Vorlage:Bibliography-C: Unterschied zwischen den Versionen
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===Caglioti 1995a=== | ===Caglioti 1995a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Caglioti 1995a, | @inproceedings{Caglioti 1995a, | ||
author = {Caglioti, Giuseppe}, | author = {Caglioti, Giuseppe}, | ||
− | title = { | + | title = {Percep­tion of Am­bigu­ous Fig­ures: A Quali­tative Model Based on Syner­getics and Quantum Mechan­ics}, |
− | booktitle = { | + | booktitle = {Ambi­guity in Mind and Na­ture. Multi­stable Cogni­tive Phenom­ena}, |
year = {1995}, | year = {1995}, | ||
editor = {Kruse, P. & Stadler, M.}, | editor = {Kruse, P. & Stadler, M.}, | ||
Zeile 29: | Zeile 15: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Calame & Thouvenin 2008a=== | ===Calame & Thouvenin 2008a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Calame & Thouvenin 2008a, | @inproceedings{Calame & Thouvenin 2008a, | ||
− | author = {Calame, Thierry & | + | author = {Calame, Thierry & Thouve­nin, Florent}, |
− | title = {Das | + | title = {Das Bild­zitat}, |
− | booktitle = { | + | booktitle = {Proble­me des neuen Urhe­berrechts für die Wissen­schaft, den Buch­handel und die Biblio­theken}, |
year = {2008}, | year = {2008}, | ||
editor = {Schmitz, W. et al.}, | editor = {Schmitz, W. et al.}, | ||
pages = {135-146}, | pages = {135-146}, | ||
− | publisher = { | + | publisher = {Harras­sowitz}, |
− | address = { | + | address = {Wies­baden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
Zeile 70: | Zeile 55: | ||
@book{Campenhausen 1993a, | @book{Campenhausen 1993a, | ||
author = {Campenhausen, Christoph}, | author = {Campenhausen, Christoph}, | ||
− | title = {Die Sinne des Menschen. | + | title = {Die Sinne des Menschen. Einfüh­rung in die Psycho­physik der Wahr­neh­mung}, |
year = {1993}, | year = {1993}, | ||
publisher = {Thieme}, | publisher = {Thieme}, | ||
Zeile 194: | Zeile 179: | ||
address = {Chicago, IL}, | address = {Chicago, IL}, | ||
note = {}, | note = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Carrier 2000a=== | ||
+ | <bibentry> | ||
+ | @book{Carrier 2000a, | ||
+ | author = {Carrier, David}, | ||
+ | title = {The Aesthetics of Comics}, | ||
+ | year = {2000}, | ||
+ | publisher = {Pennsylvania State UP}, | ||
+ | address = {University Park}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 202: | Zeile 201: | ||
@inproceedings{Carroll 1994a, | @inproceedings{Carroll 1994a, | ||
author = {Carroll, Noël}, | author = {Carroll, Noël}, | ||
− | title = { | + | title = {Vis­ual Meta­phor}, |
− | booktitle = {Aspects of | + | booktitle = {Aspects of Meta­phor}, |
year = {1994}, | year = {1994}, | ||
− | editor = { | + | editor = {Hintik­ka, J.}, |
− | pages = {189-218}, | + | pages = {189-​218}, |
publisher = {Kluwer}, | publisher = {Kluwer}, | ||
address = {Boston}, | address = {Boston}, | ||
Zeile 214: | Zeile 213: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Carroll 1996a=== | ===Carroll 1996a=== | ||
Zeile 220: | Zeile 218: | ||
@inproceedings{Carroll 1996a, | @inproceedings{Carroll 1996a, | ||
author = {Carroll, Noël}, | author = {Carroll, Noël}, | ||
− | title = {A Note on Film | + | title = {A Note on Film Meta­phor}, |
− | booktitle = { | + | booktitle = {Theoriz­ing the Moving Im­age}, |
year = {1996}, | year = {1996}, | ||
editor = {Carrol, N.}, | editor = {Carrol, N.}, | ||
pages = {212-223}, | pages = {212-223}, | ||
− | publisher = {Cam­bridge Uni­ | + | publisher = {Cam­bridge Uni­ver­sity Press}, |
− | address = { | + | address = {Cam­brigde}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
Zeile 232: | Zeile 230: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Carroll 1999a=== | ===Carroll 1999a=== | ||
Zeile 238: | Zeile 235: | ||
@book{Carroll 1999a, | @book{Carroll 1999a, | ||
author = {Carroll, Noël}, | author = {Carroll, Noël}, | ||
− | title = { | + | title = {Philo­sophy of Art}, |
year = {1999}, | year = {1999}, | ||
− | publisher = { | + | publisher = {Rout­ledge}, |
address = {New York}, | address = {New York}, | ||
note = {}, | note = {}, | ||
Zeile 246: | Zeile 243: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Carroll 2010a=== | ===Carroll 2010a=== | ||
Zeile 271: | Zeile 267: | ||
title = {How the Laws of Physics Lie}, | title = {How the Laws of Physics Lie}, | ||
year = {1983}, | year = {1983}, | ||
− | publisher = { | + | publisher = {Cla­ren­don Press}, |
address = {Ox­ford}, | address = {Ox­ford}, | ||
note = {}, | note = {}, | ||
Zeile 278: | Zeile 274: | ||
</bibentry> | </bibentry> | ||
+ | ===Cartwright 2002a=== | ||
+ | <bibentry> | ||
+ | @inproceedings{Cartwright 2002a, | ||
+ | author = {Cartwright, Lisa}, | ||
+ | title = {Film and the Digital in Visual Studies. Film Studies in the Era of Convergence}, | ||
+ | booktitle = {Visual Culture. Critical Concepts in Media and Cultural Studies. Vol. 1. What Is Visual Culture Studies?}, | ||
+ | year = {2006}, | ||
+ | editor = {Morra, J. & Smith, M.}, | ||
+ | pages = {237-253}, | ||
+ | publisher = {Routledge}, | ||
+ | address = {London, New York}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | url = {}, | ||
+ | } | ||
+ | </bibentry> | ||
===Casey 2002a=== | ===Casey 2002a=== | ||
Zeile 382: | Zeile 394: | ||
@inproceedings{Cassirer 1930a, | @inproceedings{Cassirer 1930a, | ||
author = {Cassirer, Ernst}, | author = {Cassirer, Ernst}, | ||
− | title = { | + | title = {My­thischer, ästhe­tischer und theore­tischer Raum (1930)}, |
− | booktitle = {Ernst | + | booktitle = {Ernst Cassi­rer: Gesam­melte Werke, Bd. 17}, |
year = {2004}, | year = {2004}, | ||
editor = {Recki, B.}, | editor = {Recki, B.}, | ||
− | pages = {411-436 [1931]}, | + | pages = {411-​436 [1931]}, |
publisher = {Meiner}, | publisher = {Meiner}, | ||
address = {Ham­burg}, | address = {Ham­burg}, | ||
Zeile 394: | Zeile 406: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Cassirer 1989a=== | ===Cassirer 1989a=== | ||
Zeile 428: | Zeile 439: | ||
@book{Cassirer 1996a, | @book{Cassirer 1996a, | ||
author = {Cassirer, Ernst}, | author = {Cassirer, Ernst}, | ||
− | title = { | + | title = {Ver­such über den Menschen. Einfüh­rung in eine Philo­sophie der Kultur}, |
year = {1996}, | year = {1996}, | ||
publisher = {Meiner}, | publisher = {Meiner}, | ||
− | address = { | + | address = {Ham­burg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Cassirer 2009a=== | ===Cassirer 2009a=== | ||
Zeile 442: | Zeile 452: | ||
@inproceedings{Cassirer 2009a, | @inproceedings{Cassirer 2009a, | ||
author = {Cassirer, Ernst}, | author = {Cassirer, Ernst}, | ||
− | title = {Der Begriff der | + | title = {Der Begriff der symbo­lischen Form im Aufbau der Geistes­wissen­schaften}, |
− | booktitle = {Schriften zur | + | booktitle = {Schriften zur Philo­sophie der symbo­lischen Formen}, |
year = {2009}, | year = {2009}, | ||
pages = {63-92}, | pages = {63-92}, | ||
Zeile 464: | Zeile 474: | ||
note = {}, | note = {}, | ||
hidden = {hrsg. von B. Recki}, | hidden = {hrsg. von B. Recki}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===CCALED-4=== | ||
+ | <bibentry> | ||
+ | @book{CCALED-4, | ||
+ | author = {}, | ||
+ | title = {Collins Cobuild Advanced Learner’s English Dictionary}, | ||
+ | year = {2003}, | ||
+ | editor = {Collins Cobuild}, | ||
+ | publisher = {Collins}, | ||
+ | address = {Glasgow}, | ||
+ | note = {4<sup>th</sup> edition}, | ||
+ | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 470: | Zeile 494: | ||
<bibentry> | <bibentry> | ||
@book{Cernych 2001a, | @book{Cernych 2001a, | ||
− | author = { | + | author = {Černych, Pavel}, |
− | title = { | + | title = {Isto­riko-ėti­molo­gičeskij slovar' russko­go jazyka. V dvuch tomach}, |
year = {2001}, | year = {2001}, | ||
publisher = {Russkij jazyk}, | publisher = {Russkij jazyk}, | ||
Zeile 479: | Zeile 503: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Cha & Rautzenberg 2008a=== | ===Cha & Rautzenberg 2008a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Cha & Rautzenberg 2008a, | @inproceedings{Cha & Rautzenberg 2008a, | ||
− | author = {Cha, Kyung-Ho & Rautzenberg, | + | author = {Cha, Kyung-Ho & Rautzenberg, Mar­kus}, |
− | title = { | + | title = {Ein­leitung: Im Theater des Sehens. Ana­morpho­se als Bild und philo­sophi­sche Meta­pher}, |
− | booktitle = {Der | + | booktitle = {Der ent­stellte Blick. Ana­morpho­sen in Kunst, Lite­ratur und Philo­sophie}, |
year = {2008}, | year = {2008}, | ||
− | editor = {Cha, K. & | + | editor = {Cha, K. & Rautzen­berg, M.}, |
pages = {7-22}, | pages = {7-22}, | ||
publisher = {Fink}, | publisher = {Fink}, | ||
Zeile 502: | Zeile 525: | ||
@book{Chalmers 2007a, | @book{Chalmers 2007a, | ||
author = {Chalmers, Alan F.}, | author = {Chalmers, Alan F.}, | ||
− | title = {Wege der | + | title = {Wege der Wissen­schaft. Einfüh­rung in die Wis­sen­schafts­theorie}, |
year = {2007}, | year = {2007}, | ||
publisher = {Springer}, | publisher = {Springer}, | ||
address = {Berlin}, | address = {Berlin}, | ||
− | note = {6. | + | note = {6. verbes­serte Aufl.}, |
hidden = {hrsg. und übersetzt von N. Bergemann und Ch. Altstötter-Gleich}, | hidden = {hrsg. und übersetzt von N. Bergemann und Ch. Altstötter-Gleich}, | ||
} | } | ||
Zeile 553: | Zeile 576: | ||
</bibentry> | </bibentry> | ||
+ | |||
+ | ===Chen 2004a=== | ||
+ | <bibentry> | ||
+ | @book{Chen 2004a, | ||
+ | author = {Chen, Tingyou}, | ||
+ | title = {Chinese Calli­graphy}, | ||
+ | year = {2004}, | ||
+ | publisher = {Wuzhou Verlag}, | ||
+ | address = {Peking}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
===Chen 2009a=== | ===Chen 2009a=== | ||
Zeile 558: | Zeile 594: | ||
@book{Chen 2009a, | @book{Chen 2009a, | ||
author = {Chen, Tingyou}, | author = {Chen, Tingyou}, | ||
− | title = {China: Die | + | title = {China: Die Kalli­graphie}, |
year = {2009}, | year = {2009}, | ||
− | publisher = {China | + | publisher = {China Inter­conti­nental Press}, |
address = {Beijing}, | address = {Beijing}, | ||
− | note = {übersetzt von Winter, J. & Winter, M.}, | + | note = {}, |
+ | hidden = {übersetzt von Winter, J. & Winter, M.}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Ch’en 1966a=== | ||
+ | <bibentry> | ||
+ | @book{Ch’en 66a, | ||
+ | author = {Ch'en, Chih-mai}, | ||
+ | title = {Chinese Calligraphers and Their Art}, | ||
+ | year = {1966}, | ||
+ | publisher = {Melbourne University Press}, | ||
+ | address = {Carlton}, | ||
+ | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
Zeile 568: | Zeile 618: | ||
− | ===Chiang | + | ===Chiang 1973a=== |
<bibentry> | <bibentry> | ||
− | @book{Chiang | + | @book{Chiang 1973a, |
author = {Chiang, Yee}, | author = {Chiang, Yee}, | ||
− | title = { | + | title = {Chi­nese Calli­graphy – An Intro­duction to Its Aes­thetic and Technique}, |
year = {1973}, | year = {1973}, | ||
− | publisher = {Havard Uni­ | + | publisher = {Havard Uni­ver­sity Press}, |
address = {Cam­bridge, Massa­chusetts, London}, | address = {Cam­bridge, Massa­chusetts, London}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Chiang online=== | ||
+ | <bibentry> | ||
+ | @misc{Chiang online, | ||
+ | author = {Chiang, Yee}, | ||
+ | title = {Encyclopedia Britannica: Chinese Calligraphy}, | ||
+ | year = {2012}, | ||
+ | howpublished = {hypertext, online}, | ||
+ | note = {}, | ||
+ | hidden = {letzter Kontrollaufruf: 20.2.2014}, | ||
+ | url = {http://www.britannica.com/EBchecked/topic/719284/Chinese-calligraphy?anchor=ref1047374 }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 585: | Zeile 649: | ||
@book{Chion 1999a, | @book{Chion 1999a, | ||
author = {Chion, Michel}, | author = {Chion, Michel}, | ||
− | title = {The Voice in | + | title = {The Voice in Cin­ema}, |
year = {1999}, | year = {1999}, | ||
− | publisher = { | + | publisher = {Colum­bia Uni­vers­ity Press}, |
address = {New York} | address = {New York} | ||
note = {}, | note = {}, | ||
Zeile 593: | Zeile 657: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Chladenius 1742a=== | ===Chladenius 1742a=== | ||
Zeile 599: | Zeile 662: | ||
@book{Chladenius 1742a, | @book{Chladenius 1742a, | ||
author = {Chladenius, Ernst Martin}, | author = {Chladenius, Ernst Martin}, | ||
− | title = { | + | title = {Ein­leitung zur richti­gen Ausle­gung vernünf­tiger Reden und Schriften}, |
year = {1742}, | year = {1742}, | ||
− | publisher = {}, | + | publisher = {Lanckisch}, |
address = {Leipzig}, | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
Zeile 607: | Zeile 670: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Chomsky 1957a=== | ===Chomsky 1957a=== | ||
Zeile 613: | Zeile 675: | ||
@book{Chomsky 1957a, | @book{Chomsky 1957a, | ||
author = {Chomsky, Noam}, | author = {Chomsky, Noam}, | ||
− | title = { | + | title = {Syn­tac­tic Struc­tures}, |
year = {1957}, | year = {1957}, | ||
publisher = {Mouton}, | publisher = {Mouton}, | ||
Zeile 621: | Zeile 683: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Christian 2009a=== | ===Christian 2009a=== | ||
Zeile 627: | Zeile 688: | ||
@book{Christian 2009a, | @book{Christian 2009a, | ||
author = {Christian, Alexander}, | author = {Christian, Alexander}, | ||
− | title = { | + | title = {Pikto­gramme, Kriti­scher Beitrag zu einer Begriffs­bestim­mung}, |
year = {2009}, | year = {2009}, | ||
publisher = {Shaker}, | publisher = {Shaker}, | ||
Zeile 633: | Zeile 694: | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Chute 2008a=== | ||
+ | <bibentry> | ||
+ | @article{Chute 2008a, | ||
+ | author = {Chute, Hillary}, | ||
+ | title = {Comics as Literature? Reading Graphic Narrative}, | ||
+ | journal = {PMLA}, | ||
+ | year = {2008}, | ||
+ | volume = {}, | ||
+ | number = {123}, | ||
+ | pages = {452-465}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | url = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Chute & DeKoven 2006a=== | ||
+ | <bibentry> | ||
+ | @article{Chute & DeKoven 2006a, | ||
+ | author = {Chute, Hillary & DeKoven, Marianne }, | ||
+ | title = {Introduction. Graphic Narrative}, | ||
+ | journal = {MFS: Modern Fiction Studies}, | ||
+ | year = {2006}, | ||
+ | volume = {}, | ||
+ | number = {52}, | ||
+ | pages = {767-782}, | ||
+ | note = {}, | ||
+ | hidden = {Special Issue: Graphic Narrative}, | ||
+ | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 664: | Zeile 759: | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | |||
+ | ===Cohn 1999a=== | ||
+ | <bibentry> | ||
+ | @book{Cohn 1999a, | ||
+ | author = {Cohn, Dorrit}, | ||
+ | title = {The Distinction of Fiction}, | ||
+ | year = {1999}, | ||
+ | publisher = {Johns Hopkins UP}, | ||
+ | address = {Baltimore}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Cohn 2013a=== | ||
+ | <bibentry> | ||
+ | @book{Cohn 2013a, | ||
+ | author = {Cohn, Neil}, | ||
+ | title = {The Visual Language of Comics. Introduction to the Structure and Cognition of Sequential Images}, | ||
+ | year = {2013}, | ||
+ | publisher = {Bloomsbury}, | ||
+ | address = {London}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 678: | Zeile 800: | ||
note = {}, | note = {}, | ||
hidden = {Übers.: Martin Suhr}, | hidden = {Übers.: Martin Suhr}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Colombo 2012a=== | ||
+ | <bibentry> | ||
+ | @inproceedings{Colombo 2012a, | ||
+ | author = {Colombo, Barbara}, | ||
+ | title = {Visual Thinking and Learning}, | ||
+ | booktitle = {Encyclopedia of the Sciences of Learning}, | ||
+ | year = {2012}, | ||
+ | editor = {Seel, N. M.}, | ||
+ | pages = {3418 & 2191–2194}, | ||
+ | publisher = {Springer}, | ||
+ | address = {Boston, MA}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Zeile 713: | Zeile 852: | ||
@book{Coy 1997a, | @book{Coy 1997a, | ||
author = {Coy, Wolfgang; Tholen, Georg Christoph & Warnke, Martin}, | author = {Coy, Wolfgang; Tholen, Georg Christoph & Warnke, Martin}, | ||
− | title = { | + | title = {Hyper­kult}, |
year = {1997}, | year = {1997}, | ||
− | publisher = { | + | publisher = {Stroem­feld}, |
address = {Basel}, | address = {Basel}, | ||
note = {}, | note = {}, | ||
Zeile 722: | Zeile 861: | ||
</bibentry> | </bibentry> | ||
+ | ===Craig 1998a=== | ||
+ | <bibentry> | ||
+ | @proceedings{Craig 1998a, | ||
+ | title = {Routledge Encyclopedia of Philosophy}, | ||
+ | year = {1998}, | ||
+ | editor = {Craig, Edward}, | ||
+ | publisher = {Routledge}, | ||
+ | address = {London}, | ||
+ | url = {www.rep.routledge.com}, | ||
+ | note = {}, | ||
+ | hidden = {Online-Ausgabe: http://www.rep.routledge.com, [ohne Seitenangabe], Zugriff am 22.04.2018}, | ||
+ | } | ||
+ | </bibentry> | ||
===Cramer 2011a=== | ===Cramer 2011a=== | ||
Zeile 728: | Zeile 880: | ||
author = {Cramer, Florian}, | author = {Cramer, Florian}, | ||
title = {Netzkunst und konkrete Poesie}, | title = {Netzkunst und konkrete Poesie}, | ||
− | howpublished = { | + | howpublished = {Webtext}, |
year = {2001}, | year = {2001}, | ||
note = {}, | note = {}, | ||
Zeile 735: | Zeile 887: | ||
} | } | ||
</bibentry> | </bibentry> | ||
− | |||
===Crary 1990a=== | ===Crary 1990a=== | ||
Zeile 741: | Zeile 892: | ||
@book{Crary 1990a, | @book{Crary 1990a, | ||
author = {Crary, Jonathan}, | author = {Crary, Jonathan}, | ||
− | title = { | + | title = {Tech­niques of the Ob­server. On Vision and Modernity in the Nine­teenth Cen­tury}, |
year = {1990}, | year = {1990}, | ||
publisher = {MIT-Press}, | publisher = {MIT-Press}, | ||
Zeile 750: | Zeile 901: | ||
</bibentry> | </bibentry> | ||
+ | ===Crimp 1998a=== | ||
+ | <bibentry> | ||
+ | @article{Crimp 1998a, | ||
+ | author = {Crimp, Douglas}, | ||
+ | title = {Get­ting the Warhol We De­serve. Cul­tural Stu­dies and Queer Cul­ture}, | ||
+ | journal = {In()​visi­ble Cul­ture. An Elec­tronic Journal for Visual Studies}, | ||
+ | year = {1998}, | ||
+ | volume = {1}, | ||
+ | number = {1}, | ||
+ | pages = {}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | url = {http://www.rochester.edu/in_visible_culture/issue1/crimp/crimp.html}, | ||
+ | } | ||
+ | </bibentry> | ||
===Crow 2006a=== | ===Crow 2006a=== | ||
Zeile 794: | Zeile 960: | ||
pages = {261-279}, | pages = {261-279}, | ||
note = {}, | note = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Currie 1990a=== | ||
+ | <bibentry> | ||
+ | @book{Currie 1990a, | ||
+ | author = {Currie, Grego­ry}, | ||
+ | title = {The Nature of Fiction}, | ||
+ | year = {1990}, | ||
+ | publisher = {Cambridge UP}, | ||
+ | address = {Cambridge, Ma}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Currie 2007a=== | ||
+ | <bibentry> | ||
+ | @inproceedings{Currie 2007a, | ||
+ | author = {Currie, Gregory}, | ||
+ | title = {Was ist fikti­onale Rede?}, | ||
+ | booktitle = {Fiktion, Wahrheit, Wirklich­keit. Philo­sophi­sche Grund­lagen der Lite­ratur­theorie}, | ||
+ | year = {2007}, | ||
+ | editor = { Reicher, M.E.}, | ||
+ | pages = {37-53}, | ||
+ | publisher = {Mentis}, | ||
+ | address = {Pader­born}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | url = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Currie 2010a=== | ||
+ | <bibentry> | ||
+ | @book{Currie 2010a, | ||
+ | author = {Currie, Gregory}, | ||
+ | title = {Narratives and Narrators. A Philo­sophy of Stories}, | ||
+ | year = {2010}, | ||
+ | publisher = {Oxford UP}, | ||
+ | address = {Oxford}, | ||
+ | note = {}, | ||
+ | hidden = {}, | ||
+ | } | ||
+ | </bibentry> | ||
+ | |||
+ | ===Cyganenko 1989a=== | ||
+ | <bibentry> | ||
+ | @book{Cyganenko 1989a, | ||
+ | author = {Cyganenko, Galina}, | ||
+ | title = {Ėti­molo­giče­skij slovar' russko­go jazyka}, | ||
+ | year = {1989}, | ||
+ | publisher = {Rad. shkola}, | ||
+ | address = {Kiev}, | ||
+ | note = {2. Auflage}, | ||
+ | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> |
Aktuelle Version vom 7. Juni 2020, 11:36 Uhr
Inhaltsverzeichnis
- 1 Caglioti 1995a
- 2 Calame & Thouvenin 2008a
- 3 Campe 2006a
- 4 Campenhausen 1993a
- 5 Cancik-Kirschbaum 2012a
- 6 Canetti 2011a
- 7 Canisius 1987a
- 8 Caraffa 2009a
- 9 Carani 1986a
- 10 Carbone 2001a
- 11 Carlbom & Paciorek 1978a
- 12 Carnap 1947a
- 13 Carrier 2000a
- 14 Carroll 1994a
- 15 Carroll 1996a
- 16 Carroll 1999a
- 17 Carroll 2010a
- 18 Cartwright 1983a
- 19 Cartwright 2002a
- 20 Casey 2002a
- 21 Casey 2005a
- 22 Casey 2007a
- 23 Cason 1930a
- 24 Cassirer 1923a
- 25 Cassirer 1925a
- 26 Cassirer 1929a
- 27 Cassirer 1930a
- 28 Cassirer 1989a
- 29 Cassirer 1990a
- 30 Cassirer 1996a
- 31 Cassirer 2009a
- 32 Cassirer 2010a
- 33 CCALED-4
- 34 Cernych 2001a
- 35 Cha & Rautzenberg 2008a
- 36 Chalmers 2007a
- 37 Chastel 1990a
- 38 Chateau 1976a
- 39 Cheeke 2008a
- 40 Chen 2004a
- 41 Chen 2009a
- 42 Ch’en 1966a
- 43 Chiang 1973a
- 44 Chiang online
- 45 Chion 1999a
- 46 Chladenius 1742a
- 47 Chomsky 1957a
- 48 Christian 2009a
- 49 Chute 2008a
- 50 Chute & DeKoven 2006a
- 51 Cipolla et al. 2010a
- 52 Clarke 1981a
- 53 Cohn 1999a
- 54 Cohn 2013a
- 55 Collingwood 1945a
- 56 Colombo 2012a
- 57 Coulmas 1999a
- 58 Covarrubias Orozco 1611a
- 59 Coy 1997a
- 60 Craig 1998a
- 61 Cramer 2011a
- 62 Crary 1990a
- 63 Crimp 1998a
- 64 Crow 2006a
- 65 Cunningham 1986a
- 66 Cunningham et al. 1995a
- 67 Currie 1990a
- 68 Currie 2007a
- 69 Currie 2010a
- 70 Cyganenko 1989a
Caglioti 1995a
Caglioti, Giuseppe (1995): Perception of Ambiguous Figures: A Qualitative Model Based on Synergetics and Quantum Mechanics.
In: Kruse, P. & Stadler, M. (Hg.), Ambiguity in Mind and Nature. Multistable Cognitive Phenomena. Springer, Berlin, 463–478..
(Typ: 'Beitrag in Sammelband')
Calame & Thouvenin 2008a
Calame, Thierry & Thouvenin, Florent (2008): Das Bildzitat.
In: Schmitz, W. et al. (Hg.), Probleme des neuen Urheberrechts für die Wissenschaft, den Buchhandel und die Bibliotheken. Harrassowitz, Wiesbaden, 135-146.
(Typ: 'Beitrag in Sammelband')
Campe 2006a
Campe, Rüdiger (2006): Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant.
In: Peters, S. & Schäfer, M.J. (Hg.), Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen. Transcript, Bielefeld, 5-43.
(Typ: 'Beitrag in Sammelband')
Campenhausen 1993a
Campenhausen, Christoph (1993): Die Sinne des Menschen. Einführung in die Psychophysik der Wahrnehmung.
Thieme, New York
( 2. völlig neu bearbeitete Auflage ).
(Typ: 'Buch')
Cancik-Kirschbaum 2012a
Cancik-Kirschbaum, Eva (2012): Phänomene von Schriftbildlichkeit in der keilschriftlichen Schreibkultur Mesopotamiens.
In: Krämer, S. & Cancik-Kirschbaum, E. & Totzke, R. (Hg.), Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen. Akademie, Berlin, 101-121.
(Typ: 'Beitrag in Sammelband')
Canetti 2011a
Canetti, Elias (2011): Masse und Macht.
Fischer, Frankfurt/M..
(Typ: 'Buch')
Canisius 1987a
Canisius, Peter (1987): Einleitung.
In: Canisius, P. & Gerlach, M. (Hg.), Perspektivität in Sprache und Text. Brockmeyer, Bochum, xi–xvii.
(Typ: 'Beitrag in Sammelband')
Caraffa 2009a
Caraffa, Constanza (Hg.)(2009): Fotografie als Instrument und Medium der Kunstgeschichte.
Deutscher Kunstverlag, Berlin.
(Typ: 'Sammelband')
Carani 1986a
Carani, Marie (1986): Le corpus Pellan: une relecture sémiotique.
Protée, Université Du Québec à Chicoutimi.
(Typ: 'Buch')
Carbone 2001a
Mauro, Carbone (2001): La visibilité de l’invisible.
Olms, Hildesheim.
(Typ: 'Buch')
Carlbom & Paciorek 1978a
Carlbom, Ingrid & Paciorek, Joseph (1978): Planar Geometric Projections and Viewing Transformations.
ACM Computing Surveys, 10, 4, 465-502.
(Typ: 'Artikel in Zeitschrift')
Carnap 1947a
Carnap, Rudolf (1947): Meaning and Necessity: A Study in Semantics and Modal Logic.
Univ. Press, Chicago, IL.
(Typ: 'Buch')
Carrier 2000a
Carrier, David (2000): The Aesthetics of Comics.
Pennsylvania State UP, University Park.
(Typ: 'Buch')
Carroll 1994a
Carroll, Noël (1994): Visual Metaphor.
In: Hintikka, J. (Hg.), Aspects of Metaphor. Kluwer, Boston, 189-218.
(Typ: 'Beitrag in Sammelband')
Carroll 1996a
Carroll, Noël (1996): A Note on Film Metaphor.
In: Carrol, N. (Hg.), Theorizing the Moving Image. Cambridge University Press, Cambrigde, 212-223.
(Typ: 'Beitrag in Sammelband')
Carroll 1999a
Carroll, Noël (1999): Philosophy of Art.
Routledge, New York.
(Typ: 'Buch')
Carroll 2010a
Carroll, Noël (2010): Auf dem Weg zu einer Ontologie des bewegten Bildes.
In: Liebsch, D. (Hg.), Philosophie des Films. Grundlagentexte. mentis, Paderborn, 155-175
( dritte, aktualisierte Auflage ).
(Typ: 'Beitrag in Sammelband')
Cartwright 1983a
Cartwright, Nancy (1983): How the Laws of Physics Lie.
Clarendon Press, Oxford.
(Typ: 'Buch')
Cartwright 2002a
Cartwright, Lisa (2006): Film and the Digital in Visual Studies. Film Studies in the Era of Convergence.
In: Morra, J. & Smith, M. (Hg.), Visual Culture. Critical Concepts in Media and Cultural Studies. Vol. 1. What Is Visual Culture Studies?. Routledge, London, New York, 237-253.
(Typ: 'Beitrag in Sammelband')
Casey 2002a
Casey, Edward S. (2002): Representing Place. Landscape Painting and Maps.
University of Minnesota Press, Minnesota.
(Typ: 'Buch')
Casey 2005a
Casey, Edward S. (2005): Earth-Mapping. Artists Reshaping Landscape.
University of Minnesota Press, Minnesota.
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Casey 2007a
Casey, Edward S. (2007): The World at a Glance.
Indiana University Press, Bloomington.
(Typ: 'Buch')
Cason 1930a
Cason, H. (1930): Common Annoyances: A Psychological Study of Every-Day Aversions and Irritations.
Psychological Monograms, 40, 2, 1-218.
(Typ: 'Artikel in Zeitschrift')
Cassirer 1923a
Cassirer, Ernst (1923): Philosophie der symbolischen Formen. Erster Teil: Die Sprache.
Bruno Cassirer, Berlin.
(Typ: 'Buch')
Cassirer 1925a
Cassirer, Ernst (1925): Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken.
Bruno Cassirer, Berlin.
(Typ: 'Buch')
Cassirer 1929a
Cassirer, Ernst (1929): Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis.
Bruno Cassirer, Berlin.
(Typ: 'Buch')
Cassirer 1930a
Cassirer, Ernst (2004): Mythischer, ästhetischer und theoretischer Raum (1930).
In: Recki, B. (Hg.), Ernst Cassirer: Gesammelte Werke, Bd. 17. Meiner, Hamburg, 411-436 [1931].
(Typ: 'Beitrag in Sammelband')
Cassirer 1989a
Cassirer, Ernst (1989): Zur Logik der Kulturwissenschaften. Fünf Studien.
Wissenschaftliche Buchgesellschaft, Darmstadt, 5., unveränd. Aufl..
(Typ: 'Buch')
Cassirer 1990a
Cassirer, Ernst (1990): Versuch über den Menschen. Einführung in eine Philosophie der Kultur.
Fischer, Frankfurt/M..
(Typ: 'Buch')
Cassirer 1996a
Cassirer, Ernst (1996): Versuch über den Menschen. Einführung in eine Philosophie der Kultur.
Meiner, Hamburg.
(Typ: 'Buch')
Cassirer 2009a
Cassirer, Ernst (2009): Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften.
In: Schriften zur Philosophie der symbolischen Formen. Meiner, Hamburg, 63-92
( hrsg. von M. Lauschke ).
(Typ: 'Beitrag in Sammelband')
Cassirer 2010a
Cassirer, Ernst (2010): Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis.
Meiner, Hamburg
( hrsg. von B. Recki ).
(Typ: 'Buch')
CCALED-4
Collins Cobuild (Hg.)(2003): Collins Cobuild Advanced Learner’s English Dictionary.
Collins, Glasgow, 4th edition.
(Typ: 'Buch')
Cernych 2001a
Černych, Pavel (2001): Istoriko-ėtimologičeskij slovar' russkogo jazyka. V dvuch tomach.
Russkij jazyk, Moskva.
(Typ: 'Buch')
Cha & Rautzenberg 2008a
Cha, Kyung-Ho & Rautzenberg, Markus (2008): Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher.
In: Cha, K. & Rautzenberg, M. (Hg.), Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie. Fink, München, 7-22.
(Typ: 'Beitrag in Sammelband')
Chalmers 2007a
Chalmers, Alan F. (2007): Wege der Wissenschaft. Einführung in die Wissenschaftstheorie.
Springer, Berlin, 6. verbesserte Aufl.
( hrsg. und übersetzt von N. Bergemann und Ch. Altstötter-Gleich ).
(Typ: 'Buch')
Chastel 1990a
Chastel, André (1990): Leonardo. Sämtliche Gemälde und die Schriften zur Malerei.
Schirmer/Mosel, München.
(Typ: 'Buch')
Chateau 1976a
Chateau, Dominique (1976): La sémantique du récit.
Semiotica, 18, 201-216.
(Typ: 'Artikel in Zeitschrift')
Cheeke 2008a
Cheek, Stephen (2008): Writing for Art. The Aesthetics of Ekphrasis.
Manchester University Press, Manchester.
(Typ: 'Buch')
Chen 2004a
Chen, Tingyou (2004): Chinese Calligraphy.
Wuzhou Verlag, Peking.
(Typ: 'Buch')
Chen 2009a
Chen, Tingyou (2009): China: Die Kalligraphie.
China Intercontinental Press, Beijing
( übersetzt von Winter, J. & Winter, M. ).
(Typ: 'Buch')
Ch’en 1966a
Ch'en, Chih-mai (1966): Chinese Calligraphers and Their Art.
Melbourne University Press, Carlton.
(Typ: 'Buch')
Chiang 1973a
Chiang, Yee (1973): Chinese Calligraphy – An Introduction to Its Aesthetic and Technique.
Havard University Press, Cambridge, Massachusetts, London.
(Typ: 'Buch')
Chiang online
Chiang, Yee (2012): Encyclopedia Britannica: Chinese Calligraphy.
Publiziert durch: hypertext, online
link: http://www.britannica.com/EBchecked/topic/719284/Chinese-calligraphy?anchor=ref1047374
( letzter Kontrollaufruf: 20.2.2014 ).
(Typ: 'andere Publikation')
Chion 1999a
Chion, Michel (1999): The Voice in Cinema.
Columbia University Press, New York.
(Typ: 'Buch')
Chladenius 1742a
Chladenius, Ernst Martin (1742): Einleitung zur richtigen Auslegung vernünftiger Reden und Schriften.
Lanckisch, Leipzig.
(Typ: 'Buch')
Chomsky 1957a
Chomsky, Noam (1957): Syntactic Structures.
Mouton, Den Haag.
(Typ: 'Buch')
Christian 2009a
Christian, Alexander (2009): Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung.
Shaker, Aachen.
(Typ: 'Buch')
Chute 2008a
Chute, Hillary (2008): Comics as Literature? Reading Graphic Narrative.
PMLA, 123, 452-465.
(Typ: 'Artikel in Zeitschrift')
Chute & DeKoven 2006a
Chute, Hillary & DeKoven, Marianne (2006): Introduction. Graphic Narrative.
MFS: Modern Fiction Studies, 52, 767-782
( Special Issue: Graphic Narrative ).
(Typ: 'Artikel in Zeitschrift')
Cipolla et al. 2010a
Cipolla, Roberto; Battiato, Sebastiano & Farinella, Giovanni Maria (2010): Computer Vision: Detection, Recognition and Reconstruction.
Springer, Berlin, Heidelberg.
(Typ: 'Buch')
Clarke 1981a
Clarke, Bowman, L. (1981): A Calculus of Individuals Based on ‘Connection’.
Notre Dame Journal of Formal Logic, 22, 3, 204-218.
(Typ: 'Artikel in Zeitschrift')
Cohn 1999a
Cohn, Dorrit (1999): The Distinction of Fiction.
Johns Hopkins UP, Baltimore.
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Cohn 2013a
Cohn, Neil (2013): The Visual Language of Comics. Introduction to the Structure and Cognition of Sequential Images.
Bloomsbury, London.
(Typ: 'Buch')
Collingwood 1945a
Collingwood, Robin (2005): Die Idee der Natur [The Idea of Nature (1945)].
Suhrkamp, Frankfurt/M.
( Übers.: Martin Suhr ).
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Colombo 2012a
Colombo, Barbara (2012): Visual Thinking and Learning.
In: Seel, N. M. (Hg.), Encyclopedia of the Sciences of Learning. Springer, Boston, MA, 3418 & 2191–2194.
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Coulmas 1999a
Coulmas, Florian (1999): The Backwell Encyclopedia of Writing Systems.
Backwell, Oxford u.a..
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Covarrubias Orozco 1611a
Covarrubias Orozco, Sebastián de (1994): Tesoro de la lengua castellana o española.
Nueva biblioteca de erudición y crítica, Madrid.
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Coy 1997a
Coy, Wolfgang; Tholen, Georg Christoph & Warnke, Martin (1997): Hyperkult.
Stroemfeld, Basel.
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Craig 1998a
Craig, Edward (Hg.)(1998): Routledge Encyclopedia of Philosophy.
Routledge, London
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Cramer 2011a
Cramer, Florian (2001): Netzkunst und konkrete Poesie.
Publiziert durch: Webtext
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Crary 1990a
Crary, Jonathan (1990): Techniques of the Observer. On Vision and Modernity in the Nineteenth Century.
MIT-Press, Cambridge, MA/London.
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Crimp 1998a
Crimp, Douglas (1998): Getting the Warhol We Deserve. Cultural Studies and Queer Culture.
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Crow 2006a
Crow, Thomas (2006): Ungeschriebene Geschichten der Konzeptkunst.
In: Alberro, A. & Buchmann, S. (Hg.), Art After Conceptual Art. Generali Foundation, Wien, 158-171.
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Cunningham 1986a
Cunningham, Michael R. (1986): Measuring the Physical in Physical Attractiveness: Quasi-Experiments on the Sociobiology of Female Facial Beauty.
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Cunningham et al. 1995a
Cunningham, Michael R.; Roberts, Alan R.; Barbee, Anita P.; Druen, Perri B. & Wu, Cheng-Huan (1995): „Their Ideas of Beauty are, on the Whole, the Same as Ours“: Consistency and Variability in the Cross-Cultural Perception of Female Physical Attractiveness.
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Currie 1990a
Currie, Gregory (1990): The Nature of Fiction.
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Currie 2007a
Currie, Gregory (2007): Was ist fiktionale Rede?.
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Currie 2010a
Currie, Gregory (2010): Narratives and Narrators. A Philosophy of Stories.
Oxford UP, Oxford.
(Typ: 'Buch')
Cyganenko 1989a
Cyganenko, Galina (1989): Ėtimologičeskij slovar' russkogo jazyka.
Rad. shkola, Kiev, 2. Auflage.
(Typ: 'Buch')