Bibliography: Unterschied zwischen den Versionen
Aus GIB - Glossar der Bildphilosophie
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| + | <!--- Literaturverzeichnis folgt. Bitte nach Anlegen nach unten kopieren, --> | ||
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| + | {{GlossarBoxSub}}__TOC__</div> | ||
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| + | |||
| + | ==A== | ||
| + | ===Adelmann 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Adelmann 2009a, |
| − | + | editor = {Adelmann, Ralf}, | |
| − | title = { | + | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
| − | + | } | |
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Adelmann 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Adelmann 2004a, |
| − | author = { | + | author = {Adelmann, Ralf}, |
| − | title = { | + | title = {Digitale Animationen in dokumentarischen Fernsehformaten?}, |
| − | year = { | + | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schröter & Böhnke}, |
| + | pages = {387-406}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Adelung 1811=== |
| + | <bibentry> | ||
| + | @proceedings{Adelung 1811, | ||
| + | editor = {Adelung, Johann Christoph}, | ||
| + | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie}, | ||
| + | year = {1811}, | ||
| + | publisher = {Bauer}, | ||
| + | address = {Wien}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Adorno 2003=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Adorno 2003, |
| − | author = { | + | author = {Adorno, Theodor W.}, |
| − | title = { | + | title = {Gesammelte Schriften, Bd. 7: Ästhetische Theorie}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Alpers 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Alpers 1985a, |
| − | author = { | + | author = {Alpers, Svetlana}, |
| − | title = { | + | title = {Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 68: | Zeile 101: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Amelunxen 1996a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Amelunxen 1996a, |
| − | author = { | + | author = {Amelunxen, Hubertus}, |
| − | title = { | + | title = {Fotografie nach der Fotografie}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Dresden u.a.}, |
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Appadurai 2003a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Appadurai 2003a, | ||
| + | author = {Appadurai, Arjun}, | ||
| + | title = {Archive and Aspiration}, | ||
| + | booktitle = {Information is Alive}, | ||
| + | year = {2004}, | ||
| + | editor = {Brouwer, Joke; Mulder, Arjen}, | ||
| + | pages = {14-25}, | ||
| + | publisher = {???}, | ||
| + | address = {Rotterdam}, | ||
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Aristoteles 1997=== | ||
| + | <bibentry> | ||
| + | @book{Aristoteles 1997, | ||
| + | author = {Aristoteles}, | ||
| + | title = {Poetik. Griechisch/Deutsch}, | ||
| + | year = {1997}, | ||
| + | editor = {Manfred Fuhrmann}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {Übers. und Hrsg.}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Aristoteles 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995a, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Metaphysik}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | + | note = {Philosophische Schriften 5; Übers.: Hermann Bonitz}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 98: | Zeile 156: | ||
</bibentry> | </bibentry> | ||
| − | < | + | ===Aristoteles 1995b=== |
| − | + | <bibentry> | |
| − | + | @book{Aristoteles 1995b, | |
| − | + | author = {Aristoteles}, | |
| − | + | title = {Nikomachische Ethik}, | |
| − | + | year = {1995}, | |
| − | + | publisher = {Wissenschaftliche Buchgesellschaft}, | |
| − | + | address = {Darmstadt}, | |
| − | + | note = {Philosophische Schriften 3; Übers.: Eugen Rolfes}, | |
| − | + | hidden = {}, | |
| − | + | url = {}, | |
| − | + | } | |
| − | + | </bibentry> | |
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| − | |||
| − | == | + | ===Aristoteles 1995c=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995c, |
| − | + | author = {Aristoteles}, | |
| − | title = { | + | title = {Physik}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {Philosophische Schriften 6; Übers.: Hans Günter Zekl}, |
| − | } | + | hidden = {}, |
| + | url = {}, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Asemissen & Schweikhart 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Asemissen & Schweikhart 1994a, |
| − | author = { | + | author = {Asemissen, Hermann Ulrich & Schweikhart, Gunter}, |
| − | title = { | + | title = {Malerei als Thema der Malerei}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Assmann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Assmann 2011a, |
| − | + | author = {Assmann, Jan}, | |
| − | title = { | + | title = {Schriftbildlichkeit: Etymographie und Ikonographie}, |
| − | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, | |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Krämer, Sybille; Cancik-Kirschbaum, Eva & Totzke, Rainer}, |
| + | pages = {XXX}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | } | + | hidden = {}, |
| + | url = {}, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Attneave 1971a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Attneave 1971a, |
| − | author = { | + | author = {Attneave, F.}, |
| − | title = { | + | title = {Multistability in perception}, |
| − | year = { | + | journal = {Sci.Am 225}, |
| − | + | year = {1971}, | |
| − | + | volume = {225}, | |
| + | number = {}, | ||
| + | pages = {???}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Auerbach 1946=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Auerbach 1946, |
| − | author = { | + | author = {Auerbach, Erich}, |
| − | title = { | + | title = {Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur [1946]}, |
| − | year = { | + | year = {<sup>10</sup>2001}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Tübingen/Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 199: | Zeile 243: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Augustinus 2002=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Augustinus 2002, |
| − | author = { | + | author = {Augustinus}, |
| − | title = { | + | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Felix Meiner}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = {}, | + | note = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Austin 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Austin 1972a, |
| − | author = { | + | author = {Austin, John L.}, |
| − | + | title = {Zur Theorie der Sprechakte}, | |
| − | + | year = {1972}, | |
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| − | |||
| − | title = { | ||
| − | year = { | ||
| − | |||
publisher = {Reclam}, | publisher = {Reclam}, | ||
address = {Stuttgart}, | address = {Stuttgart}, | ||
| − | note = { | + | note = {orig.: How to do things with Words, 1962}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==B== |
| + | ===Baader 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baader 2003a, |
| − | author = { | + | author = {Baader, Hannah}, |
| − | title = { | + | title = {Paragone}, |
| − | year = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, Ulrich}, |
| − | note = { | + | pages = {263}, |
| + | publisher = {???}, | ||
| + | address = {Stuttgart/Weimar}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 254: | Zeile 286: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bachmann-Medick 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bachmann-Medick 2006a, |
| − | author = { | + | author = {Bachmann-Medick, Doris}, |
| − | title = { | + | title = {Cultural Turns. Neuorientierungen in den Kulturwissenschaften}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Badakshi 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Badakshi 2006a, |
| − | author = { | + | author = {Badakshi, Harun}, |
| − | title = { | + | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin}, |
| − | + | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Hinterwaldner, Inge; Buschhaus, Markus}, | |
| − | + | pages = {199-205}, | |
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publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Badt 1963a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Badt 1963a, |
| − | author = { | + | author = {Badt, Kurt }, |
| − | title = { | + | title = {Raumphantasien und Raumillusionen. Wesen der Plastik} |
| − | + | year = {1963}, | |
| − | year = { | + | publisher = {DuMont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bätschmann 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bätschmann 2009a, |
| − | author = { | + | author = {Bätschmann, Oskar}, |
| − | title = { | + | title = {Beschreibung und Illustration}, |
| − | year = { | + | booktitle = {Ekstatische Kunst - besonnenes Wort. Aby Warburg und die Denkräume der Ekphrasis}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Kofler, Peter}, |
| + | pages = {55-66}, | ||
| + | publisher = {Studien-Verlag}, | ||
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
| − | hidden = {} | + | hidden = {} |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Balázs 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Balázs 2001a, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der Geist des Films}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Balázs 2001b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Balázs 2001b, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der sichtbare Mensch}, |
| − | year = { | + | booktitle = {Texte zur Theorie des Films}, |
| − | publisher = {Reclam}, | + | year = {2001}, |
| + | editor = {v. F. Albersmeier}, | ||
| + | publisher = {Philip Reclam jun.}, | ||
address = {Stuttgart}, | address = {Stuttgart}, | ||
| − | note = { | + | pages = {224-233}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Baltrušaitis 1977a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @book{Baltrušaitis 77a, |
| − | author = { | + | author = {Baltrušaitis, Jurgis}, |
| − | title = { | + | title = {Anamorphic Art}, |
| − | booktitle = { | + | year = {1977}, |
| − | year = { | + | publisher = {Chadwyck-Healey}, |
| − | editor = { | + | address = {???}, |
| − | pages = { | + | note = {(aus dem Französischen von W.J. Strachan, zuerst: Paris 1969)}, |
| − | publisher = { | + | hidden = {}, |
| − | address = { | + | } |
| − | note = {}, | + | </bibentry> |
| + | |||
| + | ===Barthes 1977a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Barthes 1977a, | ||
| + | author = {Barthes, Roland}, | ||
| + | title = {Rhetoric of the Image}, | ||
| + | booktitle = {Image, Music, Text}, | ||
| + | year = {1977}, | ||
| + | editor = {Stephen Heath}, | ||
| + | pages = {32–51}, | ||
| + | publisher = {Fontana}, | ||
| + | address = {London}, | ||
| + | note = {orig. 1964 in Communications}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 367: | Zeile 400: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1964a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1964a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Rhetorik des Bildes (1964)}, |
| − | year = { | + | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Barthes, Roland}, |
| − | note = {}, | + | pages = {???}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {aus dem Französischen von Hornig, Dieter}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barthes 1989a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Die helle Kammer. Bemerkung zur Photographie}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batchen 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Batchen 1998a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Photogenics/Fotogenik}, |
| − | year = { | + | journal = {Camera Austria}, |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {62/63}, | ||
| + | pages = {5-16}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batchen 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Batchen 2000a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Ectoplasm. Photography in the Digital Age}, |
| − | booktitle = { | + | booktitle = {Over Exposed. Essays on Contemporary Photography}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Squiers, Carol}, |
| − | pages = { | + | pages = {9.23}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batteux 1746/1770=== |
| + | <bibentry> | ||
| + | @book{Batteux 1746/1770, | ||
| + | author = {Batteux, Charles}, | ||
| + | title = {Einschränkung der schönen Künste auf einen einzigen Grundsatz}, | ||
| + | year = {<sup>3</sup>1770}, | ||
| + | publisher = {???}, | ||
| + | address = {Leipzig}, | ||
| + | note = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Baudrillard 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baudrillard 1978a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Agonie des Realen}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Merve}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baudrillard 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Baudrillard 2000a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Das perfekte Verbrechen}, |
| − | booktitle = { | + | booktitle = {Theorie der Fotografie IV 1980-1995}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {von Amelunxen}, |
| − | + | pages = {256-260}, | |
| − | + | publisher = {???}, | |
| − | + | address = {München}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baumann 2011a, |
| − | author = { | + | author = {Baumann, Mario}, |
| − | title = { | + | title = {Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones}, |
| − | year = { | + | year = {2011}, |
| − | publisher = { | + | publisher = {De Gruyter}, |
| − | address = { | + | address = {Berlin}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumberger 2010=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumberger 2010, |
| − | author = { | + | author = {Baumberger, Christoph}, |
| − | title = { | + | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Ontos}, |
| − | + | address = {Heusenstamm}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxandall 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baxandall 1972a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style}, |
| − | + | year = {1972}, | |
| + | publisher = {Clarendon Press}, | ||
| + | address = {Oxford}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Baxandall 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Baxandall 1990a, | ||
| + | author = {Baxandall, Michael}, | ||
| + | title = {Ursachen der Bilder. Über das historische Erklären von Kunst}, | ||
year = {1990}, | year = {1990}, | ||
| − | + | publisher = {Reimer}, | |
| − | + | address = {Berlin}, | |
| − | publisher = { | + | note = {zuerst engl.: Patterns of intentention, 1985}, |
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bayer 1984=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bayer 1984, |
| − | author = { | + | author = {Bayer, Udo}, |
| − | title = { | + | title = {Laokoon – Momente einer semiotischen Ästhetik}, |
| − | year = { | + | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik}, |
| − | publisher = { | + | year = {1984}, |
| − | address = { | + | editor = {Gunter Gebauer}, |
| + | pages = {59-101}, | ||
| + | publisher = {Metzler}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bechtloff 2001a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Bechtloff 2001a, |
| − | author = { | + | author = {Bechtloff, Dieter (Hg.)}, |
| − | title = { | + | title = {Choreographie der Gewalt}, |
| − | journal = { | + | journal = {Kunstforum International}, |
| − | year = { | + | year = {2001}, |
volume = {}, | volume = {}, | ||
| − | number = { | + | number = {Hefte 153, 155 & 156}, |
| − | pages = { | + | pages = {}, |
| − | note = {}, | + | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beckmann 1995=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Beckmann 1995, |
| − | author = { | + | author = {Beckmann, Jan P.}, |
| − | title = { | + | title = {Wilhelm von Ockham}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Beck}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beil 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beil 2010a, |
| − | author = { | + | author = {Beil, Benjamin}, |
| − | title = { | + | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel}, |
| − | year = { | + | year = {2010}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Münster}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belach & Jacobsen 1993=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belach & Jacobsen 93, |
| − | author = { | + | author = {Belach, Helga & Jacobsen, Wolfgang}, |
| − | title = { | + | title = {CinemaScope. Zur Geschichte der Breitwandfilme}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Spiess}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = {}, | + | note = {Stiftung Deutsche Kinemathek}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beller 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Beller 2005a, |
| − | author = { | + | author = {Beller Hans}, |
| − | title = { | + | title = {Aspekte der Filmmontage - Eine Art Einführung}, |
| − | booktitle = { | + | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Beller Hans}, |
| − | + | publisher = {TR-Verlagsunion}, | |
| − | |||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | pages = {9-33}, |
| + | note = {5., gegenüber der 4. unveränderte Auflage}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2008a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Florenz und Bagdad. Eine westöstliche Geschichte des Blicks}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2004a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {6. Auflage}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2002a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Verlag C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2., erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2001a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bildanthropologie. Entwürfe für eine Bildwissenschaft}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 1983a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title | + | title = {Das Ende der Kunstgeschichte?}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Deutscher Kunstverlag}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting & Haustein 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting & Haustein 1998a, |
| − | author = { | + | author = {Belting, Hans & Haustein, Lydia}, |
| − | title = { | + | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt}, |
| − | + | year = {1998}, | |
| − | + | publisher = {C.H. Beck}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
| − | publisher = {Beck}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 673: | Zeile 711: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Benkő 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Benkő 1976a, |
| − | + | editor = {Benkő, L.}, | |
| − | title = { | + | title = {A magyar nyelv történeti-etimológiai szótára. I-IV}, |
| − | year = { | + | year = {1976}, |
| − | publisher = { | + | publisher = {Akadémiai Kiadó}, |
| − | address = { | + | address = {Budapest}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bergson 1948a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bergson 1948a, |
| − | author = { | + | author = {Bergson, Henri}, |
| − | + | title = {Das Mögliche und das Wirkliche}, | |
| − | year = { | + | booktitle = {Denken und Schöpferisches Werden. Aufsätze und Vorträge}, |
| − | publisher = { | + | year = {1948}, |
| − | address = { | + | editor = {Bergson, H.}, |
| − | note = { | + | publisher = {Hain}, |
| + | address = {Meisenheim am Glan}, | ||
| + | note = {}, | ||
| + | pages = {110-125}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bernays 1970a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bernays 1970a, |
| − | author = { | + | author = {Bernays, Jacob}, |
| − | title = { | + | title = {Grundzüge der verlorenen Abhandlung des Aristoteles über Wirkung der Tragödie}, |
| − | + | year = {1970} | |
| − | year = { | + | publisher = {G. Olms}, |
| − | + | address = {Hildesheim}, | |
| − | publisher = { | + | hidden = {} |
| − | address = { | ||
| − | |||
| − | |||
| − | hidden = {} | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bernhardt et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bernhardt et al. 2009a, |
| − | author = { | + | author = {Bernhardt, Petra; Hadj-Abdou, Leila; Liebhart, Karin & Pribersky, Andreas}, |
| − | title = { | + | title = {EUropäische Bildpolitiken. Politische Bildanalyse an Beispielen der EU-Politik}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {facultas UTB}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 727: | Zeile 765: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bertram et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bertram et al. 2008a, |
| − | author = { | + | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin}, |
| − | title = { | + | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berz 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Berz 2009a, |
| − | author = { | + | author = {Berz, Peter}, |
| − | title = { | + | title = {Bitmapped Graphic}, |
| − | + | booktitle = {Zeitkritische Medien}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Volmar, Axel}, | |
| − | + | pages = {127-154}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bevers 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bevers 1985a, |
| − | author = { | + | author = {Bevers, Antonius M.}, |
| − | title = { | + | title = {Dynamik der Formen bei Georg Simmel. Eine Studie über die methodische und theoretische Einheit eines Gesamtwerkes}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {Duncker & Humblot}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beyme 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Beyme 2004a, |
| − | author = { | + | author = {Beyme, Klaus von}, |
| − | title = { | + | title = {Politische Ikonologie der modernen Architektur}, |
| − | year = { | + | booktitle = {Politikwissenschaft als Kulturwissenschaft. Theorien, Methoden, Problemstellungen}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schwelling, Birgit}, |
| + | pages = {351-372}, | ||
| + | publisher = {Verlag für Sozialwissenschaften}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Biederman 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Biederman 1995a, |
| − | + | author = {Biederman, Irving}, | |
| − | title = { | + | title = {Visual object recognition}, |
| − | year = { | + | booktitle = {An Invitation to Cognitive Science, Volume 2., Visual Cognition}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kosslyn, S. F. & Osherson, D. N.}, |
| − | note = {}, | + | pages = {121-165}, |
| + | publisher = {??}, | ||
| + | address = {Cambridge MA}, | ||
| + | note = {2nd edition}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bieger 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bieger 2007a, |
| − | author = { | + | author = {Bieger, Laura}, |
| − | title = { | + | title = {Ästhetik der Immersion. Raum-Erleben zwischen Welt und Bild}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {transcript}, |
| − | + | address = {Bielefeld}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Black 1972=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Black 1972, |
| − | author = { | + | author = {Black, Max}, |
| − | title = { | + | title = {How do Pictures represent?}, |
| − | + | booktitle = {Art, Perception, and Reality}, | |
| − | + | year = {1972}, | |
| − | + | editor = {Gombrich, E.H.; Hochberg, Julian & Black, Max}, | |
| − | + | pages = {95-130}, | |
| − | + | publisher = {John Hopkins University Press}, | |
| − | + | address = {Baltimore/London}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke 2003=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Blanke 2003, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = { | + | title = {Vom Bild zum Sinn. Das ikonische Zeichen zwischen strukturalistischer Semiotik und analytischer Philosophie}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Deutscher Universitätsverlag}, |
| − | address = { | + | address = {Wiesbaden}, |
| − | note = {}, | + | note = {Reihe Bildwissenschaft, Bd. 4}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Block 1990a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Block 1990a, |
| − | author = { | + | author = {Block, Ned}, |
| − | title = { | + | title = {The Computer Model of the Mind}, |
| − | booktitle = { | + | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {D. N. Osherson & E. E. Smith}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bloomfield 1933a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bloomfield 1933a, |
| − | author = { | + | author = {Bloomfield, Leonard}, |
| − | title = { | + | title = {Language}, |
| − | year = { | + | year = {1933}, |
| − | publisher = { | + | publisher = {Henry Holt and Co}, |
| − | address = { | + | address = {New York}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1986a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blumenberg 1986a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik}, |
| − | booktitle = { | + | booktitle = {Wirklichkeiten in denen wir leben}, |
| − | year = { | + | year = {1986}, |
| − | editor = { | + | editor = {Blumenberg, Hans}, |
| − | pages = { | + | pages = {104-136}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 903: | Zeile 928: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1969a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blumenberg 1969a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Wirklichkeitsbegriff und Möglichkeit des Romans}, |
| − | booktitle = { | + | booktitle = {Nachahmung und Illusion. Poetik und Hermeneutik 1}, |
| − | year = { | + | year = {1969}, |
| − | editor = { | + | editor = {Hans Robert Jauß}, |
| − | pages = { | + | pages = {9-27}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 920: | Zeile 945: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1957a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Blumenberg 1957a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen}, |
| − | year = { | + | journal = {Studium Generale}, |
| − | + | year = {1957}, | |
| − | + | volume = {10}, | |
| + | number = {5}, | ||
| + | pages = {266-283}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boeder 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boeder 1996a, |
| − | author = { | + | author = {Boeder, Maria}, |
| − | title = { | + | title = {Visa et vox. Sprache und Bild in der spätantiken Literatur}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Lang}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2008a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Augenmaß. Zur Genese der ikonischen Evidenz}, |
| − | year = { | + | booktitle = {Movens Bild. Zwischen Evidenz und Affekt}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Mersman, Birgit & Spies, Christian}, |
| − | note = { | + | pages = {???}, |
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 2007a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Berlin University Press}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2005a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild und die hermeneutische Reflexion}, |
| − | year = { | + | booktitle = {Dimensionen des Hermeneutischen. Heidegger und Gadamer}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Martin-Heidegger-Gesellschaft}, |
| − | note = {}, | + | pages = {23-35}, |
| + | publisher = {???}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {Schriftenreihe Band 7}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2004a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, Gottfried}, |
| − | pages = { | + | pages = {34-53}, |
| − | publisher = { | + | publisher = {Berlin University Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.009: | Zeile 1.038: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2004b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2004b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm}, |
| − | booktitle = { | + | booktitle = {Wege zur Bildwissenschaft. Interviews}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus}, |
| − | pages = { | + | pages = {11-21}, |
| − | publisher = { | + | publisher = {Herbert von Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.026: | Zeile 1.055: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm 2001a, |
| − | + | title = {Homo Pictor}, | |
| − | title = { | + | year = {2001}, |
| − | + | editor = {Boehm, Gottfried}, | |
| − | + | publisher = {Saur}, | |
| − | + | address = {München / Leipzig}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1999a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)}, |
| − | year = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| + | pages = {94-113}, | ||
| + | publisher = {Berlin University Press}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm & Pfotenhauer 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Pfotenhauer 1995a, |
| − | + | title = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, | |
| − | + | year = {1995}, | |
| − | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, | |
| − | year = { | + | publisher = {Fink}, |
| − | editor = { | ||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1995a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Bildbeschreibung. Über die Grenzen von Bild und Sprache}, |
| − | year = { | + | booktitle = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, |
| + | pages = {23-40}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 1994a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Die Wiederkehr der Bilder}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1994b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Boehm | + | @inproceedings{Boehm 1994b, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Die Bilderfrage}, |
| − | booktitle = { | + | booktitle = {Was ist ein Bild?}, |
| − | year = { | + | year = {1994}, |
| − | editor = {Boehm | + | editor = {Gottfried Boehm}, |
| − | pages = { | + | pages = {325-343}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.119: | Zeile 1.146: | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1994c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 1994c, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Was ist ein Bild?}, |
| − | + | year = {1994}, | |
| − | year = { | + | editor = {Boehm, Gottfried}, |
| − | editor = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | + | address = {München}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1985a, |
| − | title = { | + | author = {Boehm, Gottfried}, |
| − | year = { | + | title = {Der Andere als Prototyp}, |
| + | booktitle = {Bildnis und Individuum. Über den Ursprung der Porträtmalerei in der italienischen Renaissance}, | ||
| + | year = {1985}, | ||
editor = {Boehm, Gottfried}, | editor = {Boehm, Gottfried}, | ||
| − | publisher = { | + | pages = {???}, |
| − | address = {München | + | publisher = {???}, |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1978a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Boehm | + | @inproceedings{Boehm 1978a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Zu einer Hermeneutik des Bildes}, |
| − | booktitle = { | + | booktitle = {Die Hermeneutik und die Wissenschaft}, |
| − | year = { | + | year = {1978}, |
| − | editor = {Boehm, Gottfried}, | + | editor = {Gadamer, Hans-Georg & Boehm, Gottfried}, |
| − | pages = { | + | pages = {444-471}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.167: | Zeile 1.194: | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm & | + | ===Boehm & Mersmann & Spies 2008a=== |
<bibentry> | <bibentry> | ||
| − | @proceedings{Boehm & | + | @proceedings{Boehm & Mersmann & Spies 2008a, |
| − | title = { | + | title = {Movens Bild. Zwischen Evidenz und Affekt}, |
| − | year = { | + | year = {2008}, |
| − | editor = {Boehm, Gottfried; | + | editor = {Boehm, Gottfried; Mersmann, Birgit; Spies, Christian}, |
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| Zeile 1.180: | Zeile 1.207: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhme 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Böhme 2004a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Der Raum leiblicher Anwesenheit und der Raum als Medium von Darstellung}, |
| − | booktitle = { | + | booktitle = {Performativität und Medialität}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {Krämer, Sybille}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = {Fink}, | + | publisher = {Wilhelm Fink}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.197: | Zeile 1.224: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhme 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Böhme 1999a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Theorie des Bildes}, |
| − | year = { | + | year = {1999}, |
| − | publisher = {Fink}, | + | publisher = {Wilhelm Fink}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.210: | Zeile 1.237: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böcking 2008=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Böcking 2008, |
| − | author = { | + | author = {Böcking, Saskia}, |
| − | title = { | + | title = {Grenzen der Fiktion? Von Suspension of Disbelief zu einer Toleranztheorie für die Filmrezeption.}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Herbert von Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Bogen 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bogen 2005a, |
| − | author = { | + | author = {Bogen, Steffen}, |
| − | title = { | + | title = {Kunstgeschichte/Kunstwissenschaft}, |
| − | year = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | editor = { | + | year = {2005}, |
| − | publisher = { | + | editor = {Sachs-Hombach, Klaus }, |
| − | address = { | + | pages = {52-67}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bonsiepe 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bonsiepe 1968a, |
| − | author = { | + | author = {Bonsiepe, Gui}, |
| − | title = { | + | title = {Visuell/Verbale Rhetorik}, |
| − | + | journal = {Format: Zeitschrift für visuelle Kommunikation}, | |
| − | year = { | + | year = {1968}, |
| − | + | volume = {}, | |
| − | + | number = {17}, | |
| − | + | pages = {11–18}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.258: | Zeile 1.284: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bousso 2002a=== |
| + | <bibentry> | ||
| + | @article{Bousso 2002a, | ||
| + | author = {Bousso, Raphael}, | ||
| + | title = {The Holographic Principle}, | ||
| + | journal = {Reviews of Modern Physics}, | ||
| + | year = {2002}, | ||
| + | volume = {}, | ||
| + | number = {74}, | ||
| + | pages = {825-874}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brachfeld 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brachfeld_1976a, |
| − | author = { | + | author = {Brachfeld, Otto}, |
| − | title = { | + | title = {Image}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4}, |
| − | year = { | + | year = {1976}, |
| − | editor = { | + | editor = {Joachim Ritter et al.}, |
| − | pages = { | + | pages = {215-217}, |
| − | publisher = { | + | publisher = {Schwabe Verlag}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.275: | Zeile 1.315: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brandt 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandt 1999a, |
| − | + | author = {Brandt, Reinhard}, | |
| − | + | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild}, | |
| − | + | year = {1999}, | |
| − | publisher = { | + | publisher = {Carl Hanser}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.288: | Zeile 1.328: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brandom 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandom 2000a, |
| − | author = { | + | author = {Brandom, Robert}, |
| − | title = { | + | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | + | address = {Frankfurt am Main}, | |
| − | + | note = {übersetzt von Eva Gilmer und Hermann Vetter}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2007a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Akademie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.318: | Zeile 1.354: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2005a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Klaus Wagenbach}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.331: | Zeile 1.367: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bredekamp 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bredekamp 2004a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn}, |
| − | booktitle = { | + | booktitle = {Iconic Turn. Die neue Macht der Bilder}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {Maar, Christa & Burda, Hubert}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {DuMont}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.349: | Zeile 1.384: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2003a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Bredekamp 2003a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {A Neglected Tradition? Art History as Bildwissenschaft}, |
| − | journal = { | + | journal = {Critical Inquiry}, |
| − | year = { | + | year = {2003}, |
| − | volume = {}, | + | volume = {29}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.365: | Zeile 1.400: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2000a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Antikensehnsucht und Maschinenglauben. Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 1994a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp}, |
| − | + | journal = {Texte zur Kunst}, | |
| − | year = { | + | year = {1994}, |
| − | + | volume = {4}, | |
| − | + | number = {}, | |
| − | + | pages = {???}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.396: | Zeile 1.429: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp et al. 2008a, |
| − | author = { | + | author = {Bredekamp, Horst; Schneider, Birgit; Dünkel, Vera}, |
| − | title = { | + | title = {Das Technische Bild. Kompendium für eine Stilgeschichte wissenschaftlicher Bilder}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Akademie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.409: | Zeile 1.442: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp & Schneider 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp & Schneider 2006a, |
| − | author = { | + | author = {Bredekamp, Horst & Schneider, Pablo}, |
| − | title = { | + | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Bredekamp | + | ===Bredekamp 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{Bredekamp | + | @book{Bredekamp 2010a, |
author = {Bredekamp, Horst}, | author = {Bredekamp, Horst}, | ||
| − | title = { | + | title = {Theorie des Bildakts. Frankfurter Adorno-Vorlesungen 2007}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.435: | Zeile 1.468: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brentano 1930a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brentano 1930a, |
| − | author = { | + | author = {Brentano, Franz}, |
| − | title = { | + | title = {Wahrheit und Evidenz}, |
| − | year = { | + | year = {1930}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = {}, | + | note = {(1975??)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Britz et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Britz et al. 2010a, |
| − | author = { | + | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.}, |
| − | title = { | + | title = {Right parietal brain activity precedes perceptual alternation during binocular rivalry}, |
| − | + | journal = {Hum. Brain Mapping}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {???}, | |
| + | number = {}, | ||
pages = {???}, | pages = {???}, | ||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {www.ncbi.nlm.nih.gov/pubmed/20690124}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Britz et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Britz et al. 2009a, |
| − | author = { | + | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.}, |
| − | title = { | + | title = {Right parietal brain activity precedes perceptual alternation of bistable stimuli}, |
| − | journal = { | + | journal = {Cereb. Cortex 19}, |
| − | year = { | + | year = {2009}, |
| − | volume = { | + | volume = {19}, |
| − | number = {}, | + | number = {1}, |
| − | pages = { | + | pages = {55-65}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.481: | Zeile 1.513: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brugger 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Brugger 1999a, |
| − | author = { | + | author = {Brugger, Peter}, |
| − | title = { | + | title = {One hundred years of an ambiguous figure: happy birthday, duck/rabbit}, |
| − | year = { | + | journal = {Perceptual and Motor Skills}, |
| − | + | year = {1999}, | |
| − | + | number = {???}, | |
| + | pages = {973–977}, | ||
| + | volume = {???}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brugger & Brugger 1993a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Brugger & Brugger 1993a, |
| − | author = { | + | author = {Brugger, Peter & Brugger, Susanne}, |
| − | title = { | + | title = {The easterbunny in october: I is it disguised as a duck}, |
| − | journal = { | + | journal = {Perceptual and Motor Skills}, |
| − | year = { | + | year = {1993}, |
| − | + | number = {???}, | |
| − | + | pages = {577–578}, | |
| − | + | volume = {???}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.510: | Zeile 1.545: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bruhn 2000a=== |
| + | <bibentry> | ||
| + | @book{Bruhn 2000a, | ||
| + | author = {Bruhn, Sieglind}, | ||
| + | title = {Mucial Ecphrasis: Composers Responding to Poetry and Painting}, | ||
| + | year = {2000}, | ||
| + | publisher = {Pendragon Press}, | ||
| + | address = {New York}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brunet 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Brunet 2008a, |
| − | author = { | + | author = {Brunet, François}, |
| − | title = { | + | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs}, |
| + | booktitle = {The Meaning of Photography}, | ||
year = {2008}, | year = {2008}, | ||
| − | publisher = { | + | editor = {Kelsey, Robin; Stimson, Blake}, |
| − | address = { | + | pages = {34-49}, |
| + | publisher = {???}, | ||
| + | address = {Williamstown}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bruno 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bruno 2007a, |
| − | author = { | + | author = {Bruno, Giuliana}, |
| − | title = { | + | title = {Public Intimacy. Architecture and the Visual Arts}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bryson 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bryson 2001a, |
| − | author = { | + | author = {Norman Bryson}, |
| − | title = { | + | title = {Das Sehen und die Malerei}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.549: | Zeile 1.597: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 2000a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bühler 2000a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Die Krise der Psychologie}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Velbrück}, |
| − | address = { | + | address = {Weilerswist}, |
| − | note = { | + | note = {hrsg. von Achim Eschbach und Jens Kapitzky}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Büttner 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Büttner 2003a, |
| − | author = { | + | author = {Büttner, Frank}, |
| − | title = { | + | title = {Perspektive}, |
| − | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, | |
| − | year = { | + | year = {2003}, |
| − | + | editor = {Pfisterer, Ulrich}, | |
| − | + | pages = {265}, | |
| − | + | publisher = {???}, | |
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bucher 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bucher 2011a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | + | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.}, | |
| − | + | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, | |
| − | + | year = {2011}, | |
| − | + | editor = {Jan Georg Schneider & Hartmut Stöckl}, | |
| − | + | pages = {}, | |
| − | + | publisher = {Halem}, | |
| − | note = {}, | + | address = {Köln}, |
| + | note = {im Druck}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.594: | Zeile 1.644: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bucher2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bucher2010a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | title = { | + | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität}, |
| − | + | booktitle = {Bildlinguistik}, | |
| − | year = { | + | year = {2010}, |
| − | + | editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl}, | |
| − | pages = { | + | pages = {121-156}, |
| − | + | publisher = {Erich Schmidt}, | |
| − | note = {}, | + | address = {Berlin}, |
| + | note = {im Druck}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.610: | Zeile 1.661: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Buchner 1665=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Buchner 1665, |
| − | author = { | + | author = {August Buchner}, |
| − | title = { | + | title = {Poet} |
| − | + | year = {1665}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Wittenberg}, | |
| − | + | note = {hrsg. v. Otto Prätorius}, | |
| − | |||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Buchwald 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Buchwald 1989a, |
| − | author = { | + | author = {Buchwald, Jed Z.}, |
| − | title = { | + | title = {The Rise of the Wave Theory of Light}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Chicago}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 1933a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 1933a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Axiomatik der Sprachwissenschaften}, |
| − | + | year = {1933}, | |
| − | year = { | + | publisher = {Klostermann}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 1934a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bühler 1934a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache}, |
| − | year = { | + | year = {<sup>2</sup>1965}, |
| − | publisher = { | + | publisher = {Fischer }, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bürger 1784=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bürger 1784, |
| − | author = { | + | author = {Bürger, Gottfried August}, |
| − | title = { | + | title = {Von der Popularität der Poesie [1784]}, |
| − | year = { | + | booktitle = {Sämtliche Werke}, |
| − | + | year = {1987}, | |
| − | + | editor = {Günter und Hiltrud Hintzschel}, | |
| − | + | pages = {725-730}, | |
| − | + | publisher = {Hanser}, | |
| + | address = {München}, | ||
| + | note = {Erstveröffentlichung 1784}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Burckhardt 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Burckhardt 2001a, |
| − | author = { | + | author = {Burckhardt, Jacob}, |
| − | title = { | + | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens}, |
| − | year = { | + | booktitle = {Werke. Kritische Gesamtausgabe}, |
| − | + | year = {2001}, | |
| − | + | editor = {B. Roeck et al.}, | |
| − | + | pages = {Bd. 2}, | |
| − | + | publisher = {Beck}, | |
| + | address = {München/Basel}, | ||
| + | note = {Erstveröffentlichung 1855}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Burke 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Burke 2003a, |
| − | author = { | + | author = {Burke, Peter}, |
| − | title = { | + | title = {Augenzeugenschaft. Bilder als historische Quellen}, |
| − | |||
year = {2003}, | year = {2003}, | ||
| − | + | publisher = {Wagenbach}, | |
| − | + | address = {Berlin}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Busch 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Busch 2004a, |
| − | author = { | + | author = {Busch, Kathrin}, |
| − | title = { | + | title = {Geschicktes Geben. Aporien der Gabe bei Jacques Derrida}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Busch & Därmann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Busch & Därmann 2007a, |
| − | + | title = {pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes}, | |
| − | title = { | + | year = {2007}, |
| − | + | editor = {Busch, Kathrin; Därmann, Iris}, | |
| − | year = { | + | publisher = {Transcript}, |
| − | editor = { | + | address = {Bielefeld}, |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Butler 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Butler 2001a, |
| − | author = { | + | author = {Butler, Judith}, |
| − | title = { | + | title = {Psyche der Macht. Das Subjekt der Unterwerfung}, |
| − | + | year = {2001}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Büttner & Gottdank 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Büttner & Gottdank 2009a, |
| − | author = { | + | author = {Büttner, Frank & Gottdank, Andrea}, |
| − | title = { | + | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==C== |
| + | ===Caglioti 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Caglioti 1995a, |
| − | author = { | + | author = {Caglioti, G.}, |
| − | title = { | + | title = {Perception of ambiguous figures: A qualitative Model based on Synergetics and Quantum Mechanics}, |
| − | year = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| + | pages = {463–478.}, | ||
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Campe 2006a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Campe 2006a, |
| − | author = { | + | author = {Campe, R.}, |
| − | title = { | + | title = {Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant}, |
| − | booktitle = { | + | booktitle = {Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Peters, S. & Schäfer, M.J. }, |
| − | pages = { | + | pages = {5-43}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Bielefeld}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carani 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carani 1986a, |
| − | author = { | + | author = {Carani, Marie}, |
| − | title = { | + | title = {Le corpus Pellan: une relecture sémiotique}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Protée}, |
| − | + | address = {???}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carbone 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Carbone 2001a, |
| − | author = { | + | author = {Mauro Carbone}, |
| − | title = { | + | title = {La visibilité de l’invisible}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Hildesheim}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.833: | Zeile 1.865: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carlbom & Paciorek 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Carlbom & Paciorek 1978a, |
| − | author = { | + | author = {Carlbom, Ingrid; Paciorek, Joseph}, |
| − | title = { | + | title = {Planar Geometric Projections and Viewing Transformations}, |
| − | year = { | + | journal = {ACM Computing Surveys}, |
| − | + | year = {1978}, | |
| − | + | volume = {10}, | |
| + | number = {4}, | ||
| + | pages = {465-502}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carnap 1947a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carnap 1947a, |
| − | + | author = {Carnap, Rudolf}, | |
| − | + | title = {Meaning and Necessity: A Study in Semantics and Modal Logic}, | |
| − | + | year = {1947}, | |
| − | publisher = { | + | publisher = {Univ. Press}, |
| − | address = { | + | address = {Chicago, IL}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Casey 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Casey 2007a, |
| − | author = { | + | author = {Edward S. Casey}, |
| − | title = { | + | title = {The World at a Glance}, |
| − | year = { | + | year = {2007}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Bloomington}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.872: | Zeile 1.904: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Casey 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Casey 2005a, |
| − | author = { | + | author = {Edward S. Casey}, |
| − | title = { | + | title = {Earth-Mapping. Artists Reshaping Landscape}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Minnesota}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.885: | Zeile 1.917: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Casey 2002a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Casey 2002a, |
| − | author = { | + | author = {Edward S. Casey}, |
| − | title = { | + | title = {Representing Place. Landscape Painting and Maps}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Minnesota}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 2010a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {hrsg. von Birgit Recki}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @inproceedings{Cassirer 2009a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften}, |
| − | year = { | + | booktitle = {Schriften zur Philosophie der symbolischen Formen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | pages = {63-92}, |
| + | publisher = {Meiner}, | ||
| + | address = {Hamburg}, | ||
| + | note = {hrsg. von Marion Lauschke}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Cassirer 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Cassirer 1990a, | ||
| + | author = {Cassirer, Ernst}, | ||
| + | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur}, | ||
| + | year = {1990}, | ||
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.933: | Zeile 1.972: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1989a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Zur Logik der Kulturwissenschaften. Fünf Studien}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {5., unveränd. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1930a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cassirer 1930a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Mythischer, ästhetischer und theoretischer Raum (1930)}, |
| − | + | booktitle = {Ernst Cassirer: Gesammelte Werke, Bd. 17}, | |
| − | year = { | + | year = {2004}, |
| − | + | editor = {B. Recki}, | |
| − | + | pages = {411-436 [1931]}, | |
| − | + | publisher = {Meiner}, | |
| + | address = {Hamburg}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1929a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1929a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | year = { | + | year = {1929}, |
| − | publisher = { | + | publisher = {Bruno Cassirer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1925a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1925a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken}, |
| − | year = { | + | year = {1925}, |
| − | publisher = { | + | publisher = {Bruno Cassirer Verlag}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.985: | Zeile 2.028: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1923a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1923a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Erster Teil: Die Sprache}, |
| − | year = { | + | year = {1923}, |
| − | publisher = { | + | publisher = {Bruno Cassirer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.998: | Zeile 2.041: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===CCALED=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{CCALED-4, |
| − | author = { | + | author = {}, |
| − | title = { | + | title = {Collins Cobuild Advanced Learner’s English Dictionary}, |
| − | year = { | + | year = {2003}, |
| − | + | editor = {???}, | |
| − | address = { | + | publisher = {Collins}, |
| − | note = {}, | + | address = {Glasgow}, |
| + | note = {4<sup>th</sup> edition}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cha & Rautzenberg 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cha & Rautzenberg 08a, |
| − | author = { | + | author = {Cha, Kyung-Ho & Rautzenberg, Markus}, |
| − | title = {Philosophie | + | title = {Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher}, |
| − | + | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie}, | |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {dies.}, |
| − | note = { | + | pages = {7-22}, |
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cheeke 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cheeke 2008a, |
| − | author = { | + | author = {Cheek, Stephen}, |
| − | title = { | + | title = {Writing for art. The aesthetics of Ekphrasis}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Manchester University Press}, |
| − | + | address = {Manchester}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chomsky 1957a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chomsky 1957a, |
| − | author = { | + | author = {Chomsky, Noam}, |
| − | title = { | + | title = {Syntactic Structures}, |
| − | year = { | + | year = {1957}, |
| − | publisher = { | + | publisher = {Mouton}, |
| − | address = { | + | address = {Den Haag}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.053: | Zeile 2.097: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Christian 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Christian 2009a, |
| − | author = { | + | author = {Christian, Alexander}, |
| − | title = { | + | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Shaker}, |
| − | address = { | + | address = {Aachen}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cipolla et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cipolla et al. 2010a, |
| − | author = { | + | author = {Cipolla, Roberto & Battiato, Sebastiano & Farinella, Giovanni Maria }, |
| − | + | title = {Computer Vision: Detection, Recognition and Reconstruction}, | |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Springer}, |
| − | + | address = {Berlin, Heidelberg }, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Collingwood 1945=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Collingwood 1945, |
| − | author = { | + | author = {Collingwood, Robin}, |
| − | title = { | + | title = {Die Idee der Natur [The Idea of Nature (1945)]}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = {}, | + | note = {Übers.: Martin Suhr}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Coulmas 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Coulmas 1999a, |
| − | author = { | + | author = {Coulmas, Florian}, |
| − | title = { | + | title = {The Blackwell Encyclopedia of Writing Systems}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Blackwell}, |
| − | address = { | + | address = {Oxford u.a.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.109: | Zeile 2.149: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cunningham et al. 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cunningham et al. 1995a, |
| − | author = { | + | author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan}, |
| − | title = { | + | title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness}, |
| − | year = { | + | journal = {J. Personality and Social Psychology}, |
| − | + | year = {1995}, | |
| − | + | volume = {68}, | |
| + | number = {}, | ||
| + | pages = {261-279}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cunningham 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cunningham 1986a, |
| − | author = {}, | + | author = {Cunningham, M.R.}, |
| − | title = { | + | title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty}, |
| − | + | journal = {J. Personality and Social Psychology}, | |
| − | + | year = {1986}, | |
| − | + | volume = {50}, | |
| − | + | number = {}, | |
| − | + | pages = {925-935}, | |
| − | + | note = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==D== |
| + | ===Damisch 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Damisch 1987a, |
| − | author = { | + | author = {Damisch, Hubert}, |
| − | title = { | + | title = {L'origine de la perspective}, |
| − | + | year = {1987}, | |
| − | year = { | + | publisher = {Flammarion}, |
| − | + | address = {Paris}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Darwin 1872a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Darwin 1872a, |
| − | author = { | + | author = {Darwin, Charles}, |
| − | title = { | + | title = {On the Expression of the Emotions in Man and Animals}, |
| − | year = { | + | year = {1872}, |
| − | publisher = { | + | publisher = {Murray}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Davidson 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Davidson 2004a, |
| − | author = { | + | author = {Davidson, Donald}, |
| − | title = { | + | title = {Drei Spielarten des Wissens}, |
| − | year = { | + | booktitle = {Subjektiv, intersubjektiv, objektiv}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Davidson, Donald}, |
| + | pages = {339-363}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Davies 1991=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Davies 1991, |
| − | author = { | + | author = {Davies, David}, |
| − | title = { | + | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork}, |
| − | year = { | + | journal = {Canadian Journal of Philosophy}, |
| − | + | year = {1991}, | |
| − | + | volume = {21}, | |
| + | number = {}, | ||
| + | pages = {331-346}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===DeFrancis 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{DeFrancis 1989a, |
| − | author = { | + | author = {DeFrancis, John}, |
| − | title = { | + | title = {Visible Speech. The Diverse Oneness of Writing Systems}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {University of Hawaii Press}, |
| − | address = { | + | address = {Honolulu}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.204: | Zeile 2.247: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Deleuze 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Deleuze 1989a, |
| − | author = { | + | author = {Deleuze, Gilles}, |
| − | title = { | + | title = {Das Bewegungs-Bild. Kino1}, |
| − | year = { | + | year = {1989}, |
publisher = {Suhrkamp}, | publisher = {Suhrkamp}, | ||
| − | address = {Frankfurt a.M | + | address = {Frankfurt a. M}, |
| − | note = { | + | note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Demuth 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Demuth 2007a, |
| − | author = { | + | author = {Demuth, Volker}, |
| − | title = { | + | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume}, |
| − | + | booktitle = {RAUM. Orte der Kunst}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, | |
| − | + | pages = {89-104}, | |
| − | + | publisher = {Verlag für moderne Kunst}, | |
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Depaulo 1992a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Depaulo 1992a, |
| − | author = { | + | author = {DePaulo, B. M. }, |
| − | title = { | + | title = {Nonverbal Behavior and Self Presentation}, |
| − | journal = { | + | journal = {Psychological Bulletin}, |
| − | year = { | + | year = {1992}, |
| − | volume = { | + | volume = {111}, |
| − | number = {}, | + | number = {2}, |
| − | pages = { | + | pages = {203-243}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Derrida 2007a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Derrida 2007a, |
| − | author = { | + | author = {Jacques Derrida}, |
| − | title = { | + | title = {Aufzeichnungen eines Blinden. Das Selbstporträt und andere Ruinen}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Derrida 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Derrida 1992a, |
| − | author = { | + | author = {Derrida, J.}, |
| − | title = { | + | title = {Die Wahrheit in der Malerei}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===de Duve 1990a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{de Duve 1990a, |
| − | author = { | + | author = {de Duve, Thierry}, |
| − | title = { | + | title = {The Monochrome and the Blank Canvas}, |
| − | booktitle = { | + | booktitle = {Reconstructiong Modernism. Art in New York, Paris and Montreal 1945-1964}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Guilbaut, Serge}, |
| − | pages = { | + | pages = {244-310}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Cambridge/Mass.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.288: | Zeile 2.330: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===de Schonen et.al. 1994a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{de Schonen et.al. 1994a, |
| − | author = { | + | author = {de Schonen, S.; Deruelle, C.; Pascalis, O.; & Mancini, J.}, |
| − | title = { | + | title = {About funcional brain specialization.The development of face recognition (Functional cerebral specialization in the development of face recognition / A propos de la notion de specialisation cerebrale fonctionnelle: le developpement de la reconnaissance des visages)}, |
| − | journal = { | + | journal = {Psychologie francaise}, |
| − | year = { | + | year = {1994}, |
| − | volume = { | + | volume = {39}, |
| − | number = {}, | + | number = {3}, |
| − | pages = { | + | pages = {259-274}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Diderot 1751=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Diderot 1751, |
| − | author = { | + | author = {Denis Diderot}, |
| − | + | title = {Brief über die Taubstummen [1751}, | |
| − | year = { | + | booktitle = {Ästhetische Schriften. Erster Band}, |
| − | publisher = { | + | year = {1968}, |
| − | address = {Frankfurt a. M}, | + | editor = {Friedrich Bassenge}, |
| − | note = { | + | pages = {27-97}, |
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Didi-Huberman 2005a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {L’espace danse – Der Raum tanzt}, |
| − | booktitle = {RAUM. | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| − | pages = { | + | pages = {16-30}, |
publisher = {Verlag für moderne Kunst}, | publisher = {Verlag für moderne Kunst}, | ||
address = {Nürnberg}, | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Didi-Huberman 2000a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Vor einem Bild}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Carl Hanser Verlag}, |
| − | + | address = {München/Wien}, | |
| − | + | note = {aus dem Französischen von Reinold Werner}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Didi-Huberman 1999a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Was wir sehen blickt uns an. Zur Metapsychologie des Bildes}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Fink}, |
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Diekmannshenke et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Diekmannshenke et al. 2010a, |
| − | author = { | + | author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut}, |
| − | title = { | + | title = {Bildlinguistik}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Erich Schmidt}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {erscheint Ende 2010}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dion 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Dion 2002a, |
| − | author = { | + | author = {Dion, K. K.}, |
| − | title = { | + | title = {Cultural Perspectives on Facial Attractiveness}, |
| − | booktitle = { | + | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Rhodes, G. & Zebrowitz, L.A.}, |
| − | pages = { | + | pages = {239-260}, |
| − | publisher = { | + | publisher = {Ablex}, |
| − | address = { | + | address = {Westport, CT}, |
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Ditzinger 2006a=== | ||
| + | <bibentry> | ||
| + | @book{Ditzinger 2006a, | ||
| + | author = {Ditzinger, Thomas}, | ||
| + | title = {Illusionen des Sehens. Eine Reise in die Welt der visuellen Wahrnehmung}, | ||
| + | year = {2006}, | ||
| + | publisher = {Elsevier, Spektrum, Akad. Verl.}, | ||
| + | address = {München, Heidelberg}, | ||
| + | note = {1. Aufl.}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dobbe 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2002a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | + | title = {Malerei im Bilderstreit. Eine Revision aus Anlass des Rubenspreis-Jubiläums}, | |
| − | + | booktitle = {10 x Malerei. Rubenspreis der Stadt Siegen in Werken der Sammlung Lambrecht-Schadeberg}, | |
| − | + | year = {2002}, | |
| − | + | editor = {???}, | |
| − | + | pages = {19-34}, | |
| − | + | publisher = {Museum für Gegenwartskunst }, | |
| − | note = {}, | + | address = {Siegen}, |
| + | note = {Ausstellungskatalog}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 2.401: | Zeile 2.464: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dobbe 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dobbe 1999a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Querelle des Anciens, des Modernes et des Postmodernes}, |
| − | + | year = {1999}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Doelker 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Doelker 2007a, |
| − | author = { | + | author = {Doelker, Christian}, |
| − | title = { | + | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten}, |
| − | booktitle = { | + | booktitle = {Bildrhetorik}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Knape, J.}, |
| − | pages = { | + | pages = {71–112}, |
| − | publisher = { | + | publisher = {Koerner}, |
| − | address = { | + | address = {Baden-Baden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.435: | Zeile 2.494: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Doelker 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Doelker 2001a, |
| − | author = { | + | author = {Doelker, Christian }, |
| − | title = { | + | title = {Ein Funktionenmodell für Bildtexte}, |
| − | year = { | + | booktitle = {Bildhandeln}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Klaus Sachs-Hombach}, |
| − | note = { | + | pages = {29-39}, |
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Döring 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Döring 2009a, |
| − | author = { | + | author = {Döring, Sabine}, |
| − | title = { | + | title = {Einleitung}, |
| − | year = { | + | booktitle = {Philosophie der Gefühle}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Döring, Sabine}, |
| + | pages = {12-65}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Downey 1959a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Downey 1959a, |
| − | author = { | + | author = {Downey, G.}, |
| − | + | title = {Ekphrasis}, | |
| − | year = { | + | journal = {Reallexikon für Antike und Christentum}, |
| − | + | year = {1959}, | |
| − | + | volume = {IV}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
| + | note = {Sp.921-944}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drechsel 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Drechsel 2006a, |
| − | author = { | + | author = {Drechsel, Benjamin}, |
| − | title = { | + | title = {Was ist ein politisches Bild? Einige Überlegungen zur Entwicklung der Politikwissenschaft als Bildwissenschaft}, |
| − | + | journal = {Moderne. Kulturwissenschaftliches Jahrbuch}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {}, | |
| − | + | number = {2}, | |
| − | + | pages = {106-120}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drosdowski 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Drosdowski 1989a, |
| − | author = { | + | author = {Drosdowsi, Günther}, |
| − | title = { | + | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {Dudenverlag}, |
| − | address = { | + | address = {Mannheim [u.a.]}, |
| − | note = { | + | note = {2. völlig neu bearbeitete und erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drosdowski 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Drosdowski 1988a, |
| − | author = { | + | author = {Drosdowski, Günther}, |
| − | title = { | + | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz.}, |
| − | + | year = {1988}, | |
| − | year = { | + | publisher = {Dudenverlag}, |
| − | + | address = {Mannheim [u.a.]}, | |
| − | + | note = {7., völlig neu bearbeitete und erweiterte Auflage}, | |
| − | publisher = { | + | hidden = {= DUDEN Band 2}, |
| − | address = { | ||
| − | note = { | ||
| − | hidden = { | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drügh 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Drügh 2006a, |
| − | + | title = {Ästhetik der Beschreibung - poetische und kulturelle Energie deskriptiver Texte (1700-2000). Studien und Texte zur Kulturgeschichte deutschsprachiger Literatur}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Drügh, Heinz J.}, | |
| − | publisher = { | + | publisher = {Francke}, |
| − | address = { | + | address = {Tübingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.532: | Zeile 2.597: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dubois 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dubois 1998a, |
| − | author = { | + | author = {Dubois, Philippe}, |
| − | title = { | + | title = {Der fotografische Akt. Versuch über ein theoretisches Dispositiv}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Verlag der Kunst}, |
| − | + | address = {Dresden, Amsterdam}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dubos 1760-61=== |
| + | <bibentry> | ||
| + | @book{Dubos 1760-61, | ||
| + | author = {Du Bos, Jean-Baptiste}, | ||
| + | title = {Kritische Betrachtungen über die Poesie und Malerey, 3 Teile}, | ||
| + | year = {1760-1761}, | ||
| + | publisher = {???}, | ||
| + | address = {Kopenhagen}, | ||
| + | note = {Übers.: Gottfried Benediktus Funk}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Duden 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Duden 1999a, |
| − | author = { | + | author = {Duden}, |
| − | title = { | + | title = {Das große Wörterbuch der deutschen Sprache in zehn Bänden}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Dudenverlag}, |
| − | + | address = {Mannheim}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dudenredaktion 2003a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @book{Dudenredaktion 2003a, |
| − | author = { | + | author = {Dudenredaktion (Hg.)}, |
| − | title = { | + | title = {DUDEN. Das Stilwörterbuch.}, |
| − | booktitle = { | + | year = {2003}, |
| − | year = { | + | publisher = {Dudenverlag}, |
| − | editor = { | + | address = {Mannheim [u.a.]}, |
| − | pages = { | + | note = {8. völlig neu bearbeitete Auflage}, |
| − | publisher = { | + | hidden = {}, |
| − | address = { | + | } |
| + | </bibentry> | ||
| + | |||
| + | ===Durand 1987a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Durand 1987a, | ||
| + | author = {Durand, Jacques}, | ||
| + | title = {Rhetorical Figures in the Advertising Image}, | ||
| + | booktitle = {Marketing and Semiotics}, | ||
| + | year = {1987}, | ||
| + | editor = {Sebeok, J.U. }, | ||
| + | pages = {295–318}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.583: | Zeile 2.666: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==E== |
| + | ===Ebert 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Ebert 1979a, |
| − | author = { | + | author = {Ebert, Jürgen}, |
| − | title = { | + | title = {Montage Editing Schnitt}, |
| − | journal = { | + | journal = {Filmkritik}, |
| − | year = { | + | year = {1979}, |
| − | volume = { | + | volume = {12}, |
number = {}, | number = {}, | ||
| − | pages = {}, | + | pages = {547-558}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eco 1998=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Eco 1998, |
| − | author = { | + | author = {Eco, Umberto}, |
| − | title = { | + | title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {dtv}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Eddiks 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Eddiks 2004a, |
| − | author = { | + | author = {Eddiks, Christina}, |
| − | title = { | + | title = {Dem Emblem auf der Spur}, |
| − | + | howpublished = {}, | |
| − | + | year = {2004}, | |
| − | + | note = {Diplomarbeit}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| + | url = {kisd.de/~tom/diplom/christina_emblematik.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Edgerton 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Edgerton 2002a, |
| − | author = { | + | author = {Edgerton, Samuel Y.}, |
| − | title = { | + | title = {Die Entdeckung der Perspektive}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt & Sütterlin 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Eibl-Eibesfeldt & Sütterlin 1992a, |
| − | + | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin}, | |
| − | + | title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik}, | |
| − | + | year = {1992}, | |
| − | publisher = { | + | publisher = {Piper}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt & Sütterlin 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Eibl-Eibesfeldt & Sütterlin 2008a, |
| − | author = { | + | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin}, |
| − | title = { | + | title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Brandstätter}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt 1995a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Eibl-Eibesfeldt 1995a, |
| − | author = { | + | author = {Eibl-Eibesfeldt. I. }, |
| − | title = { | + | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Piper}, |
| − | address = { | + | address = {München}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Eibl-Eibesfeldt 1973a, |
| − | author = { | + | author = {Eibl-Eibesfeldt I. }, |
| − | title = { | + | title = {The expressive behavior of the deaf- and blind born}, |
| − | year = { | + | booktitle = {Social Communication and Movement}, |
| − | publisher = { | + | year = {1973}, |
| − | address = { | + | editor = {M. v. Cranach & I. Vine}, |
| + | pages = {163-194}, | ||
| + | publisher = {Academic Press}, | ||
| + | address = {London}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ekman 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ekman 1973a, |
| − | + | editor = {Ekman, P. }, | |
| − | title = { | + | title = {Darwin and Facial Expression}, |
| − | year = { | + | year = {1973}, |
| − | publisher = { | + | publisher = {Academic Press}, |
| − | address = { | + | address = {London}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ekman 1973b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ekman 1973b, |
| − | author = { | + | author = {Ekman, P. }, |
| − | title = { | + | title = {Cross cultural studies of facial expression}, |
| − | booktitle = { | + | booktitle = {Darwin and Facial Expression}, |
| − | year = { | + | year = {1973}, |
| − | editor = { | + | editor = {Ekman, P.}, |
| − | pages = { | + | pages = {169-222}, |
| − | publisher = { | + | publisher = {Academic Press}, |
| − | address = { | + | address = {New York, London}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Elgin 1992=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Elgin 1992, |
| − | author = { | + | author = {Elgin, Catherine Z.}, |
| − | title = { | + | title = {Notation}, |
| − | + | booktitle = {A Companion to Aesthetics}, | |
| − | year = { | + | year = {1992}, |
| − | + | editor = {Cooper, David}, | |
| − | + | pages = {307-309}, | |
| − | + | publisher = {Blackwell}, | |
| + | address = {Oxford}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elgin 1983=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elgin 1983, |
| − | author = { | + | author = {Elgin, Catherine Z.}, |
| − | title = { | + | title = {With Reference to Reference}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Hackett}, |
| − | address = { | + | address = {Indianapolis}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Elkins 2003a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Elkins 2003a, |
| − | author = { | + | author = {Elkins, James}, |
| − | title = { | + | title = {Visual Studies. A Skeptical Introduction}, |
| − | + | year = {2003}, | |
| − | + | publisher = {Routledge}, | |
| − | note = { | + | address = {New York, London}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elkins 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elkins 1999a, |
| − | author = { | + | author = {Elkins, James}, |
| − | title = { | + | title = {The Domain of Images}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Cornell University Press}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ellgring 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ellgring 1989a, |
| − | author = { | + | author = {Ellgring, H.}, |
| − | title = { | + | title = {Nonverbal communication in depression}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Else 1958=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Else 1958, |
| − | author = { | + | author = {Else, Gerald F.}, |
| − | title = { | + | title = {Imitation in the fifth century}, |
| − | year = { | + | journal = {Classical Philology}, |
| − | + | year = {1958}, | |
| − | + | volume = {53}, | |
| + | number = {}, | ||
| + | pages = {73-90}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Enright 1987a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Enright 1987a, |
| − | author = { | + | author = {Enright, J. T.}, |
| − | title = { | + | title = {Perspective vergence: oculomotor responses to line drawings}, |
| − | year = { | + | journal = {Vision Res}, |
| − | + | year = {1987}, | |
| − | + | volume = {27}, | |
| + | number = {}, | ||
| + | pages = {1513–1526}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Erlbaugh 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Erlbaugh 2002a, |
| − | + | title = {Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing}, | |
| − | title = { | + | year = {2002}, |
| − | + | editor = {Erbaugh, Mary S.}, | |
| − | year = { | + | publisher = {National East Asian Language Resource Center}, |
| − | editor = { | + | address = {Columbus, Ohio}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ernst 2002a, |
| − | + | author = {Ernst, Wolfgang}, | |
| − | title = { | + | title = {Gibt es eine spezifische Videozität?}, |
| − | year = { | + | booktitle = {REC - Video als mediales Phänomen}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Adelmann, Ralf; Hoffmann, Hilde & Nohr, Rolf F.}, |
| + | pages = {14-29}, | ||
| + | publisher = {VDG}, | ||
| + | address = {Weimar}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst & Heidenreich 1999a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ernst & Heidenreich 1999a, |
| − | author = { | + | author = {Ernst, Wolfgang & Heidenreich, Stefan}, |
| − | title = { | + | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül}, |
| − | booktitle = { | + | booktitle = {Konfigurationen. Zwischen Kunst und Medien}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Schade, Sigrid & Tholen, Georg Christoph}, |
| − | pages = { | + | pages = {306-320}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst et al. 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ernst et al. 2003a, |
| − | + | editor = {Ernst, Wolfgang et al.}, | |
| − | title = { | + | title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Esposito 1998=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Esposito 1998, |
| − | author = { | + | author = {Esposito, Elena}, |
| − | title = { | + | title = {Fiktion und Virtualität}, |
| − | year = { | + | booktitle = {edien, Computer Realität. Wirklichkeitsvorstellungen und Neue Medien}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Krämer, Sybille}, |
| + | pages = {269-296}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Etcoff 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Etcoff 2001a, |
| − | author = { | + | author = {Etcoff, N. }, |
| − | title = { | + | title = {Nur die Schönsten überleben. Die Ästhetik des Menschen}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eusterschulte 2001=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Eusterschulte 2001, |
| − | author = { | + | author = {Eusterschulte, Anne}, |
| − | title = { | + | title = {Mimesis}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 5: L-Musi}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Gert Ueding}, |
| + | pages = {Sp. 1232-1294}, | ||
| + | publisher = {Niemeyer}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==F== |
| + | ===Fahlenbrach & Viehoff 2005a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Fahlenbrach & Viehoff 2005a, |
| − | author = { | + | author = {Fahlenbrach, Kathrin & Viehoff, Reinhold}, |
| − | title = { | + | title = {Medienikonen des Krieges. Die symbolische Entthronung Saddams als Versuch strategischer Ikonisierung}, |
| − | + | booktitle = {War Visions. Bildkommunikation und Krieg}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Knieper, Thomas & Müller, Marion G.}, | |
| − | + | pages = {356-387}, | |
| − | + | publisher = {Halem}, | |
| − | + | address = {Köln}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.935: | Zeile 3.017: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fantz 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Fantz 1966a, |
| − | author = { | + | author = {Fantz, R.L. }, |
| − | title = { | + | title = {Pattern discrimination and selective attention as determinants of perceptual development from birth}, |
| − | + | booktitle = {Perceptual Development in Children}, | |
| − | year = { | + | year = {1966}, |
| − | + | editor = {Kidd, A.H. & Rivoire, J.L}, | |
| − | + | pages = {143-173}, | |
| − | + | publisher = {University Press}, | |
| + | address = {New York}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Farago 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Farago 1992a, |
| − | + | author = {Farago, Claire J.}, | |
| − | + | title = {Leonardo da Vinci’s Paragone. A Critical Interpretation with a New Edition of the Text in the Codex Urbinas}, | |
| − | + | year = {1992}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Leiden/New York/Kopenhagen/Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.964: | Zeile 3.045: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ferino-Pagden 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ferino-Pagden 2009a, |
| − | + | title = {Wir sind Maske}, | |
| − | title = { | + | year = {2009}, |
| − | + | editor = {Ferino-Pagden, S. }, | |
| − | year = { | + | publisher = {Kunsthistorisches Museum}, |
| − | editor = { | + | address = {Wien}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fiedler 1991a, |
| − | author = { | + | author = {Fiedler, Konrad}, |
| − | title = { | + | title = {Schriften zur Kunst}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {Fink}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {2 Bd., hrsg. von Gottfried Boehm}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Fiedler 1991b, |
| − | + | author = {Fiedler, Konrad}, | |
| − | title = { | + | title = {Über den Ursprung der künstlerischen Tätigkeit}, |
| − | year = { | + | booktitle = {Schriften zur Kunst}, |
| − | publisher = { | + | year = {1991}, |
| − | address = { | + | editor = {}, |
| − | note = {}, | + | pages = {111-220}, |
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {Bd. 1, hrsg. von Gottfried Boehm}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Fiedler 1991c=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fiedler 1991c, |
| − | author = { | + | author = {Fiedler, Konrad}, |
| − | title = { | + | title = {Aphorismen}, |
| − | booktitle = { | + | booktitle = {Schriften zur Kunst}, |
| − | year = { | + | year = {1991}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {7-105}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | + | note = {Bd. 2, hrsg. von Gottfried Boehm}, | |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Fiedler 1991d=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Fiedler 1991d, | ||
| + | author = {Fiedler, Konrad}, | ||
| + | title = {Zur neueren Kunsttheorie}, | ||
| + | booktitle = {Schriften zur Kunst}, | ||
| + | year = {1991}, | ||
| + | editor = {}, | ||
| + | pages = {247-290}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {Bd. 2, hrsg. von Gottfried Boehm}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Fink 1988a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Fink 1988a, |
| − | author = { | + | author = {Fink, Monika}, |
| − | title = { | + | title = {Musik nach Bildern. Programmbezogenes Komponieren im 19. und 20. Jahrhundert}, |
| − | year = { | + | year = {1988}, |
| − | publisher = { | + | publisher = {Helbling}, |
| − | address = { | + | address = {Innsbruck}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fischer-Lichte 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fischer-Lichte 2004a, |
| − | author = { | + | author = {Fischer-Lichte, Erika}, |
| − | title = { | + | title = {Ästhetik des Performativen}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Fiske 2001a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fiske 2001a, |
| − | author = { | + | author = {Fiske, John }, |
| − | title = { | + | title = {Videotech}, |
| − | booktitle = { | + | booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Adelmann, Ralf et al.}, |
| − | pages = { | + | publisher = {}, |
| − | + | address = {Konstanz}, | |
| − | + | note = {}, | |
| + | pages = {484-502}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Floch 1998a=== | ||
| + | <bibentry> | ||
| + | @article{Floch 1998a, | ||
| + | author = {Floch, Jean Marie}, | ||
| + | title = {The Contribution of Structural Semiotics to the Design of a Hypermarket}, | ||
| + | journal = {International Journal of Research in Marketing }, | ||
| + | year = {1998}, | ||
| + | volume = {}, | ||
| + | number = {4}, | ||
| + | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.072: | Zeile 3.179: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Floch 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Floch 1995a, |
| − | author = { | + | author = {Floch, Jean-Marie}, |
| − | title = { | + | title = {Identités visuelles}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Presses Universitaires de France}, |
| − | + | address = {Paris}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Floch 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Floch 1990a, |
| − | author = { | + | author = {Floch, Jean-Marie}, |
| − | title = { | + | title = {Sémiotique, marketing et communication}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Presses Universitaires de France.}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.100: | Zeile 3.205: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flügge et al. 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Flügge et al. 2007a, |
| − | title = { | + | author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela}, |
| − | year = { | + | title = {Vorwort und Dank}, |
| − | editor = { | + | booktitle = {RAUM. Orte der Kunst}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, |
| + | pages = {6-9}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flusser 1994=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Flusser 1994, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Abbild – Vorbild}, |
| − | year = { | + | booktitle = {Was heißt „Darstellen“? }, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Christiaan L. Hart Nibbrig}, |
| − | note = { | + | pages = {34-48}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foley et al. 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Foley et al. 1990a, |
| − | author = { | + | author = {Foley, James D.; van Dam; Feiner & Hughes }, |
| − | title = { | + | title = {Computer Graphics. Principles and Practice}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Addison Wesley}, |
| − | + | address = {Reading, MA}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foster & Krauss 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Foster & Krauss 1996a, |
| − | author = { | + | author = {Foster, H. & Krauss, R.}, |
| − | title = { | + | title = {Introduction}, |
| − | + | journal = {October}, | |
| − | + | pages = {3-4}, | |
| − | + | year = {1996}, | |
| − | pages = { | + | volume = {77}, |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foucault 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Foucault 1976a, |
| − | author = { | + | author = {Foucault, Michael}, |
| − | title = { | + | title = {Überwachen und Strafen}, |
| − | + | year = {1976}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.190: | Zeile 3.276: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fowler 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Fowler 1991a, |
| − | author = { | + | author = {Fowler, D.P.}, |
| − | title = { | + | title = {Narrate and describe: The problem of ekphrasis}, |
| − | year = { | + | journal = {The Journal of Roman Studies}, |
| − | + | year = {1991}, | |
| − | + | volume = {81}, | |
| + | number = {}, | ||
| + | pages = {25-35}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fox 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fox 2006a, |
| − | author = { | + | author = {Fox, Mark}, |
| − | title = { | + | title = {Quantum Optics. An Introduction}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Oxford}, | |
| − | publisher = {}, | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Frangenberg 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Frangenberg 2003a, |
| − | author = { | + | author = {Frangenberg, Thomas}, |
| − | title = { | + | title = {Poetry on art : Renaissance to Romanticism}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Schaun Tyas}, |
| − | + | address = {Donington}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frank & Lange 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Frank & Lange 10a, |
| − | author = { | + | author = {Frank, Gustav & Lange, Barbara}, |
| − | title = { | + | title = {Einführung in die Bildwissenschaft. Bilder in der visuellen Kultur}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.247: | Zeile 3.328: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freedberg 1991a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Freedberg 1991a, |
| − | author = { | + | author = {Freedberg, David}, |
| − | title = { | + | title = {The Power of Images. Studies in the History and Theory of Response (1989)}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {The University of Chicago Press}, |
| − | address = { | + | address = {Chicago/London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.260: | Zeile 3.341: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frege 1892=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Frege 1892, |
| − | author = { | + | author = {Frege, Gottlob}, |
| − | title = { | + | title = {Über Sinn und Bedeutung, zitiert nach der Ausgabe in: Frege, Gottlob: Funktion, Begriff, Bedeutung}, |
| − | + | year = {1996}, | |
| − | year = { | + | editor = {G. Patzig}, |
| − | editor = { | + | publisher = {Vandenhoeck}, |
| − | + | address = {Göttingen}, | |
| − | + | note = {40-65}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1946a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Freud 1946a, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Die Verdrängung}, |
| − | booktitle = { | + | booktitle = {Gesammelte Werke, Bd. 10}, |
| − | year = { | + | year = {1946}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {247-261}, |
| − | publisher = { | + | publisher = {Imago}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.292: | Zeile 3.372: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1946b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1946b, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Das Unbewußte}, |
| − | year = { | + | booktitle = {Gesammelte Werke, Bd. 10}, |
| − | publisher = { | + | year = {1946}, |
| − | address = { | + | editor = {}, |
| + | pages = {263-303}, | ||
| + | publisher = {Imago}, | ||
| + | address = {London}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Friedländer 1912=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Friedländer 1912, |
| − | author = { | + | author = {Friedländer, Paul}, |
| − | title = { | + | title = {Johannes von Gaza und Paulus Silentiarius. Kunstbeschreibungen justinianischer Zeit}, |
| − | + | year = {1912}, | |
| − | + | publisher = {Teubner}, | |
| − | + | address = {Leipzig}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.318: | Zeile 3.402: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Fuhrmann 2003=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Fuhrmann 2003, |
| − | author = { | + | author = {Fuhrmann, Manfred}, |
| − | title = { | + | title = {Die Dichtungstheorie der Antike. Aristoteles – Horaz – 'Longin' Eine Einführung}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Artemis & Winkler}, |
| − | address = { | + | address = {Düsseldorf und Zürich}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.331: | Zeile 3.416: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==G== |
| + | |||
| + | ===Gaede 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gaede 1981a, |
| − | author = { | + | author = {Gaede, Werner}, |
| − | title = { | + | title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung}, |
| − | + | year = {1981}, | |
| − | year = { | + | publisher = {Langen Müller/Herbig}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Galison 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Galison 1997a, |
| − | author = { | + | author = {Galison, Peter}, |
| − | title = { | + | title = {Image and Logic. A Material Culture of Microphysics}, |
| − | year = { | + | year = {1997}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Chicago}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Ganz & Henkel 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ganz & Henkel 2004a, |
| − | + | title = {Rahmen-Diskurse. Kultbilder im konfessionellen Zeitalter}, | |
| − | + | year = {2004}, | |
| − | + | editor = {Ganz, David; Henkel, Georg}, | |
| − | publisher = { | + | publisher = {Reimer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Garcia 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Garcia 1990a, |
| − | author = { | + | author = {Garcia, Mario}, |
| − | title = { | + | title = {Newspaper Color Design}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Poynter Institute for Media Studies}, |
| − | address = { | + | address = {St. Petersburg, FL}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.383: | Zeile 3.469: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Garcia 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Garcia 1997a, |
| − | author = { | + | author = {Garcia, Mario}, |
| − | title = { | + | title = {Newspaper Evolutions}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Poynter Institute for Media Studies}, |
| − | address = { | + | address = {St. Petersburg, FL}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.396: | Zeile 3.482: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gardner 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gardner 1985a, |
| − | author = { | + | author = {Gardner, Howard}, |
| − | title = { | + | title = {The Mind’s New Science. A History of the Cognitive Revolution}, |
| − | year = { | + | year = {1985}, |
| − | + | publisher = {Basic Books}, | |
| − | publisher = { | + | address = {New York}, |
| − | address = { | + | note = {}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gebauer & Wulf 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gebauer & Wulf 1992a, |
| − | author = { | + | author = {Gebauer, Gunter & Wulf, Christoph}, |
| − | title = { | + | title = {Mimesis. Kultur – Kunst - Gesellschaft}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Reinbek}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehlen 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gehlen 2004a, |
| − | author = { | + | author = {Gehlen, Arnold}, |
| − | title = { | + | title = {Der Mensch. Seine Natur und seine Stellung in der Welt}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Aula}, |
| − | + | address = {Wiebelsheim}, | |
| − | + | note = {14. Aufl.}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehlen 2004b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gehlen 2004b, |
| − | author = { | + | author = {Gehlen, Arnold}, |
| − | title = { | + | title = {Urmensch und Spätkultur. Philosophische Ergebnisse und Aussagen}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Kolstermann}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note = {}, | + | note = {6., erw. Aufl}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Gehlen 1961a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gehlen 1961a, |
| − | author = { | + | author = {Gehlen, Arnold}, |
| − | title = { | + | title = {Anthropologische Forschung. Zur Selbstbegegnung und Selbstentdeckung des Menschen}, |
| − | year = { | + | year = {1961}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.471: | Zeile 3.547: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Geiger & Henn-Memmesheimer 1998a=== |
| − | |||
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Geiger & Henn-Memmesheimer 1998a, |
| − | author = { | + | author = {Geiger, Susi & Henn-Memmesheimer, Beate}, |
| − | title = { | + | title = {Visuell-verbale Textgestaltung von Werbeanzeigen}, |
| − | year = { | + | journal = {Kodikas/Code – Ars Semeiotica}, |
| − | + | year = {1998}, | |
| − | + | volume = {21}, | |
| + | number = {1/2}, | ||
| + | pages = {55–74}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Geimer 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Geimer 2007a, |
| − | author = { | + | author = {Geimer, Peter}, |
| − | title = { | ||