |
| − | author = { | + | author = {Rieger, Stefan}, |
| − | title = { | + | title = {Die Individualität der Medien}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rieger 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rieger 2009a, |
| − | author = { | + | author = {Rieger, Stefan}, |
| − | title = { | + | title = {Holographie. Das Versprechen der Ganzheit}, |
| − | year = { | + | booktitle = {Das holographische Wissen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Rieger, Stefan & Schröter, Jens}, |
| + | pages = {87-106}, | ||
| + | publisher = {diaphanes}, | ||
| + | address = {Zürich/Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Riegl 1901a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Riegl 1901a, |
| − | + | author = {Riegl, Alois}, | |
| − | + | title = {Die spätrömische Kunstindustrie nach den Funden in Österreich-Ungarn im Zusammenhange mit der Gesamtentwicklung der Bildenden Künste bei den Mittelmeervölkern}, | |
| − | + | publisher = {KuK Hof- und Staatsdruckerei}, | |
| − | + | address = {Wien} | |
| − | + | year = {1901}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.818: | Zeile 15.229: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Riegl 1931a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Riegl 1931a, |
| − | author = { | + | author = {Riegl, Alois}, |
| − | title = { | + | title = {Das holländische Gruppenporträt}, |
| − | year = { | + | year = {1931}, |
| − | publisher = { | + | publisher = {Staatsdruckerei}, |
| − | address = { | + | address = {Wien}, |
| − | note = {}, | + | note = {Erstveröffentlichung 1902}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rimmele 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rimmele 2010a, |
| − | author = { | + | author = {Rimmele, Marius}, |
| − | title = { | + | title = {Das Triptychon als Metapher, Körper und Ort. Semantisierungen eines Bildträgers}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rimmele 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rimmele 2011a, |
| − | author = { | + | author = {Rimmele, Marius}, |
| − | title = { | + | title = {„Metapher“ als Metapher}, |
| − | + | journal = {E-Journal kunsttexte.de}, | |
| − | + | year = {2011}, | |
| − | + | volume = {}, | |
| + | number = {1}, | ||
| + | pages = {}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {kunsttexte.de/index.php?id=711&idartikel=37860&ausgabe=37742&zu=121&L=0}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ritchin 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ritchin 1990a, |
| − | author = { | + | author = {Ritchin, Fred}, |
| − | title = { | + | title = {In Our Image: The Coming Revolution in Photography. How Computer Technology is Changing our View of the World}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ritchin 1990b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ritchin 1990b, |
| − | author = { | + | author = {Ritchin, Fred}, |
| − | title = {The | + | title = {Photojournalism in the Age of Computers}, |
| − | year = { | + | booktitle = {The Critical Image. Essays on Contemporary Photography}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Squiers}, |
| + | pages = {28-37}, | ||
| + | publisher = {???}, | ||
| + | address = {Seattle}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ||
| − | === | + | ===Ritter & Gründer 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ritter & Gründer 1972a, |
| − | author = { | + | author = {Ritter, Joachim; Gründer, Karlfried}, |
| − | title = { | + | title = {Historisches Wörterbuch der Philosophie. Völlig neubearbeitete Ausgabe des Wörterbuchs der Philosophischen Begriffe von Rudolf Eisler}, |
| − | + | year = {1972a}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft WBG}, |
| − | + | address = {Darmstadt}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Robin 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Robin 1993a, |
| − | author = { | + | author = {Robin, Harry}, |
| − | title = { | + | title = {The Scientific Image. From Cave to Computer}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {W. H. Freeman and Company}, |
| − | address = { | + | address = {New York }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.915: | Zeile 15.330: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | |||
| + | ===Roch 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roch 1998a, |
| − | title = { | + | author = {Roch, Axel}, |
| − | year = { | + | title = {Radartechnologie und Computergraphik. Zur Geschichte der Beleuchtungsmodelle in computergenerierten Bildern}, |
| − | editor = { | + | booktitle = {Geschichte der Medien}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Faßler, Manfred & Halbach, Wulf R.}, |
| + | pages = {227-254}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rock 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rock 1985a, |
| − | + | author = {Rock, Irvin}, | |
| − | + | title = {Wahrnehmung. Vom visuellen Reiz zum Sehen u. Erkennen}, | |
| − | + | year = {1985}, | |
| − | publisher = { | + | publisher = {Spektrum-der-Wissenschaft-Verlagsgesellschaft}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.941: | Zeile 15.361: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Roelcke 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Roelcke 1989a, |
| − | author = { | + | author = {Roelcke, Thorsten}, |
| − | title = { | + | title = {Die Terminologie der Erkenntnisvermögen. Wörterbuch und lexikosemantische Untersuchung zu Kants „Kritik der reinen Vernunft“}, |
| − | year = { | + | year = {1989a}, |
| − | publisher = { | + | publisher = {Max Niemeyer Verlag}, |
| − | address = { | + | address = {Tübingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.954: | Zeile 15.375: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Roll 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roll 2007a, |
| − | author = { | + | author = {Roll, Christine}, |
| − | title = { | + | title = {Farben und Verzerrungen auf Karten. Zu Möglichkeiten und Grenzen kartografischer Visualisierung}, |
| − | year = { | + | booktitle = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Groß, Dominik; Stefanie Westermann }, |
| + | pages = {47-59}, | ||
| + | publisher = {Kassel Univ. Press}, | ||
| + | address = {Kassel}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Roloff 1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roloff 1972a, |
| − | author = { | + | author = {Roloff, D.}, |
| − | title = { | + | title = {Eidolon, Eikon, Bild}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 2. D-F}, |
| − | publisher = { | + | year = {1972}, |
| − | address = { | + | editor = {Ritter, Joachim}, |
| + | pages = {330-322}, | ||
| + | publisher = {Schwabe Verlag}, | ||
| + | address = {Basel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Roloff_1972a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Roloff_1972a, |
| − | author = { | + | author = {Roloff, D.}, |
| − | title = { | + | title = {Eidolon, Eikon, Bild}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd.2}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {Joachim Ritter et al.}, |
| − | pages = { | + | pages = {330-332}, |
| − | publisher = { | + | publisher = {Schwabe Verlag}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.996: | Zeile 15.429: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rorty 1967a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rorty 1967a, |
| − | author = { | + | author = {Rorty, Richard}, |
| − | title = { | + | title = {The Linguistic Turn: Essays in Philosophical Method}, |
| − | + | year = {1967}, | |
| − | year = { | + | publisher = {The University of Chicago Press.}, |
| − | + | address = {Chicago/London}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ros 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ros 1979a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Objektkonstitution und elementare Sprachhandlungsbegriffe}, |
| − | + | year = {1979}, | |
| − | year = { | + | publisher = {Hain}, |
| − | + | address = {Königstein/Ts.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ros 1989/90a=== | ||
| + | <bibentry> | ||
| + | @book{Ros 1989/90a, | ||
| + | author = {Ros, Arno}, | ||
| + | title = {Begründung und Begriff. Wandlungen des Verständnisses begrifflicher Argumentationen}, | ||
| + | year = {1989/90}, | ||
| + | publisher = {Meiner}, | ||
| + | address = {Hamburg}, | ||
| + | note = {3 Bände}, | ||
| + | hidden = {B. I: Antike, Spätantike und Mittelalter; B. II: Neuzeit; B. III: Moderne}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Ros 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Ros 1989a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {“Bedeutung”, “Idee” und “Begriff” – Zur Behandlung einiger bedeutungstheoretischer Paradoxien durch Leibniz}, |
| − | year = { | + | journal = {Studia Leibnitiana}, |
| − | + | year = {1989}, | |
| − | + | volume = {21}, | |
| + | number = {}, | ||
| + | pages = {133-154}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ros 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ros 1999a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Was ist Philosophie?}, |
| − | booktitle = { | + | booktitle = {Philosophieren über Philosophie} |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Raatzsch, Richard}, |
| − | publisher = { | + | pages = {36–58}, |
| − | address = { | + | publisher = {Leipziger Universitätsverlag}, |
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ros 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ros 2005a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Materie und Geist. Eine philosophische Untersuchung}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | |
| − | address = { | + | @inproceedings{Plessner 1982a, |
| + | author = {Plessner, Helmuth}, | ||
| + | title = {Trieb und Leidenschaft}, | ||
| + | booktitle = {Mit anderen Augen}, | ||
| + | year = {1982}, | ||
| + | editor = {Plessner, Helmuth}, | ||
| + | pages = {110-123}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | } | ||
| + | publisher = {Mentis}, | ||
| + | address = {Paderborn}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosand 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosand 1990a, |
| − | author = { | + | author = {Rosand, David}, |
| − | title = { | + | title = {Ekphrasis and the generation of images}, |
| − | year = { | + | journal = {Arion}, |
| − | + | year = {1990}, | |
| − | + | volume = {1}, | |
| + | number = {1}, | ||
| + | pages = {61-105}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Rosch 1978a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rosch 1978a, |
| − | author = { | + | author = {Rosch, E.H.}, |
| − | title = { | + | title = {Principles of categorization} |
| − | booktitle = { | + | booktitle = {Cognition and Categorization}, |
| − | year = { | + | year = {1978}, |
| − | editor = { | + | editor = {Rosch, E.H.}, |
| − | pages = { | + | pages = {27-48}, |
| − | publisher = { | + | publisher = {Hillsdale}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rose 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rose 2006a, |
| − | author = { | + | author = {Rose, Margaret A.}, |
| − | title = { | + | title = {Parodie, Intertextualität, Interbildlichkeit}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Aisthesis Verlag}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosen 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosen 2001a, |
| − | author = { | + | author = {Rosen, Valeska von}, |
| − | title = { | + | title = {“Diletto dei sensi” und “diletto dell'intelletto”. Bellinis und Tizians ‘bacchanalien’ für Alfonso d'Este in ihrem Rezeptionskontext}, |
| − | + | journal = {Städel-Jahrbuch}, | |
| − | + | year = {2001}, | |
| − | + | volume = {N.F. 18}, | |
| − | + | number = {}, | |
| − | + | pages = {81-112}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.152: | Zeile 15.593: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosen 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rosen 2003a, |
| − | author = { | + | author = {Rosen, Valeska von}, |
| − | title = { | + | title = {Interpikturalität}, |
| − | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen, Methoden, Begriffe}, | |
| − | + | year = {2003}, | |
| − | + | editor = {Pfisterer, U.}, | |
| − | + | pages = {161-164}, | |
| − | + | publisher = {Metzler}, | |
| − | note = { | + | address = {Weimar}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosen et al. 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rosen et al. 2003a, |
| − | author = { | + | author = {Rosen, V. von; Krüger, K. & Preimesberger, R.}, |
| − | title = { | + | title = {Der stumme Diskurs der Bilder. Reflexionsformen des Ästhetischen in der Kunst der Frühen Neuzeit}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Deutscher Kunstverlag München Berlin}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.181: | Zeile 15.625: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosenberg 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosenberg 1995a, |
| − | author = { | + | author = {Rosenberg, Raphael}, |
| − | title = { | + | title = {Von der Ekphrasis zur wissenschaftlichen Bildbeschreibung : Vasari, Agucchi, Félibien, Burckhardt}, |
| − | year = { | + | journal = {Zeitschrift für Kunstgeschichte}, |
| − | + | year = {1995}, | |
| − | + | volume = {58}, | |
| + | number = {}, | ||
| + | pages = {297-318}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosenberg 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rosenberg 2007a, |
| − | author = { | + | author = {Rosenberg, Raphael}, |
| − | title = { | + | title = {Inwiefern Ekphrasis keine Bildbeschreibung ist}, |
| − | + | booktitle = {Zeitschrift für Kunstgeschichte}, | |
year = {2007}, | year = {2007}, | ||
| − | address = { | + | editor = {Knape, Joachim}, |
| + | pages = {271-282}, | ||
| + | publisher = {Koerner}, | ||
| + | address = {Baden-Baden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rosler 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rosler 2000a, |
| − | author = { | + | author = {Rosler, Martha}, |
| − | title = { | + | title = {Bildsimulationen, Computermanipulationen: einige Überlegungen}, |
| − | + | booktitle = {Theorie der Fotografie IV. 1980-1995}, | |
| − | year = { | + | year = {2000}, |
| − | address = { | + | editor = {von Amelunxen, Hubertus}, |
| + | pages = {129-170}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Roth 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roth 2000a, |
| − | author = { | + | author = {Roth, Peter}, |
| − | title = { | + | title = {Virtualis als Sprachschöpfung mittelalterlicher Theologen}, |
| − | + | booktitle = {Die Anwesenheit des Abwesenden. Theologische Annäherungen an Begriff und Phänomene von Virtualität}, | |
| − | year = { | + | year = {2000}, |
| − | address = { | + | editor = {Roth, Peter; Schreiber, Stefan & Siemons, Stefan}, |
| − | note = { | + | pages = {33-42}, |
| + | publisher = {Wißner}, | ||
| + | address = {Augsburg}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rowell 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rowell 1986a, |
| − | author = { | + | author = {Rowell, Margit}, |
| − | title = { | + | title = {Was ist die moderne Skulptur?}, |
| + | booktitle = {Skulptur im 20. Jahrhundert}, | ||
year = {1986}, | year = {1986}, | ||
| − | publisher = { | + | editor = {Rowell, M.}, |
| − | address = { | + | pages = {7-10}, |
| + | publisher = {Prestel}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Royce 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Royce 1998a, |
| − | author = { | + | author = {Royce, Terry}, |
| − | title = { | + | title = {Synergy on the Page: Exploring Intersemiotic Complementarity in Page-based Multimodal Text}, |
| − | year = { | + | journal = {JASFL Occasional Papers}, |
| − | + | year = {1998}, | |
| − | + | volume = {1}, | |
| + | number = {1}, | ||
| + | pages = {25-48}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rubin 1915a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rubin 1915a, |
| − | author = { | + | author = {Rubin, Edgar}, |
| − | title = { | + | title = {Synoplevde Figurer}, |
| − | + | year = {1915}, | |
| − | year = { | + | publisher = {Gyldendalske}, |
| − | + | address = {Kopenhagen}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rucker et al. 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Rucker et al. 1993a, |
| − | + | title = {Mondo 2000: A User’s Guide to the New Edge}, | |
| − | + | year = {1993}, | |
| − | + | editor = {Rucker, Rudy & Sirius, R.U. & Mu, Queen}, | |
| − | publisher = { | + | publisher = {Thames and Hudson}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.289: | Zeile 15.757: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ruff 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ruff 2009a, |
| − | author = { | + | author = {Ruff, Thomas}, |
| − | title = { | + | title = {Jpegs}, |
| − | year = { | + | year = {2009}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Runte 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Runte 2005a, |
| − | author = { | + | author = {Runte, Annette}, |
| − | title = {A | + | title = {Dinge sehen dich an: Die Melancholie des leeren Platzes in der metaphysischen Malerei}, |
| − | + | booktitle = {Blickzähmung und Augentäuschung. Zu Jacques Lacans Bildtheorie}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Blümle, C. & von der Heiden, A.}, |
| + | pages = {393-424}, | ||
| + | publisher = {Diaphanes}, | ||
| + | address = {Zürich / Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rupprich 1969a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rupprich 1969a, |
| − | author = { | + | author = {Rupprich, Hans}, |
| − | title = { | + | title = {Dürer, schriftlicher Nachlaß. Band 2: Die Anfänge der theoretischen Studien. Das Lehrbuch der Malerei: Von der Mass der Menschen, der Pferde, der Gebäude; Von der Perspektive; Von Farben. Ein Unterricht alle Mass zu ändern}, |
| − | year = { | + | year = {1969}, |
| − | publisher = { | + | publisher = {Deutscher Verein für Kunstwissenschaft}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ryan 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ryan 2001a, |
| − | author = { | + | author = {Ryan, Marie-Laure}, |
| − | title = { | + | title = {Narrative as Virtual Reality. Immersion and Interactivity in Literature and Electronic Media}, |
| − | + | year = {2001a}, | |
| − | year = { | + | publisher = {The Johns Hopkins University Press}, |
| − | + | address = {Baltimore & London}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ryle 1949a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ryle 1949a, |
| − | author = { | + | author = {Ryle, Gilbert}, |
| − | title = { | + | title = {The Concept of Mind}, |
| − | year = { | + | year = {1949}, |
| − | publisher = { | + | publisher = {Hutchinson}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.356: | Zeile 15.828: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==S== |
| + | |||
| + | ===Róna-Tas 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Róna-Tas 1999a, |
| − | author = { | + | author = {Róna-Tas, A.}, |
| − | title = { | + | title = {Hungarians and Europe in the Early Middle Ages. An Introduction to Early Hungarian History}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {CEU Press}, |
| − | + | address = {Budapest}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.371: | Zeile 15.843: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Röttgers & Fabian 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Röttgers & Fabian 1971a, |
| − | author = { | + | author = {Röttgers, K.;Fabian, R.}, |
| − | title = { | + | title = {Authentisch}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 1. A-C}, |
| − | publisher = { | + | year = {1971}, |
| − | address = { | + | editor = {Ritter, Joachim}, |
| + | pages = {691-692}, | ||
| + | publisher = {Wissenschaftl. Buchges.}, | ||
| + | address = {Darmstadt}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Röttgers 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Röttgers 1994a, |
| − | author = { | + | author = {Röttgers, K.}, |
| − | title = { | + | title = {Der Standpunkt und die Gesichtspunkte}, |
| − | + | journal = {Archiv für Begriffsgeschichte}, | |
year = {1994}, | year = {1994}, | ||
| − | + | volume = {37}, | |
| − | + | number = {}, | |
| − | + | pages = {257-284}, | |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 15.414: | Zeile 15.878: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Rötzer 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Rötzer 1993a, |
| − | author = { | + | author = {Rötzer, Florian}, |
| − | title = { | + | title = {Cyberspace. Zum medialen Gesamtkunstwerk}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach & Schirra 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sachs-Hombach & Schirra 2002a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. }, |
| − | title = { | + | title = {Selecting Styles for Tele-Rendering: Toward a rhetoric in computational visualistics}, |
| − | booktitle = { | + | booktitle = {Proc. 2<sub>nd</sub> International Symposium on Smart Graphics}, |
| − | year = { | + | year = {2002}, |
| − | editor = {}, | + | editor = {Butz, A. & Krüger, A. & Olivier, P. & Schlechtweg, S. & Zhou, M.}, |
| − | pages = { | + | pages = {102-106}, |
| − | publisher = { | + | publisher = {ACM Press}, |
| − | address = { | + | address = {Hawthorne, NY}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 15.444: | Zeile 15.909: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach & Schirra 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach & Schirra 2009a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. }, |
| − | title = { | + | title = {Medientheorie, visuelle Kultur und Bildanthropologie}, |
| − | year = { | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus}, |
| + | pages = {393-424}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| − | + | url ={www.JRJS.de/Work/Papers/P09/P09-1/index.html}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach & Schirra 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach & Schirra 2011a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. }, |
| − | title = { | + | title = {Prädikative und modale Bildtheorie }, |
| − | year = { | + | booktitle = {Bildlinguistik. Theorien - Methoden - Fallbeispiele}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Diekmannshenke, H.; Klemm, M. & Stöckl, H.}, |
| + | pages = {97-119}, | ||
| + | publisher = {Erich Schmidt }, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | + | url ={www.jrjs.de/Work/Papers/P11/P11-2/index.html}, | |
| + | abstract ={Gegenstände sind immer nur dann Bilder, wenn jemand sie als solche benutzt. Hierbei können Bilder eine Vielzahl von Funktionen übernehmen. Lassen sich diese verschiedenen Funktionen oder Verwendungsweisen vielleicht aus einer einzigen Grundfunktion ableiten? Und sofern das so ist: Was wäre, ließe sich zweitens fragen, diese Grundfunktion von Bildern und in welcher Relation, ergibt sich als dritte Frage, steht sie zu den Verwendungsweisen von Sprache? Eine positive Beantwortung der ersten Frage voraussetzend werden zwei Kandidaten für die zweite Frage untersucht und diskutiert: Während die prädikative Theorie die grundlegende Bildverwendung in etwa paraphrasiert mit „… sieht so und so aus“ (bzw. „Der Gegenstand, der so und so aussieht, …“), schlägt die modale Theorie eine Verwendungsweise vor analog zu „An einem anderen (auch fiktiven) Ort oder einer anderen (auch hypothetischen) Zeit ist der Fall, daß so und so.“ }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach & Schirra 2013a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach & Schirra 2013a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Origins of Pictures}, |
| − | + | year = {2013}, | |
| − | year = { | + | publisher = {Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach & Winter 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach & Winter 2012a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Winter, Hellmut}, |
| − | title = { | + | title = {Funktionen der Materialität von Bildern}, |
| − | year = { | + | booktitle = {Materialität und Bildlichkeit. Visuelle Artefakte zwischen Aisthesis und Semiosis}, |
| − | publisher = { | + | year = {2012}, |
| − | address = { | + | editor = {Finke, Marcel & Halawa, Mark A.}, |
| − | note = { | + | pages = {50-67}, |
| + | publisher = {Kadmos}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sachs-Hombach 1993a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Philosophische Psychologie im 19. Jahrhundert}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Alber}, |
| − | address = { | + | address = {Freiburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach 1995a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Piktoriale Einstellungen}, |
| − | + | booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktoraler Repräsentationen}, | |
| − | year = { | + | year = {1995}, |
| − | + | editor = {Sachs-Hombach, Klaus}, | |
| − | + | publisher = {Rodopi}, | |
| − | + | address = {Amsterdam}, | |
note = {}, | note = {}, | ||
| + | pages = {195-211}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sachs-Hombach 1999a, |
| − | author = { | + | author = {Sachs-Hombach, }, |
| − | title = { | + | title = {Gibt es ein Bildalphabet?}, |
| − | booktitle = { | + | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, |
| − | pages = { | + | pages = {57-66}, |
| − | publisher = { | + | publisher = {Scriptum}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.544: | Zeile 16.025: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Sachs-Hombach 1999b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sachs-Hombach 1999b, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Fragen der Bildwissenschaft. Über den Studiengang Computervisualistik}, |
| − | + | journal = {form diskurs}, | |
| − | + | year = {1999}, | |
| − | + | volume = {7}, | |
| − | + | number = {2}, | |
| − | + | pages = {40-43}, | |
| − | |||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | address= {Frankfurt am Main}, |
| + | hidden = {4. Jg.}, | ||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 1999c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 1999c, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildhafter Darstellungsformen (Reihe Bildwissenschaft, Bd. 1)}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Scriptum Verlag}, |
| − | + | address = {Magdeburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach 2000a, |
| − | author = { | + | author = {Sachs-Hombach, }, |
| − | title = { | + | title = {Ähnlichkeit als kulturabhängiges Phänomen}, |
| − | year = { | + | booktitle = {Vom Realismus der Bilder. Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus & Rehkämper, Klaus}, |
| + | pages = {89–106}, | ||
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
| + | </bibentry> | ||
| − | |||
| − | === | + | ===Sachs-Hombach 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sachs-Hombach 2003a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft} |
year = {2003}, | year = {2003}, | ||
publisher = {Herbert von Halem}, | publisher = {Herbert von Halem}, | ||
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
| + | </bibentry> | ||
| − | |||
| − | === | + | ===Sachs-Hombach 2003b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 2003b, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Was ist Bildkompetenz?}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {DUV}, |
| − | + | address = {Wiesbaden}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 2004a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Wege zur Bildwissenschaft. Interviews}, |
| − | + | year = {2004}, | |
| − | + | publisher = {Halem}, | |
| − | publisher = { | + | address = {Köln}, |
| − | address = { | ||
| − | |||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | + | } | |
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Sachs-Hombach 2005a, |
| − | title = { | + | title = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.663: | Zeile 16.130: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Sachs-Hombach 2005b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Sachs-Hombach 2005b, |
| − | + | title = {Bildwissenschaft. Zwischen Reflexion und Anwendung}, | |
| − | title = { | + | year = {2005}, |
| − | |||
| − | year = { | ||
editor = {Sachs-Hombach, Klaus}, | editor = {Sachs-Hombach, Klaus}, | ||
| − | |||
publisher = {Halem}, | publisher = {Halem}, | ||
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sachs-Hombach 2006a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Bild und Medium}, |
| − | year = { | + | year = {2006}, |
| − | + | publisher = {Halem}, | |
| − | publisher = { | + | address = {Köln}, |
| − | address = { | + | note = {}, |
| − | + | hidden = {}, | |
| − | |||
| − | hidden = { | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachs-Hombach 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach 2012a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Bilder in der Wissenschaft}, |
| − | year = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | + | year = {2012}, | |
| − | + | editor = {Liebsch, Dimitri & Mößner, Nicola}, | |
| − | + | pages = {31-42}, | |
| − | + | publisher = {Herbert von Halem Verlag}, | |
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachsse 1974a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachsse 1974a, |
| − | author = { | + | author = {Sachsse, Hans}, |
| − | title = { | + | title = {Einführung in die Kybernetik. Unter besonderer Berücksichtigung von technischen und biologischen Wirkungsgefügen}, |
| − | + | year = {1974}, | |
| − | year = { | + | publisher = {Vieweg}, |
| − | + | address = {Braunschweig}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sachsse 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sachsse 2006a, |
| − | author = { | + | author = {Sachsse, Rolf}, |
| − | title = { | + | title = {Geknüpfter und gewebter Krieg. Militärische Motive auf afghanischen Teppichen}, |
| − | + | journal = {Zeithistorische Forschungen/Studies in Contemporary History}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {3}, | |
| − | + | number = {2}, | |
| − | + | pages = {}, | |
| − | + | note = {Online-Ausgabe}, | |
| − | + | hidden = {}, | |
| − | url = { | + | url = {zeithistorische-forschungen.de/16126041-Sachsse-2-2006}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sacks 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sacks 1996a, |
| − | author = { | + | author = {Sacks, Oliver}, |
| − | title = { | + | title = {Migräne}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Rowohlt }, |
| − | + | address = {Hamburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saint-Martin 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saint-Martin 1986a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Sémiologie et syntax visuelle: Une analyse de Mascerade de Pellan}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Protée}, |
| − | + | address = {???}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saint-Martin 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saint-Martin 1987a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Sémiologie du langage visuel}, |
| − | + | publisher = {Presses de l’Université du Quebec}, | |
| − | year = { | + | year = {1987}, |
| − | + | address = {Montréal}, | |
| − | + | note = {Englisch: Semiotics of Visual Language. Bloomington, Indianapolis: Indiana University Press.}, | |
| − | + | hidden = {}, | |
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saint-Martin 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Saint-Martin 1990a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Semiotics of Visual Language}, |
| − | + | publisher = {Indiana University Press}, | |
| − | + | year = {1990}, | |
| − | address = { | + | address = {Bloomington, IN}, |
| − | |||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saint-Martin 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saint-Martin 2007a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Le Sens du langage visuel}, |
| − | + | publisher = {Presses de l’Université du Quebec}, | |
| − | year = { | + | year = {2007}, |
| − | + | address = {Montréal}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sallis 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sallis 1998a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {Shades. Of Painting at the Limit}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Indiana University Press}, |
| − | + | address = {Bloomington}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sallis 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sallis 2007a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {The Hermeneutics of the Artwork. Die Ontologie des Kunstwerks und ihre hermeneutische Bedeutung (GW 1, 87-138)}, |
| − | booktitle = { | + | booktitle = {Hans-Georg Gadamer, Wahrheit und Methode}, |
| − | + | year = {2007}, | |
| − | + | editor = {Figal, G.}, | |
| − | pages = { | + | pages = {29-44}, |
| − | + | publisher = {??}, | |
| − | + | address = {Berlin}, | |
| − | + | note = {Klassiker Auslegen Bd.30}, | |
| − | + | hidden = {}, | |
| − | + | url = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sallis 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sallis 2008a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {Transfigurements: On the True Sense of Art}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {University Of Chicago Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Salomon 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Salomon 2006a, |
| − | author = { | + | author = {Salomon, David}, |
| − | title = { | + | title = {Transformations and Projections in Computer Graphics}, |
| − | |||
year = {2006}, | year = {2006}, | ||
| − | + | publisher = {???}, | |
| − | + | address = {London}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Salomon 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Salomon 2008a, |
| − | author = { | + | author = {Salomon, David}, |
| − | title = { | + | title = {A Concise Introduction to Data Compression}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sampson 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sampson 1985a, |
| − | author = { | + | author = {Sampson, Geoffrey}, |
| − | title = { | + | title = {Writing Systems. A linguistic introduction}, |
| − | + | year = {1985}, | |
| − | year = { | + | publisher = {Stanford University Press}, |
| − | + | address = {Stanford, California}, | |
| − | + | note = {}, | |
| − | publisher = { | + | hidden = {}, |
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Sander 1962a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sander 1962a, |
| − | author = { | + | author = {Sander, Friedrich}, |
| − | title = { | + | title = {Experimentelle Ergebnisse der Gestaltpsychologie}, |
| − | booktitle = { | + | booktitle = {Ganzheitspsychoplogie. Grundlagen, Ergebnisse, Anwendungen: gesammelte Abhandlungen}, |
| − | year = { | + | year = {1962}, |
| − | editor = { | + | editor = {Sander, Friedrich & Volkelt, Hans}, |
| − | pages = { | + | pages = {73–122}, |
| − | publisher = { | + | publisher = {C.H. Beck'sche Verlagsbuchhandlung}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.968: | Zeile 16.381: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1940a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sartre 1940a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {L'Imaginaire: Psychologie phénoménologique de l'imagination}, |
| − | + | year = {1940}, | |
| − | year = { | + | publisher = {Gallimard}, |
| − | + | address = {Paris}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1943a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sartre 1943a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Das Sein und das Nichts}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg} |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.998: | Zeile 16.409: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1962a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sartre 1962a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Der Blick}, |
| − | booktitle = { | + | booktitle = {Das Sein und das Nichts}, |
| − | year = { | + | year = {1962}, |
| − | editor = { | + | editor = {Sartre, Jean-Paul}, |
| − | + | publisher = {Rowohlt}, | |
| − | publisher = { | + | address = {Reinbek bei Hamburg}, |
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Sartre 1980a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sartre 1980a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Der Idiot der Familie. Gustave Flaubert 1821 bis 1857. Bd. 2: Die Personalisation 1}, |
| − | year = { | + | year = {1980}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 16.041: | Zeile 16.439: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sartre 1989a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Der Ekel}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sartre 1994a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Skizze einer Theorie der Emotionen}, |
| − | booktitle = { | + | booktitle = {Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego}, |
| − | year = { | + | year = {1994}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {255-321}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
| − | note = {}, | + | note = {hrsg. von Vincent von Wroblewsky}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 16.075: | Zeile 16.471: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1994b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sartre 1994b, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Das Imaginäre. Phänomenologische Psychologie der Einbildungskraft (1940)}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg}, | |
| − | + | note = {Gesammelte Werke. Philosophische Schriften I-2, hrsg. von Vincent von Wroblewsky}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1994c=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sartre 1994c, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Die Imagination (1936)}, |
| − | booktitle = { | + | booktitle = {Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego}, |
| − | year = { | + | year = {1994}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {97-254}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
| − | note = {}, | + | note = {hrsg. von Vincent von Wroblewsky}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sartre 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sartre 1999a, |
| − | author = { | + | author = {Sartre, Jean Paul}, |
| − | title = { | + | title = {Die Suche nach dem Absoluten. Texte zur bildenden Kunst}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Rowohlt TB}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 16.120: | Zeile 16.517: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sauer 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sauer 2008a, |
| − | author = { | + | author = {Sauer, Martina}, |
| − | title = { | + | title = {Wahrnehmen von Sinn vor jeder sprachlichen oder gedanklichen Fassung? Frage an Ernst Cassirer}, |
| − | + | journal = {Kunstgeschichte. Texte zur Diskussion}, | |
| − | year = { | + | year = {2008}, |
| − | + | volume = {6}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {kunstgeschichte-ejournal.net/discussion/2008/Sauer}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saussure 1916a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saussure 1916a, |
| − | + | author = {Saussure, Ferdinand de }, | |
| − | + | title = {Cours de linguistique générale}, | |
| − | + | year = {1916}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Paris}, |
| − | note = { | + | note = {Deutsch: Grundfragen der allgemeinen Sprachwissenschaft. 3. Aufl. Berlin 2001.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Saxena & Sahay 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saxena & Sahay 2005a, |
| − | author = { | + | author = {Saxena, Anupam & Sahay, Birendra}, |
| − | title = { | + | title = {Computer Aided Engineering Design}, |
| − | year = { | + | year = {2005}, |
| − | + | publisher = {???}, | |
| + | address = {New York u.a}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schaefer & Rentsch 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schaefer & Rentsch 2004a, |
| − | author = { | + | author = {Schaefer, Christina & Rentsch, Stefanie}, |
| − | title = { | + | title = {Ekphrasis. Anmerkungen zur Begriffsbestimmung in der neueren Forschung}, |
| − | + | journal = {Zeitschrift für französische Sprache und Literatur}, | |
| − | + | year = {2004}, | |
| − | + | volume = {114}, | |
| − | note = { | + | number = {2}, |
| + | pages = {132-165}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Scheler 1928a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Scheler 1928a, |
| − | author = { | + | author = {Scheler, Max}, |
| − | title = { | + | title = {Die Stellung des Menschen im Kosmos}, |
| − | year = { | + | year = {1928}, |
| − | publisher = { | + | publisher = {Otto Reichl Verlag}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 16.187: | Zeile 16.592: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schickore 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schickore 2002a, |
| − | author = { | + | author = {Schickore, Jutta}, |
| − | title = { | + | title = {Fixierung mikroskopischer Beobachtungen: Zeichnung, Dauerpräparat, Mikrofotografie}, |
| − | year = { | + | booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie}, |
| − | publisher = { | + | year = {2002}, |
| − | address = {Frankfurt | + | editor = {Geimer, Peter}, |
| − | note = { | + | pages = {285-310}, |
| + | publisher = {suhrkamp}, | ||
| + | address = {Frankfurt am Main }, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schier 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schier 2005a, |
| − | title = { | + | author = {Schier, W. }, |
| − | year = { | + | title = {Die Maske von Uivar}, |
| − | editor = { | + | booktitle = {Masken, Menschen, Rituale}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Schier, W. }, |
| + | pages = {54-61}, | ||
| + | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)}, | ||
| + | address = {Würzburg }, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Schierl & Ludwig 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schierl & Ludwig 2010a, |
| − | author = { | + | author = {Schierl, Thomas & Ludwig, Mark}, |
| − | title = { | + | title = {Produktpolitik und visuelle Differenzierung im Fußball}, |
| − | + | journal = {Zeitschrift für Semiotik}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {32}, | |
| − | + | number = {3/4}, | |
| − | + | pages = {267-285}, | |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 16.241: | Zeile 16.645: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schierl 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schierl 2001a, |
| − | author = { | + | author = {Schierl, Thomas}, |
| − | title = { | + | title = { Text und Bild in der Werbung}, |
| − | |||
year = {2001}, | year = {2001}, | ||
| − | + | publisher = {Herbert von Halem}, | |
| − | + | address = {Köln}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schierl 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schierl 2003a, |
| − | author = { | + | author = {Schierl, Thomas}, |
| − | title = { | + | title = {Werbung im Fernsehen}, |
| − | |||
year = {2003}, | year = {2003}, | ||
| − | + | publisher = {Herbert von Halem}, | |
| − | + | address = {Köln}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schiffermüller 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schiffermüller 2009a, |
| − | + | author = {Schiffermüller, Isolde}, | |
| − | title = { | + | title = {Wort und Bild im Atlas »Mnemosyne«. Zur pathetischen Eloquenz der Sprache Aby Warburgs }, |
| − | + | editor = {Kofler, Peter}, | |
| − | + | booktitle = {Ekstatische Kunst. Aby Warburg und die Denkräume der Ekphrasis}, | |
| − | + | publisher = {Studienverlag}, | |
| − | + | address = {Wien (u.a.)}, | |
| − | + | pages = {7-22}, | |
| − | |||
note = {}, | note = {}, | ||
| − | } | + | year = {2009}, |
| + | url = {}, | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schilling 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Schilling 2012a, |
| − | + | title = {Illustrierte Flugblätter der Frühen Neuzeit}, | |
| − | + | year = {2012}, | |
| − | + | editor = {Schilling, Michael }, | |
| − | publisher = { | + | publisher = {Kulturhistorisches Museum Magdeburg}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Sachs-Hombach 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2006a, |
| − | author = { | + | author = {Schirra, Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht}, |
| − | + | journal = {ELiSe: Essener Linguistische Skripte – elektronisch}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {6}, | |
| − | pages = { | + | number = {1}, |
| − | + | pages = {51-72}, | |
| − | + | url = {www.uni-due.de/germanistik/elise/ausgabe_12006}, | |
| + | hidden = {letzter Zugriff: 25. September 2010}, | ||
note = {}, | note = {}, | ||
| + | abstract ={Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre. }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Sachs-Hombach 2006b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2006b, |
| − | author = { | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Fähigkeiten zum Bild- und Sprachgebrauch }, |
| − | + | journal = {Deutsche Zeitschrift für Philosophie}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {54}, | |
| − | + | number = {6}, | |
| − | + | pages = {887-905}, | |
| − | + | url = {www.jrjs.de/Work/Papers/P06/P06-5/index.html}, | |
note = {}, | note = {}, | ||
| + | abstract = {Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist. }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Sachs-Hombach 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2010a, |
| − | author = { | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology}, |
| − | + | journal = {Linguistic and Philosophical Investigations}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {9}, | |
| − | + | number = {}, | |
| − | + | pages = {144–181}, | |
| − | + | url = {www.jrjs.de/Work/Papers/P10/P10-2/index.html}, | |
note = {}, | note = {}, | ||
| + | abstract = {There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Sachs-Hombach 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra & Sachs-Hombach 2011a, |
| − | author = { | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Anthropologie in der systematischen Bildwissenschaft: Auf der Spur des homo pictor}, |
| − | booktitle = { | + | booktitle = {Disziplinen der Anthropologie}, |
| − | + | editor = {Meyer, S. & Owzar, A.}, | |
| − | editor = { | + | year = {2011}, |
| − | + | pages = {145-177}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | + | publisher = {Waxmann}, | |
| − | url = {}, | + | address = {Münster}, |
| + | url = {www.jrjs.de/Work/Papers/P11/P11-1/index.html}, | ||
| + | abstract = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Sachs-Hombach 2013a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra & Sachs-Hombach 2013a, |
| − | author = { | + | author = {Schirra, Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {The Anthropological Function of Pictures}, |
| − | booktitle = { | + | booktitle = {Origins of Pictures}, |
| − | year = { | + | year = {2013}, |
| − | editor = { | + | editor = {Sachs-Hombach, K. & Schirra, J.R.J.}, |
| − | pages = { | + | pages = {??}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
| − | note = {}, | + | note = {im Erscheinen}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra & Scholz 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra & Scholz 1998a, |
| − | author = { | + | author = {Schirra, Jörg R.J. & Scholz, Martin}, |
| − | title = { | + | title = {Abstraction versus Realism: Not the Real Question}, |
| − | booktitle = { | + | booktitle = {Computer Visualization – Graphics, Abstraction, and Interactivity}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Strothotte, T. (et al.)}, |
| − | pages = { | + | pages = {379-401}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Heidelberg}, |
| − | note = {}, | + | note = {Chapter 22}, |
| + | url = {www.jrjs.de/Work/Papers/P98/P98-3/index.html}, | ||
| + | abstract = {When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 1993a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«}, |
| − | + | booktitle = {Semantics of Time, Space, and Movement}, | |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {M. Aurnague, A. Borillo, M. Borillo & M. Bras}, |
| + | pages = {105-121}, | ||
| + | publisher = {Univ. Paul Sabatier}, | ||
| + | address = {Toulouse}, | ||
note = {}, | note = {}, | ||
| + | url = {www.jrjs.de/Work/Papers/P93/P93-2/index.html}, | ||
| + | abstract = {AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schirra 1994a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {DISKI}, |
| − | + | address = {St. Augustin}, | |
| − | + | abstract = {}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {ISBN 3-929037-71-8 <A href='www.pickitisbn:3-929037-71-8'><img style='border: 0px none' src='https://www.citavi.com/softlink?linkid=findit' title='Titel anhand dieser ISBN in Citavi-Projekt übernehmen'/></A>} | ||
| + | url = {www.jrjs.de/Work/Papers/P94/P94-1-d/index.html}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra 1995a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning}, |
| − | booktitle = { | + | booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {107-136}, |
| − | publisher = { | + | publisher = {Rodopi}, |
| − | address = { | + | address = {Amsterdam}, |
note = {}, | note = {}, | ||
| + | url = {www.jrjs.de/Work/Papers/P95/index.html}, | ||
| + | abstract = {Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees. }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 1999a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik}, |
| − | + | booktitle = {bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen}, | |
| − | year = { | + | year = {1999}, |
| − | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, | |
| − | + | pages = {103-119}, | |
| − | + | p/bibentryublisher = {Skriptum}, | |
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P99/P99-3/index.html}, | |
| − | + | abstract = {Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2000a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis}, |
| − | + | booktitle = {Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen}, | |
| − | year = { | + | year = {2000}, |
| − | + | editor = {Rehkämper, K.& Sachs-Hombach, K.}, | |
| − | + | pages = {119-135}, | |
| − | + | publisher = {Skriptum}, | |
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
| + | url = {www.jrjs.de/Work/Papers/P00/P00-1/index.html}, | ||
| + | abstract = {Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra 2001a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Bilder —— Kontextbilder}, |
| − | booktitle = { | + | booktitle = {Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {77-100}, |
| − | publisher = { | + | publisher = {Skriptum}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P01/P01-5/index.html}, | |
| − | + | abstract = {Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar. }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schirra 2005a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Foundation of Computational Visualistics}, |
| − | + | year = {2005}, | |
| − | year = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
url = {}, | url = {}, | ||
| + | publisher = {DUV}, | ||
| + | address = {Wiesbaden}, | ||
| + | abstract = {}, | ||
| + | note = {} | ||
| + | hidden = {ISBN: 3-8350-6015-5 <A href='www.pickitisbn:3-8350-6015-5'><img style='border: 0px none' src='https://www.citavi.com/softlink?linkid=findit' title='Titel anhand dieser ISBN in Citavi-Projekt übernehmen'/></A>}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2005b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra 2005b, |
| − | + | author = {Schirra, Jörg R.J.}, | |
| − | title = { | + | title = {Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach}, |
| − | + | year = {2005}, | |
| − | year = { | + | url = {www.jrjs.de/Work/Papers/P05/P05-1/index.html}, |
| − | + | journal ={IMAGE - Zeitschrift für interdisziplinäre Bildforschung}, | |
| − | + | volume = {1}, | |
| − | + | pages = {30-45}, | |
| − | |||
note = {}, | note = {}, | ||
| − | + | abstract = {Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben. }, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2005c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2005c, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Computervisualistik}, |
| − | + | booktitle = { Bildwissenschaft. Disziplinen, Themen, Methoden}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Sachs-Hombach, K.}, |
| + | pages = {268-280}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P05/P05-2/index.html}, | |
| + | abstract = {Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen. }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2006a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen}, |
| − | year = { | + | booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus}, |
| + | pages = {197-215}, | ||
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P06/P06-3/index.html}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schirra 2007a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Schirra 2007a, | ||
| + | editor = {Schirra, Jörg R.J. (Hg.)}, | ||
| + | title = {Computational Visualistics and Picture Morphology}, | ||
| + | publisher = {IMAGE - Zeitschrift für interdisziplinäre Bildforschung}, | ||
| + | note = {Themenbeiheft zu Band 5}, | ||
| + | year = {2007}, | ||
| + | url = {www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf}, | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Schleicher 1859a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schleicher 1859a, |
| − | author = { | + | author = {Schleicher, August}, |
| − | title = { | + | title = {Zur Morphologie der Sprache}, |
| − | + | journal = {Mémoires de l'académdie impériale des sciences de St. Pétersbourg}, | |
| − | year = { | + | year = {1859}, |
| − | + | volume = {1?}, | |
| − | + | number = {7}, | |
| − | + | pages = {1-38}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schlenstedt 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schlenstedt 2000a, |
| − | author = { | + | author = {Schlenstedt, Dieter}, |
| − | title = { | + | title = {Darstellung}, |
| − | booktitle = { | + | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: : Absenz – Darstellung}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Karlheinz Barck et al.}, |
| − | pages = { | + | pages = {831-875}, |
| − | publisher = { | + | publisher = {J. B. Metzler}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 16.572: | Zeile 17.029: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schlenstedt_George_2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schlenstedt_George_2005a, |
| − | author = { | + | author = {Schlenstedt, Dieter; George, Marion}, |
| − | title = { | + | title = {Typisch/Typ(us)}, |
| − | booktitle = { | + | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: Absenz – Darstellung}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Karlheinz Barck et al.}, |
| − | pages = { | + | pages = {191-246}, |
| − | publisher = { | + | publisher = {J. B. Metzler}, |
| − | address = { | + | address = {Stuttgart, Weimar}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 16.589: | Zeile 17.047: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schlosser 1952a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schlosser 1952a, |
| − | author = { | + | author = {Schlosser, K.}, |
| − | title = { | + | title = {Der Signalismus in der Kunst der Naturvölker: Biologisch-psychologische Gesetzlichkeiten in den Abweichungen von der Norm des Vorbildes}, |
| − | + | year = {1952}, | |
| − | year = { | + | publisher = {Mühlau}, |
| − | + | address = {Kiel}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schmauks 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schmauks 1998a, |
| − | author = { | + | author = {Schmauks, Dagmar}, |
| − | title = { | + | title = {Die Rolle von Bildern in der internationalen Kommunikation}, |
| − | booktitle = { | + | booktitle = {Bild – Bildwahrnehmung – Bildverarbeitung. Interdisziplinäre Beiträge zur Bildwissenschaft}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus & Rehkämper, Klaus}, |
| − | pages = { | + | pages = {81-88}, |
| − | publisher = { | + | publisher = {Deutscher Universitätsverlag}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schmid 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schmid 2009a, |
| − | author = { | + | author = {Schmid, Gabriele}, |
| − | title = { | + | title = {Zwischen Bildern. Die holographische Installation als Handlungsfeld}, |
| − | year = { | + | booktitle = {Das holographische Wissen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Rieger, Stefan & Schröter, Jens}, |
| + | pages = {161-180}, | ||
| + | publisher = {diaphanes}, | ||
| + | address = {Zürich/Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schmidt 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schmidt 2000a, |
| − | author = { | + | author = {Schmidt, Ulrike Kristin}, |
| − | title = { | + | title = {Kunstzitat und Provokation im 20. Jahrhundert}, |
year = {2000}, | year = {2000}, | ||
| − | publisher = { | + | publisher = {VDG}, |
| − | address = { | + | address = {Weimar}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 16.649: | Zeile 17.107: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schmitt 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schmitt 1996a, |
| − | author = { | + | author = {Schmitt, Arbogast}, |
| − | title = { | + | title = {Teleologie und Geschichte bei Aristoteles oder Wie kommen nach Aristoteles Anfang, Mitte und Ende in die Geschichte?}, |
| − | year = { | + | booktitle = {Das Ende. Figuren einer Denkform}, |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {Karlheinz Stierle und Rainer Warning}, |
| + | pages = {528-563}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schmitt 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schmitt 1998a, |
| − | author = { | + | author = {Schmitt, Arbogast}, |
| − | title = { | + | title = {Mimesis bei Aristoteles und in den Poetikkommentaren der Renaissance. Zum Wandel des Gedankens von der Nachahmung der Natur in der frühen Neuzeit}, |
| − | booktitle = { | + | booktitle = {Mimesis und Simulation}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Andreas Kablitz & Gerhard Neumann}, |
| − | pages = { | + | pages = {17-53}, |
| − | publisher = { | + | publisher = {Rombach}, |
| − | address = {}, | + | address = {Freiburg im Breisgau}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 16.678: | Zeile 17.143: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Schmücker 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schmücker 2011a, |
| − | author = { | + | author = {Schmücker, Reinold}, |
| − | title = { | + | title = {Lob der Fälschung}, |
| − | + | booktitle = {Original und Fälschung}, | |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Nida-Rümelin & Steinbrenner, Jakob}, |
| − | note = {}, | + | pages = {71-91}, |
| + | publisher = {Hatje Cantz}, | ||
| + | address = {Ostfildern}, | ||
| + | note = {Kunst und Philosophie. Bd. 3}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schneider & Berz 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schneider & Berz 2002a, |
| − | author = { | + | author = {Schneider, Birgit & Berz, Peter}, |
| − | title = { | + | title = {Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie} |
| − | year = { | + | booktitle = {Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Flach, Sabine & Tholen, Georg Christoph}, |
| + | pages = {181-220}, | ||
| + | publisher = {???}, | ||
| + | address = {Kassel}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Schneider & Stöckl 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Schneider & Stöckl 2011a, |
| − | + | title = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, | |
| − | title = { | ||
| − | |||
year = {2011}, | year = {2011}, | ||
| − | editor = { | + | editor = {Schneider, Jan Georg & Stöckl, Hartmut}, |
| − | + | publisher = {Halem}, | |
| − | publisher = { | + | address = {Köln}, |
| − | address = { | + | note = {erscheint Frühjahr 2011}, |
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schneider 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schneider 2000a, |
| − | author = { | + | author = {Schneider, Ralf}, |
| − | title = { | + | title = {Grundriß zur kognitiven Theorie der Figurenkonzeption am Beispiel des viktorianischen Romans}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Stauffenburg}, |
| − | + | address = {Tübingen}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schneider 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schneider 2009a, |
| − | author = { | + | author = {Schneider, Birgit}, |
| − | title = { | + | title = {Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”}, |
| + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, | ||
year = {2009}, | year = {2009}, | ||
| − | publisher = { | + | editor = {Heßler & Mersch}, |
| − | address = { | + | pages = {188-200}, |
| + | publisher = {???}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Scholz 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Scholz 1991a, |
| − | author = { | + | author = {Scholz, Oliver R.}, |
| − | title = { | + | title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen}, |
| − | + | year = {1991}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = {Frankfurt a.M.}, | + | address = {Frankfurt a. M.}, |
| − | note = {}, | + | note = {(1. Aufl.)}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Scholz 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Scholz 1998a, |
| − | + | title = {Mimesis. Studien zur literarischen Repräsentation}, | |
| − | title = { | + | year = {1998}, |
| − | + | editor = {Scholz, Bernhard F.}, | |
| − | year = { | + | publisher = {Francke}, |
| − | editor = { | + | address = {Tübingen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Scholz 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Scholz 2004a, |
| − | author = { | + | author = {Scholz, Oliver R.}, |
| − | title = { | + | title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Klostermann}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = { | + | note = {2., vollständig überarbeitete Aufl.}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schott 57a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schott 57a, |
| − | author = { | + | author = {Schott, Kaspar}, |
| − | title = { | + | title = {De Magia Anamorphotica}, |
| − | + | booktitle = {Magia Universalis Naturae et Artis}, | |
| − | publisher = { | + | year = {1657}, |
| − | address = { | + | editor = {}, |
| − | note = {}, | + | pages = {}, |
| + | publisher = {}, | ||
| + | address = {}, | ||
| + | note = {Band 1: Optica. Buch 3}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter & Thielmann 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schröter & Thielmann 2006a, |
| − | author = { | + | author = {Schröter, Jens & Thielmann, Tristan}, |
| − | title = { | + | title = {Display I: Analog}, |
| − | year = { | + | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften} |
| − | + | year = {2006}, | |
| − | + | volume = {6}, | |
| + | number = {2}, | ||
| + | pages = {???}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2001a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Eine kurze Geschichte der digitalen Fotografie}, |
| − | + | booktitle = {Verwandlungen durch Licht. Fotografieren in Museen & Archiven & Bibliotheken}, | |
| − | year = { | + | year = {2001}, |
| − | + | editor = {Hesse, Wolfgang & Jaworek, Wolfgang}, | |
| − | + | pages = {249-257}, | |
| − | + | publisher = {???}, | |
| + | address = {Esslingen}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schröter 2003a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern}, |
| − | + | journal = {Fotogeschichte}, | |
| − | year = { | + | year = {2003}, |
| − | + | volume = {23}, | |
| − | + | number = {88}, | |
| − | + | pages = {3-16}, | |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?}, |
| − | year = { | + | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schröter & Böhnke}, |
| + | pages = {335-354}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2004b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schröter 2004b, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2004c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004c, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Computer/Simulation. Kopie ohne Original oder das Original kontrollierende Kopie}, |
| − | + | booktitle = {OriginalKopie. Praktiken des Sekundären}, | |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Fehrmann, Gisela et al.}, |
| + | pages = {139-155}, | ||
| + | publisher = {???}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2004d=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004d, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | + | title = {Notizen zu einer Geschichte des Löschens. Am Beispiel von Video und Robert Rauschenbergs Erased de Kooning-Drawing}, | |
| − | year = { | + | booktitle = {Im Banne der Ungewissheit. Bilder zwischen Medien, Kunst und Menschen}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schumacher-Chilla, Doris}, |
| + | pages = {171-194}, | ||
| + | publisher = {???}, | ||
| + | address = {Oberhausen}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schröter 2005a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {MetaMorphing. Camerons Analysen der digitalen Bilder in Terminator 2 und The Abyss}, |
| − | booktitle = { | + | booktitle = {Mythen, Mütter, Maschinen. Die Filme des James Cameron}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Pabst, Eckhard}, |
| − | pages = { | + | pages = {289-315}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Kiel}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2006a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Wie man Skulpturen rendern soll. Zur Geschichte der transplanen Reproduktion}, |
| − | year = { | + | booktitle = {Skulptur – Zwischen Realität und Virtualität}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Winter, G.; Schröter, J. & Spies, C.}, |
| − | note = { | + | pages = {231-274}, |
| + | publisher = {Fink }, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2009a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Wirklichkeit ist überhaupt nur darzustellen, indem man sie konstruiert (Andreas Gursky)}, |
| − | year = { | + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, |
| − | + | year = {2009}, | |
| − | + | editor = {Heßler & Mersch}, | |
| − | + | pages = {201-218}, | |
| − | + | publisher = {Transcript}, | |
| + | address = {Bielefeld}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2009b=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schröter 2009b, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {On the Logic of the Digital Archive}, |
| − | booktitle = { | + | booktitle = {The You Tube Reader}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Vonderau, Patrick & Snickars, Pelle}, |
| − | pages = { | + | pages = {330-346}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Stockholm}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2009c=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schröter 2009c, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {3D. Zur Theorie, Geschichte und Medienästhetik des technischtransplanen Bildes}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = {München | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2009d=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2009d, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das holographische Wissen und die Nicht-Reproduzierbarkeit}, |
| − | + | booktitle = {Das holographische Wissen}, | |
| − | year = { | + | year = {2009}, |
| − | + | editor = {Rieger, Stefan & Schröter, Jens}, | |
| − | + | pages = {77-86}, | |
| − | + | publisher = {diaphanes}, | |
| + | address = {Zürich/Berlin}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2010a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Fotografie und Fiktionalität}, |
| − | year = { | + | booktitle = {Die fotografische Wirklichkeit. Inszenierung - Fiktion - Narration}, |
| + | year = {2010}, | ||
| + | editor = {Blunck, Lars}, | ||
| + | pages = {143-158}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schröter 2010b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schröter 2010b, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das Zeitalter der technischen Nicht-Reproduzierbarkeit}, |
| − | + | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {10}, | |
| − | + | number = {1}, | |
| − | + | pages = {9-36}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.049: | Zeile 17.514: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schulte 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schulte 1990a, |
| − | author = { | + | author = {Schulte, Joachim}, |
| − | title = { | + | title = {Stilfragen}, |
| − | year = { | + | booktitle = {Chor und Gesetz}, |
| + | year = {1999}, | ||
| + | editor = {Schulte, Joachim}, | ||
| + | pages = {59-72}, | ||
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
| − | address = {Frankfurt | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schulte 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schulte 1999a, |
| − | author = { | + | author = {Schulte, Joachim}, |
| − | title = { | + | title = {Die Hinnahme von Sprachspielen und Lebensformen}, |
| − | year = { | + | booktitle = {Der Konflikt der Lebensformen in Wittgensteins Philosophie der Sprache}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Lütterfels, u.a.}, |
| + | pages = {156-170}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schulz 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schulz 2005a, |
| − | author = { | + | author = {Schulz, Martin}, |
| − | title = { | + | title = {Ordnungen der Bilder. Eine Einführung in die Bildwissenschaft}, |
| − | + | year = {2005}, | |
| − | + | publisher = {Wilhelm Finke}, | |
| − | address = {}, | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.088: | Zeile 17.564: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schulz 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schulz 2010a, |
| − | author = { | + | author = {Schulz, Martin}, |
| − | title = { | + | title = {Das interchrone Bild der Landschaft. Raumfahrt und Zeitreise bei Pieter Bruegel dem Älteren}, |
| − | + | booktitle = {Im Namen des Anderen. Die Ethik des Zitierens}, | |
| − | year = { | + | year = {2010}, |
| − | + | editor = {Jacob, J. & Mayer, M.}, | |
| − | + | pages = {307-332}, | |
| − | + | publisher = {Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.104: | Zeile 17.582: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schulze 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schulze 2000a, |
| − | author = { | + | author = {Schulze, Gerhard}, |
| − | title = { | + | title = {Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe.}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Campus}, |
| − | address = {New York}, | + | address = {Frankfurt a. M., New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.117: | Zeile 17.596: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Schweitzer 1953a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schweitzer 1953a, |
| − | author = { | + | author = {Schweitzer, Bernhard}, |
| − | title = { | + | title = {Vom Sinn der Perspektive}, |
year = {1953}, | year = {1953}, | ||
| − | publisher = { | + | publisher = {Niemeyer}, |
| − | address = { | + | address = {Tübingen}, |
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schweizer 12a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schweizer 12a, |
| − | author = { | + | author = {Schweizer, Yvonne}, |
| − | title = { | + | title = {Das gespiegelte Karussell. Zur Medialität katoptrischer Anamorphosen}, |
| − | + | booktitle = {Materialität und Bildlichkeit. Visuelle Artefakte zwischen Aisthesis und Semiosis}, | |
| − | year = { | + | year = {2012}, |
| − | + | editor = {Finke, Marcel & Halawa, Mark}, | |
| − | + | pages = {212-227}, | |
| − | + | publisher = {Kadmos, Berlin}, | |
| − | note = { | + | address = {}, |
| + | note = {im Erscheinen}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 17.159: | Zeile 17.627: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schwingeler 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schwingeler 2008a, |
| − | author = { | + | author = {Schwingeler, Stephan}, |
| − | title = { | + | title = {Die Raummaschine. Raum und Perspektive im Computerspiel}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Werner Hülsbusch}, |
| − | + | address = {Boizenburg}, | |
| − | + | note = {(Reihe Game Studies)}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schäffner 03a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schäffner 03a, |
| − | title = { | + | author = {Schäffner, Wolfgang}, |
| − | year = { | + | title = {Instrumente und Bilder. Anamorphotische Geometrie im 16. und 17. Jahrhundert}, |
| − | editor = { | + | booktitle = {Bühnen des Wissens. Interferenzen zwischen Wissenschaft und Kunst}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Schramm, H. et al.}, |
| + | pages = {92-109}, | ||
| + | publisher = {Dahlem University Press}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schönhammer 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schönhammer 2009a, |
| − | author = { | + | author = {Schönhammer, Rainer}, |
| − | title = { | + | title = {Einführung in die Wahrnehmungspsychologie. Sinne, Körper, Bewegung}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Facultas}, |
| − | address = { | + | address = {Wien}, |
| − | note = {}, | + | note = {1. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schönhammer 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Schönhammer 2011a, |
| − | author = { | + | author = {Schönhammer, Rainer}, |
| − | title = { | + | title = {Stichwort: Kippbilder}, |
| − | + | year = {2011}, | |
| − | year = { | + | howpublished = {PsyDok, Volltextserver der Virtuellen Fachbibliothek Psychologie}, |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {psydok.sulb.uni-saarland.de/frontdoor.php?source_opus=2756&la=de}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schöttler 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schöttler 2012a, |
| − | author = { | + | author = {Schöttler, Tobias}, |
| − | title = { | + | title = {Von der Darstellungsmetaphysik zur Darstellungspragmatik. Eine historisch-systematische Untersuchung von Platon bis Davidson}, |
| − | + | year = {2012}, | |
| − | year = { | + | publisher = {Mentis}, |
| − | + | address = {Münster}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schürmann 2000a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Erscheinen und Wahrnehmen. Eine vergleichende Studie zur Kunst von James Turrell und der Philosophie Merleau-Pontys}, |
| − | + | year = {2000}, | |
| − | + | publisher = {Wilhelm Fink Verlag}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schürmann 2008a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Sehen als Praxis. Ethisch-ästhetische Studien zum Verhältnis von Sicht und Einsicht}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.260: | Zeile 17.729: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schürmann 2010a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Darstellung einer Vorstellung. Das Bild der Welt auf der Pioneer-Plakette}, |
| − | year = { | + | booktitle = {Atlas der Weltbilder}, |
| − | + | year = {2010}, | |
| − | + | editor = {Markschies, C. et al.}, | |
| + | pages = {???}, | ||
| + | publisher = {???}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schürmann 2011a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Unendliches im Endlichen. Über einige Gemeinsamkeiten des Gesichter- und Bildersehens}, |
| − | booktitle = { | + | booktitle = {Sehen und Handeln}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Horst Bredekamp & John Michael Krois}, |
| − | pages = { | + | pages = {155-167}, |
| − | publisher = { | + | publisher = {Akademie Verlag}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = {}, | + | note = {Reihe: Actus et Imago, Bd. 1}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 17.290: | Zeile 17.765: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schürmann 2012a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = { Das Wie der Rahmung. Über die parergonale Verfassung künstlerischen Darstellens}, |
| − | year = { | + | booktitle = {Die Sinnlichkeit der Künste. Beiträge zur ästhetischen Reflexivität}, |
| − | publisher = { | + | year = {2012}, |
| − | address = { | + | editor = {Bertram, Georg & Feige, Daniel}, |
| + | pages = {???}, | ||
| + | publisher = {Diaphanes}, | ||
| + | address = {Berlin/Zürich}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schürmann 2012b=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schürmann 2012b, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Stil als Artikulation einer Haltung}, |
| − | booktitle = { | + | booktitle = {Kunst und Erfahrung. Beiträge zu einer philosophischen Kontroverse}, |
| − | year = { | + | year = {2012}, |
| − | editor = { | + | editor = {Deines, Stefan & Seel, Martin}, |
| − | pages = { | + | pages = {296-315}, |
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.320: | Zeile 17.801: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Schüttpelz 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schüttpelz 2002a, |
| − | author = { | + | author = {Schüttpelz, Erhard}, |
| − | title = { | + | title = {Frage nach der Frage, auf die das Medium eine Antwort ist}, |
| − | year = { | + | booktitle = {Signale der Störung }, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Kümmel, Albert; Schüttpelz, Erhard}, |
| + | pages = {15-28}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Searle 1971a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Searle 1971a, |
| − | author = { | + | author = {Searle, John R.}, |
| − | title = { | + | title = {Sprechakttheorie - Ein sprachphilosophischer Essay}, |
| − | + | year = {1971}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Seel 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Seel 1991a, |
| − | author = { | + | author = {Seel, Norbert M.}, |
| − | title = { | + | title = {Weltwissen und mentale Modelle}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Hogrefe}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Seel 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Seel 2003a, |
| − | + | author = {Seel, Martin}, | |
| − | + | title = {Ästhetik des Erscheinens}, | |
| − | + | year = {2003}, | |
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
| − | address = {Frankfurt | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.375: | Zeile 17.861: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Seidlmayer 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Seidlmayer 2011a, |
| − | + | author = {Seidlmayer, Stephan Johannes}, | |
| − | + | title = {Ägyptische Hieroglyphen zwischen Schrift und Bild}, | |
| − | year = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | + | year = {2011}, | |
| − | address = { | + | editor = {Krämer, Sybille; Cancik-Kirschbaum, Eva & Totzke, Rainer}, |
| + | pages = {???}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Seiterle 1988a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Seiterle 1988a, |
| − | author = { | + | author = {Seiterle, Gérard}, |
| − | title = { | + | title = {Maske, Ziegenbock und Satyr}, |
| − | year = { | + | journal = {Antike Welt. Zeitschrift für Archäologie und Kulturgeschichte}, |
| − | + | year = {1988}, | |
| − | + | volume = {19}, | |
| − | note = { | + | number = {1}, |
| + | pages = {2-14}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Seja 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Seja 2009a, |
| − | author = { | + | author = {Seja, Silvia}, |
| − | title = { | + | title = {Handlungstheorien des Bildes}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Herbert von Halem Verlag}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sekula 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sekula 2002a, |
| − | author = { | + | author = {Sekula, Allan}, |
| − | title = { | + | title = {Der Handel mit Fotografien}, |
| − | booktitle = { | + | booktitle = {Paradigma Fotografie}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Wolf, Herta}, |
| − | pages = { | + | pages = {255-290}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sello 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sello 1979a, |
| − | author = { | + | author = {Sello, Katrin}, |
| − | title = { | + | title = {Vom Nutzen und Nachteil des Zitierens für die Kunst}, |
| − | + | booktitle = {Vom Nutzen und Nachteil des Zitierens für die Kunst}, | |
| − | publisher = { | + | year = {1979}, |
| − | address = { | + | editor = {Sello, K.}, |
| + | pages = {9-15}, | ||
| + | publisher = {Kunstverein Hannover}, | ||
| + | address = {Hannover}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Shannon & Weaver 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Shannon & Weaver 1976a, |
| − | author = { | + | author = {Shannon, Claude E. & Weaver, Warren}, |
| − | title = { | + | title = {Mathematische Grundlagen der Informationstheorie}, |
| − | + | year = {1976}, | |
| − | year = { | + | publisher = {Oldenbourg}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Shepard 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Shepard 1990a, |
| − | author = { | + | author = {Shepard, Roger N.}, |
| − | title = { | + | title = {Mind sights. Original illusions, ambiguities, and other anomalies, with a commentary on the play of mind in perception and art}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {W. H. Freeman}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.474: | Zeile 17.972: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Shin 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Shin 2002a, |
| − | author = { | + | author = {Shin, Sun-Joo}, |
| − | title = {The | + | title = {The Iconic Logic of Peirce’s Graphs}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {MIT Press, Bradford}, |
| − | address = { | + | address = {Cambridge, Massachusetts}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.487: | Zeile 17.986: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Shneiderman 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Shneiderman 1983a, |
| − | author = { | + | author = {Shneiderman, B.}, |
| − | title = { | + | title = {Direct Manipulation - A Step Beyond Programming Languages}, |
| − | year = { | + | journal = {IEEE Computer}, |
| − | + | year = {1983}, | |
| − | + | volume = {16}, | |
| + | number = {8}, | ||
| + | pages = {57-69}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Shohat & Stam 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Shohat & Stam 1998a, |
| − | author = { | + | author = {Shohat, E. & Stam R.}, |
| − | title = { | + | title = {Narrativizing Visual Culture. Towards a Polycentric Aesthetics}, |
| − | booktitle = { | + | booktitle = {The Visual Culture Reader}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Mirzoeff, N.}, |
| − | + | publisher = {Routledge}, | |
| − | + | address = {London, New York}, | |
| − | + | note = {}, | |
| − | + | pages = {26-49}, | |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Siegel 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegel 2009a, |
| − | author = { | + | author = {Siegel, Steffen}, |
| − | title = { | + | title = {TABULA. Figuren der Ordnung um 1600}, |
| − | |||
year = {2009}, | year = {2009}, | ||
| − | + | publisher = {Akademie Verlag}, | |
| − | + | address = {Berlin}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Siegert & Brecheis 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegert & Brecheis 2005a, |
| − | author = { | + | author = {Siegert, Gabriele & Brecheis, Dieter }, |
| − | title = { | + | title = {Werbung in der Medien- und Informationsgesellschaft. Eine kommunikationswissenschaftliche Einführung }, |
| − | + | year = {2005}, | |
| − | year = { | + | publisher = {VS}, |
| − | + | address = {Wiesbaden}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Siegert 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegert 2003a, |
| − | author = { | + | author = {Siegert, Bernhard}, |
| − | title = { | + | title = {Passage des Digitalen. Zeichenpraktiken der neuzeitlichen Wissenschaften 1500 - 1900}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Brinkmann & Bose}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Siegmund 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegmund 2007a, |
| − | author = { | + | author = {Siegmund, J.}, |
| − | title = { | + | title = {Die Evidenz der Kunst. Künstlerisches Handeln als ästhetische Kommunikation}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Transcript}, |
| − | + | address = {Bielefeld}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Simmel 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Simmel 1978a, |
| − | author = { | + | author = {Simmel, Georg}, |
| − | title = { | + | title = {Das individuelle Gesetz. Philosophische Exkurse}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note = {}, | + | note = {hrsg. von Michael Landmann}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Simmel 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Simmel 1992a, |
| − | author = { | + | author = {Simmel, Georg}, |
| − | title = { | + | title = {Soziologie. Untersuchungen über die Formen der Vergesellschaftung}, |
| − | + | year = {1992}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt am Main}, | |
| − | + | note = {Gesamtausgabe, Bd. 11, hrsg. von Otthein Rammstedt}, | |
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Simmel 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Simmel 1995a, |
| − | author = { | + | author = {Simmel, G.}, |
| − | title = { | + | title = {Der Bildrahmen. Ein ästhetischer Versuch}, |
| − | booktitle = { | + | booktitle = {Aufsätze und Abhandlungen 1901-1908 Bd. 1}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Simmel, G.}, |
| − | pages = { | + | pages = {101-108}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sitt & Horányi 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sitt & Horányi 1993a, |
| − | author = { | + | author = {Sitt, Martina & Horányi, Attila}, |
| − | title = { | + | title = {Kunsthistorische Suite über das Thema des Zitats in der Kunst}, |
| − | + | booktitle = {Diskurse der Bilder. Photokünstlerische Reprisen kunsthistorischer Werke}, | |
| − | year = { | + | year = {1993}, |
| − | + | editor = {Seipel, W.}, | |
| − | + | pages = {9-22}, | |
| − | + | publisher = {Kunsthistorisches Museum}, | |
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.644: | Zeile 18.138: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Smith & Tatarewicz 1985a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Smith & Tatarewicz 1985a, |
| − | author = { | + | author = {Smith, Robert W. & Tatarewicz, Joseph N.}, |
| − | title = {The | + | title = {Replacing a Technology: The Large Space Telescope and CCDs}, |
| − | year = { | + | journal = {Proceedings of the IEEE}, |
| − | + | year = {1985}, | |
| − | + | volume = {73}, | |
| − | + | number = {7}, | |
| − | + | pages = {1221-1235}, | |
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Smith 1988a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Smith 1988a, |
| − | author = { | + | author = {Smith, Barry}, |
| − | title = { | + | title = {Gestalt Theory. An Essay in Philosophy}, |
| − | year = { | + | booktitle = {Foundations of Gestalt Theory}, |
| − | publisher = { | + | year = {1988}, |
| − | address = {München}, | + | editor = {Smith, Barry}, |
| + | pages = {11-81}, | ||
| + | publisher = {Philosophia-Verlag}, | ||
| + | address = {München, Wien}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sobchack 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sobchack 1997a, |
| − | author = { | + | author = {Sobchack, Vivian}, |
| − | title = { | + | title = {Meta-Morphing. Visual Transformation and the Culture of Quick-Change}, |
| − | year = { | + | year = {1997}, |
| − | + | publisher = {???}, | |
| − | + | address = {Minneapolis}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Soeffner & Tänzler 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Soeffner & Tänzler 2002a, |
| − | title = { | + | author = {Soeffner, Hans-Georg & Tänzler, Dirk}, |
| − | year = { | + | title = {Figurative Politik. Prolegomena zu einer Kultursoziologie politischen Handelns}, |
| − | editor = { | + | booktitle = {Figurative Politik. Zur Performanz der Macht in der modernen Gesellschaft}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Soeffner, Hans-Georg & Tänzler, Dirk}, |
| + | pages = {17-33}, | ||
| + | publisher = {Leske und Budrich}, | ||
| + | address = {Opladen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sommer 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sommer 1987a, |
| − | author = { | + | author = {Sommer, M.}, |
| − | title = { | + | title = {Evidenz im Augenblick. Eine Phänomenologie der reinen Empfindung}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.712: | Zeile 18.216: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sonesson 1989a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sonesson 1989a, |
| − | author = { | + | author = {Sonesson, Göran}, |
| − | title = { | + | title = {Pictorial Concepts}, |
| − | + | publisher = {Lund University Press}, | |
| − | year = { | + | year = {1989}, |
| − | + | address = {}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sonesson 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sonesson 1992a, |
| − | author = { | + | author = {Sonesson, Göran}, |
| − | title = { | + | title = {Bildbetydelser: Inledning till bildsemiotiken som vetenskap}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Studentlitteratur}, |
| − | address = { | + | address = {Lund}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.742: | Zeile 18.244: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sonesson 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Sonesson 2003a, |
| − | author = { | + | author = {Sonesson, Göran}, |
| − | title = { | + | title = {Über Metaphern in Bildern}, |
| − | journal = { | + | journal = {Zeitschrift für Semiotik}, |
| − | year = { | + | year = {2003}, |
| − | volume = { | + | volume = {25}, |
| − | number = {}, | + | number = {1}, |
| − | pages = { | + | pages = {25-38}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.758: | Zeile 18.261: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sontag 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sontag 2003a, |
| − | author = { | + | author = {Sontag, Susan}, |
| − | title = { | + | title = {Regarding the Pain of Others}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Picador}, |
| − | + | address = {New York}, | |
| − | + | note = {}, | |
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Souriau 1951a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Souriau 1951a, |
| − | author = { | + | author = {Souriau, Etienne}, |
| − | title = { | + | title = {La structure de l’univers filmique et le vocabulaire de la filmologie}, |
| − | + | journal = {Revue de Filmologie}, | |
| − | + | year = {1951}, | |
| − | + | volume = {7}, | |
| − | + | number = {8}, | |
| + | pages = {231–240}, | ||
| + | note = {Dt.: Die Struktur des filmischen Universums und das Vokabular der Filmologie. In: Montage AV 6,2, 1997, S. 140–157}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Souriau 1953a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Souriau 1953a, |
| − | author = { | + | author = {Souriau, Etienne}, |
| − | title = { | + | title = {L’Univers filmique}, |
| − | + | year = {1953}, | |
| − | year = { | + | publisher = {Flammarion}, |
| − | + | address = {Paris}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sowa & Uhlig 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sowa & Uhlig 2006a, |
| − | author = { | + | author = {Sowa, Hubert & Uhlig, Bettina}, |
| − | title = { | + | title = {Bildhandlungen und ihr Sinn. Methodenfragen einer kunstpädagogischen Bildhermeneutik}, |
| − | + | booktitle = {Bildinterpretation und Bildverstehen. Methodische Ansätze aus sozialwissenschaftlicher, kunst- und medienpädagogischer Perspektive}, | |
| − | year = { | + | year = {2006}, |
| − | address = { | + | editor = {Marotzki, W. & Niesyto, H.}, |
| − | note = {}, | + | pages = {77-105}, |
| + | publisher = {??}, | ||
| + | address = {Wiesbaden}, | ||
| + | note = {Medienbildung und Gesellschaft Bd.2}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 17.815: | Zeile 18.324: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Spariosu 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Spariosu 1984a, |
| − | + | title = {Mimesis in contemporary theory: An interdisciplinary Approach. Volume I: The Literary and the Philosophical Debate}, | |
| − | + | year = {1984}, | |
| − | + | editor = {Spariosu, Mihai}, | |
| − | publisher = { | + | publisher = {Benjamins}, |
| − | address = { | + | address = {Philadelphia/Amsterdam}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.828: | Zeile 18.338: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Speitkamp 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Speitkamp 1997a, |
| − | author = { | + | author = {Speitkamp, Winfried}, |
| − | title = { | + | title = {Denkmalsturz. Zur Konfliktgeschichte politischer Symbolik}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | + | address = {Göttingen}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Spillner 1982a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Spillner 1982a, |
| − | author = { | + | author = {Spillner, Bernd}, |
| − | title = { | + | title = {Stilanalyse semiotisch komplexer Texte: Zum Verhältnis von sprachlicher und bil¬dicher Information in Werbeanzeigen}, |
| − | + | journal = {Kodikas/Code – Ars Semeiotica}, | |
| − | year = { | + | year = {1982}, |
| − | + | volume = {}, | |
| − | + | number = {4/5}, | |
| − | + | pages = {91–106}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sprenger 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sprenger 2010a, |
| − | author = { | + | author = {Sprenger, Florian}, |
| − | title = { | + | title = {Zu einer platonistischen Rekurrenzfigur der Medienkritik}, |
| − | booktitle = { | + | booktitle = {Sinne - Technik - Inszenierung}, |
| − | year = { | + | year = {2010}, |
| − | editor = {}, | + | editor = {Gruber, Klemens; Meister, Monika; Stern, Frank}, |
| − | + | publisher = {Böhlau}, | |
| − | + | address = {Wien}, | |
| − | + | note = {}, | |
| − | + | pages = {53-67}, | |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sproat 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Sproat 2010a, |
| − | author = { | + | author = {Sproat, Richard}, |
| − | title = { | + | title = {Ancient symbols, computational linguistics, and the reviewing practices of the general science journals}, |
| − | + | howpublished = {http://www.cslu.ogi.edu/~sproatr/newindex/lastwords.pdf, besucht am 30.9.2011}, | |
| − | + | year = {2010}, | |
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.894: | Zeile 18.400: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sproat 2010b=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sproat 2010b, |
| − | author = { | + | author = {Sproat, Richard}, |
| − | title = { | + | title = {Language, Technology, and Society}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Oxford University Press}, |
| − | address = { | + | address = {Oxford u.a.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.907: | Zeile 18.414: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Spruit 1994a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Spruit 1994a, |
| − | author = { | + | author = {Spruit, Leen}, |
| − | title = { | + | title = {Species intelligibilis. From perception to knowledge. Vol. 1. Classical roots and medieval discussions}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {E. J. Brill}, |
| − | address = { | + | address = {Leiden, New York, Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.922: | Zeile 18.428: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stadler & Kruse 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stadler & Kruse 1995a, |
| − | author = { | + | author = {Stadler, Michael & Kruse, Peter}, |
| − | title = { | + | title = {The Function of Meaning in Cognitive Order Formation.}, |
| − | year = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| − | note = { | + | pages = {5–21}, |
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stafford 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stafford 1998a, |
| − | author = { | + | author = {Stafford, Barbara Maria}, |
| − | title = { | + | title = {Kunstvolle Wissenschaft. Aufklärung, Unterhaltung und der Niedergang der visuellen Bildung}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Verlag der Kunst}, |
| − | address = { | + | address = {Amsterdam/Dresden }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.948: | Zeile 18.460: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner & Glasauer 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Steinbrenner & Glasauer 2007a, |
| − | + | title = {Farben: Betrachtungen aus Philosophie und Naturwissenschaften}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Steinbrenner, Jakob & Glasauer, Stefan}, | |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 17.961: | Zeile 18.474: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner & Winko 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Steinbrenner & Winko 1997a, |
| − | + | editor = {Steinbrenner, Jakob & Winko, Ulrich}, | |
| − | + | title = {Bilder in der Philosophie & in anderen Künsten & Wissenschaften}, | |
| − | + | year = {1996}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = {}, | + | address = {Paderborn}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Steinbrenner 1996a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Kognitivismus in der Ästhetik}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {Königshausen & Neumann}, |
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Steinbrenner 1999a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Zitatzeit - oder Füßchen der Gänse überall - oder worauf Zitate Bezug nehmen}, |
| − | + | booktitle = {Bildgrammatik.Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, | |
| − | + | year = {1999}, | |
| − | + | editor = {Sachs-Hombach, K & Rehkämper, K.}, | |
| − | + | pages = {135-144}, | |
| − | + | publisher = {Scriptum}, | |
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Steinbrenner 2004a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Zeichen über Zeichen. Grundlagen einer Theorie der Metabezugnahme}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Synchron Wissenschaftsverlag der Autoren}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.013: | Zeile 18.533: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Steinbrenner 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Steinbrenner 2009a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Bildtheorien der analytischen Tradition}, |
| − | booktitle = { | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus}, |
| − | pages = { | + | pages = {284-315}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.030: | Zeile 18.551: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stetter 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stetter 1999a, |
| − | author = { | + | author = {Stetter, Christian}, |
| − | title = { | + | title = {Schrift und Sprache}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = {}, | + | note = {(stw 1415)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Stetter 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stetter 2005a, |
| − | author = { | + | author = {Stetter, Christian}, |
| − | title = { | + | title = {Bild, Diagramm, Schrift}, |
| − | + | booktitle = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Grube, Gernot & Kogge, Werner & Krämer, Sybille}, | |
| − | + | pages = {115-135}, | |
| − | + | publisher = {Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stiegler 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stiegler 2004a, |
| − | author = { | + | author = {Stiegler, Bernd}, |
| − | title = { | + | title = {Digitale Photographie als epistemologischer Bruch und historische Wende}, |
| − | year = { | + | booktitle = {Das Gesicht der Welt. Medien in der digitalen Kultur}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Engell & Neitzel}, |
| + | pages = {105-126}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stiegler 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stiegler 2006a, |
| − | author = { | + | author = {Stiegler, Bernd}, |
| − | title = { | + | title = {Theoriegeschichte der Fotografie}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.098: | Zeile 18.611: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stiegler 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stiegler 2009a, |
| − | author = { | + | author = {Stiegler, Bernard}, |
| − | title = { | + | title = {Technics and Time 2. Disorientation}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Stanford University Press}, |
| − | address = { | + | address = {Stanford}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stiegler 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stiegler 2010a, |
| − | author = { | + | author = {Stiegler, Bernd}, |
| − | title = { | + | title = {Fotografie und Indexikalität. Einleitung}, |
| − | + | booktitle = {Texte zur Theorie der Fotografie}, | |
year = {2010}, | year = {2010}, | ||
| − | + | editor = {Bernd Stiegler}, | |
| − | + | pages = {71-76}, | |
| − | + | publisher = {Reclam}, | |
| + | address = {Ditzingen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stierle 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stierle 1984a, |
| − | title = { | + | author = {Stierle, Karlheinz}, |
| − | year = { | + | title = {Das bequeme Verhältnis. Lessings Laokoon und die Entdeckung des ästhetischen Mediums}, |
| − | editor = { | + | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik}, |
| − | publisher = { | + | year = {1984}, |
| − | address = { | + | editor = {Gebauer, Gunter}, |
| − | note = { | + | pages = {23-58}, |
| + | publisher = {Metzler}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stjernfelt 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stjernfelt 2007a, |
| − | author = { | + | author = {Stjernfelt, Frederik}, |
| − | title = { | + | title = {Diagrammatology.An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Dordrecht}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.153: | Zeile 18.675: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stoesz 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Stoesz 2008a, |
| − | author = { | + | author = {Stoesz Brenda Marie}, |
| − | title = { | + | title = {The Role of Selective Attention in Perceptual Switching. }, |
| − | year = { | + | year = {2008}, |
| − | + | howpublished = {Department of Psychology, University of Manitoba, Winnipeg, Manitoba}, | |
| − | + | note = {Thesis Master of Arts Thesis}, | |
| − | + | hidden = {zuletzt geprüft am 17.03.2011}, | |
| − | + | url = {mspace.lib.umanitoba.ca/bitstream/1993/3083/1/BStoesz%20-%20MA%20thesis%202008%20revisions.pdf}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stoichita 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stoichita 1998a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {Das selbstbewusste Bild. Vom Ursprung der Metamalerei}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Fink}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 18.179: | Zeile 18.703: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stoichita 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stoichita 1998a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {Das selbstbewußte Bild. Vom Ursprung der Metamalerei}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stoichita 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stoichita 2008a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {The Pygmalion Effect}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Chicago University Press}, |
| − | address = { | + | address = {Chicago}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | == | + | ===Stowasser et al. 1998a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stowasser et al. 1998a, |
| − | author = { | + | author = {Stowasser, J. M. & Petschenig, M. & Skutsch, Fr.}, |
| − | title = { | + | title = {Stowasser. Lateinisch-Deutsches Schulwörterbuch}, |
| − | + | year = {1998a}, | |
| − | year = { | + | editor = {Stowasser & Petschenig & Skutsch}, |
| − | editor = { | + | pages = {574}, |
| − | pages = { | + | publisher = {Oldenbourg Schulbuchverlag}, |
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 18.236: | Zeile 18.748: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strauss 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Strauss 1979a, |
| − | author = { | + | author = {Strauss, M.S.}, |
| − | title = { | + | title = {Abstraction of prototypical information by adults and 10-month-old infants}, |
| − | + | journal = {J. of Experimental Psychology: Human Leraning and Memory}, | |
| − | year = { | + | year = {1979}, |
| − | + | volume = {5}, | |
| − | + | number = {}, | |
| − | + | pages = {618-632}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.253: | Zeile 18.765: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strauß 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Strauß 1998a, |
| − | author = { | + | author = {Strauß, Bernd (Hg.)}, |
| − | title = { | + | title = {Zuschauer}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Hogrefe}, |
| − | + | address = {Göttingen [u.a.]}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strawson 1970a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Strawson 1970a, |
| − | author = { | + | author = {Strawson, P.F.}, |
| − | title = { | + | title = {Imagination and Perception}, |
| − | year = { | + | booktitle = {Experience and theory}, |
| − | + | year = {1970}, | |
| − | + | editor = {Foster, L.; u.a. }, | |
| − | + | publisher = {University of Massachusetts Press}, | |
| + | address = {Amherst}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strenge_1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Strenge_1998a, |
| − | author = { | + | author = {Strenge, Britta}, |
| − | title = { | + | title = {Typos/Typologie}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 10}, |
| − | editor = { | + | year = {1998}, |
| − | publisher = { | + | editor = {Joachim Ritter et al.}, |
| − | address = { | + | pages = {1587-1595}, |
| + | publisher = {Schwabe Verlag}, | ||
| + | address = {Basel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Striedter 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Striedter 1984a, |
| − | author = { | + | author = {Striedter, K.H.}, |
| − | title = { | + | title = {Felsbilder der Sahara}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {Prestel}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strothotte & Schlechtweg 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Strothotte & Schlechtweg 2002a, |
| − | author = {}, | + | author = {Strothotte, Thomas & Schlechtweg, Stefan}, |
| − | title = { | + | title = {Non-photorealistic Computer Graphics: Modeling, Rendering, and Animation}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {San Francisco u.a}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Strätling & Witte 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Strätling & Witte 2006a, |
| − | + | title = {Die Sichtbarkeit der Schrift}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Strätling,Susanne & Witte, Georg}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.335: | Zeile 18.854: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sturken & Cartwright 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sturken & Cartwright 2001a, |
| − | author = { | + | author = {Sturken, M. & Cartwright L.}, |
| − | title = { | + | title = {Practices of Looking. An Introduction to Visual Culture}, |
| − | + | publisher = {Oxford University Press}, | |
| − | year = { | + | year = {2001}, |
| − | + | address = {Oxford, New York}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.351: | Zeile 18.869: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 1992a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | + | title = {Der ‚picture relation type’ – Ein praktischer Analysemodus zur Beschreibung der vielfältigen Einbettungs- und Verknüpfungsbeziehungen von Bild und Text}, | |
| − | + | journal = {Papiere zur Linguistik}, | |
| − | + | year = {1992}, | |
| − | + | volume = {46}, | |
| + | number = {11}, | ||
| + | pages = {49-61}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stöckl 2003a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {„Imagine“: Stilanalyse multimodal. Am Beispiel des TV-Werbespots}, |
| − | booktitle = { | + | booktitle = {Sprachstil – Zugänge und Anwendungen. Ulla Fix zum 60. Geburtstag}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Barz, Irmhild & Lerchner, Gotthard & Schröder, }, |
| − | pages = { | + | pages = {305-323}, |
| − | publisher = { | + | publisher = {Winter}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Stöckl 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stöckl 2004a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Die Sprache im Bild – Das Bild in der Sprache. Zur Verknüpfung von Sprache und Bild im massenmedialen Text}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.405: | Zeile 18.918: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2004b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2004b, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Typographie: Körper und Gewand des Textes. Linguistische Überlegungen zu typographischer Gestaltung}, |
| − | year = { | + | journal = {Zeitschrift für Angewandte Linguistik}, |
| − | + | year = {2004}, | |
| − | + | volume = {}, | |
| + | number = {41}, | ||
| + | pages = {5-48}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2005a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Typography: Body and Dress of a Text – A Signing Mode between Language and Image}, |
| − | year = { | + | journal = {Visual Communication}, |
| − | + | year = {2005}, | |
| − | + | volume = {4}, | |
| − | note = {}, | + | number = {2}, |
| + | pages = {204-214}, | ||
| + | note = {Special Issue “The New Typography”}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stöckl 2008a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Werbetypographie. Formen und Funktionen}, |
| − | booktitle = { | + | booktitle = {Werbung – grenzenlos. Multimodale Werbetexte im interkulturellen Vergleich}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Bendel, Sylvia & Held, Gudrun}, |
| − | pages = { | + | pages = {13–36}, |
| − | publisher = { | + | publisher = {Lang}, |
| − | address = {Frankfurt | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.448: | Zeile 18.970: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
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| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Stöckl 2009a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Stöckl 2009a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Beyond Depicting. Language-Image-Links in the Service of Advertising}, |
| − | journal = { | + | journal = {AAA Arbeiten aus Anglistik und Amerikanistik}, |
| − | year = { | + | year = {2009}, |
| − | volume = {1}, | + | volume = {34}, |
| − | pages = { | + | number = {1}, |
| + | pages = {3-28}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.476: | Zeile 18.987: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2009b=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2009b, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {The Language-Image-Text. Theoretical and Analytical Inroads into Semiotic Complexity}, |
| − | year = { | + | journal = {AAA Arbeiten aus Anglistik und Amerikanistik}, |
| − | + | year = {2009}, | |
| − | + | volume = {34}, | |
| + | number = {2}, | ||
| + | pages = {202-226}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Stöckl 2011a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stöckl 2011a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Werbekommunikation semiotisch}, |
| − | booktitle = { | + | booktitle = {Handbuch Werbekommunikation}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Nina Janich}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {UTB}, |
| − | address = { | + | address = {Tübingen}, |
| − | note = {}, | + | note = {erscheint Mitte 2011}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 18.506: | Zeile 19.022: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Stüber & Stadler 1999a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Stüber & Stadler 1999a, |
| − | author = { | + | author = {Strüber, Daniel & Stadler, Michael}, |
| − | title = { | + | title = {Differences in top-down influences on the reversal rate of different categories of reversible figures}, |
journal = {Perception}, | journal = {Perception}, | ||
| − | year = { | + | year = {1999}, |
| − | volume = { | + | volume = {28}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {1185–1196}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.524: | Zeile 19.039: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Sulzer 1774a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sulzer 1774a, |
| − | author = { | + | author = {Sulzer, Johann Georg}, |
| − | title = { | + | title = {Allgemeine Theorie der Schönen Künste}, |
| − | booktitle = { | + | booktitle = {Lexikon der Künster und der Ästhetik}, |
| − | year = { | + | year = {1771-74}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = {}, | + | note = {Digitale Bibliothek Bd. 67, Berlin, 2004}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 18.554: | Zeile 19.057: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Susanka 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Susanka 2012a, |
| − | author = { | + | author = {Susanka, Thomas}, |
| − | title = { | + | title = {The Rhetorics of Authenticity: Photographic Representations of War}, |
| − | booktitle = { | + | booktitle = {Paradoxes of Authenticity}, |
| − | year = { | + | year = {2012}, |
| − | editor = { | + | editor = {Straub, Julia}, |
| − | pages = { | + | pages = {95-114}, |
| − | publisher = { | + | publisher = {transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.571: | Zeile 19.075: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Suárez de Figueroa 1609a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Suárez de Figueroa 1609a, |
| − | author = { | + | author = {Suárez de Figueroa, Cristóbal}, |
| − | title = { | + | title = {La constante Amarilis}, |
| − | year = { | + | year = {1781}, |
| − | publisher = { | + | publisher = {Antonio de la Sancha}, |
| − | address = { | + | address = {Madrid}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.584: | Zeile 19.089: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Szily 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Szily 1999a, |
| − | author = { | + | author = {Szily, K.}, |
| − | title = { | + | title = {A magyar nyelvújítás szótára}, |
| − | |||
year = {1999}, | year = {1999}, | ||
| − | + | publisher = {Nap Kiadó}, | |
| − | + | address = {Budapest}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==T== |
| + | |||
| + | |||
| + | ===Sörbom 1966a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sörbom 1966a, |
| − | author = { | + | author = {Sörbom, Göran}, |
| − | title = { | + | title = {Mimesis and Art. Studies in the Origin an Early Development of an Aesthetic Vocabulary}, |
| − | + | year = {1966}, | |
| − | year = { | + | publisher = {Bonniers}, |
| − | + | address = {Stockholm}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sütterlin 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sütterlin 1992a, |
| − | author = { | + | author = {Sütterlin, Ch.}, |
| − | title = { | + | title = {Schreck-Gesichter. Symbole des magischen Alltags}, |
| − | + | booktitle = {Symbole des Alltags, Alltag der Symbole}, | |
| − | year = { | + | year = {1992}, |
| − | + | editor = {Blaschitz, G.; et al. }, | |
| − | + | pages = {517-554}, | |
| − | + | publisher = {ADV}, | |
| − | note = {}, | + | address = {Graz}, |
| + | note = {Festschrift Harry Kühnel zum 65. Geburtstag}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 18.647: | Zeile 19.137: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Sütterlin 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sütterlin 1998a, |
| − | author = { | + | author = {Sütterlin, Ch. }, |
| − | title = { | + | title = {Grenzen der Komplexität. Die Kunst als Bild der Wirklichkeit. Neuropsychologische und ethologische Erkenntnisse in der Kunst}, |
| − | year = { | + | booktitle = {Vom Einfachen zur Ganzheitlichkeit. Das Problem der Komplexität auf organismischer und soziokultureller Ebene}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {A.M. Wobus, & U. Wobus}, |
| + | pages = {167-188}, | ||
| + | publisher = {Nova Acta Leopoldina 77(304)}, | ||
| + | address = {}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tappenbeck 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tappenbeck 1999a, |
| − | author = { | + | author = {Tappenbeck, Inka}, |
| − | title = { | + | title = {Phantasie und Gesellschaft. Zur soziologischen Relevanz der Einbildungskraft}, |
| − | year = { | + | year = {1999a}, |
| − | publisher = { | + | publisher = {Königshausen & Neumann}, |
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.673: | Zeile 19.167: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tarski 1929a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tarski 1929a, |
| − | author = { | + | author = {Tarski, Alfred}, |
| − | title = { | + | title = {Les fondement de la géometrie des corps}, |
| − | + | year = {1929}, | |
| − | + | publisher = {Société polonaise de mathématique}, | |
| − | + | address = {Cracovie}, | |
| − | + | note = {Erweiterte Fassung in Tarksi: Logique, Sémantique, Métamathématique. A. Colin, Paris 1972, Vol. 1, 27-34}, | |
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tatarkiewicz 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tatarkiewicz 2003a, |
| − | author = { | + | author = {Tatarkiewicz, Wladysaw}, |
| − | title = { | + | title = {Geschichte der sechs Begriffe. Kunst • Schönheit • Form • Kreativität • Mimesis • Ästhetisches Erlebnis}, |
| − | year = { | + | year = {2003}, |
| − | + | publisher = {Suhrkamp}, | |
| − | publisher = { | + | address = {Frankfurt a.M.}, |
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.704: | Zeile 19.195: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Thaliat 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Thaliat 2005a, |
| − | + | author = {Thaliat, Babu}, | |
| − | + | title = {Perspektivierung als Modalität der Symbolisierung. Erwin Panofskys Unternehmung zur Ausweitung und Präzisierung des Symbolisierungsprozesses in der Philosophie der symbolischen Formen von Ernst Cassirer}, | |
| − | + | year = {2005}, | |
| − | publisher = { | + | publisher = {Königshausen & Neumann}, |
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.717: | Zeile 19.209: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Thielmann & Schröter 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Thielmann & Schröter 2007a, |
| − | + | title = {Display II: Digital. Navigationen}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Thielmann, Tristan & Schröter, Jens}, | |
| − | publisher = { | + | publisher = {<em>Zeitschrift für Medien- und Kulturwissenschaften</em>}, |
| − | address = { | + | address = {}, |
| − | note = { | + | note = {Jg. 7, H. 2}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tholen 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tholen 2003a, |
| − | author = { | + | author = {Tholen, Georg Christoph}, |
| − | title = { | + | title = {Die Zäsur der Medien. Kulturphilosophische Konturen}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Thornhill & Gangestad 1993a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Thornhill & Gangestad 1993a, |
| − | author = { | + | author = {Thornhill, R. & Gangestad, S.W. }, |
| − | title = { | + | title = {Human facial beauty: averageness, symmetry and parasite resistance}, |
| − | journal = { | + | journal = {Human nature}, |
| − | year = { | + | year = {1993}, |
| − | volume = { | + | volume = {4}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {237-269}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Thürlemann 1984a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Thürlemann 1984a, |
| − | author = { | + | author = {Thürlemann, Felix}, |
| − | title = { | + | title = {Die Farbe in der Malerei: Symbolischer und semi-symbolischer Bedeutungsmodus}, |
| − | booktitle = { | + | booktitle = {Semiotics Unfolding. Proceedings of the Second Congress of the International Association for Semiotic Studies}, |
| − | year = { | + | year = {1984}, |
| − | editor = { | + | editor = {Tasso Borbé}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Mouton}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Thürlemann 1990a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Thürlemann 1990a, |
| − | author = { | + | author = {Thürlemann, Felix}, |
| − | title = { | + | title = {Vom Bild zum Raum. Beiträge zu einer semiotischen Kunstwissenschaft}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {DuMont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tischner 1954a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tischner 1954a, |
| − | author = { | + | author = {Tischner, H.}, |
| − | title = { | + | title = {Kunst der Südsee}, |
| − | year = { | + | year = {1954}, |
| − | publisher = { | + | publisher = {Hauswedell}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.815: | Zeile 19.297: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Todorov 1977a=== | ||
| + | <bibentry> | ||
| + | @book{Todorov 1977a, | ||
| + | author = {Todorov, Tzvetan}, | ||
| + | title = {Symboltheorien}, | ||
| + | year = {1995}, | ||
| + | publisher = {Niemeyer}, | ||
| + | address = {Tübingen}, | ||
| + | note = {[frz. Original 1977]}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Topper 00a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Topper 00a, |
| − | author = { | + | author = {Topper, David}, |
| − | title = { | + | title = {On Anamorphosis. Setting Some Things Straight}, |
| − | + | journal = {Leonardo}, | |
| − | year = { | + | year = {2000}, |
| − | + | volume = {33}, | |
| − | + | number = {2}, | |
| − | + | pages = {115-124}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.832: | Zeile 19.328: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Totzke 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Totzke 2004a, |
| − | author = { | + | author = {Totzke, Rainer}, |
| − | title = { | + | title = {Buchstaben-Folgen. Schriftlichkeit, Wissenschaft und Heideggers Kritik an der Wissenschaftsideologie}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Welbrück}, |
| − | + | address = {Weilerswist}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Trier 1992a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Trier 1992a, |
| − | author = { | + | author = {Trier, Eduard }, |
| − | title = { | + | title = {Bildhauereitheorien des 20. Jahrhundert}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Mann}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {4. Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Troje & McAdam 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Troje & McAdam 2010a, |
| − | author = { | + | author = {Troje, N. F. & McAdam, M.}, |
| − | title = { | + | title = {The viewing-from-above bias and the silhouette illusion}, |
| − | year = { | + | journal = {i-Perception}, |
| − | + | year = {2010}, | |
| − | + | volume = {1}, | |
| − | note = { | + | number = {3}, |
| + | pages = {143–148}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {i-perception.perceptionweb.com/fulltext/i01/i0408.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Trübner 1940a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Trübner 1940a, |
| − | + | title = {Trübners Deutsches Wörterbuch. Bd. 2: C-F}, | |
| − | + | year = {1940}, | |
| − | + | editor = {Alfred Göze}, | |
| − | publisher = { | + | publisher = {de Gruyter }, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = { | + | note = {Art. „darstellen“, S. 27}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tseng 93a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tseng 93a, |
| − | author = { | + | author = {Tseng, Yu-ho}, |
| − | title = { | + | title = {A History of Chinese Calligraphy}, |
| − | year = { | + | year = {1993a}, |
| − | publisher = { | + | publisher = {Chinese University Press}, |
| − | address = { | + | address = {Hongkong}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.901: | Zeile 19.401: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tugendhat & Wolf 1983a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tugendhat & Wolf 1983a, |
| − | author = { | + | author = {Tugendhat, Ernst & Wolf, Ursula}, |
| − | title = { | + | title = {Logisch-semantische Propädeutik}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {(revid. 1986)}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==U== |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Tugendhat 1976a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tugendhat 1976a, |
| − | author = { | + | author = {Tugendhat, Ernst}, |
| − | title = { | + | title = {Vorlesungen zur Einführung in die sprachanalytische Philosophie}, |
| − | year = { | + | year = {1976}, |
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
address = {Frankfurt/M.}, | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Tugendhat 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tugendhat 2007a, |
| − | author = { | + | author = {Tugendhat, Ernst}, |
| − | title = { | + | title = {Anthropologie statt Metaphysik}, |
| − | |||
year = {2007}, | year = {2007}, | ||
| − | + | publisher = {C. H. Beck}, | |
| − | + | address = {München}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Tótfalusi 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tótfalusi 2002a, |
| − | author = { | + | author = {Tótfalusi, I.}, |
| − | title = { | + | title = {Magyar szótörténeti szótár}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Anno Kiadó}, |
| − | address = { | + | address = {Budapest}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 18.983: | Zeile 19.456: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ullrich 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Ullrich 1997a, |
| − | author = { | + | author = {Ullrich, Wolfgang}, |
| − | title = { | + | title = {Digitaler Nominalismus. Zum Status der Computerfotografie}, |
| − | + | journal = {Fotogeschichte}, | |
| − | year = { | + | year = {1997}, |
| − | + | volume = {}, | |
| − | + | number = {64}, | |
| − | + | pages = {63-73}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==V== |
| + | |||
| + | ===VCQ 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{VCQ 1996a, |
| − | author = { | + | author = {}, |
| − | + | title = {Visual Culture Questionnaire}, | |
| − | year = { | + | journal = {October}, |
| − | + | year = {1996}, | |
| − | + | volume = {77}, | |
| + | pages = {25-70}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vaihinger 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Vaihinger 1997a, |
| − | author = { | + | author = {Vaihinger, Dirk}, |
| − | title = { | + | title = {Virtualität und Realität – Die Fiktionalisierung der Wirklichkeit und die unendliche Information}, |
| − | booktitle = { | + | booktitle = {Künstliche Paradiese, Virtuelle Realitäten. Künstliche Räume in Literatur-, Sozial-, und Naturwissenschaften}, |
| − | year = { | + | year = {1997}, |
| − | editor = { | + | editor = {Krapp, Holger & Wägenbaur, Thomas}, |
| − | pages = { | + | pages = {19-43}, |
| − | publisher = {}, | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Valenza et al. 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Valenza et al. 1996a, |
| − | author = { | + | author = {Valenza, E.; Simion, F.; Cassia, V.M. & Umiltà, C.}, |
| − | title = { | + | title = {Face preference at birth}, |
| − | year = { | + | journal = {J. of experimental Psychology (Human Perception and Performance) }, |
| − | + | year = {1996}, | |
| − | + | volume = {22}, | |
| + | number = {4}, | ||
| + | pages = {892-903}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Van Deemter 1998a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Van Deemter 1998a, |
| − | author = { | + | author = {Van Deemter, K}, |
| − | title = { | + | title = {Retrieving Pictures for Document Generation}, |
| − | booktitle = { | + | booktitle = {Proc. of 14<sub>th</sub> Workshop on Language Technology}, |
| − | year = { | + | year = {1998}, |
| − | editor = { | + | editor = {Hiemstra, D. & de Jong, F.M.G. & Netter, K.}, |
| − | pages = { | + | pages = {117–128}, |
| + | publisher = {University of Twente}, | ||
| + | address = {Twente}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Varela 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Varela 1990a, | ||
| + | author = {Varela, Francisco J.}, | ||
| + | title = {Kognitionswissenschaft, Kognitionstechnik. Eine Skizze aktueller Perspektiven}, | ||
| + | year = {1990}, | ||
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
| − | address = {Frankfurt | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vasari 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vasari 2006a, |
| − | author = { | + | author = {Vasari, Georgio }, |
| − | title = { | + | title = {Einführung in die Künste der Architektur, Bildhauerei und Malerei}, |
| − | + | year = {2006}, | |
| − | year = { | + | editor = {Burioni, M.}, |
| − | editor = { | + | publisher = {Klaus Wagenbach}, |
| − | |||
| − | publisher = { | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vasmer 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vasmer 1986a, |
| − | author = { | + | author = {Vasmer, Max}, |
| − | title = { | + | title = {Etymologiceskij slovar' russkogo jasyka. Perevod s nemezkogo jasyka O. N. Trubaceva. V cetyrëch tomach}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Progress}, |
| − | + | address = {Moskva}, | |
| − | + | note = {2. Auflage}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vehlken 2012a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Vehlken 2012a, |
| − | author = { | + | author = {Vehlken, Sebastian}, |
| − | title = { | + | title = {Zootechnologien. Eine Mediengeschichte der Schwarmforschung}, |
| − | year = { | + | year = {2012}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 19.100: | Zeile 19.596: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Veltman 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Veltman 1986a, |
| − | author = { | + | author = {Veltman, Kim H.}, |
| − | title = { | + | title = {Perspective, Anamorphosis and Vision}, |
| − | + | journal = {Marburger Jahrbuch}, | |
| − | year = { | + | year = {1986}, |
| − | + | volume = {21}, | |
| − | + | number = {}, | |
| − | + | pages = {93-117}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ventola et al. 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ventola et al. 2009a, |
| − | author = { | + | author = {Ventola, Eija & Guijarro, Moya & Arsenio, Jesús}, |
| − | title = { | + | title = {The World Told and the World Shown. Multisemiotic Issues}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Palgrave Macmillan}, |
| − | address = { | + | address = {Basingstoke}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 19.128: | Zeile 19.627: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Venus 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Venus 2009a, |
| − | author = { | + | author = {Venus, Jochen}, |
| − | title = { | + | title = {Raumbild und Tätigkeitssimulation. Video- und Computerspiele als Darstellungsmedien des Tätigkeitsempfindens}, |
| − | year = { | + | booktitle = {Das Raumbild. Bilder jenseits ihrer Flächen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Winter, Gundolf; Schröter, Jens & Barck, Joanna}, |
| + | pages = {259-280}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vieu 1991a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vieu 1991a, |
| − | author = { | + | author = {Vieu,Laure}, |
| − | title = { | + | title = {Sémantique des relations spatiales et inférences spatio-temporelles: Une contribution á l'étude des structures formelles de l'espace en Langage Naturel}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {INRI, Université Paul Sabatier}, |
| − | + | address = {Toulouse}, | |
| − | + | note = {Doctoral Thesis}, | |
| − | |||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vischer 1873a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Vischer 1873a, |
| − | author = { | + | author = {Vischer, Robert}, |
| − | title = { | + | title = {Ueber das optische Formgefühl. Ein Beitrag zur Ästhetik}, |
| − | year = { | + | year = {1873}, |
| − | publisher = { | + | publisher = {Credner}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 19.171: | Zeile 19.671: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vogel 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vogel 2001a, |
| − | author = { | + | author = {Vogel, Matthias}, |
| − | title = { | + | title = {Medien der Vernunft. Eine Theorie des Geistes und der Rationalität auf Grundlage einer Theorie der Medien}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vogel 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Vogel 2003a, |
| − | author = { | + | author = {Vogel, Matthias}, |
| − | title = { | + | title = {Medien als Voraussetzungen für Gedanken}, |
| − | booktitle = { | + | booktitle = {Medienphilosophie. Beiträge zur Klärung eines Begriffs}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Münker, Stefan; Roesler, Alexander & Sandbothe, Mike}, |
| − | pages = { | + | pages = {107-134 + 213-215 [Anmerkungen]}, |
| − | publisher = { | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vogl 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Vogl 2001a, |
| − | author = { | + | author = {Vogl, Joseph}, |
| − | title = { | + | title = {Medien-Werden. Galileis Fernrohr}, |
| − | year = { | + | journal = {Archiv für Mediengeschichte}, |
| − | + | year = {2001}, | |
| − | + | volume = {1}, | |
| − | note = { | + | pages = {115-124}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Volkelt 1905a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Volkelt 1905a, |
| − | author = { | + | author = {Volkelt, Johannes}, |
| − | title = { | + | title = {System der Ästhetik. Erster Band: Grundlegung der Ästhetik}, |
| − | year = { | + | year = {1905}, |
| − | publisher = { | + | publisher = {Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 19.231: | Zeile 19.733: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Vorländer 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Vorländer 2003a, |
| − | author = { | + | author = {Vorländer, Hans}, |
| − | title = { | + | title = {Demokratie und Ästhetik. Zur Rehabilitierung eines problematischen Zusammenhangs}, |
| − | year = { | + | booktitle = {Zur Ästhetik der Demokratie. Formen der politischen Selbstdarstellung}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Vorländer, Hans}, |
| − | note = { | + | pages = {11-26}, |
| + | publisher = {Deutsche Verlags-Anstalt}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==W== |
| + | |||
| + | |||
| + | ===Vögtli u. Ernst 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Vögtli u. Ernst 2007a, |
| − | author = { | + | author = {Vögtli, Alexander; Beat Ernst}, |
| − | title = { | + | title = {Wissenschaftliche Bilder. Eine kritische Betrachtung}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Schwabe Verlag}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Völker 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Völker 2010a, |
| − | author = { | + | author = {Völker, Clara}, |
| − | title = { | + | title = {Mobile Medien. Zur Genealogie des Mobilfunks und zur Ideengeschichte von Virtualität}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Wade et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Wade et al. 2010a, |
| − | author = { | + | author = {Wade, Nicholas J.; Campbel, Robin N.; Ross, Helen E. & Lingelbach, Bernd}, |
| − | title = { | + | title = {Necker in Scotch perspective}, |
| − | year = { | + | journal = {Perception}, |
| − | + | year = {2010}, | |
| − | + | volume = {39}, | |
| + | number = {}, | ||
| + | pages = {1–4}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Wagner 1996a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Wagner 1996a, |
| − | author = { | + | author = {Wagner, Peter}, |
| − | title = { | + | title = {Introduction: Ekphrasis, Iconotexts, and Intermediality - the State(s) of the Art(s)}, |
| − | year = { | + | booktitle = {Icons - texts - iconoctexts}, |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {Ders.}, |
| + | pages = {1-42}, | ||
| + | publisher = {De Gruyter}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Wagner 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{Wollheim 1982a, | + | @book{Wagner 1999a, |
| − | author = {Wollheim, Richard}, | + | author = {Wagner, Christoph}, |
| − | title = {Sehen-als, sehen-in und bildliche Darstellung}, | + | title = {Farbe und Metapher}, |
| − | booktitle = {Objekte der Kunst}, | + | year = {1999}, |
| − | year = {1982}, | + | publisher = {Gebr.Mann}, |
| − | editor = {Wollheim, Richard}, | + | address = {Berlin}, |
| − | pages = {192-210}, | + | note = {}, |
| − | publisher = {Suhrkamp}, | + | hidden = {}, |
| − | address = {Frankfurt am Main}, | + | } |
| − | note = {übersetzt von Looser, Max}, | + | </bibentry> |
| + | |||
| + | |||
| + | ===Wagner 2002a=== | ||
| + | <bibentry> | ||
| + | @book{Wagner 2002a, | ||
| + | author = {Wagner, Monika}, | ||
| + | title = {Das Material der Kunst. Eine andere Geschichte der Moderne}, | ||
| + | year = {2002}, | ||
| + | publisher = {C.H. Beck}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wagner 2006a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wagner 2006a, | ||
| + | author = {Wagner, Peter}, | ||
| + | title = {Nachwort}, | ||
| + | booktitle = {Lesen ist wie Sehen. Intermediale Zitate in Bild und Text}, | ||
| + | year = {2006}, | ||
| + | editor = {Horstkotte, S. & Leonhard, K.}, | ||
| + | pages = {211-225}, | ||
| + | publisher = {Böhlau}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Waldenfels 1999a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Waldenfels 1999a, | ||
| + | author = {Waldenfels, Bernhard}, | ||
| + | title = {Ordnungen des Sichtbaren}, | ||
| + | booktitle = {Sinnesschwellen}, | ||
| + | year = {1999}, | ||
| + | editor = {ders.}, | ||
| + | pages = {102–123}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Waldenfels 2008a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Waldenfels 2008a, | ||
| + | author = {Waldenfels, Bernhard}, | ||
| + | title = {Von der Wirkmacht und Wirkkraft der Bilder}, | ||
| + | booktitle = {Movens Bild. Zwischen Evidenz und Affekt}, | ||
| + | year = {2008}, | ||
| + | editor = {Gottfried Boehm, Birgit Mersmann & Christian Spies}, | ||
| + | pages = {47-63}, | ||
| + | publisher = {Wilhelm Fink Verlag}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Waldenfels 2010a=== | ||
| + | <bibentry> | ||
| + | @book{Waldenfels 2010a, | ||
| + | author = {Waldenfels, Bernhard}, | ||
| + | title = {Sinne und Künste im Wechselspiel. Modi ästhetischer Erfahrung}, | ||
| + | year = {2010}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wall 1997a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wall 1997a, | ||
| + | author = {Wall, Jeff}, | ||
| + | title = {Zeichen der Indifferenz: Aspekte der Photographie in der, oder als, Konzeptkunst}, | ||
| + | booktitle = {Szenarien im Bildraum der Wirklichkeit. Essays, Interviews}, | ||
| + | year = {1997}, | ||
| + | editor = {Gregor Stemmrich}, | ||
| + | pages = {375-434}, | ||
| + | publisher = {Amsterdam/Dresden}, | ||
| + | address = {Philo Verlagsgesellschaft}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Walton 1973a=== | ||
| + | <bibentry> | ||
| + | @article{Walton 1973a, | ||
| + | author = {Kendall L. Walton}, | ||
| + | title = {Pictures as Make-Believe}, | ||
| + | journal = {The Philosophical Review}, | ||
| + | year = {1973}, | ||
| + | volume = {82}, | ||
| + | number = {3}, | ||
| + | pages = {283-319}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Walton 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Walton 1990a, | ||
| + | author = {Walton, Kendall L.}, | ||
| + | title = {Mimesis as make-believe : on the foundations of the representational arts}, | ||
| + | year = {1990}, | ||
| + | publisher = {Harvard Univ. Press}, | ||
| + | address = {Cambridge, Mass. [u.a.]}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wandhoff 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wandhoff 2001a, | ||
| + | author = {Wandhoff, Heiko}, | ||
| + | title = {Ekphrasis. Bildbeschreibungen in der Literatur von der Antike bis in die Gegenwart}, | ||
| + | booktitle = {Audiovisualität vor und nach Gutenberg. Zur Kulturgeschichte der medialen Umbrüche}, | ||
| + | year = {2001}, | ||
| + | editor = {Wenzel, Horst}, | ||
| + | pages = {175-184}, | ||
| + | publisher = {Verlag des Kunsthistor. Museums Wien}, | ||
| + | address = {Wien}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wandhoff 2003a=== | ||
| + | <bibentry> | ||
| + | @book{Wandhoff 2003a, | ||
| + | author = {Wandhoff, Heiko}, | ||
| + | title = {Ekphrasis: Kunstbeschreibungen und virtuelle Räume in der Literatur des Mittelalters}, | ||
| + | year = {2003}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Warburg 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Warburg 2008a, | ||
| + | author = {Warburg, Aby}, | ||
| + | title = {Der Bilderatlas Mnemosyne (2000)}, | ||
| + | year = {2008}, | ||
| + | editor = {Warnke, Martin; unter Mitarbeit von Brink, Claudia}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Warnke 1984a=== | ||
| + | <bibentry> | ||
| + | @book{Warnke 1984a, | ||
| + | author = {Warnke, Martin}, | ||
| + | title = {Politische Architektur in Europa vom Mittelalter bis heute: Repräsentation und Gemeinschaft}, | ||
| + | year = {1984}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Warnke 1993a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Warnke 1993a, | ||
| + | title = {Bildersturm. Die Zerstörung des Kunstwerks}, | ||
| + | year = {1993}, | ||
| + | editor = {Warnke, Martin}, | ||
| + | publisher = {S. Fischer}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Watt 2002a=== | ||
| + | <bibentry> | ||
| + | @book{Watt 2002a, | ||
| + | author = {Watt, Alan}, | ||
| + | title = {3D-Computergrafik}, | ||
| + | year = {2002}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Webb 1999a=== | ||
| + | <bibentry> | ||
| + | @article{Webb 1999a, | ||
| + | author = {Webb, Ruth}, | ||
| + | title = {Ekphrasis ancient and modern: the invention of a genre}, | ||
| + | journal = {Word & Image}, | ||
| + | year = {1999}, | ||
| + | volume = {15}, | ||
| + | number = {}, | ||
| + | pages = {7-18}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Webb 2009a=== | ||
| + | <bibentry> | ||
| + | @book{Webb 2009a, | ||
| + | author = {Webb, Ruth}, | ||
| + | title = {Ekphrasis, imagination and persuasion in ancient rhetorical theory and practice}, | ||
| + | year = {2009}, | ||
| + | publisher = {Ashgate}, | ||
| + | address = {Farnham [u.a.]}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Weber 2000a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Weber 2000a, | ||
| + | author = { Weber, Hartmut}, | ||
| + | title = {Windmühlen oder Mauern? Die Archive und der neue Wind in der Informationstechnik}, | ||
| + | booktitle = {Digitale Archive - Ein neues Paradigma?}, | ||
| + | year = {2000}, | ||
| + | editor = {Metzing, Andreas}, | ||
| + | pages = {79-94}, | ||
| + | publisher = {???}, | ||
| + | address = {Marburg }, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wege 1999a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wege 1999a, | ||
| + | author = {Wege, Astrid}, | ||
| + | title = {Appropriation Art}, | ||
| + | booktitle = {Prestel Lexikon Kunst und Künstler im 20. Jahrhundert}, | ||
| + | year = {1999}, | ||
| + | editor = {Sagner-Düchting, K. & Düchting, H.}, | ||
| + | pages = {20}, | ||
| + | publisher = {Prestel}, | ||
| + | address = {München, London, New York}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Weidenmann 1988a=== | ||
| + | <bibentry> | ||
| + | @book{Weidenmann 1988a, | ||
| + | author = {Weidenmann, Bernd }, | ||
| + | title = {Psychische Prozesse beim Verstehen von Bildern}, | ||
| + | year = {1988}, | ||
| + | publisher = {Huber}, | ||
| + | address = { Bern u.a.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Weiss 2009a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Weiss 2009a, | ||
| + | author = {Weiss, G. }, | ||
| + | title = {Masken begleiten, erinnern, ehren und erneuern}, | ||
| + | booktitle = {Wir sind Maske}, | ||
| + | year = {2009}, | ||
| + | editor = {Ferino-Pagden, S.}, | ||
| + | pages = {66-67}, | ||
| + | publisher = {Kunsthistorisches Museum}, | ||
| + | address = {Wien}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Weiss 2012a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Weiss 2012a, | ||
| + | author = {Weiss, Dieter G.}, | ||
| + | title = {Das neue Bild der Zelle: Wechsel der Sichtweisen in der Zellbiologie durch neue Mikroskopieverfahren}, | ||
| + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, | ||
| + | year = {2012}, | ||
| + | editor = {Liebsch, Dimitri & Mößner, Nicola}, | ||
| + | pages = {295-328}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Weissberg 1997a=== | ||
| + | <bibentry> | ||
| + | @book{Weissberg 1997a, | ||
| + | author = {Weissberg, Liliane}, | ||
| + | title = {Geistersprache. Philosophischer und literarischer Diskurs im späten achtzehnten Jahrhundert}, | ||
| + | year = {1997a}, | ||
| + | publisher = {Königshausen & Neumann}, | ||
| + | address = {Würzburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wellbery 1977a=== | ||
| + | <bibentry> | ||
| + | @book{Wellbery 1977a, | ||
| + | author = {Wellbery, David E.}, | ||
| + | title = {Aesthetics and Semiotics in the German Enlightenment}, | ||
| + | year = {1977}, | ||
| + | publisher = {Yale University}, | ||
| + | address = {Ann Arbor, Mich.}, | ||
| + | note = {Diss.}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Werckmeister 2005a=== | ||
| + | <bibentry> | ||
| + | @book{Werckmeister 2005a, | ||
| + | author = {Werckmeister, Otto Karl}, | ||
| + | title = {Der Medusa Effekt. Politische Bildstrategien seit dem 11. September 2001}, | ||
| + | year = {2005}, | ||
| + | publisher = {form + zweck}, | ||
| + | address = {Berlin}, | ||
| + | note = {2. Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wescher 1968a=== | ||
| + | <bibentry> | ||
| + | @book{Wescher 1968a, | ||
| + | author = {Wescher, Herta}, | ||
| + | title = {Die Collage / Geschichte eines künstlerischen Ausdrucksmittels}, | ||
| + | year = {1968}, | ||
| + | publisher = {DuMont Schauberg}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wheeler 2005a=== | ||
| + | <bibentry> | ||
| + | @book{Wheeler 2005a, | ||
| + | author = {Wheeler, Michael}, | ||
| + | title = {Reconstructing the Cognitive World: The Next Step}, | ||
| + | year = {2005}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cambridge MA}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Whitfield 1999a=== | ||
| + | <bibentry> | ||
| + | @book{Whitfield 1999a, | ||
| + | author = {Whitfield, S.}, | ||
| + | title = {Lucio Fontana}, | ||
| + | year = {1999}, | ||
| + | publisher = {Hayward Gallery Publ.}, | ||
| + | address = {London}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiegand 1981a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Wiegand 1981a, | ||
| + | title = {Die Wahrheit der Photographie. Klassische Bekenntnisse zu einer neuen Kunst }, | ||
| + | year = {1981}, | ||
| + | editor = {Wiegand, Wilfried }, | ||
| + | publisher = {S. Fischer}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2000a=== | ||
| + | <bibentry> | ||
| + | @book{Wiesing 2000a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Phänomene im Bild}, | ||
| + | year = {2000}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2004a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wiesing 2004a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Pragmatismus und Performativität des Bildes}, | ||
| + | booktitle = {Performativität und Medialität}, | ||
| + | year = {2004}, | ||
| + | editor = {Krämer, Sybille}, | ||
| + | pages = {115-128}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2005a=== | ||
| + | <bibentry> | ||
| + | @book{Wiesing 2005a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Artifizielle Präsenz. Studien zur Philosophie des Bildes}, | ||
| + | year = {2005}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2007a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wiesing 2007a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Zur Rhetorik des Bildes}, | ||
| + | booktitle = {Bildrhetorik}, | ||
| + | year = {2007}, | ||
| + | editor = {Knape, Joachim}, | ||
| + | pages = {37-48}, | ||
| + | publisher = {Koerner}, | ||
| + | address = {Baden-Baden}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Wiesing 2008a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Die Sichtbarkeit des Bildes. Geschichte und Perspektiven der formalen Ästhetik}, | ||
| + | year = {2008}, | ||
| + | publisher = {Campus}, | ||
| + | address = {Frankfurt am Main/New York}, | ||
| + | note = {mit einem aktuellen Vorwort des Autors zur Neuausgabe}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wiesing 2009a=== | ||
| + | <bibentry> | ||
| + | @book{Wiesing 2009a, | ||
| + | author = {Wiesing, Lambert}, | ||
| + | title = {Das Mich der Wahrnehmung. Eine Autopsie}, | ||
| + | year = {2009}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wilharm 1992a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wilharm 1992a, | ||
| + | author = {Wilharm, Heiner}, | ||
| + | title = {Ein Bild sagt mehr als 1000 Worte}, | ||
| + | booktitle = {Diagrammatik und Philosophi}, | ||
| + | year = {1992}, | ||
| + | editor = {Petra Gehring, Thomas Keutner, Jörg F. Maas und Wolfgang Maria Ueding}, | ||
| + | pages = {121-159}, | ||
| + | publisher = {}, | ||
| + | address = {Amsterdam & Atlanta}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Willms 1935a=== | ||
| + | <bibentry> | ||
| + | @book{Willms 1935a, | ||
| + | author = {Willms, Hans}, | ||
| + | title = {Eikon. Eine begriffsgeschichtliche Untersuchung zum Platonismus. 1. Teil. Philon von Alexandreia. Mit einer Einleitung über Platon und die Zwischenzeit}, | ||
| + | year = {1935}, | ||
| + | publisher = {Verlag der Aschendorffschen Verlagsbuchhandlung}, | ||
| + | address = {Münster}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wimmer 1991a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wimmer 1991a, | ||
| + | author = {Wimmer, Thomas}, | ||
| + | title = {Fabrikation der Fiktion?}, | ||
| + | booktitle = {Digitaler Schein. Ästhetik der digitalen Medien}, | ||
| + | year = {1991}, | ||
| + | editor = {Rötzer, }, | ||
| + | pages = {519-533}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Winkler 2003a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Winkler 2003a, | ||
| + | author = {Winkler, Hartmut}, | ||
| + | title = {Zugriff. Thesen zur Umorganisation der gesellschaftlichen Bildarchive unter den Bedingungen des Digitalen}, | ||
| + | booktitle = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven}, | ||
| + | year = {2003}, | ||
| + | editor = {Ernst, Wolfgang; Heidenreich, Stefan & Holl, Ute}, | ||
| + | pages = {144-148}, | ||
| + | publisher = {???}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Winner 1962a=== | ||
| + | <bibentry> | ||
| + | @article{Winner 1962a, | ||
| + | author = {Winner, Matthias}, | ||
| + | title = {Gemalte Kunsttheorie. Zu Gustave Courbets ‚Allégorie réelle‘ und der Tradition}, | ||
| + | journal = {Jahrbuch der Berliner Museen}, | ||
| + | year = {4}, | ||
| + | volume = {1962}, | ||
| + | number = {}, | ||
| + | pages = {150-185}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Winthrop-Young 2005a=== | ||
| + | <bibentry> | ||
| + | @book{Winthrop-Young 2005a, | ||
| + | author = {Winthroph-Young, Geoffrey}, | ||
| + | title = {Friedrich Kittler zur Einführung}, | ||
| + | year = {2005}, | ||
| + | publisher = {Junius}, | ||
| + | address = {Hamburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wirth 2004a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wirth 2004a, | ||
| + | author = {Wirth, Uwe}, | ||
| + | title = {Das Vorwort als performative, paratextuelle und parergonale Rahmung}, | ||
| + | booktitle = {Rhetorik. Figuration und Performanz}, | ||
| + | year = {2004}, | ||
| + | editor = {Fohrmann, Jürgen}, | ||
| + | pages = {603-628}, | ||
| + | publisher = {Metzler}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Witsch 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Witsch 2008a, | ||
| + | author = {Witsch, Monika}, | ||
| + | title = {Kultur und Bildung: Ein Beitrag für eine kulturwissenschaftliche Grundlegung von Bildung im Anschluss an Georg Simmel, Ernst Cassirer und Richard Hönigswald}, | ||
| + | year = {2008}, | ||
| + | publisher = {Königshausen & Neumann}, | ||
| + | address = {Würzburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Witte 2005a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Witte 2005a, | ||
| + | author = {Witte, Georg}, | ||
| + | title = {Textflächen und Flächentexte. Das Schriftsehen der literarischen Avantgarden}, | ||
| + | booktitle = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, | ||
| + | year = {2005}, | ||
| + | editor = {Grube, G.; Kogge, W. & Krämer, S.}, | ||
| + | pages = {375-396}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Witte 2009a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Witte 2009a, | ||
| + | author = {Witte, Egbert}, | ||
| + | title = {Selbstbild und Bildung. Ein Versuch}, | ||
| + | booktitle = {Bild – Bildung – Argumentation}, | ||
| + | year = {2009}, | ||
| + | editor = {Helmer, K.; Herchert, G. & Löwenstein, S.}, | ||
| + | pages = {81-100}, | ||
| + | publisher = {Königshausen & Neumann}, | ||
| + | address = {Würzburg}, | ||
| + | note = {}, | ||
| + | hidden = {Reihe: Beiträge zur Theorie der Argumentation in der Pädagogik. Herausgegeben von Andreas Dörpinghaus und Karl Helmer. Band 5}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Witte 2010a=== | ||
| + | <bibentry> | ||
| + | @book{Witte 2010a, | ||
| + | author = {Witte, Egbert}, | ||
| + | title = {Zur Geschichte der Bildung. Eine philosophische Kritik}, | ||
| + | year = {2010}, | ||
| + | publisher = {Karl Alber}, | ||
| + | address = {Freiburg/München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Witte 2011a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Witte 2011a, | ||
| + | author = {Witte, Georg}, | ||
| + | title = {Das ,Zusammen-Begreifen’ des Blicks: Vers und Schrift}, | ||
| + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, | ||
| + | year = {2011}, | ||
| + | editor = {Krämer, S.; Cancik-Kirschbaum, E. & Totzke, R.}, | ||
| + | pages = {265-286}, | ||
| + | publisher = {Akademie Verlag}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1922a=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1922a, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Tractatus Logico-Philosophicus}, | ||
| + | year = {1922}, | ||
| + | publisher = {Kegan Paul}, | ||
| + | address = {London}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1971a=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1971a, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Philosophische Untersuchungen}, | ||
| + | year = {1971}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1971b=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1971b, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Vorlesungen und Gespräche über Ästhetik, Psychologie und Religion}, | ||
| + | year = {1971}, | ||
| + | publisher = {Vandenhoeck u. Ruprecht}, | ||
| + | address = {Göttingen}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1979a=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1979a, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Bemerkungen über die Farben}, | ||
| + | year = {1979}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {(hg. Anscombe, G.E.M.)}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1984a=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1984a, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Über Gewißheit}, | ||
| + | year = {1984}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wittgenstein 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Wittgenstein 1990a, | ||
| + | author = {Wittgenstein, Ludwig}, | ||
| + | title = {Tractatus logico-philosophicus}, | ||
| + | year = {1990}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {Tagebücher 1914-1916; Philosophische Untersuchungen. [7. Aufl.]}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wollheim 1978a=== | ||
| + | <bibentry> | ||
| + | @article{Wollheim 1978a, | ||
| + | author = {Wollheim, Richard}, | ||
| + | title = {Are the Criteria of Identity that Hold für a Work of Art in the Different Arts Aesthetically Relevant?}, | ||
| + | journal = {Ratio}, | ||
| + | year = {1978}, | ||
| + | volume = {20}, | ||
| + | number = {}, | ||
| + | pages = {29-48}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wollheim 1982a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wollheim 1982a, | ||
| + | author = {Wollheim, Richard}, | ||
| + | title = {Sehen-als, sehen-in und bildliche Darstellung}, | ||
| + | booktitle = {Objekte der Kunst}, | ||
| + | year = {1982}, | ||
| + | editor = {Wollheim, Richard}, | ||
| + | pages = {192-210}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {übersetzt von Looser, Max}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wollheim 1982b=== | ||
| + | <bibentry> | ||
| + | @book{Wollheim 1982b, | ||
| + | author = {Wollheim, Richard}, | ||
| + | title = {Objekte der Kunst}, | ||
| + | year = {1982}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {übers. v. Max Looser}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wollheim 1987a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wollheim 1987a, | ||
| + | author = {Wollheim, Richard}, | ||
| + | title = {Painting, Metaphor, and the Body: Titian, Bellini, De Kooning, etc.}, | ||
| + | booktitle = {Painting as an Art}, | ||
| + | year = {1987}, | ||
| + | editor = {Wollheim, R.}, | ||
| + | pages = {305-356}, | ||
| + | publisher = {Princeton University Press}, | ||
| + | address = {Princeton}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wollheim 2001a=== | ||
| + | <bibentry> | ||
| + | @article{Wollheim 2001a, | ||
| + | author = {Wollheim, Richard}, | ||
| + | title = {On Pictorial Representation}, | ||
| + | journal = {Journal of Aesthetics and Art Criticism}, | ||
| + | year = {1998}, | ||
| + | volume = {56}, | ||
| + | pages = {215-2268}, | ||
| + | address = {Cambridge}, | ||
| + | note = {Neuabdruck in: Gerwen, Rob van (Hg.). Richard Wollheim on the Art of Painting: Art as Representation and Expression. Cambridge UP, 2001}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Worringer 1908a=== | ||
| + | <bibentry> | ||
| + | @book{Worringer 1908a, | ||
| + | author = {Worringer, Wilhelm}, | ||
| + | title = {Abstraktion und Einfühlung, Ein Beitrag zur Stilpsychologie}, | ||
| + | year = {1908}, | ||
| + | publisher = {Piper}, | ||
| + | address = {München}, | ||
| + | note = {(Berlin, 1959)}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wortmann 2003a=== | ||
| + | <bibentry> | ||
| + | @book{Wortmann 2003a, | ||
| + | author = {Wortmann, Volker}, | ||
| + | title = {Authentisches Bild und authentisierende Form}, | ||
| + | year = {2003}, | ||
| + | publisher = {van Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wulff 2006a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Wulff 2006a, | ||
| + | author = {Wulf, Hans J.}, | ||
| + | title = {Animation}, | ||
| + | booktitle = {Lexikon Kommunikations- und Medienwissenschaft}, | ||
| + | year = {2006a}, | ||
| + | editor = {Bentele, Günter & Brosius, Hans-Bernd & Jarren, Otfried}, | ||
| + | pages = {14}, | ||
| + | publisher = {VS Verlag für Sozialwissenschaften}, | ||
| + | address = {Wiesbaden}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wulff 2007a=== | ||
| + | <bibentry> | ||
| + | @article{Wulff 2007a, | ||
| + | author = {Wulff, Hans J.}, | ||
| + | title = {Schichtenbau und Prozesshaftigkeit des Diegetischen: Zwei Anmerkungen}, | ||
| + | journal = {montage AV - Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation}, | ||
| + | year = {2007}, | ||
| + | volume = {16}, | ||
| + | number = {2: Thema Diegese}, | ||
| + | pages = {39-51}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | ===Wunsch 2007a=== | ||
| + | <bibentry> | ||
| + | @book{Wunsch 2007a, | ||
| + | author = {Wunsch, Matthias}, | ||
| + | title = {Einbildungskraft und Erfahrung bei Kant}, | ||
| + | year = {2007a}, | ||
| + | publisher = {Walter de Gruyter}, | ||
| + | address = {Berlin; New York}, | ||
| + | note = {Gerhard; Baum, Manfred; Dörflinger, Bernd; Seebohm, Thomas M. (Hrsg.): Kantstudien, Ergänzungshefte (im Auftrag der Kant-Gesellschaft, Band 155)}, | ||
hidden = {}, | hidden = {}, | ||
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| − | == | + | ==X== |
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| − | === | + | ===Wölfflin 1915a=== |
<bibentry> | <bibentry> | ||
| − | + | @book{Wölfflin 1915a, | |
| − | + | author = {Wölfflin, Heinrich}, | |
| − | + | title = {Kunstgeschichtliche Grundbegriffe}, | |
| − | + | year = {1915}, | |
| − | + | publisher = {Bruckmann}, | |
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===Young 1918a=== | ===Young 1918a=== | ||
| Zeile 19.428: | Zeile 20.815: | ||
==Z== | ==Z== | ||
| + | |||
===Zaloscer 1974a=== | ===Zaloscer 1974a=== | ||
<bibentry> | <bibentry> | ||
| Zeile 19.441: | Zeile 20.829: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zeune 1997a=== | ===Zeune 1997a=== | ||
| Zeile 19.454: | Zeile 20.843: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zimmer 1995a=== | ===Zimmer 1995a=== | ||
| Zeile 19.471: | Zeile 20.861: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zimmermann 2009a=== | ===Zimmermann 2009a=== | ||
| Zeile 19.484: | Zeile 20.875: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zuschlag 2002a=== | ===Zuschlag 2002a=== | ||
| Zeile 19.501: | Zeile 20.893: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zuschlag 2006a=== | ===Zuschlag 2006a=== | ||
| Zeile 19.518: | Zeile 20.911: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | |||
===Zyganenko 1989a=== | ===Zyganenko 1989a=== | ||
| Zeile 19.523: | Zeile 20.917: | ||
@book{Zyganenko 1989a, | @book{Zyganenko 1989a, | ||
author = {Zyganenko, Galina}, | author = {Zyganenko, Galina}, | ||
| − | title = { | + | title = {Etymologiceskij slovar' russkogo jasyka}, |
year = {1989}, | year = {1989}, | ||
publisher = {Rad. shkola}, | publisher = {Rad. shkola}, | ||
Version vom 11. Februar 2013, 19:22 Uhr
Wollheim 1982b
Wollheim, Richard (1982): Objekte der Kunst.
Suhrkamp, Frankfurt/M., übers. v. Max Looser.
(Typ: 'Buch')
Goodman & Elgin 1993a
Nelson Goodman & Catherine C. Elgin (1993): Revisionen. Philosophie und andere Künste und Wissenschaften.
Suhrkamp, Frankfurt/M., übers. v. Bernd Philippi.
(Typ: 'Buch')
Inhaltsverzeichnis
- 1 Wollheim 1982b
- 2 Goodman & Elgin 1993a
- 3 A
- 3.1 Adelmann 2004a
- 3.2 Adelmann 2009a
- 3.3 Adelung 1811a
- 3.4 Adorno & Horkheimer 1947a
- 3.5 Adorno 2003a
- 3.6 Aguado 1994a
- 3.7 Alberro 2006a
- 3.8 Alberti 2000a
- 3.9 Aldrich 1983a
- 3.10 Alleton 2003a
- 3.11 Alloa 2011a
- 3.12 Alpers 1985a
- 3.13 Althusser & Balibar 1972a
- 3.14 Amelunxen 1996a
- 3.15 Anders 2009a
- 3.16 Andree 2006a
- 3.17 Apel 2002a
- 3.18 Appadurai 2003a
- 3.19 Aristoteles 1949a
- 3.20 Aristoteles 1995a
- 3.21 Aristoteles 1995b
- 3.22 Aristoteles 1995c
- 3.23 Aristoteles 1997a
- 3.24 Aristoteles 1997a
- 3.25 Arnheim 1932a
- 3.26 Asemissen & Schweikhart 1994a
- 3.27 Asher & Vieu 1995a
- 3.28 Asmuth 1994a
- 3.29 Asmuth 1998a
- 3.30 Assmann 2011a
- 3.31 Attneave 1971a
- 3.32 Auerbach 1946a
- 3.33 Augustinus 2002a
- 3.34 Aurnague & Vieu 1993a
- 3.35 Austin 1972a
- 4 B
- 4.1 Baader 2003a
- 4.2 Baader 2003b
- 4.3 Bachmann-Medick 2006a
- 4.4 Badakshi 2006a
- 4.5 Badt 1963a
- 4.6 Baigrie 1996a
- 4.7 Bal 1999a
- 4.8 Baltrušaitis 77a
- 4.9 Balázs 2001a
- 4.10 Balázs 2001b
- 4.11 Barabash 2010a
- 4.12 Barthes 1964a
- 4.13 Barthes 1964b
- 4.14 Barthes 1977a
- 4.15 Barthes 1989a
- 4.16 Barwise & Perry 1984a
- 4.17 Batchen 1998a
- 4.18 Batchen 2000a
- 4.19 Batteux 1746/1770a
- 4.20 Bauch 1994a
- 4.21 Baudrillard 1978a
- 4.22 Baudrillard 2000a
- 4.23 Bauer & Ernst 2010a
- 4.24 Baumann 2011a
- 4.25 Baumberger 2010a
- 4.26 Baxandall 1972a
- 4.27 Baxandall 1990a
- 4.28 Baxandall 1999a
- 4.29 Baxmann 2001a
- 4.30 Bayer 1984a
- 4.31 Bazin 2009a
- 4.32 Bechtloff 2001a
- 4.33 Beckmann 1995a
- 4.34 Beil 2010a
- 4.35 Belach & Jacobsen 93a
- 4.36 Beller 2005a
- 4.37 Belting & Haustein 1998a
- 4.38 Belting 1983a
- 4.39 Belting 1998a
- 4.40 Belting 2001a
- 4.41 Belting 2002a
- 4.42 Belting 2004a
- 4.43 Belting 2008a
- 4.44 Beniger 1986a
- 4.45 Benjamin 1939a
- 4.46 Benjamin 1974a
- 4.47 Benko 1976a
- 4.48 Bergson 1948a
- 4.49 Berlewi 1924a
- 4.50 Bernays 1970a
- 4.51 Bernhardt et al. 2009a
- 4.52 Bertram et al. 2008a
- 4.53 Berz 2009a
- 4.54 Bevers 1985a
- 4.55 Beyme 2004a
- 4.56 Bidlo 2008a
- 4.57 Biederman 1995a
- 4.58 Bieger 2007a
- 4.59 Billeter 1990a
- 4.60 Birk 2011a
- 4.61 Birk 2012b
- 4.62 Black 1954a
- 4.63 Black 1972a
- 4.64 Blanke 2003a
- 4.65 Blanke et al. 2005a
- 4.66 Bliss 1949a
- 4.67 Block 1990a
- 4.68 Bloomfield 1933a
- 4.69 Blumenberg 1957a
- 4.70 Blumenberg 1969a
- 4.71 Blumenberg 1986a
- 4.72 Blumenberg 1999a
- 4.73 Blümle & von der Heiden 2005a
- 4.74 Boeder 1996a
- 4.75 Boehm & Mersmann & Spies 2008a
- 4.76 Boehm & Pfotenhauer 1995a
- 4.77 Boehm 1969a
- 4.78 Boehm 1977a
- 4.79 Boehm 1978a
- 4.80 Boehm 1985a
- 4.81 Boehm 1994a
- 4.82 Boehm 1994b
- 4.83 Boehm 1994c
- 4.84 Boehm 1995a
- 4.85 Boehm 1999a
- 4.86 Boehm 2001a
- 4.87 Boehm 2004a
- 4.88 Boehm 2004b
- 4.89 Boehm 2005a
- 4.90 Boehm 2007a
- 4.91 Boehm 2008a
- 4.92 Boehm 2011a
- 4.93 Bogen & Thürlemann 2003a
- 4.94 Bogen 2005a
- 4.95 Bogen 2005b
- 4.96 Bolton et al 2007a
- 4.97 Bonsiepe 1968a
- 4.98 Borgo & Masolo 2010a
- 4.99 Bousso 2002a
- 4.100 Brachfeld 1976a
- 4.101 Brandom 2000a
- 4.102 Brandt 1999a
- 4.103 Brecht 1992a
- 4.104 Bredekamp & Schneider 2006a
- 4.105 Bredekamp 1994a
- 4.106 Bredekamp 2000a
- 4.107 Bredekamp 2003a
- 4.108 Bredekamp 2003b
- 4.109 Bredekamp 2004a
- 4.110 Bredekamp 2005a
- 4.111 Bredekamp 2007a
- 4.112 Bredekamp 2010a
- 4.113 Bredekamp et al. 2008a
- 4.114 Brentano 1874a
- 4.115 Brentano 1930a
- 4.116 Britz et al. 2009a
- 4.117 Britz et al. 2010a
- 4.118 Brodatz 1966a
- 4.119 Brugger & Brugger 1993a
- 4.120 Brugger 1999a
- 4.121 Bruhn 2000a
- 4.122 Brunet 2008a
- 4.123 Brunner 2009a
- 4.124 Brunner-Traut 1992a
- 4.125 Bruno 2007a
- 4.126 Bryson 2001a
- 4.127 Bucher 2011a
- 4.128 Bucher2010a
- 4.129 Buchholz 1999a
- 4.130 Buchner 1665a
- 4.131 Buchwald 1989a
- 4.132 Bulgakowa 2001a
- 4.133 Burckhardt 2001a
- 4.134 Burke 2003a
- 4.135 Busch & Därmann 2007a
- 4.136 Busch 2004a
- 4.137 Butler 2001a
- 4.138 Bätschmann 1984a
- 4.139 Bätschmann 2009a
- 4.140 Böcking 2008a
- 4.141 Böhme & Böhme 1985a
- 4.142 Böhme 1999a
- 4.143 Böhme 2004a
- 4.144 Böhn 1999a
- 4.145 Bühler 1933a
- 4.146 Bühler 1934a
- 4.147 Bühler 1999a
- 4.148 Bühler 2000a
- 4.149 Bürger 1784a
- 4.150 Büttner & Gottdank 2009a
- 5 C
- 5.1 Büttner 2002a
- 5.2 Büttner 2003a
- 5.3 CCALED-4a
- 5.4 Caglioti 1995a
- 5.5 Calame & Thouvenin 2008a
- 5.6 Campe 2006a
- 5.7 Campenhausen 1993a
- 5.8 Cancik-Kirschbaum 2012a
- 5.9 Canetti 2011a
- 5.10 Canisius 1987a
- 5.11 Caraffa 2009a
- 5.12 Carani 1986a
- 5.13 Carbone 2001a
- 5.14 Carlbom & Paciorek 1978a
- 5.15 Carnap 1947a
- 5.16 Carroll 1994a
- 5.17 Carroll 1996a
- 5.18 Carroll 1999a
- 5.19 Cartwright 1983a
- 5.20 Casey 2002a
- 5.21 Casey 2005a
- 5.22 Casey 2007a
- 5.23 Cason 1930a
- 5.24 Cassirer 1923a
- 5.25 Cassirer 1925a
- 5.26 Cassirer 1929a
- 5.27 Cassirer 1930a
- 5.28 Cassirer 1989a
- 5.29 Cassirer 1990a
- 5.30 Cassirer 2009a
- 5.31 Cassirer 2010a
- 5.32 Cernych 2001a
- 5.33 Cha & Rautzenberg 08a
- 5.34 Chalmers 2007a
- 5.35 Chastel 1990a
- 5.36 Chateau 1976a
- 5.37 Cheeke 2008a
- 5.38 Chen 2009a
- 5.39 Chiang 73a
- 5.40 Chion 1999a
- 5.41 Chladenius 1742a
- 5.42 Chomsky 1957a
- 5.43 Christian 2009a
- 5.44 Cipolla et al. 2010a
- 5.45 Clarke 1981a
- 5.46 Collingwood 1945a
- 5.47 Coulmas 1999a
- 5.48 Covarrubias Orozco 1611a
- 5.49 Coy 1997a
- 5.50 Cramer 2011a
- 5.51 Crary 1990a
- 5.52 Crow 2006a
- 5.53 Cunningham 1986a
- 5.54 Cunningham et al. 1995a
- 6 D
- 6.1 Damisch 1987a
- 6.2 Damisch 2010a
- 6.3 Danto 1984a
- 6.4 Danto 1993a
- 6.5 Darwin 1872a
- 6.6 Daston & Galison 1992a
- 6.7 Daston & Galison 2007a
- 6.8 Daut 1975a
- 6.9 Davidson & Noble 1989a
- 6.10 Davidson 1978a
- 6.11 Davidson 2004a
- 6.12 Davies 1991a
- 6.13 DeFrancis 1989a
- 6.14 Debray 1999a
- 6.15 Debray 1999b
- 6.16 Decker & Krah 2008a
- 6.17 Delaborde 1870a
- 6.18 Deleuze 1989a
- 6.19 Deleuze 1993a
- 6.20 Demuth 2007a
- 6.21 Dencker 2011a
- 6.22 Depaulo 1992a
- 6.23 Derrida 1992a
- 6.24 Derrida 2007a
- 6.25 Descartes 1637a
- 6.26 Descartes 1965a
- 6.27 Dewey 1934a
- 6.28 Dewitz & Nekes 02a
- 6.29 Dick 1964a
- 6.30 Diderot 1751a
- 6.31 Didi-Huberman 1999a
- 6.32 Didi-Huberman 2000a
- 6.33 Didi-Huberman 2005a
- 6.34 Diekmannshenke et al. 2010a
- 6.35 Dion 2002a
- 6.36 Dirmoser 2004a
- 6.37 Dirmoser 2006a
- 6.38 Ditzinger 2006a
- 6.39 Dobbe 1999a
- 6.40 Dobbe 2002a
- 6.41 Dobbe 2003a
- 6.42 Dobbe 2006a
- 6.43 Dobbe 2010a
- 6.44 Doelker 1997a
- 6.45 Doelker 2001a
- 6.46 Doelker 2007a
- 6.47 Donald 1993a
- 6.48 Downey 1959a
- 6.49 Drechsel 2006a
- 6.50 Drosdowski 1988a
- 6.51 Drosdowski 1989a
- 6.52 Drucker 1996a
- 6.53 Drügh 2006a
- 6.54 Dubois 1998a
- 6.55 Dubos 1760-61a
- 6.56 Duden 2013a
- 6.57 Dudenredaktion 2003a
- 6.58 Durand 1987a
- 6.59 Döring 2009a
- 6.60 Dünkelsbühler 1991a
- 6.61 Dürre 2007a
- 6.62 da Vinci 1958a
- 6.63 da Vinci 1990a
- 6.64 de Duve 1990a
- 6.65 de Schonen et al. 1994a
- 6.66 del Hierro 1732a
- 6.67 del Hierro 1737a
- 7 E
- 7.1 Ebert 1979a
- 7.2 Eco 1984a
- 7.3 Eco 1998b
- 7.4 Eddiks 2004a
- 7.5 Edgerton 2002a
- 7.6 Egenhofer 2002a
- 7.7 Ehrenfels 1890a
- 7.8 Eibl-Eibesfeldt & Sütterlin 1992a
- 7.9 Eibl-Eibesfeldt & Sütterlin 2008a
- 7.10 Eibl-Eibesfeldt 1973a
- 7.11 Eibl-Eibesfeldt 1995a
- 7.12 Eilert 1991a
- 7.13 Eismann 1985a
- 7.14 Eizenštein 1975a
- 7.15 Ekman 1973a
- 7.16 Ekman 1973b
- 7.17 Elgin 1983a
- 7.18 Elgin 1992a
- 7.19 Elgin 1993a
- 7.20 Elkins 1999a
- 7.21 Elkins 2003a
- 7.22 Ellgring 1989a
- 7.23 Else 1958a
- 7.24 Engell 1999a
- 7.25 Enright 1987a
- 7.26 Erlbaugh 2002a
- 7.27 Ernst & Heidenreich 1999a
- 7.28 Ernst 2002a
- 7.29 Ernst et al. 2003a
- 7.30 Eser 98a
- 7.31 Esposito 1998a
- 7.32 Etcoff 2001a
- 7.33 Eusterschulte 2001a
- 7.34 Evans 2002a
- 8 F
- 8.1 Fahlenbrach & Viehoff 2005a
- 8.2 Fantz 1966a
- 8.3 Farago 1992a
- 8.4 Fauconnier 1985a
- 8.5 Faßler 1997a
- 8.6 Ferino-Pagden 2009a
- 8.7 Fiedler 1991a
- 8.8 Fiedler 1991b
- 8.9 Fiedler 1991c
- 8.10 Fiedler 1991d
- 8.11 Fink 1966a
- 8.12 Fink 1988a
- 8.13 Finke & Halawa 2012a
- 8.14 Finke 2007a
- 8.15 Fischer-Lichte 2004a
- 8.16 Fiske 2001a
- 8.17 Fiske 2003a
- 8.18 Fleck 1980a
- 8.19 Floch 1990a
- 8.20 Floch 1995a
- 8.21 Floch 1998a
- 8.22 Florenskij 2007a
- 8.23 Flusser 1983a
- 8.24 Flusser 1993a
- 8.25 Flusser 1994a
- 8.26 Flusser 1999a
- 8.27 Flusser 2003a
- 8.28 Flügge et al. 2007a
- 8.29 Flügge et al. 2007b
- 8.30 Foley et al. 1990a
- 8.31 Foppa 2002a
- 8.32 Forceville 1996a
- 8.33 Forceville 2005a
- 8.34 Forceville 2006a
- 8.35 Foster & Krauss 1996a
- 8.36 Foster 1995a
- 8.37 Foucault 1976a
- 8.38 Fowler 1991a
- 8.39 Fox 2006a
- 8.40 Frangenberg 2003a
- 8.41 Frank & Lange 10a
- 8.42 Frank 1990a
- 8.43 Freedberg 1991a
- 8.44 Frege 1892a
- 8.45 Frege 1892a
- 8.46 Frercks 2009a
- 8.47 Frercks 2009b
- 8.48 Freud 1900a
- 8.49 Freud 1914a
- 8.50 Freud 1914b
- 8.51 Freud 1915a
- 8.52 Freud 1946a
- 8.53 Freud 1946b
- 8.54 Friedländer 1912a
- 8.55 Fuhrmann 2003a
- 8.56 Füsslin & Hentze 99a
- 9 G
- 9.1 Gadamer 1960a
- 9.2 Gaede 1981a
- 9.3 Galison 1997a
- 9.4 Gall 2007a
- 9.5 Gallistel 1980a
- 9.6 Gamer 2007a
- 9.7 Gamm 2000a
- 9.8 Gamper 2007a
- 9.9 Ganz & Henkel 2004a
- 9.10 Garcia 1990a
- 9.11 Garcia 1997a
- 9.12 Gardner 1985a
- 9.13 Gebauer & Wulf 1992a
- 9.14 Gehlen 1961a
- 9.15 Gehlen 2004a
- 9.16 Gehlen 2004b
- 9.17 Gehring 1992a
- 9.18 Geiger & Henn-Memmesheimer 1998a
- 9.19 Geimer 2007a
- 9.20 Geimer 2009a
- 9.21 Geimer 2010a
- 9.22 Gellius 1987a
- 9.23 Gemoll & Vretska 2006a
- 9.24 Genette 1972a
- 9.25 Genova 1995a
- 9.26 Georges 1998a
- 9.27 Gerhardus 1999a
- 9.28 Gerhardus 2003a
- 9.29 Gerhardus et al. 1975a
- 9.30 Gerstein 2007a
- 9.31 Gerstengrabe et al. 2010a
- 9.32 Gibson 1950a
- 9.33 Gibson 1982a
- 9.34 Gibson 1982b
- 9.35 Giertler 2011a
- 9.36 Gillam 1987a
- 9.37 Giuliani 2003a
- 9.38 Giuliani 2006a
- 9.39 Giuriato/Kammer 2006a
- 9.40 Glock 2000a
- 9.41 Glüher 1998a
- 9.42 Goldie 2000a
- 9.43 Goldie 2010a
- 9.44 Goldstein 1997a
- 9.45 Gombrich 1952a
- 9.46 Gombrich 1962a
- 9.47 Gombrich 1977a
- 9.48 Gombrich 1978a
- 9.49 Gombrich 1984a
- 9.50 Gombrich 2002a
- 9.51 Gomringer 1997a
- 9.52 Gondek 1990a
- 9.53 Gondek 1997a
- 9.54 Gooch & Gooch 2001a
- 9.55 Goodman & Elgin 1988a
- 9.56 Goodman & Elgin 1993a
- 9.57 Goodman 1968a
- 9.58 Goodman 1978a
- 9.59 Goodman 1990a
- 9.60 Goodman 1995a
- 9.61 Goodman 1997a
- 9.62 Goren et al. 1975a
- 9.63 Grabbe 2010a
- 9.64 Grabbe 2011b
- 9.65 Grabbe_Kruse_2008a
- 9.66 Grabbe_Kruse_2008b
- 9.67 Grabbe_Kruse_2009a
- 9.68 Graf 1995a
- 9.69 Grammer et al. 2002a
- 9.70 Graumann 1966a
- 9.71 Graumann 2002a
- 9.72 Greenberg 1997a
- 9.73 Gregory 1997a
- 9.74 Gregory 2000a
- 9.75 Greif 1998a
- 9.76 Greimas & Courtés 1979a
- 9.77 Greimas 1966a
- 9.78 Greimas 1970a
- 9.79 Grice 1970a
- 9.80 Grieshofer 2009a
- 9.81 Grimm 1860a
- 9.82 Grimm 1889a
- 9.83 Grittmann 2003a
- 9.84 Grittmann 2007a
- 9.85 Groß & Westermann 2007a
- 9.86 Groß et al. 1981a
- 9.87 Groß u. Schäfer 2007a
- 9.88 Grube et al. 2005a
- 9.89 Gumbrecht 1986a
- 9.90 Gumbrecht 2004a
- 9.91 Gumbrecht/Pfeiffer 1988a
- 10 H
- 10.1 Günzel 2006a
- 10.2 Günzel 2008a
- 10.3 Günzel 2009a
- 10.4 Günzel 2010a
- 10.5 Günzel 2012a
- 10.6 Haas 1995a
- 10.7 Habermas 1973a
- 10.8 Habermas 1995a
- 10.9 Hagen 2002a
- 10.10 Hagen 2002b
- 10.11 Hagen 2003a
- 10.12 Haken 1995a
- 10.13 Halawa & Grabbe 2013a
- 10.14 Halawa 2008a
- 10.15 Halawa 2009a
- 10.16 Halbfass 1972a
- 10.17 Halliday 1985a
- 10.18 Halliday 1996a
- 10.19 Hammer-Tugendhat 2009a
- 10.20 Hansen 2005a
- 10.21 Harris 1756a
- 10.22 Harris 1783a
- 10.23 Harth 2001a
- 10.24 Hartog 2009a
- 10.25 Hasselbeck 1979a
- 10.26 Hauck 1879a
- 10.27 Hauschild 1982a
- 10.28 Hausman 1989a
- 10.29 Heffernan 1993a
- 10.30 Heffernan 1999a
- 10.31 Hegel 1826a
- 10.32 Hegel 1830a
- 10.33 Hegel 1835a
- 10.34 Hegel 1970a
- 10.35 Heidegger 1950a
- 10.36 Heidegger 1986a
- 10.37 Heidegger 2006a
- 10.38 Heidenreich 2001a
- 10.39 Heider 2009a
- 10.40 Helson 1925a
- 10.41 Hempfer 2000a
- 10.42 Heng 2003a
- 10.43 Hennig 2006a
- 10.44 Hennig 2007a
- 10.45 Hensel 09a
- 10.46 Herder 1800a
- 10.47 Herder 1969a
- 10.48 Herder 2001a
- 10.49 Hernadi 1991a
- 10.50 Herskovits 1986a
- 10.51 Herter 1947a
- 10.52 Hessler 2002a
- 10.53 Heßler 2006a
- 10.54 Hick 99a
- 10.55 Hickethier 1995a
- 10.56 Hicks/Beaudry 2010a
- 10.57 Hilbert 1899a
- 10.58 Hildebrand 1969a
- 10.59 Hilgert 2010a
- 10.60 Hinterwaldner 2008a
- 10.61 Hjelmslev 1943a
- 10.62 Hjelmslev 1954a
- 10.63 Hochberg 1977a
- 10.64 Hofmann 2000a
- 10.65 Hofmann 2007a
- 10.66 Hollander 1988a
- 10.67 Holly & Jäger 2011a
- 10.68 Holly 2007a
- 10.69 Holly 2009a
- 10.70 Holly 2010a
- 10.71 Holmes 1980a
- 10.72 Holschbach 2003a
- 10.73 Homer 1979a
- 10.74 Hoormann 2007a
- 10.75 Hopkins 1998a
- 10.76 Horstkotte & Leonhard 2006a
- 10.77 Horten 1994a
- 10.78 Hub 2009a
- 10.79 Huber 2004a
- 10.80 Huber 2004b
- 10.81 Huber 2008c
- 10.82 Humboldt 1820a
- 10.83 Humboldt 1830-1835a
- 10.84 Humboldt 1988a
- 10.85 Husserl 1929a
- 10.86 Husserl 1976a
- 10.87 Husserl 1980a
- 10.88 Husserl 1993a
- 10.89 Husserl 2006a
- 10.90 Huth 1985a
- 10.91 Hyman 2006a
- 10.92 Hyman 2009a
- 10.93 Hynes 2005a
- 11 I
- 12 J
- 12.1 Jansen 2002a
- 12.2 Jansen 2005a
- 12.3 Jantschek 1997a
- 12.4 Jantzen 1951a
- 12.5 Jaspers 1994a
- 12.6 Jaubert 1998a
- 12.7 Jean Paul 1795a
- 12.8 Jewitt & Oyama 2001a
- 12.9 Jewitt 2009a
- 12.10 Johansen & Posner 2003a
- 12.11 Johnson et al. 2001a
- 12.12 Johnson-Laird 1983a
- 12.13 Johnson-Laird 1996a
- 12.14 Johnston & Franklin 1993a
- 12.15 Johnston & Thomas 1981a
- 12.16 Johnston 2006a
- 12.17 Johnston et al. 2001a
- 12.18 Jonas 1961a
- 12.19 Jonas 1963a
- 12.20 Jonas 1973a
- 12.21 Judd 1986a
- 12.22 Juhász et al. 1999a
- 12.23 Julesz 1986a
- 12.24 Jung 2003a
- 13 K
- 13.1 Jäger & Knauer 2009a
- 13.2 Jäger 2002a
- 13.3 Jäger 2008a
- 13.4 Kaczmarek 2007a
- 13.5 Kalkofen 2006a
- 13.6 Kamlah & Lorenzen 1973a
- 13.7 Kamp 1990a
- 13.8 Kandinsky 1926a
- 13.9 Kanizsa & Luccio 1995a
- 13.10 Kant 1787a
- 13.11 Kant 1960a
- 13.12 Kant 1968a
- 13.13 Kant 1974a
- 13.14 Kant 1977a
- 13.15 Kaplan 2004a
- 13.16 Kapust 2009a
- 13.17 Kardaun 1993a
- 13.18 Kecskesi 1982a
- 13.19 Keitz 1994a
- 13.20 Kemp 1974a
- 13.21 Kemp 1979a
- 13.22 Kemp 1985a
- 13.23 Kemp 1995a
- 13.24 Kittler 1986a
- 13.25 Kittler 1989a
- 13.26 Kittler 1993a
- 13.27 Kittler 2002a
- 13.28 Kittler 2002b
- 13.29 Kittler 2003a
- 13.30 Kiyomitsu 2004a
- 13.31 Kjörup 1974a
- 13.32 Kjörup 1978a
- 13.33 Kjørup 1978a
- 13.34 Kjørup 1978a
- 13.35 Klee 1925a
- 13.36 Klopfenstein-Arii 1992a
- 13.37 Klopstock 1774a
- 13.38 Klopstock 1779a
- 13.39 Klotz 1995a
- 13.40 Kluge 2002a
- 13.41 Knape 1994a
- 13.42 Knape 2005a
- 13.43 Knape 2007a
- 13.44 Knape 2008a
- 13.45 Knape 2010a
- 13.46 Knieper & Müller 2003a
- 13.47 Knieper & Müller 2005a
- 13.48 Kohns 2007a
- 13.49 Koller 1954a
- 13.50 Kondor 2007a
- 13.51 Kondor 2007b
- 13.52 Kondor 2007c
- 13.53 Kondor 2008a
- 13.54 Konersmann 1991a
- 13.55 Konersmann 2006a
- 13.56 Kornmeier & Bach 2009a
- 13.57 Kornmeier et al. 2009a
- 13.58 Korte 2003a
- 13.59 Kracauer 1992a
- 13.60 Kranz 1976a
- 13.61 Kraus 1991a
- 13.62 Krauss 1990a
- 13.63 Krauss 1998a
- 13.64 Krauss 1999a
- 13.65 Krauss 2000a
- 13.66 Krauss 2000b
- 13.67 Krauss 2000c
- 13.68 Krebs 2006a
- 13.69 Kreimeier 2012a
- 13.70 Kress & Leeuwen 1996a
- 13.71 Kress & Leeuwen 2001a
- 13.72 Kress 2010a
- 13.73 Krewani 2003a
- 13.74 Krieger 1992a
- 13.75 Krieger 1995a
- 13.76 Kripke 1972a
- 13.77 Kris & Kurz 1995a
- 13.78 Krkac 2010a
- 13.79 Kroeber-Riel & Esch 2000a
- 13.80 Kroeber-Riel 1996a
- 13.81 Krois 1995a
- 13.82 Kruse & Stadler 1995a
- 13.83 Kruse 2003a
- 13.84 Kruse et al. 1995a
- 13.85 Krämer & Bredekamp 2003a
- 13.86 Krämer & Giertler 2011a
- 13.87 Krämer 2003a
- 13.88 Krämer 2004a
- 13.89 Krämer 2004b
- 13.90 Krämer 2005a
- 13.91 Krämer 2009a
- 13.92 Krämer et al. 2011a
- 13.93 Krüger 2001a
- 13.94 Kudielka 2005a
- 13.95 Kuhn 1973a
- 13.96 Kulvicki 2006a
- 13.97 Kulvicki 2010a
- 13.98 Kwo 81a
- 14 L
- 14.1 Kwo Da-Wei 81a
- 14.2 Köller 2004a
- 14.3 König & Obrist 1993a
- 14.4 Kühne-Bertram/Rodi 2008a
- 14.5 Külpe 1923a
- 14.6 Künzli 1996/1997a
- 14.7 Lacan 1949a
- 14.8 Lacan 1987a
- 14.9 Lacan 1996a
- 14.10 Lakoff & Johnson 1980a
- 14.11 Lakoff & Turner 1989a
- 14.12 Lakoff 1987a
- 14.13 Lammert 2007a
- 14.14 Langacker 1991a
- 14.15 Langer 1984a
- 14.16 Langlois & Roggman 1990a
- 14.17 Lanz 1971a
- 14.18 Laplanche & Pontalis 1973a
- 14.19 Latour 2007a
- 14.20 Law & Whittaker 1988a
- 14.21 Ledderose 2003a
- 14.22 Ledderose 85a
- 14.23 Leeman 75a
- 14.24 Leeuwen 2005a
- 14.25 Lefebvre 2007a
- 14.26 Leibniz 1710a
- 14.27 Lenzen 1997a
- 14.28 Leonard 2005a
- 14.29 Leopold & Logothetis 1999a
- 14.30 Leroi-Gourhan 1964/65a
- 14.31 Leroi-Gourhan 1971a
- 14.32 Lessig 1999a
- 14.33 Lessing 1766a
- 14.34 Lessing 1788a
- 14.35 Lessing 1974a
- 14.36 Lessing 1994a
- 14.37 Lessing 1998a
- 14.38 Levi 2001a
- 14.39 Levinson 1983a
- 14.40 Levinson 1990a
- 14.41 Levinson 1990b
- 14.42 Levinson 2003a
- 14.43 Lichtblau 2009a
- 14.44 Licklider 1960a
- 14.45 Liebsch & Mößner 2012a
- 14.46 Liebsch 2001a
- 14.47 Liesbrock 2010a
- 14.48 Liessmann 2004a
- 14.49 Liessmann 2009a
- 14.50 Lippard 1997a
- 14.51 Lippold 1993a
- 14.52 Lipps 1903a
- 14.53 Lipps 1920a
- 14.54 Locke 1975a
- 14.55 Logothetis 1998a
- 14.56 Lopes 1996a
- 14.57 Lorenz 1970a
- 14.58 Lorenz 1990a
- 14.59 Lotman 1990a
- 14.60 Lovejoy 1936a
- 14.61 Luhmann 1993a
- 14.62 Luhmann 1995a
- 14.63 Luhmann 1996a
- 14.64 Luhmann 1997a
- 14.65 Lunenfeld 2002a
- 14.66 Lynch & Edgerton 1988a
- 15 M
- 15.1 Lévi-Strauss 1958a
- 15.2 Löbner 2003a
- 15.3 Löhr 2003a
- 15.4 Mach 1987a
- 15.5 Macpherson 1996a
- 15.6 Mai 2002a
- 15.7 Majetschak 1997a
- 15.8 Majetschak 1997a
- 15.9 Majetschak 2005a
- 15.10 Majetschak 2005b
- 15.11 Makkreel 1997a
- 15.12 Manovich 2001a
- 15.13 Manovich 2005a
- 15.14 Manow 2008a
- 15.15 Marin 2006a
- 15.16 Marshall 1968a
- 15.17 Martinec & Salway 2005a
- 15.18 Massey 2007a
- 15.19 Maul 2007a
- 15.20 Maynard 2003a
- 15.21 McGinn 2004a
- 15.22 McLuhan 1962a
- 15.23 McLuhan 1964a
- 15.24 Mead 1968a
- 15.25 Meier 1757a
- 15.26 Meinhardt 1997a
- 15.27 Meinong 1907a
- 15.28 Mendelsohn 1982a
- 15.29 Menzer 1992a
- 15.30 Merleau-Ponty 1961a
- 15.31 Merleau-Ponty 1966a
- 15.32 Merleau-Ponty 1993a
- 15.33 Merleau-Ponty 1994a
- 15.34 Merleau-Ponty 2003a
- 15.35 Merleau-Ponty 2006a
- 15.36 Mersch 2002a
- 15.37 Mersch 2002b
- 15.38 Mersch 2003a
- 15.39 Mersch 2003b
- 15.40 Mersch 2006a
- 15.41 Mersmann 08a
- 15.42 Merzeau 1998a
- 15.43 Messaris 1997a
- 15.44 Metscher 2001a
- 15.45 Metz 1972a
- 15.46 Metz 2000a
- 15.47 Metzger 2008a
- 15.48 Metzinger 1999a
- 15.49 Metzinger 2000a
- 15.50 Meyer 2001a
- 15.51 Meyer-Fujara 1998a
- 15.52 Michalsky 2005a
- 15.53 Mirmehdi et al. 2008a
- 15.54 Mirzoeff 2007a
- 15.55 Mitchell 1986a
- 15.56 Mitchell 1992a
- 15.57 Mitchell 1992b
- 15.58 Mitchell 1992c
- 15.59 Mitchell 1994a
- 15.60 Mitchell 1994b
- 15.61 Mitchell 2005a
- 15.62 Mitchell 2006a
- 15.63 Mitchell 2007a
- 15.64 Mitchell 2008a
- 15.65 Mitchell 2008b
- 15.66 Moholy-Nagy 1929a
- 15.67 Moholy-Nagy 1986a
- 15.68 Mojsisch 1983a
- 15.69 Monaco 2007a
- 15.70 Mondzain 2006a
- 15.71 Moog-Grünewald 2001a
- 15.72 Morris 1994a
- 15.73 Moser 2011a
- 15.74 Musterle & Roessler 1986a
- 16 N
- 16.1 Männlein-Robert 2007a
- 16.2 Möller 1984a
- 16.3 Mörchen 1970a
- 16.4 Mößner im Erscheinena
- 16.5 Mülder-Bach 1998a
- 16.6 Müller 1985a
- 16.7 Müller 1997a
- 16.8 Müller 2007a
- 16.9 Müller et al. 2012a
- 16.10 Müller-Beck & Albrecht 1978a
- 16.11 Münkler 2009a
- 16.12 Naef 2007a
- 16.13 Nancy 2006a
- 16.14 Nancy 2006b
- 16.15 Napier 2001a
- 16.16 Netzwerk Bildphilosophie 2013a
- 16.17 Neuber 2010a
- 16.18 Neuhaus 2006a
- 16.19 Neumann 1980a
- 16.20 Neurath 1991a
- 16.21 Niederée & Heyer 2003a
- 16.22 Nietzsche 1870-1873a
- 16.23 Nivelle 1971a
- 16.24 Nordman 2003a
- 16.25 Novitz 1977a
- 17 O
- 18 P
- 18.1 O’Riley 1998a
- 18.2 Paech 2005a
- 18.3 Paech 2006a
- 18.4 Pang 2002a
- 18.5 Panofsky 1924a
- 18.6 Panofsky 1927a
- 18.7 Panofsky 2002a
- 18.8 Paret 1960a
- 18.9 Paret 1968a
- 18.10 Passuth 1987a
- 18.11 Paul 2005a
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- 18.17 Peirce 1906a
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- 18.19 Perini 2005a
- 18.20 Perrault 1964a
- 18.21 Pesch 2001a
- 18.22 Peters 2011a
- 18.23 Petersen 1992a
- 18.24 Petersen 2000a
- 18.25 Pfaller 2002a
- 18.26 Pfisterer & von Rosen 2006a
- 18.27 Pfotenhauer 1996a
- 18.28 Pfotenhauer et al. 2005a
- 18.29 Piaget & Inhelder 1972a
- 18.30 Piaget 1956a
- 18.31 Piaget 1978a
- 18.32 Piaget et al. 1960a
- 18.33 Pias 2003a
- 18.34 Pias 2004a
- 18.35 Piccolino & Wade 2006a
- 18.36 Piccolino & Wade 2006b
- 18.37 Pillow 2003a
- 18.38 Pirenne 1952/53a
- 18.39 Pitts et al. 2008a
- 18.40 Platon 1991a
- 19 A
- 19.1 Platon 1991b
- 19.2 Platon 2008a
- 19.3 Plessner 1923a
- 19.4 Plessner 1923b
- 19.5 Plessner 1928a
- 19.6 Plessner 1951a
- 19.7 Plessner 1970a
- 19.8 Plessner 1982a
- 19.9 Plessner 1989a
- 19.10 Plinius 2004a
- 19.11 Plumpe 1988a
- 19.12 Plümacher 1999a
- 19.13 Plümacher 2005a
- 19.14 Polaschegg 2011a
- 19.15 Pollmeier 2005a
- 19.16 Popper 2002a
- 19.17 Potts 2000a
- 19.18 Pratschke 2005a
- 19.19 Pratschke 2008a
- 19.20 Pratt-Hartmann 2000a
- 19.21 Predelli 1999a
- 19.22 Pross 1972a
- 19.23 Puttfarken 1985a
- 20 Q
- 21 R
- 21.1 Rager 1997a
- 21.2 Raible 1991a
- 21.3 Rang 1990a
- 21.4 Raphael 1986a
- 21.5 Rastier 1972a
- 21.6 Ratkowitsch 2006a
- 21.7 Ratzka 2012a
- 21.8 Rautzenberg 2009a
- 21.9 Real Academia Española 1992a
- 21.10 Rebel 2009a
- 21.11 Recki 2004a
- 21.12 Rehkämper 2003a
- 21.13 Reiche 2001a
- 21.14 Reichert 2011a
- 21.15 Renger-Patzsch 2010a
- 21.16 Renner 2011a
- 21.17 Rentsch 2003a
- 21.18 Renz 2006a
- 21.19 Reulecke 2002a
- 21.20 Ricoeur 1974a
- 21.21 Ricœur 1973a
- 21.22 Riedel 2005a
- 21.23 Rieger & Schröter 2009a
- 21.24 Rieger 2001a
- 21.25 Rieger 2009a
- 21.26 Riegl 1901a
- 21.27 Riegl 1931a
- 21.28 Rimmele 2010a
- 21.29 Rimmele 2011a
- 21.30 Ritchin 1990a
- 21.31 Ritchin 1990b
- 21.32 Ritter & Gründer 1972a
- 21.33 Robin 1993a
- 21.34 Roch 1998a
- 21.35 Rock 1985a
- 21.36 Roelcke 1989a
- 21.37 Roll 2007a
- 21.38 Roloff 1972a
- 21.39 Roloff_1972a
- 21.40 Rorty 1967a
- 21.41 Ros 1979a
- 21.42 Ros 1989/90a
- 21.43 Ros 1989a
- 21.44 Ros 1999a
- 21.45 Ros 2005a
- 21.46 Rosand 1990a
- 21.47 Rosch 1978a
- 21.48 Rose 2006a
- 21.49 Rosen 2001a
- 21.50 Rosen 2003a
- 21.51 Rosen et al. 2003a
- 21.52 Rosenberg 1995a
- 21.53 Rosenberg 2007a
- 21.54 Rosler 2000a
- 21.55 Roth 2000a
- 21.56 Rowell 1986a
- 21.57 Royce 1998a
- 21.58 Rubin 1915a
- 21.59 Rucker et al. 1993a
- 21.60 Ruff 2009a
- 21.61 Runte 2005a
- 21.62 Rupprich 1969a
- 21.63 Ryan 2001a
- 21.64 Ryle 1949a
- 22 S
- 22.1 Róna-Tas 1999a
- 22.2 Röttgers & Fabian 1971a
- 22.3 Röttgers 1994a
- 22.4 Rötzer 1993a
- 22.5 Sachs-Hombach & Schirra 2002a
- 22.6 Sachs-Hombach & Schirra 2009a
- 22.7 Sachs-Hombach & Schirra 2011a
- 22.8 Sachs-Hombach & Schirra 2013a
- 22.9 Sachs-Hombach & Winter 2012a
- 22.10 Sachs-Hombach 1993a
- 22.11 Sachs-Hombach 1995a
- 22.12 Sachs-Hombach 1999a
- 22.13 Sachs-Hombach 1999b
- 22.14 Sachs-Hombach 1999c
- 22.15 Sachs-Hombach 2000a
- 22.16 Sachs-Hombach 2003a
- 22.17 Sachs-Hombach 2003b
- 22.18 Sachs-Hombach 2004a
- 22.19 Sachs-Hombach 2005a
- 22.20 Sachs-Hombach 2005b
- 22.21 Sachs-Hombach 2006a
- 22.22 Sachs-Hombach 2012a
- 22.23 Sachsse 1974a
- 22.24 Sachsse 2006a
- 22.25 Sacks 1996a
- 22.26 Saint-Martin 1986a
- 22.27 Saint-Martin 1987a
- 22.28 Saint-Martin 1990a
- 22.29 Saint-Martin 2007a
- 22.30 Sallis 1998a
- 22.31 Sallis 2007a
- 22.32 Sallis 2008a
- 22.33 Salomon 2006a
- 22.34 Salomon 2008a
- 22.35 Sampson 1985a
- 22.36 Sander 1962a
- 22.37 Sartre 1940a
- 22.38 Sartre 1943a
- 22.39 Sartre 1962a
- 22.40 Sartre 1980a
- 22.41 Sartre 1989a
- 22.42 Sartre 1994a
- 22.43 Sartre 1994b
- 22.44 Sartre 1994c
- 22.45 Sartre 1999a
- 22.46 Sauer 2008a
- 22.47 Saussure 1916a
- 22.48 Saxena & Sahay 2005a
- 22.49 Schaefer & Rentsch 2004a
- 22.50 Scheler 1928a
- 22.51 Schickore 2002a
- 22.52 Schier 2005a
- 22.53 Schierl & Ludwig 2010a
- 22.54 Schierl 2001a
- 22.55 Schierl 2003a
- 22.56 Schiffermüller 2009a
- 22.57 Schilling 2012a
- 22.58 Schirra & Sachs-Hombach 2006a
- 22.59 Schirra & Sachs-Hombach 2006b
- 22.60 Schirra & Sachs-Hombach 2010a
- 22.61 Schirra & Sachs-Hombach 2011a
- 22.62 Schirra & Sachs-Hombach 2013a
- 22.63 Schirra & Scholz 1998a
- 22.64 Schirra 1993a
- 22.65 Schirra 1994a
- 22.66 Schirra 1995a
- 22.67 Schirra 1999a
- 22.68 Schirra 2000a
- 22.69 Schirra 2001a
- 22.70 Schirra 2005a
- 22.71 Schirra 2005b
- 22.72 Schirra 2005c
- 22.73 Schirra 2006a
- 22.74 Schirra 2007a
- 22.75 Schleicher 1859a
- 22.76 Schlenstedt 2000a
- 22.77 Schlenstedt_George_2005a
- 22.78 Schlosser 1952a
- 22.79 Schmauks 1998a
- 22.80 Schmid 2009a
- 22.81 Schmidt 2000a
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- 22.83 Schmitt 1998a
- 22.84 Schmücker 2011a
- 22.85 Schneider & Berz 2002a
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- 22.87 Schneider 2000a
- 22.88 Schneider 2009a
- 22.89 Scholz 1991a
- 22.90 Scholz 1998a
- 22.91 Scholz 2004a
- 22.92 Schott 57a
- 22.93 Schröter & Thielmann 2006a
- 22.94 Schröter 2001a
- 22.95 Schröter 2003a
- 22.96 Schröter 2004a
- 22.97 Schröter 2004b
- 22.98 Schröter 2004c
- 22.99 Schröter 2004d
- 22.100 Schröter 2005a
- 22.101 Schröter 2006a
- 22.102 Schröter 2009a
- 22.103 Schröter 2009b
- 22.104 Schröter 2009c
- 22.105 Schröter 2009d
- 22.106 Schröter 2010a
- 22.107 Schröter 2010b
- 22.108 Schulte 1990a
- 22.109 Schulte 1999a
- 22.110 Schulz 2005a
- 22.111 Schulz 2010a
- 22.112 Schulze 2000a
- 22.113 Schweitzer 1953a
- 22.114 Schweizer 12a
- 22.115 Schwingeler 2008a
- 22.116 Schäffner 03a
- 22.117 Schönhammer 2009a
- 22.118 Schönhammer 2011a
- 22.119 Schöttler 2012a
- 22.120 Schürmann 2000a
- 22.121 Schürmann 2008a
- 22.122 Schürmann 2010a
- 22.123 Schürmann 2011a
- 22.124 Schürmann 2012a
- 22.125 Schürmann 2012b
- 22.126 Schüttpelz 2002a
- 22.127 Searle 1971a
- 22.128 Seel 1991a
- 22.129 Seel 2003a
- 22.130 Seidlmayer 2011a
- 22.131 Seiterle 1988a
- 22.132 Seja 2009a
- 22.133 Sekula 2002a
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- 22.136 Shepard 1990a
- 22.137 Shin 2002a
- 22.138 Shneiderman 1983a
- 22.139 Shohat & Stam 1998a
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- 22.142 Siegert 2003a
- 22.143 Siegmund 2007a
- 22.144 Simmel 1978a
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- 22.146 Simmel 1995a
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- 22.148 Smith & Tatarewicz 1985a
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- 22.150 Sobchack 1997a
- 22.151 Soeffner & Tänzler 2002a
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- 22.154 Sonesson 1992a
- 22.155 Sonesson 2003a
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- 22.157 Souriau 1951a
- 22.158 Souriau 1953a
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- 22.160 Spariosu 1984a
- 22.161 Speitkamp 1997a
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- 22.163 Sprenger 2010a
- 22.164 Sproat 2010a
- 22.165 Sproat 2010b
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- 22.168 Stafford 1998a
- 22.169 Steinbrenner & Glasauer 2007a
- 22.170 Steinbrenner & Winko 1997a
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- 22.172 Steinbrenner 1999a
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- 22.174 Steinbrenner 2009a
- 22.175 Stetter 1999a
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- 22.196 Stöckl 1992a
- 22.197 Stöckl 2003a
- 22.198 Stöckl 2004a
- 22.199 Stöckl 2004b
- 22.200 Stöckl 2005a
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- 22.202 Stöckl 2009a
- 22.203 Stöckl 2009b
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- 22.207 Susanka 2012a
- 22.208 Suárez de Figueroa 1609a
- 22.209 Szily 1999a
- 23 T
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- 24 U
- 25 V
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- 27 X
- 28 Y
- 29 Z
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}
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==E==
===Freud 1910a===
author = {Freud, Sigmund},
title = {Eine Kindheitserinnerung des Leonardo da Vinci},
booktitle = {Bildende Kunst und Literatur. Studienausgabe Bd. X},
year = {2001},
editor = {Mitscherlich, A.; Richards, A. & Strachey, J.},
pages = {87-161},
publisher = {Fischer},
address = {Frankfurt a. M.},
note = {},
hidden = {},
url = {},
}.
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}
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Ryan, Marie-Laure (2001a): Narrative as Virtual Reality. Immersion and Interactivity in Literature and Electronic Media.
The Johns Hopkins University Press, Baltimore & London.
(Typ: 'Buch')
Ryle 1949a
Ryle, Gilbert (1949): The Concept of Mind.
Hutchinson, London.
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S
Róna-Tas 1999a
Róna-Tas, A. (1999): Hungarians and Europe in the Early Middle Ages. An Introduction to Early Hungarian History.
CEU Press, Budapest.
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Röttgers & Fabian 1971a
Röttgers, K.;Fabian, R. (1971): Authentisch.
In: Ritter, Joachim (Hg.), Historisches Wörterbuch der Philosophie. Bd. 1. A-C. Wissenschaftl. Buchges., Darmstadt, 691-692.
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Röttgers 1994a
Röttgers, K. (1994): Der Standpunkt und die Gesichtspunkte.
Archiv für Begriffsgeschichte, 37, 257-284.
(Typ: 'Artikel in Zeitschrift')
Rötzer 1993a
(1993): Cyberspace. Zum medialen Gesamtkunstwerk.
???, München.
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Sachs-Hombach & Schirra 2002a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2002): Selecting Styles for Tele-Rendering: Toward a rhetoric in computational visualistics.
In: Butz, A. & Krüger, A. & Olivier, P. & Schlechtweg, S. & Zhou, M. (Hg.), Proc. 2nd International Symposium on Smart Graphics. ACM Press, Hawthorne, NY, 102-106.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach & Schirra 2009a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2009): Medientheorie, visuelle Kultur und Bildanthropologie.
In: Sachs-Hombach, Klaus (Hg.), Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn. Suhrkamp, Frankfurt/M., 393-424
link: www.JRJS.de/Work/Papers/P09/P09-1/index.html.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach & Schirra 2011a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2011): Prädikative und modale Bildtheorie.
In: Diekmannshenke, H.; Klemm, M. & Stöckl, H. (Hg.), Bildlinguistik. Theorien - Methoden - Fallbeispiele. Erich Schmidt, Berlin, 97-119
link: www.jrjs.de/Work/Papers/P11/P11-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Gegenstände sind immer nur dann Bilder, wenn jemand sie als solche benutzt. Hierbei können Bilder eine Vielzahl von Funktionen übernehmen. Lassen sich diese verschiedenen Funktionen oder Verwendungsweisen vielleicht aus einer einzigen Grundfunktion ableiten? Und sofern das so ist: Was wäre, ließe sich zweitens fragen, diese Grundfunktion von Bildern und in welcher Relation, ergibt sich als dritte Frage, steht sie zu den Verwendungsweisen von Sprache? Eine positive Beantwortung der ersten Frage voraussetzend werden zwei Kandidaten für die zweite Frage untersucht und diskutiert: Während die prädikative Theorie die grundlegende Bildverwendung in etwa paraphrasiert mit „… sieht so und so aus“ (bzw. „Der Gegenstand, der so und so aussieht, …“), schlägt die modale Theorie eine Verwendungsweise vor analog zu „An einem anderen (auch fiktiven) Ort oder einer anderen (auch hypothetischen) Zeit ist der Fall, daß so und so.“
Sachs-Hombach & Schirra 2013a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2013): Origins of Pictures.
Halem, Köln.
(Typ: 'Buch')
Sachs-Hombach & Winter 2012a
Sachs-Hombach, Klaus & Winter, Hellmut (2012): Funktionen der Materialität von Bildern.
In: Finke, Marcel & Halawa, Mark A. (Hg.), Materialität und Bildlichkeit. Visuelle Artefakte zwischen Aisthesis und Semiosis. Kadmos, Berlin, 50-67.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1993a
Sachs-Hombach, Klaus (1993): Philosophische Psychologie im 19. Jahrhundert.
Alber, Freiburg.
(Typ: 'Buch')
Sachs-Hombach 1995a
Sachs-Hombach, Klaus (1995): Piktoriale Einstellungen.
In: Sachs-Hombach, Klaus (Hg.), Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktoraler Repräsentationen. Rodopi, Amsterdam, 195-211.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1999a
Sachs-Hombach, (1999): Gibt es ein Bildalphabet?.
In: Sachs-Hombach, K. & Rehkämper, K. (Hg.), Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen. Scriptum, Magdeburg, 57-66.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1999b
Sachs-Hombach, Klaus (1999): Fragen der Bildwissenschaft. Über den Studiengang Computervisualistik.
form diskurs, 7, 2, 40-43
( 4. Jg. ).
(Typ: 'Artikel in Zeitschrift')
Sachs-Hombach 1999c
Sachs-Hombach, Klaus (1999): Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildhafter Darstellungsformen (Reihe Bildwissenschaft, Bd. 1).
Scriptum Verlag, Magdeburg.
(Typ: 'Buch')
Sachs-Hombach 2000a
Sachs-Hombach, (2000): Ähnlichkeit als kulturabhängiges Phänomen.
In: Sachs-Hombach, Klaus & Rehkämper, Klaus (Hg.), Vom Realismus der Bilder. Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen. Scriptum, Magdeburg, 89–106.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 2003a
Sachs-Hombach, Klaus (2003): Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft.
Herbert von Halem, Köln.
(Typ: 'Buch')
Sachs-Hombach 2003b
Sachs-Hombach, Klaus (2003): Was ist Bildkompetenz?.
DUV, Wiesbaden.
(Typ: 'Buch')
Sachs-Hombach 2004a
Sachs-Hombach, Klaus (2004): Wege zur Bildwissenschaft. Interviews.
Halem, Köln.
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Sachs-Hombach 2005a
Sachs-Hombach, Klaus (Hg.)(2005): Bildwissenschaft. Disziplinen, Themen, Methoden.
Suhrkamp, Frankfurt/Main.
(Typ: 'Sammelband')
Sachs-Hombach 2005b
Sachs-Hombach, Klaus (Hg.)(2005): Bildwissenschaft. Zwischen Reflexion und Anwendung.
Halem, Köln.
(Typ: 'Sammelband')
Sachs-Hombach 2006a
Sachs-Hombach, Klaus (2006): Bild und Medium.
Halem, Köln.
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Sachs-Hombach 2012a
Sachs-Hombach, Klaus (2012): Bilder in der Wissenschaft.
In: Liebsch, Dimitri & Mößner, Nicola (Hg.), Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften. Herbert von Halem Verlag, Köln, 31-42.
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Sachsse 1974a
Sachsse, Hans (1974): Einführung in die Kybernetik. Unter besonderer Berücksichtigung von technischen und biologischen Wirkungsgefügen.
Vieweg, Braunschweig.
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Sachsse 2006a
Sachsse, Rolf (2006): Geknüpfter und gewebter Krieg. Militärische Motive auf afghanischen Teppichen.
Zeithistorische Forschungen/Studies in Contemporary History, 3, 2
link: zeithistorische-forschungen.de/16126041-Sachsse-2-2006, Online-Ausgabe.
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Sacks 1996a
Sacks, Oliver (1996): Migräne.
Rowohlt, Hamburg.
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Saint-Martin 1986a
Saint-Martin, Fernande (1986): Sémiologie et syntax visuelle: Une analyse de Mascerade de Pellan.
Protée, ???.
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Saint-Martin 1987a
Saint-Martin, Fernande (1987): Sémiologie du langage visuel.
Presses de l’Université du Quebec, Montréal, Englisch: Semiotics of Visual Language. Bloomington, Indianapolis: Indiana University Press..
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Saint-Martin 1990a
Saint-Martin, Fernande (1990): Semiotics of Visual Language.
Indiana University Press, Bloomington, IN.
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Saint-Martin 2007a
Saint-Martin, Fernande (2007): Le Sens du langage visuel.
Presses de l’Université du Quebec, Montréal.
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Sallis 1998a
Sallis, John (1998): Shades. Of Painting at the Limit.
Indiana University Press, Bloomington.
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Sallis 2007a
Sallis, John (2007): The Hermeneutics of the Artwork. Die Ontologie des Kunstwerks und ihre hermeneutische Bedeutung (GW 1, 87-138).
In: Figal, G. (Hg.), Hans-Georg Gadamer, Wahrheit und Methode. ??, Berlin, 29-44, Klassiker Auslegen Bd.30.
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Sallis 2008a
Sallis, John (2008): Transfigurements: On the True Sense of Art.
University Of Chicago Press, Chicago.
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Salomon 2006a
Salomon, David (2006): Transformations and Projections in Computer Graphics.
???, London.
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Salomon 2008a
Salomon, David (2008): A Concise Introduction to Data Compression.
???, London.
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Sampson 1985a
Sampson, Geoffrey (1985): Writing Systems. A linguistic introduction.
Stanford University Press, Stanford, California.
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Sander 1962a
Sander, Friedrich (1962): Experimentelle Ergebnisse der Gestaltpsychologie.
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Sartre 1940a
Sartre, Jean-Paul (1940): L'Imaginaire: Psychologie phénoménologique de l'imagination.
Gallimard, Paris.
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Sartre 1943a
Sartre, Jean-Paul (2010): Das Sein und das Nichts.
Rowohlt, Reinbek bei Hamburg.
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Sartre 1962a
Sartre, Jean-Paul (1962): Der Blick.
In: Sartre, Jean-Paul (Hg.), Das Sein und das Nichts. Rowohlt, Reinbek bei Hamburg.
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Sartre 1980a
Sartre, Jean-Paul (1980): Der Idiot der Familie. Gustave Flaubert 1821 bis 1857. Bd. 2: Die Personalisation 1.
Rowohlt, Reinbek bei Hamburg.
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Sartre 1989a
Sartre, Jean-Paul (1989): Der Ekel.
Rowohlt, Reinbek bei Hamburg.
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Sartre 1994a
Sartre, Jean-Paul (1994): Skizze einer Theorie der Emotionen.
In: Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego. Rowohlt, Reinbek bei Hamburg, 255-321, hrsg. von Vincent von Wroblewsky.
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Sartre 1994b
Sartre, Jean-Paul (1994): Das Imaginäre. Phänomenologische Psychologie der Einbildungskraft (1940).
Rowohlt, Reinbek bei Hamburg, Gesammelte Werke. Philosophische Schriften I-2, hrsg. von Vincent von Wroblewsky.
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Sartre 1994c
Sartre, Jean-Paul (1994): Die Imagination (1936).
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Sartre 1999a
Sartre, Jean Paul (1999): Die Suche nach dem Absoluten. Texte zur bildenden Kunst.
Rowohlt TB, Hamburg.
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Sauer 2008a
Sauer, Martina (2008): Wahrnehmen von Sinn vor jeder sprachlichen oder gedanklichen Fassung? Frage an Ernst Cassirer.
Kunstgeschichte. Texte zur Diskussion, 6
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Saussure 1916a
Saussure, Ferdinand de (1916): Cours de linguistique générale.
???, Paris, Deutsch: Grundfragen der allgemeinen Sprachwissenschaft. 3. Aufl. Berlin 2001..
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Saxena & Sahay 2005a
Saxena, Anupam & Sahay, Birendra (2005): Computer Aided Engineering Design.
???, New York u.a.
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Schaefer & Rentsch 2004a
Schaefer, Christina & Rentsch, Stefanie (2004): Ekphrasis. Anmerkungen zur Begriffsbestimmung in der neueren Forschung.
Zeitschrift für französische Sprache und Literatur, 114, 2, 132-165.
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Scheler 1928a
Scheler, Max (1928): Die Stellung des Menschen im Kosmos.
Otto Reichl Verlag, Darmstadt.
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Schickore 2002a
Schickore, Jutta (2002): Fixierung mikroskopischer Beobachtungen: Zeichnung, Dauerpräparat, Mikrofotografie.
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Schier, W. (2005): Die Maske von Uivar.
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Schierl & Ludwig 2010a
Schierl, Thomas & Ludwig, Mark (2010): Produktpolitik und visuelle Differenzierung im Fußball.
Zeitschrift für Semiotik, 32, 3/4, 267-285.
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Schierl 2001a
Schierl, Thomas (2001): Text und Bild in der Werbung.
Herbert von Halem, Köln.
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Schierl 2003a
Schierl, Thomas (2003): Werbung im Fernsehen.
Herbert von Halem, Köln.
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Schiffermüller 2009a
Schiffermüller, Isolde (2009): Wort und Bild im Atlas »Mnemosyne«. Zur pathetischen Eloquenz der Sprache Aby Warburgs.
In: Kofler, Peter (Hg.), Ekstatische Kunst. Aby Warburg und die Denkräume der Ekphrasis. Studienverlag, Wien (u.a.), 7-22.
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Schilling 2012a
Schilling, Michael (Hg.)(2012): Illustrierte Flugblätter der Frühen Neuzeit.
Kulturhistorisches Museum Magdeburg, Magdeburg.
(Typ: 'Sammelband')
Schirra & Sachs-Hombach 2006a
Schirra, Jörg R.J. & Sachs-Hombach, Klaus (2006): Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht.
ELiSe: Essener Linguistische Skripte – elektronisch, 6, 1, 51-72
link: www.uni-due.de/germanistik/elise/ausgabe_12006
( letzter Zugriff: 25. September 2010 ).
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre.
Schirra & Sachs-Hombach 2006b
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2006): Fähigkeiten zum Bild- und Sprachgebrauch.
Deutsche Zeitschrift für Philosophie, 54, 6, 887-905
link: www.jrjs.de/Work/Papers/P06/P06-5/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist.
Schirra & Sachs-Hombach 2010a
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2010): Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology.
Linguistic and Philosophical Investigations, 9, 144–181
link: www.jrjs.de/Work/Papers/P10/P10-2/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.
Schirra & Sachs-Hombach 2011a
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2011): Anthropologie in der systematischen Bildwissenschaft: Auf der Spur des homo pictor.
In: Meyer, S. & Owzar, A. (Hg.), Disziplinen der Anthropologie. Waxmann, Münster, 145-177
link: www.jrjs.de/Work/Papers/P11/P11-1/index.html.
(Typ: 'Beitrag in Sammelband')
Schirra & Sachs-Hombach 2013a
Schirra, Jörg R.J. & Sachs-Hombach, Klaus (2013): The Anthropological Function of Pictures.
In: Sachs-Hombach, K. & Schirra, J.R.J. (Hg.), Origins of Pictures. Halem, Köln, ??, im Erscheinen.
(Typ: 'Beitrag in Sammelband')
Schirra & Scholz 1998a
Schirra, Jörg R.J. & Scholz, Martin (1998): Abstraction versus Realism: Not the Real Question.
In: Strothotte, T. (et al.) (Hg.), Computer Visualization – Graphics, Abstraction, and Interactivity. Springer, Heidelberg, 379-401
link: www.jrjs.de/Work/Papers/P98/P98-3/index.html, Chapter 22.
(Typ: 'Beitrag in Sammelband')
Abstract:
- When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.
Schirra 1993a
Schirra, Jörg R.J. (1993): Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«.
In: M. Aurnague, A. Borillo, M. Borillo & M. Bras (Hg.), Semantics of Time, Space, and Movement. Univ. Paul Sabatier, Toulouse, 105-121
link: www.jrjs.de/Work/Papers/P93/P93-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.
Schirra 1994a
Schirra, Jörg R.J. (1994): Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum.
DISKI, St. Augustin
link: www.jrjs.de/Work/Papers/P94/P94-1-d/index.html
( ISBN 3-929037-71-8 ).
(Typ: 'Buch')
Schirra 1995a
Schirra, Jörg R.J. (1995): Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning.
In: Sachs-Hombach, K. (Hg.), Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen. Rodopi, Amsterdam, 107-136
link: www.jrjs.de/Work/Papers/P95/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees.
Schirra 1999a
Schirra, Jörg R.J. (1999): Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik.
In: Sachs-Hombach, K. & Rehkämper, K. (Hg.), bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen. Magdeburg, 103-119
link: www.jrjs.de/Work/Papers/P99/P99-3/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.
Schirra 2000a
Schirra, Jörg R.J. (2000): Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis.
In: Rehkämper, K.& Sachs-Hombach, K. (Hg.), Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen. Skriptum, Magdeburg, 119-135
link: www.jrjs.de/Work/Papers/P00/P00-1/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.
Schirra 2001a
Schirra, Jörg R.J. (2001): Bilder —— Kontextbilder.
In: Sachs-Hombach, K. (Hg.), Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen. Skriptum, Magdeburg, 77-100
link: www.jrjs.de/Work/Papers/P01/P01-5/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar.
Schirra 2005a
Schirra, Jörg R.J. (2005): Foundation of Computational Visualistics.
DUV, Wiesbaden
( ISBN: 3-8350-6015-5 ).
(Typ: 'Buch')
Schirra 2005b
Schirra, Jörg R.J. (2005): Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach.
IMAGE - Zeitschrift für interdisziplinäre Bildforschung, 1, 30-45
link: www.jrjs.de/Work/Papers/P05/P05-1/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben.
Schirra 2005c
Schirra, Jörg R.J. (2005): Computervisualistik.
In: Sachs-Hombach, K. (Hg.), Bildwissenschaft. Disziplinen, Themen, Methoden. Suhrkamp, Frankfurt/M., 268-280
link: www.jrjs.de/Work/Papers/P05/P05-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen.
Schirra 2006a
Schirra, Jörg R.J. (2006): Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen.
In: Sachs-Hombach, Klaus (Hg.), Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft. Halem, Köln, 197-215
link: www.jrjs.de/Work/Papers/P06/P06-3/index.html.
(Typ: 'Beitrag in Sammelband')
Schirra 2007a
Schirra, Jörg R.J. (Hg.) (Hg.)(2007): Computational Visualistics and Picture Morphology.
IMAGE - Zeitschrift für interdisziplinäre Bildforschung
link: www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf, Themenbeiheft zu Band 5.
(Typ: 'Sammelband')
Schleicher 1859a
Schleicher, August (1859): Zur Morphologie der Sprache.
Mémoires de l'académdie impériale des sciences de St. Pétersbourg, 1?, 7, 1-38.
(Typ: 'Artikel in Zeitschrift')
Schlenstedt 2000a
Schlenstedt, Dieter (2000): Darstellung.
In: Karlheinz Barck et al. (Hg.), Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: : Absenz – Darstellung. J. B. Metzler, Stuttgart, 831-875.
(Typ: 'Beitrag in Sammelband')
Schlenstedt_George_2005a
Schlenstedt, Dieter; George, Marion (2005): Typisch/Typ(us).
In: Karlheinz Barck et al. (Hg.), Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: Absenz – Darstellung. J. B. Metzler, Stuttgart, Weimar, 191-246.
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Schlosser, K. (1952): Der Signalismus in der Kunst der Naturvölker: Biologisch-psychologische Gesetzlichkeiten in den Abweichungen von der Norm des Vorbildes.
Mühlau, Kiel.
(Typ: 'Buch')
Schmauks 1998a
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(Typ: 'Beitrag in Sammelband')
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Schmid, Gabriele (2009): Zwischen Bildern. Die holographische Installation als Handlungsfeld.
In: Rieger, Stefan & Schröter, Jens (Hg.), Das holographische Wissen. diaphanes, Zürich/Berlin, 161-180.
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Schmidt, Ulrike Kristin (2000): Kunstzitat und Provokation im 20. Jahrhundert.
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Schmitt, Arbogast (1998): Mimesis bei Aristoteles und in den Poetikkommentaren der Renaissance. Zum Wandel des Gedankens von der Nachahmung der Natur in der frühen Neuzeit.
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Schmücker, Reinold (2011): Lob der Fälschung.
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Schneider, Birgit & Berz, Peter (2002): Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie.
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Schneider, Jan Georg & Stöckl, Hartmut (Hg.)(2011): Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze.
Halem, Köln, erscheint Frühjahr 2011.
(Typ: 'Sammelband')
Schneider 2000a
Schneider, Ralf (2000): Grundriß zur kognitiven Theorie der Figurenkonzeption am Beispiel des viktorianischen Romans.
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(Typ: 'Buch')
Schneider 2009a
Schneider, Birgit (2009): Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”.
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Scholz, Oliver R. (1991): Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen.
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Klostermann, Frankfurt a. M., 2., vollständig überarbeitete Aufl..
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Schott, Kaspar (1657): De Magia Anamorphotica.
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Schröter, Jens (2001): Eine kurze Geschichte der digitalen Fotografie.
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Schröter 2003a
Schröter, Jens (2003): Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern.
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Schröter 2004a
Schröter, Jens (2004): Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?.
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(Typ: 'Beitrag in Sammelband')
Schröter 2004b
Schröter, Jens (2004): Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine.
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Schröter, Jens (2004): Notizen zu einer Geschichte des Löschens. Am Beispiel von Video und Robert Rauschenbergs Erased de Kooning-Drawing.
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Schröter 2005a
Schröter, Jens (2005): MetaMorphing. Camerons Analysen der digitalen Bilder in Terminator 2 und The Abyss.
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Schröter, Jens (2006): Wie man Skulpturen rendern soll. Zur Geschichte der transplanen Reproduktion.
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(Typ: 'Beitrag in Sammelband')
Schröter 2009a
Schröter, Jens (2009): Wirklichkeit ist überhaupt nur darzustellen, indem man sie konstruiert (Andreas Gursky).
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(Typ: 'Beitrag in Sammelband')
Schröter 2009b
Schröter, Jens (2009): On the Logic of the Digital Archive.
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(Typ: 'Beitrag in Sammelband')
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Schröter, Jens (2009): 3D. Zur Theorie, Geschichte und Medienästhetik des technischtransplanen Bildes.
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Schröter, Jens (2009): Das holographische Wissen und die Nicht-Reproduzierbarkeit.
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(Typ: 'Beitrag in Sammelband')
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Schröter, Jens (2010): Fotografie und Fiktionalität.
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Schröter, Jens (2010): Das Zeitalter der technischen Nicht-Reproduzierbarkeit.
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Schulte, Joachim (1999): Stilfragen.
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Schulte, Joachim (1999): Die Hinnahme von Sprachspielen und Lebensformen.
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Schulze, Gerhard (2000): Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe..
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Schönhammer, Rainer (2009): Einführung in die Wahrnehmungspsychologie. Sinne, Körper, Bewegung.
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Schönhammer, Rainer (2011): Stichwort: Kippbilder.
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'"`UNIQ--bibexport-00000548-QINU`"'
