Bibliography: Unterschied zwischen den Versionen
Aus GIB - Glossar der Bildphilosophie
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| + | <!--- Literaturverzeichnis folgt. Bitte nach Anlegen nach unten kopieren, --> | ||
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| + | <!--- Derzeit sind folgende Formen möglich: Monographie (= book), --> | ||
| + | <!--- Sammelband (= Proceedings), Artikel in Sammelband (= inproceedings),--> | ||
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| + | {{GlossarBoxSub}}__TOC__</div> | ||
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| − | === | + | ===Adelmann 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Adelmann 2009a, |
| − | + | editor = {Adelmann, Ralf}, | |
| − | title = { | + | title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Transcript}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | } | |
| − | |||
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Adelmann 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Adelmann 2004a, |
| − | author = { | + | author = {Adelmann, Ralf}, |
| − | title = { | + | title = {Digitale Animationen in dokumentarischen Fernsehformaten?}, |
| − | year = { | + | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schröter & Böhnke}, |
| + | pages = {387-406}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Adelung 1811=== |
| + | <bibentry> | ||
| + | @proceedings{Adelung 1811, | ||
| + | editor = {Adelung, Johann Christoph}, | ||
| + | title = {Grammatisch-kritisches Wörterbuch der hochdeutschen Mundart: mit beständiger Vergleichung der übrigen Mundarten, besonders aber der Oberdeutschen. Erster Teil: A-E. Mit D. W. Soltau's Beyträgen; revidirt und berichtiget von Franz Xaver Schönberger, Doctor der freyen Künste und Philosophie}, | ||
| + | year = {1811}, | ||
| + | publisher = {Bauer}, | ||
| + | address = {Wien}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Adorno 2003=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Adorno 2003, |
| − | author = { | + | author = {Adorno, Theodor W.}, |
| − | title = { | + | title = {Gesammelte Schriften, Bd. 7: Ästhetische Theorie}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Alberti 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Alberti 2000a, |
| − | author = { | + | author = {Alberti, Leon Battista}, |
| − | title = { | + | title = {De Statua – Das Standbild}, |
| − | year = { | + | booktitle = {Das Standbild. Die Malkunst. Grundlagen der Malerei}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Bätschmann, O. & Schäublin, C.}, |
| + | pages = {142-182}, | ||
| + | publisher = {Wissenschaftliche Buchgesellschaft}, | ||
| + | address = {Darmstadt}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Alleton 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Alleton 2003a, |
| − | author = { | + | author = {Alleton, Viviane}, |
| − | title = { | + | title = {Schrift}, |
| − | year = { | + | booktitle = {Das große China-Lexikon}, |
| − | publisher = { | + | year = {2003a}, |
| − | address = { | + | editor = {Staiger, B. et al.}, |
| − | note = { | + | pages = {651- 654}, |
| + | publisher = {WBG}, | ||
| + | address = {Hamburg}, | ||
| + | note = {unter Mitarbeit von Emmerich, R.}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Althusser & Balibar 1972=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Althusser & Balibar 1972, |
| − | author = { | + | author = {Althusser, Louis & Balibar, Etienne}, |
| − | title = { | + | title = {Das Kapital lesen}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Rowohlt}, |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 86: | Zeile 141: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Alpers 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Alpers 1985a, |
| − | + | author = {Alpers, Svetlana}, | |
| − | + | title = {Kunst als Beschreibung. Holländische Malerei des 17. Jahrhunderts}, | |
| − | + | year = {1985}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 99: | Zeile 154: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Amelunxen 1996a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Amelunxen 1996a, |
| − | author = { | + | author = {Amelunxen, Hubertus}, |
| − | title = { | + | title = {Fotografie nach der Fotografie}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Dresden u.a.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Anders 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Anders 2009a, |
| − | author = { | + | author = {Anders, Günther}, |
| − | title = { | + | title = {Die Antiquiertheit des Menschen 1: Über die Seele im Zeitalter der zweiten industriellen Revolution [Broschiert] }, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Beck}, |
| − | address = { | + | address = {München}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Andree 2006=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Andree 2006, |
| − | author = { | + | author = {Andree, Martin}, |
| − | title = { | + | title = {Archäologie der Medienwirkung. Faszinationstypen von der Antike bis heute; (Simulation, Spannung, Fiktionalität, Authentizität, Unmittelbarkeit, Geheimnis, Ursprung)}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Appadurai 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @inproceedings{Appadurai 2003a, |
| − | author = { | + | author = {Appadurai, Arjun}, |
| − | + | title = {Archive and Aspiration}, | |
| − | + | booktitle = {Information is Alive}, | |
| − | publisher = {}, | + | year = {2004}, |
| − | address = { | + | editor = {Brouwer, Joke; Mulder, Arjen}, |
| − | note = { | + | pages = {14-25}, |
| + | publisher = {???}, | ||
| + | address = {Rotterdam}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Aristoteles 1997=== | ||
| + | <bibentry> | ||
| + | @book{Aristoteles 1997, | ||
| + | author = {Aristoteles}, | ||
| + | title = {Poetik. Griechisch/Deutsch}, | ||
| + | year = {1997}, | ||
| + | editor = {Manfred Fuhrmann}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {Übers. und Hrsg.}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Aristoteles 1995a=== | |
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<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995a, |
| − | + | author = {Aristoteles}, | |
| − | title = { | + | title = {Metaphysik}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {Philosophische Schriften 5; Übers.: Hermann Bonitz}, |
| − | + | hidden = {}, | |
| − | + | url = {}, | |
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} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Aristoteles 1995b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995b, |
| − | + | author = {Aristoteles}, | |
| − | title = { | + | title = {Nikomachische Ethik}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = { | + | note = {Philosophische Schriften 3; Übers.: Eugen Rolfes}, |
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hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Aristoteles 1995c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Aristoteles 1995c, |
| − | author = { | + | author = {Aristoteles}, |
| − | title = { | + | title = {Physik}, |
| − | + | year = {1995}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {Wissenschaftliche Buchgesellschaft}, | publisher = {Wissenschaftliche Buchgesellschaft}, | ||
address = {Darmstadt}, | address = {Darmstadt}, | ||
| − | note = {}, | + | note = {Philosophische Schriften 6; Übers.: Hans Günter Zekl}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 266: | Zeile 261: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Asemissen & Schweikhart 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Asemissen & Schweikhart 1994a, |
| − | author = { | + | author = {Asemissen, Hermann Ulrich & Schweikhart, Gunter}, |
| − | title = { | + | title = {Malerei als Thema der Malerei}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {Akademie Verlag}, |
| − | + | address = {Berlin}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Asher & Vieu 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asher & Vieu 1995a, |
| − | author = { | + | author = {Asher, Nicholas & Vieu, Laure:}, |
| − | title = { | + | title = {Toward a Geometry of Common Sense: A Semantics and a Complete Axiomatization of Mereotopology}, |
| − | year = { | + | booktitle = {IJCAI-95}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {}, |
| + | pages = {846–852}, | ||
| + | publisher = {}, | ||
| + | address = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Asmuth 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asmuth 1994a, |
| − | author = { | + | author = {Asmuth, Bernhard}, |
| − | title = { | + | title = {Bild, Bildlichkeit. A-B}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 2: Bi - Eul}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Ueding, Gert}, |
| + | pages = {10-21}, | ||
| + | publisher = {Max Niemeyer Verlag}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Asmuth 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Asmuth 1998a, |
| − | author = { | + | author = {Asmuth, Bernhard}, |
| − | title = { | + | title = {Imago}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 4}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Ueding, Gert}, |
| + | pages = {228-235}, | ||
| + | publisher = {Max Niemeyer Verlag}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Assmann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Assmann 2011a, |
| − | author = { | + | author = {Assmann, Jan}, |
| − | title = { | + | title = {Schriftbildlichkeit: Etymographie und Ikonographie}, |
| − | year = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Krämer, Sybille; Cancik-Kirschbaum, Eva & Totzke, Rainer}, |
| + | pages = {XXX}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Attneave 1971a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Attneave 1971a, |
| − | author = { | + | author = {Attneave, F.}, |
| − | title = { | + | title = {Multistability in perception}, |
| − | year = { | + | journal = {Sci.Am 225}, |
| − | + | year = {1971}, | |
| − | + | volume = {225}, | |
| + | number = {}, | ||
| + | pages = {???}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Auerbach 1946=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Auerbach 1946, |
| − | author = { | + | author = {Auerbach, Erich}, |
| − | title = { | + | title = {Mimesis. Dargestellte Wirklichkeit in der abendländischen Literatur [1946]}, |
| − | + | year = {<sup>10</sup>2001}, | |
| − | year = { | ||
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publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Tübingen/Basel}, |
note = {}, | note = {}, | ||
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hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Augustinus 2002=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Augustinus 2002, |
| − | author = { | + | author = {Augustinus}, |
| − | title = { | + | title = {Was ist Zeit? Confessiones XI/Bekenntnisse 11}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Felix Meiner}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = { | + | note = {lateinisch-deutsche Ausgabe, eingeleitet, übersetzt und mit Anmerkungen versehen von Norbert Fischer}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Aurnague & Vieu 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Aurnague & Vieu 1993a, |
| − | author = { | + | author = {Aurnague, Michel & Vieu, Laure}, |
| − | title = { | + | title = {A Three-Level Approach to the Semantics of Space}, |
| − | year = { | + | booktitle = {The Semantics of Prepositions – From Mental Processing to Natural Language Processing}, |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {Zelinsky-Wibbelt, C.}, |
| − | note = { | + | pages = {393–439}, |
| + | publisher = {Mouton de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 402: | Zeile 401: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Austin 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Austin 1972a, |
| − | author = { | + | author = {Austin, John L.}, |
| − | title = { | + | title = {Zur Theorie der Sprechakte}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {orig.: How to do things with Words, 1962}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==B== |
| + | ===Baader 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baader 2003a, |
| − | author = { | + | author = {Baader, Hannah}, |
| − | + | title = {Paragone}, | |
| − | year = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, Ulrich}, |
| + | pages = {263}, | ||
| + | publisher = {???}, | ||
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bachmann-Medick 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bachmann-Medick 2006a, |
| − | author = { | + | author = {Bachmann-Medick, Doris}, |
| − | title = { | + | title = {Cultural Turns. Neuorientierungen in den Kulturwissenschaften}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg}, | |
| − | |||
| − | publisher = {}, | ||
| − | address = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Badakshi 2006a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Badakshi 2006a, |
| − | author = { | + | author = {Badakshi, Harun}, |
| − | title = { | + | title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin}, |
| − | booktitle = { | + | booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Hinterwaldner, Inge; Buschhaus, Markus}, |
| − | pages = { | + | pages = {199-205}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Badt 1963a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Badt 1963a, |
| − | author = { | + | author = {Badt, Kurt }, |
| − | title = { | + | title = {Raumphantasien und Raumillusionen. Wesen der Plastik} |
| − | + | year = {1963}, | |
| − | year = { | + | publisher = {DuMont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bätschmann 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bätschmann 2009a, |
| − | author = { | + | author = {Bätschmann, Oskar}, |
| − | title = { | + | title = {Beschreibung und Illustration}, |
| − | booktitle = { | + | booktitle = {Ekstatische Kunst - besonnenes Wort. Aby Warburg und die Denkräume der Ekphrasis}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Kofler, Peter}, |
| − | pages = { | + | pages = {55-66}, |
| − | publisher = { | + | publisher = {Studien-Verlag}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
| − | hidden = {} | + | hidden = {} |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baigrie 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Baigrie 1996a, |
| − | + | title = {Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science}, | |
| − | + | year = {1996}, | |
| − | + | editor = {Baigrie, B. S. }, | |
| − | + | publisher = {University of Toronto Press}, | |
| − | + | address = {Toronto}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Balázs 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Balázs 2001a, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der Geist des Films}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bal 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bal 1999a, |
| − | author = { | + | author = {Bal, Mieke}, |
| − | title = { | + | title = {Quoting Caravaggio. Contemporary Art, Preposterous History}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {The University of Chicago Press}, |
| − | address = { | + | address = {Chicago}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Balázs 2001b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Balázs 2001b, |
| − | author = { | + | author = {Balázs, Béla}, |
| − | title = { | + | title = {Der sichtbare Mensch}, |
| − | booktitle = { | + | booktitle = {Texte zur Theorie des Films}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {v. F. Albersmeier}, |
| − | + | publisher = {Philip Reclam jun.}, | |
| − | + | address = {Stuttgart}, | |
| − | + | pages = {224-233}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baltrušaitis 1977a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baltrušaitis 77a, |
| − | author = { | + | author = {Baltrušaitis, Jurgis}, |
| − | title = { | + | title = {Anamorphic Art}, |
| − | year = { | + | year = {1977}, |
| − | publisher = { | + | publisher = {Chadwyck-Healey}, |
| − | address = { | + | address = {???}, |
| − | note = { | + | note = {(aus dem Französischen von W.J. Strachan, zuerst: Paris 1969)}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Barabash 2010a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barabash 2010a, |
| − | author = { | + | author = {Barabash, Igor}, |
| − | title = { | + | title = {Das Bildzitat im Internet}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Shaker Verlag}, |
| − | + | address = {Aachen}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Barthes 1977a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Barthes 1977a, | ||
| + | author = {Barthes, Roland}, | ||
| + | title = {Rhetoric of the Image}, | ||
| + | booktitle = {Image, Music, Text}, | ||
| + | year = {1977}, | ||
| + | editor = {Stephen Heath}, | ||
| + | pages = {32–51}, | ||
| + | publisher = {Fontana}, | ||
| + | address = {London}, | ||
| + | note = {orig. 1964 in Communications}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 586: | Zeile 584: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1964a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1964a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Rhetorik des Bildes (1964)}, |
| − | year = { | + | booktitle = {Der entgegenkommende und der stumpfe Sinn. Kritische Essays III}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Barthes, Roland}, |
| − | note = {}, | + | pages = {???}, |
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {aus dem Französischen von Hornig, Dieter}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barthes 1989a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Die helle Kammer. Bemerkung zur Photographie}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barwise & Perry 1984a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Barwise & Perry 1984a, |
| − | author = { | + | author = {Jon Barwise & John Perry}, |
| − | title = { | + | title = {Situations and Attitudes}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge, MA}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batchen 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Batchen 1998a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Photogenics/Fotogenik}, |
| − | + | journal = {Camera Austria}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {}, | |
| − | + | number = {62/63}, | |
| − | + | pages = {5-16}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batchen 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Batchen 2000a, |
| − | title = { | + | author = {Batchen, Geoffrey}, |
| − | year = { | + | title = {Ectoplasm. Photography in the Digital Age}, |
| − | editor = { | + | booktitle = {Over Exposed. Essays on Contemporary Photography}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Squiers, Carol}, |
| + | pages = {9.23}, | ||
| + | publisher = {???}, | ||
| + | address = {New York}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Batteux 1746/1770=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Batteux 1746/1770, |
| − | author = { | + | author = {Batteux, Charles}, |
| − | title = { | + | title = {Einschränkung der schönen Künste auf einen einzigen Grundsatz}, |
| − | year = { | + | year = {<sup>3</sup>1770}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = {}, | + | note = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bauch 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bauch 1994a, |
| − | author = { | + | author = {Bauch, Kurt}, |
| − | title = { | + | title = {Imago}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| + | pages = {275-299}, | ||
| + | publisher = {Fink Verlag}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baudrillard 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baudrillard 1978a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Agonie des Realen}, |
| − | + | year = {1978}, | |
| − | year = { | + | publisher = {Merve}, |
| − | + | address = {Berlin}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | |||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baudrillard 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baudrillard 2000a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Das perfekte Verbrechen}, |
| − | year = { | + | booktitle = {Theorie der Fotografie IV 1980-1995}, |
| − | + | year = {2000}, | |
| − | + | editor = {von Amelunxen}, | |
| − | + | pages = {256-260}, | |
| − | + | publisher = {???}, | |
| + | address = {München}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bauer/Ernst 2010=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bauer/Ernst 2010, |
| − | author = { | + | author = {Bauer, Matthias/Ernst, Christoph}, |
| − | title = { | + | title = {Diagrammatik. Einführung in ein kultur- und medienwissenschaftliches Forschungsfeld}, |
year = {2010}, | year = {2010}, | ||
| − | publisher = { | + | publisher = {transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumann 2011a, |
| − | author = { | + | author = {Baumann, Mario}, |
| − | title = { | + | title = {Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones}, |
| − | + | year = {2011}, | |
| − | year = { | + | publisher = {De Gruyter}, |
| − | + | address = {Berlin}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumberger 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumberger 2010a, |
| − | author = { | + | author = {Baumberger, Christoph}, |
| − | title = { | + | title = {Gebaute Zeichen. Eine Symboltheorie der Architektur}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Ontos}, |
| − | + | address = {Heusenstamm}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxandall 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baxandall 1972a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Clarendon Press}, |
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 769: | Zeile 762: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxandall 1990a=== |
| + | <bibentry> | ||
| + | @book{Baxandall 1990a, | ||
| + | author = {Baxandall, Michael}, | ||
| + | title = {Ursachen der Bilder. Über das historische Erklären von Kunst}, | ||
| + | year = {1990}, | ||
| + | publisher = {Reimer}, | ||
| + | address = {Berlin}, | ||
| + | note = {zuerst engl.: Patterns of intentention, 1985}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Baxmann 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baxmann 2001a, |
| − | author = { | + | author = {Baxmann, Inge}, |
| − | title = { | + | title = {Körperzitate}, |
| − | year = { | + | booktitle = {Zitier-Fähigkeit. Findungen und Erfindungen des Anderen}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Gutenberg, A. & Poole, R.J.}, |
| + | pages = {292-309}, | ||
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bayer 1984=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bayer 1984, |
| − | author = { | + | author = {Bayer, Udo}, |
| − | title = { | + | title = {Laokoon – Momente einer semiotischen Ästhetik}, |
| − | + | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik}, | |
| − | year = { | + | year = {1984}, |
| − | + | editor = {Gunter Gebauer}, | |
| − | + | pages = {59-101}, | |
| − | + | publisher = {Metzler}, | |
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bechtloff 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bechtloff 2001a, |
| − | author = { | + | author = {Bechtloff, Dieter (Hg.)}, |
| − | title = { | + | title = {Choreographie der Gewalt}, |
| − | + | journal = {Kunstforum International}, | |
| − | year = { | + | year = {2001}, |
| − | + | volume = {}, | |
| − | + | number = {Hefte 153, 155 & 156}, | |
| − | + | pages = {}, | |
| − | + | note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit}, | |
| − | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beckmann 1995=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beckmann 1995, |
| − | author = { | + | author = {Beckmann, Jan P.}, |
| − | title = { | + | title = {Wilhelm von Ockham}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Beck}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beil 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Beil 2010a, |
| − | author = { | + | author = {Beil, Benjamin}, |
| − | title = { | + | title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Münster}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belach & Jacobsen 1993=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belach & Jacobsen 93, |
| − | author = { | + | author = {Belach, Helga & Jacobsen, Wolfgang}, |
| − | title = { | + | title = {CinemaScope. Zur Geschichte der Breitwandfilme}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Spiess}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = {}, | + | note = {Stiftung Deutsche Kinemathek}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beller 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Beller 2005a, |
| − | author = { | + | author = {Beller Hans}, |
| − | title = { | + | title = {Aspekte der Filmmontage - Eine Art Einführung}, |
| − | booktitle = { | + | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Beller Hans}, |
| − | pages = { | + | publisher = {TR-Verlagsunion}, |
| − | publisher = { | + | address = {München}, |
| + | pages = {9-33}, | ||
| + | note = {5., gegenüber der 4. unveränderte Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Belting 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Belting 2008a, | ||
| + | author = {Belting, Hans}, | ||
| + | title = {Florenz und Bagdad. Eine westöstliche Geschichte des Blicks}, | ||
| + | year = {2008}, | ||
| + | publisher = {C.H. Beck}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2004a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {6. Auflage}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2002a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Verlag C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2., erweiterte Auflage}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2001a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bildanthropologie. Entwürfe für eine Bildwissenschaft}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 1998a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das unsichtbare Meisterwerk. Die modernen Mythen der Kunst}, |
| − | year = { | + | year = {1998a}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 917: | Zeile 941: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 1983a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 1983a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte?}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Deutscher Kunstverlag}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting & Haustein 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting & Haustein 1998a, |
| − | author = { | + | author = {Belting, Hans & Haustein, Lydia}, |
| − | title = { | + | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {C.H. Beck}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Benjamin 1939a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Benjamin 1939a, |
| − | author = { | + | author = {Benjamin, Walter}, |
| − | title = { | + | title = {Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit}, |
| − | booktitle = { | + | booktitle = {Walter Benjamin: Medienästhetische Schriften}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Schöttker, D.}, |
| − | pages = { | + | pages = {351–383}, |
| − | publisher = { | + | publisher = {Suhrkamp }, |
| − | address = { | + | address = {Frankfurt/M.}, |
| − | note = {}, | + | note = {dritte, autorisierte letzte Fassung, 1939}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 963: | Zeile 984: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Benkő 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Benkő 1976a, |
| − | + | editor = {Benkő, L.}, | |
| − | title = { | + | title = {A magyar nyelv történeti-etimológiai szótára. I-IV}, |
| − | + | year = {1976}, | |
| − | year = { | + | publisher = {Akadémiai Kiadó}, |
| − | + | address = {Budapest}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bergson 1948a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bergson 1948a, |
| − | author = { | + | author = {Bergson, Henri}, |
| − | title = { | + | title = {Das Mögliche und das Wirkliche}, |
| − | year = { | + | booktitle = {Denken und Schöpferisches Werden. Aufsätze und Vorträge}, |
| − | publisher = { | + | year = {1948}, |
| − | address = { | + | editor = {Bergson, H.}, |
| + | publisher = {Hain}, | ||
| + | address = {Meisenheim am Glan}, | ||
note = {}, | note = {}, | ||
| + | pages = {110-125}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berlewi 1924a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Berlewi 1924a, |
| − | author = { | + | author = {Berlewi, Henryk}, |
| − | title = { | + | title = {Mechano-Faktur}, |
| − | year = { | + | journal = {Der Sturm}, |
| − | + | year = {1924}, | |
| − | + | volume = {}, | |
| + | number = {15}, | ||
| + | pages = {155-159}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bernays 1970a=== | ||
| + | <bibentry> | ||
| + | @book{Bernays 1970a, | ||
| + | author = {Bernays, Jacob}, | ||
| + | title = {Grundzüge der verlorenen Abhandlung des Aristoteles über Wirkung der Tragödie}, | ||
| + | year = {1970} | ||
| + | publisher = {G. Olms}, | ||
| + | address = {Hildesheim}, | ||
| + | hidden = {} | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bernhardt et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bernhardt et al. 2009a, |
| − | author = { | + | author = {Bernhardt, Petra; Hadj-Abdou, Leila; Liebhart, Karin & Pribersky, Andreas}, |
| − | title = { | + | title = {EUropäische Bildpolitiken. Politische Bildanalyse an Beispielen der EU-Politik}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {facultas UTB}, |
| − | address = { | + | address = {Wien}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bertram et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bertram et al. 2008a, |
| − | author = { | + | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin}, |
| − | title = { | + | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | |||
| − | note | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berz 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Berz 2009a, |
| − | author = { | + | author = {Berz, Peter}, |
| − | title = { | + | title = {Bitmapped Graphic}, |
| − | year = { | + | booktitle = {Zeitkritische Medien}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Volmar, Axel}, |
| + | pages = {127-154}, | ||
| + | publisher = {???}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bevers 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bevers 1985a, |
| − | author = { | + | author = {Bevers, Antonius M.}, |
| − | title = { | + | title = {Dynamik der Formen bei Georg Simmel. Eine Studie über die methodische und theoretische Einheit eines Gesamtwerkes}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {Duncker & Humblot}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beyme 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Beyme 2004a, |
| − | author = { | + | author = {Beyme, Klaus von}, |
| − | title = { | + | title = {Politische Ikonologie der modernen Architektur}, |
| − | year = { | + | booktitle = {Politikwissenschaft als Kulturwissenschaft. Theorien, Methoden, Problemstellungen}, |
| − | publisher = {Verlag | + | year = {2004}, |
| − | address = { | + | editor = {Schwelling, Birgit}, |
| − | note = { | + | pages = {351-372}, |
| + | publisher = {Verlag für Sozialwissenschaften}, | ||
| + | address = {Wiesbaden}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bidlo 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bidlo 2008a, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Vilém Flusser. Einführung}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Oldib}, |
| − | address = { | + | address = {Essen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.083: | Zeile 1.124: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Biederman 1995a=== |
| + | <bibentry> | ||
| + | @inproceedings{Biederman 1995a, | ||
| + | author = {Biederman, Irving}, | ||
| + | title = {Visual object recognition}, | ||
| + | booktitle = {An Invitation to Cognitive Science, Volume 2., Visual Cognition}, | ||
| + | year = {1995}, | ||
| + | editor = {Kosslyn, S. F. & Osherson, D. N.}, | ||
| + | pages = {121-165}, | ||
| + | publisher = {??}, | ||
| + | address = {Cambridge MA}, | ||
| + | note = {2nd edition}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bieger 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bieger 2007a, |
| − | author = { | + | author = {Bieger, Laura}, |
| − | title = { | + | title = {Ästhetik der Immersion. Raum-Erleben zwischen Welt und Bild}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.096: | Zeile 1.154: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Billeter 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Billeter 1990a, |
| − | author = { | + | author = {Billeter, Jean François}, |
| − | title = { | + | title = {The Chinese art of writing}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Skira/Rizzoli}, |
| − | address = { | + | address = {Geneva}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.109: | Zeile 1.167: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2012a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Birk 2011a, |
| − | author = { | + | author = {Birk, Elisabeth}, |
| − | title = { | + | title = {Nelson Goodmans Begriff der Exemplifikation und seine Anwendung in den Bildwissenschaften}, |
| − | year = { | + | booktitle = {Medienbewegungen. Praktiken der Bezugnahme}, |
| − | + | year = {2011}, | |
| + | editor = {Jäger, L. et al.}, | ||
| + | pages = {}, | ||
| + | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {im Druck}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2012b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Birk 2012b, |
| − | author = { | + | author = {Birk, Elisabeth}, |
| − | title = { | + | title = {Review to: Frederik Stjernfelt: Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics, New York 2007}, |
| − | + | year = {2012}, | |
| − | + | publisher = {}, | |
| − | + | address = {}, | |
| − | + | note = }, | |
| − | publisher = { | + | hidden = {letzter Kontrollaufruf: 8.1.2012}, |
| − | address = { | + | url = {http://linguistlist.org/pubs/reviews/get-review.cfm?SubID=197848}, |
| − | note = | ||
| − | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Black 1972=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Black 1972, |
| − | + | author = {Black, Max}, | |
| − | title = { | + | title = {How do Pictures represent?}, |
| − | + | booktitle = {Art, Perception, and Reality}, | |
| − | publisher = { | + | year = {1972}, |
| − | address = { | + | editor = {Gombrich, E.H.; Hochberg, Julian & Black, Max}, |
| + | pages = {95-130}, | ||
| + | publisher = {John Hopkins University Press}, | ||
| + | address = {Baltimore/London}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Blanke 2003, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = {Das | + | title = {Vom Bild zum Sinn. Das ikonische Zeichen zwischen strukturalistischer Semiotik und analytischer Philosophie}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Deutscher Universitätsverlag}, |
| − | + | address = {Wiesbaden}, | |
| − | publisher = { | + | note = {Reihe Bildwissenschaft, Bd. 4}, |
| − | address = { | ||
| − | note = { | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blümle & von der Heiden 2005=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Blümle & von der Heiden 2005, |
| − | + | title = {Blickzähmung und Augentäuschung. Zu Jacques Lacans Bildtheorie}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Blümle, Claudia & von der Heiden, Anne}, | |
| − | + | publisher = {Diaphanes}, | |
| − | + | address = {Zürich / Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Block 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Block 1990a, |
| − | author = { | + | author = {Block, Ned}, |
| − | title = { | + | title = {The Computer Model of the Mind}, |
| − | year = { | + | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {D. N. Osherson & E. E. Smith}, |
| − | hidden = {} | + | pages = {???}, |
| + | publisher = {MIT Press}, | ||
| + | address = {Cambridge}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bloomfield 1933a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bloomfield 1933a, |
| − | author = { | + | author = {Bloomfield, Leonard}, |
| − | title = { | + | title = {Language}, |
| − | year = { | + | year = {1933}, |
| − | publisher = { | + | publisher = {Henry Holt and Co}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Blumenberg 1986a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | + | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik}, | |
| − | + | booktitle = {Wirklichkeiten in denen wir leben}, | |
| − | publisher = { | + | year = {1986}, |
| − | address = { | + | editor = {Blumenberg, Hans}, |
| + | pages = {104-136}, | ||
| + | publisher = {???}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1969a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blumenberg 1969a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Wirklichkeitsbegriff und Möglichkeit des Romans}, |
| − | booktitle = { | + | booktitle = {Nachahmung und Illusion. Poetik und Hermeneutik 1}, |
| − | year = { | + | year = {1969}, |
| − | editor = { | + | editor = {Hans Robert Jauß}, |
| − | pages = { | + | pages = {9-27}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1957a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Blumenberg 1957a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {'Nachahmung der Natur'. Zur Vorgeschichte der Idee des schöpferischen Menschen}, |
| − | year = { | + | journal = {Studium Generale}, |
| − | + | year = {1957}, | |
| − | + | volume = {10}, | |
| − | + | number = {5}, | |
| + | pages = {266-283}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boeder 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boeder 1996a, |
| − | author = { | + | author = {Boeder, Maria}, |
| − | title = { | + | title = {Visa et vox. Sprache und Bild in der spätantiken Literatur}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Lang}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1969a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Boehm 1969a, |
| − | author = | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Studien zur Perspektivität. Philosophie und Kunst in der frühen Neuzeit}, |
| − | year = { | + | year = {1969}, |
| − | publisher = { | + | publisher = {Carl Winter}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.279: | Zeile 1.346: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2008a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2008a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Augenmaß. Zur Genese der ikonischen Evidenz}, |
| − | booktitle = { | + | booktitle = {Movens Bild. Zwischen Evidenz und Affekt}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Mersman, Birgit & Spies, Christian}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.296: | Zeile 1.363: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Boehm 2007a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
year = {2007}, | year = {2007}, | ||
| − | publisher = { | + | publisher = {Berlin University Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.309: | Zeile 1.376: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2005a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild und die hermeneutische Reflexion}, |
| − | year = { | + | booktitle = {Dimensionen des Hermeneutischen. Heidegger und Gadamer}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Martin-Heidegger-Gesellschaft}, |
| − | note = {}, | + | pages = {23-35}, |
| + | publisher = {???}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {Schriftenreihe Band 7}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2004a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, Gottfried}, |
| − | pages = {}, | + | pages = {34-53}, |
| − | publisher = { | + | publisher = {Berlin University Press}, |
| − | address = { | + | address = {Berlin}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.339: | Zeile 1.410: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2004b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2004b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild in der Kunstwissenschaft. Interview mit Gottfried Boehm}, |
| − | + | booktitle = {Wege zur Bildwissenschaft. Interviews}, | |
| − | publisher = {}, | + | year = {2004}, |
| − | address = {}, | + | editor = {Sachs-Hombach, Klaus}, |
| − | note = }, | + | pages = {11-21}, |
| − | hidden = { | + | publisher = {Herbert von Halem}, |
| − | url = { | + | address = {Köln}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm 2001a, |
| − | + | title = {Homo Pictor}, | |
| − | title = { | + | year = {2001}, |
| − | + | editor = {Boehm, Gottfried}, | |
| − | year = { | + | publisher = {Saur}, |
| − | editor = { | + | address = {München / Leipzig}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1999a, |
| − | title = { | + | author = {Boehm, Gottfried}, |
| − | year = { | + | title = {Zwischen Auge und Hand. Bilder als Instrumente der Erkenntnis (1999)}, |
| − | editor = { | + | booktitle = {Wie Bilder Sinn erzeugen. Die Macht des Zeigens}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| + | pages = {94-113}, | ||
| + | publisher = {Berlin University Press}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1977a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1977a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Plastik und plastischer Raum}, |
| − | booktitle = { | + | booktitle = {Skulptur. Ausstellung in Münster}, |
| − | year = { | + | year = {1977}, |
| − | editor = { | + | editor = {Bußmann, K. }, |
| − | pages = { | + | pages = {23-44}, |
| − | publisher = { | + | publisher = {Münster}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.413: | Zeile 1.475: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm & Pfotenhauer 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Pfotenhauer 1995a, |
| − | + | title = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, | |
| − | + | year = {1995}, | |
| − | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1995a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Bildbeschreibung. Über die Grenzen von Bild und Sprache}, |
| − | booktitle = { | + | booktitle = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, |
| − | pages = { | + | pages = {23-40}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.442: | Zeile 1.505: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 1994a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Die Wiederkehr der Bilder}, |
| − | + | year = {1994}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1994b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1994b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Die Bilderfrage}, |
| − | + | booktitle = {Was ist ein Bild?}, | |
| − | year = { | + | year = {1994}, |
| − | + | editor = {Gottfried Boehm}, | |
| − | + | pages = {325-343}, | |
| − | + | publisher = {Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.475: | Zeile 1.535: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1994c=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Boehm 1994c, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Was ist ein Bild?}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | editor = {Boehm, Gottfried}, |
| − | address = { | + | publisher = {Wilhelm Fink Verlag}, |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.488: | Zeile 1.549: | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1985a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Der Andere als Prototyp}, |
| − | year = { | + | booktitle = {Bildnis und Individuum. Über den Ursprung der Porträtmalerei in der italienischen Renaissance}, |
| − | publisher = { | + | year = {1985}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| − | note = {}, | + | pages = {???}, |
| + | publisher = {???}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1978a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Boehm | + | @inproceedings{Boehm 1978a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Zu einer Hermeneutik des Bildes}, |
| − | booktitle = { | + | booktitle = {Die Hermeneutik und die Wissenschaft}, |
| − | year = { | + | year = {1978}, |
| − | editor = { | + | editor = {Gadamer, Hans-Georg & Boehm, Gottfried}, |
| − | pages = { | + | pages = {444-471}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.518: | Zeile 1.583: | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm & Mersmann & Spies 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Mersmann & Spies 2008a, |
| − | + | title = {Movens Bild. Zwischen Evidenz und Affekt}, | |
| − | + | year = {2008}, | |
| − | + | editor = {Boehm, Gottfried; Mersmann, Birgit; Spies, Christian}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.531: | Zeile 1.596: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhme 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Böhme 2004a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Der Raum leiblicher Anwesenheit und der Raum als Medium von Darstellung}, |
| − | booktitle = { | + | booktitle = {Performativität und Medialität}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {Krämer, Sybille}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 1.548: | Zeile 1.613: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhme 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Böhme 1999a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Theorie des Bildes}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Wilhelm Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhn 1999a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Böhn 1999a, |
| − | author = { | + | author = {Böhn, Andreas}, |
| − | title = { | + | title = {Intermediale Form- und Stilzitate in Photographie und Film bei Godard, Greenaway und Cindy Sherman}, |
| − | booktitle = { | + | booktitle = {Formzitate, Gattungsparodien, ironische Formverwendung: Gattungsformen jenseits von Gattungsgrenzen}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Böhn, A.}, |
| − | pages = { | + | pages = {175-198}, |
| − | publisher = { | + | publisher = {Röhrig}, |
| − | address = { | + | address = {St. Ingbert}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.582: | Zeile 1.643: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böcking 2008=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Böcking 2008, |
| − | + | author = {Böcking, Saskia}, | |
| − | + | title = {Grenzen der Fiktion? Von Suspension of Disbelief zu einer Toleranztheorie für die Filmrezeption.}, | |
| − | + | year = {2008}, | |
| − | publisher = { | + | publisher = {Herbert von Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bogen 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bogen 2005a, |
| − | author = { | + | author = {Bogen, Steffen}, |
| − | title = { | + | title = {Kunstgeschichte/Kunstwissenschaft}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus }, |
| − | pages = { | + | pages = {52-67}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.613: | Zeile 1.673: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bogen 2005b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bogen 2005b, |
| − | author = { | + | author = {Bogen 2005b}, |
| − | title = { | + | title = {Schattenriss und Sonnenuhr. Überlegungen zu einer kunsthistorischen Diagrammatik}, |
| − | + | journal = {Zeitschrift für Kunstgeschichte}, | |
| − | year = { | + | year = {2005}, |
| − | + | volume = {68}, | |
| − | + | number = {2}, | |
| − | + | pages = {153-176}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.630: | Zeile 1.689: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bogen & Thürlemann 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bogen & Thürlemann 2003, |
| − | title = { | + | title = {Jenseits der Opposition von Text und Bild}, |
| − | year = { | + | booktitle = {Die Bildwelt des Joachim von Fiore}, |
| − | editor = { | + | year = {2003}, |
| − | publisher = { | + | editor = {Alexander Patschovsky}, |
| − | address = { | + | pages = {1-22}, |
| + | publisher = {}, | ||
| + | address = {Ostfilden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bonsiepe 1968a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bonsiepe 1968a, |
| − | author = { | + | author = {Bonsiepe, Gui}, |
| − | title = { | + | title = {Visuell/Verbale Rhetorik}, |
| − | + | journal = {Format: Zeitschrift für visuelle Kommunikation}, | |
| − | year = { | + | year = {1968}, |
| − | + | volume = {}, | |
| − | + | number = {17}, | |
| − | + | pages = {11–18}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.660: | Zeile 1.719: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Borgo & Masolo 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Borgo & Masolo 2010a, |
| − | author = { | + | author = {Borgo, Stefano & Masolo, Claudio}, |
| − | title = { | + | title = {Full Mereogeometries}, |
| − | year = { | + | journal = {The Review of Symbolic Logic}, |
| − | + | year = {2010}, | |
| − | + | volume = {3}, | |
| + | number = {4}, | ||
| + | pages = {521 - 567}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.98.2266}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bousso 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bousso 2002a, |
| − | author = { | + | author = {Bousso, Raphael}, |
| − | title = { | + | title = {The Holographic Principle}, |
| − | + | journal = {Reviews of Modern Physics}, | |
| − | year = { | + | year = {2002}, |
| − | + | volume = {}, | |
| − | + | number = {74}, | |
| − | + | pages = {825-874}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brachfeld 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Brachfeld_1976a, |
| − | author = { | + | author = {Brachfeld, Otto}, |
| − | title = { | + | title = {Image}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4}, |
| − | editor = { | + | year = {1976}, |
| − | publisher = { | + | editor = {Joachim Ritter et al.}, |
| − | address = { | + | pages = {215-217}, |
| + | publisher = {Schwabe Verlag}, | ||
| + | address = {Basel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brandt 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandt 1999a, |
| − | author = { | + | author = {Brandt, Reinhard}, |
| − | title = { | + | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Carl Hanser}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brandom 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandom 2000a, |
| − | author = { | + | author = {Brandom, Robert}, |
| − | title = { | + | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | |||
| − | |||
| − | publisher = {Suhrkamp}, | ||
address = {Frankfurt am Main}, | address = {Frankfurt am Main}, | ||
| + | note = {übersetzt von Eva Gilmer und Hermann Vetter}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bredekamp 2007a=== | ||
| + | <bibentry> | ||
| + | @book{Bredekamp 2007a, | ||
| + | author = {Bredekamp, Horst}, | ||
| + | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand}, | ||
| + | year = {2007}, | ||
| + | publisher = {Akademie}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2005a, |
| − | + | author = {Bredekamp, Horst}, | |
| − | + | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte}, | |
| − | + | year = {2005}, | |
| − | publisher = { | + | publisher = {Klaus Wagenbach}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.751: | Zeile 1.818: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bredekamp 2004a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn}, |
| − | booktitle = { | + | booktitle = {Iconic Turn. Die neue Macht der Bilder}, |
year = {2004}, | year = {2004}, | ||
| − | editor = { | + | editor = {Maar, Christa & Burda, Hubert}, |
| + | pages = {???}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bredekamp 2003a=== | ||
| + | <bibentry> | ||
| + | @article{Bredekamp 2003a, | ||
| + | author = {Bredekamp, Horst}, | ||
| + | title = {A Neglected Tradition? Art History as Bildwissenschaft}, | ||
| + | journal = {Critical Inquiry}, | ||
| + | year = {2003}, | ||
| + | volume = {29}, | ||
| + | number = {}, | ||
pages = {???}, | pages = {???}, | ||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.768: | Zeile 1.851: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2000a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2000a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Antikensehnsucht und Maschinenglauben. Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.781: | Zeile 1.864: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 1994a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp}, |
| − | + | journal = {Texte zur Kunst}, | |
| − | year = { | + | year = {1994}, |
| − | + | volume = {4}, | |
| − | + | number = {}, | |
| − | + | pages = {???}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.798: | Zeile 1.880: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp et al. 2008a, |
| − | author = { | + | author = {Bredekamp, Horst; Schneider, Birgit & Dünkel, Vera}, |
| − | title = { | + | title = {Das Technische Bild. Kompendium für eine Stilgeschichte wissenschaftlicher Bilder}, |
year = {2008}, | year = {2008}, | ||
| − | publisher = { | + | publisher = {Akademie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.811: | Zeile 1.893: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp & Schneider 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp & Schneider 2006a, |
| − | author = { | + | author = {Bredekamp, Horst & Schneider, Pablo}, |
| − | title = { | + | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Wilhelm Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2010a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Theorie des Bildakts. Frankfurter Adorno-Vorlesungen 2007}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brentano 1930a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brentano 1930a, |
| − | + | author = {Brentano, Franz}, | |
| − | + | title = {Wahrheit und Evidenz}, | |
| − | year = { | + | year = {1930}, |
| − | + | publisher = {???}, | |
| − | + | address = {Hamburg}, | |
| − | publisher = {}, | + | note = {(1975??)}, |
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Britz et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Britz et al. 2010a, |
| − | author = { | + | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.}, |
| − | title = { | + | title = {Right parietal brain activity precedes perceptual alternation during binocular rivalry}, |
| − | journal = { | + | journal = {Hum. Brain Mapping}, |
| − | year = { | + | year = {2010}, |
| − | volume = {}, | + | volume = {???}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {www.ncbi.nlm.nih.gov/pubmed/20690124}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Britz et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Britz et al. 2009a, |
| − | author = { | + | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.}, |
| − | title = { | + | title = {Right parietal brain activity precedes perceptual alternation of bistable stimuli}, |
| − | journal = { | + | journal = {Cereb. Cortex 19}, |
| − | year = { | + | year = {2009}, |
| − | volume = { | + | volume = {19}, |
| − | number = { | + | number = {1}, |
| − | pages = { | + | pages = {55-65}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brugger 1999a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Brugger 1999a, |
| − | author = { | + | author = {Brugger, Peter}, |
| − | title = { | + | title = {One hundred years of an ambiguous figure: happy birthday, duck/rabbit}, |
| − | journal = { | + | journal = {Perceptual and Motor Skills}, |
| − | year = { | + | year = {1999}, |
| − | + | number = {???}, | |
| − | + | pages = {973–977}, | |
| − | + | volume = {???}, | |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brugger & Brugger 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Brugger & Brugger 1993a, |
| − | author = { | + | author = {Brugger, Peter & Brugger, Susanne}, |
| − | title = { | + | title = {The easterbunny in october: I is it disguised as a duck}, |
| − | + | journal = {Perceptual and Motor Skills}, | |
| − | year = { | + | year = {1993}, |
| − | + | number = {???}, | |
| − | pages = { | + | pages = {577–578}, |
| − | + | volume = {???}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.921: | Zeile 1.996: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bruhn 2000a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bruhn 2000a, |
| − | author = { | + | author = {Bruhn, Sieglind}, |
| − | title = { | + | title = {Mucial Ecphrasis: Composers Responding to Poetry and Painting}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Pendragon Press}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brunet 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Brunet 2008a, |
| − | author = { | + | author = {Brunet, François}, |
| − | title = { | + | title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs}, |
| − | year = { | + | booktitle = {The Meaning of Photography}, |
| − | + | year = {2008}, | |
| − | + | editor = {Kelsey, Robin; Stimson, Blake}, | |
| − | + | pages = {34-49}, | |
| − | + | publisher = {???}, | |
| + | address = {Williamstown}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brunner 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Brunner 2009a, |
| − | + | title = {Das Fundament der Kunst. Die Skulptur und ihr Sockel in der Moderne}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Brunner, Dieter }, | |
| − | publisher = { | + | publisher = {Edition Braus}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.960: | Zeile 2.036: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brunner-Traut 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brunner-Traut 1992a, |
| − | author = { | + | author = {Brunner-Traut, Emma}, |
| − | title = { | + | title = {Frühformen des Erkennens am Beispiel Altägyptens}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.973: | Zeile 2.049: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bruno 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bruno 2007a, |
| − | author = { | + | author = {Bruno, Giuliana}, |
| − | title = { | + | title = {Public Intimacy. Architecture and the Visual Arts}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bryson 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bryson 2001a, |
| − | author = { | + | author = {Norman Bryson}, |
| − | title = { | + | title = {Das Sehen und die Malerei}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 2000a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bühler 2000a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Die Krise der Psychologie}, |
year = {2000}, | year = {2000}, | ||
| − | publisher = { | + | publisher = {Velbrück}, |
| − | address = { | + | address = {Weilerswist}, |
| − | note = {}, | + | note = {hrsg. von Achim Eschbach und Jens Kapitzky}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Büttner 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Büttner 2002a, |
| − | author = { | + | author = {Büttner, Andreas}, |
| − | title = { | + | title = {Vom Körper zum Raum. Einige Anmerkungen zu den medialen Möglichkeiten der Plastik}, |
| − | + | booktitle = {Wettstreit der Künste}, | |
| − | year = { | + | year = {2002}, |
| − | + | editor = {Mai, E.}, | |
| − | |||
pages = {???}, | pages = {???}, | ||
| + | publisher = {Edition Minerva}, | ||
| + | address = {Wolfratshausen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.035: | Zeile 2.104: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Büttner 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Büttner 2003a, |
| − | author = { | + | author = {Büttner, Frank}, |
| − | + | title = {Perspektive}, | |
| − | year = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, Ulrich}, |
| + | pages = {265}, | ||
| + | publisher = {???}, | ||
| + | address = {Stuttgart/Weimar}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bucher 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bucher 2011a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | title = { | + | title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.}, |
| − | year = { | + | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Jan Georg Schneider & Hartmut Stöckl}, |
| − | note = {}, | + | pages = {}, |
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {im Druck}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bucher2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bucher2010a, |
| − | author = { | + | author = {Bucher, Hans-Jürgen}, |
| − | title = { | + | title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität}, |
| + | booktitle = {Bildlinguistik}, | ||
year = {2010}, | year = {2010}, | ||
| − | publisher = { | + | editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl}, |
| − | address = { | + | pages = {121-156}, |
| − | note = {}, | + | publisher = {Erich Schmidt}, |
| + | address = {Berlin}, | ||
| + | note = {im Druck}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Buchholz 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Buchholz 1999a, |
| − | author = { | + | author = {Buchholz, Kai}, |
| − | title = { | + | title = {Zum Verhältnis von Bildsyntax und Darstellungswert am Beispiel künstlerischer Grafik}, |
| − | year = { | + | booktitle = {Bildgrammatik}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, |
| − | note = { | + | pages = {255-270}, |
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buchner 1665=== | ||
| + | <bibentry> | ||
| + | @book{Buchner 1665, | ||
| + | author = {August Buchner}, | ||
| + | title = {Poet} | ||
| + | year = {1665}, | ||
| + | publisher = {???}, | ||
| + | address = {Wittenberg}, | ||
| + | note = {hrsg. v. Otto Prätorius}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Buchwald 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Buchwald 1989a, |
| − | author = { | + | author = {Buchwald, Jed Z.}, |
| − | title = { | + | title = {The Rise of the Wave Theory of Light}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 1933a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 1933a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Axiomatik der Sprachwissenschaften}, |
| − | + | year = {1933}, | |
| − | year = { | + | publisher = {Klostermann}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bühler 1934a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bühler 1934a, |
| − | author = { | + | author = {Bühler, Karl}, |
| − | title = { | + | title = {Sprachtheorie. Die Darstellungsfunktion der Sprache}, |
| − | + | year = {<sup>2</sup>1965}, | |
| − | year = { | + | publisher = {Fischer }, |
| − | + | address = {Stuttgart}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bürger 1784=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bürger 1784, |
| − | author = { | + | author = {Bürger, Gottfried August}, |
| − | title = { | + | title = {Von der Popularität der Poesie [1784]}, |
| − | + | booktitle = {Sämtliche Werke}, | |
| − | year = { | + | year = {1987}, |
| − | + | editor = {Günter und Hiltrud Hintzschel}, | |
| − | pages = { | + | pages = {725-730}, |
| − | + | publisher = {Hanser}, | |
| − | + | address = {München}, | |
| − | + | note = {Erstveröffentlichung 1784}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Burckhardt 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Burckhardt 2001a, |
| − | author = { | + | author = {Burckhardt, Jacob}, |
| − | title = { | + | title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens}, |
| − | year = { | + | booktitle = {Werke. Kritische Gesamtausgabe}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {B. Roeck et al.}, |
| − | note = {}, | + | pages = {Bd. 2}, |
| + | publisher = {Beck}, | ||
| + | address = {München/Basel}, | ||
| + | note = {Erstveröffentlichung 1855}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Burke 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Burke 2003a, |
| − | author = { | + | author = {Burke, Peter}, |
| − | title = { | + | title = {Augenzeugenschaft. Bilder als historische Quellen}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Wagenbach}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Busch 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Busch 2004a, |
| − | + | author = {Busch, Kathrin}, | |
| − | + | title = {Geschicktes Geben. Aporien der Gabe bei Jacques Derrida}, | |
| − | + | year = {2004}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.191: | Zeile 2.277: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Busch & Därmann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Busch & Därmann 2007a, |
| − | + | title = {pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Busch, Kathrin; Därmann, Iris}, | |
| − | publisher = { | + | publisher = {Transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.204: | Zeile 2.290: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Butler 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Butler 2001a, |
| − | author = { | + | author = {Butler, Judith}, |
| − | title = { | + | title = {Psyche der Macht. Das Subjekt der Unterwerfung}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Büttner & Gottdank 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Büttner & Gottdank 2009a, |
| − | author = { | + | author = {Büttner, Frank & Gottdank, Andrea}, |
| − | title = { | + | title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Beck}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 2.229: | Zeile 2.316: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==C== |
| + | ===Caglioti 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Caglioti 1995a, |
| − | author = { | + | author = {Caglioti, G.}, |
| − | title = { | + | title = {Perception of ambiguous figures: A qualitative Model based on Synergetics and Quantum Mechanics}, |
| − | year = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| − | note = { | + | pages = {463–478.}, |
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Calame & Thouvenin 2008a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Calame & Thouvenin 2008a, |
| − | author = { | + | author = {Calame, T. & Thouvenin, F.}, |
| − | title = { | + | title = {Das Bildzitat}, |
| − | booktitle = { | + | booktitle = {Probleme des neuen Urheberrechts für die Wissenschaft, den Buchhandel und die Bibliotheken}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Schmitz, W. et al.}, |
| − | pages = { | + | pages = {135-146}, |
| − | publisher = { | + | publisher = {Harrassowitz Verlag}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.259: | Zeile 2.351: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Campe 2006a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Campe 2006a, |
| − | author = { | + | author = {Campe, R.}, |
| − | title = { | + | title = {Epoche der Evidenz. Knoten in einem terminologischen Netzwerk zwischen Descartes und Kant}, |
| − | booktitle = { | + | booktitle = {Intellektuelle Anschauung. Figurationen von Evidenz zwischen Kunst und Wissen}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Peters, S. & Schäfer, M.J. }, |
| − | pages = { | + | pages = {5-43}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.276: | Zeile 2.368: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Canetti 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Canetti 2011a, |
| − | author = { | + | author = {Canetti, Elias}, |
| − | title = { | + | title = {Masse und Macht}, |
| − | |||
year = {2011}, | year = {2011}, | ||
| − | + | publisher = {Fischer}, | |
| − | + | address = {Frankfurt/Main}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Canisius 1987a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Canisius 1987a, |
| − | author = { | + | author = {Canisius, Peter}, |
| − | title = { | + | title = {Einleitung}, |
| − | booktitle = { | + | booktitle = {Perspektivität in Sprache und Text}, |
| − | year = { | + | year = {1987}, |
| − | editor = { | + | editor = {Canisius, Peter & Gerlach, Marcus}, |
| − | pages = { | + | pages = {xi–xvii}, |
| − | publisher = { | + | publisher = {Brockmeyer}, |
| − | address = { | + | address = {Bochum}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 2.310: | Zeile 2.398: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Carani 1986a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Carani 1986a, |
| − | author = { | + | author = {Carani, Marie}, |
| − | title = { | + | title = {Le corpus Pellan: une relecture sémiotique}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Protée}, |
| − | + | address = {???}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carbone 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Carbone 2001a, |
| − | author = { | + | author = {Mauro Carbone}, |
| − | title = { | + | title = {La visibilité de l’invisible}, |
| − | year = { | + | year = {2001}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Hildesheim}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carlbom & Paciorek 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Carlbom & Paciorek 1978a, |
| − | author = { | + | author = {Carlbom, Ingrid; Paciorek, Joseph}, |
| − | title = { | + | title = {Planar Geometric Projections and Viewing Transformations}, |
| − | year = { | + | journal = {ACM Computing Surveys}, |
| − | + | year = {1978}, | |
| − | + | volume = {10}, | |
| + | number = {4}, | ||
| + | pages = {465-502}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Carnap 1947a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Carnap 1947a, |
| − | author = { | + | author = {Carnap, Rudolf}, |
| − | title = { | + | title = {Meaning and Necessity: A Study in Semantics and Modal Logic}, |
| − | year = { | + | year = {1947}, |
| − | publisher = { | + | publisher = {Univ. Press}, |
| − | address = { | + | address = {Chicago, IL}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cartwright 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cartwright 1983a, |
| − | author = { | + | author = {Cartwright, Nancy}, |
| − | title = { | + | title = {How the laws of physics lie}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Clarendon Press}, |
| − | + | address = {Oxford}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Casey 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Casey 2007a, |
| − | author = { | + | author = {Edward S. Casey}, |
| − | + | title = {The World at a Glance}, | |
| − | + | year = {2007}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Bloomington}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | title = { | ||
| − | year = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.419: | Zeile 2.476: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Casey 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Casey 2005a, |
| − | author = { | + | author = {Edward S. Casey}, |
| − | title = { | + | title = {Earth-Mapping. Artists Reshaping Landscape}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Minnesota}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.432: | Zeile 2.489: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Casey 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Casey 2002a, |
| − | + | author = {Edward S. Casey}, | |
| − | + | title = {Representing Place. Landscape Painting and Maps}, | |
| − | + | year = {2002}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Minnesota}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.445: | Zeile 2.502: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 2010a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Meiner}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = {}, | + | note = {hrsg. von Birgit Recki}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cassirer 2009a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | + | title = {Der Begriff der symbolischen Form im Aufbau der Geisteswissenschaften}, | |
| + | booktitle = {Schriften zur Philosophie der symbolischen Formen}, | ||
year = {2009}, | year = {2009}, | ||
| − | publisher = { | + | pages = {63-92}, |
| − | address = { | + | publisher = {Meiner}, |
| − | note = {}, | + | address = {Hamburg}, |
| + | note = {hrsg. von Marion Lauschke}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Cassirer 1990a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1990a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Versuch über den Menschen. Einführung in eine Philosophie der Kultur}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Fischer}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1989a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Zur Logik der Kulturwissenschaften. Fünf Studien}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | + | note = {5., unveränd. Aufl.}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1930a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Cassirer 1930a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Mythischer, ästhetischer und theoretischer Raum (1930)}, |
| − | booktitle = { | + | booktitle = {Ernst Cassirer: Gesammelte Werke, Bd. 17}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {B. Recki}, |
| − | pages = { | + | pages = {411-436 [1931]}, |
| − | publisher = { | + | publisher = {Meiner}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.523: | Zeile 2.574: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1929a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1929a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Dritter Teil: Phänomenologie der Erkenntnis}, |
| − | year = { | + | year = {1929}, |
| − | publisher = { | + | publisher = {Bruno Cassirer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.536: | Zeile 2.587: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1925a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Cassirer 1925a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Zweiter Teil: Das mythische Denken}, |
| − | + | year = {1925}, | |
| − | year = { | + | publisher = {Bruno Cassirer Verlag}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cassirer 1923a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cassirer 1923a, |
| − | author = { | + | author = {Cassirer, Ernst}, |
| − | title = { | + | title = {Philosophie der symbolischen Formen. Erster Teil: Die Sprache}, |
| − | year = { | + | year = {1923}, |
| − | publisher = { | + | publisher = {Bruno Cassirer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.566: | Zeile 2.613: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===CCALED=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{CCALED-4, |
| − | author = { | + | author = {}, |
| − | title = { | + | title = {Collins Cobuild Advanced Learner’s English Dictionary}, |
| − | year = { | + | year = {2003}, |
| − | + | editor = {???}, | |
| − | address = { | + | publisher = {Collins}, |
| − | note = {}, | + | address = {Glasgow}, |
| + | note = {4<sup>th</sup> edition}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Černych 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Černych 2001a, |
| − | author = { | + | author = {Černych, Pavel}, |
| − | title = { | + | title = {Istoriko-ėtymologičeskij slovar' russkogo jasyka. V dvuch tomach}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Moskva}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cha & Rautzenberg 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Cha & Rautzenberg 08a, |
| − | author = { | + | author = {Cha, Kyung-Ho & Rautzenberg, Markus}, |
| − | title = { | + | title = {Einleitung: Im Theater des Sehens. Anamorphose als Bild und philosophische Metapher}, |
| − | + | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie}, | |
| − | + | year = {2008}, | |
| − | + | editor = {dies.}, | |
| − | + | pages = {7-22}, | |
| − | + | publisher = {Fink}, | |
| − | + | address = {München}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chalmers 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chalmers 2007a, |
| − | author = { | + | author = {Chalmers, Alan F.}, |
| − | title = { | + | title = {Wege der Wissenschaften}, |
year = {2007}, | year = {2007}, | ||
| − | publisher = { | + | publisher = {}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {6. verbesserte Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chastel 1990=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chastel 1990a, |
| − | author = { | + | author = {Chastel, André}, |
| − | title = { | + | title = {Leonardo. Sämtliche Gemälde und die Schriften zur Malerei}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Schirmer/Mosel}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chateau 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Chateau 1976a, |
| − | author = { | + | author = {Chateau, Dominique}, |
| − | title = { | + | title = {La sémantique du récit}, |
| − | year = { | + | journal = {Semiotica}, |
| − | + | year = {1976}, | |
| − | + | volume = {18}, | |
| + | number = {}, | ||
| + | pages = {201-216}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cheeke 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cheeke 2008a, |
| − | author = { | + | author = {Cheek, Stephen}, |
| − | title = { | + | title = {Writing for art. The aesthetics of Ekphrasis}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Manchester University Press}, |
| − | address = { | + | address = {Manchester}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chen 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Chen 2009a, |
| − | author = { | + | author = {Chen, Tingyou}, |
| − | title = { | + | title = {China: Die Kalligraphie}, |
| − | |||
year = {2009}, | year = {2009}, | ||
| − | + | publisher = {China Intercontinental Press}, | |
| − | publisher = { | + | address = {Beijing}, |
| − | address = { | + | note = {übersetzt von Winter, J. & Winter, M.}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ch'en 1966a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{, |
| − | author = { | + | author = {Ch'en, Chih-Mai}, |
| − | title = { | + | title = {Chinese Calligraphers and their Art}, |
| − | year = { | + | year = {1966a}, |
| − | publisher = { | + | publisher = {Melbourne University Press}, |
| − | address = { | + | address = {Carlton}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.699: | Zeile 2.736: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chiang 1973a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chiang 73a, |
| − | author = { | + | author = {Chiang Yee}, |
| − | title = { | + | title = {Chinese Calligraphy - An Introduction to Its Aesthetic and Technique}, |
| − | year = { | + | year = {1973}, |
| − | publisher = { | + | publisher = {Havard University Press}, |
| − | address = { | + | address = {Cambridge, Massachusetts, London}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chion 1999=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Chion 1999, |
| − | author = { | + | author = {Chion, Michel}, |
| − | title = { | + | title = {The Voice in Cinema}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Columbia University Press}, |
| − | + | address = {New York} | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Chomsky 1957a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Chomsky 1957a, |
| − | author = { | + | author = {Chomsky, Noam}, |
| − | title = { | + | title = {Syntactic Structures}, |
| − | year = { | + | year = {1957}, |
| − | publisher = { | + | publisher = {Mouton}, |
| − | address = { | + | address = {Den Haag}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.742: | Zeile 2.775: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Christian 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Christian 2009a, |
| − | author = { | + | author = {Christian, Alexander}, |
| − | title = { | + | title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Shaker}, |
| − | address = { | + | address = {Aachen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.755: | Zeile 2.788: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cipolla et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Cipolla et al. 2010a, |
| − | author = { | + | author = {Cipolla, Roberto & Battiato, Sebastiano & Farinella, Giovanni Maria }, |
| − | title = { | + | title = {Computer Vision: Detection, Recognition and Reconstruction}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = {Berlin}, | + | address = {Berlin, Heidelberg }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.768: | Zeile 2.801: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Clarke 1981a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Clarke 1981a, |
| − | author = {}, | + | author = {Clarke, B.}, |
| − | title = { | + | title = {A calculus of individuals based on ‘connection’}, |
| − | year = { | + | journal = {Notre Dame Journal of Formal Logic}, |
| − | + | year = {1981}, | |
| − | + | volume = {22}, | |
| − | + | number = {3}, | |
| − | note = { | + | pages = {204-218}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Collingwood 1945=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Collingwood 1945, |
| − | author = { | + | author = {Collingwood, Robin}, |
| − | title = { | + | title = {Die Idee der Natur [The Idea of Nature (1945)]}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = {}, | + | note = {Übers.: Martin Suhr}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Coy 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Coy 1997a, |
| − | author = { | + | author = {Coy, Wolfgang; Tholen, Georg Christoph; Warnke, Martin}, |
| − | title = { | + | title = {Hyperkult}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Stroemfeld}, |
| − | + | address = {Basel}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Coulmas 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Coulmas 1999a, |
| − | author = { | + | author = {Coulmas, Florian}, |
| − | title = { | + | title = {The Blackwell Encyclopedia of Writing Systems}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Blackwell}, |
| − | address = { | + | address = {Oxford u.a.}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cunningham et al. 1995a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Cunningham et al. 1995a, |
| − | author = { | + | author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan}, |
| − | title = { | + | title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness}, |
| − | journal = { | + | journal = {J. Personality and Social Psychology}, |
| − | year = { | + | year = {1995}, |
| − | volume = { | + | volume = {68}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {261-279}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Cunningham 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Cunningham 1986a, |
| − | author = { | + | author = {Cunningham, M.R.}, |
| − | title = { | + | title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty}, |
| − | year = { | + | journal = {J. Personality and Social Psychology}, |
| − | + | year = {1986}, | |
| − | + | volume = {50}, | |
| + | number = {}, | ||
| + | pages = {925-935}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==D== |
| + | ===Damisch 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Damisch 1987a, |
| − | author = { | + | author = {Damisch, Hubert}, |
| − | title = { | + | title = {L'origine de la perspective}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Flammarion}, |
| − | address = { | + | address = {Paris}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Damisch 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{, | + | @book{Damisch 2010a, |
| − | author = { | + | author = {Damisch, Hubert}, |
| − | title = { | + | title = {Der Ursprung der Perspektive}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Zürich}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.878: | Zeile 2.911: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Darwin 1872a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Darwin 1872a, |
| − | author = { | + | author = {Darwin, Charles}, |
| − | title = { | + | title = {On the Expression of the Emotions in Man and Animals}, |
| − | year = { | + | year = {1872}, |
| − | publisher = { | + | publisher = {Murray}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Daston u. Galison 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Daston u. Galison 1992a, |
| − | author = { | + | author = {Daston, Lorraine; Peter Galison}, |
| − | title = {The | + | title = {The Image of Objectivity}, |
| − | year = { | + | journal = {Representations}, |
| − | + | year = {1992}, | |
| − | + | volume = {40}, | |
| + | number = {}, | ||
| + | pages = {81-128}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Daut 1975a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Daut 1975a, |
| − | author = { | + | author = {Daut, Raimund}, |
| − | title = { | + | title = {Imago. Untersuchungen zum Bildbegriff der Römer}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | publisher = {Carl Winter Universitätsverlag}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.917: | Zeile 2.952: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Davidson 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Davidson 2004a, |
| − | author = { | + | author = {Davidson, Donald}, |
| − | title = { | + | title = {Drei Spielarten des Wissens}, |
| − | year = { | + | booktitle = {Subjektiv, intersubjektiv, objektiv}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Davidson, Donald}, |
| + | pages = {339-363}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Davies 1991=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Davies 1991, |
| − | author = { | + | author = {Davies, David}, |
| − | title = { | + | title = {Works, Texts, and Contexts. Goodman on the Literary Artwork}, |
| − | year = { | + | journal = {Canadian Journal of Philosophy}, |
| − | + | year = {1991}, | |
| − | + | volume = {21}, | |
| + | number = {}, | ||
| + | pages = {331-346}, | ||
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===da Vinci 1958a=== | ||
| + | <bibentry> | ||
| + | @book{da Vinci 1958a, | ||
| + | author = {da Vinci, Leonardo}, | ||
| + | title = {Philosophische Tagebücher}, | ||
| + | year = {1958}, | ||
| + | publisher = {rowohlt}, | ||
| + | address = {Hamburg}, | ||
| + | note = {übers. und hrsg. von G. Zamboni}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Debray 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Debray 1999a, |
| − | author = { | + | author = {Debray, Régis}, |
| − | title = { | + | title = {Jenseits der Bilder. Eine Geschichte der Bildbetrachtung im Abendland}, |
| − | + | year = {1999}, | |
| − | + | publisher = {Avinus Verlag}, | |
| − | + | address = {Rodenbach}, | |
| − | + | note = {franz. Original: ''Vie et mort de 'image. Une histore du regard en Occident'', Paris, Éditions Gallimard 1992}, | |
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Debray 1999b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Debray 1999b, |
| − | author = { | + | author = {Debray, Régis}, |
| − | title = {Die | + | title = {Für eine Mediologie}, |
| − | year = { | + | booktitle = {Kursbuch Medienkultur. Die maßgeblichen Theorien von Brecht bis Baudrillard}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Pias, Claus et al.}, |
| − | note = { | + | pages = {67-75}, |
| + | publisher = {Deutsche Verlagsanstalt}, | ||
| + | address = {Stuttgart}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===DeFrancis 1989a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{DeFrancis 1989a, |
| − | author = { | + | author = {DeFrancis, John}, |
| − | title = { | + | title = {Visible Speech. The Diverse Oneness of Writing Systems}, |
| − | year = { | + | year = {1989}, |
| − | publisher = { | + | publisher = {University of Hawaii Press}, |
| − | address = { | + | address = {Honolulu}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.985: | Zeile 3.039: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Delaborde 1870a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Delaborde 1870a, |
| − | author = { | + | author = {Delaborde, Henri}, |
| − | title = { | + | title = {Ingres, sa vie, ses travaux, sa doctrine, d'après Les Notes Manuscrites et les lettres du maître}, |
| − | year = { | + | year = {1870}, |
| − | publisher = { | + | publisher = {Henri Plon}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.998: | Zeile 3.052: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Deleuze 1993=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Deleuze 1993, |
| − | author = { | + | author = {Deleuze, Gilles}, |
| − | title = { | + | title = {Logik des Sinns}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Deleuze 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Deleuze 1989a, |
| − | author = { | + | author = {Deleuze, Gilles}, |
| − | title = { | + | title = {Das Bewegungs-Bild. Kino1}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a. M}, | |
| − | + | note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983}, | |
| − | |||
| − | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Demuth 2007a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Demuth 2007a, |
| − | author = { | + | author = {Demuth, Volker}, |
| − | title = { | + | title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume}, |
| − | year = { | + | booktitle = {RAUM. Orte der Kunst}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, |
| + | pages = {89-104}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Depaulo 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Depaulo 1992a, |
| − | author = { | + | author = {DePaulo, B. M. }, |
| − | title = { | + | title = {Nonverbal Behavior and Self Presentation}, |
| − | year = { | + | journal = {Psychological Bulletin}, |
| − | + | year = {1992}, | |
| − | + | volume = {111}, | |
| + | number = {2}, | ||
| + | pages = {203-243}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Derrida 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Derrida 2007a, |
| − | author = { | + | author = {Jacques Derrida}, |
| − | title = { | + | title = {Aufzeichnungen eines Blinden. Das Selbstporträt und andere Ruinen}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2. Aufl.}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Derrida 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Derrida 1992a, |
| − | author = { | + | author = {Derrida, J.}, |
| − | title = { | + | title = {Die Wahrheit in der Malerei}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===de Duve 1990a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{de Duve 1990a, |
| − | author = { | + | author = {de Duve, Thierry}, |
| − | title = { | + | title = {The Monochrome and the Blank Canvas}, |
| − | booktitle = { | + | booktitle = {Reconstructiong Modernism. Art in New York, Paris and Montreal 1945-1964}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Guilbaut, Serge}, |
| − | pages = { | + | pages = {244-310}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Cambridge/Mass.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.095: | Zeile 3.148: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Descartes 1965a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Descartes 1965a, |
| − | author = { | + | author = {Descartes, René}, |
| − | title = { | + | title = {La Dioptrique. Œvres. Bd. 6, S. 79-228}, |
| − | + | year = {1965}, | |
| − | + | publisher = {Libraire philosophique J. Vrien 1965}, | |
| − | + | address = {Paris}, | |
| − | + | note = {hrsg. v. Charles Adam u. Paul Tannery}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Descartes 1637a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Descartes 1637a, |
| − | author = { | + | author = {Descartes, René}, |
| − | title = { | + | title = {La géométrie}, |
| − | year = { | + | year = {1637}, |
| − | publisher = { | + | publisher = {Jan Maire}, |
| − | address = { | + | address = {Leiden}, |
| − | note = { | + | note = {Anhang des ‘Discours de la méthode’}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===de Schonen et.al. 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{de Schonen et.al. 1994a, |
| − | author = { | + | author = {de Schonen, S.; Deruelle, C.; Pascalis, O.; & Mancini, J.}, |
| − | title = { | + | title = {About funcional brain specialization.The development of face recognition (Functional cerebral specialization in the development of face recognition / A propos de la notion de specialisation cerebrale fonctionnelle: le developpement de la reconnaissance des visages)}, |
| − | + | journal = {Psychologie francaise}, | |
| − | year = { | + | year = {1994}, |
| − | + | volume = {39}, | |
| − | + | number = {3}, | |
| − | + | pages = {259-274}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.139: | Zeile 3.190: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dewey 1934a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Dewey 1934a, |
| − | author = { | + | author = {Dewey, John}, |
| − | title = { | + | title = {Art as experience}, |
| − | year = { | + | year = {1934}, |
| − | publisher = { | + | publisher = {Minton, Balch & Company}, |
| − | address = { | + | address = { New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.152: | Zeile 3.203: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Diderot 1751=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Diderot 1751, |
| − | author = { | + | author = {Denis Diderot}, |
| − | title = { | + | title = {Brief über die Taubstummen [1751}, |
| − | + | booktitle = {Ästhetische Schriften. Erster Band}, | |
| − | publisher = { | + | year = {1968}, |
| − | address = { | + | editor = {Friedrich Bassenge}, |
| + | pages = {27-97}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Didi-Huberman 2005a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {L’espace danse – Der Raum tanzt}, |
| − | year = { | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| + | pages = {16-30}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 2000a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Didi-Huberman 2000a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Vor einem Bild}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Carl Hanser Verlag}, |
| − | address = { | + | address = {München/Wien}, |
| − | note = { | + | note = {aus dem Französischen von Reinold Werner}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Didi-Huberman 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Didi-Huberman 1999a, |
| − | author = { | + | author = {Didi-Huberman, Georges}, |
| − | title = { | + | title = {Was wir sehen blickt uns an. Zur Metapsychologie des Bildes}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Diekmannshenke et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Diekmannshenke et al. 2010a, |
| − | author = { | + | author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut}, |
| − | + | title = {Bildlinguistik}, | |
| − | + | year = {2010}, | |
| − | + | publisher = {Erich Schmidt}, | |
| − | + | address = {Berlin}, | |
| − | + | note = {erscheint Ende 2010}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | title = { | ||
| − | year = { | ||
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dion 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dion 2002a, |
| − | author = { | + | author = {Dion, K. K.}, |
| − | title = { | + | title = {Cultural Perspectives on Facial Attractiveness}, |
| − | year = { | + | booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Rhodes, G. & Zebrowitz, L.A.}, |
| + | pages = {239-260}, | ||
| + | publisher = {Ablex}, | ||
| + | address = {Westport, CT}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dirmoser 2004=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Dirmoser 2004, |
| − | author = { | + | author = {Dirmoser, Gerhard}, |
| − | title = { | + | title = {Vom Nutzen schematischer Zeichnungen – Teil I}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {}, |
| − | + | address = {}, | |
| − | + | note = }, | |
| − | publisher = { | + | hidden = {letzter Kontrollaufruf: 8.1.2012}, |
| − | address = { | + | url = {http://www.servus.at/kontext/diagramm/01_Schematanutzen.htm}, |
| − | note = | ||
| − | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dirmoser 2006=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Dirmoser 2006, |
| − | author = { | + | author = {Dirmoser, Gerhard}, |
| − | title = { | + | title = {Ein Diagramm ist (k)ein Bild}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {}, |
| − | address = { | + | address = {}, |
| − | note = { | + | note = }, |
| − | + | hidden = {letzter Kontrollaufruf: 8.1.2012}, | |
| + | url = {http://www.servus.at/kontext/diagramm/Diagrammbild_3_0_D.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ditzinger 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ditzinger 2006a, |
| − | author = { | + | author = {Ditzinger, Thomas}, |
| − | title = { | + | title = {Illusionen des Sehens. Eine Reise in die Welt der visuellen Wahrnehmung}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Elsevier, Spektrum, Akad. Verl.}, |
| − | address = { | + | address = {München, Heidelberg}, |
| − | note = { | + | note = {1. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dobbe 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2003a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | + | title = {Das verkörperte Auge. Einige bildwissenschaftliche Fragen an das Medium Plastik}, | |
| − | + | booktitle = {Winter-Bilder. Zwischen Motiv und Medium. Festschrift für Gundolf Winter zum 60. Geburtstag}, | |
| − | + | year = {2003}, | |
| − | + | editor = {Dobbe, M. & Gendolla, P.}, | |
| − | + | pages = {258-274}, | |
| − | + | publisher = {Universi }, | |
| + | address = {Siegen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.303: | Zeile 3.349: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dobbe 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Dobbe 2002a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Malerei im Bilderstreit. Eine Revision aus Anlass des Rubenspreis-Jubiläums}, |
| − | year = { | + | booktitle = {10 x Malerei. Rubenspreis der Stadt Siegen in Werken der Sammlung Lambrecht-Schadeberg}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {???}, |
| − | note = {}, | + | pages = {19-34}, |
| + | publisher = {Museum für Gegenwartskunst }, | ||
| + | address = {Siegen}, | ||
| + | note = {Ausstellungskatalog}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dobbe 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dobbe 1999a, |
| − | author = { | + | author = {Dobbe, Martina}, |
| − | title = { | + | title = {Querelle des Anciens, des Modernes et des Postmodernes}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = {???}, | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Doelker 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Doelker 2007a, |
| − | author = { | + | author = {Doelker, Christian}, |
| − | title = { | + | title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten}, |
| − | booktitle = { | + | booktitle = {Bildrhetorik}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Knape, J.}, |
| − | pages = { | + | pages = {71–112}, |
| − | publisher = { | + | publisher = {Koerner}, |
| − | address = { | + | address = {Baden-Baden}, |
| − | note = {}, | + | note = {Saecvla Spiritalia 45}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 3.350: | Zeile 3.396: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Doelker 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Doelker 2001a, |
| − | author = { | + | author = {Doelker, Christian }, |
| − | title = { | + | title = {Ein Funktionenmodell für Bildtexte}, |
| − | year = { | + | booktitle = {Bildhandeln}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Klaus Sachs-Hombach}, |
| − | note = { | + | pages = {29-39}, |
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Döring 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Döring 2009a, |
| − | author = { | + | author = {Döring, Sabine}, |
| − | title = { | + | title = {Einleitung}, |
| − | year = { | + | booktitle = {Philosophie der Gefühle}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Döring, Sabine}, |
| + | pages = {12-65}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Downey 1959a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Downey 1959a, |
| − | author = { | + | author = {Downey, G.}, |
| − | + | title = {Ekphrasis}, | |
| − | year = { | + | journal = {Reallexikon für Antike und Christentum}, |
| − | + | year = {1959}, | |
| − | + | volume = {IV}, | |
| − | + | number = {}, | |
| − | + | pages = {}, | |
| + | note = {Sp.921-944}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drechsel 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Drechsel 2006a, |
| − | author = { | + | author = {Drechsel, Benjamin}, |
| − | title = { | + | title = {Was ist ein politisches Bild? Einige Überlegungen zur Entwicklung der Politikwissenschaft als Bildwissenschaft}, |
| − | + | journal = {Moderne. Kulturwissenschaftliches Jahrbuch}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {}, | |
| − | + | number = {2}, | |
| − | + | pages = {106-120}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drosdowski 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Drosdowski 1989a, |
| − | author = { | + | author = {Drosdowsi, Günther}, |
| − | title = { | + | title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.}, |
| − | year = { | + | year = {1989}, |
| − | publisher = {}, | + | publisher = {Dudenverlag}, |
| − | address = {}, | + | address = {Mannheim [u.a.]}, |
| − | note = }, | + | note = {2. völlig neu bearbeitete und erweiterte Auflage}, |
| − | hidden = { | + | hidden = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drosdowski 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Drosdowski 1988a, |
| − | author = { | + | author = {Drosdowski, Günther}, |
| − | title = { | + | title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wörter im Satz.}, |
| − | year = { | + | year = {1988}, |
| − | publisher = {}, | + | publisher = {Dudenverlag}, |
| − | address = {}, | + | address = {Mannheim [u.a.]}, |
| − | note = }, | + | note = {7., völlig neu bearbeitete und erweiterte Auflage}, |
| − | hidden = { | + | hidden = {= DUDEN Band 2}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Drügh 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Drügh 2006a, |
| − | + | title = {Ästhetik der Beschreibung - poetische und kulturelle Energie deskriptiver Texte (1700-2000). Studien und Texte zur Kulturgeschichte deutschsprachiger Literatur}, | |
| − | title = { | ||
year = {2006}, | year = {2006}, | ||
| − | + | editor = {Drügh, Heinz J.}, | |
| − | address = { | + | publisher = {Francke}, |
| − | note = { | + | address = {Tübingen}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dubois 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dubois 1998a, |
| − | author = { | + | author = {Dubois, Philippe}, |
| − | title = { | + | title = {Der fotografische Akt. Versuch über ein theoretisches Dispositiv}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Verlag der Kunst}, |
| − | + | address = {Dresden, Amsterdam}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dubos 1760-61=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dubos 1760-61, |
| − | author = { | + | author = {Du Bos, Jean-Baptiste}, |
| − | title = { | + | title = {Kritische Betrachtungen über die Poesie und Malerey, 3 Teile}, |
| − | + | year = {1760-1761}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Kopenhagen}, | |
| − | + | note = {Übers.: Gottfried Benediktus Funk}, | |
| − | |||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Duden 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Duden 1999a, |
| − | author = { | + | author = {Duden}, |
| − | title = { | + | title = {Das große Wörterbuch der deutschen Sprache in zehn Bänden}, |
year = {1999}, | year = {1999}, | ||
| − | publisher = { | + | publisher = {Dudenverlag}, |
| − | address = { | + | address = {Mannheim}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.492: | Zeile 3.538: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dudenredaktion 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Dudenredaktion 2003a, |
| − | author = { | + | author = {Dudenredaktion (Hg.)}, |
| − | title = { | + | title = {DUDEN. Das Stilwörterbuch.}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Dudenverlag}, |
| − | + | address = {Mannheim [u.a.]}, | |
| − | + | note = {8. völlig neu bearbeitete Auflage}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Dürre 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Dürre 2007a, |
| − | author = { | + | author = {Dürre, Stefan}, |
| − | title = { | + | title = {Skulptur – Plastik – Bildhauerei}, |
| − | booktitle = { | + | booktitle = {Seemanns Lexikon der Skulptur}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Dürre, S.}, |
| − | pages = { | + | pages = {6-8}, |
| − | publisher = { | + | publisher = {Seemann}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.526: | Zeile 3.568: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Durand 1987a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Durand 1987a, |
| − | author = { | + | author = {Durand, Jacques}, |
| − | title = { | + | title = {Rhetorical Figures in the Advertising Image}, |
| − | booktitle = { | + | booktitle = {Marketing and Semiotics}, |
| − | year = { | + | year = {1987}, |
| − | editor = { | + | editor = {Sebeok, J.U. }, |
| − | pages = { | + | pages = {295–318}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.543: | Zeile 3.585: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==E== |
| + | ===Ebert 1979a=== | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Ebert 1979a, |
| − | author = { | + | author = {Ebert, Jürgen}, |
| − | title = { | + | title = {Montage Editing Schnitt}, |
| − | journal = { | + | journal = {Filmkritik}, |
| − | year = { | + | year = {1979}, |
| − | volume = { | + | volume = {12}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {547-558}, |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eco 1984a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Eco 1984a, |
| − | author = { | + | author = {Eco, Umberto}, |
| − | title = { | + | title = {Massenkultur und 'Kultur-Niveaus'}, |
| − | year = { | + | booktitle = {Apokalyptiker und Integrierte}, |
| − | + | year = {1984}, | |
| − | + | editor = {Eco, Umberto}, | |
| − | + | pages = {37-59}, | |
| − | + | publisher = {DTB}, | |
| + | address = {Hamburg}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eco 1998=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Eco 1998, |
| − | author = { | + | author = {Eco, Umberto}, |
| − | title = { | + | title = {Lector in fabula. Die Mitarbeit der Interpretation in erzählenden Texten}, |
| − | + | year = {1998}, | |
| − | + | publisher = {dtv}, | |
| − | + | address = {München}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.612: | Zeile 3.629: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Eddiks 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Eddiks 2004a, |
| − | author = { | + | author = {Eddiks, Christina}, |
| − | title = { | + | title = {Dem Emblem auf der Spur}, |
| − | + | howpublished = {}, | |
| − | + | year = {2004}, | |
| − | + | note = {Diplomarbeit}, | |
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {kisd.de/~tom/diplom/christina_emblematik.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Edgerton 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Edgerton 2002a, |
| − | author = { | + | author = {Edgerton, Samuel Y.}, |
| − | title = { | + | title = {Die Entdeckung der Perspektive}, |
| − | year = { | + | year = {2002}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt & Sütterlin 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Eibl-Eibesfeldt & Sütterlin 1992a, |
| − | author = { | + | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin}, |
| − | title = { | + | title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Piper}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt & Sütterlin 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Eibl-Eibesfeldt & Sütterlin 2008a, |
| − | author = { | + | author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin}, |
| − | title = { | + | title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Brandstätter}, |
| − | address = { | + | address = {Wien}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Eibl-Eibesfeldt 1995a, |
| − | author = { | + | author = {Eibl-Eibesfeldt. I. }, |
| − | title = { | + | title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Piper}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eibl-Eibesfeldt 1973a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Eibl-Eibesfeldt 1973a, |
| − | author = { | + | author = {Eibl-Eibesfeldt I. }, |
| − | title = { | + | title = {The expressive behavior of the deaf- and blind born}, |
| − | booktitle = { | + | booktitle = {Social Communication and Movement}, |
| − | year = { | + | year = {1973}, |
| − | editor = { | + | editor = {M. v. Cranach & I. Vine}, |
| − | pages = { | + | pages = {163-194}, |
| − | publisher = { | + | publisher = {Academic Press}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Eilert 1991a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Eilert 1991a, |
| − | author = { | + | author = {Eilert, Heide}, |
| − | title = { | + | title = {Das Kunstzitat in der erzählenden Dichtung. Studien zur Literatur um 1900}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {Steiner}, |
| − | + | address = {Stuttgart}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 3.714: | Zeile 3.720: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ėizenštein 1975a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ėizenštein 1975a, |
| − | author = { | + | author = {Ėizenštein, Sergej M.}, |
| − | title = { | + | title = {Perspektiven (1929)}, |
| − | booktitle = { | + | booktitle = {Schriften. Bd. 3}, |
| − | year = { | + | year = {1975}, |
| − | editor = { | + | editor = {Ėizenštein, Sergej M.}, |
| − | pages = { | + | pages = {191}, |
| − | publisher = { | + | publisher = {Hanser}, |
| − | address = { | + | address = {München }, |
| − | note = {}, | + | note = {Übersetzt von Hans-Joachim Schlegel}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eismann 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Eismann 1985a, |
| − | author = { | + | author = {Eismann, Wolfgang}, |
| − | title = { | + | title = {Zur Geschichte des ''obraz''-Begriffs in der russischen und sowjetischen Literaturwissenschaft}, |
| − | year = { | + | booktitle = {Einführung in allgemeine Probleme der Semiotik}, |
| − | publisher = { | + | year = {1985}, |
| − | address = { | + | editor = {Ivanov, V. V.}, |
| − | note = {}, | + | pages = {1-45}, |
| + | publisher = {Narr}, | ||
| + | address = {Tübingen}, | ||
| + | note = {aus dem Russischen übersetzt von B. Eidemüller und W. Eismann}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| + | |||
| + | |||
</bibentry> | </bibentry> | ||
| − | + | ===Ekman 1973b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ekman 1973b, |
| − | author = { | + | author = {Ekman, P. }, |
| − | title = { | + | title = {Cross cultural studies of facial expression}, |
| − | + | booktitle = {Darwin and Facial Expression}, | |
| − | year = { | + | year = {1973}, |
| − | + | editor = {Ekman, P.}, | |
| − | + | pages = {169-222}, | |
| − | + | publisher = {Academic Press}, | |
| + | address = {New York, London}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elgin 1992=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Elgin 1992, |
| − | author = { | + | author = {Elgin, Catherine Z.}, |
| − | title = { | + | title = {Notation}, |
| − | year = { | + | booktitle = {A Companion to Aesthetics}, |
| − | publisher = { | + | year = {1992}, |
| − | address = { | + | editor = {Cooper, David}, |
| + | pages = {307-309}, | ||
| + | publisher = {Blackwell}, | ||
| + | address = {Oxford}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Elgin 1993a=== | ||
| + | <bibentry> | ||
| + | @article{Elgin 1993a, | ||
| + | author = {Elgin, Catherine Z.}, | ||
| + | title = {Relocating Aesthetics. Goodman’s Epistemic Turn}, | ||
| + | journal = {Revue Internationale de Philosophie}, | ||
| + | year = {1993}, | ||
| + | volume = {}, | ||
| + | number = {46}, | ||
| + | pages = {171-186}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elgin 1983=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elgin 1983, |
| − | author = { | + | author = {Elgin, Catherine Z.}, |
| − | title = { | + | title = {With Reference to Reference}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Hackett}, |
| − | address = { | + | address = {Indianapolis}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elkins 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elkins 2003a, |
| − | author = { | + | author = {Elkins, James}, |
| − | title = { | + | title = {Visual Studies. A Skeptical Introduction}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {New York, London}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Elkins 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Elkins 1999a, |
| − | author = { | + | author = {Elkins, James}, |
| − | title = { | + | title = {The Domain of Images}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Cornell University Press}, |
| − | address = { | + | address = {Ithaca, London}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ellgring 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ellgring 1989a, |
| − | author = { | + | author = {Ellgring, H.}, |
| − | title = { | + | title = {Nonverbal communication in depression}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Else 1958=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Else 1958, |
| − | author = { | + | author = {Else, Gerald F.}, |
| − | title = { | + | title = {Imitation in the fifth century}, |
| − | year = { | + | journal = {Classical Philology}, |
| − | + | year = {1958}, | |
| − | + | volume = {53}, | |
| + | number = {}, | ||
| + | pages = {73-90}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Engell 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Engell 1999a, |
| − | author = { | + | author = {Engell, Lorenz; Vogl, Joseph}, |
| − | title = { | + | title = {Vorwort}, |
| − | booktitle = { | + | booktitle = {Kursbuch Medienphilosophie}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Pias, Claus et. al.}, |
| − | pages = { | + | pages = {8-11}, |
| − | publisher = { | + | publisher = {DVA}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Enright 1987a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Enright 1987a, |
| − | author = { | + | author = {Enright, J. T.}, |
| − | title = { | + | title = {Perspective vergence: oculomotor responses to line drawings}, |
| − | + | journal = {Vision Res}, | |
| − | year = { | + | year = {1987}, |
| − | + | volume = {27}, | |
| − | + | number = {}, | |
| − | + | pages = {1513–1526}, | |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
| − | |||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Erlbaugh 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Erlbaugh 2002a, |
| − | + | title = {Difficult Characters: Interdisciplinary Studies of Chinese and Japanese Writing}, | |
| − | title = { | + | year = {2002}, |
| − | + | editor = {Erbaugh, Mary S.}, | |
| − | year = { | + | publisher = {National East Asian Language Resource Center}, |
| − | editor = { | + | address = {Columbus, Ohio}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ernst 2002a, |
| − | author = { | + | author = {Ernst, Wolfgang}, |
| − | title = { | + | title = {Gibt es eine spezifische Videozität?}, |
| − | booktitle = { | + | booktitle = {REC - Video als mediales Phänomen}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Adelmann, Ralf; Hoffmann, Hilde & Nohr, Rolf F.}, |
| − | pages = { | + | pages = {14-29}, |
| − | publisher = { | + | publisher = {VDG}, |
| − | address = { | + | address = {Weimar}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst & Heidenreich 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ernst & Heidenreich 1999a, |
| − | author = { | + | author = {Ernst, Wolfgang & Heidenreich, Stefan}, |
| − | title = { | + | title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül}, |
| − | + | booktitle = {Konfigurationen. Zwischen Kunst und Medien}, | |
| − | year = { | + | year = {1999}, |
| − | + | editor = {Schade, Sigrid & Tholen, Georg Christoph}, | |
| − | + | pages = {306-320}, | |
| − | + | publisher = {???}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ernst et al. 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ernst et al. 2003a, |
| − | + | editor = {Ernst, Wolfgang et al.}, | |
| − | title = { | + | title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Esposito 1998=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Esposito 1998, |
| − | author = { | + | author = {Esposito, Elena}, |
| − | title = { | + | title = {Fiktion und Virtualität}, |
| − | year = { | + | booktitle = {edien, Computer Realität. Wirklichkeitsvorstellungen und Neue Medien}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Krämer, Sybille}, |
| + | pages = {269-296}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Etcoff 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Etcoff 2001a, |
| − | author = { | + | author = {Etcoff, N. }, |
| − | title = { | + | title = {Nur die Schönsten überleben. Die Ästhetik des Menschen}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Eusterschulte 2001=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Eusterschulte 2001, |
| − | author = { | + | author = {Eusterschulte, Anne}, |
| − | title = { | + | title = {Mimesis}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Rhetorik. Bd. 5: L-Musi}, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {Gert Ueding}, |
| + | pages = {Sp. 1232-1294}, | ||
| + | publisher = {Niemeyer}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Evans 2002=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Evans 2002, |
| − | + | title = {Wörterbuch der Lacanschen Psychoanalyse}, | |
| − | title = { | + | year = {2002}, |
| − | + | editor = {Evans, Dylan}, | |
| − | + | publisher = {Turia + Kant}, | |
| − | + | address = {Wien}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ==F== | |
| − | === | + | ===Fahlenbrach & Viehoff 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fahlenbrach & Viehoff 2005a, |
| − | author = { | + | author = {Fahlenbrach, Kathrin & Viehoff, Reinhold}, |
| − | title = { | + | title = {Medienikonen des Krieges. Die symbolische Entthronung Saddams als Versuch strategischer Ikonisierung}, |
| − | booktitle = { | + | booktitle = {War Visions. Bildkommunikation und Krieg}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Knieper, Thomas & Müller, Marion G.}, |
| − | pages = { | + | pages = {356-387}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fantz 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Fantz 1966a, |
| − | author = { | + | author = {Fantz, R.L. }, |
| − | title = { | + | title = {Pattern discrimination and selective attention as determinants of perceptual development from birth}, |
| − | + | booktitle = {Perceptual Development in Children}, | |
| − | year = { | + | year = {1966}, |
| − | + | editor = {Kidd, A.H. & Rivoire, J.L}, | |
| − | + | pages = {143-173}, | |
| − | + | publisher = {University Press}, | |
| + | address = {New York}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Farago 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Farago 1992a, |
| − | + | author = {Farago, Claire J.}, | |
| − | + | title = {Leonardo da Vinci’s Paragone. A Critical Interpretation with a New Edition of the Text in the Codex Urbinas}, | |
| − | + | year = {1992}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Leiden/New York/Kopenhagen/Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.024: | Zeile 4.058: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fauconnier 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fauconnier 1985a, |
| − | author = { | + | author = {Gilles Fauconnier}, |
| − | title = { | + | title = {Mental Spaces - Aspects of Meaning Construction in Natural Language}, |
| − | + | year = {1985}, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {Cambridge, MA}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ferino-Pagden 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ferino-Pagden 2009a, |
| − | + | title = {Wir sind Maske}, | |
| − | title = { | + | year = {2009}, |
| − | + | editor = {Ferino-Pagden, S. }, | |
| − | year = { | + | publisher = {Kunsthistorisches Museum}, |
| − | editor = { | + | address = {Wien}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fiedler 1991a, |
| − | + | author = {Fiedler, Konrad}, | |
| − | title = { | + | title = {Schriften zur Kunst}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2 Bd., hrsg. von Gottfried Boehm}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fiedler 1991b, |
| − | author = { | + | author = {Fiedler, Konrad}, |
| − | title = { | + | title = {Über den Ursprung der künstlerischen Tätigkeit}, |
| − | booktitle = { | + | booktitle = {Schriften zur Kunst}, |
| − | year = { | + | year = {1991}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {111-220}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | + | note = {Bd. 1, hrsg. von Gottfried Boehm}, | |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Fiedler 1991c, |
| − | author = { | + | author = {Fiedler, Konrad}, |
| − | title = { | + | title = {Aphorismen}, |
| − | year = { | + | booktitle = {Schriften zur Kunst}, |
| − | publisher = { | + | year = {1991}, |
| + | editor = {}, | ||
| + | pages = {7-105}, | ||
| + | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {Bd. 2, hrsg. von Gottfried Boehm}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiedler 1991d=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fiedler 1991d, |
| − | author = { | + | author = {Fiedler, Konrad}, |
| − | title = { | + | title = {Zur neueren Kunsttheorie}, |
| − | booktitle = { | + | booktitle = {Schriften zur Kunst}, |
| − | year = { | + | year = {1991}, |
| − | editor = { | + | editor = {}, |
| − | pages = { | + | pages = {247-290}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {Bd. 2, hrsg. von Gottfried Boehm}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 4.112: | Zeile 4.148: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fink 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fink 1988a, |
| − | + | author = {Fink, Monika}, | |
| − | + | title = {Musik nach Bildern. Programmbezogenes Komponieren im 19. und 20. Jahrhundert}, | |
| − | + | year = {1988}, | |
| − | publisher = { | + | publisher = {Helbling}, |
| − | address = { | + | address = {Innsbruck}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.125: | Zeile 4.161: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Fischer-Lichte 2004a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fischer-Lichte 2004a, |
| − | author = { | + | author = {Fischer-Lichte, Erika}, |
| − | title = { | + | title = {Ästhetik des Performativen}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fiske 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Fiske 2001a, |
| − | author = { | + | author = {Fiske, John }, |
| − | title = { | + | title = {Videotech}, |
| − | booktitle = { | + | booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Adelmann, Ralf et al.}, |
| − | + | publisher = {}, | |
| − | publisher = { | + | address = {Konstanz}, |
| − | address = { | ||
note = {}, | note = {}, | ||
| + | pages = {484-502}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Fiske 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Fiske 2003a, |
| − | author = { | + | author = {Fiske, John}, |
| − | title = { | + | title = {Lesarten des Populären }, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Löcker}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.171: | Zeile 4.203: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fleck 1980a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Fleck 1980a, |
| − | author = { | + | author = {Fleck, Ludwik}, |
| − | title = { | + | title = {Entstehung und Entwicklung einer wissenschaftlichen Tatsache. Einführung in die Lehre vom Denkstil und Denkkollektiv}, |
| − | year = { | + | year = {1980 [Orig. 1935]}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main }, |
| − | note = {}, | + | note = {Mit einer Einleitung hrsg. von L. Schäfer und T. Schnelle}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Floch 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Floch 1998a, |
| − | title = { | + | author = {Floch, Jean Marie}, |
| − | year = { | + | title = {The Contribution of Structural Semiotics to the Design of a Hypermarket}, |
| − | + | journal = {International Journal of Research in Marketing }, | |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {4}, | ||
| + | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Floch 1995a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Floch 1995a, |
| − | author = { | + | author = {Floch, Jean-Marie}, |
| − | title = { | + | title = {Identités visuelles}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Presses Universitaires de France}, |
| − | address = { | + | address = {Paris}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Floch 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Floch 1990a, |
| − | author = { | + | author = {Floch, Jean-Marie}, |
| − | title = { | + | title = {Sémiotique, marketing et communication}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Presses Universitaires de France.}, |
| − | + | address = {Paris}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Florenskij 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Florenskij 2007a, |
| − | author = { | + | author = {Florenskij, Pavel}, |
| − | title = { | + | title = {Imena}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Sankt Peterburg}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flügge et al. 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Flügge et al. 2007a, |
| − | author = { | + | author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela}, |
| − | title = { | + | title = {Vorwort und Dank}, |
| − | booktitle = { | + | booktitle = {RAUM. Orte der Kunst}, |
| − | year = { | + | year = {2007}, |
| − | editor = {}, | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, |
| − | pages = { | + | pages = {6-9}, |
| − | publisher = { | + | publisher = {Verlag für moderne Kunst}, |
| − | address = { | + | address = {Nürnberg}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flusser 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Flusser 2003a, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Kommunikologie}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.274: | Zeile 4.299: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flusser 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Flusser 1999a, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Ins Universum der technischen Bilder}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {European Photography}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.287: | Zeile 4.312: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flusser 1994=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Flusser 1994, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Abbild – Vorbild}, |
| − | booktitle = { | + | booktitle = {Was heißt „Darstellen“? }, |
| − | year = { | + | year = {1994}, |
| − | editor = { | + | editor = {Christiaan L. Hart Nibbrig}, |
| − | publisher = {}, | + | pages = {34-48}, |
| − | address = { | + | publisher = {Suhrkamp}, |
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Flusser 1993a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Flusser 1993a, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Lob der Oberflächlichkeit. Für eine Phänomenologie der Medien}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Bollmann}, |
| − | address = { | + | address = {Bensheim, Düsseldorf}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.316: | Zeile 4.342: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Flusser 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Flusser 1983a, |
| − | author = { | + | author = {Flusser, Vilém}, |
| − | title = { | + | title = {Für eine Philosophie der Fotografie}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {European Photography}, |
| − | + | address = {Göttingen}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foley et al. 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Foley et al. 1990a, |
| − | author = { | + | author = {Foley, James D.; van Dam; Feiner & Hughes }, |
| − | title = { | + | title = {Computer Graphics. Principles and Practice}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Addison Wesley}, |
| − | address = { | + | address = {Reading, MA}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foppa 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Foppa 2002a, |
| − | author = { | + | author = {Foppa, Klaus}, |
| − | title = { | + | title = {Knowledge and perspective setting. What possible consequences on conversation do we have to expect?}, |
| − | year = { | + | booktitle = {Perspective and perspectivation in discourse}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Graumann, Carl Friedrich & Kallmeyer, Werner}, |
| + | pages = {15–23}, | ||
| + | publisher = {Benjamins}, | ||
| + | address = {Amsterdam/Philadelphia}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Foster & Krauss 1996a=== |
| + | <bibentry> | ||
| + | @article{Foster & Krauss 1996a, | ||
| + | author = {Foster, H. & Krauss, R.}, | ||
| + | title = {Introduction}, | ||
| + | journal = {October}, | ||
| + | pages = {3-4}, | ||
| + | year = {1996}, | ||
| + | volume = {77}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Foucault 1976a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Foucault 1976a, |
| − | author = { | + | author = {Foucault, Michael}, |
| − | title = { | + | title = {Überwachen und Strafen}, |
| − | year = { | + | year = {1976}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.371: | Zeile 4.411: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fowler 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Fowler 1991a, |
| − | author = { | + | author = {Fowler, D.P.}, |
| − | title = { | + | title = {Narrate and describe: The problem of ekphrasis}, |
| − | + | journal = {The Journal of Roman Studies}, | |
| − | year = { | + | year = {1991}, |
| − | + | volume = {81}, | |
| − | + | number = {}, | |
| − | + | pages = {25-35}, | |
| − | |||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fox 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Fox 2006a, |
| − | author = { | + | author = {Fox, Mark}, |
| − | title = { | + | title = {Quantum Optics. An Introduction}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frangenberg 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Frangenberg 2003a, |
| − | author = { | + | author = {Frangenberg, Thomas}, |
| − | title = { | + | title = {Poetry on art : Renaissance to Romanticism}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Schaun Tyas}, |
| − | address = { | + | address = {Donington}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frank & Lange 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Frank & Lange 10a, |
| − | author = { | + | author = {Frank, Gustav & Lange, Barbara}, |
| − | title = { | + | title = {Einführung in die Bildwissenschaft. Bilder in der visuellen Kultur}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freedberg 1991a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Freedberg 1991a, |
| − | author = { | + | author = {Freedberg, David}, |
| − | title = { | + | title = {The Power of Images. Studies in the History and Theory of Response (1989)}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {The University of Chicago Press}, |
| − | address = { | + | address = {Chicago/London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.442: | Zeile 4.475: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frege 1892a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Frege 1892a, |
| − | author = { | + | author = {Gottlob Frege}, |
| − | + | title = {Über Sinn und Bedeutung}, | |
| − | year = { | + | journal = {Zeitschrift für Philosophie und philosophische Kritik}, |
| − | + | year = {1892}, | |
| − | + | volume = {100}, | |
| + | number = {}, | ||
| + | pages = {25-50}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frege 1892=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Frege 1892, |
| − | author = { | + | author = {Frege, Gottlob}, |
| − | title = { | + | title = {Über Sinn und Bedeutung, zitiert nach der Ausgabe in: Frege, Gottlob: Funktion, Begriff, Bedeutung}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | editor = {G. Patzig}, |
| − | address = { | + | publisher = {Vandenhoeck}, |
| − | + | address = {Göttingen}, | |
| + | note = {40-65}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frercks 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Frercks 2009a, |
| − | author = { | + | author = {Frercks, Jan}, |
| − | title = { | + | title = {Runs. Computersimulationen des Unsichtbaren am Max-Planck-Institut für Astrophysik}, |
| − | booktitle = { | + | booktitle = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Ralf Adelmann, Jan Frercks, Martina Heßler und Jochen Hennig}, |
| − | pages = { | + | pages = {65-121}, |
| − | publisher = { | + | publisher = {transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.484: | Zeile 4.522: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Frercks 2009b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Frercks 2009b, |
| − | author = { | + | author = {Frercks, Jan}, |
| − | + | title = {Formen, Funktionen und Praxen von Wissenschaftsbildern. Ein systematischer Blick auf die Reportagen}, | |
| − | + | booktitle = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften}, | |
| − | pages = { | + | year = {2009}, |
| − | + | editor = {Ralf Adelmann, Jan Frercks, Martina Heßler und Jochen Hennig}, | |
| − | + | pages = {122-130}, | |
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1900=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Freud 1900, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Die Traumdeutung}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Fischer}, |
address = {Frankfurt a. M.}, | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| Zeile 4.511: | Zeile 4.552: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1910=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1910, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Eine Kindheitserinnerung des Leonardo da Vinci}, |
| − | + | booktitle = {Bildende Kunst und Literatur. Studienausgabe Bd. X }, | |
| − | year = { | + | year = {2001}, |
| − | + | editor = {}, | |
| − | + | pages = {87-161}, | |
| − | + | publisher = {Fischer}, | |
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1915=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1915, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Die metapsychologischen Schriften von 1915}, |
| − | year = { | + | booktitle = {Psychologie des Unbewußten. Studienausgabe Band III}, |
| − | publisher = { | + | year = {1975}, |
| − | address = { | + | editor = {}, |
| + | pages = {69-213}, | ||
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1914a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1914a, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Der Moses des Michelangelo}, |
| − | year = { | + | booktitle = {Bildende Kunst und Literatur. Studienausgabe Bd. X }, |
| − | publisher = { | + | year = {2001}, |
| − | address = { | + | editor = {}, |
| + | pages = {195-223}, | ||
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1914b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1914b, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = {Einführung in | + | title = {Zur Einführung in den Narzissmus}, |
| − | year = { | + | booktitle = {Psychologie des Unbewußten. Studienausgabe Band III}, |
| − | publisher = { | + | year = {1975}, |
| − | address = { | + | editor = {}, |
| + | pages = {37-69}, | ||
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt a. M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1946a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1946a, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Die Verdrängung}, |
| − | year = { | + | booktitle = {Gesammelte Werke, Bd. 10}, |
| − | publisher = { | + | year = {1946}, |
| − | address = { | + | editor = {}, |
| + | pages = {247-261}, | ||
| + | publisher = {Imago}, | ||
| + | address = {London}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Freud 1946b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Freud 1946b, |
| − | author = { | + | author = {Freud, Sigmund}, |
| − | title = { | + | title = {Das Unbewußte}, |
| − | + | booktitle = {Gesammelte Werke, Bd. 10}, | |
| − | year = { | + | year = {1946}, |
| − | + | editor = {}, | |
| − | + | pages = {263-303}, | |
| − | + | publisher = {Imago}, | |
| + | address = {London}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.591: | Zeile 4.654: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Friedländer 1912=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Friedländer 1912, |
| − | author = { | + | author = {Friedländer, Paul}, |
| − | title = { | + | title = {Johannes von Gaza und Paulus Silentiarius. Kunstbeschreibungen justinianischer Zeit}, |
| − | year = { | + | year = {1912}, |
| − | + | publisher = {Teubner}, | |
| − | publisher = { | + | address = {Leipzig}, |
| − | address = { | + | note = {}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Fuhrmann 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Fuhrmann 2003, |
| − | author = { | + | author = {Fuhrmann, Manfred}, |
| − | title = { | + | title = {Die Dichtungstheorie der Antike. Aristoteles – Horaz – 'Longin' Eine Einführung}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Artemis & Winkler}, |
| − | + | address = {Düsseldorf und Zürich}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==G== |
| + | |||
| + | ===Gaede 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gaede 1981a, |
| − | author = { | + | author = {Gaede, Werner}, |
| − | title = { | + | title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung}, |
| − | + | year = {1981}, | |
| − | year = { | + | publisher = {Langen Müller/Herbig}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Galison 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Galison 1997a, |
| − | author = { | + | author = {Galison, Peter}, |
| − | title = { | + | title = {Image and Logic. A Material Culture of Microphysics}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Chicago}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gall 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Gall 2007a, |
| − | + | title = {Konstruieren, Kommunizieren, Präsentieren. Bilder von Wissenschaft und Technik}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Gall, A.}, | |
| − | year = { | + | publisher = {Wallstein Verlag}, |
| − | editor = { | + | address = {Göttingen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gallistel 1980a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gallistel 1980a, |
| − | author = { | + | author = {Gallistel, C.R.}, |
| − | title = { | + | title = {The Organization of Action: A New Synthesis}, |
| − | + | year = {1980}, | |
| − | year = { | + | publisher = {Lawrence Erlbaum Assoc.}, |
| − | + | address = {Hillsdale, NJ}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gamer 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Gamer 2007a, |
| − | author = { | + | author = {Gamer, Elisabeth-Christine}, |
| − | title = { | + | title = {Überlegungen zur Interikonizität. Malewitsch, Duchamp, Warhol und die Mona Lisa}, |
| − | booktitle = { | + | booktitle = {Intertextualität. Perspektiven auf ein interdiziplinäres Arbeitsfeld}, |
| − | year = { | + | year = {2007}, |
| − | editor = {}, | + | editor = {Herrmann, K. & Hübenthal, S.}, |
| − | pages = { | + | pages = {127-148}, |
| − | publisher = { | + | publisher = {Shaker}, |
| − | address = { | + | address = {Aachen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.703: | Zeile 4.750: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gamm 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gamm 2000a, |
| − | author = { | + | author = {Gamm, Gerhard}, |
| − | title = { | + | title = {Nicht nichts. Studien zu einer Semantik des Unbestimmten}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = {Frankfurt | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gamper 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gamper 2007a, |
| − | author = { | + | author = {Gamper, Michael}, |
| − | title = { | + | title = {Masse lesen, Masse schreiben: Eine Diskurs- und Imaginationsgeschichte der Menschenmenge 1765-1930}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ganz & Henkel 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Ganz & Henkel 2004a, |
| − | + | title = {Rahmen-Diskurse. Kultbilder im konfessionellen Zeitalter}, | |
| − | title = { | + | year = {2004}, |
| − | + | editor = {Ganz, David; Henkel, Georg}, | |
| − | year = { | + | publisher = {Reimer}, |
| − | editor = { | + | address = {Berlin}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Garcia 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Garcia 1990a, |
| − | author = { | + | author = {Garcia, Mario}, |
| − | title = { | + | title = {Newspaper Color Design}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Poynter Institute for Media Studies}, |
| − | address = { | + | address = {St. Petersburg, FL}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.767: | Zeile 4.800: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Garcia 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Garcia 1997a, |
| − | author = { | + | author = {Garcia, Mario}, |
| − | title = { | + | title = {Newspaper Evolutions}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Poynter Institute for Media Studies}, |
| − | address = { | + | address = {St. Petersburg, FL}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.780: | Zeile 4.813: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Gardner 1985a=== |
| − | |||
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gardner 1985a, |
| − | author = { | + | author = {Gardner, Howard}, |
| − | title = { | + | title = {The Mind’s New Science. A History of the Cognitive Revolution}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {Basic Books}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.795: | Zeile 4.826: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gebauer & Wulf 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gebauer & Wulf 1992a, |
| − | author = { | + | author = {Gebauer, Gunter & Wulf, Christoph}, |
| − | title = { | + | title = {Mimesis. Kultur – Kunst - Gesellschaft}, |
| − | year = { | + | year = {1992}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Reinbek}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehlen 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gehlen 2004a, |
| − | + | author = {Gehlen, Arnold}, | |
| − | + | title = {Der Mensch. Seine Natur und seine Stellung in der Welt}, | |
| − | + | year = {2004}, | |
| − | publisher = { | + | publisher = {Aula}, |
| − | address = { | + | address = {Wiebelsheim}, |
| − | note = {}, | + | note = {14. Aufl.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehlen 2004b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gehlen 2004b, |
| − | author = { | + | author = {Gehlen, Arnold}, |
| − | title = { | + | title = {Urmensch und Spätkultur. Philosophische Ergebnisse und Aussagen}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Kolstermann}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note = {}, | + | note = {6., erw. Aufl}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehlen 1961a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gehlen 1961a, |
| − | author = { | + | author = {Gehlen, Arnold}, |
| − | title = { | + | title = {Anthropologische Forschung. Zur Selbstbegegnung und Selbstentdeckung des Menschen}, |
| − | + | year = {1961}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gehring 1992=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Gehring 1992, |
| − | author = { | + | author = {Gehring, Petra}, |
| − | title = { | + | title = {Paradigma einer Methode. Der Begriff des Diagramms im Strukturdenken von M. Foucault und M. Serres}, |
| − | year = { | + | booktitle = {Diagrammatik und Philosophie}, |
| − | publisher = { | + | year = {1992}, |
| − | address = { | + | editor = {Petra Gehring, Thomas Keutner, Jörg F. Maas und Wolfgang Maria Ueding}, |
| + | pages = {86-105}, | ||
| + | publisher = {}, | ||
| + | address = {Amsterdam, Atlanta}, | ||
note = {}, | note = {}, | ||
} | } | ||
| − | |||
| − | === | + | ===Geiger & Henn-Memmesheimer 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Geiger & Henn-Memmesheimer 1998a, |
| − | author = { | + | author = {Geiger, Susi & Henn-Memmesheimer, Beate}, |
| − | title = { | + | title = {Visuell-verbale Textgestaltung von Werbeanzeigen}, |
| − | + | journal = {Kodikas/Code – Ars Semeiotica}, | |
| − | + | year = {1998}, | |
| − | + | volume = {21}, | |
| − | + | number = {1/2}, | |
| − | + | pages = {55–74}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Geimer 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Geimer 2007a, |
| − | author = { | + | author = {Geimer, Peter}, |
| − | title = { | + | title = {Das Bild als Spur. Mutmaßung über ein untotes Paradigma}, |
| − | year = { | + | booktitle = {Spur. Spurenlesen als Orientierungstechnik und Wissenskunst}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Krämer, S. & Kogge, W. & Grube, G.}, |
| + | pages = {95-120}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gellius 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gellius 1987a, |
| − | author = { | + | author = {Gellius, A.}, |
| − | title = { | + | title = {Attische Nächte...}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = {}, | + | note = {Ü: H. Berthold}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Genette 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Genette 1972a, |
| − | author = { | + | author = {Genette, Gérard}, |
| − | title = { | + | title = {Figures III}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Seuil}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 4.926: | Zeile 4.951: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Georges 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Georges 1998a, |
| − | author = { | + | author = {Georges, Karl Ernst}, |
| − | title = { | + | title = {Ausführliches lateinisch-deutsches Handwörterbuch, aus den Quellen zusammengetragen und mit besonderer Bezugnahme auf Synonymik und Antiquitäten unter Berücksichtigung der besten Hilfsmittel ausgearbeitet. Unveränderter Nachdruck der achten verbesserten und vermehrten Auflage. Bd. 1-2}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {Reprint der Ausgabe der Hahnsche Buchhandlung, Hannover 1913-1918}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gerhardus et al. 1975a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gerhardus et al. 1975a, |
| − | author = { | + | author = {Gerhardus, Dietfried & Kledzik, S.M. & Reitzig, G.H.}, |
| − | title = { | + | title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gerstein 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Gerstein 2007a, |
| − | + | title = {Display and Displacement. Sculpture and the Pedestral from Renaissance to Post-Modern}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Gerstein, Alexandra}, | |
| − | publisher = { | + | publisher = {Holberton}, |
| − | address = { | + | address = {London}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gerstengrabe et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Gerstengrabe et al. 2010a, |
| − | author = { | + | author = {Gerstengrabe, Carina; Lang, Katharina & Schneider, Anna}, |
| − | title = { | + | title = {Wasserzeichen. Vom 13. Jahrhundert bis zum Digital Watermarking. Kulturen des Kopierschutzes |
| − | year = { | + | II}, |
| − | + | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften}, | |
| − | + | year = {2010}, | |
| + | volume = {10}, | ||
| + | number = {2}, | ||
| + | pages = {9-61}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gibson 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gibson 1982a, |
| − | author = { | + | author = {Gibson, James Jerome}, |
| − | title = { | + | title = {Wahrnehmung und Umwelt. Der ökologische Ansatz in der visuellen Wahrnehmung}, |
| − | + | year = {1982}, | |
| − | year = { | + | publisher = {Urban & Schwarzenberg}, |
| − | + | address = {München, Wien u.a}, | |
| − | |||
| − | publisher = {}, | ||
| − | address = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gibson 1982b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gibson 1982b, |
| − | author = { | + | author = {Gibson, James Jerome}, |
| − | title = { | + | title = {Die Sinne und der Prozeß der Wahrnehmung}, |
| − | + | year = {1982}, | |
| − | year = { | + | publisher = {Huber}, |
| − | + | address = {Bern}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Giertler 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Giertler 2011a, |
| − | author = { | + | author = {Giertler, Mareike}, |
| − | title = { | + | title = {Lesen als Akt des Sehens der Schrift - Am Beispiel von Kafkas Betrachtungen im Erstdruck}, |
| − | year = { | + | journal = {Sprache und Literatur}, |
| − | + | year = {2011}, | |
| − | + | volume = {42}, | |
| − | note = { | + | number = {107}, |
| + | pages = {25-36}, | ||
| + | note = {Themenheft „Schriftbildlichkeit“, hg. von Sybille Krämer und Mareike Giertler}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Giuliani 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Giuliani 2003a, |
| − | author = { | + | author = {Giuliani, Luca}, |
| − | title = { | + | title = {Bild und Mythos. Geschichte der Bilderzählung in der griechischen Kunst}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.051: | Zeile 5.059: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Giuliani 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Giuliani 2006a, |
| − | author = { | + | author = {Giuliani, Luca}, |
| − | title = { | + | title = {Die unmöglichen Bilder des Philostrat: Ein antiker Beitrag zur Paragone-Debatte}, |
| − | year = { | + | journal = {Pegasus. Berliner Beiräge zum Nachleben der Antike}, |
| − | publisher = { | + | year = {2006}, |
| + | volume = {8}, | ||
| + | number = {}, | ||
| + | pages = {91-116}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Glock 2000a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Glock 2000a, | ||
| + | author = {Glock, Hanjo}, | ||
| + | title = {Aspektwahrnehmung}, | ||
| + | booktitle = {Wittgenstein-Lexikon}, | ||
| + | year = {2000}, | ||
| + | editor = {Glock, Hanjo}, | ||
| + | pages = {43}, | ||
| + | publisher = {???}, | ||
address = {Darmstadt}, | address = {Darmstadt}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Glüher 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Glüher 1998a, |
| − | author = { | + | author = {Glüher, Gebhard}, |
| − | + | title = {Von der Theorie der Fotografie zur Theorie des digitalen Bildes}, | |
| − | + | journal = {Kritische Berichte}, | |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {2}, | ||
| + | pages = {23-31}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goldie 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Goldie 2000a, |
| − | + | author = {Goldie, Peter}, | |
| − | + | title = {The Emotions. A Philosophical Exploration}, | |
| − | + | year = {2000}, | |
| − | publisher = { | + | publisher = {Oxford University Press}, |
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.089: | Zeile 5.119: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goldie 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Goldie 2010a, |
| − | + | title = {The Oxford Handbook of Philosophy of Emotion}, | |
| − | title = { | ||
| − | |||
| − | |||
year = {2010}, | year = {2010}, | ||
| − | + | editor = {Goldie, Peter}, | |
| − | + | publisher = {Oxford University Press}, | |
| − | + | address = {Oxford}, | |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gombrich 1962a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gombrich 1962a, |
| − | author = { | + | author = {Gombrich, Ernst H.}, |
| − | title = { | + | title = {Art and Illusion. A study in the psychology of pictorial representation.}, |
| − | year = { | + | year = {1962}, |
| − | publisher = { | + | publisher = {Phaidon}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.117: | Zeile 5.145: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gombrich 1977a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gombrich 1977a, |
| − | author = { | + | author = {Gombrich, Ernst H.}, |
| − | title = { | + | title = {Kunst und Illusion. Zur Psychologie der bildlichen Darstellung}, |
| − | year = { | + | year = {1977}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.130: | Zeile 5.158: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gombrich 1984a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gombrich 1984a, |
| − | author = { | + | author = {Gombrich, Ernst}, |
| − | title = { | + | title = {Bild und Auge. Neue Studien zur Psychologie der bildlichen Darstellung}, |
| − | + | year = {1984}, | |
| − | year = { | + | publisher = {Klett-Cotta}, |
| − | + | address = {Stuttgart}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gombrich 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Gombrich 2002a, |
| − | author = { | + | author = {Gombrich, Ernst H.}, |
| − | title = { | + | title = {Kunst und Illusion. Zur Psychologie der bildlichen Darstellung}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Phaidon}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {6}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gondek 1997a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Gondek 1997a, |
| − | author = { | + | author = {Gondek, Hans-Dieter}, |
| − | title = { | + | title = {Der Blick – zwischen Sartre und Lacan. Ein Kommentar zum VII. Kapitel des Seminar XI}, |
| − | journal = { | + | journal = {Riss. Zeitschrift für Psychoanalyse}, |
| − | year = { | + | year = {1997}, |
| − | volume = { | + | volume = {}, |
| − | number = {}, | + | number = {37/38}, |
| − | pages = { | + | pages = {}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.175: | Zeile 5.200: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gooch & Gooch 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gooch & Gooch 2001a, |
| − | author = { | + | author = {Gooch, Bruce & Gooch, Amy}, |
| − | title = { | + | title = {Non-Photorealistic Rendering}, |
| − | + | year = {2001}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Natick, MA. }, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goodman 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Goodman 1968a, |
| − | author = { | + | author = {Goodman, Nelson}, |
| − | title = { | + | title = {Languages of Art}, |
| − | + | year = {1968, 2. rev. Aufl. 1976}, | |
| − | year = { | + | publisher = {Hackett}, |
| − | + | address = {Indianapolis}, | |
| − | + | note = {dt.: Sprachen der Kunst. Suhrkamp 1998}, | |
| − | |||
| − | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goodman 1978a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Goodman 1978a, |
| − | author = { | + | author = {Goodman, Nelson}, |
| − | title = { | + | title = {Ways of Worldmaking}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Hackett Publishing Company}, |
| − | address = { | + | address = {Indianapolis}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.219: | Zeile 5.237: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goodman 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Goodman 1990a, |
| − | + | author = {Goodman, Nelson}, | |
| − | + | title = {Weisen der Welterzeugung}, | |
| − | + | year = {1990}, | |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.232: | Zeile 5.250: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goodman 1995a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Goodman 1995a, |
| − | author = { | + | author = {Goodman, Nelson}, |
| − | title = { | + | title = {Sprachen der Kunst. Entwurf einer Symboltheorie}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.245: | Zeile 5.263: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goodman & Elgin 1988=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Goodman & Elgin 1988, |
| − | author = { | + | author = {Goodman, Nelson & Elgin, Catherine Z.}, |
| − | title = { | + | title = {Reconceptions in Philosophy and Other Arts and Sciences}, |
| − | year = { | + | year = {1988}, |
| − | publisher = { | + | publisher = {Hackett}, |
| − | address = { | + | address = {Indianapolis}, |
| − | note = { | + | note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Goren et al. 1975a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Goren et al. 1975a, |
| − | author = { | + | author = {Goren, C. C., Sarty, M., & Wu, P. Y.}, |
| − | title = { | + | title = { Visual following and pattern discrimination of face-like stimuli by newborn infants}, |
| − | year = { | + | journal = {Pediatrics}, |
| − | + | year = {1975}, | |
| − | + | volume = {56}, | |
| + | number = {}, | ||
| + | pages = {544-549}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.ncbi.nlm.nih.gov/pubmed/1165958?dopt=abstract}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grabbe & Kruse 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Grabbe_Kruse_2009a, |
| − | author = { | + | author = {Grabbe, Lars & Kruse, Patrick}, |
| − | title = { | + | title = {Roland Barthes: Zeichen, Kommunikation und Mythos}, |
| − | year = { | + | booktitle = {Schlüsselwerke der Cultural Studies}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja}, |
| + | pages = {21-31}, | ||
| + | publisher = {VS/GWV}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grabbe & Kruse 2008a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Grabbe_Kruse_2008a, |
| − | author = { | + | author = {Grabbe, Lars & Kruse, Patrick}, |
| − | title = { | + | title = {Empathische Cues und die Möglichkeit einer Affekt-Sprache des Films}, |
| − | journal = { | + | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics}, |
| − | year = { | + | year = {2008}, |
| − | volume = {}, | + | volume = {31}, |
| − | number = { | + | number = {3-4}, |
| − | pages = {}, | + | pages = {289-298}, |
| + | publisher = {Gunter Narr}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grabbe & Kruse 2008b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Grabbe_Kruse_2008b, |
| − | author = { | + | author = {Grabbe, Lars & Kruse, Patrick}, |
| − | title = { | + | title = {Gewalt als Erlebnis. Die somatische Decodierung als Strategie des Filmerlebens in CLOVERFIELD}, |
| − | year = { | + | journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics}, |
| − | + | year = {2008}, | |
| − | + | volume = {31}, | |
| − | note = {}, | + | number = {3-4}, |
| + | pages = {299-312}, | ||
| + | note = {}, | ||
| + | publisher = {Gunter Narr}, | ||
| + | address = {Tübingen}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grabbe 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Grabbe_2010a, |
| − | author = { | + | author = {Grabbe, Lars}, |
| − | title = { | + | title = {Die Evolution des Cyborgs. Künstliche Lebensformen im japanischen Anime Ergo Proxy (2006)}, |
| − | year = { | + | booktitle = {Japan - Europa. Wechselwirkungen zwischen den Kulturen im Film und den darstellenden Künsten}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Adachi-Rabe, Kayo; Becker, Andreas; Mundhenke, Florian}, |
| − | note = { | + | pages = {213-230}, |
| + | publisher = {Büchner Verlag}, | ||
| + | address = {Darmstadt}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Graf 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Graf 1995a, |
| − | author = { | + | author = {Graf, Fritz}, |
| − | title = { | + | title = {Ekphrasis. Die Entstehung der Gattung in der Antike}, |
| − | year = { | + | booktitle = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, |
| + | pages = {143-156}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grammer et al. 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Grammer et al. 2002a, |
| − | author = { | + | author = {Grammer, Karl, Fink, B. & Renninger, L. A.}, |
| − | title = { | + | title = {Dynamic Systems and Inferential Information Processing in Human Communication}, |
| − | year = { | + | journal = {Neuroendocrinology Letters}, |
| − | + | year = {2002}, | |
| − | + | volume = {23}, | |
| + | number = {Suppl. 4}, | ||
| + | pages = {15-22}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Graumann 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Graumann 1966a, |
| − | author = { | + | author = {Graumann, Carl Friedrich}, |
| − | title = { | + | title = {Grundzüge der Verhaltensbeobachtung}, |
| − | year = { | + | year = {1966}, |
| − | publisher = { | + | editor = {Meyer, Ernst & Maier, Hans}, |
| − | address = { | + | booktitle = {Fernsehen in der Lehrerbildung, Neue Forschungsansätze in Pädagogik}, |
| + | publisher = {Manz}, | ||
| + | pages = {86-107}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.363: | Zeile 5.402: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Graumann 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Graumann 2002a, |
| − | author = { | + | author = {Graumann, Carl Friedrich}, |
| − | title = { | + | title = {Explicit and implicit perspectivity}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | editor = {Graumann, Carl Friedrich & Kallmeyer, Werner}, |
| − | address = { | + | booktitle = {Perspective and perspectivation in discourse}, |
| − | note = { | + | publisher = {Benjamins}, |
| + | pages = {25–39}, | ||
| + | address = {Amsterdam/Philadelphia}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gregory 2000a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Gregory 2000a, |
| − | author = { | + | author = {Gregory, Richard L.}, |
| − | title = { | + | title = {Ambiguity of ‘ambiguity’}, |
| − | journal = { | + | journal = {Perception}, |
| − | + | volume = {29}, | |
| − | volume = { | ||
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {1139-1142}, |
| + | year = {2000}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {www. | + | url = {www.richardgregory.org/papers/editorials/ambiguity-of-ambiguity.pdf}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gregory 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Gregory 1997a, |
| − | author = { | + | author = {Gregory, Richard L.}, |
| − | title = { | + | title = {Eye and brain. The psychology of seeing}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {Princeton University Press}, |
| − | + | address = {Princeton, N.J}, | |
| − | + | note = {5. Aufl.}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Greif 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Greif 1998a, |
| − | author = { | + | author = {Greif, Stefan}, |
| − | title = { | + | title = {Die Malerei kann ein sehr beredtes Schweigen haben. Beschreibungskunst und Bildästhetik der Dichter}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Greimas 1970a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Greimas 1970a, |
| − | author = { | + | author = {Greimas, Algirdas Julien}, |
| − | title = { | + | title = {Du sens, Teil I}, |
| − | + | year = {1970}, | |
| − | year = { | + | publisher = {Seuil}, |
| − | + | address = {Paris}, | |
| − | + | note = {Essais Sémiotiques}, | |
| − | + | hidden = {}, | |
| − | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Greimas 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Greimas 1966a, |
| − | author = { | + | author = {Greimas, Algirdas Julien}, |
| − | title = { | + | title = {Sémantique structurale}, |
| − | + | year = {1966}, | |
| − | + | publisher = {Seuil}, | |
| − | + | address = {Paris}, | |
| − | + | note = {Dt. Strukturale Semantik. Braunschweig: Vieweg, 1971}, | |
| − | + | hidden = {}, | |
| − | + | url = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Greimas & Courtés 1979a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Greimas & Courtés 1979a, |
| − | author = { | + | author = {Greimas, Algirdas Julien & Courtés, Joseph}, |
| − | title = { | + | title = {Sémiotique: Dictionnaire raisonné de la théorie du langage}, |
| − | + | year = {1979}, | |
| − | year = { | + | publisher = {Hachette}, |
| − | + | address = {Paris}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Greenberg 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Greenberg 1997a, |
| − | author = { | + | author = {Greenberg, Clement}, |
| − | title = { | + | title = {Zu einem neuen Laokoon}, |
| − | + | booktitle = {Clement Greenberg – Die Essenz der Modere. Ausgewählte Essays und Kritiken}, | |
| − | year = { | + | year = {1997}, |
| − | + | editor = {Lüdeking, Karlheinz}, | |
| − | + | pages = {56-81}, | |
| − | + | publisher = {???}, | |
| + | address = {Amsterdam/Dresden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.486: | Zeile 5.517: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grice 1970=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Grice 1970, |
| − | author = { | + | author = {Grice, Herbert Paul}, |
| − | title = { | + | title = {Logic and Conversation}, |
| − | + | year = {1970}, | |
| − | + | publisher = {Harvard University Press}, | |
| − | + | address = {Cambridge}, | |
| − | publisher = { | ||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grieshofer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Grieshofer 2009a, |
| − | author = { | + | author = {Grieshofer, F. }, |
| − | title = { | + | title = {Masken im Brennpunkt musealer Sammeltätigkeit}, |
| − | + | booktitle = {Wir sind Maske}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Ferino-Pagden, S.}, | |
| − | + | pages = {???}, | |
| − | + | publisher = {Kunsthistorisches Museum}, | |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grimm 1860=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Grimm 1860, |
| − | + | title = {Deutsches Wörterbuch. Bd. 2: Biermörder-D}, | |
| − | + | year = {1860}, | |
| − | + | editor = {Jacob Grimm & Wilhelm Grimm}, | |
| − | + | publisher = {Hirzel}, | |
| − | + | address = {Leipzig}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grittmann 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Grittmann 2003, |
| − | author = { | + | author = {Grittmann, Elke}, |
| − | title = { | + | title = {Die Konstruktion von Authentizität. Was ist echt an den Pressefotos im Informationsjournalismus?}, |
| − | year = { | + | booktitle = {Authentizität und Inszenierung von Bilderwelten }, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Knieper, Thomas; Müller, Marion}, |
| − | note = { | + | pages = {123-149}, |
| + | publisher = {von Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grittmann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Grittmann 2007a, |
| − | author = { | + | author = {Grittmann, Elke}, |
| − | title = { | + | title = {Das politische Bild. Fotojournalismus und Pressefotografie}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.560: | Zeile 5.591: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Groß et al. 1981a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Groß et al. 1981a, |
| − | author = { | + | author = {Gross, C.G.; Bruce, C.J.; Desimone, R.; Fleming, J. & Gattass, R.}, |
| − | title = { | + | title = {Cortical visual areas of the temporal lobe: Three areas in the macaque}, |
| − | year = { | + | booktitle = {Cortical Sensory Organization. Vol. 2: Multiple Visual Areas}, |
| − | + | year = {1981}, | |
| − | + | editor = {C.N. Woolsey}, | |
| − | + | pages = {187-216}, | |
| − | + | publisher = {Humana Press}, | |
| + | address = {Totowa N.J.}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Groß & Westermann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Groß & Westermann 2007a, |
| − | + | title = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Groß, D. & Westermann, S.}, | |
| − | publisher = { | + | publisher = {Kassel Univ. Press}, |
| − | address = { | + | address = {Kassel}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Grube et al. 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Grube et al. 2005a, |
| − | + | title = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Grube, Gernot; Kogge, Werner & Krämer, Sybille}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.600: | Zeile 5.632: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Günzel 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Günzel 2006a, |
| − | author = { | + | author = {Günzel, Stephan}, |
| − | title = { | + | title = {Bildtheoretische Analyse von Computerspielen in der Perspektive Erste Person}, |
| − | + | journal = {IMAGE}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {}, | |
| − | + | number = {4}, | |
| − | + | pages = {31-43}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Günzel 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Günzel 2008a, |
| − | author = { | + | author = {Günzel, Stephan}, |
| − | title = { | + | title = {Die Realität des Simulationsbildes. Raum im Computerspiel}, |
| − | + | booktitle = {Die Realität der Imagination - Architektur und das digitale Bild}, | |
| − | + | year = {2008}, | |
| − | + | pages = {127-136}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Weimar}, | |
| − | + | note = {10. internationales Bauhaus-Kolloquium}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Günzel 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Günzel 2009a, |
| − | author = { | + | author = {Günzel, Stephan}, |
| − | title = { | + | title = {Simulation und Perspektive. Der bildtheoretische Ansatz in der Computerspielforschung}, |
| − | booktitle = { | + | booktitle = {Shooter: Eine multdisziplinäre Einführung}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Bopp, Matthias; Wiemer, Serjoscha & Nohr,Rolf F.}, |
| − | pages = { | + | pages = {331-352}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Günzel 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Günzel 2010a, |
| − | title = { | + | author = {Günzel, Stephan}, |
| − | year = { | + | title = {Die Geste des Manipulierens. Zu Gebrauch statischer und beweglicher Digitalbilder}, |
| − | editor = { | + | booktitle = {Freeze Frames. Zum Verhältnis von Fotografie und Film}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Diekmann & Gerlin}, |
| + | pages = {114-129}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Gumbrecht 1986a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Gumbrecht 1986a, |
| − | author = { | + | author = {Gumbrecht, Hans Ulrich}, |
| − | title = { | + | title = {Schwindende Stabilität der Wirklichkeit. Eine Geschichte des Stilbegriffs}, |
| − | booktitle = { | + | booktitle = {Stil. Geschichten und Funktionen eines kunstwissenschaftlichen Diskurses}, |
| − | year = { | + | year = {1986}, |
| − | editor = { | + | editor = {Gumbrecht, H. U. & Pfeiffer, K. L.}, |
| − | pages = { | + | pages = {726-787}, |
| − | publisher = { | + | publisher = {??}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.678: | Zeile 5.707: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==H== |
| + | |||
| + | ===Haas 1995a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Haas 1995a, |
| − | author = { | + | author = {Haas, Stefan}, |
| − | title = {Das | + | title = {Psychologen, Künstler, Ökonomen. Das Selbstverständnis der Werbetreibenden zwischen Fin de siècle und Nachkriegszeit}, |
| − | year = { | + | booktitle = {Bilderwelt des Alltags. Werbung in der Konsumgesellschaft des 19. und 20. Jahrhunderts}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Borscheid, Peter & Wischermann, Clemens}, |
| + | pages = {78-89}, | ||
| + | publisher = {Franz Steiner}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
| + | } | ||
| + | |||
| + | ===Habermas 1995a=== | ||
| + | <bibentry> | ||
| + | @book{Habermas 1995a, | ||
| + | author = {Habermas, Jürgen}, | ||
| + | title = {Theorie des kommunikativen Handelns (1981), 2 Bd.}, | ||
| + | year = {1995}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {7. Aufl}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Habermas 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Habermas 1973a, |
| − | author = { | + | author = {Habermas, Jürgen}, |
| − | title = { | + | title = {Erkenntnis und Interesse}, |
| − | + | year = {1973}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hagen 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hagen 2002a, |
| − | title = { | + | author = {Hagen, Wolfgang}, |
| − | year = { | + | title = {Die Entropie der Fotografie. Skizzen zu einer Genealogie der digitalelektronischen Bildaufzeichnung}, |
| − | editor = { | + | booktitle = {Paradigma Fotografie}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Wolf}, |
| + | pages = {195-238}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hagen 2002b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hagen 2002b, |
| − | title = { | + | author = {Hagen, Wolfgang}, |
| − | year = { | + | title = {Es gibt kein ,digitales Bild'. Eine medienepistemologische Anmerkung}, |
| − | editor = { | + | booktitle = {Licht und Leitung}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Engell, Lorenz; Siegert, Bernhard; Vogl, Joseph}, |
| + | pages = {103-112}, | ||
| + | publisher = {???}, | ||
| + | address = {Weimar}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hagen 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hagen 2003a, |
| − | author = { | + | author = {Hagen, Wolfgang}, |
| − | title = { | + | title = {Gegenwartsvergessenheit. Lazarsfeld. Adorno. Innis. Luhmann}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Merve}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Haken 1995=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Haken 1995, |
| − | author = { | + | author = {Haken, Hermann}, |
| − | title = { | + | title = {Some basic concepts of Synergetics with respect of multistability in perception, phase transmissions and formation of meaning}, |
| − | booktitle = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | year = { | + | year = {1995}, |
| − | pages = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| − | publisher = { | + | pages = {23–44}, |
| − | address = { | + | publisher = {Springer}, |
| − | note = { | + | address = {Berlin}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Halawa 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Halawa 2008a, |
| − | author = { | + | author = {Halawa, Mark A.}, |
| − | title = { | + | title = {Wie sind Bilder möglich? Argumente für eine semiotische Fundierung des Bildbegriffs}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Herbert von Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Halbfass 1972a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Halbfass 1972a, |
| − | author = { | + | author = {Halbfass, W.}, |
| − | title = { | + | title = {Evidenz}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie, Bd. 2}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {Gründer, K. & Ritter, J. }, |
| − | pages = { | + | pages = {Sp. 829-834}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Halliday 1996a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Halliday 1996a, |
| − | author = { | + | author = {Halliday, Michael A.K.}, |
| − | title = { | + | title = {Language as a Social Semiotic}, |
| − | booktitle = { | + | booktitle = {The Communication Theory Reader}, |
| − | year = { | + | year = {1996}, |
| − | editor = { | + | editor = {Cobley, Paul}, |
| − | pages = { | + | pages = {359-383}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Halliday 1985a=== |
| − | |||
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Halliday 1985a, |
| − | author = { | + | author = {Halliday, Michael A.K.}, |
| − | title = { | + | title = {An Introduction to Functional Grammar}, |
| − | + | year = {1985}, | |
| − | year = { | + | publisher = {Edward Arnold}, |
| − | + | address = {London}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
| + | </bibentry> | ||
| − | === | + | ===Hammer-Tugendhat 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hammer-Tugendhat 2009a, |
| − | author = { | + | author = {Hammer-Tugendhat, Daniela}, |
| − | title = { | + | title = {Das Sichtbare und das Unsichtbare. Zur holländischen Malerei des 17. Jahrhunderts}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Böhlau}, |
| − | address = { | + | address = {Köln}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hansen 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hansen 2005a, |
| − | author = { | + | author = {Hansen, S. }, |
| − | title = { | + | title = {Neolithische Figuralplastik im südlichen Karpatenbecken}, |
| − | year = { | + | booktitle = {Masken, Menschen, Rituale}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Schier, W.}, |
| + | pages = {???}, | ||
| + | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)}, | ||
| + | address = {Würzburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Harris 1756=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Harris 1756, |
| − | author = { | + | author = {James Harris}, |
| − | title = {Die | + | title = {Drey Abhandlungen. Die erste über die Kunst, die andere über die Music, Mahlerey und Poesie, die dritte über die Glückseligkeit}, |
| − | + | year = {1756}, | |
| − | + | publisher = {Schuster}, | |
| − | + | address = {Danzig}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hartog 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hartog 2009a, |
| − | author = { | + | author = {Hartog, Arie}, |
| − | title = { | + | title = {Die Frage der Augenhöhe: Beobachtungen zu Sockeln in der Bildhauerei um 1900}, |
| − | booktitle = { | + | booktitle = {Das Fundament der Kunst. Die Skulptur und ihr Sockel in der Moderne}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Brunner, D.}, |
| − | pages = { | + | pages = {37-44}, |
| − | publisher = { | + | publisher = {Edition Braus}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hasselbeck 1979=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hasselbeck 1979, |
| − | author = { | + | author = {Hasselbeck, Otto}, |
| − | title = { | + | title = {Illusion und Fiktion. Lessings Beitrag zur poetologischen Diskussion über das Verhältnis von Kunst und Wirklichkeit}, |
| − | year = { | + | year = {1979}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.892: | Zeile 5.940: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hauck 1879a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hauck 1879a, |
| − | author = { | + | author = {Hauck, G.}, |
| − | title = { | + | title = {Die Subjektive Perspektive und die Horizontalen Curvaturen des Dorischen Styls: Eine perspektivisch-ästhetische Studie}, |
| − | + | year = {1879}, | |
| − | year = { | + | publisher = {Wittwer}, |
| − | + | address = {Stuttgart}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hauschild 1982a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hauschild 1982a, |
| − | author = { | + | author = {Hauschild, Thomas}, |
| − | title = { | + | title = {Der böse Blick. Ideengeschichtliche und sozialpsychologische Untersuchungen, Beiträge zur Ethnomedizin, Ethnobotanik und Ethnozoologie}, |
| − | year = { | + | year = {1982}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.922: | Zeile 5.966: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heffernan 1999a=== |
| + | <bibentry> | ||
| + | @article{Heffernan 1999a, | ||
| + | author = {Heffernan, James A.W.}, | ||
| + | year = {1999}, | ||
| + | title = {Speaking for Pictures: The rhetoric of art criticism}, | ||
| + | journal = {Word & Image}, | ||
| + | volume = {15}, | ||
| + | number = {}, | ||
| + | pages = {19-33}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Heffernan 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Heffernan 1993a, |
| − | author = { | + | author = {Heffernan, James A.W.}, |
| − | title = { | + | title = {The Museum of Words. The Poetics of Ekphrasis from Homer to Ashbery}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {Univ. of Chicago Press}, |
| − | + | address = {Chicago [u.a.]}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hegel 1826=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hegel 1826, |
| − | author = { | + | author = {Hegel, Georg W. F.}, |
| − | title = { | + | title = {Philosophie der Kunst. Vorlesung von 1826}, |
| − | + | year = {2005}, | |
| − | year = { | + | editor = {Gethmann-Siefert, Annemarie; Kwon, Jeong-Im & Berr, Karsten}, |
| − | editor = { | + | publisher = {???}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hegel 1830=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hegel 1830, |
| − | author = { | + | author = {Hegel, Georg W. F.}, |
| − | title = { | + | title = {Enzyklopädie der philosophischen Wissenschaften im Grundrisse [1830]}, |
| − | year = { | + | year = {<sup>6</sup>1959}, |
| − | publisher = { | + | editor = {Friedhelm Nicolin und Otto Pöggeler}, |
| − | address = { | + | publisher = {Meiner}, |
| + | address = {Hamburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.967: | Zeile 6.021: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hegel 1835=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hegel 1835, |
| − | author = { | + | author = {Hegel, Georg W. F.}, |
| − | title = { | + | title = {Einleitung in die Ästhetik. Mit den beiden Vorreden von Heinrich Gustav Hotho [1835]}, |
| − | year = { | + | year = {1967}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 5.980: | Zeile 6.034: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hegel 1970a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hegel 1970a, |
| − | author = { | + | author = {Hegel, Georg W. F.}, |
| − | title = { | + | title = {Vorlesungen über die Ästhetik II}, |
| − | booktitle = { | + | booktitle = {Werke}, |
| − | year = { | + | year = {1970}, |
| − | editor = { | + | editor = {E. Moldenhauer & K. M. Michel}, |
| − | pages = { | + | pages = {Bd. 14}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = { | + | note = {Erstveröffentlichung 1835}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heidegger 1986a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Heidegger 1986a, |
| − | author = { | + | author = {Martin Heidegger}, |
| − | title = { | + | title = {Ursprung des Kunstwerkes (1935/36)}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Ditzingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.010: | Zeile 6.062: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heidegger 1950a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Heidegger 1950a, |
| − | author = { | + | author = {Heidegger, Martin}, |
| − | title = {Die | + | title = {Die Zeit des Weltbildes}, |
| − | booktitle = { | + | booktitle = {Holzwege}, |
| − | year = { | + | year = {1950}, |
| − | editor = { | + | editor = {ders.}, |
| − | pages = { | + | pages = {69-104}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heidenreich 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Heidenreich 2001a, |
| − | author = { | + | author = {Heidenreich, Stefan}, |
| − | title = { | + | title = {Effekte der Digitalisierung: Berechenbarkeit und Suche}, |
| − | year = { | + | booktitle = {Verwandlungen durch Licht}, |
| + | year = {2001}, | ||
| + | editor = {Hesse, Wolfgang & Jaworek, Wolfgang}, | ||
| + | pages = {259-262}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Esslingen}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heider 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Heider 2009a, |
| − | author = { | + | author = {Heider, Don}, |
| − | title = { | + | title = {Living Virtually. Researching New Worlds}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Peter Lang Publishing}, |
| − | address = { | + | address = {New Yor}, |
| − | note = {}, | + | note = {(Digital Formations vol. 47)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hempfer 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Hempfer 2000a, |
| − | + | title = {Jenseits der Mimesis: parnassische “transposition d'art” und der Pradigmenwechsel in der Lyrik des 19. Jahrhunderts}, | |
| − | + | year = {2000}, | |
| − | + | editor = {Hempfer, Klaus}, | |
| − | publisher = { | + | publisher = {Steiner}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.066: | Zeile 6.118: | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Heng 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Heng 2003a, |
| − | author = { | + | author = {Heng, Jiuan}, |
| − | + | title = {Calligraphy}, | |
| − | + | booktitle = {Encyclopedia of Chinese Philosophy}, | |
| − | + | year = {2003}, | |
| − | + | editor = {Cua, A.S.}, | |
| − | + | pages = {25 - 28}, | |
| − | + | publisher = {Routledge}, | |
| + | address = {London, New York}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hennig 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Hennig 2006a, |
| − | author = { | + | author = {Hennig, Jürgen}, |
| − | title = { | + | title = {Farbeinsatz in der medizinischen Visualisierung}, |
| − | year = { | + | journal = {Bildwelten des Wissens, Kunsthistorisches Jahrbuch für Bildkritik}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | pages = {9-16}, |
| − | note = {}, | + | publisher = {??}, |
| + | address = {Berlin}, | ||
| + | note = {Bredekamp, H. & Bruhn, M. & Werner, G. (Hg.)}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
| + | volume = {4}, | ||
| + | number = {1}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hennig 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hennig 2007a, |
| − | author = { | + | author = {Hennig, Jochen}, |
| − | title = { | + | title = {Wissensbilder und Bilderwissen in Wissenschaftsmuseen. Das Konzept der Ausstellung »Atombilder«}, |
| − | year = { | + | booktitle = {Konstruieren, Kommunizieren, Präsentieren. Bilder von Wissenschaft und Technik}, |
| − | editor = { | + | year = {2007}, |
| − | publisher = { | + | editor = {Gall, Alexander}, |
| − | address = { | + | pages = {435-460}, |
| + | publisher = {Wallstein Verlag}, | ||
| + | address = {Göttingen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Herder 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Herder 2001a, |
| − | author = { | + | author = {Herder, Johann Gottfried}, |
| − | title = { | + | title = {Abhandlung über den Ursprung der Sprache (1772)}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Irmscher, Hans Dietrich}, |
| − | publisher = { | + | publisher = {Philipp Reclam jun.}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.121: | Zeile 6.185: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Herder 1969a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Herder 1969a, |
| − | author = { | + | author = {Herder, Johann Gottfried von }, |
| − | title = { | + | title = {Plastik. Einige Wahrnehmungen über Form und Gestalt aus Pygmalions Bildendem Traume}, |
| − | year = { | + | year = {1969}, |
| − | publisher = { | + | publisher = {Jakob Hegner}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.134: | Zeile 6.198: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Herder 1800=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Herder 1800, |
| − | author = { | + | author = {Herder, Johann Gottfried}, |
| − | title = { | + | title = {Sämtliche Werke. Bd. 22: Kalligone [1800]}, |
| − | + | year = {1880}, | |
| − | year = { | + | editor = {Bernhard Suphan}, |
| − | editor = { | + | publisher = {???}, |
| − | + | address = {Berlin}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hernadi 1991=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Hernadi 1991, |
| − | author = { | + | author = {Hernadi, Paul}, |
| − | title = { | + | year = {1991}, |
| − | + | title = {Reconceiving Notation and Performance}, | |
| − | + | journal = {Journal of Aesthetic Education}, | |
| − | + | volume = {25}, | |
| + | number = {1}, | ||
| + | pages = {47-56}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Herskovits 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Herskovits 1986a, |
| − | author = { | + | author = {Herskovits, Annette}, |
| − | title = { | + | title = {Language and Cognition – An Interdisciplinary Study of the Prepositions in English}, |
| − | + | year = {1986}, | |
| − | year = { | + | publisher = {Cambridge Univ. Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Herter 1947a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Herter 1947a, |
| − | author = { | + | author = {Herter, H. }, |
| − | title = { | + | title = {Vom dionysischen Tanz zum komischen Spiel. Die Anfänge der Attischen Komödie}, |
| − | + | journal = {Darstellung und Deutung}, | |
| − | year = { | + | year = {1947}, |
| − | + | volume = {1}, | |
| − | + | number = {}, | |
| − | + | pages = {???}, | |
| − | + | note = {Iserlohn}, | |
| − | + | hidden = {}, | |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Heßler 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Heßler 2006a, |
| − | author = { | + | author = {Heßler, Martina}, |
| − | title = { | + | title = {Von der doppelten Unsichtbarkeit digitaler Bilder}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | howpublished = {Elektronische Ressource}, |
| − | + | publisher = {}, | |
| − | + | note = {}, | |
| − | + | hidden ={letzter Kontrollaufruf: 07.08.2010}, | |
| + | url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hessler 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hessler 2002a, |
| − | title = { | + | author = {Hessler, Christiane J.}, |
| − | year = { | + | title = {Maler und Bildhauer im sophistischen Tauziehen. Der Paragone in der italienischen Kunstliteratur des 16. Jahrhunderts}, |
| − | editor = { | + | booktitle = {Wettstreit der Künste}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Mai, E.}, |
| + | pages = {???}, | ||
| + | publisher = {Ed. Minerva}, | ||
| + | address = {Wolfratshausen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Hick 1999a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hick 99a, |
| − | author = { | + | author = {Hick, Ulrike}, |
| − | title = { | + | title = {Geschichte der optischen Medien}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hickethier 1995a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Hickethier 1995a, |
| − | author = { | + | author = {Hickethier, Knut}, |
| − | title = { | + | title = {Dispositiv Fernsehen – Skizze eines Modells}, |
| − | journal = { | + | journal = {Montage/av}, |
| − | year = { | + | year = {1995}, |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
volume = {4}, | volume = {4}, | ||
| − | number = {1}, | + | number = {1} |
| + | pages = {63-83}, | ||
| + | note = {}, | ||
| + | hidden = {letzter Kontrollaufruf: }, | ||
| + | url = {www.montage-av.de/pdf/041_1995/04_1_Knut_Hickethier_Dispositiv_Fernsehen.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hilbert 1899a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hilbert 1899a, |
| − | author = { | + | author = {Hilbert, David}, |
| − | title = { | + | title = {Grundlagen der Geometrie}, |
| − | + | year = {1899}, | |
| − | year = { | + | publisher = {Teubner}, |
| − | + | address = {Leipzig}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hildebrand 1969a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hildebrand 1969a, |
| − | author = { | + | author = {Hildebrand, Adolf von}, |
| − | title = { | + | title = {Das Problem der Form}, |
| − | year = { | + | booktitle = {Hildebrand: Gesammelte Schriften zur Kunst}, |
| − | editor = { | + | year = {1969}, |
| − | + | editor = {Bock, H.}, | |
| − | + | pages = {41-350}, | |
| − | + | publisher = {Westdeutscher Verlag}, | |
| − | + | address = {Köln/Opladen}, | |
| + | note = {Erstveröffentlichung 1903}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hinterwaldner 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hinterwaldner 2008a, |
| − | author = { | + | author = {Hinterwaldner, Inge}, |
| − | title = { | + | title = {Simulationsmodelle. Zur Verhältnisbestimmung von Modellierung und Bildgebung in interaktiven Echtzeitsimulationen}, |
| − | year = { | + | booktitle = {Visuelle Modelle}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Reichle, Ingeborg; Siegel, Steffen & Spelten, Achim}, |
| + | pages = {301-316}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hjelmslev 1954a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hjelmslev 1954a, |
| − | author = { | + | author = {Hjelmslev, Louis}, |
| − | title = { | + | title = {La stratification du langage}, |
| − | year = { | + | booktitle = {Essais linguistiques}, |
| − | editor = { | + | year = {1954}, |
| − | + | editor = {Hjelmslev, Louis}, | |
| − | address = { | + | pages = {???}, |
| + | publisher = {Nordisk Sprog- od Kulturforlag}, | ||
| + | address = {Kopenhagen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hjelmslev 1943a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hjelmslev 1943a, |
| − | author = { | + | author = {Hjelmslev, Louis}, |
| − | + | title = {Omkring sprogteoriens grundlæggelse}, | |
| − | title = { | + | year = {1943}, |
| − | + | publisher = {???}, | |
| − | + | address = {Kopenhagen}, | |
| − | + | note = {Dt. Prolegomena zu einer Sprachtheorie. München: Hueber}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hochberg 1977a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hochberg 1977a, |
| − | author = { | + | author = {Hochberg, Julian E.}, |
| − | title = { | + | title = {Wahrnehmung}, |
| − | year = { | + | year = {1977}, |
| − | publisher = { | + | publisher = {Akademische Verlagsgesellschaft}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.339: | Zeile 6.401: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hofmann 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Hofmann 2000a, |
| − | author = { | + | author = {Hoffman, Donald D.}, |
| − | title = { | + | title = {Visuelle Intelligenz. Wie die Welt im Kopf entsteht}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Klett-Cotta}, |
| − | + | address = {Stuttgart}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hofmann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hofmann 2007a, |
| − | author = { | + | author = {Hofmann, Werner }, |
| − | title = { | + | title = {Spielräume und Raumverstecke}, |
| − | year = { | + | booktitle = {RAUM. Orte der Kunst}, |
| − | + | year = {2007}, | |
| − | publisher = {}, | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, |
| + | pages = {10-22}, | ||
| + | publisher = {Verlag für moderne Kunst}, | ||
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hollander 1988=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Hollander 1988, |
| − | author = { | + | author = {Hollander, John}, |
| − | + | year = {1988}, | |
| − | + | title = {The poetics of ekphrasis}, | |
| − | + | journal = {Word & Image}, | |
| − | + | volume = {4}, | |
| − | + | number = {1}, | |
| − | + | pages = {209-219}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holly 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Holly 2010a, |
| − | author = { | + | author = {Holly, Werner}, |
| − | title = { | + | title = {Bildüberschreibungen. Wie Sprechtexte Nachrichtenfilme lesbar machen (und umgekehrt)}, |
| − | year = { | + | booktitle = {Bildlinguistik}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Diekmannshenke, Hajo; Klemm, Michael & Stöckl, Hartmut}, |
| − | note = {}, | + | pages = {231-254}, |
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
| + | note = {erscheint Ende 2010}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holly 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Holly 2009a, |
| − | author = { | + | author = {Holly, Werner}, |
| − | title = { | + | title = {Der Wort-Bild-Reißverschluss. Über die performative Dynamik audiovisueller Transkriptivität}, |
| − | + | booktitle = {Oberfläche und Performanz. Untersuchungen zur Sprache als dynamischer Gestalt}, | |
| − | year = { | + | year = {2009}, |
| − | + | editor = {Linke, Angelika & Feilke, Helmuth}, | |
| − | + | pages = {389-406}, | |
| − | + | publisher = {Niemeyer}, | |
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holly 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Holly 2007a, |
| − | author = { | + | author = {Holly, Werner}, |
| − | title = { | + | title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’}, |
| − | year = { | + | booktitle = {Linguistische Hermeneutik}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Hermanns, Fritz}, |
| + | pages = {389–428}, | ||
| + | publisher = {Niemeyer}, | ||
| + | address = {Tübingen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holly & Jäger 2011a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Holly & Jäger 2011a, |
| − | author = { | + | author = {Holly, Werner & Jäger, Ludwig}, |
| − | title = { | + | title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken}, |
| − | booktitle = { | + | booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Schneider, Jan Georg & Stöckl, Hartmut}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = {Köln | + | address = {Köln}, |
| − | note = { | + | note = {erscheint Frühjahr 2011}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holmes 1980a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Holmes 1980a, |
| − | author = { | + | author = {Holmes, Sir Oliver Wendell}, |
| − | title = { | + | title = {Das Stereoskop und der Stereograph}, |
| − | booktitle = { | + | booktitle = {Theorie der Fotografie I. 1839-1912}, |
| − | year = { | + | year = {1980}, |
| − | editor = { | + | editor = {Kemp, Wolfgang}, |
| − | pages = { | + | pages = {114-122}, |
publisher = {???}, | publisher = {???}, | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {Originalausgabe 1859}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Holschbach 2003a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Holschbach 2003a, |
| − | author = { | + | author = {Holschbach, Susanne}, |
| − | title = { | + | title = {Einleitung}, |
| − | booktitle = { | + | booktitle = {Diskurse der Fotografie. Fotokritik am Ende des fotografischen Zeitalters}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Wolf, Herta}, |
| − | pages = {???}, | + | pages = {7-21}, |
| − | + | publisher = {???}, | |
| − | + | address = {Frankfurt a. M.}, | |
| + | note = {BD. 2}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Hömberg & Karasek 2008a=== | ||
| + | <bibentry> | ||
| + | @article{Hömberg & Karasek 2008a, | ||
| + | author = {Hömberg, Walter & Karasek, Johannes}, | ||
| + | title = {Der Schweißfleck der Kanzlerkandidatin. Bildmanipulation, Bildfälschung und Bildethik im Zeitalter der digitalen Fotografie}, | ||
| + | journal = {Communicatio Socialis}, | ||
| + | year = {2008}, | ||
| + | volume = {}, | ||
| + | number = {3}, | ||
| + | pages = {276-293}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.475: | Zeile 6.557: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Homer 1979=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Homer 1979, |
| − | author = { | + | author = {Homer}, |
| − | title = { | + | title = {Ilias}, |
| − | year = { | + | year = {1979}, |
| − | publisher = { | + | publisher = {reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {hg. u. übers. v. Roland Hampe}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hoormann 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Hoormann 2007a, |
| − | author = { | + | author = {Hoormann, Anne}, |
| − | + | title = {Das tastende Auge und die technisch reproduzierten Bilder. Zur „Faktur“ in den alten und neuen Medien [2001]}, | |
| − | year = { | + | booktitle = {Anne Hoormann: Medium und Material. Zur Kunst der Moderne und der Gegenwart}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Burdorf, D.; Fend, M. & Uppenkamp, B.}, |
| + | pages = {167-182}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hopkins 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hopkins 1998a, |
| − | author = { | + | author = {Hopkins, Robert}, |
| − | title = { | + | title = {Picture, Image and Experience}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.514: | Zeile 6.600: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Horstkotte & Leonhard 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Horstkotte & Leonhard 2006a, |
| − | + | title = {Lesen ist wie Sehen. Intermediale Zitate in Bild und Text}, | |
| − | title = { | + | year = {2006}, |
| − | + | editor = {Horstkotte, S. & Leonhard, K.}, | |
| − | year = { | + | publisher = {Böhlau}, |
| − | editor = { | + | address = {Köln}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hub 2009a=== |
| + | <bibentry> | ||
| + | @article{Hub 2009a, | ||
| + | author = {Hub, Berthold}, | ||
| + | year = {2009}, | ||
| + | title = {Platon und die bildende Kunst. Eine Revision}, | ||
| + | journal = {Plato. The Internet Journal of the International Plato Society}, | ||
| + | volume = {9}, | ||
| + | number = {}, | ||
| + | url = {http://gramata.univ-paris1.fr/Plato}, | ||
| + | note = {}, | ||
| + | } | ||
| + | |||
| + | ===Huber 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Huber 2004a, |
| − | author = { | + | author = {Huber, Hans Dieter}, |
| − | + | title = {Bild Beobachter Milieu. Entwurf einer allgemeinen Bildwissenschaft}, | |
| − | title = { | + | year = {2004}, |
| − | + | publisher = {Hatje Cantz}, | |
| − | + | address = {Ostfildern}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hüppauf & Wulf 2006a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hüppauf & Wulf 2006a, |
| − | author = { | + | author = {Hüppauf, Bernd & Wulf, Christoph}, |
| − | title = { | + | title = {Warum Bilder die Einbildungskraft brauchen}, |
| − | booktitle = { | + | booktitle = {Bild und Einbildungskraft}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Hüppauf, Bernd & Wulf, Christoph}, |
| − | pages = { | + | pages = {9-44}, |
| − | publisher = { | + | publisher = {Wilhelm Fink Verlag}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 6.560: | Zeile 6.656: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Humboldt 1820a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Humboldt 1820a, |
| − | author = { | + | author = {Humboldt, Wilhelm}, |
| − | title = { | + | title = {Über das vergleichende Sprachstudium in Beziehung auf die verschiedenen Epochen der Sprachentwicklung [1820]}, |
| − | booktitle = { | + | booktitle = {Werke. Bd. 4: 1820-1822}, |
| − | year = { | + | year = {1905}, |
| − | editor = { | + | editor = {Albert Leitzmann}, |
| − | pages = { | + | pages = {1-34}, |
| − | publisher = { | + | publisher = {Behr}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.577: | Zeile 6.673: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Humboldt 1830-1835=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Humboldt 1830-1835, |
| − | author = { | + | author = {Humboldt, Wilhelm}, |
| − | title = { | + | title = {Über die Verschiedenheit des menschlichen Sprachbaues und ihren Einfluß auf die geistige Entwicklung des Menschengeschlechts [1830-1835]}, |
| − | booktitle = { | + | booktitle = {Werke. Bd. 7.1}, |
| − | year = { | + | year = {1907}, |
| − | editor = { | + | editor = {Albert Leitzmann}, |
| − | pages = { | + | pages = {1-344}, |
| − | publisher = { | + | publisher = {Behr}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.594: | Zeile 6.690: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Humboldt 1988a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Humboldt 1988a, |
| − | author = { | + | author = {Humboldt, Wilhelm von}, |
| − | title = { | + | title = {Über die Buchstabenschrift und ihren Zusammenhang mit dem Sprachbau}, |
| − | booktitle = { | + | booktitle = {Schriften zur Sprachphilosophie, Werke Bd. III, hg. von Flitner, Andreas & Giel, Klaus}, |
| − | year = { | + | year = {1988}, |
| − | editor = { | + | editor = {Humboldt, Wilhelm von}, |
| − | pages = { | + | pages = {82-112}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 6.611: | Zeile 6.707: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Husserl 2006=== |
| + | <bibentry> | ||
| + | @book{Husserl 2006, | ||
| + | author = {Husserl, Edmund}, | ||
| + | title = {Phantasie und Bildbewußtsein}, | ||
| + | year = {2006}, | ||
| + | publisher = {Felix Meiner}, | ||
| + | address = {Hamburg}, | ||
| + | note = {herausgegeben und eingeleitet von Eduard Marbach, Text nach Husserliana, Band XXIII}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Husserl 1993a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Husserl 1993a, |
| − | author = { | + | author = {Husserl, E.}, |
| − | title = { | + | title = {Logische Untersuchungen. Elemente einer phänomenologischen Aufklärung der Erkenntnis}, |
| − | + | year = {1993}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Tübingen}, |
| − | note = { | + | note = {Teil II/Bd. 2}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Husserl 1980a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Husserl 1980a, |
| − | author = { | + | author = {Edmund Husserl}, |
| − | title = { | + | title = {Phantasie, Bildbewusstsein, Erinnerung. Zur Phänomenologie der anschaulichen Vergegenwärtigungen. Texte aus dem Nachlass (1898-1925) (Husserliana XXIII)}, |
| − | + | year = {1980}, | |
| − | year = { | + | publisher = {Nijhoff}, |
| − | + | address = {Den Haag / Boston / Dordrecht}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Husserl 1929a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Husserl 1929a, |
| − | author = { | + | author = {Edmund Husserl}, |
| − | title = { | + | title = {Formale und Transzendentale Logik}, |
| − | + | year = {1929}, | |
| − | year = { | + | publisher = {Niemeyer}, |
| − | + | address = {Halle(Saale)}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hyman 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Hyman 2006a, |
| − | author = { | + | author = {Hyman, John}, |
| − | title = { | + | title = {The Objective Eye: Color, Form, and Reality in the Theory of Art}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {University of Chicago Press}, |
| − | address = { | + | address = {Chicago}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hyman 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Hyman 2009a, |
| − | author = { | + | author = {Hyman, John}, |
| − | title = { | + | title = {Perspective}, |
| − | booktitle = { | + | booktitle = {A companion to aesthetics}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Cooper, David E. et al.}, |
| − | pages = { | + | pages = {465-469}, |
| − | publisher = { | + | publisher = {Blackwell}, |
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Hynes 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Hynes 2005a, |
| − | author = { | + | author = {Hynes, Maria}, |
| − | title = { | + | title = {Rethinking Reductionism}, |
| − | year = { | + | journal = {Culture Machine}, |
| + | year = {2005}, | ||
| + | volume = {7}, | ||
| + | number = {}, | ||
| + | pages = {}, | ||
| + | note = {online journal}, | ||
| + | hidden = {}, | ||
| + | url = {www.culturemachine.net/index.php/cm/article/viewArticle/33/41}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ==I== | ||
| + | ===Imdahl 1996a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Imdahl 1996a, | ||
| + | author = {Max Imdahl}, | ||
| + | title = {Cézanne – Bracque – Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen}, | ||
| + | booktitle = {Max Imdahl, Gesammelte Schriften, Band 3: Reflexion – Theorie – Methode}, | ||
| + | year = {1996}, | ||
| + | editor = {Boehm, Gottfried}, | ||
| + | pages = {???}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt/Main}, |
| − | note = {}, | + | note = {Wiederauflage der Schrift von 1974}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | <!--- ===Imdahl 1974a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Imdahl 1974a, |
| − | title = { | + | author = {Imdahl, Max}, |
| − | year = { | + | title = {Cézanne – Bracque – Picasso. Zum Verhältnis zwischen Bildautonomie und Gegenstandssehen}, |
| − | editor = { | + | booktitle = {Gesammelte Schriften, Band 3: Reflexion – Theorie – Methode}, |
| − | publisher = { | + | year = {1974}, |
| − | address = { | + | editor = {Boehm, Gottfried}, |
| − | note = {}, | + | publisher = {???}, |
| + | address = {Frankfurt/Main}, | ||
| + | note = {Wiederabruck}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | --> | ||
| − | === | + | ===Imdahl 1987a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Imdahl 1987a, |
| − | author = { | + | author = {Imdahl, Max}, |
| − | + | title = {Farbe. Kunsttheoretische Reflexionen in Frankreich}, | |
| − | title = { | + | year = {1987}, |
| − | + | publisher = {???}, | |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
| + | </bibentry> | ||
| − | === | + | ===Isidor von Sevilla 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Isidor von Sevilla 2008a, |
| − | author = { | + | author = {Isidor von Sevilla}, |
| − | title = { | + | title = {Die Enzyklopädie des Isidor von Sevilla. Übersetzt und mit Anmerkungen versehen von Lenelotte Möller}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Marix Verlag}, |
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.739: | Zeile 6.863: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ivanov 1985a=== |
| + | <bibentry> | ||
| + | @book{Ivanov 1985a, | ||
| + | author = {Ivanov, Vjačeslav}, | ||
| + | title = {Einführung in allgemeine Probleme der Semiotik}, | ||
| + | year = {1985}, | ||
| + | publisher = {???}, | ||
| + | address = {Tübingen}, | ||
| + | note = {Herausgegeben und eingeleitet von W. Eismann}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | |||
| + | |||
| + | ==J== | ||
| + | ===Jäger 2008a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jäger 2008a, |
| − | author = { | + | author = {Jäger, Ludwig}, |
| − | title = { | + | title = {Transkriptive Verhältnisse. Zur Logik intra- und intermedialer Bezugnahmen in ästhetischen Diskursen}, |
| − | booktitle = { | + | booktitle = {Transkription und Fassung in der Musik des 20. Jahrhunderts. Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Gabriele Buschmeier & Ulrich Konrad & Albrecht Riethmüller}, |
| − | pages = { | + | pages = {103-134}, |
| − | publisher = { | + | publisher = {Franz Steiner}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.756: | Zeile 6.896: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jäger 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jäger 2002a, |
| − | author = { | + | author = {Jäger, Ludwig}, |
| − | title = { | + | title = {Transkriptivität. Zur medialen Logik der kulturellen Semantik}, |
| − | booktitle = { | + | booktitle = {Transkribieren - Medien/Lektüre}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Ludwig Jäger & Georg Stanitzek}, |
| − | pages = { | + | pages = {19-41}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.773: | Zeile 6.913: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jäger & Knauer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Jäger & Knauer 2009a, |
| − | + | title = {Bilder als historische Quellen? Dimensionen der Debatte um historische Bildforschung}, | |
| − | title = { | + | year = {2009}, |
| − | + | editor = {Jäger, Jens & Knauer, Martin}, | |
| − | year = { | + | publisher = {Fink}, |
| − | editor = { | + | address = {München}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jansen 2005=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jansen 2005, |
| − | author = { | + | author = {Jansen, Ludger}, |
| − | title = { | + | title = {Aristoteles und das Problem des Neuen: Wie kreativ sind Veränderungsprinzipien?}, |
| − | booktitle = { | + | booktitle = {Kreativität. XX. Deutscher Kongress für Philosophie. 26.-30. September 2005 in Berlin. Sektionsbeiträge, Bd. 2}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Günter Abel}, |
| − | pages = { | + | pages = {15-25}, |
| − | publisher = { | + | publisher = {Universitätsverlag der TU Berlin}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.807: | Zeile 6.943: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jansen 2002=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Jansen 2002, |
| − | author = { | + | author = {Jansen, Ludger}, |
| − | title = { | + | title = {Tun und Können. Ein systematischer Kommentar zu Aristoteles' Theorie der Vermögen im neunten Buch der „Metaphysik”}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Hänsel-Hohenhausen}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jantzen 1951a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Jantzen 1951a, |
| − | author = { | + | author = {Jantzen, Hans}, |
| − | title = { | + | title = {Über Prinzipien der Farbengebung in der Malerei}, |
| − | year = { | + | booktitle = {Über den gotischen Kirchenraum und andere Aufsätze}, |
| − | publisher = { | + | year = {1951}, |
| − | address = { | + | editor = {Jantzen, Hans}, |
| − | note = { | + | pages = {61-67}, |
| + | publisher = {Gebr. Mann}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jaubert 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Jaubert 1998a, |
| − | author = { | + | author = {Jaubert, Alain}, |
| − | title = { | + | title = {Fotos, die lügen: Politik mit gefälschten Bildern}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Äthenaum}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jean Paul 1795=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Jean Paul 1795, |
| − | author = { | + | author = {Jean Paul}, |
| − | title = { | + | title = {Ueber die natürliche Magie der Einbildungskraft [1795]}, |
| − | year = { | + | booktitle = {Ausgewählte Werke. Bd. 7/8: Leben des Qunitus Fixlein, aus fünfzehn Zettelschaften gezogen, nebst einem Mußtheil und einigen Jus de tablette}, |
| − | publisher = { | + | year = {1847}, |
| − | address = { | + | editor = {???}, |
| + | pages = {???}, | ||
| + | publisher = {Reimer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jewitt 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Jewitt 2009a, |
| − | + | title = {The Routledge Handbook of Multimodal Analysis}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Jewitt, Carey}, | |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.872: | Zeile 7.015: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jewitt & Oyama 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jewitt & Oyama 2001a, |
| − | author = { | + | author = {Jewitt, Carey & Oyama, Rumiko}, |
| − | title = { | + | title = {Visual Meaning. A Social-Semiotic Approach}, |
| − | booktitle = { | + | booktitle = {Handbook of Visual Analysis}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Theo van Leeuwen & Carey Jewitt}, |
| − | pages = { | + | pages = {134–156}, |
| − | publisher = { | + | publisher = {Sage}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Johnson et al. 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Johnson et al. 2001a, |
| − | author = { | + | author = {Johnson, Neil F. et al.???}, |
| − | title = { | + | title = {Information Hiding. Steganography and Watermarking - Attacks and Countermeasures}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Boston, MA}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Johnson-Laird 1996a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Johnson-Laird 1996a, |
| − | author = { | + | author = {Johnson-Laird, Philip N.}, |
| − | title = { | + | title = {Der Computer im Kopf. Formen und Verfahren der Erkenntnis}, |
| − | |||
year = {1996}, | year = {1996}, | ||
| − | + | publisher = {Deutscher Taschenbuch Verlag}, | |
| − | + | address = {München}, | |
| − | publisher = { | + | note = {}, |
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Johnson-Laird 1983a=== | |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Johnson-Laird 1983a, |
| − | author = { | + | author = {Johnson-Laird, Philip N.}, |
| − | title = { | + | title = {Mental Models. Towards a cognitive science of language, inference, and conciousness}, |
| − | + | publisher = {Cambridge University Press}, | |
| − | + | address = {Cambridge}, | |
| − | + | year = {1983}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | === | + | ===Johnston 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Johnston 2006a, |
| − | author = { | + | author = {Johnston, Sean}, |
| − | title = { | + | title = {Holographic Visions. A History of New Science}, |
| − | year = { | + | year = {2006}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Oxford}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Johnston et al. 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Johnston et al. 2001a, |
| − | author = { | + | author = {Johnston, V.S.; Hagel, R.; Franklin, M.; Fink, B. & Grammer, K.}, |
| − | title = { | + | title = {Male Facial attractiveness. Evidence for hormone-mediated adaptive design}, |
| − | year = { | + | journal = {Evolution and Human Behavior}, |
| − | + | year = {2001}, | |
| − | + | volume = {22}, | |
| + | number = {}, | ||
| + | pages = {251-267}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Johnston & Franklin 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Johnston & Franklin 1993a, |
| − | author = { | + | author = {Johnston, V.S. & Franklin, M.}, |
| − | title = { | + | title = {Is beauty in the eye of the beholder?}, |
| − | year = { | + | journal = {Ethology and Sociobiology}, |
| − | + | year = {1993}, | |
| − | + | volume = {14}, | |
| − | + | number = {}, | |
| − | + | pages = {183-199}, | |
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Jonas 1973a=== | |
| − | + | <bibentry> | |
| − | + | @inproceedings{Jonas 1973a, | |
| − | === | + | author = {Jonas, Hans}, |
| − | <bibentry> | + | title = {Homo pictor. Von der Freiheit des Bildens}, |
| − | @inproceedings{ | + | booktitle = {Organismus und Freiheit. Ansätze zu einer philosophischen Biologie}, |
| − | author = { | + | year = {1973}, |
| − | title = { | + | editor = {Jonas, Hans}, |
| − | booktitle = { | + | pages = {226-257}, |
| − | year = { | + | publisher = {???}, |
| − | editor = { | + | address = {Göttingen}, |
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 6.996: | Zeile 7.127: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jonas 1963=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Jonas 1963, |
| − | author = { | + | author = {Hans Jonas}, |
| − | title = { | + | title = {Die Freiheit des Bildens. Homo pictor und die differentia des Menschen}, |
| − | booktitle = { | + | booktitle = {Zwischen Nichts und Ewigkeit. Drei Aufsätze zur Lehre vom Menschen}, |
| − | year = { | + | year = {1963}, |
| − | editor = { | + | editor = {Hans Jonas}, |
| − | pages = { | + | pages = {26-43}, |
| − | publisher = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.013: | Zeile 7.144: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jonas 1961a=== |
| + | <bibentry> | ||
| + | @article{Jonas 1961a, | ||
| + | author = {Jonas, Hans}, | ||
| + | title = {Die Freiheit des Bildens – Homo pictor und die differentia des Menschen}, | ||
| + | journal = {Zeitschrift für Philosophische Forschung}, | ||
| + | year = {1961}, | ||
| + | volume = {15}, | ||
| + | number = {}, | ||
| + | pages = {161–176}, | ||
| + | note = {Wieder abgedruckt in: Jonas, Hans: <em>Zwischen Nichts und Ewigkeit – Zur Lehre vom Menschen</em>. Göttingen: Vandenhoeck & Ruprecht, 1987, 26–43}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Judd 1986a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Judd 1986a, |
| − | title = { | + | author = {Judd, Donald}, |
| − | year = { | + | title = {Spezifische Objekte [1965]}, |
| − | editor = { | + | booktitle = {Skulptur im 20. Jahrhundert}, |
| − | publisher = { | + | year = {1986}, |
| + | editor = {Rowell, M.}, | ||
| + | pages = {299-302}, | ||
| + | publisher = {Prestel}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Juhász et al. 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Juhász et al. 1999a, |
| − | + | editor = {Juhász, J.; Szőke, I.; Nagy, G.O. & Kovalovszky, M.}, | |
| − | + | title = {Magyar értelmező szótár}, | |
| − | + | year = {1999}, | |
| − | + | publisher = {Akadémiai Kiadó}, | |
| − | + | address = {Budapest}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Julesz 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Julesz 1986a, |
| − | author = { | + | author = {Julesz, Béla}, |
| − | title = { | + | title = {Texturwahrnehmung}, |
| − | year = { | + | booktitle = {Wahrnehmung und visuelles System}, |
| − | + | year = {1986}, | |
| − | + | editor = {Ritter, M.}, | |
| + | pages = {48-57}, | ||
| + | publisher = {Spektrum d. Wiss.}, | ||
| + | address = {Heidelberg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Jung 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Jung 2003a, |
| − | + | title = {Holographic Network}, | |
| − | title = { | + | year = {2003a}, |
| − | + | editor = {Jung, Dieter}, | |
| − | year = { | + | publisher = {???}, |
| − | editor = { | + | address = {Bramsche}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==K== |
| + | ===Kamlah & Lorenzen 1973a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kamlah & Lorenzen 1973a, |
| − | author = { | + | author = {Kamlah, Wilhelm & Lorenzen, Paul}, |
| − | title = { | + | title = {Logische Propädeutik - Vorschule des vernünftigen Redens}, |
| − | year = { | + | year = {1973}, |
| − | publisher = { | + | publisher = {BI Wissenschaftsverlag}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2. Aufl. (<sup>1</sup>1967, <sup>3</sup>1996)}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kamp 1990a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kamp 1990a, |
| − | author = { | + | author = {Hans Kamp}, |
| − | title = { | + | title = {On the Representation and Transmission of Information: Sketch of a Theory of Verbal Communication Based On Discourse Representation Theory}, |
| − | booktitle = { | + | booktitle = {Natural Language and Speech}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {E. Klein, and F. Veltman}, |
| − | pages = { | + | pages = {135-158}, |
| − | publisher = { | + | publisher = {Springer}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| Zeile 7.102: | Zeile 7.247: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kanizsa & Luccio 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kanizsa & Luccio 1995a, |
| − | title = { | + | author = {Kanizsa, G. & Luccio, R.}, |
| − | year = { | + | title = {Multistability as a research tool in experimental phenomenology}, |
| − | editor = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| + | pages = {47–68}, | ||
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kant 1974a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kant 1974a, |
| − | author = { | + | author = {Kant, I.}, |
| − | title = { | + | title = {Kritik der Urteilskraft}, |
| − | + | year = {1974}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kant 1787a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kant 1787a, |
| − | author = { | + | author = {Kant, I.}, |
| − | title = { | + | title = {Kritik der reinen Vernunft}, |
| − | year = { | + | year = {1787}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kant 1960a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kant 1960a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Logik}, |
| − | + | booktitle = {Kant: Werke in 12 Bänden}, | |
| − | publisher = { | + | year = {1960}, |
| − | address = { | + | editor = {Weischedel, W.}, |
| − | note = {}, | + | pages = {???}, |
| + | publisher = {???}, | ||
| + | address = {Wiesbaden}, | ||
| + | note = {Bd. VI}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kant 1977a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kant 1977a, |
| − | author = { | + | author = {Kant, Immanuel}, |
| − | title = { | + | title = {Kritik der Urteilskraft}, |
| − | + | year = {1977}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt am Main}, | |
| − | note = {}, | + | note = {Werkausgabe Band X, hrsg. von Wilhelm Weischedel}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kapust 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kapust 2009a, |
| − | author = { | + | author = {Kapust, Antje}, |
| − | title = { | + | title = {Phänomenologische Bildpositionen}, |
| − | year = { | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Sachs-Hombach, K.}, |
| + | pages = {255-283}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kardaun 1993=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kardaun 1993, |
| − | author = { | + | author = {Kardaun, Maria}, |
| − | title = { | + | title = {Der Mimesisbegriff in der griechischen Antike. Neubetrachtung eines umstrittenen Begriffes als Ansatz zu einer neuen Interpretation der platonischen Kunstauffassung}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {North-Holland}, |
| − | + | address = {Amsterdam/New York/Oxford/Tokyo}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kaczmarek 2007a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Kaczmarek 2007a, |
| − | author = { | + | author = {Kaczmarek, Ludger}, |
| − | title = { | + | title = {Allyfying Leibniz. Einige Aspekte von Kompossibilität und |
| − | journal = { | + | Diegese in filmischen Texten}, |
| − | year = { | + | journal = {montage AV - Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation}, |
| − | volume = { | + | year = {2007}, |
| − | number = {}, | + | volume = {12}, |
| − | pages = { | + | number = {2}, |
| + | pages = {131-145}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kecskesi 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kecskesi 1982a, |
| − | author = { | + | author = {Kecskesi, M. }, |
| − | title = { | + | title = {Kunst aus dem alten Afrika}, |
| − | + | year = {1982}, | |
| − | year = { | + | publisher = {Pinguin}, |
| − | + | address = {Innsbruck}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kemp 1974a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kemp 1974a, |
| − | author = { | + | author = {Kemp, Wolfgang}, |
| − | title = { | + | title = {Disegno. Beiträge zu einer Geschichte des Begriffs zwischen 1547 und 1607}, |
| − | + | journal = {Marburger Jahrbuch für Kunstwissenschaf}, | |
| − | year = { | + | year = {1974}, |
| − | + | volume = {19}, | |
| − | + | number = {}, | |
| − | + | pages = {219-240}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.244: | Zeile 7.395: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kemp 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kemp 1995a, |
| − | author = { | + | author = {Kemp, Wolfgang}, |
| − | title = { | + | title = {Praktische Bildbeschreibung. Über Bilder in Bildern, besonders bei Van Eyck und Mantegna}, |
| − | + | booktitle = {Beschreibungskunst - Kunstbeschreibung. Ekphrasis von der Antike bis zur Gegenwart}, | |
| − | year = { | + | year = {1995}, |
| − | + | editor = {Boehm, G. & Pfotenhauer, H.}, | |
| − | + | pages = {99-119}, | |
| − | + | publisher = {Fink}, | |
| − | note = { | + | address = {München}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Keitz 1994a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Keitz 1994a, |
| − | author = { | + | author = {Keitz, Ursula von}, |
| − | title = { | + | title = {Dialogizität der Bilder. Bemerkungen zum Verhältnis von Bildender Kunst und Film aus semiotischer Sicht}, |
| − | booktitle = { | + | booktitle = {Film, Fernsehen, Video. Strategien der Intermedialität}, |
| − | year = { | + | year = {1994}, |
| − | editor = { | + | editor = {Paech, J.}, |
| − | pages = { | + | pages = {28-39}, |
| − | publisher = { | + | publisher = {Metzler}, |
| − | address = { | + | address = {Weimar}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.275: | Zeile 7.429: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kittler 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kittler 1986a, |
| − | + | author = {Kittler, Friedrich}, | |
| − | title = { | + | title = {Grammophon, Film, Typewriter}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {Brinkmann & Bose}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kittler 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kittler 1989a, |
| − | author = { | + | author = {Kittler, Friedrich; Tholen, Georg Christoph}, |
| − | title = { | + | title = {Arsenale der Seele. Literatur- und Medienanalyse seit 1870}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kittler 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kittler 1993a, |
| − | title = { | + | author = {Kittler, Friedrich}, |
| − | year = { | + | title = {Geschichte der Kommunikationsmedien}, |
| − | editor = { | + | booktitle = {Raum und Verfahren}, |
| + | year = {199}, | ||
| + | editor = {Huber, Jörg/Müller, Alois}, | ||
| + | pages = {169-188}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Kittler 2002a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kittler 2002a, |
| − | author = { | + | author = {Kittler, Friedrich}, |
| − | + | title = {Computergrafik. Eine halbtechnische Einführung}, | |
| − | year = { | + | booktitle = {Paradigma Fotografie}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Wolf, Hertha}, |
| − | note = { | + | pages = {178-194}, |
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kittler 2002b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kittler 2002b, |
| − | author = { | + | author = {Kittler, Friedrich}, |
| − | title = { | + | title = {Optische Medien. Berliner Vorlesung 1999}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Merve}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kjørup 1978=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kjørup 1978, |
| − | author = { | + | author = {Kjørup, Søren}, |
| − | title = { | + | title = {Pictorial Speech Acts}, |
| − | + | journal = {Erkenntnis}, | |
| − | year = { | + | year = {1978}, |
| − | + | volume = {12}, | |
| − | + | number = {}, | |
| − | + | pages = {55-71}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.364: | Zeile 7.511: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Klopfenstein-Arii 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Klopfenstein-Arii 1992a, |
| − | author = { | + | author = {Klopfenstein-Arii, Suishū Tomoko}, |
| − | title = { | + | title = {Schrift und Schriftkunst in China und Japan}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Lang Verlag}, |
| − | address = { | + | address = {Bern}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Klopstock 1779=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Klopstock 1779, |
| − | author = { | + | author = {Klopstock, Friedrich Gottlieb}, |
| − | title = { | + | title = {Von der Darstellung}, |
| − | year = { | + | booktitle = {Ueber Sprache und Dichtkunst. Fragmente}, |
| − | publisher = { | + | year = {1779}, |
| − | address = { | + | editor = {ders.}, |
| + | pages = {243-258}, | ||
| + | publisher = {Heroldsche Buchhandlung}, | ||
| + | address = {Hamburg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 7.406: | Zeile 7.541: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Klopstock 1774=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Klopstock 1774, |
| − | author = { | + | author = {Klopstock, Friedrich Gottlieb}, |
| − | title = { | + | title = {Werke und Briefe. Historisch-kritische Ausgabe. Bd. 7.1: Die deutsche Gelehrtenrepublik [1774]}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | editor = {Hurlebusch, Rose-Marie}, |
| − | address = { | + | publisher = {de Gruyter}, |
| − | note = { | + | address = {Berlin/New York}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Klotz 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Klotz 1995a, |
| − | author = { | + | author = {Klotz, Heinrich}, |
| − | title = { | + | title = {Zur Ästhetik der elektronischen Kunst}, |
| − | booktitle = { | + | booktitle = {Eine neue Hochschule (für neue Künste)}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Klotz, H.}, |
| − | pages = { | + | pages = {59-68}, |
| − | publisher = { | + | publisher = {??}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = {}, | + | note = {Schriftenreihe der Staatlichen Hochschule für Gestaltung Bd.5}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 7.436: | Zeile 7.572: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kluge 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kluge 2002a, |
| − | author = { | + | author = {Kluge, Friedrich}, |
| − | title = { | + | title = {Etymologisches Wörterbuch der deutschen Sprache.}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | editor = {Seebold, Elmar}, |
| − | address = { | + | publisher = {de Gruyter.}, |
| − | note = {}, | + | address = {Berlin, New York}, |
| + | note = {24. durchgesehene und erweiterte Auflage.}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knape 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Knape 2010a, |
| − | author = { | + | author = {Knape, Joachim}, |
| − | title = { | + | title = {Werk, Bildtext und Medium in agonaler Kunstrhetorik}, |
| − | + | booktitle = {Gedächtnisparagone - intermediale Konstellationen}, | |
| − | + | year = {2010}, | |
| − | year = { | + | editor = {Heiser, S. & Holm, Ch.}, |
| − | + | pages = {79-92}, | |
| − | + | publisher = {V&R}, | |
| − | + | address = {Göttingen}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.466: | Zeile 7.603: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knape 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Knape 2008a, |
| − | author = { | + | author = {Knape, Joachim}, |
| − | title = { | + | title = {Rhetorik der Künste}, |
| − | year = { | + | booktitle = {Rhetorik und Stilistik / Rhetoric and Stylistics. Ein internationales Handbuch historischer und systematischer Forschung / An International Handbook of Historical and Systematic Research, 1. Halbband/Volume 1}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Fix, U.; Gardt, A. & Knape, J.}, |
| − | note = {}, | + | pages = {894-927}, |
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin u. New York}, | ||
| + | note = {HSK. Handbücher zur Sprach- und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science, 31.1}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knape 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Knape 2007a, |
| − | author = { | + | author = {Knape, Joachim}, |
| − | title = { | + | title = {Bildrhetorik. Einführung in die Beiträge des Bandes}, |
| − | + | booktitle = {Bildrhetorik}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Knape, J.}, | |
| − | + | pages = {9-32}, | |
| − | + | publisher = {Koerner}, | |
| − | note = {}, | + | address = {Baden-Baden}, |
| + | note = {Saecvla Spiritalia 45}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 7.495: | Zeile 7.637: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knape 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Knape 2005a, |
| − | author = { | + | author = {Knape, Joachim}, |
| − | title = { | + | title = {Rhetorik}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {134-148}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.512: | Zeile 7.654: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knape 1994a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Knape 1994a, |
| − | author = { | + | author = {Knape, Joachim}, |
| − | title = { | + | title = {Rhetorizität und Semiotik. Kategorientransfer zwischen Rhetorik und Kunsttheorie in der Frühen Neuzeit}, |
| − | booktitle = { | + | booktitle = {Intertextualität in der Frühen Neuzeit. Studien zu ihren theoretischen und praktischen Perspektiven}, |
year = {1994}, | year = {1994}, | ||
| − | editor = { | + | editor = {Kühlmann, W. & Neuber, W.}, |
| − | pages = { | + | pages = {507-532}, |
| − | publisher = { | + | publisher = {Lang}, |
| − | address = { | + | address = {Bern etc}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.529: | Zeile 7.671: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knieper & Müller 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Knieper & Müller 2003, |
| − | author = { | + | author = {Knieper, Thomas & Müller, Marion G.}, |
| − | title = { | + | title = {Vorwort}, |
| − | + | booktitle = { Authentizität und Inszenierung von Bilderwelten }, | |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Knieper, Thomas & Müller, Marion G.}, |
| + | pages = {7-9}, | ||
| + | publisher = {von Halem}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Knieper & Müller 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Knieper & Müller 2005a, |
| − | author = { | + | author = {Knieper, Thomas & Müller, Marion G.}, |
| − | title = { | + | title = {War Visions. Bildkommunikation und Krieg}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===König & Obrist 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{König & Obrist 1993a, |
| − | + | title = {Der zerbrochene Spiegel. Positionen zur Malerei}, | |
| − | title = { | + | year = {1993}, |
| − | + | editor = {König, Kasper & Obrist, Hans-Ulrich}, | |
| − | year = { | ||
| − | editor = { | ||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Wien}, |
| − | note = {}, | + | note = {Ausstellungskatalog Kunsthalle Wien / Deichtorhallen Hamburg}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Koller 1954=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Koller 1954, |
| − | author = { | + | author = {Koller, Hermann}, |
| − | title = { | + | title = {Die Mimesis in der Antike. Nachahmung, Darstellung, Ausdruck}, |
| − | + | year = {1954}, | |
| − | year = { | + | publisher = {Francke}, |
| − | + | address = {Bern}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Köller 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Köller 2004a, |
| − | author = { | + | author = {Köller, Wilhelm}, |
| − | title = { | + | title = {Perspektivität und Sprache. Zur Struktur von Objektivierungsformen in Bildern, im Denken und in der Sprache}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = {Berlin | + | address = {Berlin/New York}, |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kondor 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kondor 2008a, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Embedded Thinking: Multimedia and the New Rationality}, |
| − | year = { | + | year = {2008}, |
| − | publisher = {Lang | + | publisher = {Peter Lang}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.624: | Zeile 7.753: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kondor 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kondor 2007a, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Old Patterns, New Bewitchments}, |
| − | booktitle = { | + | booktitle = {Philosophy of the Information Society: Papers of the 30th International Wittgenstein Symposium}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Hrachovec, H.; Pichler. A. & Wang, J.}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.641: | Zeile 7.770: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kondor 2007b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kondor 2007b, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {The Mobile Image: Experience on the Move}, |
| − | year = { | + | booktitle = {obile Studies: Paradigms and Perspectives}, |
| − | editor = { | + | year = {2007}, |
| − | publisher = { | + | editor = {Nyíri, Kristóf}, |
| − | address = { | + | pages = {???}, |
| + | publisher = {Passagen}, | ||
| + | address = {Vienna}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kondor 2007c=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kondor 2007c, |
| − | author = { | + | author = {Kondor, Zsuzsanna }, |
| − | title = { | + | title = {Multimodal Integration: From a Philosophical Point of View}, |
| − | booktitle = { | + | booktitle = {Proceedings of the IADIS International Conference: Mobile Learning }, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Arnedillo-Sanchez, Immaculada}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = {??}, | + | publisher = {???}, |
| − | address = { | + | address = {???}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 7.672: | Zeile 7.804: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Konersmann 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Konersmann 2006a, |
| − | author = { | + | author = {Konersmann, Ralf}, |
| − | title = { | + | title = {Kulturelle Tatsachen}, |
| − | year = { | + | year = {2006}, |
| − | + | publisher = {Suhrkamp}, | |
| − | publisher = { | + | address = {Frankfurt am Main}, |
| − | address = { | + | note = {}, |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kornmeier et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kornmeier et al. 2009a, |
| − | author = { | + | author = {Kornmeier, Jürgen; Hein, Christine Maira & Bach, Michael}, |
| − | + | title = {Multistable perception: When bottom-up and top-down coincide}, | |
| − | + | journal = {Brain and Cognition}, | |
| − | + | year = {2009}, | |
| − | + | volume = {69}, | |
| − | + | number = {}, | |
| − | + | pages = {138–147}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.703: | Zeile 7.833: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kornmeier & Bach 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kornmeier & Bach 2009a, |
| − | author = { | + | author = {Kornmeier, & Jürgen Bach, Michael}, |
| − | title = { | + | title = {Object perception: When our brain is impressed but we do not notice it}, |
| − | + | journal = {Journal of Vision}, | |
| − | year = { | + | year = {2009}, |
| − | + | volume = {9}, | |
| − | + | number = {}, | |
| − | + | pages = {7}, | |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 7.720: | Zeile 7.849: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Korte 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Korte 2003a, |
| − | author = { | + | author = {Korte, Helmut}, |
| − | title = { | + | title = {Einführung in die Systematische Filmanalyse}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {ESB}, |
| − | + | address = {Tübingen}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kracauer 1992a=== |
| + | <bibentry> | ||
| + | @book{Kracauer 1992a, | ||
| + | author = {Kracauer, Siegfried}, | ||
| + | title = {Der verbotene Blick}, | ||
| + | year = {1992}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Leipzig}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Krämer 2003a=== | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer 2003a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {"Schriftbildlichkeit" oder: Über eine (fast) vergessene Dimension der Schrift}, |
| − | booktitle = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Krämer, Sybille & Bredekamp, Horst}, |
| − | pages = { | + | pages = {157-176}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.754: | Zeile 7.891: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer 2004a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {Friedrich Kittler - Kulturtechniken der Zeitachsenmanipulation}, |
| − | booktitle = { | + | booktitle = {Medientheorien. Eine philosophische Einführung}, |
| − | year = { | + | year = {2004}, |
| − | editor = { | + | editor = {Lagaay, Alice}, |
| − | pages = { | + | pages = {201-224}, |
| − | publisher = { | + | publisher = {Campus}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.771: | Zeile 7.908: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer 2005a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {"Operationsraum Schrift": Über einen Perspektivenwechsel in der Betrachtung der Schrift}, |
| − | booktitle = { | + | booktitle = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Grube, Gernot; Kogge, Werner & Krämer, Sybille}, |
| − | pages = { | + | pages = {23-57}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.788: | Zeile 7.925: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2009a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | + | title = {Operative Bildlichkeit: Von der Grammatologie zu einer Diagrammatologie? Reflexionen über erkennendes ‚Sehen’}, | |
| − | year = { | + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Heßler, Martina & Mersch, Dieter}, |
| + | pages = {94-123}, | ||
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer & Bredekamp 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer & Bredekamp 2003a, |
| − | title = { | + | author = {Krämer, Sybille & Bredekamp, Horst}, |
| − | year = { | + | title = {Kultur, Technik, Kulturtechnik: Wider die Diskursivierung der Kultur}, |
| − | editor = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | + | year = {2003}, | |
| − | address = { | + | editor = {???}, |
| − | note = { | + | pages = {???}, |
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer et al. 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Krämer et al. 2011a, |
| − | + | title = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, | |
| − | + | year = {2011}, | |
| − | + | editor = {Krämer, Sybille; Cancik-Kirschbaum, Eva & Totzke, Rainer}, | |
| − | publisher = { | + | publisher = {Akademie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.827: | Zeile 7.972: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer & Giertler 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Krämer & Giertler 2011a, |
| − | author = { | + | author = {Krämer, Sybille & Giertler, Mareike}, |
| − | title = { | + | title = {Schriftbildlichkeit}, |
| − | + | howpublished = {Themenheft der Zeitschrift ''Sprache und Literatur'' 107/42}, | |
| − | + | year = {2011}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kranz 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kranz 1976a, |
| − | + | title = {Gedichte auf Bilder. Anthologie und Galerie}, | |
| − | + | year = {1976}, | |
| − | + | editor = {Kranz, Gisbert}, | |
| − | publisher = { | + | publisher = {Dt. Taschenbuch Verlag}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.853: | Zeile 7.998: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kraus 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kraus 1991a, |
| − | author = { | + | author = {Kraus, Richard Curt}, |
| − | title = { | + | title = {Brushes with power}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {University of California Press}, |
| − | + | address = {Berkeley}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krauss 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 2000a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {A Voyage on the North Sea. Art in the Age of the Post-Medium Condition}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krauss 2000b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krauss 2000b, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Skulptur im erweiterten Feld [1978]}, |
| − | booktitle = { | + | booktitle = {Die Originalität der Avantgarde und andere Mythen der Moderne}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Wolf , H.}, |
| − | pages = { | + | pages = {331-346}, |
| − | publisher = { | + | publisher = {Verlag der Kunst}, |
| − | address = { | + | address = {Amsterdam}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.904: | Zeile 8.041: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krauss 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Krauss 1999a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Reinventing the Medium}, |
| − | year = { | + | journal = {Critical Inquiry}, |
| − | + | year = {1999}, | |
| − | + | volume = {25,}, | |
| + | number = {2}, | ||
| + | pages = {289-305}, | ||
note = {}, | note = {}, | ||
| + | hidden = {Winter}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Krauss 1990a=== | ||
| + | <bibentry> | ||
| + | @book{Krauss 1990a, | ||
| + | author = {Krauss, Rosalind}, | ||
| + | title = {Passages in Modern Sculpture}, | ||
| + | year = {1990 }, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {London}, | ||
| + | note = {Reprint von 1977 (?)}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kress 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kress 2010a, |
| − | author = { | + | author = {Kress, Gunther}, |
| − | title = { | + | title = {Multimodality. A Social-Semiotic Approach to Contemporary Communication}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Routledge}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kress & Leeuwen 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kress & Leeuwen 2001a, |
| − | author = { | + | author = {Kress, Gunther & Leeuwen, Theo van}, |
| − | title = { | + | title = {Multimodal Discourse. The Modes and Media of Contemporary Communication}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Arnold}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kress & Leeuwen 1996a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kress & Leeuwen 1996a, |
| − | author = { | + | author = {Kress, Gunther & Leeuwen, Theo van}, |
| − | title = { | + | title = {Reading Images. The Grammar of Visual Design}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 7.962: | Zeile 8.109: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krewani 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Krewani 2003a, |
| − | author = { | + | author = {Krewani, Anna Maria}, |
| − | title = { | + | title = {Philosophie der Malerei bei Jacques Derrida}, |
| − | + | howpublished = {Elektronische Publikation}, | |
| − | + | url = {deposit.ddb.de/cgi-bin/dokserv?idn=973507624}, | |
| − | + | year = {2003}, | |
| − | + | hidden = {Dissertation}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krieger 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krieger 1992a, |
| − | author = { | + | author = {Krieger, Murray} |
| − | title = { | + | title = {Ekphrasis - the illussion of the natural sign}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {John Hopkins University Press}, |
| − | + | address = {Baltimore [u.a.]}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krieger 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krieger 1995a, |
| − | author = { | + | author = {Krieger, Murray}, |
| − | title = { | + | title = {Das Problem der Ekphrasis: Wort und Bild, Raum und Zeit — und das literarische Werk}, |
| − | booktitle = { | + | booktitle = {Beschreibungskunst, Kunstbeschreibung: Ekphrasis von der Antike bis zur Gegenwart}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Boehm, Gottfried; Pfotenhauer, Helmut}, |
| − | pages = { | + | pages = {41-57}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kripke 1972a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kripke 1972a, |
| − | author = { | + | author = {Kripke, Saul A.}, |
| − | title = { | + | title = {Naming and Necessity}, |
| − | booktitle = { | + | booktitle = {Semantics of Natural Language}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {Davidson, D. & Harman, G.}, |
| − | pages = { | + | pages = {253-355, 763-769}, |
| − | publisher = { | + | publisher = {Reidel}, |
| − | address = { | + | address = {Dordrecht}, |
note = {}, | note = {}, | ||
| − | |||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kris & Kurz 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kris & Kurz 1995a, |
| − | author = { | + | author = {Kris, Ernst & Kurz, Otto}, |
| − | title = { | + | title = {Die Legende vom Künstler. Ein geschichtlicher Versuch}, |
| − | + | year = {1995}, | |
| − | + | publisher = {Suhrkamp Verlag}, | |
| − | + | address = {Frankfurt/M.}, | |
| − | + | note = {mit einem Vorwort von Ernst H. Gombrich}, | |
| − | + | hidden = {}, | |
| − | + | } | |
| + | </bibentry> | ||
| + | |||
| + | ===Krkac 2010a=== | ||
| + | <bibentry> | ||
| + | @article{Krkac 2010a, | ||
| + | author = {Krkac, Kristijan}, | ||
| + | title = {Wittgensteins’s Dubbit III}, | ||
| + | journal = {Wittgenstein-Studien}, | ||
| + | year = {2010}, | ||
| + | volume = {???}, | ||
| + | number = {}, | ||
| + | pages = {121-149}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.042: | Zeile 8.193: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kroeber-Riel 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kroeber-Riel 1996a, |
| − | author = { | + | author = { Kroeber-Riel, Werner}, |
| − | title = { | + | title = { Bildkommunikation. Imagerystrategien für die Werbung }, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Vahlen}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kroeber-Riel & Esch 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kroeber-Riel & Esch 2000a, |
| − | + | author = { Kroeber-Riel, Werner & Esch, Franz-Rudolf}, | |
| − | + | title = { Strategie und Technik der Werbung. Verhaltenswissenschaftliche Ansätze}, | |
| − | + | year = {2000}, | |
| − | publisher = { | + | publisher = {Kohlhammer}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krüger 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krüger 2001a, |
| − | author = { | + | author = {Krüger, Klaus}, |
| − | + | title = {Das Bild als Schleier des Unsichtbaren. Ästhetische Illusion in der Kunst der frühen Neuzeit in Italien}, | |
| − | + | year = {2001}, | |
| − | + | publisher = {???}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kruse 2003a, |
| − | + | author = {Kruse, Christiane}, | |
| − | + | title = {Wozu Menschen malen. Historische Begründungen eines Bildmediums}, | |
| − | + | year = {2003}, | |
| − | publisher = { | + | publisher = {???}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 8.098: | Zeile 8.246: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse & Stadler 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kruse & Stadler 1995a, |
| − | + | editor = {Kruse, Peter & Stadler, Michael}, | |
| − | title = { | + | title = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {Papers originally presented at the International Symposium on Perceptual Multistability and Semantic Ambiguity held at the University of Bremen, Germany, March 22-25, 1993}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse et al. 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kruse et al. 1995a, |
| − | author = { | + | author = {Kruse, Peter; Strüber, D. & Stadler, Michael}, |
| − | title = { | + | title = {Significance of perceptual multistability for research on cognitive self-organization}, |
| − | year = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| + | pages = {69–84}, | ||
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kudielka 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kudielka 2005a, |
| − | author = { | + | author = {Kudielka, Robert}, |
| − | title = { | + | title = {Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert}, |
| − | booktitle = {Die | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Lammert, A.; Diers, M.; Kudielka, R. & Mattenklott, G.}, |
| − | pages = { | + | pages = {44-57}, |
| − | publisher = {Verlag | + | publisher = {Verlag für moderne Kunst}, |
| − | address = { | + | address = {Nürnberg}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kulvicki 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kulvicki 2006a, |
| − | author = { | + | author = {Kulvicki, John}, |
| − | title = { | + | title = {On Images: Their Structure and Content}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Oxford UP}, |
| − | + | address = {Oxford}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | hidden | + | hidden = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kulvicki 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kulvicki 2010a, |
| − | author = { | + | author = {Kulvicki, John}, |
| − | title = { | + | title = {Knowing with Images: Medium and Message}, |
| − | year = { | + | journal = {Philosophy of Science}, |
| − | + | year = {2010}, | |
| − | + | volume = {77}, | |
| − | note = { | + | number = {}, |
| + | pages = {295-313}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Külpe 1923a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Külpe 1923a, |
| − | author = { | + | author = {Külpe, Oswald}, |
| − | title = { | + | title = {Vorlesungen über Logik}, |
| − | year = { | + | year = {1923}, |
| − | publisher = { | + | publisher = {Hirzel}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.183: | Zeile 8.333: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Künzli 1996/1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Künzli 1996/1997a, |
| − | author = { | + | author = {Künzli, Hansjörg}, |
| − | + | title = {Über die Haltbarkeit digitaler Daten}, | |
| − | year = { | + | journal = {Rundbrief Fotografie}, |
| − | + | year = {1996/1997}, | |
| − | + | volume = {}, | |
| + | number = {Sonderheft 3}, | ||
| + | pages = {5-8}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Kwo 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kwo 81a, |
| − | author = { | + | author = {Kwo, Da-Wei}, |
| − | title = { | + | title = {Chinese Brushwork - Its History, Aesthetics and Techniques}, |
| − | year = { | + | year = {1981a}, |
| − | publisher = { | + | publisher = {Allanheld & Schram}, |
| − | address = { | + | address = {Montclair}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.209: | Zeile 8.361: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==L== |
| + | ===Lacan 1949=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lacan 1949, |
| − | author = { | + | author = {Lacan, Jacques}, |
| − | title = { | + | title = {Das Spiegelstadium als Bildner der Ich-Funktion}, |
| − | + | booktitle = {Schriften I}, | |
| − | + | year = {1973}, | |
| − | + | editor = {}, | |
| − | + | pages = {61-71}, | |
| + | publisher = {Walter}, | ||
| + | address = {Olten / Freiburg im Breisgau}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lacan 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lacan 1987a, |
| − | author = { | + | author = {Lacan, Jacques}, |
| − | title = { | + | title = {Die vier Grundbegriffe der Psychoanalyse}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Weinheim}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.234: | Zeile 8.392: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lacan 1996a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lacan 1996a, |
| − | author = { | + | author = {Lacan, Jaques}, |
| − | title = { | + | title = {... [1973]}, |
| − | booktitle = { | + | booktitle = {...}, |
| − | year = { | + | year = {1996}, |
| − | editor = { | + | editor = {...}, |
| − | pages = { | + | pages = {...}, |
| − | publisher = { | + | publisher = {...}, |
| − | address = { | + | address = {...}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lakoff 1987a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lakoff 1987a, |
| − | author = { | + | author = {Lakoff, George}, |
| − | title = { | + | title = {Women, fire, and dangerous things – What categories reveal about the mind}, |
| − | + | year = {1987}, | |
| − | year = { | + | publisher = {Chicago University Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lakoff & Johnson 1980a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lakoff & Johnson 1980a, |
| − | author = { | + | author = {Lakoff, George & Johnson, Mark}, |
| − | title = { | + | title = {Metaphors We Live By}, |
| − | year = { | + | year = {1980}, |
| − | publisher = { | + | publisher = {Univ. of Chicago}, |
| − | address = { | + | address = {Chicago & London}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lammert 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lammert 2007a, |
| − | author = { | + | author = {Lammert, Angela}, |
| − | title = { | + | title = {Die vertrauten Sichtweisen sind umzustoßen. Zum Raum der Nachkriegszeit in ungewohnten Begegnungen}, |
| − | + | booktitle = {RAUM. Orte der Kunst}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Flügge, M.; Kudielka, R. & Lammert, A.}, | |
| − | + | pages = {55-69}, | |
| − | + | publisher = {Verlag für moderne Kunst} | |
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Langer 1984a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Langer 1984a, |
| − | author = { | + | author = {Langer, Susanne}, |
| − | title = { | + | title = {Philosophie auf neuem Wege. Das Symbol im Denken, im Ritus und in der Kunst}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {Fischer}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.306: | Zeile 8.463: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Langlois & Roggman 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Langlois & Roggman 1990a, |
| − | author = { | + | author = {Langlois, J.H. & Roggman I.A.}, |
| − | + | title = {Attractive faces are only average}, | |
| − | year = { | + | journal = {American Psychol. Society}, |
| − | + | year = {1990}, | |
| − | + | volume = {1/2}, | |
| + | number = {}, | ||
| + | pages = {115-121}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lanz 1971a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lanz 1971a, |
| − | author = { | + | author = {Lanz, Jakob}, |
| − | title = { | + | title = {Affekt}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie}, |
| − | publisher = { | + | year = {1971}, |
| − | address = { | + | editor = {Joachim Ritter}, |
| + | pages = {Spalte 89-100}, | ||
| + | publisher = {Schwabe}, | ||
| + | address = {Basel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Laplanche & Pontalis 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Laplanche & Pontalis 1973a, |
| − | author = { | + | author = {Laplanche, Jean; Pontalis, Jean-Bertrand}, |
| − | title = { | + | title = {Affekt}, |
| − | year = { | + | booktitle = {Das Vokabular der Psychoanalyse}, |
| − | publisher = { | + | year = {1971}, |
| − | address = { | + | editor = {Laplanche, Jean; Pontalis, Jean-Bertrand}, |
| + | pages = {37-38}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Latour 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Latour 2007a, |
| − | + | author = {Latour, Bruno}, | |
| − | title = { | + | title = {Eine neue Soziologie für eine neue Gesellschaft. Einführung in die Akteur-Netzwerk-Theorie}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Frankfurt/M.}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Law & Whittaker 1988a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Law & Whittaker 1988a, |
| − | author = { | + | author = {Law, John & Whittaker, John}, |
| − | title = { | + | title = {On the Art of Representation. Notes on the Politics of Visualisation}, |
| − | booktitle = { | + | booktitle = {Picturing Power: Visual Depiction and Social Relations}, |
| − | year = { | + | year = {1988}, |
| − | editor = { | + | editor = {Fyfe, Gordon & Law, John}, |
| − | pages = { | + | pages = {160-183}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Ledderose 1985a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Ledderose 85a, | ||
| + | author = {Ledderose, Lothar}, | ||
| + | title = {Die Malerei der Literaten}, | ||
| + | booktitle = {Im Schatten hoher Bäume. Malerei der Ming- und Qing-Dynastie (1368- 1911) aus der Volksrepublik China. Staatliche Kunsthalle Baden-Baden 13. Januar- 10. März 1985}, | ||
| + | year = {1985a}, | ||
| + | editor = {Ledderose, L.}, | ||
| + | pages = {10- 21}, | ||
| + | publisher = {}, | ||
| + | address = {Baden-Baden}, | ||
| + | note = {unter Zusammenarbeit mit der Staatlichen Kunsthalle Baden-Baden und dem Kunsthistorischen Institut der Universität Heidelberg}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 8.376: | Zeile 8.555: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ledderose 2003a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ledderose 2003a, |
| − | author = { | + | author = {Ledderose, Lothar}, |
| − | title = { | + | title = {Kalligraphie}, |
| − | booktitle = { | + | booktitle = {Das große China-Lexikon}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Staiger, B. et al.}, |
| − | pages = { | + | pages = {366- 367}, |
| − | publisher = { | + | publisher = {WBG}, |
| − | address = { | + | address = {Hamburg}, |
| − | note = {}, | + | note = {unter Mitarbeit von Emmerich, R.}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Leeuwen 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leeuwen 2005a, |
| − | author = { | + | author = {Leeuwen, Theo van}, |
| − | title = { | + | title = {Introducing Social Semiotics}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.404: | Zeile 8.585: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lefebvre 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lefebvre 2007a, |
| − | author = { | + | author = {Lefebvre, Martin}, |
| − | title = { | + | title = {The Art of Pointing: On Peirce, Indexicality, and Photographic Images}, |
| − | + | booktitle = {Photography Theory}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Elkins, James}, | |
| − | + | pages = {220-244}, | |
| − | + | publisher = {???}, | |
| + | address = {New York u. a.}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lenzen 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lenzen 1997a, |
| − | author = { | + | author = {Lenzen, Dieter}, |
| − | title = { | + | title = {Lebenslauf oder Humanontogenese? Vom Erziehungssystem zum kurativen System – von der Erziehungswissenschaft zur Humanvitologie}, |
| − | year = { | + | booktitle = {Bildung und Weiterbildung im Erziehungssystem. Lebenslauf und Humanontogenese als Medium und Form}, |
| − | publisher = { | + | year = {1997}, |
| − | address = { | + | editor = {Lenzen, D. & Luhmann, N.}, |
| + | pages = {228-247}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Leopold & Logothetis 1999a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Leopold & Logothetis 1999a, |
| − | author = { | + | author = {Leopold, David A. & Logothetis, Nikos K.}, |
| − | title = { | + | title = {Multistable phenomena: changing views in perception}, |
| − | journal = { | + | journal = {Trends Cogn. Sci. (Regul. Ed.)}, |
| − | year = { | + | year = {1999}, |
| − | volume = {}, | + | volume = {3}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {254–264}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Leroi-Gourhan 1971a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Leroi-Gourhan 1971a, |
| − | author = { | + | author = {Leroi-Gourhan, André}, |
| − | title = { | + | title = {Präshistorische Kunst}, |
| − | year = { | + | year = {1971}, |
| − | publisher = { | + | publisher = {Herder}, |
| − | address = { | + | address = {Freiburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.461: | Zeile 8.646: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Lessing 1788=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lessing 1788, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon: Paralipomena [Erstveröffentlichung 1788]}, |
| − | booktitle = { | + | booktitle = {Werke und Briefe. Bd. 5/2. Werke 1766-169}, |
| − | year = { | + | year = {1990}, |
| − | editor = {}, | + | editor = {Wilfried Barner}, |
| − | pages = { | + | pages = {207-321}, |
| − | publisher = { | + | publisher = {Deutscher Klassiker Verlag}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.479: | Zeile 8.663: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lessing 1766=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lessing 1766, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon oder über die Grenzen der Malerei und Poesie [1766]}, |
| − | year = { | + | booktitle = {Werke und Briefe in zwölf Bänden. Bd. 5/2: Werke 1766-1769}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Wilfried Bahner}, |
| + | pages = {11-206}, | ||
| + | publisher = {Deutscher Klassiker Verlag}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lessing 1974a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lessing 1974a, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon oder über die Grenzen der Malerei und Poesie}, |
| − | booktitle = {. | + | booktitle = {Werke, Bd. 6}, |
| − | year = { | + | year = {1974}, |
| − | editor = {. | + | editor = {Göpfert, H. G.}, |
| − | pages = { | + | pages = {7-187}, |
| − | publisher = { | + | publisher = {Hanser}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {Erstveröffentlichung 1766}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lessing 1994a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lessing 1994a, |
| − | author = { | + | author = {Lessing, Gotthold Ephraim}, |
| − | title = { | + | title = {Laokoon oder Über die Grenzen der Malerei und Poesie}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {Reclam}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = {}, | + | note = {''das Werk ist bereits in 2 anderen Ausgaben in der Bibliographiesammlung: evt. anpassen??''}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lessing 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lessing 1998a, |
| − | author = { | + | author = {Lessing, Hans-Ulrich}, |
| − | title = { | + | title = {Hermeneutik der Sinne. Eine Untersuchung zu Helmuth Plessners Projekt einer „Ästhesiologie des Geistes“ nebst einem Plessner-Ineditum}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Freiburg/München }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.535: | Zeile 8.721: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lévi-Strauss 1958a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lévi-Strauss 1958a, |
| − | author = { | + | author = {Lévi-Straus, Claude}, |
| − | title = { | + | title = {Anthropologie structurale}, |
| − | + | year = {1958}, | |
| − | year = { | + | publisher = {Plon}, |
| − | + | address = {Paris}, | |
| − | + | note = {Dt. Strukturale Anthropologie. Frankfurt/Main: Suhrkamp}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Levinson 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Levinson 1990a, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {What a Musical Work is}, |
| − | year = { | + | booktitle = {Music, Art, and Metaphysics}, |
| − | publisher = { | + | year = {1990}, |
| − | address = { | + | editor = {Levinson, Jerrold}, |
| + | pages = {63-88}, | ||
| + | publisher = {Cornell University Press}, | ||
| + | address = {Ithaca}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Levinson 1990b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Levinson 1990b, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {Autographic and Allographic Art Revisited}, |
| − | + | booktitle = {Music, Art, and Metaphysics}, | |
year = {1990}, | year = {1990}, | ||
| − | + | editor = {Levinson, Jerrold}, | |
| − | + | pages = {89-106}, | |
| − | + | publisher = {Cornell University Press}, | |
| + | address = {Ithaca}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Levinson 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Levinson 1983a, |
| − | author = { | + | author = {Levinson, Stephen C.}, |
| − | title = { | + | title = {Pragmatics}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Univ. Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Levinson 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Levinson 2003a, |
| − | author = { | + | author = {Levinson, Stephen C.}, |
| − | title = { | + | title = {Space in Language and Cognition. Explorations in Cognitive Diversity.}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Cambridge University Press}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lichtblau 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lichtblau 2009a, |
| − | author = { | + | author = {Lichtblau, Klaus}, |
| − | title = { | + | title = {Einleitung}, |
| − | year = { | + | booktitle = {Georg Simmel: Soziologische Ästhetik}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Lichtblau, Klaus}, |
| + | pages = {7-27}, | ||
| + | publisher = {VS Verlag für Sozialwissenschaften}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Licklider 1960a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Licklider 1960a, |
| − | author = { | + | author = {Licklider, J.}, |
| − | title = { | + | title = {Man-Computer Symbiosis}, |
| − | + | journal = {IRE Transactions on Human Factors in Electronics}, | |
| − | year = { | + | year = {1960}, |
| − | + | volume = {1}, | |
| − | + | number = {1}, | |
| − | + | pages = {4-11}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 8.655: | Zeile 8.823: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Liebsch 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Liebsch 2001a, |
| − | author = { | + | author = {Liebsch, Dimitri}, |
| − | title = { | + | title = {Die Geburt der ästhetischen Bildung aus dem Körper der antiken Plastik. Zur Bildungssemantik im ästhetischen Diskurs zwischen 1750 und 1800}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {???}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Hamburg}, | address = {Hamburg}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Liesbrock 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Liesbrock 2010a, |
| − | + | title = {Ad Reinhardt: Letzte Bilder}, | |
| − | + | year = {2010}, | |
| − | + | editor = {Liesbrock, Heinz}, | |
| − | publisher = { | + | publisher = {Josef Albers Museum Quadrat Bottrop}, |
| − | address = { | + | address = {Düsseldorf}, |
| − | note = {}, | + | note = {Ausstellungskatalog}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Liessmann 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Liessmann 2004a, |
| − | author = { | + | author = {Liessmann, Konrad Paul}, |
| − | title = { | + | title = {Reiz und Rührung. Über ästhetische Empfindungen}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {WUV}, |
| − | + | address = {Wien}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Liessmann 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Liessmann 2009a, |
| − | author = { | + | author = {Liessmann Konrad Paul}, |
| − | title = { | + | title = {Ästhetische Empfindungen. Eine Einführung}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Facultas-WUV}, |
| − | + | address = {Wien}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lippard 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Lippard 1997a, |
| − | + | title = {Six Years. the Dematerialization of the Art Object from 1966 to 1972}, | |
| − | title = { | + | year = {1997}, |
| − | + | editor = {Lippard, Lucy R.}, | |
| − | year = { | + | publisher = {University of California Press}, |
| − | + | address = {Berkeley}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lippold 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lippold 1993a, |
| − | author = { | + | author = {Lippold, Lutz}, |
| − | title = { | + | title = {Macht des Bildes - Bild der Macht: Kunst zwischen Verehrung und Zerstörung bis zum ausgehenden Mittelalter}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Edition Leipzig}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 8.746: | Zeile 8.901: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lipps 1903a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lipps 1903a, |
| − | author = { | + | author = {Lipps, Theodor}, |
| − | title = { | + | title = {Grundlegung der Ästhetik. Erster Teil}, |
| − | + | year = {1903}, | |
| − | year = { | + | publisher = {Leopold Voss}, |
| − | + | address = {Leipzig}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lipps 1920a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Lipps 1920a, |
| − | author = { | + | author = {Lipps, Theodor }, |
| − | title = { | + | title = {»Zur Einfühlung«, in: Psychologische Untersuchungen 2/3, 1913}, |
| − | booktitle = { | + | booktitle = {Die ästhetische Betrachtung und die bildende Kunst}, |
| − | year = { | + | year = {1920}, |
| − | editor = { | + | editor = {ders.}, |
| − | pages = { | + | pages = {111-491}, |
| − | publisher = { | + | publisher = {Voss}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Löbner 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Löbner 2003a, |
| − | author = { | + | author = {Löbner, Sebastian}, |
| − | title = { | + | title = {Semantik. Eine Einführung}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {de Gruyter}, |
| − | + | address = {Berlin}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Locke 1975a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Locke 1975a, |
| − | author = { | + | author = {Locke, J.}, |
| − | title = { | + | title = {An Essay Concerning Human Understanding}, |
| − | year = { | + | year = {1975}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Oxford}, |
| − | note = {}, | + | note = {hg. von Niddich, P. H.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Löhr 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Löhr 2003a, |
| − | author = { | + | author = {Löhr, Wolf-Dietrich}, |
| − | + | title = {Ekphrasis}, | |
| − | year = { | + | booktitle = {Metzler-Lexikon Kulturwissenschaft: Ideen, Methoden, Begriffe}, |
| − | + | year = {2003}, | |
| − | + | editor = {Pfisterer, Ulrich}, | |
| − | + | pages = {76-80}, | |
| − | + | publisher = {Metzler}, | |
| + | address = {Stuttgart [u.a.]}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Logothetis 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Logothetis 1998a, |
| − | author = { | + | author = {Logothetis, N. K.}, |
| − | + | journal = {Philos. Trans. R. Soc. Lond., B, Biol. Sci.}, | |
| − | + | title = {Single units and conscious vision}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {353}, | |
| − | + | number = {1377}, | |
| − | + | pages = {1801–1818}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lopes 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lopes 1996a, |
| − | author = { | + | author = {Lopes, Dominic}, |
| − | title = { | + | title = {Understanding Pictures}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Claredon Press}, |
| − | + | address = {Oxford}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lorenz 1970a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lorenz 1970a, |
| − | author = { | + | author = {Lorenz, Kuno}, |
| − | title = { | + | title = {Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie}, |
| − | year = { | + | year = {1970}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lorenz 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Lorenz 1990a, |
| − | author = { | + | author = {Lorenz, Kuno}, |
| − | title = { | + | title = {Einführung in die philosophische Anthropologie}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {WBG}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = {}, | + | note = {(<sup>2</sup>1992)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lotman 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lotman 1990a, |
| − | author = { | + | author = {Lotman, Juri M.}, |
| − | title = { | + | title = {The Universe of the Mind. A Semiotic Theory of Culture}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {??}, |
| − | + | address = {London, New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lovejoy 1936=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Lovejoy 1936, |
| − | author = { | + | author = {Lovejoy, Arthur O.}, |
| − | title = { | + | title = {Die große Kette der Wesen. Geschichte eines Gedankens [The Great Chain of Being. A Study in the History of an Idea (1936)]}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Luhmann 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Luhmann 1997a, |
| − | author = { | + | author = {Luhmann, Niklas}, |
| − | title = {Die | + | title = {Die Kunst der Gesellschaft}, |
| − | year = { | + | year = {1997}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Luhmann 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Luhmann 1996a, |
| − | + | author = {Luhmann, Niklas}, | |
| − | + | title = {Realität der Massenmedien}, | |
| − | + | year = {1996}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Opladen}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Luhmann 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Luhmann 1993a, |
| − | author = { | + | author = {Luhmann, Niklas}, |
| − | title = { | + | title = {Die Form der Schrift}, |
| − | + | booktitle = {Schrift}, | |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = { Hans Ulrich Gumbrecht & K. Ludwig Pfeiffer}, |
| + | pages = {349-366}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lunenfeld 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lunenfeld 2002a, |
| − | author = { | + | author = {Levinson, Jerrold}, |
| − | title = { | + | title = {Digitale Fotografie. Das dubitative Bild}, |
| − | year = { | + | booktitle = {Paradigma Fotografies}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Wolf, Herta}, |
| + | pages = {158-177}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Lynch & Edgerton 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Lynch & Edgerton 1988a, |
| − | title = { | + | author = {Lynch, Michael & Edgerton, Samuel Y.}, |
| − | year = { | + | title = {Aesthetics and Digital Image Processing. Re-presentational Craft in Contemporary Astronomy}, |
| − | editor = { | + | booktitle = {Picturing Power: Visual Depiction and Social Relations}, |
| − | publisher = { | + | year = {1988}, |
| − | address = { | + | editor = {Fyfe, Gordon & Law, John}, |
| + | pages = {184-220}, | ||
| + | publisher = {???}, | ||
| + | address = {London u.a.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==M== |
| + | ===Mach 1987a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mach 1987a, |
| − | author = { | + | author = {Mach, Ernst}, |
| − | title = { | + | title = {Die Analyse der Empfindungen und das Verhältnis des Physischen zum Psychischen}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.001: | Zeile 9.134: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Macpherson 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Macpherson 1996a, |
| − | author = { | + | author = {Macpherson, Fiona}, |
| − | title = { | + | title = {Ambiguous Figures and the Content of Experience}, |
| − | year = { | + | journal = {Nous}, |
| − | + | year = {1996}, | |
| − | + | volume = {40}, | |
| − | note = {}, | + | number = {1}, |
| + | pages = {82-117}, | ||
| + | note = {2006?}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mai 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Mai 2002a, |
| − | + | title = {Wettstreit der Künste}, | |
| − | title = { | + | year = {2002}, |
| − | + | editor = {Mai, Ekkehard}, | |
| − | year = { | + | publisher = {Ed. Minerva}, |
| − | editor = { | + | address = {Wolfratshausen}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Männlein-Robert 2007=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Männlein-Robert 2007a, |
| − | author = { | + | author = {Männlein-Robert, Irmgard}, |
| − | title = { | + | title = {Stimme, Schrift und Bild: zum Verhältnis der Künste in der hellenistischen Dichtung}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Universitätsverlag Winter}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.042: | Zeile 9.176: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Majetschak 1997=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Majetschak 1997, |
| − | + | title = {Auge und Hand. Konrad Fiedlers Kunsttheorie im Kontext}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Majetschak, Stefan}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Manovich 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Manovich 2001a, |
| − | author = { | + | author = {Manovich, Lev}, |
| − | title = { | + | title = {The Language of New Media}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Cambridge/MA}, | |
| − | + | note = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Manovich 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Manovich 2005a, |
| − | author = { | + | author = {Manovich, Lev}, |
| − | + | title = {Die Poetik des erweiterten Raums}, | |
| − | + | booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart}, | |
| − | + | year = {2005}, | |
| − | + | editor = {A. Lammert, M. Diers, R. Kudielka & G. Mattenklott}, | |
| − | + | pages = {337-350}, | |
| − | + | publisher = {Verlag für moderne Kunst}, | |
| + | address = {Nürnberg}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Manow 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Manow 2008a, |
| − | author = { | + | author = {Manow, Philip}, |
| − | title = { | + | title = {Im Schatten des Königs. Die politische Anatomie demokratischer Repräsentation}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.098: | Zeile 9.229: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Marin 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Marin 2006a, |
| − | author = { | + | author = {Marin, Louis}, |
| − | title = { | + | title = {Texturen des Bildlichen}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Zürich / Berlin}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Marshall 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Marshall 1968a, |
| − | + | title = {Gellius: Noctes Atticae XIII, 17}, | |
| − | + | year = {1968}, | |
| − | + | editor = {Marshall, P.K.}, | |
| − | publisher = {??}, | + | publisher = {???}, |
| − | address = { | + | address = {Oxonii}, |
| − | note = {}, | + | note = {Scriptorum Classicorum Bibliotheca Oxoniensis}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Martinec & Salway 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Martinec & Salway 2005a, |
| − | author = { | + | author = {Martinec, Radan & Salway, Andrew}, |
| − | title = { | + | title = {A System for Image-Text-Relations in New (and Old) Media}, |
| − | year = { | + | journal = {Visual Communication}, |
| − | + | year = {2005}, | |
| − | + | volume = {4}, | |
| + | number = {3}, | ||
| + | pages = {337–371}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Massey 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Massey 2007a, |
| − | author = { | + | author = {Massey, Lyle}, |
| − | title = { | + | title = {Picturing Space, Displacing Bodies. Anamorphosis in Early Modern Theories of Perspective}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Pennsylvania State University Press}, |
| − | address = { | + | address = {University Park, Pa}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Maul 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Maul 2007a, |
| − | author = { | + | author = {Maul, Stefan M.}, |
| − | title = { | + | title = {Gilgamesch}, |
| − | year = { | + | year = {2007}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
| + | note = {aus dem Babylonischen [auf der Grundlage von zum Teil noch unveröffentlichten Textzeugnissen neu und vollständig] übersetzt und mit einem Nachwort versehen}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Maynard 2003a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Maynard 2003a, | ||
| + | author = {Maynard, Patrik}, | ||
| + | title = {Pictures of Perspective: Theory or Therapy?}, | ||
| + | booktitle = {Looking into pictures. An interdisciplinary approach to pictorial space.}, | ||
| + | year = {2003}, | ||
| + | editor = {Hecht, Heiko & Schwartz, Robert & Atherton, Margaret}, | ||
| + | pages = {191-211}, | ||
| + | publisher = {The MIT Press}, | ||
| + | address = {Cambridge, MA}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===McLuhan 1964a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{McLuhan 1964a, |
| − | author = { | + | author = {McLuhan, Marshall}, |
| − | title = { | + | title = {Understanding Media. The Extensions of Man}, |
| − | + | year = {1964a}, | |
| − | year = { | + | publisher = {Mentor}, |
| − | + | address = {New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===McLuhan 1962a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{McLuhan 1962a, |
| − | author = { | + | author = {McLuhan, Marshall}, |
| − | title = { | + | title = {The Gutenberg Galaxy: The Making of Typographic Man}, |
| − | + | year = {1962}, | |
| − | year = { | + | publisher = {University of Toronto Press}, |
| − | + | address = {Toronto}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mead 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mead 1968a, |
| − | author = { | + | author = {Mead, George Herbert}, |
| − | title = { | + | title = {Geist, Identität und Gesellschaft aus der Sicht des Sozialbehaviorismus}, |
| − | + | year = {1968}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | + | note = {Original: <em>Mind, Self, and Society</em>. Hg. v. Charles W. Morris. Chicago, 1934}, | |
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Meier 1757=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Meier 1757, |
| − | author = { | + | author = {Georg Friedrich Meier}, |
| − | title = { | + | title = {Betrachtungen über den ersten Grundsatz aller Schönen Künste und Wissenschaften}, |
| − | year = { | + | year = {1757}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Halle}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.234: | Zeile 9.363: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Meinhardt 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Meinhardt 1997a, |
| − | author = { | + | author = {Meinhardt, Johannes}, |
| − | title = { | + | title = {Ende der Malerei und Malerei nach dem Ende der Malerei}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Ostfildern-Ruit}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mendelsohn 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mendelsohn 1982a, |
| − | + | author = {Mendelsohn, Leatrice}, | |
| − | + | title = {Paragoni. Benedetto Varchi’s Due Lezioni and Cinquecento Art Theory}, | |
| − | + | year = {1982}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Ann Arbor}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.263: | Zeile 9.389: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Menzer 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Menzer 1992a, |
| − | author = { | + | author = {Menzer, Ursula}, |
| − | title = { | + | title = {Subjektive und objektive Kultur. Georg Simmels Philosophie der Geschlechter vor dem Hintergrund seines Kultur-Begriffs}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Centaurus}, |
| − | address = { | + | address = {Pfaffenweiler}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.276: | Zeile 9.402: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merleau-Ponty 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Merleau-Ponty 2003a, |
| − | + | author = {Merleau-Ponty, Maurice}, | |
| − | + | title = {Das Auge und der Geist. Philosophisches Essays}, | |
| − | + | year = {2003}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.289: | Zeile 9.415: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merleau-Ponty 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Merleau-Ponty 1993a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Die Prosa der Welt}, |
| − | year = { | + | year = {1993}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {2. Aufl.}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merleau-Ponty 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Merleau-Ponty 1966a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Phänomenologie der Wahrnehmung (1945)}, |
| − | + | year = {1966}, | |
| − | year = { | + | publisher = {Walter de Gruyter}, |
| − | + | address = {Berlin}, | |
| − | + | note = {aus dem Französischen übersetzt und eingeführt durch eine Vorrede von Boehm, Rudolf}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merleau-Ponty 1961a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Merleau-Ponty 1961a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Das Auge und der Geist. Philosophische Essays.} |
| − | year = { | + | year = {1961}, |
| − | publisher = { | + | publisher = {Felix Meiner}, |
| − | address = { | + | address = {Hamburg}, |
| + | note = {neu bearbeitet, kommentiert und mit einer Einleitung versehen von Bermes, Christian (2003)}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Merleau-Ponty 1994a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Merleau-Ponty 1994a, | ||
| + | author = {Merleau-Ponty, Maurice}, | ||
| + | title = {Der Zweifel Cézannes (1948)}, | ||
| + | booktitle = {Was ist ein Bild?}, | ||
| + | year = {1994}, | ||
| + | editor = {Gottfried Boehm}, | ||
| + | pages = {39-59}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merleau-Ponty 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Merleau-Ponty 2006a, |
| − | author = { | + | author = {Merleau-Ponty, Maurice}, |
| − | title = { | + | title = {Das Kino und die neue Psychologie (1947)}, |
| + | booktitle = {Philosophie des Films}, | ||
year = {2006}, | year = {2006}, | ||
| − | publisher = { | + | editor = {Dimitri Liebsch}, |
| − | address = { | + | pages = {70-84}, |
| + | publisher = {Mentis}, | ||
| + | address = {Paderborn}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersch 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mersch 2006a, |
| − | title = { | + | author = {Mersch, Dieter}, |
| − | year = { | + | title = {Mediale Paradoxa. Einleitung in eine negative Medienphilosophie}, |
| − | + | journal = {Sic et Non. Zeitschrift für Philosophie und Kultur im Netz}, | |
| − | + | year = {2006}, | |
| − | + | volume = {}, | |
| − | note = { | + | number = {6}, |
| + | pages = {}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {http://www.sicetnon.org/content/perform/Mersch_Medienphilosophie_sw.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersch 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mersch 2003a, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Wort, Bild, Ton, Zahl – Modalitäten medialen Darstellens}, |
| − | + | booktitle = {Die Medien der Künste. Beiträge zur Theorie des Darstellens}, | |
| − | year = { | + | year = {2003}, |
| − | + | editor = {Mersch, Dieter}, | |
| − | + | pages = {9-49}, | |
| − | + | publisher = {Wilhelm Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.371: | Zeile 9.521: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersch 2003b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mersch 2003b, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Technikapriori und Begründungsdefizit. Medienphilosophien zwischen uneingelöstem Anspruch und theoretischer Neufundierung}, |
| − | year = { | + | journal = {Philosophische Rundschau}, |
| − | + | year = {2003}, | |
| − | + | volume = {}, | |
| + | number = {50}, | ||
| + | pages = {193-219}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersch 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mersch 2002a, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Was sich zeigt. Materialität, Präsenz, Ereignis}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Wilhelm Fink Verlag}, |
address = {München}, | address = {München}, | ||
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersch 2002b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mersch 2002b, |
| − | author = { | + | author = {Mersch, Dieter}, |
| − | title = { | + | title = {Ereignis und Aura. Untersuchungen zu einer performativen Ästhetik}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Suhrkamp Verlag}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mersmann 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mersmann 08a, |
| − | author = { | + | author = {Mersmann, Jasmin}, |
| − | title = { | + | title = {Wandelgänge. Monumentale Anamorphosen im 17. Jahrhundert}, |
| − | year = { | + | booktitle = {Der entstellte Blick. Anamorphosen in Kunst, Literatur und Philosophie}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Cha, Kyung-Ho & Rautzenberg, Markus}, |
| + | pages = {23-41}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Merzeau 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Merzeau 1998a, |
| − | author = { | + | author = {Merzeau, Louise}, |
| − | title = { | + | title = {Ceci ne tuera pas cela}, |
| − | year = { | + | journal = {Cahiers des médiologie}, |
| − | + | year = {1998}, | |
| − | + | volume = {}, | |
| + | number = {6}, | ||
| + | pages = {27-39}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Messaris 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Messaris 1997a, |
| − | author = { | + | author = { Messaris, Paul}, |
| − | title = { | + | title = { Visual Persuasion: The Role of Images in Advertising}, |
| − | + | year = {1997}, | |
| − | + | publisher = {Sage}, | |
| − | + | address = {Thousand Oaks}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metscher 2001=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metscher 2001, |
| − | author = { | + | author = {Metscher, Thomas}, |
| − | title = { | + | title = {Mimesis}, |
| − | year = { | + | year = {2001}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.476: | Zeile 9.623: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metz 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metz 1972a, |
| − | author = { | + | author = {Metz, Christian}, |
| − | title = { | + | title = {Semiologie des Films (1968)}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {aus dem Französischen von Koch, Renate}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metz 2000=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metz 2000, |
| − | author = { | + | author = {Metz, Christian}, |
| − | title = { | + | title = {Der imaginäre Signifikant. Psychoanalyse und Kino}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Nodus}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.502: | Zeile 9.649: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metzger 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metzger 2008a, |
| − | author = { | + | author = {Metzger, Wolfgang}, |
| − | title = { | + | title = {Gesetze des Sehens}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Klotz}, |
| − | address = { | + | address = {Taunus}, |
| − | note = {}, | + | note = {4. unveränd. Aufl., Repr. nach d. 3., völlig neu bearb. Aufl. 1975.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metzinger 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Metzinger 2000a, |
| − | author = { | + | author = {Metzinger, Thomas}, |
| − | title = {Die | + | title = {Philosophische Perspektiven auf das Selbstbewusstsein: Die Selbstmodell-Theorie der Subjektivität}, |
| − | year = { | + | booktitle = {Psychologie des Selbst}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Greve, W. }, |
| − | note = { | + | pages = {}, |
| + | publisher = {Psychologie Verlagsunion}, | ||
| + | address = {???}, | ||
| + | note = {Zitiert aus der überarbeiteten Online-Version}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.philosophie.uni-mainz.de/metzinger/publikationen}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Metzinger 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Metzinger 1999a, |
| − | author = { | + | author = {Metzinger, Thomas}, |
| − | title = { | + | title = {Subjekt und Selbstmodell. Die Perspektivität phänomenalen Bewusstseins vor dem Hintergrund einer naturalistischen Theorie mentaler Repräsentation}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Mentis}, |
| − | address = { | + | address = {Paderborn}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Meyer 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Meyer 2001a, |
| − | author = { | + | author = {Meyer, Thomas}, |
| − | title = { | + | title = {Mediokratie. Die Kolonisierung der Politik durch das Mediensystem}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Michalsky 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Michalsky 2005a, |
| − | author = { | + | author = {Michalsky, Tanja}, |
| − | title = { | + | title = {Raum visualisieren. Zur Genese des modernen Raumverständnisses in den Medien der Frühen Neuzeit}, |
| − | booktitle = { | + | booktitle = {Ortsgespräche. Raum und Kommunikation im 19. und 20. Jahrhundert}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Geppert, Alexander C.T.; Jensen, Uffa & Weinhold, Jörn}, |
| − | pages = { | + | pages = {292ff ??}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.571: | Zeile 9.722: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mirzoeff 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Mirzoeff 2007a, |
| − | author = { | + | author = {Mirzoeff, Nicholas}, |
| − | title = { | + | title = {Von Bildern und Helden. Sichtbarkeit im Krieg der Bilder}, |
| − | booktitle = { | + | booktitle = {Feindbilder. Ideologien und visuelle Strategien der Kulturen}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Haustein, Lydia; Scherer, Bernd & Hager, Martin}, |
| − | pages = { | + | pages = {135-156}, |
| − | publisher = { | + | publisher = {Wallstein}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.588: | Zeile 9.739: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 2008a, |
| − | author = { | + | author = {Mitchell, William J. Thomas}, |
| − | title = { | + | title = {Bildtheorie}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | + | note = {hrsg. von Gustav Frank}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 2008b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 2008b, |
| − | author = { | + | author = {Mitchell, W.J.T.}, |
| − | title = { | + | title = {Das Leben der Bilder. Eine Theorie der visuellen Kultur}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Verlag C.H. Beck}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
| − | note = {}, | + | note = {mit einem Vorwort von Hans Belting, aus dem Englischen von Achim Eschbach, Anna-Victoria Eschbach und Mark Halawa}, |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 2007a, |
| − | author = { | + | author = {Mitchell, William J.}, |
| − | title = { | + | title = {Realismus im digitalen Bild}, |
| − | + | booktitle = {Bilderfragen. Die Bildwissenschaften im Aufbruch}, | |
| − | + | year = {2007}, | |
| − | + | editor = {Belting, Hans}, | |
| − | + | pages = {237-256}, | |
| − | + | publisher = {???}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 2006a, |
| − | author = { | + | author = {Mitchell, William J. T.}, |
| − | title = { | + | title = {Den Terror klonen. Der Krieg der Bilder 2001-2004}, |
| − | + | booktitle = {Iconic Worlds. Neue Bilderwelten und Wissensräume}, | |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Maar, Christa & Burda, Hubert}, |
| + | pages = {255-285}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 2005a, |
| − | author = { | + | author = {Mitchell, William J. Thomas}, |
| − | title = { | + | title = {What Do Pictures Want? The Lives and Loves of Images}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {University of Chicago Press}, |
| − | address = { | + | address = {Chicago, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.663: | Zeile 9.810: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 1994a, |
| − | author = { | + | author = {Mitchell, William J.}, |
| − | title = { | + | title = {Picture Theory. Essays on Verbal and Visual Representation}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {University of Chicago Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1994b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mitchell 1994b, |
| − | author = { | + | author = {Mitchell, William J.}, |
| − | title = { | + | title = {The Reconfigured Eye. Visual Truth in Post-Photographic Era}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {MIT-Press}, |
| − | + | address = {Cambridge, London}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 1992a, |
| − | author = { | + | author = {Mitchell, William J. T.}, |
| − | title = { Visual | + | title = {The Reconfigured Eye. Visual Truth in the Post-Photographic Era}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {The MIT Press}, |
| − | address = { | + | address = {Cambridge, MA}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1992b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mitchell 1992b, |
| − | author = { | + | author = {Mitchell, William J. T.}, |
| − | title = { | + | title = {"The Pictorial Turn"}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | booktitle = {Picture Theory. Essays on Verbal and Visual Repräsentation}, |
| − | address = { | + | editor = {ders.}, |
| + | publisher = {Universität of Chicago Press}, | ||
| + | address = {Chicago}, | ||
| + | pages = {???}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.723: | Zeile 9.864: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1992=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Mitchell 1992c, |
| − | author = { | + | author = {Mitchell, William J.T.}, |
| − | title = { | + | title = {Ekphrasis and the other}, |
| − | year = { | + | journal = {South Atlantic Quarterly}, |
| − | + | year = {1992}, | |
| − | + | volume = {91}, | |
| − | note = { | + | number = {3}, |
| + | pages = {696-703}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mitchell 1986a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mitchell 1986a, |
| − | author = { | + | author = {Mitchell, William J. T.}, |
| − | title = { | + | title = {Iconology. Image, Text, Ideology}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {The University of Chicago Press}, |
| − | address = { | + | address = {Chicago, London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.749: | Zeile 9.893: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mößner im Erscheinen=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Mößner im Erscheinen, |
| − | author = { | + | author = {Mößner, Nicola}, |
| − | title = { | + | title = {Können Bilder Argumente sein? }, |
| − | year = { | + | booktitle = {Bilder als Gründe}, |
| − | publisher = { | + | year = {im Erscheinen}, |
| − | address = { | + | editor = {Harth, Manfred; Jakob Steinbrenner}, |
| − | note = { | + | pages = {}, |
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mößner u. Liebsch im Erscheinen a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Mößner & Liebsch im Erscheinen a, |
| − | + | title = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, | |
| − | title = { | + | year = {im Erscheinen}, |
| − | + | editor = {Mößner, N. & Liebsch, D. }, | |
| − | year = { | + | publisher = {Herbert von Halem Verlag}, |
| − | editor = { | + | address = {Köln}, |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Moholy-Nagy 1929a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Moholy-Nagy 1929a, |
| − | author = { | + | author = {Moholy-Nagy, Lásló}, |
| − | title = { | + | title = {von material zu architektur [1929]}, |
| − | year = { | + | year = {1968}, |
| − | publisher = { | + | publisher = {Kupferberg}, |
| − | address = { | + | address = {Mainz / Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.792: | Zeile 9.936: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mojsisch 1983a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Mojsisch 1983a, |
| − | author = { | + | author = {Mojsisch, Burkhard}, |
| − | title = { | + | title = {Meister Eckhart. Analogie, Univozität und Einheit}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Hamburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.805: | Zeile 9.949: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Mondzain 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mondzain 2006a, |
| − | author = { | + | author = {Mondzain, Marie-José}, |
| − | title = { | + | title = {Können Bilder töten?}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Diaphanes}, |
| − | + | address = {Zürich, Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Moog-Grünewald 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Moog-Grünewald 2001a, |
| − | author = { | + | author = {Moog-Grünewald, Maria}, |
| − | title = { | + | title = {Der Sänger im Schild - oder: Über den Grund ekphrastischen Schreibens}, |
| − | booktitle = { | + | booktitle = {Behext von Bildern? Ursachen, Funktionen und Perspektiven der textuellen Faszination durch Bilder}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Drügh, Heinz J.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {Winter}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.839: | Zeile 9.979: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Morris 1994a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Morris 1994a, |
| − | author = { | + | author = {Morris, D.}, |
| − | title = { | + | title = {Das Tier Mensch}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {Verlagsgesellschaft}, |
| − | address = { | + | address = {Köln}, |
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Moser 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Moser 2011a, |
| − | author = { | + | author = {Moser, Natalie}, |
| − | title = { | + | title = {Gegen das Bild ,anerzählen’}, |
| − | year = { | + | journal = {Rheinsprung 11: Zeitschrift für Bildkritik}, |
| − | + | year = {2011}, | |
| − | + | volume = {1}, | |
| − | note = { | + | number = {1}, |
| + | pages = {56-70}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | } | + | url = {http://rheinsprung11.unibas.ch/ausgabe-01.html} |
</bibentry> | </bibentry> | ||
| − | === | + | ===Mülder-Bach 1998=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Mülder-Bach 1998, |
| − | author = { | + | author = {Inka Mülder-Bach}, |
| − | title = { | + | title = {Im Zeichen Pygmalions. Das Modell der Statue und die Entdeckung der „Darstellung“ im 18. Jahrhunderts}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Fink}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Müller et al. im Erscheinen=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Müller et al. im Erscheinen, |
| − | author = { | + | author = {Müller, Andreas et al.}, |
| − | title = { | + | title = {Schöne Bilder in den Naturwissenschaften: motivierend, anregend oder doch nur schmückendes Beiwerk? }, |
| − | booktitle = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | year = { | + | year = {im Erscheinen}, |
| − | editor = { | + | editor = {Mößner, Nicola; Dimitri Liebsch }, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {Herbert von Halem Verlag}, |
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
| Zeile 9.897: | Zeile 10.036: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Müller 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Müller 2007a, |
| − | author = { | + | author = {Müller, Sabine}, |
| − | title = { | + | title = {Visualisierung in der astronomischen Digitalfotografie mit Hilfe von Falschfarben}, |
| − | year = { | + | booktitle = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Groß, Dominik; Stefanie Westermann}, |
| + | pages = {93-110}, | ||
| + | publisher = {Kassel Univ. Press}, | ||
| + | address = {Kassel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Müller 1997a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Müller 1997a, |
| − | author = { | + | author = {Müller, Marion G.}, |
| − | title = { | + | title = {Politische Bildstrategien im amerikanischen Präsidentschaftswahlkampf, 1828-1996}, |
| − | year = { | + | year = {1997}, |
| − | publisher = { | + | publisher = {Akademie Verlag}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.923: | Zeile 10.066: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Müller 1985a=== |
| + | <bibentry> | ||
| + | @book{Müller 1985a, | ||
| + | author = {Müller, Wolfgang}, | ||
| + | title = {DUDEN Bedeutungswörterbuch = DUDEN Band 10}, | ||
| + | year = {1985}, | ||
| + | publisher = {Dudenverlag}, | ||
| + | address = {Mannheim [u.a.]}, | ||
| + | note = {völlig neu bearbeitete und erweiterte Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Müller-Beck & Albrecht 1978a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Müller-Beck & Albrecht 1978a, |
| − | author = { | + | author = {Müller-Beck, H. & Albrecht, G. }, |
| − | title = { | + | title = {Die Anfänge der Kunst vor 30'000 Jahren}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Theiss}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Münkler 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Münkler 2009a, |
| − | author = { | + | author = {Münkler, Herfried}, |
| − | title = { | + | title = {Visualisierungsstrategien im politischen Machtkampf: Der Übergang vom Personenverband zum institutionellen Territorialstaat}, |
| − | + | booktitle = {Strategien der Visualisierung. Verbildlichung als Mittel politischer Kommunikation}, | |
| − | + | year = {2009}, | |
| − | editor = { | + | editor = {Münkler, Herfried & Hacke, Jens}, |
| − | + | pages = {23-51}, | |
| − | + | publisher = {Campus}, | |
| − | + | address = {Frankfurt am Main}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Musterle & Roessler 1986a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Musterle & Roessler 1986a, |
| − | author = { | + | author = {Musterle, W.A. & Roessler, O.E.}, |
| − | title = { | + | title = {Computer faces: The human Lorenz Matrix}, |
| − | journal = { | + | journal = {Bio Systems}, |
| − | year = { | + | year = {1986}, |
| − | volume = { | + | volume = {19}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {61-80}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==N== |
| + | ===Naef 2007a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Naef 2007a, |
| − | author = { | + | author = {Naef, Silvia}, |
| − | title = { | + | title = {Bilder und Bilderverbot im Islam}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {C. H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 9.980: | Zeile 10.137: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nänni 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Nänni 2008a, |
| − | author = { | + | author = {Nänni, Jürg}, |
| − | title = { | + | title = {Visuelle Wahrnehmung}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Niggli}, |
| − | + | address = {Sulgen}, | |
| − | + | note = {1. Aufl.}, | |
| − | + | url = {www.worldcat.org/oclc/254718373}, | |
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nancy 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Nancy 2006a, |
| − | + | author = {Nancy, Jean Luc}, | |
| − | + | title = {Am Grund der Bilder}, | |
| − | + | year = {2006}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Zürich / Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.010: | Zeile 10.164: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nancy 2006b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Nancy 2006b, |
| − | author = { | + | author = {Nancy, Jean Luc & Ferrari, Federico}, |
| − | title = { | + | title = {Die Haut der Bilder}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.023: | Zeile 10.177: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Neuber 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Neuber 2010a, |
| − | author = { | + | author = {Neuber, Simone}, |
| − | title = { | + | title = {Versuch einer einleitenden historisch-semantischen Rekonstruktion}, |
| − | + | booktitle = {Das Bild als Denkfigur. Funktionen des Bildbegriffs in der Philosophie}, | |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Neuber, Simone & Veressov, Roman}, |
| + | pages = {7-32}, | ||
| + | publisher = {Wilhelm Fink Verlag}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Neumann 1980a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Neumann 1980a, |
| − | author = { | + | author = {Neumann, Horst Peter}, |
| − | title = { | + | title = {Das Eigene und das Fremde. Über die Wünschbarkeit einer Theorie des Zitierens}, |
| − | year = { | + | journal = {Akzente. Zeitschrift für Literatur}, |
| − | + | year = {1980}, | |
| − | + | volume = {27}, | |
| + | number = {4}, | ||
| + | pages = {292-305}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Neuhaus 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Neuhaus 2006a, |
| − | author = { | + | author = {Neuhaus, Wolfgang}, |
| − | title = { | + | title = {Als William Gibson den Cyberspace erfand ... - Die Faszination für ein Vielzweck-Symbol aus der Science Fiction-Literatur}, |
| − | + | journal = {Telepolis}, | |
| − | year = { | + | year = {2006}, |
| − | + | volume = {}, | |
| + | number = {}, | ||
pages = {}, | pages = {}, | ||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {http://www.heise.de/tp/r4/artikel/23/23727/1.html}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Niederée & Heyer 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Niederée & Heyer 2003a, |
| − | author = { | + | author = {Niederée, R. & Heyer, D.}, |
| − | title = { | + | title = {The Dual Nature of Picture Perception: A Challenge to Current General Accounts of Visual Perception}, |
| − | year = { | + | booktitle = {Looking into pictures. An interdisciplinary approach to pictorial space}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Hecht, Heiko; Schwartz, Robert & Atherton, Margaret}, |
| + | pages = {77–98}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cambridge, Mass}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nietzsche 1870-1873=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Nietzsche 1870-1873, |
| − | author = { | + | author = {Nietzsche, Friedrich}, |
| − | title = { | + | title = {Ueber Wahrheit und Lüge im aussermoralischen Sinne [1870-1873]}, |
| − | + | booktitle = {Sämtliche Werke. Kritische Studienausgabe in 15 Bänden. Bd. 1}, | |
| − | + | year = {1999}, | |
| − | + | editor = {Giorgio Colli und Mazzino Montinari}, | |
| − | + | pages = {873-890}, | |
| − | + | publisher = {de Gruyter}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nivelle 1971=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Nivelle 1971, |
| − | author = { | + | author = {Nivelle, Armand}, |
| − | title = { | + | title = {Kunst- und Dichtungstheorien zwischen Aufklärung und Klassik}, |
| − | year = { | + | year = {2. Auflage 1971}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin/New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.106: | Zeile 10.273: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nöth 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Nöth 2000a, |
| − | author = { | + | author = {Nöth, Winfried}, |
| − | title = { | + | title = {Der Zusammenhang von Text und Bild}, |
| − | booktitle = { | + | booktitle = {Text- und Gesprächslinguistik. Handbücher zur Sprach- und Kommunikationswissenschaft 16}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Klaus Brinker et al.}, |
| − | pages = {}, | + | pages = {489–496}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.123: | Zeile 10.290: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Nöth 2000b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Nöth 2000b, |
| − | author = { | + | author = {Nöth, Winfried}, |
| − | title = { | + | title = {Handbuch der Semiotik}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {Metzler}, |
| − | address = { | + | address = {Stuttgart/Weimar}, |
| − | note = {}, | + | note = {2., vollständig neu bearbeitete u. erweiterte Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Novitz 1977=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Novitz 1977, |
| − | author = { | + | author = {Novitz, David}, |
| − | title = { | + | title = {Pictures and their Use in Communication. A philosphical Essay}, |
| − | year = { | + | year = {1977}, |
| − | publisher = { | + | publisher = {Nijhoff}, |
| − | address = { | + | address = {Den Haag}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ==O== | ||
| + | ===OED=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{OED-3, |
| − | author = { | + | author = {}, |
| − | title = { | + | title = {Oxford English Dictionary}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {}, |
| − | address = { | + | address = {}, |
| − | note = {}, | + | url = {dictionary.oed.com}, |
| + | note = {3<sup>rd</sup> edition}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Öhlschläger 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Oehlschläger 2005a, |
| − | author = { | + | author = {Öhlschläger, C.}, |
| − | title = { | + | title = {Evidenz und Ereignis. Musils poetische ‚Momentaufnahmen‘ im Kontext der Moderne}, |
| − | booktitle = { | + | booktitle = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Pfotenhauer, H.; Riedel, W. & Schneider, S.}, |
| − | pages = { | + | pages = {203-216}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.179: | Zeile 10.349: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ohler 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ohler 1994a, |
| − | author = { | + | author = {Ohler, Peter}, |
| − | title = { | + | title = {Kognitive Filmpsychologie. Verarbeitung und mentale Repräsentation narrativer Filme}, |
| − | + | year = {1994}, | |
| − | year = { | + | publisher = {MAkS Publikationen}, |
| − | + | address = {Münster}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Okolowitz 2006a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Okolowitz 2006a, |
| − | author = { | + | author = {Okolowitz, Herbert}, |
| − | title = { | + | title = {Virtualität bei G.W. Leibniz. Eine Retrospektive}, |
| − | year = { | + | year = {2006}, |
| − | + | howpublished = {Diss. Universität Augsburg}, | |
| − | + | url = {deposit.ddb.de/cgi-bin/dokserv?idn=98278726X}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.207: | Zeile 10.375: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Olbrich 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Olbrich 1987a, |
| − | author = { | + | author = {Olbrich, Harald}, |
| − | title = { | + | title = {Lexikon der Kunst. Architektur, bildende Kunst, angewandte Kunst, industrielle Formgestaltung, Kunsttheorie. Bd. 1-7}, |
| − | year = { | + | year = {1987ff.}, |
| − | publisher = { | + | publisher = {E. A. Seemann Verlag}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = { | + | note = {}, |
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===O’Riley 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{O’Riley 1998a, |
| − | author = { | + | author = {O’Riley, Tim}, |
| − | title = { | + | title = {Representing Illusions: space, narrative and the spectator}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {College of Art & Design}, |
| − | address = { | + | address = {Chelsea}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.234: | Zeile 10.401: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ott 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ott 2007a, |
| − | author = { | + | author = {Ott, Michaela}, |
| − | title = { | + | title = {Der unbestimmte Raum in Philosophie und Film}, |
| − | year = { | + | year = {2007}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.247: | Zeile 10.414: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Otto 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Otto 2001a, |
| − | author = { | + | author = {Otto, Julia}, |
| − | title = { | + | title = {Skulptur als Feld}, |
| − | booktitle = { | + | booktitle = {Skulptur als Feld}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Otto, J.}, |
| − | pages = { | + | pages = {9-14}, |
| − | publisher = { | + | publisher = {Hatje-Cantz}, |
| − | address = { | + | address = {Ostfildern-Ruit}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.264: | Zeile 10.431: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==P== |
| + | ===Pang 2002a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Pang 2002a, |
| − | author = { | + | author = {Pang, Alex Soojung-Kim}, |
| − | title = { | + | title = {Technologie und Ästhetik der Astrofotografie}, |
| − | + | booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie}, | |
| − | year = { | + | year = {2002}, |
| − | + | editor = {Geimer, Peter}, | |
| − | + | pages = {101-141}, | |
| − | + | address = {Frankfurt a.M.}, | |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Panofsky 1924a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Panofsky 1924a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Die Perspektive als symbolische Form (1924)}, |
| − | + | booktitle = {Erwin Panofsky, Deutschsprachige Aufsätze Bd. 2}, | |
| − | year = { | + | year = {1998}, |
| − | + | editor = {Michels, K. & Warnke, M.}, | |
| − | + | pages = {664-757}, | |
| − | pages = {}, | + | publisher = {Akademie}, |
| − | + | address = {Berlin}, | |
| − | + | note = {Erstpublikation in: <em>Vorträge der Bibliothek Warburg (1924/25)</em>. Leipzig, 1927, 258-330}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Panofsky 1927a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Panofsky 1927a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Die Perspektive als symbolische Form}, |
| − | booktitle = { | + | booktitle = {Vorträge der Bibliothek Warburg, 1924/25}, |
| − | year = { | + | year = {1927}, |
| − | editor = { | + | editor = {Saxl, Fritz}, |
| − | pages = { | + | pages = {258-330}, |
| − | publisher = { | + | publisher = {Teubner}, |
| − | address = { | + | address = {Leipzig/Berlin}, |
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Panofsky 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Panofsky 2002a, |
| − | author = { | + | author = {Panofsky, Erwin}, |
| − | title = { | + | title = {Sinn und Deutung in der bildenden Kunst (Meaning in the Visual Arts)}, |
| − | + | year = {2002}, | |
| − | year = { | + | publisher = {Dumont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Paret 1960a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Paret 1960a, |
| − | author = { | + | author = {Paret, Rudi}, |
| − | title = { | + | title = {Textbelege zum islamischen Bilderverbot}, |
| − | year = { | + | booktitle = {Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte}, |
| − | publisher = { | + | year = {1960}, |
| − | address = { | + | editor = {Hans Fegers}, |
| + | pages = {36-48}, | ||
| + | publisher = {Kohlhammer}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Paret 1968=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Paret 1968a, |
| − | author = { | + | author = {Paret, Rudi}, |
| − | title = { | + | title = {Das islamische Bilderverbot und die Schia}, |
| − | booktitle = { | + | booktitle = {Festschrift Werner Caskel. Zum siebzigsten Geburtstag 5. März 1966 gewidmet von Freunden und Schülern}, |
| − | year = { | + | year = {1968}, |
| − | editor = { | + | editor = {Erwin Gräf}, |
| − | pages = { | + | pages = {242-232}, |
| − | publisher = { | + | publisher = {Brill}, |
| − | address = { | + | address = {Leiden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.360: | Zeile 10.522: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Paul 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2009a, |
| − | + | title = {Das Jahrhundert der Bilder. 1900 bis 1949}, | |
| − | + | year = {2009}, | |
| − | + | editor = {Paul, Gerhard}, | |
| − | publisher = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Paul 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2008a, |
| − | + | title = {Das Jahrhundert der Bilder. 1949 bis heute}, | |
| − | + | year = {2008}, | |
| − | + | editor = {Paul, Gerhard}, | |
| − | publisher = { | + | publisher = {Vandenhoeck & Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.386: | Zeile 10.548: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Paul 2006a=== | |
| − | == | ||
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Paul 2006a, |
| − | + | title = {Visual History. Ein Studienbuch}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Paul, Gerhard}, | |
| − | publisher = {}, | + | publisher = {Vandenhoeck und Ruprecht}, |
| − | address = { | + | address = {Göttingen}, |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Paul 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Paul 2005a, |
| − | author = { | + | author = {Paul, Gerhard}, |
| − | title = { | + | title = {Der Bilderkrieg. Inszenierungen, Bilder und Perspektiven der "Operation Irakische Freiheit"}, |
| − | |||
year = {2005}, | year = {2005}, | ||
| − | + | publisher = {Wallstein}, | |
| − | + | address = {Göttingen}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pearcy_1975a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pearcy 1975a, |
| − | author = { | + | author = {Pearcy, Lee Theron}, |
| − | title = { | + | title = {Tacitus' use of ›species‹, ›imago‹, ›effigies‹, and ›simulacrum‹}, |
| − | year = { | + | year = {1975}, |
| − | publisher = { | + | publisher = {Xerox University Microfilms}, |
| − | address = { | + | address = {Ann Arbor, Michigan}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.432: | Zeile 10.587: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Peirce 1906a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Peirce 1906a, |
| − | author = { | + | author = {Peirce, Charles Sanders}, |
| − | title = { | + | title = {Prolegomena to an Apology for Pragmaticism}, |
| − | year = { | + | booktitle = {Collected Papers. Bd. 4}, |
| − | + | year = {1933}, | |
| − | + | editor = {Charles Hartshorne, Paul Weiss}, | |
| + | pages = {530-572}, | ||
| + | publisher = {Harvard University Press}, | ||
| + | address = {Cambrigde, Mass.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Perini 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Perini 2005a, |
| − | author = { | + | author = {Perini, Laura}, |
| − | title = { | + | title = {Visual Representations and Confirmation}, |
| − | + | journal = {Philosophy of Science }, | |
| − | + | year = {2005}, | |
| − | + | volume = {72}, | |
| + | number = {}, | ||
| + | pages = {913-926}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Perrault 1964a=== |
| + | <bibentry> | ||
| + | @book{Perrault 1964a, | ||
| + | author = {Perrault, Charles}, | ||
| + | title = {Parallèle des Anciens et des Modernes en ce qui regarde les Arts et les Sciences}, | ||
| + | year = {1964}, | ||
| + | publisher = {???}, | ||
| + | address = {München}, | ||
| + | note = {orig.: Paris (4 Bde): 1688, 1690, 1692, 1694; Faksimileausgabe mit einer Einführung von Hans Robert Jauss und einem Kommentar von Max Imdahl}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Pesch 2001a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pesch 2001a, |
| − | author = { | + | author = {Pesch, Martin}, |
| − | title = { | + | title = {Raumbilder-Bildräume. Zu den Arbeiten von Julia Ziegler}, |
| − | year = { | + | journal = {Kunstforum International}, |
| − | + | year = {2001}, | |
| − | + | volume = {153}, | |
| + | number = {}, | ||
| + | pages = {261-267}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Petersen 2000=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Petersen 2000, |
| − | author = { | + | author = {Petersen, Jürgen H.}, |
| − | title = { | + | title = {Mimesis – Imitatio – Nachahmung. Eine Geschichte der europäischen Poetik}, |
| − | year = { | + | year = {2000}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.484: | Zeile 10.660: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Petersen 1992=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Petersen 1992, |
| − | author = { | + | author = {Petersen, Jürgen H.}, |
| − | title = { | + | title = {‚Mimesis’ versus ‚Nachahmung’. Die Poetik des Aristoteles – nochmals neu gelesen}, |
| − | + | journal = {Arcadia. Zeitschrift für vergleichende Literaturwissenschaft}, | |
| − | year = { | + | year = {1992}, |
| − | + | volume = {27}, | |
| − | + | number = {}, | |
| − | + | pages = {3-46}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.501: | Zeile 10.676: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Pfaller 2002=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pfaller 2002, |
| − | author = { | + | author = {Pfaller, Robert}, |
| − | title = { | + | title = {Die Illusion des Anderen}, |
| − | |||
year = {2002}, | year = {2002}, | ||
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt a. M.} | |
| − | address = {Frankfurt a.M.} | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pfisterer & von Rosen 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Pfisterer & von Rosen 2006a, |
| − | + | title = {Der Künstler als Kunstwerk. Selbstporträts vom Mittelalter bis zur Gegenwart}, | |
| − | title = { | + | year = {2006}, |
| − | + | editor = {Pfisterer, Ulrich & von Rosen, Valeska}, | |
| − | year = { | + | publisher = {reclam}, |
| − | editor = { | + | address = {Stuttgart}, |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pfotenhauer et al. 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Pfotenhauer et al. 2005a, |
| − | + | title = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Pfotenhauer, H; Riedel, W. & Schneider, S.}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Würzburg}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pfotenhauer 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pfotenhauer 1996a, |
| − | author = { | + | author = {Pfotenhauer, Helmut}, |
| − | title = { | + | title = {Die nicht mehr abbildenden Bilder: zur Verräumlichung der Zeit in der Prosaliteratur um 1800}, |
| − | year = { | + | journal = {Poetica : Zeitschrift für Sprach- und Literaturwissenschaft}, |
| − | + | year = {1996}, | |
| − | + | volume = {28}, | |
| + | number = {3/4}, | ||
| + | pages = {345-355}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piaget 1956a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget 1956a, |
| − | author = { | + | author = {Piaget, Jean}, |
| − | title = { | + | title = {The Child’s Construction of Space}, |
| − | + | year = {1956}, | |
| − | year = { | + | publisher = {Routledge / Kegan Paul}, |
| − | + | address = {London}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piaget et al. 1960a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget et al. 1960a, |
| − | author = { | + | author = {Piaget, Jean; Inhelder, B. & Szemenska, I.}, |
| − | + | title = {The Child’s Conception of Geometry}, | |
| − | + | year = {1960}, | |
| − | + | publisher = {Harper}, | |
| − | + | address = {New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piaget 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget 1978a, |
| − | + | author = {Piaget, Jean}, | |
| − | + | title = {Das Weltbild des Kindes}, | |
| − | + | year = {1978}, | |
| − | publisher = { | + | publisher = {dtv/Klett-Cotta}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.605: | Zeile 10.770: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piaget & Inhelder 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Piaget & Inhelder 1972a, |
| − | + | author = {Piaget, Jean & Inhelder, Bärbel}, | |
| − | + | title = {Die Psychologie des Kindes}, | |
| − | + | year = {1972}, | |
| − | publisher = { | + | publisher = {Walter}, |
| − | address = { | + | address = {Olten}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.618: | Zeile 10.783: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pias 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Pias 2003a, |
| − | + | author = {Pias, Claus}, | |
| − | + | title = {Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion}, | |
| − | + | howpublished = {Elektronische Publikation}, | |
| − | + | url = {www.zeitenblicke.de/2003/01/pias/pias.pdf} | |
| − | + | year = {2003}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Pias 2004a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pias 2004a, |
| − | author = { | + | author = {Pias, Claus}, |
| − | title = { | + | title = {Zukünfte des Computers}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Diaphanes}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.644: | Zeile 10.809: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piccolino & Wade 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Piccolino & Wade 2006a, |
| − | author = { | + | author = {Piccolino, Marco & Wade, Nicholas J.}, |
| − | title = { | + | title = {Flagging early examples of ambiguity (1)}, |
| − | year = { | + | journal = {Perception}, |
| − | + | year = {2006}, | |
| − | + | volume = {35}, | |
| + | number = {7}, | ||
| + | pages = {861–864}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Piccolino & Wade 2006b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Piccolino & Wade 2006b, |
| − | author = { | + | author = {Piccolino, Marco &. Wade, Nicholas J.}, |
| − | title = { | + | title = {Flagging early examples of ambiguity (2)}, |
| − | booktitle = { | + | booktitle = {Perception 35 (8)}, |
| − | year = { | + | year = {2006}, |
| − | + | volume = {35}, | |
| − | + | number = {8}, | |
| − | + | pages = {1003–1006}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.674: | Zeile 10.841: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pillow 2003=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Pillow 2003, |
| − | author = { | + | author = {Pillow, Kirk}, |
| − | title = { | + | title = {Did Goodman's Distinction Survive LeWitt?}, |
| − | journal = { | + | journal = {Journal of Aesthetics and Art Criticism}, |
| − | year = { | + | year = {2003}, |
| − | volume = { | + | volume = {61}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {365-380}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pirenne 1952/53=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pirenne 1952/53, |
| − | + | author = {Pirenne, Maurice}, | |
| − | + | title = {The scientific basis of Leonardo da Vinci’s theory of perspective}, | |
| − | + | journal = {British Journal for the Philosophy of Science}, | |
| − | + | year = {1952/53}, | |
| − | + | volume = {3}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | author = { | ||
| − | title = { | ||
| − | journal = { | ||
| − | year = { | ||
| − | volume = { | ||
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {169-185}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pitts et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pitts et al. 2008a, |
| − | author = { | + | author = {Pitts, Michael A.; Gavin, William J. & Nerger, Janice L.}, |
| − | title = { | + | title = {Early top-down influences on bistable perception revealed by event-related potentials}, |
| − | year = { | + | journal = {Brain and Cognition}, |
| − | + | year = {2008}, | |
| − | + | number = {1}, | |
| + | pages = {11–24}, | ||
| + | volume = {67}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Platon 1991b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Platon 1991b, |
| − | author = { | + | author = {Platon}, |
| − | title = { | + | title = {Timaios}, |
| − | + | booktitle = {Sämtliche Werke VIII}, | |
| − | year = { | + | year = {1991}, |
| − | + | editor = {Hülser, Karlheinz}, | |
| − | + | pages = {197-425}, | |
| − | + | publisher = {???}, | |
| − | note = {}, | + | address = {Frankfurt a.M.}, |
| + | note = {Ü: Friedrich Schleiermacher}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 10.746: | Zeile 10.902: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Platon 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Platon 2008a, |
| − | author = { | + | author = {Platon}, |
| − | + | title = {Politeia}, | |
| − | year = { | + | booktitle = {Sämtliche Werke, Band 2}, |
| − | publisher = { | + | year = {2008}, |
| − | address = { | + | editor = {Wolf, Ursula}, |
| − | note = {}, | + | pages = {195-537}, |
| + | publisher = {Rowohlt}, | ||
| + | address = {Reinbek bei Hamburg}, | ||
| + | note = {Ü: Friedrich Schleiermacher}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1923b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1923b, |
| − | title = { | + | author = {Plessner Helmuth}, |
| − | year = { | + | title = {Selbstanzeige der „Einheit der Sinne“ (ca. 1923)}, |
| − | editor = { | + | booktitle = {Hermeneutik der Sinne. Eine Untersuchung zu Helmuth Plessners Projekt einer „Ästhesiologie des Geistes“ nebst einem Plessner-Ineditum}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Lessing, H.-U.}, |
| + | pages = {375-385}, | ||
| + | publisher = {???}, | ||
| + | address = {Freiburg/München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1923a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1923a, |
| − | title = { | + | author = {Plessner, Helmuth}, |
| − | year = { | + | title = {Die Einheit der Sinne. Grundlinien einer Ästhesiologie des Geistes (1923)}, |
| − | editor = { | + | booktitle = {Gesammelte Schriften, Band III}, |
| + | year = {1980}, | ||
| + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, | ||
| + | pages = {7-315}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1928a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Plessner 1928a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = {Die | + | title = {Die Stufen des Organischen und der Mensch}, |
| − | + | year = {1928}, | |
| − | + | publisher = {W. de Gruyter}, | |
| − | + | address = {Berlin}, | |
| − | + | note = {<sup>3</sup>1975}, | |
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1951a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1951a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Zur Anthropologie der Musik}, |
| − | year = { | + | booktitle = {Gesammelte Schriften, Band VII}, |
| − | publisher = { | + | year = {1982}, |
| − | address = { | + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, |
| + | pages = {184-199}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1970a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1970a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | + | title = {Anthropologie der Sinne (1970)}, | |
| − | + | booktitle = {Gesammelte Schriften, Band III}, | |
| − | publisher = { | + | year = {1980}, |
| − | address = { | + | editor = {Dux, G.; Marquard, O. & Ströker, E.}, |
| + | pages = {317-393}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1982a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | title = { | + | title = {Trieb und Leidenschaft}, |
| − | year = { | + | booktitle = {Mit anderen Augen}, |
| − | publisher = { | + | year = {1982}, |
| − | address = { | + | editor = {Plessner, Helmuth}, |
| + | pages = {110-123}, | ||
| + | publisher = {???}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.840: | Zeile 11.016: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plessner 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plessner 1989a, |
| − | author = { | + | author = {Plessner, Helmuth}, |
| − | + | title = {Zur Anthropologie der Nachahmung}, | |
| − | year = { | + | booktitle = {Anthropologie}, |
| − | publisher = { | + | year = {1989}, |
| − | address = { | + | editor = {Gebauer, G.}, |
| + | pages = {176-184}, | ||
| + | publisher = {???}, | ||
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plinius 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Plinius 2004a, |
| − | + | title = {G. Plinius Secundus d. Ä: Naturkunde / Naturalis historia : lateinisch-deutsch}, | |
| − | title = { | + | year = {1990–2004}, |
| − | + | editor = {Roderich König et al.}, | |
| − | + | publisher = {Artemis}, | |
| − | + | address = {Zürich}, | |
| − | + | note = {unkritische Ausgabe des lateinischen Textes mit Übersetzung und Erläuterungen}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Plümacher 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Plümacher 1999a, |
| − | author = { | + | author = {Plümacher, Martina}, |
| − | title = { | + | title = {Wohlgeformtheitsbedingugen für Bilder?}, |
| − | + | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, | |
| − | year = { | + | year = {1999}, |
| − | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, | |
| − | + | pages = {47-56}, | |
| − | + | publisher = {Scriptum}, | |
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 10.895: | Zeile 11.063: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pöppel 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pöppel 1982a, |
| − | author = { | + | author = {Pöppel, E.}, |
| − | title = { | + | title = {Lust und Schmerz}, |
| − | + | year = {1982}, | |
| − | year = { | + | publisher = {Severin & Siedler}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pollmeier 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Pollmeier 2005a, |
| − | author = { | + | author = {Pollmeier, Klaus}, |
| − | title = { | + | title = {Vom Baryt zum Bit. Zur Konservierung analoger und digitaler fotografischer Bilder. Digitale Bildverarbeitung, eine Erweiterung oder radikale Veränderung der Fotografie?}, |
| − | + | howpublished = {Ludwigsburg}, | |
| − | year = { | + | year = {2005}, |
| − | + | note = {Hasenpflug (Red.): Dokumentation des Symposiums am 12./13. November 2004 im Museum Folkwang, Essen}, | |
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Popper 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Popper 2002a, |
| − | author = { | + | author = {Popper, Karl R.}, |
| − | title = { | + | title = {Alle Menschen sind Philosophen}, |
| − | + | year = {2002}, | |
| − | + | editor = {Bohnet, Heidi & Stadler, Klaus}, | |
| − | + | publisher = {Piper}, | |
| − | + | address = {München/Zürich}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Potts 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Potts 2000a, |
| − | author = { | + | author = {Potts, Alex }, |
| − | title = { | + | title = {The Sculptural Imagination}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Yale University Press}, |
| − | + | address = {London/New Haven}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pratschke 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Pratschke 2005a, |
| − | author = { | + | author = {Pratschke, Margarete}, |
| − | title = { | + | title = {Digitale Form}, |
| − | + | year = {2005}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Berlin}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pratschke 2008a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Pratschke 2008a, |
| − | author = { | + | author = {Pratschke, Margarete}, |
| − | title = { | + | title = {Interaktion mit Bildern. Digitale Bildgeschichte am Beispiel grafischer Benutzeroberflächen}, |
| − | booktitle = { | + | booktitle = {Technische Bilder}, |
year = {2008}, | year = {2008}, | ||
| − | editor = { | + | editor = {Bredekamp, Horst et al.}, |
| − | pages = { | + | pages = {68-80}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {???}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pratt-Hartmann 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Pratt-Hartmann 2000a, |
| − | author = { | + | author = {Pratt-Hartmann, Ian}, |
| − | title = { | + | title = {Empiricism and Rationalism in Region-based Theories of Space}, |
| − | + | journal = {Fundamenta Informaticae}, | |
| − | year = { | + | year = {2000}, |
| − | + | volume = {34}, | |
| − | + | number = {}, | |
| − | + | pages = {1–31}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.006: | Zeile 11.156: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Predelli 1999=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Predelli 1999, |
| − | author = { | + | author = {Predelli, Stefano}, |
| − | title = { | + | title = {Goodman and the Score}, |
| − | + | journal = {British Journal of Aesthetics}, | |
| − | year = { | + | year = {1999}, |
| − | + | volume = {39}, | |
| − | + | number = {}, | |
| − | + | pages = {138-147}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Pross 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Pross 1972a, |
| − | author = { | + | author = {Pross, Harry}, |
| − | title = { | + | title = {Medienforschung. Film, Funk, Presse, Fernsehen}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Habel}, |
| − | address = { | + | address = {Darmstadt}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Puttfarken 1991a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Puttfarken 1991a, |
| − | author = { | + | author = {Puttfarken, Thomas}, |
| − | title = { | + | title = {The Dispute about Disegno and Colorito in Venice. Paolo Pino, Lodovico Dolce and Titian}, |
| − | booktitle = { | + | booktitle = {Kunst und Kunsttheorie 1400–1900}, |
| − | year = { | + | year = {1991}, |
| − | editor = { | + | editor = {Peter Glanz et al.}, |
| − | pages = { | + | pages = {75-95}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Wiesbaden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.053: | Zeile 11.200: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Puttfarken 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Puttfarken 1985a, |
| − | author = { | + | author = {Puttfarken, Thomas}, |
| − | title = { | + | title = {Roger de Piles‘ Theory of Art}, |
| − | + | year = {1985}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {New Haven/London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==Q== |
| + | ===Qiu 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Qiu 2000a, |
| − | author = { | + | author = {Qiu Xigui}, |
| − | title = { | + | title = {Chinese Writing}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Birdtrack Press}, |
| − | + | address = {New Haven}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.086: | Zeile 11.227: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Quintilian 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Quintilian 1995a, |
| − | author = { | + | author = {Quintilianus, Marcus Fabius}, |
| − | title = { | + | title = {Ausbildung des Redners. Zwölf Bücher. Erster Teil. Buch I-VI}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Wissenschaftliche Buchgesellschaft}, |
| − | + | address = {Darmstadt}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==R== |
| + | ===Rager 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Rager 1997a, | |
| − | + | author = {Rager, Dietmar}, | |
| − | + | title = {Aspekte Sehen}, | |
| − | + | booktitle = {Bilder in der Philosophie & in anderen Künsten & Wissenschaften}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Steinbrenner, Jakob/ & Winko, Ulrich}, | |
| − | + | pages = {???}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Paderborn}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | @inproceedings{ | ||
| − | author = { | ||
| − | title = { | ||
| − | booktitle = { | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.133: | Zeile 11.258: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rang 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rang 1990a, |
| − | author = { | + | author = {Rang, Bernhard}, |
| − | title = { | + | title = {Husserls Phänomenologie der materiellen Natur}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Klostermann}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Raphael 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Raphael 1986a, |
| − | author = { | + | author = {Raphael, Max}, |
| − | title = { | + | title = {Raumgestaltungen. Der Beginn der modernen Kunst im Kubismus und im Werk von Georges Braque}, |
| − | + | year = {1986, Erstausgabe 1949}, | |
| − | + | publisher = {Campus} | |
| − | note = { | + | address = {Frankfurt a. M./New York}, |
| + | note = {hg. v. H.-J. Heinrichs}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rastier 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rastier 1972a, |
| − | author = { | + | author = {Rastier, François }, |
| − | title = { | + | title = {Systematiques des isotopies}, |
| − | year = { | + | booktitle = {Essais de sémiotique poétique}, |
| − | editor = { | + | year = {1972}, |
| − | publisher = { | + | editor = {Greimas, A.J.}, |
| − | address = { | + | pages = {???}, |
| + | publisher = {Larousse}, | ||
| + | address = {Paris}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ratkowitsch 2006a=== |
| + | <bibentry> | ||
| + | @proceedings{Ratkowitsch 2006a, | ||
| + | title = {Die poetische Ekphrasis von Kunstwerken - eine literarische Tradition der Großdichtung in Antike, Mittelalter und früher Neuzeit}, | ||
| + | year = {2006}, | ||
| + | editor = {Ratkowitsch, Christiane}, | ||
| + | publisher = {Verlag d. Österr. Akademie der Wissenschaften}, | ||
| + | address = {Wien}, | ||
| + | note = {Sitzungsberichte der Österr. Akademie der Wissenschaften, Philosophisch-Historische Klasse, Nr. 735}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Ratzka im Erscheinen=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ratzka im Erscheinen, |
| − | author = { | + | author = {Ratzka, Thorsten}, |
| − | title = { | + | title = {Die Fenster zum Himmel}, |
| − | year = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | publisher = { | + | year = {im Erscheinen}, |
| − | address = { | + | editor = {Mößner, Nicola; Dimitri Liebsch }, |
| + | pages = {}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Recki 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Recki 2004a, |
| − | author = { | + | author = {Recki, Birgit}, |
| − | title = { | + | title = {Kultur als Praxis. Eine Einführung in Ernst Cassirers Philosophie der symbolischen Formen}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Akademie-Verlag}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rehkämper 2003a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rehkämper 2003a, |
| − | author = { | + | author = {Rehkämper, Klaus}, |
| − | title = { | + | title = {What You See Is What You Get: The Problems of Linear Perspective}, |
| − | booktitle = { | + | booktitle = {Looking into pictures. An interdisciplinary approach to pictorial space}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Hecht, H., Schwartz, R. & Atherton, M.}, |
| − | pages = { | + | pages = {179-189}, |
| − | publisher = { | + | publisher = {The MIT Press}, |
| − | address = { | + | address = {Cambridge, MA}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Reiche 2001=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Reiche 2001, |
| − | author = { | + | author = {Reiche, Reimut}, |
| − | title = { | + | title = {Mutterseelenallein. Kunst, Form, Psychoanalyse}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Stroemfeld}, |
| − | + | address = {Basel} | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Reichert 2011=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Reichert 2011, |
| − | author = { | + | author = {Reichert, André}, |
| − | title = { | + | title = {Diagrammatik als Präphilosophie und Metaphysik. Von einer schriftbildlichen Perspektive zu einer Perspektivierung von Schriftbildlichkeit}, |
| − | + | booktitle = {Schriftbildlichkeit}, | |
| − | year = { | + | year = {2011}, |
| − | + | editor = {Krämer, Sybille und Mareike Giertler}, | |
| − | + | pages = {37-45}, | |
| − | + | publisher = {Fink}, | |
| − | note = {}, | + | address = {Paderborn}, |
| + | note = {Sprache und Literatur, Themenheft, 107/2011}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Renner 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Renner 2011a, |
| − | author = { | + | author = {Renner, Michael}, |
| − | title = { | + | title = {Die stumme Bildkritik des Entwurfs}, |
| − | + | journal = {Rheinsprung 11: Zeitschrift für Bildkritik}, | |
| − | + | year = {2011}, | |
| − | + | volume = {1}, | |
| + | number = {1}, | ||
| + | pages = {92-116}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {http://rheinsprung11.unibas.ch/ausgabe-01.html.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Renz 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Renz 2006a, |
| − | author = { | + | author = {Renz, U.}, |
| − | title = { | + | title = {Schönheit. Eine Wissenschaft für sich}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Berlin Verlag}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Reulecke 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Reulecke 2002a, |
| − | author = { | + | author = {Reulecke, Anne-Kathrin}, |
| − | title = { | + | title = {Geschriebene Bilder - zum Kunst- und Mediendiskurs in der Gegenwartsliteratur}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.283: | Zeile 11.429: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Ricoeur 1974=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ricoeur 1974, |
| − | author = { | + | author = {Ricoeur, Paul}, |
| − | title = { | + | title = {Die Interpretation. Ein Versuch über Freud}, |
| − | year = { | + | year = {1974}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.297: | Zeile 11.442: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Riedel 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Riedel 2005a, |
| − | author = { | + | author = {Riedel, W.}, |
| − | title = { | + | title = {Endogene Bilder. Anthropologie und Poetik bei Gottfried Benn}, |
| − | + | booktitle = {Poetik der Evidenz. Die Herausforderung der Bilder in der Literatur um 1900}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Pfotenhauer, H.; Riedel, W. & Schneider, S.}, | |
| − | + | pages = {163-202}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | booktitle = {Bilder in der | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.328: | Zeile 11.459: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rieger 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rieger 2001a, |
| − | author = { | + | author = {Rieger, Stefan}, |
| − | title = { | + | title = {Die Individualität der Medien}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = {Frankfurt/ | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rieger 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rieger 2009a, |
| − | author = { | + | author = {Rieger, Stefan}, |
| − | title = { | + | title = {Holographie. Das Versprechen der Ganzheit}, |
| − | year = { | + | booktitle = {Das holographische Wissen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Rieger, Stefan & Schröter, Jens}, |
| − | note = { | + | pages = {87-106}, |
| + | publisher = {???}, | ||
| + | address = {Zürich/Berlin}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rieger & Schröter 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Rieger & Schröter 2009a, |
| − | + | title = {Das holographische Wissen}, | |
| − | title = { | + | year = {2009}, |
| − | + | editor = {Rieger, Stefan & Schröter, Jens}, | |
| − | year = { | + | publisher = {???}, |
| − | editor = { | + | address = {Zürich/Berlin}, |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Riegl 1931a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Riegl 1931a, |
| − | + | author = {Riegl, Alois}, | |
| − | + | title = {Das holländische Gruppenporträt}, | |
| − | + | year = {1931}, | |
| − | publisher = { | + | publisher = {Staatsdruckerei}, |
address = {Wien}, | address = {Wien}, | ||
| − | note = { | + | note = {Erstveröffentlichung 1902}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rimmele 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rimmele 2010a, |
| − | author = { | + | author = {Rimmele, Marius}, |
| − | title = { | + | title = {Das Triptychon als Metapher, Körper und Ort. Semantisierungen eines Bildträgers}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ritchin 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ritchin 1990a, |
| − | author = { | + | author = {Ritchin, Fred}, |
| − | title = { | + | title = {In Our Image: The Coming Revolution in Photography. How Computer Technology is Changing our View of the World}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ritchin 1990b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Ritchin 1990b, |
| − | author = { | + | author = {Ritchin, Fred}, |
| − | title = { | + | title = {Photojournalism in the Age of Computers}, |
| − | booktitle = { | + | booktitle = {The Critical Image. Essays on Contemporary Photography}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Squiers}, |
| − | pages = { | + | pages = {28-37}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Seattle}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Robin 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Robin 1993a, |
| − | author = { | + | author = {Robin, Harry}, |
| − | title = { | + | title = {The Scientific Image. From Cave to Computer}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {W. H. Freeman and Company}, |
| − | address = { | + | address = {New York }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.442: | Zeile 11.563: | ||
</bibentry> | </bibentry> | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | === | + | ===Roch 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roch 1998a, |
| − | author = { | + | author = {Roch, Axel}, |
| − | title = { | + | title = {Radartechnologie und Computergraphik. Zur Geschichte der Beleuchtungsmodelle in computergenerierten Bildern}, |
| − | + | booktitle = {Geschichte der Medien}, | |
| − | year = { | + | year = {1998}, |
| − | + | editor = {Faßler, Manfred & Halbach, Wulf R.}, | |
| − | + | pages = {227-254}, | |
| − | + | publisher = {???}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rock 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rock 1985a, |
| − | author = { | + | author = {Rock, Irvin}, |
| − | title = { | + | title = {Wahrnehmung. Vom visuellen Reiz zum Sehen u. Erkennen}, |
| − | year = { | + | year = {1985}, |
| − | publisher = { | + | publisher = {Spektrum-der-Wissenschaft-Verlagsgesellschaft}, |
| − | address = { | + | address = {Heidelberg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Röttgers & Fabian 1971=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Röttgers & Fabian 1971, |
| − | author = { | + | author = {Röttgers, K.;Fabian, R.}, |
| − | title = { | + | title = {Authentisch}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 1. A-C}, |
| − | publisher = { | + | year = {1972}, |
| − | address = { | + | editor = {Ritter, Joachim}, |
| + | pages = {691-692}, | ||
| + | publisher = {Wissenschaftl. Buchges.}, | ||
| + | address = {Darmstadt}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Roll 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roll 2007a, |
| − | author = { | + | author = {Roll, Christine}, |
| − | title = { | + | title = {Farben und Verzerrungen auf Karten. Zu Möglichkeiten und Grenzen kartografischer Visualisierung}, |
| − | year = { | + | booktitle = {Vom Bild zur Erkenntnis? Visualisierungskonzepte in den Wissenschaften}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Groß, Dominik; Stefanie Westermann }, |
| + | pages = {47-59}, | ||
| + | publisher = {Kassel Univ. Press}, | ||
| + | address = {Kassel}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Roloff 1972a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Roloff 1972a, |
| − | author = { | + | author = {Roloff, D.}, |
| − | title = { | + | title = {Eidolon, Eikon, Bild}, |
| − | booktitle = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 2. D-F}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {Ritter, Joachim}, |
| − | pages = { | + | pages = {330-322}, |
| − | publisher = { | + | publisher = {Schwabe Verlag}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.529: | Zeile 11.643: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Roloff 1972a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roloff_1972a, |
| − | author = { | + | author = {Roloff, D.}, |
| − | title = { | + | title = {Eidolon, Eikon, Bild}, |
| − | year = { | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd.2}, |
| − | publisher = { | + | year = {1972}, |
| − | address = { | + | editor = {Joachim Ritter et al.}, |
| + | pages = {330-332}, | ||
| + | publisher = {Schwabe Verlag}, | ||
| + | address = {Basel}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Róna-Tas 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Róna-Tas 1999a, |
| − | author = { | + | author = {Róna-Tas, A.}, |
| − | title = { | + | title = {Hungarians and Europe in the Early Middle Ages. An Introduction to Early Hungarian History}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {CEU Press}, |
| − | + | address = {Budapest}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rorty 1967a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rorty 1967a, |
| − | + | author = {Rorty, Richard}, | |
| − | + | title = {The Linguistic Turn: Essays in Philosophical Method}, | |
| − | + | year = {1967}, | |
| − | publisher = { | + | publisher = {The University of Chicago Press.}, |
| − | address = { | + | address = {Chicago/London}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ros 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ros 2005a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Materie und Geist. Eine philosophische Untersuchung}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Mentis}, |
| − | address = { | + | address = {Paderborn}, |
| − | note = { | + | note = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ros 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Ros 1999a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Was ist Philosophie?}, |
| − | + | booktitle = {Philosophieren über Philosophie} | |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Raatzsch, Richard}, |
| + | pages = {36–58}, | ||
| + | publisher = {Leipziger Universitätsverlag}, | ||
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ros 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Ros 1989a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {“Bedeutung”, “Idee” und “Begriff” – Zur Behandlung einiger bedeutungstheoretischer Paradoxien durch Leibniz}, |
| − | year = { | + | journal = {Studia Leibnitiana}, |
| − | + | year = {1989}, | |
| − | + | volume = {21}, | |
| + | number = {}, | ||
| + | pages = {133-154}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ros 1989/90a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ros 1989/90a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Begründung und Begriff. Wandlungen des Verständnisses begrifflicher Argumentationen}, |
| − | + | year = {1989/90}, | |
| − | year = { | + | publisher = {Meiner}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {3 Bände}, | |
| − | + | hidden = {B. I: Antike, Spätantike und Mittelalter; B. II: Neuzeit; B. III: Moderne}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ros 1979a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ros 1979a, |
| − | author = { | + | author = {Ros, Arno}, |
| − | title = { | + | title = {Objektkonstitution und elementare Sprachhandlungsbegriffe}, |
| − | + | year = {1979}, | |
| − | year = { | + | publisher = {Hain}, |
| − | + | address = {Königstein/Ts.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosand 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosand 1990a, |
| − | author = { | + | author = {Rosand, David}, |
| − | title = { | + | title = {Ekphrasis and the generation of images}, |
| − | year = { | + | journal = {Arion}, |
| − | + | year = {1990}, | |
| − | + | volume = {1}, | |
| + | number = {1}, | ||
| + | pages = {61-105}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosch 1978a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rosch 1978a, |
| − | author = { | + | author = {Rosch, E.H.}, |
| − | title = { | + | title = {Principles of categorization} |
| − | booktitle = { | + | booktitle = {Cognition and Categorization}, |
| − | year = { | + | year = {1978}, |
| − | editor = { | + | editor = {Rosch, E.H.}, |
| − | pages = { | + | pages = {27-48}, |
| − | publisher = { | + | publisher = {Hillsdale}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rose 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Rose 2006a, |
| − | author = { | + | author = {Rose, Margaret A.}, |
| − | title = { | + | title = {Parodie, Intertextualität, Interbildlichkeit}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Aisthesis Verlag}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosen 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosen 2001a, |
| − | author = { | + | author = {Rosen, Valeska von}, |
| − | title = { | + | title = {“Diletto dei sensi” und “diletto dell'intelletto”. Bellinis und Tizians ‘bacchanalien’ für Alfonso d'Este in ihrem Rezeptionskontext}, |
| − | + | journal = {Städel-Jahrbuch}, | |
| − | year = { | + | year = {2001}, |
| − | + | volume = {N.F. 18}, | |
| − | + | number = {}, | |
| − | + | pages = {81-112}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.699: | Zeile 11.814: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosen 2003a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rosen 2003a, |
| − | author = { | + | author = {Rosen, Valeska von}, |
| − | title = { | + | title = {Interpikturalität}, |
| − | booktitle = { | + | booktitle = {Metzler Lexikon Kunstwissenschaft. Ideen, Methoden, Begriffe}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Pfisterer, U.}, |
| − | pages = { | + | pages = {161-164}, |
| − | publisher = { | + | publisher = {Metzler}, |
| − | address = { | + | address = {Weimar}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.716: | Zeile 11.831: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosen et al. 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Rosen et al. 2003a, |
| − | author = { | + | author = {Rosen, V. von; Krüger, K. & Preimesberger, R.}, |
| − | title = { | + | title = {Der stumme Diskurs der Bilder. Reflexionsformen des Ästhetischen in der Kunst der Frühen Neuzeit}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Deutscher Kunstverlag München Berlin}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.729: | Zeile 11.844: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosenberg 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rosenberg 2007a, |
| − | author = { | + | author = {Rosenberg, Raphael}, |
| − | title = { | + | title = {Inwiefern Ekphrasis keine Bildbeschreibung ist}, |
| − | year = { | + | booktitle = {Zeitschrift für Kunstgeschichte}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Knape, Joachim}, |
| + | pages = {271-282}, | ||
| + | publisher = {Koerner}, | ||
| + | address = {Baden-Baden}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosenberg 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Rosenberg 1995a, |
| − | author = { | + | author = {Rosenberg, Raphael}, |
| − | title = { | + | title = {Von der Ekphrasis zur wissenschaftlichen Bildbeschreibung : Vasari, Agucchi, Félibien, Burckhardt}, |
| − | year = { | + | journal = {Zeitschrift für Kunstgeschichte}, |
| − | + | year = {1995}, | |
| − | + | volume = {58}, | |
| + | number = {}, | ||
| + | pages = {297-318}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rosler 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Rosler 2000a, |
| − | author = { | + | author = {Rosler, Martha}, |
| − | title = { | + | title = {Bildsimulationen, Computermanipulationen: einige Überlegungen}, |
| − | booktitle = { | + | booktitle = {Theorie der Fotografie IV. 1980-1995}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {von Amelunxen, Hubertus}, |
| − | pages = { | + | pages = {129-170}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Roth 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Roth 2000a, |
| − | author = { | + | author = {Roth, Peter}, |
| − | title = { | + | title = {Virtualis als Sprachschöpfung mittelalterlicher Theologen}, |
| − | + | booktitle = {Die Anwesenheit des Abwesenden. Theologische Annäherungen an Begriff und Phänomene von Virtualität}, | |
| − | + | year = {2000}, | |
| − | + | editor = {Roth, Peter; Schreiber, Stefan & Siemons, Stefan}, | |
| − | + | pages = {33-42}, | |
| − | + | publisher = {Wißner}, | |
| + | address = {Augsburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.785: | Zeile 11.909: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Royce 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Royce 1998a, |
| − | author = { | + | author = {Royce, Terry}, |
| − | title = { | + | title = {Synergy on the Page: Exploring Intersemiotic Complementarity in Page-based Multimodal Text}, |
| − | year = { | + | journal = {JASFL Occasional Papers}, |
| − | + | year = {1998}, | |
| − | + | volume = {1}, | |
| − | note = { | + | number = {1}, |
| − | hidden = { | + | pages = {25-48}, |
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rötzer 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Rötzer 1993a, |
| − | author = { | + | author = {Rötzer, Florian}, |
| − | title = { | + | title = {Cyberspace. Zum medialen Gesamtkunstwerk}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rowell 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Rowell 1986a, |
| − | author = { | + | author = {Rowell, Margit}, |
| − | title = { | + | title = {Was ist die moderne Skulptur?}, |
| − | + | booktitle = {Skulptur im 20. Jahrhundert}, | |
| − | year = { | + | year = {1986}, |
| − | + | editor = {Rowell, M.}, | |
| − | + | pages = {7-10}, | |
| − | + | publisher = {Prestel}, | |
| − | note = {}, | + | address = {München}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 11.826: | Zeile 11.954: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Ruff 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ruff 2009a, |
| − | author = { | + | author = {Ruff, Thomas}, |
| − | title = { | + | title = {Jpegs}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Runte 2005=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Runte 2005, |
| − | author = { | + | author = {Runte, Annette}, |
| − | + | title = {Dinge sehen dich an: Die Melancholie des leeren Platzes in der metaphysischen Malerei}, | |
| − | + | booktitle = {Blickzähmung und Augentäuschung. Zu Jacques Lacans Bildtheorie}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Blümle, C. & von der Heiden, A.}, |
| + | pages = {393-424}, | ||
| + | publisher = {Diaphanes}, | ||
| + | address = {Zürich / Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Rupprich 1969a=== |
| + | <bibentry> | ||
| + | @book{Rupprich 1969a, | ||
| + | author = {Rupprich, Hans}, | ||
| + | title = {Dürer, schriftlicher Nachlaß. Band 2: Die Anfänge der theoretischen Studien. Das Lehrbuch der Malerei: Von der Mass der Menschen, der Pferde, der Gebäude; Von der Perspektive; Von Farben. Ein Unterricht alle Mass zu ändern}, | ||
| + | year = {1969}, | ||
| + | publisher = {Deutscher Verein für Kunstwissenschaft}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Ryan 2001=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Ryan 2001, |
| − | author = { | + | author = {Ryan, Marie-Laure}, |
| − | title = { | + | title = {Narrative as Virtual Reality. Immersion and Interactivity in Literature and Electronic Media}, |
| − | |||
year = {2001}, | year = {2001}, | ||
| − | + | publisher = {The Johns Hopkins University Press}, | |
| − | + | address = {Baltimore & London}, | |
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==S== |
| + | ===Sachs-Hombach 2006a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 2006a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Bild und Medium}, |
| − | + | year = {2006}, | |
| − | year = { | + | publisher = {Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Sachs-Hombach 2005a, |
| − | + | title = {Bildwissenschaft. Disziplinen, Themen, Methoden}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Sachs-Hombach, Klaus}, | |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.900: | Zeile 12.034: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 2005b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Sachs-Hombach 2005b, |
| − | + | title = {Bildwissenschaft. Zwischen Reflexion und Anwendung}, | |
| − | title = { | + | year = {2005}, |
| − | + | editor = {Sachs-Hombach, Klaus}, | |
| − | year = { | + | publisher = {Halem}, |
| − | editor = { | + | address = {Köln}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 2004a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Wege zur Bildwissenschaft. Interviews}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sachs-Hombach 2003a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft} |
| − | + | year = {2003}, | |
| − | + | publisher = {Herbert von Halem}, | |
| − | + | address = {Köln}, | |
| − | + | note = {}, | |
| − | publisher = { | + | } |
| − | address = { | + | </bibentry> |
| + | |||
| + | ===Sachs-Hombach 2003b=== | ||
| + | <bibentry> | ||
| + | @book{Sachs-Hombach 2003b, | ||
| + | author = {Sachs-Hombach, Klaus}, | ||
| + | title = {Was ist Bildkompetenz?}, | ||
| + | year = {2003}, | ||
| + | publisher = {DUV}, | ||
| + | address = {Wiesbaden}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sachs-Hombach 2000a, |
| − | author = { | + | author = {Sachs-Hombach, }, |
| − | title = { | + | title = {Ähnlichkeit als kulturabhängiges Phänomen}, |
| − | booktitle = { | + | booktitle = {Vom Realismus der Bilder. Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen}, |
year = {2000}, | year = {2000}, | ||
| − | editor = { | + | editor = {Sachs-Hombach, Klaus & Rehkämper, Klaus}, |
| − | pages = { | + | pages = {89–106}, |
| − | publisher = { | + | publisher = {Scriptum}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.965: | Zeile 12.102: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach 1999a, |
| − | author = { | + | author = {Sachs-Hombach, }, |
| − | title = { | + | title = {Gibt es ein Bildalphabet?}, |
| − | + | booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, | |
| − | year = { | + | year = {1999}, |
| − | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, | |
| − | + | pages = {57-66}, | |
| − | + | publisher = {Scriptum}, | |
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 11.981: | Zeile 12.119: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 1999b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sachs-Hombach 1999b, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Fragen der Bildwissenschaft. Über den Studiengang Computervisualistik}, |
| − | year = { | + | journal = {form diskurs}, |
| − | + | year = {1999}, | |
| − | + | volume = {7}, | |
| + | number = {2}, | ||
| + | pages = {40-43}, | ||
note = {}, | note = {}, | ||
| + | address= {Frankfurt am Main}, | ||
| + | hidden = {4. Jg.}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sachs-Hombach 1995a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Piktoriale Einstellungen}, |
| − | booktitle = { | + | booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktoraler Repräsentationen}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Sachs-Hombach, Klaus}, |
| − | + | publisher = {Rodopi}, | |
| − | publisher = { | + | address = {Amsterdam}, |
| − | address = { | ||
note = {}, | note = {}, | ||
| + | pages = {195-211}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach 1993a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sachs-Hombach 1993a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Philosophische Psychologie im 19. Jahrhundert}, |
| − | year = { | + | year = {1993}, |
| − | publisher = { | + | publisher = {Alber}, |
| − | address = { | + | address = {Freiburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach & Schirra 2011a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sachs-Hombach & Schirra 2011a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. }, |
| − | title = { | + | title = {Prädikative und modale Bildtheorie }, |
| − | booktitle = { | + | booktitle = {Bildlinguistik. Theorien - Methoden - Fallbeispiele}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Diekmannshenke, H.; Klemm, M. & Stöckl, H.}, |
| − | pages = { | + | pages = {97-119}, |
| − | publisher = { | + | publisher = {Erich Schmidt }, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | + | url ={www.jrjs.de/Work/Papers/P11/P11-2/index.html}, | |
| − | + | abstract ={Gegenstände sind immer nur dann Bilder, wenn jemand sie als solche benutzt. Hierbei können Bilder eine Vielzahl von Funktionen übernehmen. Lassen sich diese verschiedenen Funktionen oder Verwendungsweisen vielleicht aus einer einzigen Grundfunktion ableiten? Und sofern das so ist: Was wäre, ließe sich zweitens fragen, diese Grundfunktion von Bildern und in welcher Relation, ergibt sich als dritte Frage, steht sie zu den Verwendungsweisen von Sprache? Eine positive Beantwortung der ersten Frage voraussetzend werden zwei Kandidaten für die zweite Frage untersucht und diskutiert: Während die prädikative Theorie die grundlegende Bildverwendung in etwa paraphrasiert mit „… sieht so und so aus“ (bzw. „Der Gegenstand, der so und so aussieht, …“), schlägt die modale Theorie eine Verwendungsweise vor analog zu „An einem anderen (auch fiktiven) Ort oder einer anderen (auch hypothetischen) Zeit ist der Fall, daß so und so.“ }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachs-Hombach & Schirra 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sachs-Hombach & Schirra 2009a, |
| − | author = { | + | author = {Sachs-Hombach, Klaus & Schirra, Jörg R.J. }, |
| − | title = { | + | title = {Medientheorie, visuelle Kultur und Bildanthropologie}, |
| − | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, | |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Sachs-Hombach, Klaus}, |
| + | pages = {393-424}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| + | url ={www.JRJS.de/Work/Papers/P09/P09-1/index.html}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sachsse 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sachsse 2006a, |
| − | author = { | + | author = {Sachsse, Rolf}, |
| − | title = { | + | title = {Geknüpfter und gewebter Krieg. Militärische Motive auf afghanischen Teppichen}, |
| − | year = { | + | journal = {Zeithistorische Forschungen/Studies in Contemporary History}, |
| − | + | year = {2006}, | |
| − | + | volume = {3}, | |
| − | note = {}, | + | number = {2}, |
| + | pages = {}, | ||
| + | note = {Online-Ausgabe}, | ||
| + | hidden = {}, | ||
| + | url = {http://www.zeithistorische-forschungen.de/16126041-Sachsse-2-2006}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Sachsse 1974a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sachsse 1974a, |
| − | author = { | + | author = {Sachsse, Hans}, |
| − | title = { | + | title = {Einführung in die Kybernetik. Unter besonderer Berücksichtigung von technischen und biologischen Wirkungsgefügen}, |
| − | year = { | + | year = {1974}, |
| − | publisher = { | + | publisher = {Vieweg}, |
| − | address = { | + | address = {Braunschweig}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.077: | Zeile 12.227: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saint-Martin 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saint-Martin 2007a, |
| − | + | author = {Saint-Martin, Fernande}, | |
| − | + | title = {Le Sens du langage visuel}, | |
| − | + | publisher = {Presses de l’Université du Quebec}, | |
| − | + | year = {2007}, | |
| − | address = { | + | address = {Montréal}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.090: | Zeile 12.240: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saint-Martin 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saint-Martin 1990a, |
| − | + | author = {Saint-Martin, Fernande}, | |
| − | + | title = {Semiotics of Visual Language}, | |
| − | + | publisher = {Indiana University Press}, | |
| − | + | year = {1990}, | |
| − | address = { | + | address = {Bloomington, IN}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.103: | Zeile 12.253: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saint-Martin 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Saint-Martin 1987a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Sémiologie du langage visuel}, |
| − | + | publisher = {Presses de l’Université du Quebec}, | |
| − | + | year = {1987}, | |
| − | address = { | + | address = {Montréal}, |
| − | note = {}, | + | note = {Englisch: Semiotics of Visual Language. Bloomington, Indianapolis: Indiana University Press.}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saint-Martin 1986a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Saint-Martin 1986a, |
| − | author = { | + | author = {Saint-Martin, Fernande}, |
| − | title = { | + | title = {Sémiologie et syntax visuelle: Une analyse de Mascerade de Pellan}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {Protée}, |
| − | address = { | + | address = {???}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sallis 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sallis 2008a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {Transfigurements: On the True Sense of Art}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Chicago}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.141: | Zeile 12.292: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sallis 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sallis 2007a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {The Hermeneutics of the Artwork. Die Ontologie des Kunstwerks und ihre hermeneutische Bedeutung (GW 1, 87-138)}, |
| − | booktitle = { | + | booktitle = {Hans-Georg Gadamer, Wahrheit und Methode}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Figal, G.}, |
| − | pages = { | + | pages = {29-44}, |
| − | publisher = { | + | publisher = {??}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {Klassiker Auslegen Bd.30}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 12.158: | Zeile 12.309: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sallis 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sallis 1998a, |
| − | author = { | + | author = {Sallis, John}, |
| − | title = { | + | title = {Shades. Of Painting at the Limit}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Bloomington}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Salomon 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Salomon 2006a, |
| − | author = { | + | author = {Salomon, David}, |
| − | title = { | + | title = {Transformations and Projections in Computer Graphics}, |
| − | + | year = {2006}, | |
| − | + | publisher = {???}, | |
| − | + | address = {London}, | |
| − | + | note = {}, | |
| − | + | } | |
| + | </bibentry> | ||
| + | |||
| + | ===Salomon 2008a=== | ||
| + | <bibentry> | ||
| + | @book{Salomon 2008a, | ||
| + | author = {Salomon, David}, | ||
| + | title = {A Concise Introduction to Data Compression}, | ||
| + | year = {2008}, | ||
| + | publisher = {???}, | ||
| + | address = {London}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sampson 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sampson 1985a, |
| − | author = { | + | author = {Sampson, Geoffrey}, |
| − | title = { | + | title = {Writing Systems. A linguistic introduction}, |
| − | + | year = {1985}, | |
| − | year = { | + | publisher = {Stanford University Press}, |
| − | + | address = {Stanford, California}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sander 1962a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sander 1962a, |
| − | author = { | + | author = {Sander, Friedrich}, |
| − | title = { | + | title = {Experimentelle Ergebnisse der Gestaltpsychologie}, |
| − | year = { | + | booktitle = {Ganzheitspsychoplogie. Grundlagen, Ergebnisse, Anwendungen: gesammelte Abhandlungen}, |
| − | publisher = { | + | year = {1962}, |
| − | address = { | + | editor = {Sander, Friedrich & Volkelt, Hans}, |
| + | pages = {73–122}, | ||
| + | publisher = {C.H. Beck'sche Verlagsbuchhandlung}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1943=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sartre 1943, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Das Sein und das Nichts}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Rowohlt}, |
| − | + | address = {Reinbek bei Hamburg} | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1962a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sartre 1962a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Der Blick}, |
| − | booktitle = { | + | booktitle = {Das Sein und das Nichts}, |
| − | year = { | + | year = {1962}, |
| − | editor = { | + | editor = {Sartre, Jean-Paul}, |
| − | + | publisher = {???}, | |
| − | publisher = { | + | address = {Reinbek bei Hamburg}, |
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sartre 1994a, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Skizze einer Theorie der Emotionen}, |
| − | year = { | + | booktitle = {Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego}, |
| − | publisher = { | + | year = {1994}, |
| − | address = { | + | editor = {}, |
| − | note = {}, | + | pages = {255-321}, |
| + | publisher = {Rowohlt}, | ||
| + | address = {Reinbek bei Hamburg}, | ||
| + | note = {hrsg. von Vincent von Wroblewsky}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1994b=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sartre 1994b, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Das Imaginäre. Phänomenologische Psychologie der Einbildungskraft (1940)}, |
| − | + | year = {1994}, | |
| − | + | publisher = {Rowohlt}, | |
| − | address = { | + | address = {Reinbek bei Hamburg}, |
| − | note = {}, | + | note = {Gesammelte Werke. Philosophische Schriften I-2, hrsg. von Vincent von Wroblewsky}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1994c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sartre 1994c, |
| − | author = { | + | author = {Sartre, Jean-Paul}, |
| − | title = { | + | title = {Die Imagination (1936)}, |
| − | + | booktitle = {Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego}, | |
| − | year = { | + | year = {1994}, |
| − | address = { | + | editor = {}, |
| − | note = {}, | + | pages = {97-254}, |
| + | publisher = {Rowohlt}, | ||
| + | address = {Reinbek bei Hamburg}, | ||
| + | note = {hrsg. von Vincent von Wroblewsky}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sartre 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sartre 1999a, |
| − | author = { | + | author = {Sartre, Jean Paul}, |
| − | title = { | + | title = {Die Suche nach dem Absoluten. Texte zur bildenden Kunst}, |
| − | + | year = {1999}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Hamburg}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | year = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.335: | Zeile 12.464: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sauer 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sauer 2008a, |
| − | author = { | + | author = {Sauer, Martina}, |
| − | title = { | + | title = {Wahrnehmen von Sinn vor jeder sprachlichen oder gedanklichen Fassung? Frage an Ernst Cassirer}, |
| + | journal = {Kunstgeschichte. Texte zur Diskussion}, | ||
year = {2008}, | year = {2008}, | ||
| − | + | volume = {6}, | |
| − | + | number = {}, | |
| + | pages = {}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {http://www.kunstgeschichte-ejournal.net/discussion/2008/Sauer}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saussure 1916a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Saussure 1916a, |
| − | author = { | + | author = {Saussure, Ferdinand de }, |
| − | title = { | + | title = {Cours de linguistique générale}, |
| − | + | year = {1916}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Paris}, | |
| − | + | note = {Deutsch: Grundfragen der allgemeinen Sprachwissenschaft. 3. Aufl. Berlin 2001.}, | |
| − | publisher = {??}, | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Saxena & Sahay 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Saxena & Sahay 2005a, |
| − | author = { | + | author = {Saxena, Anupam & Sahay, Birendra}, |
| − | title = { | + | title = {Computer Aided Engineering Design}, |
| − | year = { | + | year = {2005}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {New York u.a}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schaefer & Rentsch 2004=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schaefer & Rentsch 2004a, |
| − | author = { | + | author = {Schaefer, Christina & Rentsch, Stefanie}, |
| − | title = { | + | title = {Ekphrasis. Anmerkungen zur Begriffsbestimmung in der neueren Forschung}, |
| − | year = { | + | journal = {Zeitschrift für französische Sprache und Literatur}, |
| − | + | year = {2004}, | |
| − | + | volume = {114}, | |
| + | number = {2}, | ||
| + | pages = {132-165}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schäffner 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schäffner 03a, |
| − | author = { | + | author = {Schäffner, Wolfgang}, |
| − | title = { | + | title = {Instrumente und Bilder. Anamorphotische Geometrie im 16. und 17. Jahrhundert}, |
| − | year = { | + | booktitle = {Bühnen des Wissens. Interferenzen zwischen Wissenschaft und Kunst}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Schramm, H. et al.}, |
| + | pages = {92-109}, | ||
| + | publisher = {Dahlem University Press}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Scheler 1928a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Scheler 1928a, |
| − | author = { | + | author = {Scheler, Max}, |
| − | title = { | + | title = {Die Stellung des Menschen im Kosmos}, |
| − | year = { | + | year = {1928}, |
| − | publisher = { | + | publisher = {Otto Reichl Verlag}, |
| − | address = { | + | address = {Darmstadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.415: | Zeile 12.551: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schickore 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schickore 2002a, |
| − | author = { | + | author = {Schickore, Jutta}, |
| − | title = { | + | title = {Fixierung mikroskopischer Beobachtungen: Zeichnung, Dauerpräparat, Mikrofotografie}, |
| − | booktitle = { | + | booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Geimer, Peter}, |
| − | pages = { | + | pages = {285-310}, |
| − | publisher = { | + | publisher = {suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 12.432: | Zeile 12.568: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schier 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schier 2005a, |
| − | author = { | + | author = {Schier, W. }, |
| − | title = { | + | title = {Die Maske von Uivar}, |
| − | year = { | + | booktitle = {Masken, Menschen, Rituale}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Schier, W. }, |
| + | pages = {???}, | ||
| + | publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)}, | ||
| + | address = {Würzburg }, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schierl 2001a === |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schierl 2001a, |
| − | author = { | + | author = {Schierl, Thomas}, |
| − | title = { | + | title = { Text und Bild in der Werbung}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Herbert von Halem}, |
| − | + | address = {Köln}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
| + | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schierl 2003a === |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schierl 2003a, |
| − | author = { | + | author = {Schierl, Thomas}, |
| − | title = { | + | title = {Werbung im Fernsehen}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Herbert von Halem}, |
| − | + | address = {Köln}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schierl & Ludwig 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schierl & Ludwig 2011a, |
| − | + | author = {Schierl, Thomas & Ludwig, Mark}, | |
| − | title = { | + | title = {Produktpolitik als Strategie der Visualisierung des Fußballsports in den Medien}, |
| − | + | year = {2011}, | |
| − | year = { | + | journal ={Zeitschrift für Semiotik}, |
| − | + | volume = {32}, | |
| − | + | pages = {}, | |
| − | + | note = {}, | |
| − | |||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schiffermüller 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schiffermüller 2009, |
| − | + | author = {Schiffermüller, Isolde}, | |
| − | title = { | + | title = {Wort und Bild im Atlas »Mnemosyne«. Zur pathetischen Eloquenz der Sprache Aby Warburgs }, |
| − | + | editor = {Kofler, Peter}, | |
| − | publisher = { | + | booktitle = {Ekstatische Kunst. Aby Warburg und die Denkräume der Ekphrasis}, |
| − | address = { | + | publisher = {Studienverlag}, |
| + | address = {Wien (u.a.)}, | ||
| + | pages = {7-22}, | ||
note = {}, | note = {}, | ||
| − | + | year = {2009}, | |
| − | } | + | url = {}, |
| + | </bibentry> | ||
| + | |||
| + | ===Schirra 2007a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Schirra 2007a, | ||
| + | editor = {Schirra, Jörg R.J. (Hg.)}, | ||
| + | title = {Computational Visualistics and Picture Morphology}, | ||
| + | publisher = {IMAGE - Zeitschrift für interdisziplinäre Bildforschung}, | ||
| + | note = {Themenbeiheft zu Band 5}, | ||
| + | year = {2007}, | ||
| + | url = {www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf}, | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2006a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen}, |
| − | + | booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft}, | |
| − | year = { | + | year = {2006}, |
| − | + | editor = {Sachs-Hombach, Klaus}, | |
| − | + | pages = {197-215}, | |
| − | + | publisher = {Halem}, | |
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P06/P06-3/index.html}, | |
| − | url = { | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schirra 2005a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Foundation of Computational Visualistics}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | url = {}, |
| − | address = { | + | publisher = {DUV}, |
| − | note = { | + | address = {Wiesbaden}, |
| − | + | abstract = {}, | |
| + | note = {ISBN: 3-8350-6015-5 <A href='www.pickitisbn:3-8350-6015-5'><img style='border: 0px none' src='https://www.citavi.com/softlink?linkid=findit' title='Titel anhand dieser ISBN in Citavi-Projekt übernehmen'/></A>}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2005b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra 2005b, |
| − | + | author = {Schirra, Jörg R.J.}, | |
| − | title = { | + | title = {Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach}, |
year = {2005}, | year = {2005}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P05/P05-1/index.html}, | |
| − | + | journal ={IMAGE - Zeitschrift für interdisziplinäre Bildforschung}, | |
| + | volume = {1}, | ||
| + | pages = {30-45}, | ||
note = {}, | note = {}, | ||
| + | abstract = {Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben. }, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2005c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2005c, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | + | title = {Computervisualistik}, | |
| − | + | booktitle = { Bildwissenschaft. Disziplinen, Themen, Methoden}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Sachs-Hombach, K.}, | |
| − | + | pages = {268-280}, | |
| − | + | publisher = {Suhrkamp}, | |
| + | address = {Frankfurt/M.}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P05/P05-2/index.html}, | |
| − | + | abstract = {Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen. }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra 2001a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Bilder —— Kontextbilder}, |
| − | booktitle = { | + | booktitle = {Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {77-100}, |
| − | publisher = { | + | publisher = {Skriptum}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P01/P01-5/index.html}, | |
| − | + | abstract = {Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar. }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 2000a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = {Die | + | title = {Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis}, |
| − | year = { | + | booktitle = {Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Rehkämper, K.& Sachs-Hombach, K.}, |
| + | pages = {119-135}, | ||
| + | publisher = {Skriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P00/P00-1/index.html}, | |
| + | abstract = {Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 1999a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra 1999a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik}, |
| − | booktitle = { | + | booktitle = {bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {Sachs-Hombach, K. & Rehkämper, K.}, |
| − | pages = { | + | pages = {103-119}, |
| − | publisher = { | + | publisher = {Skriptum}, |
| − | address = { | + | address = {Magdeburg}, |
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P99/P99-3/index.html}, | |
| − | + | abstract = {Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schirra 1995a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning}, |
| − | booktitle = { | + | booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Sachs-Hombach, K.}, |
| − | pages = { | + | pages = {107-136}, |
| − | publisher = { | + | publisher = {Rodopi}, |
| − | address = { | + | address = {Amsterdam}, |
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P95/index.html}, | |
| − | + | abstract = {Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees. }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 1994a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schirra 1994a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {DISKI}, |
| − | address = { | + | address = {St. Augustin}, |
| − | note = {}, | + | abstract = {}, |
| − | + | note = {ISBN 3-929037-71-8 <A href='www.pickitisbn:3-929037-71-8'><img style='border: 0px none' src='https://www.citavi.com/softlink?linkid=findit' title='Titel anhand dieser ISBN in Citavi-Projekt übernehmen'/></A>}, | |
| + | url = {www.jrjs.de/Work/Papers/P94/P94-1-d/index.html}, | ||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra 1993a, |
| − | author = { | + | author = {Schirra, Jörg R.J.}, |
| − | title = { | + | title = {Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«}, |
| − | year = { | + | booktitle = {Semantics of Time, Space, and Movement}, |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {M. Aurnague, A. Borillo, M. Borillo & M. Bras}, |
| + | pages = {105-121}, | ||
| + | publisher = {Univ. Paul Sabatier}, | ||
| + | address = {Toulouse}, | ||
note = {}, | note = {}, | ||
| − | + | url = {www.jrjs.de/Work/Papers/P93/P93-2/index.html}, | |
| + | abstract = {AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.}, | ||
} | } | ||
| − | |||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra & Sachs-Hombach 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra & Sachs-Hombach 2011a, |
| − | author = { | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Anthropologie in der systematischen Bildwissenschaft: Auf der Spur des homo pictor}, |
| + | booktitle = {Disziplinen der Anthropologie}, | ||
| + | editor = {Meyer, S. & Owzar, A.}, | ||
year = {2011}, | year = {2011}, | ||
| − | + | pages = {145-177}, | |
| − | |||
| − | pages = {}, | ||
note = {}, | note = {}, | ||
| + | publisher = {Waxmann}, | ||
| + | address = {Münster}, | ||
| + | url = {www.jrjs.de/Work/Papers/P11/P11-1/index.html}, | ||
| + | abstract = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schirra & Sachs-Hombach 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2010a, |
| − | author = { | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology}, |
| − | + | journal = {Linguistic and Philosophical Investigations}, | |
| − | + | year = {2010}, | |
| − | + | volume = {9}, | |
| − | + | number = {}, | |
| − | + | pages = {144–181}, | |
| + | url = {www.jrjs.de/Work/Papers/P10/P10-2/index.html}, | ||
note = {}, | note = {}, | ||
| − | + | abstract = {There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.}, | |
| − | + | } | |
</bibentry> | </bibentry> | ||
| − | ===Schirra | + | ===Schirra & Sachs-Hombach 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2006a, |
| − | + | author = {Schirra, Jörg R.J. & Sachs-Hombach, Klaus}, | |
| − | + | title = {Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht}, | |
| − | + | journal = {ELiSe: Essener Linguistische Skripte – elektronisch}, | |
| − | + | year = {2006}, | |
| − | + | volume = {6}, | |
| − | url = {www. | + | number = {1}, |
| + | pages = {51-72}, | ||
| + | url = {www.uni-due.de/germanistik/elise/ausgabe_12006}, | ||
| + | hidden = {letzter Zugriff: 25. September 2010}, | ||
| + | note = {}, | ||
| + | abstract ={Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre. }, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schirra | + | ===Schirra & Sachs-Hombach 2006b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schirra & Sachs-Hombach 2006b, |
| − | author = {Schirra | + | author = {Schirra Jörg R.J. & Sachs-Hombach, Klaus}, |
| − | title = { | + | title = {Fähigkeiten zum Bild- und Sprachgebrauch }, |
| − | + | journal = {Deutsche Zeitschrift für Philosophie}, | |
year = {2006}, | year = {2006}, | ||
| − | + | volume = {54}, | |
| − | + | number = {6}, | |
| − | + | pages = {887-905}, | |
| − | + | url = {www.jrjs.de/Work/Papers/P06/P06-5/index.html}, | |
note = {}, | note = {}, | ||
| − | + | abstract = {Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist. }, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schirra | + | ===Schirra & Scholz 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schirra & Scholz 1998a, |
| − | author = {Schirra, | + | author = {Schirra, Jörg R.J. & Scholz, Martin}, |
| − | title = { | + | title = {Abstraction versus Realism: Not the Real Question}, |
| − | year = { | + | booktitle = {Computer Visualization – Graphics, Abstraction, and Interactivity}, |
| − | + | year = {1998}, | |
| − | publisher = { | + | editor = {Strothotte, T. (et al.)}, |
| − | address = { | + | pages = {379-401}, |
| − | + | publisher = {Springer}, | |
| − | + | address = {Heidelberg}, | |
| + | note = {Chapter 22}, | ||
| + | url = {www.jrjs.de/Work/Papers/P98/P98-3/index.html}, | ||
| + | abstract = {When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schleicher 1859a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Schleicher 1859a, |
| − | author = { | + | author = {Schleicher, August}, |
| − | title = { | + | title = {Zur Morphologie der Sprache}, |
| − | + | journal = {Mémoires de l'académdie impériale des sciences de St. Pétersbourg}, | |
| − | + | year = {1859}, | |
| − | + | volume = {1?}, | |
| − | + | number = {7}, | |
| − | pages = { | + | pages = {1-38}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schlenstedt 2000=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schlenstedt 2000, |
| − | author = { | + | author = {Schlenstedt, Dieter}, |
| − | title = { | + | title = {Darstellung}, |
| − | booktitle = { | + | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1: : Absenz – Darstellung}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Karlheinz Barck et al.}, |
| − | pages = { | + | pages = {831-875}, |
| − | publisher = { | + | publisher = {J. B. Metzler}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | + | url = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schlenstedt & George 2005=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schlenstedt_George_2005a, |
| − | author = { | + | author = {Schlenstedt, Dieter; George, Marion}, |
| − | title = { | + | title = {Typisch/Typ(us)}, |
| − | booktitle = { | + | booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Karlheinz Barck et al.}, |
| − | pages = { | + | pages = {191-246}, |
| − | publisher = { | + | publisher = {J. B. Metzler}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | + | url = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schlosser 1952a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schlosser 1952a, |
| − | author = { | + | author = {Schlosser, K.}, |
| − | title = { | + | title = {Der Signalismus in der Kunst der Naturvölker: Biologisch-psychologische Gesetzlichkeiten in den Abweichungen von der Norm des Vorbildes}, |
| − | + | year = {1952}, | |
| − | year = { | + | publisher = {Mühlau}, |
| − | + | address = {Kiel}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schmid 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schmid 2009a, |
| − | author = { | + | author = {Schmid, Gabriele}, |
| − | title = { | + | title = {Zwischen Bildern. Die holographische Installation als Handlungsfeld}, |
| − | booktitle = { | + | booktitle = {holographische Wissen}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Rieger, Stefan & Schröter, Jens}, |
| − | pages = { | + | pages = {161-180}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Zürich/Berlin}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schmidt 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schmidt 2000a, |
| − | author = { | + | author = {Schmidt, Ulrike Kristin}, |
| − | title = { | + | title = {Kunstzitat und Provokation im 20. Jahrhundert}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {VDG}, |
| − | + | address = {Weimar}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schmitt 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schmitt 1998a, |
| − | author = { | + | author = {Schmitt, Arbogast}, |
| − | title = { | + | title = {Mimesis bei Aristoteles und in den Poetikkommentaren der Renaissance. Zum Wandel des Gedankens von der Nachahmung der Natur in der frühen Neuzeit}, |
| − | + | booktitle = {Mimesis und Simulation}, | |
| − | + | year = {1998}, | |
| − | + | editor = {Andreas Kablitz & Gerhard Neumann}, | |
| − | + | pages = {17-53}, | |
| − | + | publisher = {ombach}, | |
| − | + | address = {Freiburg im Breisgau}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | booktitle = { | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | + | url = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schmitt 1996a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schmitt 1996a, |
| − | author = { | + | author = {Schmitt, Arbogast}, |
| − | title = { | + | title = {Teleologie und Geschichte bei Aristoteles oder Wie kommen nach Aristoteles Anfang, Mitte und Ende in die Geschichte?}, |
| − | booktitle = { | + | booktitle = {Das Ende. Figuren einer Denkform}, |
| − | editor = { | + | year = {1996}, |
| − | + | editor = {Karlheinz Stierle und Rainer Warning}, | |
| − | + | pages = {528-563}, | |
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
| − | + | url = {}, | |
| − | url | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schneider 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schneider 2009a, |
| − | author = { | + | author = {Schneider, Birgit}, |
| − | title = { | + | title = {Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”}, |
| − | + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, | |
| − | year = { | + | year = {2009}, |
| − | + | editor = {Heßler & Mersch}, | |
| − | + | pages = {188-200}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Bielefeld}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schneider 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schneider 2000a, |
| − | author = { | + | author = {Schneider, Ralf}, |
| − | title = { | + | title = {Grundriß zur kognitiven Theorie der Figurenkonzeption am Beispiel des viktorianischen Romans}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Stauffenburg}, |
| − | + | address = {Tübingen}, | |
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schneider & Berz 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schneider & Berz 2002a, |
| − | author = { | + | author = {Schneider, Birgit & Berz, Peter}, |
| − | title = { | + | title = {Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie} |
| − | + | booktitle = {Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung}, | |
| − | year = { | + | year = {2002}, |
| − | + | editor = {Flach, Sabine & Tholen, Georg Christoph}, | |
| − | + | pages = {181-220}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Kassel}, | |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schneider & Stöckl 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Schneider & Stöckl 2011a, |
| − | + | title = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze}, | |
| − | + | year = {2011}, | |
| − | + | editor = {Schneider, Jan Georg & Stöckl, Hartmut}, | |
| − | year = { | + | publisher = {Halem}, |
| − | editor = { | + | address = {Köln}, |
| − | + | note = {erscheint Frühjahr 2011}, | |
| − | publisher = { | + | hidden = {}, |
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schönhammer 2011=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Schönhammer 2011, |
| − | author = { | + | author = {Schönhammer, Rainer}, |
| − | title = { | + | title = {Stichwort: Kippbilder}, |
| − | + | year = {2011}, | |
| − | year = { | + | howpublished = {PsyDok, Volltextserver der Virtuellen Fachbibliothek Psychologie}, |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {http://psydok.sulb.uni-saarland.de/frontdoor.php?source_opus=2756&la=de}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schönhammer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schönhammer 2009a, |
| − | author = { | + | author = {Schönhammer, Rainer}, |
| − | title = { | + | title = {Einführung in die Wahrnehmungspsychologie. Sinne, Körper, Bewegung}, |
| − | + | year = {2009}, | |
| − | + | publisher = {Facultas}, | |
| − | + | address = {Wien}, | |
| − | + | note = {1. Aufl.}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Scholz 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Scholz 2004a, |
| − | author = { | + | author = {Scholz, Oliver R.}, |
| − | title = { | + | title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Klostermann}, |
| − | + | address = {Frankfurt a. M.}, | |
| − | + | note = {2., vollständig überarbeitete Aufl.}, | |
| − | |||
| − | |||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Scholz 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Scholz 1998a, |
| − | + | title = {Mimesis. Studien zur literarischen Repräsentation}, | |
| − | + | year = {1998}, | |
| − | + | editor = {Scholz, Bernhard F.}, | |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Tübingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.013: | Zeile 13.126: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Scholz 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Scholz 1991a, |
| − | author = { | + | author = {Scholz, Oliver R.}, |
| − | title = { | + | title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen}, |
| − | + | year = {1991}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Frankfurt a. M.}, |
| − | note = {}, | + | note = {(1. Aufl.)}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schott 1657a=== |
<bibentry> | <bibentry> | ||
| − | + | @inproceedings{Schott 57a, | |
| − | + | author = {Schott, Kaspar}, | |
| − | + | title = {De Magia Anamorphotica}, | |
| − | + | booktitle = {Magia Universalis Naturae et Artis}, | |
| − | + | year = {1657}, | |
| − | + | editor = {ders.}, | |
| − | + | pages = {???}, | |
| − | + | publisher = {???}, | |
| − | + | address = {Herbipoli}, | |
| − | + | note = {Teil 1, Buch III}, | |
| − | |||
| − | |||
| − | |||
| − | @inproceedings{ | ||
| − | author = { | ||
| − | title = { | ||
| − | booktitle = { | ||
| − | year = { | ||
| − | editor = { | ||
| − | pages = { | ||
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 13.058: | Zeile 13.155: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schröter 2001a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Eine kurze Geschichte der digitalen Fotografie}, |
| − | booktitle = { | + | booktitle = {Verwandlungen durch Licht. Fotografieren in Museen & Archiven & Bibliotheken}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Hesse, Wolfgang & Jaworek, Wolfgang}, |
| − | pages = { | + | pages = {249-257}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Esslingen}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schröter 2003a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern}, |
| − | + | journal = {Fotogeschichte}, | |
| − | year = { | + | year = {2003}, |
| − | + | volume = {23}, | |
| − | + | number = {88}, | |
| − | + | pages = {3-16}, | |
| − | |||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?}, |
| − | year = { | + | booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Schröter & Böhnke}, |
| + | pages = {335-354}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2004b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schröter 2004b, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Transcript}, |
| − | + | address = {Bielefeld}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2004c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004c, |
| − | title = { | + | author = {Schröter, Jens}, |
| − | year = { | + | title = {Computer/Simulation. Kopie ohne Original oder das Original kontrollierende Kopie}, |
| − | editor = { | + | booktitle = {OriginalKopie. Praktiken des Sekundären}, |
| − | publisher = { | + | year = {2004}, |
| + | editor = {Fehrmann, Gisela et al.}, | ||
| + | pages = {139-155}, | ||
| + | publisher = {???}, | ||
address = {Köln}, | address = {Köln}, | ||
| − | note | + | note = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2004d=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2004d, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {Notizen zu einer Geschichte des Löschens. Am Beispiel von Video und Robert Rauschenbergs Erased de Kooning-Drawing}, |
| − | year = { | + | booktitle = {Im Banne der Ungewissheit. Bilder zwischen Medien, Kunst und Menschen}, |
| − | + | year = {2004}, | |
| + | editor = {Schumacher-Chilla, Doris}, | ||
| + | pages = {171-194}, | ||
| + | publisher = {???}, | ||
| + | address = {Oberhausen}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2005a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {MetaMorphing. Camerons Analysen der digitalen Bilder in Terminator 2 und The Abyss}, |
| − | year = { | + | booktitle = {Mythen, Mütter, Maschinen. Die Filme des James Cameron}, |
| − | + | year = {2005}, | |
| − | + | editor = {Pabst, Eckhard}, | |
| − | + | pages = {289-315}, | |
| − | + | publisher = {???}, | |
| + | address = {Kiel}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2006a, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | + | title = {Wie man Skulpturen rendern soll. Zur Geschichte der transplanen Reproduktion}, | |
| − | + | booktitle = {Skulptur – Zwischen Realität und Virtualität}, | |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Winter, G.; Schröter, J. & Spies, C.}, |
| − | note = { | + | pages = {231-274}, |
| + | publisher = {Fink }, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2009a, |
| − | title = { | + | author = {Schröter, Jens}, |
| − | year = { | + | title = {Wirklichkeit ist überhaupt nur darzustellen, indem man sie konstruiert (Andreas Gursky)}, |
| − | editor = { | + | booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Heßler & Mersch}, |
| + | pages = {201-218}, | ||
| + | publisher = {Transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2009b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2009b, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {On the Logic of the Digital Archive}, |
| − | + | booktitle = {The You Tube Reader}, | |
| + | year = {2009}, | ||
| + | editor = {Vonderau, Patrick & Snickars, Pelle}, | ||
| + | pages = {330-346}, | ||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Stockholm}, |
| − | note = { | + | note = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schröter 2009c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schröter 2009c, |
| − | author = { | + | author = {Schröter, Jens}, |
| − | title = { | + | title = {3D. Zur Theorie, Geschichte und Medienästhetik des technischtransplanen Bildes}, |
| − | + | year = {2009}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {München}, |
| − | note | + | note = {}, |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schröter | + | ===Schröter 2009d=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Schröter | + | @inproceedings{Schröter 2009d, |
author = {Schröter, Jens}, | author = {Schröter, Jens}, | ||
| − | title = { | + | title = {Das holographische Wissen und die Nicht-Reproduzierbarkeit}, |
| − | booktitle = { | + | booktitle = {Das holographische Wissen}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Rieger, Stefan & Schröter, Jens}, |
| − | pages = { | + | pages = {77-86}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Zürich/Berlin}, |
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schröter | + | ===Schröter 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Schröter 2010a, |
author = {Schröter, Jens}, | author = {Schröter, Jens}, | ||
| − | title = { | + | title = {Fotografie und Fiktionalität}, |
| − | + | booktitle = {Die fotografische Wirklichkeit. Inszenierung - Fiktion - Narration}, | |
| − | + | year = {2010}, | |
| − | + | editor = {Blunck, Lars}, | |
| − | + | pages = {143-158}, | |
| − | + | publisher = {???}, | |
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schröter | + | ===Schröter 2010b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Schröter | + | @inproceedings{Schröter 2010b, |
author = {Schröter, Jens}, | author = {Schröter, Jens}, | ||
| − | title = {Das | + | title = {Das Zeitalter der technischen Nichtreproduzierbarkeit}, |
| − | + | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften}, | |
| − | + | editor = {Schröter, Jens et al.}, | |
| − | editor = {Schröter | + | year = {2010}, |
| − | + | volume = {10}, | |
| − | + | number = {1}, | |
| − | + | pages = {1-38}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Schröter | + | ===Schröter & Thielmann 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Schröter & Thielmann 2006a, |
| − | author = {Schröter, Jens}, | + | author = {Schröter, Jens & Thielmann, Tristan}, |
| − | title = { | + | title = {Display I: Analog}, |
| − | + | journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften} | |
| − | + | year = {2006}, | |
| − | + | volume = {6}, | |
| + | number = {2}, | ||
| + | pages = {???}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schürmann 2010a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schürmann 2010a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Darstellung einer Vorstellung. Das Bild der Welt auf der Pioneer-Plakette}, |
| − | booktitle = { | + | booktitle = {Atlas der Weltbilder}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Markschies, C. et al.}, |
| − | pages = { | + | pages = {???}, |
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schürmann 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schürmann 2008a, |
| − | author = { | + | author = {Schürmann, Eva}, |
| − | title = { | + | title = {Sehen als Praxis. Ethisch-ästhetische Studien zum Verhältnis von Sicht und Einsicht}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schulz 2010a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schulz 2010a, |
| − | author = { | + | author = {Schulz, Martin}, |
| − | title = { | + | title = {Das interchrone Bild der Landschaft. Raumfahrt und Zeitreise bei Pieter Bruegel dem Älteren}, |
| − | booktitle = { | + | booktitle = {Im Namen des Anderen. Die Ethik des Zitierens}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Jacob, J. & Mayer, M.}, |
| − | pages = { | + | pages = {307-332}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schulz 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schulz 2005a, |
| − | author = { | + | author = {Schulz, Martin}, |
| − | title = { | + | title = {Ordnungen der Bilder. Eine Einführung in die Bildwissenschaft}, |
| − | + | year = {2005}, | |
| − | year = { | + | publisher = {Wilhelm Finke}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schulze 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schulze 2000a, |
| − | author = { | + | author = {Schulze, Gerhard}, |
| − | title = { | + | title = {Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe.}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Campus}, |
| − | + | address = {Frankfurt a. M., New York}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schüttpelz 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Schüttpelz 2002a}, |
| − | author = { | + | author = {Schüttpelz, Erhard} |
| − | title = { | + | title = {Frage nach der Frage, auf die das Medium eine Antwort ist}, |
| − | + | editor = {Kümmel, Albert; Schüttpelz, Erhard}, | |
| − | + | booktitle = {Signale der Störung}, | |
| − | + | publisher = {Funk}, | |
| − | + | address = {München}, | |
| − | + | pages = {15-28}, | |
| − | |||
note = {}, | note = {}, | ||
| − | } | + | year = {2002}, |
| + | url = {}, | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schweitzer 1953a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Schweitzer 1953a, |
| − | author = { | + | author = {Schweitzer, Bernhard}, |
| − | title = { | + | title = {Vom Sinn der Perspektive}, |
| − | year = { | + | year = {1953}, |
| − | publisher = { | + | publisher = {Niemeyer}, |
| − | address = { | + | address = {Tübingen}, |
| − | + | hidden = {}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Schwingeler 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Schwingeler 2008a, |
| − | author = { | + | author = {Schwingeler, Stephan}, |
| − | title = { | + | title = {Die Raummaschine. Raum und Perspektive im Computerspiel}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Werner Hülsbusch}, |
| − | + | address = {Boizenburg}, | |
| − | + | note = {(Reihe Game Studies)}, | |
| − | + | hidden = {}, | |
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Searle 1971=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Searle 1971, |
| − | author = { | + | author = {Searle, John R.}, |
| − | title = { | + | title = {Sprechakttheorie - Ein sprachphilosophischer Essay}, |
| − | + | year = {1971}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Seel 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Seel 2003a, |
| − | author = { | + | author = {Seel, Martin}, |
| − | title = { | + | title = {Ästhetik des Erscheinens}, |
| − | + | year = {2003}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt am Main}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Seel 1991a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Seel 1991a, |
| − | author = { | + | author = {Seel, Norbert M.}, |
| − | title = { | + | title = {Weltwissen und mentale Modelle}, |
| − | + | year = {1991}, | |
| − | year = { | + | publisher = {Hogrefe}, |
| − | + | address = {Göttingen}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Seidlmayer 2011a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Seidlmayer 2011a, |
| − | author = { | + | author = {Seidlmayer, Stephan Johannes}, |
| − | title = { | + | title = {Ägyptische Hieroglyphen zwischen Schrift und Bild}, |
| − | booktitle = { | + | booktitle = {Schriftbildlichkeit. Wahrnehmbarkeit, Materialität und Operativität von Notationen}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Krämer, Sybille; Cancik-Kirschbaum, Eva & Totzke, Rainer}, |
pages = {???}, | pages = {???}, | ||
| − | publisher = { | + | publisher = {Akademie}, |
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| Zeile 13.446: | Zeile 13.542: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Seiterle 1988a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Seiterle 1988a, |
| − | author = { | + | author = {Seiterle, G. }, |
| − | title = { | + | title = {Maske, Ziegenbock und Satyr}, |
| − | + | journal = {Antike Welt. Z. für Archäologie und Kulturgeschichte}, | |
| − | + | year = {1988}, | |
| − | + | volume = {???}, | |
| − | + | number = {}, | |
| − | + | pages = {???}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | pages = { | ||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.476: | Zeile 13.558: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Seja 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Seja 2009a, |
| − | author = { | + | author = {Seja, Silvia}, |
| − | title = { | + | title = {Handlungstheorien des Bildes}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Halem}, |
| − | address = { | + | address = {Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.489: | Zeile 13.571: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sekula 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sekula 2002a, |
| − | author = { | + | author = {Sekula, Allan}, |
| − | title = { | + | title = {Der Handel mit Fotografien}, |
| − | year = { | + | booktitle = {Paradigma Fotografie}, |
| − | publisher = { | + | year = {2002}, |
| − | address = {Frankfurt a. M. | + | editor = {Wolf, Herta}, |
| + | pages = {255-290}, | ||
| + | publisher = {???}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sello 1979a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sello 1979a, |
| − | author = { | + | author = {Sello, Katrin}, |
| − | title = { | + | title = {Vom Nutzen und Nachteil des Zitierens für die Kunst}, |
| − | + | booktitle = {Vom Nutzen und Nachteil des Zitierens für die Kunst}, | |
| − | + | year = {1979}, | |
| − | + | editor = {Sello, K.}, | |
| − | + | pages = {9-15}, | |
| − | + | publisher = {Kunstverein Hannover}, | |
| + | address = {Hannover}, | ||
note = {}, | note = {}, | ||
| − | + | hidden = {}, | |
url = {}, | url = {}, | ||
| + | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Shannon & Weaver 1976a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Shannon & Weaver 1976a, |
| − | author = { | + | author = {Shannon, Claude E. & Weaver, Warren}, |
| − | title = { | + | title = {Mathematische Grundlagen der Informationstheorie}, |
| − | year = { | + | year = {1976}, |
| − | publisher = { | + | publisher = {Oldenbourg}, |
| − | address = { | + | address = {München}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Shepard 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Shepard 1990a, |
| − | author = { | + | author = {Shepard, Roger N.}, |
| − | title = { | + | title = {Mind sights. Original illusions, ambiguities, and other anomalies, with a commentary on the play of mind in perception and art}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {W. H. Freeman}, |
| − | address = { | + | address = {New York}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Shin 2002=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Shin 2002, |
| − | author = { | + | author = {Shin, Sun-Joo}, |
| − | title = { | + | title = {The Iconic Logic of Peirce’s Graphs}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {MIT Press, Bradford}, |
| − | address = { | + | address = {Cambridge, Massachusetts}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.555: | Zeile 13.642: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Shneiderman 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Shneiderman 1983a, |
| − | author = { | + | author = {Shneiderman, B.}, |
| − | title = { | + | title = {Direct Manipulation - A Step Beyond Programming Languages}, |
| − | year = { | + | journal = {IEEE Computer}, |
| − | + | year = {1983}, | |
| − | + | volume = {16}, | |
| + | number = {8}, | ||
| + | pages = {57-69}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Shohat & Stam 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Shohat & Stam 1998a, |
| − | author = { | + | author = {Shohat, E. & Stam R.}, |
| − | title = { | + | title = {Narrativizing Visual Culture. Towards a Polycentric Aesthetics}, |
| − | year = { | + | booktitle = {The Visual Culture Reader}, |
| − | publisher = { | + | year = {1998}, |
| − | address = { | + | editor = {Mirzoeff, N.}, |
| + | publisher = {Routledge}, | ||
| + | address = {London, New York}, | ||
note = {}, | note = {}, | ||
| + | pages = {26-49}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Siegel 2009=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegel 2009, |
| − | author = { | + | author = {Siegel, Steffen}, |
| − | title = { | + | title = {TABULA. Figuren der Ordnung um 1600}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Akademie Verlag}, |
| − | |||
| − | |||
| − | publisher = {Akademie}, | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Siegert & Brecheis 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegert & Brecheis 2005a, |
| − | author = { | + | author = {Siegert, Gabriele & Brecheis, Dieter }, |
| − | title = { | + | title = {Werbung in der Medien- und Informationsgesellschaft. Eine kommunikationswissenschaftliche Einführung }, |
| − | + | year = {2005}, | |
| − | year = { | + | publisher = {VS}, |
| − | + | address = {Wiesbaden}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Siegert 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Siegert 2003a, |
| − | author = { | + | author = {Siegert, Bernhard}, |
| − | title = { | + | title = {Passage des Digitalen. Zeichenpraktiken der neuzeitlichen Wissenschaften 1500 - 1900}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Brinkmann & Bose}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.627: | Zeile 13.713: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Siegmund 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Siegmund 2007a, |
| − | author = { | + | author = {Siegmund, J.}, |
| − | title = { | + | title = {Die Evidenz der Kunst. Künstlerisches Handeln als ästhetische Kommunikation}, |
| − | + | year = {2007}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Simmel 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Simmel 1995a, |
| − | author = { | + | author = {Simmel, G.}, |
| − | title = { | + | title = {Der Bildrahmen. Ein ästhetischer Versuch}, |
| − | booktitle = { | + | booktitle = {Aufsätze und Abhandlungen 1901-1908 Bd. 1}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Simmel, G.}, |
| − | pages = { | + | pages = {101-108}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Frankfurt a. M.}, |
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Simmel 1992a=== | ||
| + | <bibentry> | ||
| + | @book{Simmel 1992a, | ||
| + | author = {Simmel, Georg}, | ||
| + | title = {Soziologie. Untersuchungen über die Formen der Vergesellschaftung}, | ||
| + | year = {1992}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt am Main}, | ||
| + | note = {Gesamtausgabe, Bd. 11, hrsg. von Otthein Rammstedt}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Simmel 1978a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Simmel 1978a, |
| − | author = { | + | author = {Simmel, Georg}, |
| − | title = { | + | title = {Das individuelle Gesetz. Philosophische Exkurse}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt am Main}, |
| − | note = {}, | + | note = {hrsg. von Michael Landmann}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sitt & Horányi 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sitt & Horányi 1993a, |
| − | author = { | + | author = {Sitt, Martina & Horányi, Attila}, |
| − | title = { | + | title = {Kunsthistorische Suite über das Thema des Zitats in der Kunst}, |
| − | + | booktitle = {Diskurse der Bilder. Photokünstlerische Reprisen kunsthistorischer Werke}, | |
| − | publisher = { | + | year = {1993}, |
| − | address = { | + | editor = {Seipel, W.}, |
| + | pages = {9-22}, | ||
| + | publisher = {Kunsthistorisches Museum}, | ||
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Smith & Tatarewicz 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Smith & Tatarewicz 1985a, |
| − | author = { | + | author = {Smith, Robert W. & Tatarewicz, Joseph N.}, |
| − | title = {The | + | title = {Replacing a Technology: The Large Space Telescope and CCDs}, |
| − | year = { | + | journal = {Proceedings of the IEEE}, |
| − | + | year = {1985}, | |
| − | + | volume = {73}, | |
| + | number = {7}, | ||
| + | pages = {1221-1235}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sobchack 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sobchack 1997a, |
| − | author = { | + | author = {Sobchack, Vivian}, |
| − | title = { | + | title = {Meta-Morphing. Visual Transformation and the Culture of Quick-Change}, |
| − | + | year = {1997}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Minneapolis}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Soeffner & Tänzler 2002a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Soeffner & Tänzler 2002a, |
| − | author = { | + | author = {Soeffner, Hans-Georg & Tänzler, Dirk}, |
| − | title = { | + | title = {Figurative Politik. Prolegomena zu einer Kultursoziologie politischen Handelns}, |
| − | booktitle = { | + | booktitle = {Figurative Politik. Zur Performanz der Macht in der modernen Gesellschaft}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Soeffner, Hans-Georg & Tänzler, Dirk}, |
| − | publisher = { | + | pages = {17-33}, |
| − | address = { | + | publisher = {Leske und Budrich}, |
| + | address = {Opladen}, | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sommer 1987a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sommer 1987a, |
| − | author = { | + | author = {Sommer, M.}, |
| − | title = { | + | title = {Evidenz im Augenblick. Eine Phänomenologie der reinen Empfindung}, |
| − | year = { | + | year = {1987}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.743: | Zeile 13.840: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sonesson 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sonesson 1992a, |
| − | author = { | + | author = {Sonesson, Göran}, |
| − | title = { | + | title = {Bildbetydelser: Inledning till bildsemiotiken som vetenskap}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Studentlitteratur}, |
| − | address = { | + | address = {Lund}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.756: | Zeile 13.853: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sonesson 1989a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Sonesson 1989a, |
| − | author = { | + | author = {Sonesson, Göran}, |
| − | title = { | + | title = {Pictorial Concepts}, |
| − | + | publisher = {Lund University Press}, | |
| − | + | year = {1989}, | |
| − | address = { | + | address = {}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.769: | Zeile 13.866: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sontag 2003=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Sontag 2003, |
| − | author = { | + | author = {Sontag, Susan}, |
| − | title = { | + | title = {Regarding the Pain of Others}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Picador}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.782: | Zeile 13.879: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sörbom 1966=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sörbom 1966, |
| − | author = { | + | author = {Sörbom, Göran}, |
| − | title = { | + | title = {Mimesis and Art. Studies in the Origin an Early Development of an Aesthetic Vocabulary}, |
| − | + | year = {1966}, | |
| − | year = { | ||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Stockholm}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Souriau 1953a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Souriau 1953a, |
| − | author = { | + | author = {Souriau, Etienne}, |
| − | title = { | + | title = {L’Univers filmique}, |
| − | year = { | + | year = {1953}, |
| − | publisher = { | + | publisher = {Flammarion}, |
| − | address = { | + | address = {Paris}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Souriau 1951a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Souriau 1951a, |
| − | author = { | + | author = {Souriau, Etienne}, |
| − | title = { | + | title = {La structure de l’univers filmique et le vocabulaire de la filmologie}, |
| − | year = { | + | journal = {Revue de Filmologie}, |
| − | + | year = {1951}, | |
| − | + | volume = {7}, | |
| − | note = { | + | number = {8}, |
| + | pages = {231–240}, | ||
| + | note = {Dt.: Die Struktur des filmischen Universums und das Vokabular der Filmologie. In: Montage AV 6,2, 1997, S. 140–157}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sowa & Uhlig 2006a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Sowa & Uhlig 2006a, |
| − | author = { | + | author = {Sowa, Hubert & Uhlig, Bettina}, |
| − | title = { | + | title = {Bildhandlungen und ihr Sinn. Methodenfragen einer kunstpädagogischen Bildhermeneutik}, |
| − | booktitle = { | + | booktitle = {Bildinterpretation und Bildverstehen. Methodische Ansätze aus sozialwissenschaftlicher, kunst- und medienpädagogischer Perspektive}, |
| − | year = { | + | year = {2006}, |
| − | editor = { | + | editor = {Marotzki, W. & Niesyto, H.}, |
| − | pages = { | + | pages = {77-105}, |
| − | publisher = { | + | publisher = {??}, |
| − | address = { | + | address = {Wiesbaden}, |
| − | note = {}, | + | note = {Medienbildung und Gesellschaft Bd.2}, |
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 13.840: | Zeile 13.938: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Spariosu 1984=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Spariosu 1984, |
| − | + | title = {Mimesis in contemporary theory: An interdisciplinary Approach. Volume I: The Literary and the Philosophical Debate}, | |
| − | + | year = {1984}, | |
| − | + | editor = {Spariosu, Mihai}, | |
| − | year = { | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
publisher = {???}, | publisher = {???}, | ||
| − | address = { | + | address = {Philadelphia/Amsterdam}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Spillner 1982a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Spillner 1982a, |
| − | author = { | + | author = {Spillner, Bernd}, |
| − | title = { | + | title = {Stilanalyse semiotisch komplexer Texte: Zum Verhältnis von sprachlicher und bil¬dicher Information in Werbeanzeigen}, |
| − | + | journal = {Kodikas/Code – Ars Semeiotica}, | |
| − | year = { | + | year = {1982}, |
| − | + | volume = {}, | |
| − | + | number = {4/5}, | |
| − | + | pages = {91–106}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.883: | Zeile 13.967: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sprenger 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sprenger 2010a, |
| − | author = { | + | author = {Sprenger, Florian}, |
| − | title = { | + | title = {Zu einer platonistischen Rekurrenzfigur der Medienkritik}, |
| − | year = { | + | booktitle = {Sinne - Technik - Inszenierung}, |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Gruber, Klemens; Meister, Monika; Stern, Frank}, |
| + | publisher = {Böhlau}, | ||
| + | address = {Wien}, | ||
note = {}, | note = {}, | ||
| + | pages = {53-67}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sproat 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Sproat 2010a, |
| − | author = { | + | author = {Sproat, Richard}, |
| − | title = { | + | title = {Ancient symbols, computational linguistics, and the reviewing practices of the general science journals}, |
| − | + | howpublished = {http://www.cslu.ogi.edu/~sproatr/newindex/lastwords.pdf, besucht am 30.9.2011}, | |
| − | + | year = {2010}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sproat 2010b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sproat 2010b, |
| − | author = { | + | author = {Sproat, Richard}, |
| − | title = { | + | title = {Language, Technology, and Society}, |
| − | + | year = {2010}, | |
| − | + | publisher = {Oxford University Press}, | |
| − | address = {}, | + | address = {Oxford u.a.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.922: | Zeile 14.009: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Spruit 1994a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Spruit 1994a, |
| − | author = { | + | author = {Spruit, Leen}, |
| − | title = { | + | title = {Species intelligibilis. From perception to knowledge. Vol. 1. Classical roots and medieval discussions}, |
| − | year = { | + | year = {1994}, |
| − | publisher = { | + | publisher = {E. J. Brill}, |
| − | address = {New York}, | + | address = {Leiden, New York, Köln}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.935: | Zeile 14.022: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stadler & Kruse 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stadler & Kruse 1995a, |
| − | author = { | + | author = {Stadler, Michael & Kruse, Peter}, |
| − | title = { | + | title = {The Function of Meaning in Cognitive Order Formation.}, |
| − | year = { | + | booktitle = {Ambiguity in mind and nature. Multistable cognitive phenomena}, |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kruse, Peter & Stadler, Michael}, |
| + | pages = {5–21}, | ||
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stafford 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stafford 1998a, |
| − | author = { | + | author = {Stafford, Barbara Maria}, |
| − | title = { | + | title = {Kunstvolle Wissenschaft. Aufklärung, Unterhaltung und der Niedergang der visuellen Bildung}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Verlag der Kunst}, |
| − | address = { | + | address = {Amsterdam/Dresden }, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 13.961: | Zeile 14.052: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Steinbrenner 2009a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Bildtheorien der analytischen Tradition}, |
| − | + | booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn}, | |
| − | year = { | + | year = {2009}, |
| − | + | editor = {Sachs-Hombach, Klaus}, | |
| − | + | pages = {284-315}, | |
| − | + | publisher = {Suhrkamp}, | |
| − | + | address = {Frankfurt a.M.}, | |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 13.977: | Zeile 14.069: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner 2004=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Steinbrenner 2004a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Zeichen über Zeichen. Grundlagen einer Theorie der Metabezugnahme}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {Synchron Wissenschaftsverlag der Autoren}, |
| − | + | address = {Heidelberg}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Steinbrenner 1999a, |
| − | title = { | + | author = {Steinbrenner, Jakob}, |
| − | year = { | + | title = {Zitatzeit - oder Füßchen der Gänse überall - oder worauf Zitate Bezug nehmen}, |
| − | editor = { | + | booktitle = {Bildgrammatik.Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen}, |
| − | publisher = { | + | year = {1999}, |
| − | address = { | + | editor = {Sachs-Hombach, K & Rehkämper, K.}, |
| + | pages = {135-144}, | ||
| + | publisher = {Scriptum}, | ||
| + | address = {Magdeburg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Steinbrenner 1996a, |
| − | author = { | + | author = {Steinbrenner, Jakob}, |
| − | title = { | + | title = {Kognitivismus in der Ästhetik}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Königshausen & Neumann}, |
| − | + | address = {Würzburg}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner & Glasauer 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Steinbrenner & Glasauer 2007a, |
| − | + | title = {Farben: Betrachtungen aus Philosophie und Naturwissenschaften}, | |
| − | title = { | + | year = {2007}, |
| − | + | editor = {Steinbrenner, Jakob & Glasauer, Stefan}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | editor = { | + | address = {Frankfurt a. M.}, |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Steinbrenner & Winko 1997a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Steinbrenner & Winko 1997a, |
| − | + | editor = {Steinbrenner, Jakob & Winko, Ulrich}, | |
| − | title = { | + | title = {Bilder in der Philosophie & in anderen Künsten & Wissenschaften}, |
| − | + | year = {1996}, | |
| − | + | publisher = {???}, | |
| + | address = {Paderborn}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stetter 1999a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stetter 1999a, |
| − | author = { | + | author = {Stetter, Christian}, |
| − | title = { | + | title = {Schrift und Sprache}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt a.M.}, |
| − | note = {}, | + | note = {(stw 1415)}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stetter 2005=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stetter 2005, |
| − | author = { | + | author = {Stetter, Christian}, |
| − | title = { | + | title = {Bild, Diagramm, Schrift}, |
| − | year = { | + | booktitle = {Schrift. Kulturtechnik zwischen Auge, Hand und Maschine}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Grube, Gernot & Kogge, Werner & Krämer, Sybille}, |
| + | pages = {115-135}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stiegler 2004a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stiegler 2004a, |
| − | author = { | + | author = {Stiegler, Bernd}, |
| − | title = { | + | title = {Digitale Photographie als epistemologischer Bruch und historische Wende}, |
| − | booktitle = { | + | booktitle = {Das Gesicht der Welt. Medien in der digitalen Kultur}, |
year = {1995}, | year = {1995}, | ||
| − | editor = { | + | editor = {Engell & Neitzel}, |
| − | pages = { | + | pages = {105-126}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stiegler 2009a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stiegler 2009a, |
| − | author = { | + | author = {Stiegler, Bernard}, |
| − | title = { | + | title = {Technics and Time 2. Disorientation}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Stanford University Press}, |
| − | address = { | + | address = {Stanford}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.108: | Zeile 14.193: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stierle 1984a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stierle 1984a, |
| − | author = { | + | author = {Stierle, Karlheinz}, |
| − | title = { | + | title = {Das bequeme Verhältnis. Lessings Laokoon und die Entdeckung des ästhetischen Mediums}, |
| − | booktitle = { | + | booktitle = {Das Laokoon-Projekt: Pläne einer semiotischen Ästhetik}, |
| − | year = { | + | year = {1984}, |
| − | editor = { | + | editor = {Gebauer, Gunter}, |
| − | pages = { | + | pages = {23-58}, |
| − | publisher = { | + | publisher = {Metzler}, |
| − | address = { | + | address = {Stuttgart}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.125: | Zeile 14.210: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stjernfelt 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stjernfelt 2007a, |
| − | author = { | + | author = {Stjernfelt, Frederik}, |
| − | title = { | + | title = {Diagrammatology.An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Dordrecht}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.138: | Zeile 14.223: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stoichita 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Stoichita 2008a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {The Pymalion Effect}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Chicago University Press}, |
| − | + | address = {Chicago}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stoichita 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Stoichita 1998a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {Das selbstbewusste Bild. Vom Ursprung der Metamalerei}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.180: | Zeile 14.249: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stöckl 2011a, |
| − | + | author = {Stöckl, Hartmut}, | |
| − | + | title = {Werbekommunikation semiotisch}, | |
| − | year = { | + | booktitle = {Handbuch Werbekommunikation}, |
| − | + | year = {2011}, | |
| − | address = { | + | editor = {Nina Janich}, |
| − | note = {}, | + | pages = {???}, |
| + | publisher = {UTB}, | ||
| + | address = {Tübingen}, | ||
| + | note = {erscheint Mitte 2011}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2009a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Beyond Depicting. Language-Image-Links in the Service of Advertising}, |
| − | year = { | + | journal = {AAA Arbeiten aus Anglistik und Amerikanistik}, |
| − | + | year = {2009}, | |
| − | + | volume = {34}, | |
| − | note = { | + | number = {1}, |
| + | pages = {3-28}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2009b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2009b, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {The Language-Image-Text. Theoretical and Analytical Inroads into Semiotic Complexity}, |
| − | + | journal = {AAA Arbeiten aus Anglistik und Amerikanistik}, | |
| − | year = { | + | year = {2009}, |
| − | + | volume = {34}, | |
| − | + | number = {2}, | |
| − | + | pages = {202-226}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2008a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Stöckl 2008a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Werbetypographie. Formen und Funktionen}, |
| − | booktitle = { | + | booktitle = {Werbung – grenzenlos. Multimodale Werbetexte im interkulturellen Vergleich}, |
| − | year = { | + | year = {2008}, |
| − | editor = { | + | editor = {Bendel, Sylvia & Held, Gudrun}, |
| − | pages = { | + | pages = {13–36}, |
| − | publisher = { | + | publisher = {Lang}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2005a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Typography: Body and Dress of a Text – A Signing Mode between Language and Image}, |
| − | year = { | + | journal = {Visual Communication}, |
| − | + | year = {2005}, | |
| − | + | volume = {4}, | |
| − | note = {}, | + | number = {2}, |
| + | pages = {204-214}, | ||
| + | note = {Special Issue “The New Typography”}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Stöckl 2004a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = {Das | + | title = {Die Sprache im Bild – Das Bild in der Sprache. Zur Verknüpfung von Sprache und Bild im massenmedialen Text}, |
| − | + | year = {2004}, | |
| − | year = { | + | publisher = {de Gruyter}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2004b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 2004b, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Typographie: Körper und Gewand des Textes. Linguistische Überlegungen zu typographischer Gestaltung}, |
| − | + | journal = {Zeitschrift für Angewandte Linguistik}, | |
| − | + | year = {2004}, | |
| − | + | volume = {}, | |
| + | number = {41}, | ||
| + | pages = {5-48}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Stöckl 2003a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | + | title = {„Imagine“: Stilanalyse multimodal. Am Beispiel des TV-Werbespots}, | |
| − | year = { | + | booktitle = {Sprachstil – Zugänge und Anwendungen. Ulla Fix zum 60. Geburtstag}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Barz, Irmhild & Lerchner, Gotthard & Schröder, }, |
| + | pages = {305-323}, | ||
| + | publisher = {Winter}, | ||
| + | address = {Heidelberg}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stöckl 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stöckl 1992a, |
| − | author = { | + | author = {Stöckl, Hartmut}, |
| − | title = { | + | title = {Der ‚picture relation type’ – Ein praktischer Analysemodus zur Beschreibung der vielfältigen Einbettungs- und Verknüpfungsbeziehungen von Bild und Text}, |
| − | year = { | + | journal = {Papiere zur Linguistik}, |
| − | + | year = {1992}, | |
| − | + | volume = {46}, | |
| + | number = {11}, | ||
| + | pages = {49-61}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stoesz 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @misc{Stoesz 2008a, |
| − | author = { | + | author = {Stoesz Brenda Marie}, |
| − | title = { | + | title = {The Role of Selective Attention in Perceptual Switching. }, |
| − | + | year = {2008}, | |
| − | year = { | + | howpublished = {Department of Psychology, University of Manitoba, Winnipeg, Manitoba}, |
| − | + | note = {Thesis Master of Arts Thesis}, | |
| − | + | hidden = {zuletzt geprüft am 17.03.2011}, | |
| − | + | url = {mspace.lib.umanitoba.ca/bitstream/1993/3083/1/BStoesz%20-%20MA%20thesis%202008%20revisions.pdf}, | |
| − | |||
| − | note = { | ||
| − | hidden = {}, | ||
| − | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Stoichita 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Stoichita 1998a, |
| − | author = { | + | author = {Stoichita, Victor I.}, |
| − | title = { | + | title = {Das selbstbewußte Bild. Vom Ursprung der Metamalerei}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Strätling & Witte 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Strätling & Witte 2006a, |
| − | + | title = {Die Sichtbarkeit der Schrift}, | |
| − | + | year = {2006}, | |
| − | + | editor = {Strätling,Susanne & Witte, Georg}, | |
| − | + | publisher = {Fink}, | |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Strauß 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Strauß 1998a, |
| − | author = { | + | author = {Strauß, Bernd (Hg.)}, |
| − | title = { | + | title = {Zuschauer}, |
| − | + | year = {1998}, | |
| − | year = { | + | publisher = {Hogrefe}, |
| − | + | address = {Göttingen [u.a.]}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Strenge 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Strenge_1998a, |
| − | author = { | + | author = {Strenge, Britta}, |
| − | title = { | + | title = {Typos/Typologie}, |
| − | + | booktitle = {Historisches Wörterbuch der Philosophie. Bd. 10}, | |
| − | year = { | + | year = {1998}, |
| − | + | editor = {Joachim Ritter et al.}, | |
| − | + | pages = {1587-1595}, | |
| − | + | publisher = {Schwabe Verlag}, | |
| − | note = { | + | address = {Basel}, |
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 14.387: | Zeile 14.462: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Striedter 1984a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Striedter 1984a, |
| − | author = { | + | author = {Striedter, K.H.}, |
| − | title = { | + | title = {Felsbilder der Sahara}, |
| − | year = { | + | year = {1984}, |
| − | publisher = { | + | publisher = {Prestel}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.400: | Zeile 14.475: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Strauss 1979a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Strauss 1979a, |
| − | author = { | + | author = {Strauss, M.S.}, |
| − | title = { | + | title = {Abstraction of prototypical information by adults and 10-month-old infants}, |
| − | journal = { | + | journal = {J. of Experimental Psychology: Human Leraning and Memory}, |
| − | year = { | + | year = {1979}, |
| − | volume = {}, | + | volume = {5}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {618-632}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.416: | Zeile 14.491: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Strothotte & Schlechtweg 2002a=== |
| + | <bibentry> | ||
| + | @book{Strothotte & Schlechtweg 2002a, | ||
| + | author = {Strothotte, Thomas & Schlechtweg, Stefan}, | ||
| + | title = {Non-photorealistic Computer Graphics: Modeling, Rendering, and Animation}, | ||
| + | year = {2002}, | ||
| + | publisher = {???}, | ||
| + | address = {San Francisco u.a}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Stüber & Stadler 1999a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Stüber & Stadler 1999a, |
| − | author = { | + | author = {Strüber, Daniel & Stadler, Michael}, |
| − | title = { | + | title = {Differences in top-down influences on the reversal rate of different categories of reversible figures}, |
| − | + | journal = {Perception}, | |
| − | year = { | + | year = {1999}, |
| − | + | volume = {28}, | |
| − | + | number = {}, | |
| − | + | pages = {1185–1196}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.433: | Zeile 14.519: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sturken & Cartwright 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Sturken & Cartwright 2001a, |
| − | author = { | + | author = {Sturken, M. & Cartwright L.}, |
| − | title = { | + | title = {Practices of Looking. An Introduction to Visual Culture}, |
| − | + | publisher = {Oxford University Press}, | |
| − | year = { | + | year = {2001}, |
| − | + | address = {Oxford, New York}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.449: | Zeile 14.533: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sütterlin 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sütterlin 1992a, |
| − | author = { | + | author = {Sütterlin, Ch.}, |
| − | title = { | + | title = {Schreck-Gesichter. Symbole des magischen Alltags}, |
| − | year = { | + | booktitle = {Symbole des Alltags, Alltag der Symbole}, |
| − | + | year = {1992}, | |
| − | note = { | + | editor = {Blaschitz, G.; et al. }, |
| − | hidden = { | + | pages = {517-554}, |
| − | url = { | + | publisher = {ADV}, |
| + | address = {Graz}, | ||
| + | note = {Festschrift Harry Kühnel zum 65. Geburtstag}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sütterlin 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sütterlin 1998a, |
| − | author = { | + | author = {Sütterlin, Ch. }, |
| − | title = { | + | title = {Grenzen der Komplexität. Die Kunst als Bild der Wirklichkeit. Neuropsychologische und ethologische Erkenntnisse in der Kunst}, |
| + | booktitle = {Vom Einfachen zur Ganzheitlichkeit. Das Problem der Komplexität auf organismischer und soziokultureller Ebene}, | ||
year = {1998}, | year = {1998}, | ||
| − | publisher = { | + | editor = {A.M. Wobus, & U. Wobus}, |
| − | address = { | + | pages = {167-188}, |
| + | publisher = {Nova Acta Leopoldina 77(304)}, | ||
| + | address = {}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Sulzer 1774a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Sulzer 1774a, |
| − | title = { | + | author = {Sulzer, Johann Georg}, |
| − | year = { | + | title = {Allgemeine Theorie der Schönen Künste}, |
| − | editor = { | + | booktitle = {Lexikon der Künster und der Ästhetik}, |
| − | publisher = { | + | year = {1771-74}, |
| − | address = { | + | editor = {}, |
| − | note = {}, | + | pages = {}, |
| + | publisher = {}, | ||
| + | address = {Leipzig}, | ||
| + | note = {Digitale Bibliothek Bd. 67, Berlin, 2004}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Susanka 2012=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Susanka 2012, |
| − | author = { | + | author = {Susanka, Thomas}, |
| − | title = { | + | title = {The Rhetorics of Authenticity: Photographic Representations of War}, |
| − | year = { | + | booktitle = {Paradoxes of Authenticity}, |
| − | publisher = { | + | year = {2012}, |
| − | address = { | + | editor = {Sraub, Julia}, |
| + | pages = {95-114}, | ||
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Szily 1999a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Szily 1999a, |
| − | author = { | + | author = {Szily, K.}, |
| − | title = { | + | title = {A magyar nyelvújítás szótára}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Nap Kiadó}, |
| − | + | address = {Budapest}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==T== |
| + | |||
| + | ===Tarski 1929a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tarski 1929a, |
| − | author = { | + | author = {Tarski, Alfred}, |
| − | title = { | + | title = {Les fondement de la géometrie des corps}, |
| − | year = { | + | year = {1929}, |
| − | publisher = { | + | publisher = {Société polonaise de mathématique}, |
| − | address = { | + | address = {Cracovie}, |
| − | note = {}, | + | note = {Erweiterte Fassung in Tarksi: Logique, Sémantique, Métamathématique. A. Colin, Paris 1972, Vol. 1, 27-34}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Tatarkiewicz 2003=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tatarkiewicz 2003, |
| − | author = { | + | author = {Tatarkiewicz, Wladysaw}, |
| − | title = { | + | title = {Geschichte der sechs Begriffe. Kunst • Schönheit • Form • Kreativität • Mimesis • Ästhetisches Erlebnis}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Frankfurt a.M.}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Thaliat 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Thaliat 2005a, |
| − | author = { | + | author = {Thaliat, Babu}, |
| − | title = { | + | title = {Perspektivierung als Modalität der Symbolisierung. Erwin Panofskys Unternehmung zur Ausweitung und Präzisierung des Symbolisierungsprozesses in der Philosophie der symbolischen Formen von Ernst Cassirer}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Königshausen & Neumann}, |
| − | address = { | + | address = {Würzburg}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Thielmann & Schröter 2007a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Thielmann & Schröter 2007a, | ||
| + | title = {Display II: Digital. Navigationen}, | ||
| + | year = {2007}, | ||
| + | editor = {Thielmann, Tristan & Schröter, Jens}, | ||
| + | publisher = {<em>Zeitschrift für Medien- und Kulturwissenschaften</em>}, | ||
| + | address = {}, | ||
| + | note = {Jg. 7, H. 2}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Tholen 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tholen 2003a, |
| − | author = { | + | author = {Tholen, Georg Christoph}, |
| − | title = { | + | title = {Die Zäsur der Medien. Kulturphilosophische Konturen}, |
| − | + | year = {2003}, | |
| − | year = { | + | publisher = {Suhrkamp}, |
| − | + | address = {Frankfurt am Main}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Thornhill & Gangestad 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Thornhill & Gangestad 1993a, |
| − | author = { | + | author = {Thornhill, R. & Gangestad, S.W. }, |
| − | title = { | + | title = {Human facial beauty: averageness, symmetry and parasite resistance}, |
| − | + | journal = {Human nature}, | |
| − | year = { | + | year = {1993}, |
| − | + | volume = {4}, | |
| + | number = {}, | ||
| + | pages = {237-269}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Thürlemann 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Thürlemann 1990a, |
| − | author = { | + | author = {Thürlemann, Felix}, |
| − | title = { | + | title = {Vom Bild zum Raum. Beiträge zu einer semiotischen Kunstwissenschaft}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {DuMont}, |
| − | + | address = {Köln}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Thürlemann 1984a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Thürlemann 1984a, |
| − | author = { | + | author = {Thürlemann, Felix}, |
| − | title = { | + | title = {Die Farbe in der Malerei: Symbolischer und semi-symbolischer Bedeutungsmodus}, |
| − | booktitle = { | + | booktitle = {Semiotics Unfolding. Proceedings of the Second Congress of the International Association for Semiotic Studies}, |
| − | year = { | + | year = {1984}, |
| − | editor = { | + | editor = {Tasso Borbé}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Mouton}, |
| − | address = {}, | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Tischner 1954a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tischner 1954a, |
| − | author = { | + | author = {Tischner, H.}, |
| − | title = { | + | title = {Kunst der Südsee}, |
| − | + | year = {1954}, | |
| − | year = { | + | publisher = {???}, |
| − | + | address = {Hamburg}, | |
| − | + | note = {}, | |
| − | publisher = {}, | ||
| − | address = { | ||
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Todorov 1977=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Todorov 1977, |
| − | author = { | + | author = {Todorov, Tzvetan}, |
| − | title = { | + | title = {Symboltheorien}, |
| − | + | year = {1995}, | |
| − | year = { | + | publisher = {Niemeyer}, |
| − | + | address = {Tübingen}, | |
| − | + | note = {[frz. Original 1977]}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Topper 2000a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Topper 00a, |
| − | author = { | + | author = {Topper, David}, |
| − | + | title = {On Anamorphosis. Setting Some Things Straight}, | |
| − | year = { | + | journal = {Leonardo}, |
| − | + | year = {2000}, | |
| − | + | volume = {33}, | |
| + | number = {2}, | ||
| + | pages = {115-124}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Tótfalusi 2002a=== |
| + | <bibentry> | ||
| + | @book{Tótfalusi 2002a, | ||
| + | author = {Tótfalusi, I.}, | ||
| + | title = {Magyar szótörténeti szótár}, | ||
| + | year = {2002}, | ||
| + | publisher = {Anno Kiadó}, | ||
| + | address = {Budapest}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Totzke 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Totzke 2004a, |
| − | author = { | + | author = {Totzke, Rainer}, |
| − | title = { | + | title = {Buchstaben-Folgen. Schriftlichkeit, Wissenschaft und Heideggers Kritik an der Wissenschaftsideologie}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {Welbrück}, |
| − | address = { | + | address = {Weilerswist}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Trier 1992a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Trier 1992a, |
| − | author = { | + | author = {Trier, Eduard }, |
| − | title = { | + | title = {Bildhauereitheorien des 20. Jahrhundert}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Mann}, |
| − | address = { | + | address = {Berlin}, |
| − | note = {}, | + | note = {4. Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Troje & McAdam 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Troje & McAdam 2010a, |
| − | author = { | + | author = {Troje, N. F. & McAdam, M.}, |
| − | title = { | + | title = {The viewing-from-above bias and the silhouette illusion}, |
| − | year = { | + | journal = {i-Perception}, |
| − | + | year = {2010}, | |
| − | + | volume = {1}, | |
| + | number = {3}, | ||
| + | pages = {143–148}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {i-perception.perceptionweb.com/fulltext/i01/i0408.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Trübner 1940=== |
<bibentry> | <bibentry> | ||
| − | @proceedings{ | + | @proceedings{Trübner 1940, |
| − | title = { | + | title = {Trübners Deutsches Wörterbuch. Bd. 2: C-F}, |
| − | year = { | + | year = {1940}, |
| − | editor = { | + | editor = {Alfred Göze}, |
| − | publisher = { | + | publisher = {de Gruyter }, |
| − | address = {}, | + | address = {Berlin}, |
| − | note = { | + | note = {Art. „darstellen“, S. 27}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kwo Da-Wei 1981a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kwo Da-Wei 81a, |
| − | author = { | + | author = {Kwo Da-Wei}, |
| − | title = { | + | title = {Chinese Brushwork - Its History, Aesthetics and Technics}, |
| − | year = { | + | year = {1981}, |
| − | publisher = { | + | publisher = {Allanheld & Schram}, |
| − | address = { | + | address = {Montclair}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.733: | Zeile 14.844: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Tseng 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tseng 93a, |
| − | author = { | + | author = {Tseng, Yu-ho}, |
| − | title = { | + | title = {A History of Chinese Calligraphy}, |
| − | + | year = {1993a}, | |
| − | year = { | + | publisher = {Chinese University Press}, |
| − | + | address = {Hongkong}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Tugendhat 1976a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Tugendhat 1976a, |
| − | author = { | + | author = {Tugendhat, Ernst}, |
| − | title = { | + | title = {Vorlesungen zur Einführung in die sprachanalytische Philosophie}, |
| − | year = { | + | year = {1976}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Tugendhat & Wolf 1983a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Tugendhat & Wolf 1983a, |
| − | author = { | + | author = {Tugendhat, Ernst & Wolf, Ursula}, |
| − | title = { | + | title = {Logisch-semantische Propädeutik}, |
| − | + | year = {1983}, | |
| − | year = { | + | publisher = {Reclam}, |
| − | + | address = {Stuttgart}, | |
| − | + | note = {(revid. 1986)}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==U== |
| + | ===Ullrich 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Ullrich 1997a, |
| − | author = { | + | author = {Ullrich, Wolfgang}, |
| − | title = { | + | title = {Digitaler Nominalismus. Zum Status der Computerfotografie}, |
| − | year = { | + | journal = {Fotogeschichte}, |
| − | + | year = {1997}, | |
| − | + | volume = {}, | |
| + | number = {64}, | ||
| + | pages = {63-73}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==V== |
| + | ===Vaihinger 1997a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Vaihinger 1997a, |
| − | author = { | + | author = {Vaihinger, Dirk}, |
| − | title = { | + | title = {Virtualität und Realität – Die Fiktionalisierung der Wirklichkeit und die unendliche Information}, |
| − | + | booktitle = {Künstliche Paradiese, Virtuelle Realitäten. Künstliche Räume in Literatur-, Sozial-, und Naturwissenschaften}, | |
| − | + | year = {1997}, | |
| − | + | editor = {Krapp, Holger & Wägenbaur, Thomas}, | |
| − | + | pages = {19-43}, | |
| − | + | publisher = {Wilhelm Fink}, | |
| − | } | + | address = {München}, |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.819: | Zeile 14.913: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Valenza et al. 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Valenza et al. 1996a, |
| − | author = { | + | author = {Valenza, E.; Simion, F.; Cassia, V.M. & Umiltà, C.}, |
| − | title = { | + | title = {Face preference at birth}, |
| − | year = { | + | journal = {J. of experimental Psychology (Human Perception and Performance) }, |
| − | + | year = {1996}, | |
| − | + | volume = {22}, | |
| + | number = {4}, | ||
| + | pages = {892-903}, | ||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Varela 1990a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Varela 1990a, |
| − | author = { | + | author = {Varela, Francisco J.}, |
| − | title = { | + | title = {Kognitionswissenschaft, Kognitionstechnik. Eine Skizze aktueller Perspektiven}, |
| − | year = { | + | year = {1990}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.845: | Zeile 14.940: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vasari 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Vasari 2006a, |
| − | author = { | + | author = {Vasari, Georgio }, |
| − | title = { | + | title = {Einführung in die Künste der Architektur, Bildhauerei und Malerei}, |
| − | year = { | + | year = {2006}, |
| − | publisher = { | + | editor = {Burioni, M.}, |
| + | publisher = {Klaus Wagenbach}, | ||
address = {Berlin}, | address = {Berlin}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vasmer 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vasmer 1986a, |
| − | + | author = {Vasmer, Max}, | |
| − | + | title = {Ėtymologičeskij slovar' russkogo jasyka. Perevod s nemezkogo jasyka O. N. Trubačeva. V četyrëch tomach}, | |
| − | + | year = {1986}, | |
| − | publisher = { | + | publisher = {??}, |
| − | address = { | + | address = {Moskva}, |
| − | note = { | + | note = {2. Ausgabe}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===VCQ 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{VCQ 1996a, |
| − | author = { | + | author = {}, |
| − | title = { | + | title = {Visual Culture Questionnaire}, |
| − | year = { | + | journal = {October}, |
| − | + | year = {1996}, | |
| − | + | volume = {77}, | |
| + | pages = {25-70}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Veltman 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Veltman 1986a, |
| − | author = { | + | author = {Veltman, Kim H.}, |
| − | title = { | + | title = {Perspective, Anamorphosis and Vision}, |
| − | year = { | + | journal = {Marburger Jahrbuch}, |
| − | + | year = {1986}, | |
| − | + | volume = {21}, | |
| + | number = {}, | ||
| + | pages = {93-117}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Ventola et al. 2009a=== | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Ventola et al. 2009a, |
| − | author = { | + | author = {Ventola, Eija & Guijarro, Moya & Arsenio, Jesús}, |
| − | title = { | + | title = {The World Told and the World Shown. Multisemiotic Issues}, |
| − | year = { | + | year = {2009}, |
| − | publisher = { | + | publisher = {Palgrave Macmillan}, |
| − | address = { | + | address = {Basingstoke}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Venus 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Venus 2009a, |
| − | author = { | + | author = {Venus, Jochen}, |
| − | title = { | + | title = {Raumbild und Tätigkeitssimulation. Video- und Computerspiele als Darstellungsmedien des Tätigkeitsempfindens}, |
| − | year = { | + | booktitle = {Das Raumbild. Bilder jenseits ihrer Flächen}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Winter, Gundolf; Schröter, Jens & Barck, Joanna}, |
| − | note = { | + | pages = {259-280}, |
| + | publisher = {???}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Vieu 1991a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vieu 1991a, |
| − | author = { | + | author = {Vieu,Laure}, |
| − | title = { | + | title = {Sémantique des relations spatiales et inférences spatio-temporelles: Une contribution á l'étude des structures formelles de l'espace en Langage Naturel}, |
| − | + | year = {1991}, | |
| − | + | publisher = {INRI, Université Paul Sabatier}, | |
| − | + | address = {Toulouse}, | |
| − | + | note = {Doctoral Thesis}, | |
| − | + | hidden = {}, | |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Vischer 1873a=== |
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vischer 1873a, |
| − | author = { | + | author = {Vischer, Robert}, |
| − | title = { | + | title = {Ueber das optische Formgefühl. Ein Beitrag zur Ästhetik}, |
| − | + | year = {1873}, | |
| − | year = { | + | publisher = {Credner}, |
| − | + | address = {Leipzig}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vögtli u. Ernst 2007a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Vögtli u. Ernst 2007a, |
| − | author = { | + | author = {Vögtli, Alexander; Beat Ernst}, |
| − | title = { | + | title = {Wissenschaftliche Bilder. Eine kritische Betrachtung}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Schwabe Verlag}, |
| − | + | address = {Basel}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Völker 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Völker 2010a, |
| − | author = { | + | author = {Völker, Clara}, |
| − | title = { | + | title = {Mobile Medien. Zur Genealogie des Mobilfunks und zur Ideengeschichte von Virtualität}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Transcript}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 14.996: | Zeile 15.078: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vogel 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Vogel 2003a, |
| − | author = { | + | author = {Vogel, Matthias}, |
| − | title = { | + | title = {Medien als Voraussetzungen für Gedanken}, |
| − | year = { | + | booktitle = {Medienphilosophie. Beiträge zur Klärung eines Begriffs}, |
| − | editor = { | + | year = {2003}, |
| − | publisher = { | + | editor = {Münker, Stefan; Roesler, Alexander & Sandbothe, Mike}, |
| − | address = { | + | pages = {107-134 + 213-215 [Anmerkungen]}, |
| + | publisher = {Fischer}, | ||
| + | address = {Frankfurt a.M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vogel 2001a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Vogel 2001a, |
| − | author = { | + | author = {Vogel, Matthias}, |
| − | title = { | + | title = {Medien der Vernunft. Eine Theorie des Geistes und der Rationalität auf Grundlage einer Theorie der Medien}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Suhrkamp}, |
| − | address = { | + | address = {Frankfurt/M.}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vogl 2001a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Vogl 2001a, |
| − | author = {}, | + | author = {Vogl, Joseph}, |
| − | title = { | + | title = {Medien-Werden. Galileis Fernrohr}, |
| − | journal = { | + | journal = {Archiv für Mediengeschichte}, |
| − | year = { | + | year = {2001}, |
| − | volume = { | + | volume = {1}, |
| − | pages = { | + | pages = {115-124}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.038: | Zeile 15.123: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Volkelt 1905a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Volkelt 1905a, |
| − | author = { | + | author = {Volkelt, Johannes}, |
| − | title = { | + | title = {System der Ästhetik. Erster Band: Grundlegung der Ästhetik}, |
| − | + | year = {1905}, | |
| − | year = { | + | publisher = {Beck}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Vorländer 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Vorländer 2003a, |
| − | author = { | + | author = {Vorländer, Hans}, |
| − | + | title = {Demokratie und Ästhetik. Zur Rehabilitierung eines problematischen Zusammenhangs}, | |
| − | year = { | + | booktitle = {Zur Ästhetik der Demokratie. Formen der politischen Selbstdarstellung}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Vorländer, Hans}, |
| + | pages = {11-26}, | ||
| + | publisher = {Deutsche Verlags-Anstalt}, | ||
| + | address = {Stuttgart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ==W== |
| + | |||
| + | ===Wade et al. 2010a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Wade et al. 2010a, |
| − | author = { | + | author = {Wade, Nicholas J.; Campbel, Robin N.; Ross, Helen E. & Lingelbach, Bernd}, |
| − | title = { | + | title = {Necker in Scotch perspective}, |
| − | + | journal = {Perception}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {39}, | |
| − | + | number = {}, | |
| − | + | pages = {1–4}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Wagner 2006a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Wagner 2006a, |
| − | author = { | + | author = {Wagner, Peter}, |
| − | title = { | + | title = {Nachwort}, |
| − | year = { | + | booktitle = {Lesen ist wie Sehen. Intermediale Zitate in Bild und Text}, |
| − | publisher = { | + | year = {2006}, |
| − | address = { | + | editor = {Horstkotte, S. & Leonhard, K.}, |
| − | note = { | + | pages = {211-225}, |
| + | publisher = {Böhlau}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Wagner 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Wagner 1996, |
| − | author = { | + | author = {Wagner, Peter}, |
| − | title = { | + | title = {Introduction: Ekphrasis, Iconotexts, and Intermediality - the State(s) of the Art(s)}, |
| − | + | booktitle = {Icons - texts - iconoctexts}, | |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {Ders.}, |
| + | pages = {1-42}, | ||
| + | publisher = {De Gruyter}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Waldenfels 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Waldenfels 2010a, |
| − | author = { | + | author = {Waldenfels, Bernhard}, |
| − | title = { | + | title = {Sinne und Künste im Wechselspiel. Modi ästhetischer Erfahrung}, |
year = {2010}, | year = {2010}, | ||
| − | publisher = { | + | publisher = {Suhrkamp Verlag}, |
| − | address = { | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.121: | Zeile 15.218: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Waldenfels 1999a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Waldenfels 1999a, |
| − | author = { | + | author = {Waldenfels, Bernhard}, |
| − | title = { | + | title = {Ordnungen des Sichtbaren}, |
| − | booktitle = { | + | booktitle = {Sinnesschwellen}, |
| − | year = { | + | year = {1999}, |
| − | editor = { | + | editor = {???}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = {Frankfurt | + | address = {Frankfurt am Main}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.138: | Zeile 15.235: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Walton 1973a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Walton 1973a, |
| − | author = { | + | author = {Kendall L. Walton}, |
| − | + | title = {Pictures as Make-Believe}, | |
| − | year = { | + | journal = {The Philosophical Review}, |
| − | + | year = {1973}, | |
| − | + | volume = {82}, | |
| + | number = {3}, | ||
| + | pages = {283-319}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Walton 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Walton 1990a, |
| − | author = { | + | author = {Walton, Kendall L.}, |
| − | title = { | + | title = {Mimesis as make-believe : on the foundations of the representational arts}, |
| − | + | year = {1990}, | |
| − | + | publisher = {Harvard Univ. Press}, | |
| − | + | address = {Cambridge, Mass. [u.a.]}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Wandhoff 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Wandhoff 2003a, |
| − | author = { | + | author = {Wandhoff, Heiko}, |
| − | title = { | + | title = {Ekphrasis: Kunstbeschreibungen und virtuelle Räume in der Literatur des Mittelalters}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.179: | Zeile 15.277: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Wandhoff 2001a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Wandhoff 2001a, |
| − | author = { | + | author = {Wandhoff, Heiko}, |
| − | title = { | + | title = {Ekphrasis. Bildbeschreibungen in der Literatur von der Antike bis in die Gegenwart}, |
| − | booktitle = {Zur | + | booktitle = {Audiovisualität vor und nach Gutenberg. Zur Kulturgeschichte der medialen Umbrüche}, |
| − | year = { | + | year = {2001}, |
| − | editor = { | + | editor = {Wenzel, Horst}, |
| − | pages = { | + | pages = {175-184}, |
| − | publisher = { | + | publisher = {Verlag des Kunsthistor. Museums Wien}, |
| − | address = { | + | address = {Wien}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.196: | Zeile 15.294: | ||
</bibentry> | </bibentry> | ||
| − | == | + | ===Warburg 2008a=== |
| − | |||
| − | |||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Warburg 2008a, |
| − | author = { | + | author = {Warburg, Aby}, |
| − | title = { | + | title = {Der Bilderatlas Mnemosyne (2000)}, |
| − | + | year = {2008}, | |
| − | + | editor = {Warnke, Martin; unter Mitarbeit von Brink, Claudia}, | |
| − | + | publisher = {Akademie}, | |
| − | + | address = {Berlin}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Warnke 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Warnke 1993a, |
| − | + | title = {Bildersturm. Die Zerstörung des Kunstwerks}, | |
| − | title = { | + | year = {1993}, |
| − | + | editor = {Warnke, Martin}, | |
| − | year = { | + | publisher = {S. Fischer Verlag}, |
| − | editor = { | + | address = {Frankfurt/M.}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Warnke 1984a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Warnke 1984a, |
| − | author = { | + | author = {Warnke, Martin}, |
| − | title = { | + | title = {Politische Architektur in Europa vom Mittelalter bis heute: Repräsentation und Gemeinschaft}, |
| − | + | year = {1984}, | |
| − | year = { | + | publisher = {DuMont}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Watt 2002a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Watt 2002a, |
| − | author = { | + | author = {Watt, Alan}, |
| − | title = { | + | title = {3D-Computergrafik}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {???}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Webb 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Webb 2009a, |
| − | author = { | + | author = {Webb, Ruth}, |
| − | title = { | + | title = {Ekphrasis, imagination and persuasion in ancient rhetorical theory and practice}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {Ashgate}, |
| − | + | address = {Farnham [u.a.]}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Webb 1999a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Webb 1999a, |
| − | author = { | + | author = {Webb, Ruth}, |
| − | title = { | + | title = {Ekphrasis ancient and modern: the invention of a genre}, |
| − | journal = { | + | journal = {Word & Image}, |
| − | year = { | + | year = {1999}, |
| − | volume = { | + | volume = {15}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {7-18}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.294: | Zeile 15.374: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Weber 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Weber 2000a, |
| − | author = { | + | author = { Weber, Hartmut}, |
| − | title = { | + | title = {Windmühlen oder Mauern? Die Archive und der neue Wind in der Informationstechnik}, |
| − | year = { | + | booktitle = {Digitale Archive - Ein neues Paradigma?}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Metzing, Andreas}, |
| + | pages = {79-94}, | ||
| + | publisher = {???}, | ||
| + | address = {Marburg }, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Weidenmann 1988a === | ||
| + | <bibentry> | ||
| + | @book{Weidenmann 1988a, | ||
| + | author = {Weidenmann, Bernd }, | ||
| + | title = {Psychische Prozesse beim Verstehen von Bildern}, | ||
| + | year = {1988}, | ||
| + | publisher = {Huber}, | ||
| + | address = { Bern u.a.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.307: | Zeile 15.402: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Weiss im Erscheinen=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Weiss im Erscheinen, |
| − | author = { | + | author = {Weiss, Dieter G.}, |
| − | title = { | + | title = {Das neue Bild der Zelle: Wechsel der Sichtweisen in der Zellbiologie durch neue Mikroskopieverfahren}, |
| − | year = { | + | booktitle = {Visualisierung und Erkenntnis. Bildverstehen und Bildverwenden in Natur- und Geisteswissenschaften}, |
| − | publisher = { | + | year = {im Erscheinen}, |
| − | address = { | + | editor = {Mößner, Nicola; Dimitri Liebsch }, |
| + | pages = {}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Weiss 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Weiss 2009a, |
| − | author = { | + | author = {Weiss, G. }, |
| − | title = { | + | title = {Masken begleiten, erinnern, ehren und erneuern}, |
| − | booktitle = { | + | booktitle = {Wir sind Maske}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Ferino-Pagden, S.}, |
| − | pages = { | + | pages = {???}, |
| − | publisher = { | + | publisher = {Kunsthistorisches Museum}, |
address = {Wien}, | address = {Wien}, | ||
note = {}, | note = {}, | ||
| Zeile 15.337: | Zeile 15.436: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Wellbery 1977=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Wellbery 1977, |
| − | author = { | + | author = {Wellbery, David E.}, |
| − | title = { | + | title = {Aesthetics and Semiotics in the German Enlightenment}, |
| − | year = { | + | year = {1977}, |
| − | + | publisher = {???}, | |
| − | publisher = { | + | address = {Yale University}, |
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.351: | Zeile 15.449: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Werckmeister 2005a=== |
<bibentry> | <bibentry> | ||
| − | + | @book{Werckmeister 2005a, | |
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| − | @book{Werckmeister 2005a, | ||
author = {Werckmeister, Otto Karl}, | author = {Werckmeister, Otto Karl}, | ||
title = {Der Medusa Effekt. Politische Bildstrategien seit dem 11. September 2001}, | title = {Der Medusa Effekt. Politische Bildstrategien seit dem 11. September 2001}, | ||
| Zeile 15.509: | Zeile 15.483: | ||
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
address = {Cambridge MA}, | address = {Cambridge MA}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Wiegand 1981a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Wiegand 1981a, | ||
| + | title = {Die Wahrheit der Photographie. Klassische Bekenntnisse zu einer neuen Kunst }, | ||
| + | year = {1981}, | ||
| + | editor = {Wiegand, Wilfried }, | ||
| + | publisher = {S. Fischer}, | ||
| + | address = {Frankfurt am Main}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 15.926: | Zeile 15.913: | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Zimmermann 2009a=== | ||
| + | <bibentry> | ||
| + | @book{Zimmermann 2009a, | ||
| + | author = {Zimmermann, Anja}, | ||
| + | title = {Ästhetik der Objektivität. Genese und Funktion eines wissenschaftlichen und künstlerischen Stils im 19. Jahrhundert}, | ||
| + | year = {2009}, | ||
| + | publisher = {transcript Verlag}, | ||
| + | address = {Bielefeld}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Version vom 14. Februar 2012, 13:58 Uhr
Inhaltsverzeichnis
- 1 A
- 1.1 Adelmann 2009a
- 1.2 Adelmann 2004a
- 1.3 Adelung 1811
- 1.4 Adorno 2003
- 1.5 Alberti 2000a
- 1.6 Alleton 2003a
- 1.7 Althusser & Balibar 1972
- 1.8 Alpers 1985a
- 1.9 Amelunxen 1996a
- 1.10 Anders 2009a
- 1.11 Andree 2006
- 1.12 Appadurai 2003a
- 1.13 Aristoteles 1997
- 1.14 Aristoteles 1995a
- 1.15 Aristoteles 1995b
- 1.16 Aristoteles 1995c
- 1.17 Asemissen & Schweikhart 1994a
- 1.18 Asher & Vieu 1995a
- 1.19 Asmuth 1994a
- 1.20 Asmuth 1998a
- 1.21 Assmann 2011a
- 1.22 Attneave 1971a
- 1.23 Auerbach 1946
- 1.24 Augustinus 2002
- 1.25 Aurnague & Vieu 1993a
- 1.26 Austin 1972a
- 2 B
- 2.1 Baader 2003a
- 2.2 Bachmann-Medick 2006a
- 2.3 Badakshi 2006a
- 2.4 Badt 1963a
- 2.5 Bätschmann 2009a
- 2.6 Baigrie 1996a
- 2.7 Balázs 2001a
- 2.8 Bal 1999a
- 2.9 Balázs 2001b
- 2.10 Baltrušaitis 1977a
- 2.11 Barabash 2010a
- 2.12 Barthes 1977a
- 2.13 Barthes 1964a
- 2.14 Barthes 1989a
- 2.15 Barwise & Perry 1984a
- 2.16 Batchen 1998a
- 2.17 Batchen 2000a
- 2.18 Batteux 1746/1770
- 2.19 Bauch 1994a
- 2.20 Baudrillard 1978a
- 2.21 Baudrillard 2000a
- 2.22 Bauer/Ernst 2010
- 2.23 Baumann 2011a
- 2.24 Baumberger 2010a
- 2.25 Baxandall 1972a
- 2.26 Baxandall 1990a
- 2.27 Baxmann 2001a
- 2.28 Bayer 1984
- 2.29 Bechtloff 2001a
- 2.30 Beckmann 1995
- 2.31 Beil 2010a
- 2.32 Belach & Jacobsen 1993
- 2.33 Beller 2005a
- 2.34 Belting 2008a
- 2.35 Belting 2004a
- 2.36 Belting 2002a
- 2.37 Belting 2001a
- 2.38 Belting 1998a
- 2.39 Belting 1983a
- 2.40 Belting & Haustein 1998a
- 2.41 Benjamin 1939a
- 2.42 Benkő 1976a
- 2.43 Bergson 1948a
- 2.44 Berlewi 1924a
- 2.45 Bernays 1970a
- 2.46 Bernhardt et al. 2009a
- 2.47 Bertram et al. 2008a
- 2.48 Berz 2009a
- 2.49 Bevers 1985a
- 2.50 Beyme 2004a
- 2.51 Bidlo 2008a
- 2.52 Biederman 1995a
- 2.53 Bieger 2007a
- 2.54 Billeter 1990a
- 2.55 Birk 2012a
- 2.56 Birk 2012b
- 2.57 Black 1972
- 2.58 Blanke 2003
- 2.59 Blümle & von der Heiden 2005
- 2.60 Block 1990a
- 2.61 Bloomfield 1933a
- 2.62 Blumenberg 1986a
- 2.63 Blumenberg 1969a
- 2.64 Blumenberg 1957a
- 2.65 Boeder 1996a
- 2.66 Boehm 1969a
- 2.67 Boehm 2008a
- 2.68 Boehm 2007a
- 2.69 Boehm 2005a
- 2.70 Boehm 2004a
- 2.71 Boehm 2004b
- 2.72 Boehm 2001a
- 2.73 Boehm 1999a
- 2.74 Boehm 1977a
- 2.75 Boehm & Pfotenhauer 1995a
- 2.76 Boehm 1995a
- 2.77 Boehm 1994a
- 2.78 Boehm 1994b
- 2.79 Boehm 1994c
- 2.80 Boehm 1985a
- 2.81 Boehm 1978a
- 2.82 Boehm & Mersmann & Spies 2008a
- 2.83 Böhme 2004a
- 2.84 Böhme 1999a
- 2.85 Böhn 1999a
- 2.86 Böcking 2008
- 2.87 Bogen 2005a
- 2.88 Bogen 2005b
- 2.89 Bogen & Thürlemann 2003
- 2.90 Bonsiepe 1968a
- 2.91 Borgo & Masolo 2010a
- 2.92 Bousso 2002a
- 2.93 Brachfeld 1976a
- 2.94 Brandt 1999a
- 2.95 Brandom 2000a
- 2.96 Bredekamp 2007a
- 2.97 Bredekamp 2005a
- 2.98 Bredekamp 2004a
- 2.99 Bredekamp 2003a
- 2.100 Bredekamp 2000a
- 2.101 Bredekamp 1994a
- 2.102 Bredekamp et al. 2008a
- 2.103 Bredekamp & Schneider 2006a
- 2.104 Bredekamp 2010a
- 2.105 Brentano 1930a
- 2.106 Britz et al. 2010a
- 2.107 Britz et al. 2009a
- 2.108 Brugger 1999a
- 2.109 Brugger & Brugger 1993a
- 2.110 Bruhn 2000a
- 2.111 Brunet 2008a
- 2.112 Brunner 2009a
- 2.113 Brunner-Traut 1992a
- 2.114 Bruno 2007a
- 2.115 Bryson 2001a
- 2.116 Bühler 2000a
- 2.117 Büttner 2002a
- 2.118 Büttner 2003a
- 2.119 Bucher 2011a
- 2.120 Bucher2010a
- 2.121 Buchholz 1999a
- 2.122 Buchner 1665
- 2.123 Buchwald 1989a
- 2.124 Bühler 1933a
- 2.125 Bühler 1934a
- 2.126 Bürger 1784
- 2.127 Burckhardt 2001a
- 2.128 Burke 2003a
- 2.129 Busch 2004a
- 2.130 Busch & Därmann 2007a
- 2.131 Butler 2001a
- 2.132 Büttner & Gottdank 2009a
- 3 C
- 3.1 Caglioti 1995a
- 3.2 Calame & Thouvenin 2008a
- 3.3 Campe 2006a
- 3.4 Canetti 2011a
- 3.5 Canisius 1987a
- 3.6 Carani 1986a
- 3.7 Carbone 2001a
- 3.8 Carlbom & Paciorek 1978a
- 3.9 Carnap 1947a
- 3.10 Cartwright 1983a
- 3.11 Casey 2007a
- 3.12 Casey 2005a
- 3.13 Casey 2002a
- 3.14 Cassirer 2010a
- 3.15 Cassirer 2009a
- 3.16 Cassirer 1990a
- 3.17 Cassirer 1989a
- 3.18 Cassirer 1930a
- 3.19 Cassirer 1929a
- 3.20 Cassirer 1925a
- 3.21 Cassirer 1923a
- 3.22 CCALED
- 3.23 Černych 2001a
- 3.24 Cha & Rautzenberg 2008a
- 3.25 Chalmers 2007a
- 3.26 Chastel 1990
- 3.27 Chateau 1976a
- 3.28 Cheeke 2008a
- 3.29 Chen 2009a
- 3.30 Ch'en 1966a
- 3.31 Chiang 1973a
- 3.32 Chion 1999
- 3.33 Chomsky 1957a
- 3.34 Christian 2009a
- 3.35 Cipolla et al. 2010a
- 3.36 Clarke 1981a
- 3.37 Collingwood 1945
- 3.38 Coy 1997a
- 3.39 Coulmas 1999a
- 3.40 Cunningham et al. 1995a
- 3.41 Cunningham 1986a
- 4 D
- 4.1 Damisch 1987a
- 4.2 Damisch 2010a
- 4.3 Darwin 1872a
- 4.4 Daston u. Galison 1992a
- 4.5 Daut 1975a
- 4.6 Davidson 2004a
- 4.7 Davies 1991
- 4.8 da Vinci 1958a
- 4.9 Debray 1999a
- 4.10 Debray 1999b
- 4.11 DeFrancis 1989a
- 4.12 Delaborde 1870a
- 4.13 Deleuze 1993
- 4.14 Deleuze 1989a
- 4.15 Demuth 2007a
- 4.16 Depaulo 1992a
- 4.17 Derrida 2007a
- 4.18 Derrida 1992a
- 4.19 de Duve 1990a
- 4.20 Descartes 1965a
- 4.21 Descartes 1637a
- 4.22 de Schonen et.al. 1994a
- 4.23 Dewey 1934a
- 4.24 Diderot 1751
- 4.25 Didi-Huberman 2005a
- 4.26 Didi-Huberman 2000a
- 4.27 Didi-Huberman 1999a
- 4.28 Diekmannshenke et al. 2010a
- 4.29 Dion 2002a
- 4.30 Dirmoser 2004
- 4.31 Dirmoser 2006
- 4.32 Ditzinger 2006a
- 4.33 Dobbe 2003a
- 4.34 Dobbe 2002a
- 4.35 Dobbe 1999a
- 4.36 Doelker 2007a
- 4.37 Doelker 2001a
- 4.38 Döring 2009a
- 4.39 Downey 1959a
- 4.40 Drechsel 2006a
- 4.41 Drosdowski 1989a
- 4.42 Drosdowski 1988a
- 4.43 Drügh 2006a
- 4.44 Dubois 1998a
- 4.45 Dubos 1760-61
- 4.46 Duden 1999a
- 4.47 Dudenredaktion 2003a
- 4.48 Dürre 2007a
- 4.49 Durand 1987a
- 5 E
- 5.1 Ebert 1979a
- 5.2 Eco 1984a
- 5.3 Eco 1998
- 5.4 Eddiks 2004a
- 5.5 Edgerton 2002a
- 5.6 Eibl-Eibesfeldt & Sütterlin 1992a
- 5.7 Eibl-Eibesfeldt & Sütterlin 2008a
- 5.8 Eibl-Eibesfeldt 1995a
- 5.9 Eibl-Eibesfeldt 1973a
- 5.10 Eilert 1991a
- 5.11 Ėizenštein 1975a
- 5.12 Eismann 1985a
- 5.13 Ekman 1973b
- 5.14 Elgin 1992
- 5.15 Elgin 1993a
- 5.16 Elgin 1983
- 5.17 Elkins 2003a
- 5.18 Elkins 1999a
- 5.19 Ellgring 1989a
- 5.20 Else 1958
- 5.21 Engell 1999a
- 5.22 Enright 1987a
- 5.23 Erlbaugh 2002a
- 5.24 Ernst 2002a
- 5.25 Ernst & Heidenreich 1999a
- 5.26 Ernst et al. 2003a
- 5.27 Esposito 1998
- 5.28 Etcoff 2001a
- 5.29 Eusterschulte 2001
- 5.30 Evans 2002
- 6 F
- 6.1 Fahlenbrach & Viehoff 2005a
- 6.2 Fantz 1966a
- 6.3 Farago 1992a
- 6.4 Fauconnier 1985a
- 6.5 Ferino-Pagden 2009a
- 6.6 Fiedler 1991a
- 6.7 Fiedler 1991b
- 6.8 Fiedler 1991c
- 6.9 Fiedler 1991d
- 6.10 Fink 1988a
- 6.11 Fischer-Lichte 2004a
- 6.12 Fiske 2001a
- 6.13 Fiske 2003a
- 6.14 Fleck 1980a
- 6.15 Floch 1998a
- 6.16 Floch 1995a
- 6.17 Floch 1990a
- 6.18 Florenskij 2007a
- 6.19 Flügge et al. 2007a
- 6.20 Flusser 2003a
- 6.21 Flusser 1999a
- 6.22 Flusser 1994
- 6.23 Flusser 1993a
- 6.24 Flusser 1983a
- 6.25 Foley et al. 1990a
- 6.26 Foppa 2002a
- 6.27 Foster & Krauss 1996a
- 6.28 Foucault 1976a
- 6.29 Fowler 1991a
- 6.30 Fox 2006a
- 6.31 Frangenberg 2003a
- 6.32 Frank & Lange 2010a
- 6.33 Freedberg 1991a
- 6.34 Frege 1892a
- 6.35 Frege 1892
- 6.36 Frercks 2009a
- 6.37 Frercks 2009b
- 6.38 Freud 1900
- 6.39 Freud 1910
- 6.40 Freud 1915
- 6.41 Freud 1914a
- 6.42 Freud 1914b
- 6.43 Freud 1946a
- 6.44 Freud 1946b
- 6.45 Friedländer 1912
- 6.46 Fuhrmann 2003
- 7 G
- 7.1 Gaede 1981a
- 7.2 Galison 1997a
- 7.3 Gall 2007a
- 7.4 Gallistel 1980a
- 7.5 Gamer 2007a
- 7.6 Gamm 2000a
- 7.7 Gamper 2007a
- 7.8 Ganz & Henkel 2004a
- 7.9 Garcia 1990a
- 7.10 Garcia 1997a
- 7.11 Gardner 1985a
- 7.12 Gebauer & Wulf 1992a
- 7.13 Gehlen 2004a
- 7.14 Gehlen 2004b
- 7.15 Gehlen 1961a
- 7.16 Gehring 1992
- 7.17 Geimer 2007a
- 7.18 Gellius 1987a
- 7.19 Genette 1972a
- 7.20 Georges 1998a
- 7.21 Gerhardus et al. 1975a
- 7.22 Gerstein 2007a
- 7.23 Gerstengrabe et al. 2010a
- 7.24 Gibson 1982a
- 7.25 Gibson 1982b
- 7.26 Giertler 2011a
- 7.27 Giuliani 2003a
- 7.28 Giuliani 2006a
- 7.29 Glock 2000a
- 7.30 Glüher 1998a
- 7.31 Goldie 2000a
- 7.32 Goldie 2010a
- 7.33 Gombrich 1962a
- 7.34 Gombrich 1977a
- 7.35 Gombrich 1984a
- 7.36 Gombrich 2002a
- 7.37 Gondek 1997a
- 7.38 Gooch & Gooch 2001a
- 7.39 Goodman 1968a
- 7.40 Goodman 1978a
- 7.41 Goodman 1990a
- 7.42 Goodman 1995a
- 7.43 Goodman & Elgin 1988
- 7.44 Goren et al. 1975a
- 7.45 Grabbe & Kruse 2009a
- 7.46 Grabbe & Kruse 2008a
- 7.47 Grabbe & Kruse 2008b
- 7.48 Grabbe 2010a
- 7.49 Graf 1995a
- 7.50 Grammer et al. 2002a
- 7.51 Graumann 1966a
- 7.52 Graumann 2002a
- 7.53 Gregory 2000a
- 7.54 Gregory 1997a
- 7.55 Greif 1998a
- 7.56 Greimas 1970a
- 7.57 Greimas 1966a
- 7.58 Greimas & Courtés 1979a
- 7.59 Greenberg 1997a
- 7.60 Grice 1970
- 7.61 Grieshofer 2009a
- 7.62 Grimm 1860
- 7.63 Grittmann 2003
- 7.64 Grittmann 2007a
- 7.65 Groß et al. 1981a
- 7.66 Groß & Westermann 2007a
- 7.67 Grube et al. 2005a
- 7.68 Günzel 2006a
- 7.69 Günzel 2008a
- 7.70 Günzel 2009a
- 7.71 Günzel 2010a
- 7.72 Gumbrecht 1986a
- 8 H
- 8.1 Haas 1995a
- 8.2 Habermas 1973a
- 8.3 Hagen 2002a
- 8.4 Hagen 2002b
- 8.5 Hagen 2003a
- 8.6 Haken 1995
- 8.7 Halawa 2008a
- 8.8 Halbfass 1972a
- 8.9 Halliday 1996a
- 8.10 Halliday 1985a
- 8.11 Hammer-Tugendhat 2009a
- 8.12 Hansen 2005a
- 8.13 Harris 1756
- 8.14 Hartog 2009a
- 8.15 Hasselbeck 1979
- 8.16 Hauck 1879a
- 8.17 Hauschild 1982a
- 8.18 Heffernan 1999a
- 8.19 Heffernan 1993a
- 8.20 Hegel 1826
- 8.21 Hegel 1830
- 8.22 Hegel 1835
- 8.23 Hegel 1970a
- 8.24 Heidegger 1986a
- 8.25 Heidegger 1950a
- 8.26 Heidenreich 2001a
- 8.27 Heider 2009a
- 8.28 Hempfer 2000a
- 8.29 Heng 2003a
- 8.30 Hennig 2006a
- 8.31 Hennig 2007a
- 8.32 Herder 2001a
- 8.33 Herder 1969a
- 8.34 Herder 1800
- 8.35 Hernadi 1991
- 8.36 Herskovits 1986a
- 8.37 Herter 1947a
- 8.38 Heßler 2006a
- 8.39 Hessler 2002a
- 8.40 Hick 1999a
- 8.41 Hickethier 1995a
- 8.42 Hilbert 1899a
- 8.43 Hildebrand 1969a
- 8.44 Hinterwaldner 2008a
- 8.45 Hjelmslev 1954a
- 8.46 Hjelmslev 1943a
- 8.47 Hochberg 1977a
- 8.48 Hofmann 2000a
- 8.49 Hofmann 2007a
- 8.50 Hollander 1988
- 8.51 Holly 2010a
- 8.52 Holly 2009a
- 8.53 Holly 2007a
- 8.54 Holly & Jäger 2011a
- 8.55 Holmes 1980a
- 8.56 Holschbach 2003a
- 8.57 Hömberg & Karasek 2008a
- 8.58 Homer 1979
- 8.59 Hoormann 2007a
- 8.60 Hopkins 1998a
- 8.61 Horstkotte & Leonhard 2006a
- 8.62 Hub 2009a
- 8.63 Hüppauf & Wulf 2006a
- 8.64 Humboldt 1820a
- 8.65 Humboldt 1830-1835
- 8.66 Humboldt 1988a
- 8.67 Husserl 2006
- 8.68 Husserl 1993a
- 8.69 Husserl 1980a
- 8.70 Husserl 1929a
- 8.71 Hyman 2006a
- 8.72 Hyman 2009a
- 8.73 Hynes 2005a
- 9 I
- 10 J
- 10.1 Jäger 2008a
- 10.2 Jäger 2002a
- 10.3 Jäger & Knauer 2009a
- 10.4 Jansen 2005
- 10.5 Jansen 2002
- 10.6 Jantzen 1951a
- 10.7 Jaubert 1998a
- 10.8 Jean Paul 1795
- 10.9 Jewitt 2009a
- 10.10 Jewitt & Oyama 2001a
- 10.11 Johnson et al. 2001a
- 10.12 Johnson-Laird 1996a
- 10.13 Johnson-Laird 1983a
- 10.14 Johnston 2006a
- 10.15 Johnston et al. 2001a
- 10.16 Johnston & Franklin 1993a
- 10.17 Jonas 1973a
- 10.18 Jonas 1963
- 10.19 Jonas 1961a
- 10.20 Judd 1986a
- 10.21 Juhász et al. 1999a
- 10.22 Julesz 1986a
- 10.23 Jung 2003a
- 11 K
- 11.1 Kamlah & Lorenzen 1973a
- 11.2 Kamp 1990a
- 11.3 Kanizsa & Luccio 1995a
- 11.4 Kant 1974a
- 11.5 Kant 1787a
- 11.6 Kant 1960a
- 11.7 Kant 1977a
- 11.8 Kapust 2009a
- 11.9 Kardaun 1993
- 11.10 Kaczmarek 2007a
- 11.11 Kecskesi 1982a
- 11.12 Kemp 1974a
- 11.13 Kemp 1995a
- 11.14 Keitz 1994a
- 11.15 Kittler 1986a
- 11.16 Kittler 1989a
- 11.17 Kittler 1993a
- 11.18 Kittler 2002a
- 11.19 Kittler 2002b
- 11.20 Kjørup 1978
- 11.21 Klopfenstein-Arii 1992a
- 11.22 Klopstock 1779
- 11.23 Klopstock 1774
- 11.24 Klotz 1995a
- 11.25 Kluge 2002a
- 11.26 Knape 2010a
- 11.27 Knape 2008a
- 11.28 Knape 2007a
- 11.29 Knape 2005a
- 11.30 Knape 1994a
- 11.31 Knieper & Müller 2003
- 11.32 Knieper & Müller 2005a
- 11.33 König & Obrist 1993a
- 11.34 Koller 1954
- 11.35 Köller 2004a
- 11.36 Kondor 2008a
- 11.37 Kondor 2007a
- 11.38 Kondor 2007b
- 11.39 Kondor 2007c
- 11.40 Konersmann 2006a
- 11.41 Kornmeier et al. 2009a
- 11.42 Kornmeier & Bach 2009a
- 11.43 Korte 2003a
- 11.44 Kracauer 1992a
- 11.45 Krämer 2003a
- 11.46 Krämer 2004a
- 11.47 Krämer 2005a
- 11.48 Krämer 2009a
- 11.49 Krämer & Bredekamp 2003a
- 11.50 Krämer et al. 2011a
- 11.51 Krämer & Giertler 2011a
- 11.52 Kranz 1976a
- 11.53 Kraus 1991a
- 11.54 Krauss 2000a
- 11.55 Krauss 2000b
- 11.56 Krauss 1999a
- 11.57 Krauss 1990a
- 11.58 Kress 2010a
- 11.59 Kress & Leeuwen 2001a
- 11.60 Kress & Leeuwen 1996a
- 11.61 Krewani 2003a
- 11.62 Krieger 1992a
- 11.63 Krieger 1995a
- 11.64 Kripke 1972a
- 11.65 Kris & Kurz 1995a
- 11.66 Krkac 2010a
- 11.67 Kroeber-Riel 1996a
- 11.68 Kroeber-Riel & Esch 2000a
- 11.69 Krüger 2001a
- 11.70 Kruse 2003a
- 11.71 Kruse & Stadler 1995a
- 11.72 Kruse et al. 1995a
- 11.73 Kudielka 2005a
- 11.74 Kulvicki 2006a
- 11.75 Kulvicki 2010a
- 11.76 Külpe 1923a
- 11.77 Künzli 1996/1997a
- 11.78 Kwo 1981a
- 12 L
- 12.1 Lacan 1949
- 12.2 Lacan 1987a
- 12.3 Lacan 1996a
- 12.4 Lakoff 1987a
- 12.5 Lakoff & Johnson 1980a
- 12.6 Lammert 2007a
- 12.7 Langer 1984a
- 12.8 Langlois & Roggman 1990a
- 12.9 Lanz 1971a
- 12.10 Laplanche & Pontalis 1973a
- 12.11 Latour 2007a
- 12.12 Law & Whittaker 1988a
- 12.13 Ledderose 1985a
- 12.14 Ledderose 2003a
- 12.15 Leeuwen 2005a
- 12.16 Lefebvre 2007a
- 12.17 Lenzen 1997a
- 12.18 Leopold & Logothetis 1999a
- 12.19 Leroi-Gourhan 1971a
- 12.20 Lessing 1788
- 12.21 Lessing 1766
- 12.22 Lessing 1974a
- 12.23 Lessing 1994a
- 12.24 Lessing 1998a
- 12.25 Lévi-Strauss 1958a
- 12.26 Levinson 1990a
- 12.27 Levinson 1990b
- 12.28 Levinson 1983a
- 12.29 Levinson 2003a
- 12.30 Lichtblau 2009a
- 12.31 Licklider 1960a
- 12.32 Liebsch 2001a
- 12.33 Liesbrock 2010a
- 12.34 Liessmann 2004a
- 12.35 Liessmann 2009a
- 12.36 Lippard 1997a
- 12.37 Lippold 1993a
- 12.38 Lipps 1903a
- 12.39 Lipps 1920a
- 12.40 Löbner 2003a
- 12.41 Locke 1975a
- 12.42 Löhr 2003a
- 12.43 Logothetis 1998a
- 12.44 Lopes 1996a
- 12.45 Lorenz 1970a
- 12.46 Lorenz 1990a
- 12.47 Lotman 1990a
- 12.48 Lovejoy 1936
- 12.49 Luhmann 1997a
- 12.50 Luhmann 1996a
- 12.51 Luhmann 1993a
- 12.52 Lunenfeld 2002a
- 12.53 Lynch & Edgerton 1988a
- 13 M
- 13.1 Mach 1987a
- 13.2 Macpherson 1996a
- 13.3 Mai 2002a
- 13.4 Männlein-Robert 2007
- 13.5 Majetschak 1997
- 13.6 Manovich 2001a
- 13.7 Manovich 2005a
- 13.8 Manow 2008a
- 13.9 Marin 2006a
- 13.10 Marshall 1968a
- 13.11 Martinec & Salway 2005a
- 13.12 Massey 2007a
- 13.13 Maul 2007a
- 13.14 Maynard 2003a
- 13.15 McLuhan 1964a
- 13.16 McLuhan 1962a
- 13.17 Mead 1968a
- 13.18 Meier 1757
- 13.19 Meinhardt 1997a
- 13.20 Mendelsohn 1982a
- 13.21 Menzer 1992a
- 13.22 Merleau-Ponty 2003a
- 13.23 Merleau-Ponty 1993a
- 13.24 Merleau-Ponty 1966a
- 13.25 Merleau-Ponty 1961a
- 13.26 Merleau-Ponty 1994a
- 13.27 Merleau-Ponty 2006a
- 13.28 Mersch 2006a
- 13.29 Mersch 2003a
- 13.30 Mersch 2003b
- 13.31 Mersch 2002a
- 13.32 Mersch 2002b
- 13.33 Mersmann 2008a
- 13.34 Merzeau 1998a
- 13.35 Messaris 1997a
- 13.36 Metscher 2001
- 13.37 Metz 1972a
- 13.38 Metz 2000
- 13.39 Metzger 2008a
- 13.40 Metzinger 2000a
- 13.41 Metzinger 1999a
- 13.42 Meyer 2001a
- 13.43 Michalsky 2005a
- 13.44 Mirzoeff 2007a
- 13.45 Mitchell 2008a
- 13.46 Mitchell 2008b
- 13.47 Mitchell 2007a
- 13.48 Mitchell 2006a
- 13.49 Mitchell 2005a
- 13.50 Mitchell 1994a
- 13.51 Mitchell 1994b
- 13.52 Mitchell 1992a
- 13.53 Mitchell 1992b
- 13.54 Mitchell 1992
- 13.55 Mitchell 1986a
- 13.56 Mößner im Erscheinen
- 13.57 Mößner u. Liebsch im Erscheinen a
- 13.58 Moholy-Nagy 1929a
- 13.59 Mojsisch 1983a
- 13.60 Mondzain 2006a
- 13.61 Moog-Grünewald 2001a
- 13.62 Morris 1994a
- 13.63 Moser 2011a
- 13.64 Mülder-Bach 1998
- 13.65 Müller et al. im Erscheinen
- 13.66 Müller 2007a
- 13.67 Müller 1997a
- 13.68 Müller 1985a
- 13.69 Müller-Beck & Albrecht 1978a
- 13.70 Münkler 2009a
- 13.71 Musterle & Roessler 1986a
- 14 N
- 15 O
- 16 P
- 16.1 Pang 2002a
- 16.2 Panofsky 1924a
- 16.3 Panofsky 1927a
- 16.4 Panofsky 2002a
- 16.5 Paret 1960a
- 16.6 Paret 1968
- 16.7 Paul 2009a
- 16.8 Paul 2008a
- 16.9 Paul 2006a
- 16.10 Paul 2005a
- 16.11 Pearcy_1975a
- 16.12 Peirce 1906a
- 16.13 Perini 2005a
- 16.14 Perrault 1964a
- 16.15 Pesch 2001a
- 16.16 Petersen 2000
- 16.17 Petersen 1992
- 16.18 Pfaller 2002
- 16.19 Pfisterer & von Rosen 2006a
- 16.20 Pfotenhauer et al. 2005a
- 16.21 Pfotenhauer 1996a
- 16.22 Piaget 1956a
- 16.23 Piaget et al. 1960a
- 16.24 Piaget 1978a
- 16.25 Piaget & Inhelder 1972a
- 16.26 Pias 2003a
- 16.27 Pias 2004a
- 16.28 Piccolino & Wade 2006a
- 16.29 Piccolino & Wade 2006b
- 16.30 Pillow 2003
- 16.31 Pirenne 1952/53
- 16.32 Pitts et al. 2008a
- 16.33 Platon 1991b
- 16.34 Platon 2008a
- 16.35 Plessner 1923b
- 16.36 Plessner 1923a
- 16.37 Plessner 1928a
- 16.38 Plessner 1951a
- 16.39 Plessner 1970a
- 16.40 Plessner 1982a
- 16.41 Plessner 1989a
- 16.42 Plinius 2004a
- 16.43 Plümacher 1999a
- 16.44 Pöppel 1982a
- 16.45 Pollmeier 2005a
- 16.46 Popper 2002a
- 16.47 Potts 2000a
- 16.48 Pratschke 2005a
- 16.49 Pratschke 2008a
- 16.50 Pratt-Hartmann 2000a
- 16.51 Predelli 1999
- 16.52 Pross 1972a
- 16.53 Puttfarken 1991a
- 16.54 Puttfarken 1985a
- 17 Q
- 18 R
- 18.1 Rager 1997a
- 18.2 Rang 1990a
- 18.3 Raphael 1986a
- 18.4 Rastier 1972a
- 18.5 Ratkowitsch 2006a
- 18.6 Ratzka im Erscheinen
- 18.7 Recki 2004a
- 18.8 Rehkämper 2003a
- 18.9 Reiche 2001
- 18.10 Reichert 2011
- 18.11 Renner 2011a
- 18.12 Renz 2006a
- 18.13 Reulecke 2002a
- 18.14 Ricoeur 1974
- 18.15 Riedel 2005a
- 18.16 Rieger 2001a
- 18.17 Rieger 2009a
- 18.18 Rieger & Schröter 2009a
- 18.19 Riegl 1931a
- 18.20 Rimmele 2010a
- 18.21 Ritchin 1990a
- 18.22 Ritchin 1990b
- 18.23 Robin 1993a
- 18.24 Roch 1998a
- 18.25 Rock 1985a
- 18.26 Röttgers & Fabian 1971
- 18.27 Roll 2007a
- 18.28 Roloff 1972a
- 18.29 Roloff 1972a
- 18.30 Róna-Tas 1999a
- 18.31 Rorty 1967a
- 18.32 Ros 2005a
- 18.33 Ros 1999a
- 18.34 Ros 1989a
- 18.35 Ros 1989/90a
- 18.36 Ros 1979a
- 18.37 Rosand 1990a
- 18.38 Rosch 1978a
- 18.39 Rose 2006a
- 18.40 Rosen 2001a
- 18.41 Rosen 2003a
- 18.42 Rosen et al. 2003a
- 18.43 Rosenberg 2007a
- 18.44 Rosenberg 1995a
- 18.45 Rosler 2000a
- 18.46 Roth 2000a
- 18.47 Royce 1998a
- 18.48 Rötzer 1993a
- 18.49 Rowell 1986a
- 18.50 Ruff 2009a
- 18.51 Runte 2005
- 18.52 Rupprich 1969a
- 18.53 Ryan 2001
- 19 S
- 19.1 Sachs-Hombach 2006a
- 19.2 Sachs-Hombach 2005a
- 19.3 Sachs-Hombach 2005b
- 19.4 Sachs-Hombach 2004a
- 19.5 Sachs-Hombach 2003a
- 19.6 Sachs-Hombach 2003b
- 19.7 Sachs-Hombach 2000a
- 19.8 Sachs-Hombach 1999a
- 19.9 Sachs-Hombach 1999b
- 19.10 Sachs-Hombach 1995a
- 19.11 Sachs-Hombach 1993a
- 19.12 Sachs-Hombach & Schirra 2011a
- 19.13 Sachs-Hombach & Schirra 2009a
- 19.14 Sachsse 2006a
- 19.15 Sachsse 1974a
- 19.16 Saint-Martin 2007a
- 19.17 Saint-Martin 1990a
- 19.18 Saint-Martin 1987a
- 19.19 Saint-Martin 1986a
- 19.20 Sallis 2008a
- 19.21 Sallis 2007a
- 19.22 Sallis 1998a
- 19.23 Salomon 2006a
- 19.24 Salomon 2008a
- 19.25 Sampson 1985a
- 19.26 Sander 1962a
- 19.27 Sartre 1943
- 19.28 Sartre 1962a
- 19.29 Sartre 1994a
- 19.30 Sartre 1994b
- 19.31 Sartre 1994c
- 19.32 Sartre 1999a
- 19.33 Sauer 2008a
- 19.34 Saussure 1916a
- 19.35 Saxena & Sahay 2005a
- 19.36 Schaefer & Rentsch 2004
- 19.37 Schäffner 2003a
- 19.38 Scheler 1928a
- 19.39 Schickore 2002a
- 19.40 Schier 2005a
- 19.41 Schierl 2001a
- 19.42 Schierl 2003a
- 19.43 Schierl & Ludwig 2011a
- 19.44 Schiffermüller 2009a
- 19.45 Schirra 2007a
- 19.46 Schirra 2006a
- 19.47 Schirra 2005a
- 19.48 Schirra 2005b
- 19.49 Schirra 2005c
- 19.50 Schirra 2001a
- 19.51 Schirra 2000a
- 19.52 Schirra 1999a
- 19.53 Schirra 1995a
- 19.54 Schirra 1994a
- 19.55 Schirra 1993a
- 19.56 Schirra & Sachs-Hombach 2011a
- 19.57 Schirra & Sachs-Hombach 2010a
- 19.58 Schirra & Sachs-Hombach 2006a
- 19.59 Schirra & Sachs-Hombach 2006b
- 19.60 Schirra & Scholz 1998a
- 19.61 Schleicher 1859a
- 19.62 Schlenstedt 2000
- 19.63 Schlenstedt & George 2005
- 19.64 Schlosser 1952a
- 19.65 Schmid 2009a
- 19.66 Schmidt 2000a
- 19.67 Schmitt 1998a
- 19.68 Schmitt 1996a
- 19.69 Schneider 2009a
- 19.70 Schneider 2000a
- 19.71 Schneider & Berz 2002a
- 19.72 Schneider & Stöckl 2011a
- 19.73 Schönhammer 2011
- 19.74 Schönhammer 2009a
- 19.75 Scholz 2004a
- 19.76 Scholz 1998a
- 19.77 Scholz 1991a
- 19.78 Schott 1657a
- 19.79 Schröter 2001a
- 19.80 Schröter 2003a
- 19.81 Schröter 2004a
- 19.82 Schröter 2004b
- 19.83 Schröter 2004c
- 19.84 Schröter 2004d
- 19.85 Schröter 2005a
- 19.86 Schröter 2006a
- 19.87 Schröter 2009a
- 19.88 Schröter 2009b
- 19.89 Schröter 2009c
- 19.90 Schröter 2009d
- 19.91 Schröter 2010a
- 19.92 Schröter 2010b
- 19.93 Schröter & Thielmann 2006a
- 19.94 Schürmann 2010a
- 19.95 Schürmann 2008a
- 19.96 Schulz 2010a
- 19.97 Schulz 2005a
- 19.98 Schulze 2000a
- 19.99 Schüttpelz 2002a
- 19.100 Schweitzer 1953a
- 19.101 Schwingeler 2008a
- 19.102 Searle 1971
- 19.103 Seel 2003a
- 19.104 Seel 1991a
- 19.105 Seidlmayer 2011a
- 19.106 Seiterle 1988a
- 19.107 Seja 2009a
- 19.108 Sekula 2002a
- 19.109 Sello 1979a
- 19.110 Shannon & Weaver 1976a
- 19.111 Shepard 1990a
- 19.112 Shin 2002
- 19.113 Shneiderman 1983a
- 19.114 Shohat & Stam 1998a
- 19.115 Siegel 2009
- 19.116 Siegert & Brecheis 2005a
- 19.117 Siegert 2003a
- 19.118 Siegmund 2007a
- 19.119 Simmel 1995a
- 19.120 Simmel 1992a
- 19.121 Simmel 1978a
- 19.122 Sitt & Horányi 1993a
- 19.123 Smith & Tatarewicz 1985a
- 19.124 Sobchack 1997a
- 19.125 Soeffner & Tänzler 2002a
- 19.126 Sommer 1987a
- 19.127 Sonesson 1992a
- 19.128 Sonesson 1989a
- 19.129 Sontag 2003
- 19.130 Sörbom 1966
- 19.131 Souriau 1953a
- 19.132 Souriau 1951a
- 19.133 Sowa & Uhlig 2006a
- 19.134 Spariosu 1984
- 19.135 Spillner 1982a
- 19.136 Sprenger 2010a
- 19.137 Sproat 2010a
- 19.138 Sproat 2010b
- 19.139 Spruit 1994a
- 19.140 Stadler & Kruse 1995a
- 19.141 Stafford 1998a
- 19.142 Steinbrenner 2009a
- 19.143 Steinbrenner 2004
- 19.144 Steinbrenner 1999a
- 19.145 Steinbrenner 1996a
- 19.146 Steinbrenner & Glasauer 2007a
- 19.147 Steinbrenner & Winko 1997a
- 19.148 Stetter 1999a
- 19.149 Stetter 2005
- 19.150 Stiegler 2004a
- 19.151 Stiegler 2009a
- 19.152 Stierle 1984a
- 19.153 Stjernfelt 2007a
- 19.154 Stoichita 2008a
- 19.155 Stoichita 1998a
- 19.156 Stöckl 2011a
- 19.157 Stöckl 2009a
- 19.158 Stöckl 2009b
- 19.159 Stöckl 2008a
- 19.160 Stöckl 2005a
- 19.161 Stöckl 2004a
- 19.162 Stöckl 2004b
- 19.163 Stöckl 2003a
- 19.164 Stöckl 1992a
- 19.165 Stoesz 2008a
- 19.166 Stoichita 1998a
- 19.167 Strätling & Witte 2006a
- 19.168 Strauß 1998a
- 19.169 Strenge 1998a
- 19.170 Striedter 1984a
- 19.171 Strauss 1979a
- 19.172 Strothotte & Schlechtweg 2002a
- 19.173 Stüber & Stadler 1999a
- 19.174 Sturken & Cartwright 2001a
- 19.175 Sütterlin 1992a
- 19.176 Sütterlin 1998a
- 19.177 Sulzer 1774a
- 19.178 Susanka 2012
- 19.179 Szily 1999a
- 20 T
- 20.1 Tarski 1929a
- 20.2 Tatarkiewicz 2003
- 20.3 Thaliat 2005a
- 20.4 Thielmann & Schröter 2007a
- 20.5 Tholen 2003a
- 20.6 Thornhill & Gangestad 1993a
- 20.7 Thürlemann 1990a
- 20.8 Thürlemann 1984a
- 20.9 Tischner 1954a
- 20.10 Todorov 1977
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- 20.13 Totzke 2004a
- 20.14 Trier 1992a
- 20.15 Troje & McAdam 2010a
- 20.16 Trübner 1940
- 20.17 Kwo Da-Wei 1981a
- 20.18 Tseng 1993a
- 20.19 Tugendhat 1976a
- 20.20 Tugendhat & Wolf 1983a
- 21 U
- 22 V
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- 22.3 Varela 1990a
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- 22.6 VCQ 1996a
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- 22.10 Vieu 1991a
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- 22.15 Vogel 2001a
- 22.16 Vogl 2001a
- 22.17 Volkelt 1905a
- 22.18 Vorländer 2003a
- 23 W
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- 23.8 Wandhoff 2003a
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- 23.10 Warburg 2008a
- 23.11 Warnke 1993a
- 23.12 Warnke 1984a
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- 23.18 Weiss im Erscheinen
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- 24 Wiesing 2007=
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- 24.2 Wiesing 2004a
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- 24.4 Wilharm 1992a
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- 24.7 Winkler 2003a
- 24.8 Winner 1962a
- 24.9 Winthrop-Young 2005a
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- 24.15 Wittgenstein 1990a
- 24.16 Wittgenstein 1971a
- 24.17 Wittgenstein 1922
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- 24.19 Wollheim 1978
- 24.20 Wollheim 2001
- 24.21 Worringer 1908a
- 24.22 Wortmann 2003
- 24.23 Wulff 2007a
- 25 X
- 26 Y
- 27 Z
- 28 Fehlerhafte Angaben
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Sachs-Hombach 2003a
Sachs-Hombach, Klaus (2003): Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft.
Herbert von Halem, Köln.
(Typ: 'Buch')
Sachs-Hombach 2003b
Sachs-Hombach, Klaus (2003): Was ist Bildkompetenz?.
DUV, Wiesbaden.
(Typ: 'Buch')
Sachs-Hombach 2000a
Sachs-Hombach, (2000): Ähnlichkeit als kulturabhängiges Phänomen.
In: Sachs-Hombach, Klaus & Rehkämper, Klaus (Hg.), Vom Realismus der Bilder. Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen. Scriptum, Magdeburg, 89–106.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1999a
Sachs-Hombach, (1999): Gibt es ein Bildalphabet?.
In: Sachs-Hombach, K. & Rehkämper, K. (Hg.), Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen. Scriptum, Magdeburg, 57-66.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1999b
Sachs-Hombach, Klaus (1999): Fragen der Bildwissenschaft. Über den Studiengang Computervisualistik.
form diskurs, 7, 2, 40-43
( 4. Jg. ).
(Typ: 'Artikel in Zeitschrift')
Sachs-Hombach 1995a
Sachs-Hombach, Klaus (1995): Piktoriale Einstellungen.
In: Sachs-Hombach, Klaus (Hg.), Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktoraler Repräsentationen. Rodopi, Amsterdam, 195-211.
(Typ: 'Beitrag in Sammelband')
Sachs-Hombach 1993a
Sachs-Hombach, Klaus (1993): Philosophische Psychologie im 19. Jahrhundert.
Alber, Freiburg.
(Typ: 'Buch')
Sachs-Hombach & Schirra 2011a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2011): Prädikative und modale Bildtheorie.
In: Diekmannshenke, H.; Klemm, M. & Stöckl, H. (Hg.), Bildlinguistik. Theorien - Methoden - Fallbeispiele. Erich Schmidt, Berlin, 97-119
link: www.jrjs.de/Work/Papers/P11/P11-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Gegenstände sind immer nur dann Bilder, wenn jemand sie als solche benutzt. Hierbei können Bilder eine Vielzahl von Funktionen übernehmen. Lassen sich diese verschiedenen Funktionen oder Verwendungsweisen vielleicht aus einer einzigen Grundfunktion ableiten? Und sofern das so ist: Was wäre, ließe sich zweitens fragen, diese Grundfunktion von Bildern und in welcher Relation, ergibt sich als dritte Frage, steht sie zu den Verwendungsweisen von Sprache? Eine positive Beantwortung der ersten Frage voraussetzend werden zwei Kandidaten für die zweite Frage untersucht und diskutiert: Während die prädikative Theorie die grundlegende Bildverwendung in etwa paraphrasiert mit „… sieht so und so aus“ (bzw. „Der Gegenstand, der so und so aussieht, …“), schlägt die modale Theorie eine Verwendungsweise vor analog zu „An einem anderen (auch fiktiven) Ort oder einer anderen (auch hypothetischen) Zeit ist der Fall, daß so und so.“
Sachs-Hombach & Schirra 2009a
Sachs-Hombach, Klaus & Schirra, Jörg R.J. (2009): Medientheorie, visuelle Kultur und Bildanthropologie.
In: Sachs-Hombach, Klaus (Hg.), Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn. Suhrkamp, Frankfurt/M., 393-424
link: www.JRJS.de/Work/Papers/P09/P09-1/index.html.
(Typ: 'Beitrag in Sammelband')
Sachsse 2006a
Sachsse, Rolf (2006): Geknüpfter und gewebter Krieg. Militärische Motive auf afghanischen Teppichen.
Zeithistorische Forschungen/Studies in Contemporary History, 3, 2
link: http://www.zeithistorische-forschungen.de/16126041-Sachsse-2-2006, Online-Ausgabe.
(Typ: 'Artikel in Zeitschrift')
Sachsse 1974a
Sachsse, Hans (1974): Einführung in die Kybernetik. Unter besonderer Berücksichtigung von technischen und biologischen Wirkungsgefügen.
Vieweg, Braunschweig.
(Typ: 'Buch')
Saint-Martin 2007a
Saint-Martin, Fernande (2007): Le Sens du langage visuel.
Presses de l’Université du Quebec, Montréal.
(Typ: 'Buch')
Saint-Martin 1990a
Saint-Martin, Fernande (1990): Semiotics of Visual Language.
Indiana University Press, Bloomington, IN.
(Typ: 'Buch')
Saint-Martin 1987a
Saint-Martin, Fernande (1987): Sémiologie du langage visuel.
Presses de l’Université du Quebec, Montréal, Englisch: Semiotics of Visual Language. Bloomington, Indianapolis: Indiana University Press..
(Typ: 'Buch')
Saint-Martin 1986a
Saint-Martin, Fernande (1986): Sémiologie et syntax visuelle: Une analyse de Mascerade de Pellan.
Protée, ???.
(Typ: 'Buch')
Sallis 2008a
Sallis, John (2008): Transfigurements: On the True Sense of Art.
???, Chicago.
(Typ: 'Buch')
Sallis 2007a
Sallis, John (2007): The Hermeneutics of the Artwork. Die Ontologie des Kunstwerks und ihre hermeneutische Bedeutung (GW 1, 87-138).
In: Figal, G. (Hg.), Hans-Georg Gadamer, Wahrheit und Methode. ??, Berlin, 29-44, Klassiker Auslegen Bd.30.
(Typ: 'Beitrag in Sammelband')
Sallis 1998a
Sallis, John (1998): Shades. Of Painting at the Limit.
???, Bloomington.
(Typ: 'Buch')
Salomon 2006a
Salomon, David (2006): Transformations and Projections in Computer Graphics.
???, London.
(Typ: 'Buch')
Salomon 2008a
Salomon, David (2008): A Concise Introduction to Data Compression.
???, London.
(Typ: 'Buch')
Sampson 1985a
Sampson, Geoffrey (1985): Writing Systems. A linguistic introduction.
Stanford University Press, Stanford, California.
(Typ: 'Buch')
Sander 1962a
Sander, Friedrich (1962): Experimentelle Ergebnisse der Gestaltpsychologie.
In: Sander, Friedrich & Volkelt, Hans (Hg.), Ganzheitspsychoplogie. Grundlagen, Ergebnisse, Anwendungen: gesammelte Abhandlungen. C.H. Beck'sche Verlagsbuchhandlung, München, 73–122.
(Typ: 'Beitrag in Sammelband')
Sartre 1943
Sartre, Jean-Paul (2010): Das Sein und das Nichts.
Rowohlt, Reinbek bei Hamburg.
(Typ: 'Buch')
Sartre 1962a
Sartre, Jean-Paul (1962): Der Blick.
In: Sartre, Jean-Paul (Hg.), Das Sein und das Nichts. ???, Reinbek bei Hamburg.
(Typ: 'Beitrag in Sammelband')
Sartre 1994a
Sartre, Jean-Paul (1994): Skizze einer Theorie der Emotionen.
In: Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego. Rowohlt, Reinbek bei Hamburg, 255-321, hrsg. von Vincent von Wroblewsky.
(Typ: 'Beitrag in Sammelband')
Sartre 1994b
Sartre, Jean-Paul (1994): Das Imaginäre. Phänomenologische Psychologie der Einbildungskraft (1940).
Rowohlt, Reinbek bei Hamburg, Gesammelte Werke. Philosophische Schriften I-2, hrsg. von Vincent von Wroblewsky.
(Typ: 'Buch')
Sartre 1994c
Sartre, Jean-Paul (1994): Die Imagination (1936).
In: Gesammelte Werke. Philosophische Schriften I-1: Die Transzendenz des Ego. Rowohlt, Reinbek bei Hamburg, 97-254, hrsg. von Vincent von Wroblewsky.
(Typ: 'Beitrag in Sammelband')
Sartre 1999a
Sartre, Jean Paul (1999): Die Suche nach dem Absoluten. Texte zur bildenden Kunst.
???, Hamburg.
(Typ: 'Buch')
Sauer 2008a
Sauer, Martina (2008): Wahrnehmen von Sinn vor jeder sprachlichen oder gedanklichen Fassung? Frage an Ernst Cassirer.
Kunstgeschichte. Texte zur Diskussion, 6
link: http://www.kunstgeschichte-ejournal.net/discussion/2008/Sauer.
(Typ: 'Artikel in Zeitschrift')
Saussure 1916a
Saussure, Ferdinand de (1916): Cours de linguistique générale.
???, Paris, Deutsch: Grundfragen der allgemeinen Sprachwissenschaft. 3. Aufl. Berlin 2001..
(Typ: 'Buch')
Saxena & Sahay 2005a
Saxena, Anupam & Sahay, Birendra (2005): Computer Aided Engineering Design.
???, New York u.a.
(Typ: 'Buch')
Schaefer & Rentsch 2004
Schaefer, Christina & Rentsch, Stefanie (2004): Ekphrasis. Anmerkungen zur Begriffsbestimmung in der neueren Forschung.
Zeitschrift für französische Sprache und Literatur, 114, 2, 132-165.
(Typ: 'Artikel in Zeitschrift')
Schäffner 2003a
Schäffner, Wolfgang (2003): Instrumente und Bilder. Anamorphotische Geometrie im 16. und 17. Jahrhundert.
In: Schramm, H. et al. (Hg.), Bühnen des Wissens. Interferenzen zwischen Wissenschaft und Kunst. Dahlem University Press, Berlin, 92-109.
(Typ: 'Beitrag in Sammelband')
Scheler 1928a
Scheler, Max (1928): Die Stellung des Menschen im Kosmos.
Otto Reichl Verlag, Darmstadt.
(Typ: 'Buch')
Schickore 2002a
Schickore, Jutta (2002): Fixierung mikroskopischer Beobachtungen: Zeichnung, Dauerpräparat, Mikrofotografie.
In: Geimer, Peter (Hg.), Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie. suhrkamp, Frankfurt am Main, 285-310.
(Typ: 'Beitrag in Sammelband')
Schier 2005a
Schier, W. (2005): Die Maske von Uivar.
In: Schier, W. (Hg.), Masken, Menschen, Rituale. Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie), Würzburg, ???.
(Typ: 'Beitrag in Sammelband')
Schierl 2001a
Schierl, Thomas (2001): Text und Bild in der Werbung.
Herbert von Halem, Köln.
(Typ: 'Buch')
Schierl 2003a
Schierl, Thomas (2003): Werbung im Fernsehen.
Herbert von Halem, Köln.
(Typ: 'Buch')
Schierl & Ludwig 2011a
Schierl, Thomas & Ludwig, Mark (2011): Produktpolitik als Strategie der Visualisierung des Fußballsports in den Medien.
Zeitschrift für Semiotik, 32.
(Typ: 'Artikel in Zeitschrift')
Schiffermüller 2009a
Schiffermüller, Isolde (2009): Wort und Bild im Atlas »Mnemosyne«. Zur pathetischen Eloquenz der Sprache Aby Warburgs.
In: Kofler, Peter (Hg.), Ekstatische Kunst. Aby Warburg und die Denkräume der Ekphrasis. Studienverlag, Wien (u.a.), 7-22.
(Typ: 'Beitrag in Sammelband')
Schirra 2007a
Schirra, Jörg R.J. (Hg.) (Hg.)(2007): Computational Visualistics and Picture Morphology.
IMAGE - Zeitschrift für interdisziplinäre Bildforschung
link: www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf, Themenbeiheft zu Band 5.
(Typ: 'Sammelband')
Schirra 2006a
Schirra, Jörg R.J. (2006): Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen.
In: Sachs-Hombach, Klaus (Hg.), Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft. Halem, Köln, 197-215
link: www.jrjs.de/Work/Papers/P06/P06-3/index.html.
(Typ: 'Beitrag in Sammelband')
Schirra 2005a
Schirra, Jörg R.J. (2005): Foundation of Computational Visualistics.
DUV, Wiesbaden, ISBN: 3-8350-6015-5 .
(Typ: 'Buch')
Schirra 2005b
Schirra, Jörg R.J. (2005): Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach.
IMAGE - Zeitschrift für interdisziplinäre Bildforschung, 1, 30-45
link: www.jrjs.de/Work/Papers/P05/P05-1/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben.
Schirra 2005c
Schirra, Jörg R.J. (2005): Computervisualistik.
In: Sachs-Hombach, K. (Hg.), Bildwissenschaft. Disziplinen, Themen, Methoden. Suhrkamp, Frankfurt/M., 268-280
link: www.jrjs.de/Work/Papers/P05/P05-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen.
Schirra 2001a
Schirra, Jörg R.J. (2001): Bilder —— Kontextbilder.
In: Sachs-Hombach, K. (Hg.), Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen. Skriptum, Magdeburg, 77-100
link: www.jrjs.de/Work/Papers/P01/P01-5/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar.
Schirra 2000a
Schirra, Jörg R.J. (2000): Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis.
In: Rehkämper, K.& Sachs-Hombach, K. (Hg.), Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen. Skriptum, Magdeburg, 119-135
link: www.jrjs.de/Work/Papers/P00/P00-1/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.
Schirra 1999a
Schirra, Jörg R.J. (1999): Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik.
In: Sachs-Hombach, K. & Rehkämper, K. (Hg.), bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen. Skriptum, Magdeburg, 103-119
link: www.jrjs.de/Work/Papers/P99/P99-3/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.
Schirra 1995a
Schirra, Jörg R.J. (1995): Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning.
In: Sachs-Hombach, K. (Hg.), Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen. Rodopi, Amsterdam, 107-136
link: www.jrjs.de/Work/Papers/P95/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees.
Schirra 1994a
Schirra, Jörg R.J. (1994): Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum.
DISKI, St. Augustin
link: www.jrjs.de/Work/Papers/P94/P94-1-d/index.html, ISBN 3-929037-71-8 .
(Typ: 'Buch')
Schirra 1993a
Schirra, Jörg R.J. (1993): Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«.
In: M. Aurnague, A. Borillo, M. Borillo & M. Bras (Hg.), Semantics of Time, Space, and Movement. Univ. Paul Sabatier, Toulouse, 105-121
link: www.jrjs.de/Work/Papers/P93/P93-2/index.html.
(Typ: 'Beitrag in Sammelband')
Abstract:
- AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.
Schirra & Sachs-Hombach 2011a
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2011): Anthropologie in der systematischen Bildwissenschaft: Auf der Spur des homo pictor.
In: Meyer, S. & Owzar, A. (Hg.), Disziplinen der Anthropologie. Waxmann, Münster, 145-177
link: www.jrjs.de/Work/Papers/P11/P11-1/index.html.
(Typ: 'Beitrag in Sammelband')
Schirra & Sachs-Hombach 2010a
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2010): Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology.
Linguistic and Philosophical Investigations, 9, 144–181
link: www.jrjs.de/Work/Papers/P10/P10-2/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.
Schirra & Sachs-Hombach 2006a
Schirra, Jörg R.J. & Sachs-Hombach, Klaus (2006): Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht.
ELiSe: Essener Linguistische Skripte – elektronisch, 6, 1, 51-72
link: www.uni-due.de/germanistik/elise/ausgabe_12006
( letzter Zugriff: 25. September 2010 ).
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre.
Schirra & Sachs-Hombach 2006b
Schirra Jörg R.J. & Sachs-Hombach, Klaus (2006): Fähigkeiten zum Bild- und Sprachgebrauch.
Deutsche Zeitschrift für Philosophie, 54, 6, 887-905
link: www.jrjs.de/Work/Papers/P06/P06-5/index.html.
(Typ: 'Artikel in Zeitschrift')
Abstract:
- Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist.
Schirra & Scholz 1998a
Schirra, Jörg R.J. & Scholz, Martin (1998): Abstraction versus Realism: Not the Real Question.
In: Strothotte, T. (et al.) (Hg.), Computer Visualization – Graphics, Abstraction, and Interactivity. Springer, Heidelberg, 379-401
link: www.jrjs.de/Work/Papers/P98/P98-3/index.html, Chapter 22.
(Typ: 'Beitrag in Sammelband')
Abstract:
- When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.
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(Typ: 'Beitrag in Sammelband')
Zuschlag 2006a
Zuschlag, Christoph (2006): Auf dem Weg zu einer Theorie der Interikonizität.
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Zyganenko 1989a
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Fehlerhafte Angaben
Schirra & Sachs-Hombach 2006a
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(Typ: 'Artikel in Zeitschrift')
'"`UNIQ--bibexport-00000450-QINU`"'
