Vorlage:Bibliography-B: Unterschied zwischen den Versionen
(→Büttner 2002a) |
(→Birk et al. 2014a) |
||
| (35 dazwischenliegende Versionen desselben Benutzers werden nicht angezeigt) | |||
| Zeile 27: | Zeile 27: | ||
publisher = {Metz­ler}, | publisher = {Metz­ler}, | ||
address = {Stutt­gart, Weimar}, | address = {Stutt­gart, Weimar}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bachmann 2013a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bachmann 2013a, | ||
| + | author = {Bachmann, Christian A.}, | ||
| + | title = {Der Comic als Labor semiotischer Interpiktorialitätsforschung. Paul Karasiks und David Mazzucchellis City of Glass}, | ||
| + | booktitle = {Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge}, | ||
| + | year = {2013}, | ||
| + | editor = {Isekenmeier, G.}, | ||
| + | pages = {299-318}, | ||
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 45: | Zeile 62: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Badakshi 2006a=== | ===Badakshi 2006a=== | ||
| Zeile 61: | Zeile 77: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Badt 1963a=== | ===Badt 1963a=== | ||
| Zeile 72: | Zeile 87: | ||
address = {Köln}, | address = {Köln}, | ||
note = {}, | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Baetens 2011a=== | ||
| + | <bibentry> | ||
| + | @article{Baetens 2011a, | ||
| + | author = {Baetens, Jan}, | ||
| + | title = {Abstraction in Comics}, | ||
| + | journal = {SubStance}, | ||
| + | year = {2011}, | ||
| + | volume = {40}, | ||
| + | number = {124}, | ||
| + | pages = {94-113}, | ||
| + | note = {}, | ||
| + | hidden = {Special issue: Graphic Narratives and Narrative Theory}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| Zeile 218: | Zeile 249: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barbieri 2002a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barbieri 2002a, |
| − | author = { | + | author = {Barbieri, Daniele}, |
| − | title = { | + | title = {Zeit und Rhythmus in der Bilderzählung}, |
| − | year = { | + | booktitle = {Ästhetik des Comic}, |
| − | publisher = { | + | year = {2002}, |
| − | address = { | + | editor = {Hein, M.; Hüners, M. & Michaelsen, T.}, |
| + | pages = {125-142}, | ||
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barck et al. 2000ffa=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Barck et al. 2000ffa, |
| − | + | title = {Ästhetische Grundbegriffe. Historisches Wörterbuch in sieben Bänden}, | |
| − | + | year = {2000–2005}, | |
| − | + | editor = {Barck, Karlheinz; Fontius, Martin; Schlenstedt, Dieter; Steinwachs, Burkhart & Wolfzettel, Friedrich }, | |
| − | + | publisher = {J. B. Metzler}, | |
| − | + | address = {Stuttgart, Weima}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | note = {}, | ||
| − | hidden | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bareis 2014a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bareis 2014a, |
| − | author = { | + | author = {Bareis, J. Alexander}, |
| − | title = { | + | title = {Fiktionen als Make-Believe }, |
| − | + | booktitle = {Fikti­onali­tät. Ein inter­diszi­plinä­res Handbuch}, | |
| − | year = { | + | year = {2014}, |
| − | + | editor = {Klauk, T. & Köppe, T.}, | |
| − | + | pages = {50-67}, | |
| − | + | publisher = {de Gruyter}, | |
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 263: | Zeile 296: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bareis 2015a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bareis 2015a, |
| − | author = { | + | author = {Bareis, J. Alexander}, |
| − | title = { | + | title = {Fictional Truths, Principles of Generation, and Inter­pretation}, |
| − | booktitle = { | + | booktitle = {How to Make Believe. The Fictional Truths of the Re­presenta­tional Arts}, |
| − | year = { | + | year = {2015}, |
| − | editor = { | + | editor = {Bareis, J. A. & Nordrum, L.}, |
| − | pages = { | + | pages = {165-183}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bareis & Nordrun 2015a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Bareis & Nordrun 2015a, |
| + | title = {How to Make Believe. The Fictional Truths of the Re­presentati­onal Arts}, | ||
| + | year = {2015}, | ||
| + | editor = {Bareis, J. Alexander; Lene Nordrum}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Barthes 1957a=== | ||
| + | <bibentry> | ||
| + | @book{Barthes 1957a, | ||
author = {Barthes, Roland}, | author = {Barthes, Roland}, | ||
| − | title = { | + | title = {Mythen des Alltags}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Suhr­kamp}, |
| − | + | address = {Frank­furt/M.}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Barthes | + | ===Barthes 1961a=== |
<bibentry> | <bibentry> | ||
| − | @article{Barthes | + | @article{Barthes 1961a, |
author = {Barthes, Roland}, | author = {Barthes, Roland}, | ||
| − | title = { | + | title = {Le messa­ge photo­graphique}, |
journal = {Commu­nica­tions }, | journal = {Commu­nica­tions }, | ||
| − | year = { | + | year = {1961}, |
| − | volume = { | + | volume = {1}, |
number = {}, | number = {}, | ||
| − | pages = { | + | pages = {127-​138}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 313: | Zeile 355: | ||
</bibentry> | </bibentry> | ||
| − | ===Barthes | + | ===Barthes 1963a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Barthes 1963a, |
author = {Barthes, Roland}, | author = {Barthes, Roland}, | ||
| − | title = { | + | title = {Le message publicitaire}, |
| − | + | journal = {Cahiers de publicité }, | |
| − | + | year = {1963}, | |
| − | + | volume = {7}, | |
| + | number = {}, | ||
| + | pages = {91-96}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 327: | Zeile 371: | ||
</bibentry> | </bibentry> | ||
| − | ===Barthes | + | ===Barthes 1964a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Barthes | + | @inproceedings{Barthes 1964a, |
author = {Barthes, Roland}, | author = {Barthes, Roland}, | ||
| − | title = { | + | title = {Rheto­rik des Bildes (1964)}, |
| − | booktitle = { | + | booktitle = {Der entge­genkom­mende und der stumpfe Sinn. Kriti­sche Essays III}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Barthes, R.}, |
| − | pages = { | + | pages = {28-46}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
| − | note = { | + | note = {}, |
| − | hidden = {}, | + | hidden = {aus dem Französischen von Hornig, Dieter}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Barthes | + | ===Barthes 1964b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1964b, |
author = {Barthes, Roland}, | author = {Barthes, Roland}, | ||
| − | title = { | + | title = {Rhéto­rique de l'image}, |
| − | year = { | + | booktitle = {Ro­land Barthes. Oeuvres Com­plètes, Band I (1993)}, |
| − | publisher = { | + | year = {1964}, |
| − | address = { | + | editor = {Marty, É.}, |
| + | pages = {1417-​1429}, | ||
| + | publisher = {Édi­tions du Seuil}, | ||
| + | address = {Paris}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1964c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Barthes 1964c, |
| − | title = { | + | author = {Barthes, Roland}, |
| − | year = { | + | title = {Rhéto­rique de l'image}, |
| − | + | journal = {Commu­nica­tions }, | |
| − | + | year = {1964}, | |
| − | + | volume = {4}, | |
| + | number = {}, | ||
| + | pages = {40-51}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barthes 1967a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Barthes 1967a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Systè­me de la Mode}, |
| − | + | publisher = {Édi­tions du Seuil}, | |
| − | + | year = {1967}, | |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Barthes 1977a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Barthes 1977a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Rhetoric of the Im­age}, |
| − | year = { | + | booktitle = {Im­age, Music, Text}, |
| − | + | year = {1977}, | |
| − | + | editor = {Heath, S.}, | |
| − | + | pages = {32–51}, | |
| + | publisher = {Fon­ta­na}, | ||
| + | address = {London}, | ||
| + | note = {orig. 1964 in <em>Commu­nica­tions</em>}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | |
| + | ===Barthes 1981a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barthes 1981a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = {Photo­ | + | title = {Camera Lucida. Reflections on Photo­graphy}, |
| − | + | year = {1981}, | |
| − | year = { | + | publisher = {Hill and Wang}, |
| − | + | address = {New York}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {Übersetzt von Richard Howard}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Barthes 1989a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barthes 1989a, |
| − | author = { | + | author = {Barthes, Roland}, |
| − | title = { | + | title = {Die helle Kammer. Bemer­kung zur Photo­graphie}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Suhr­kamp}, |
| − | + | address = {Frank­furt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bartosch 2016a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bartosch 2016a, |
| − | author = { | + | author = {Bartosch, Sebastian}, |
| − | title = { | + | title = {Understanding Comics’ Mediality as an Actor-Network. Some Elements of Translation in the Works of Brian Fies and Dylan Horrocks}, |
| − | year = { | + | journal = {Journal of Graphic Novels and Comics}, |
| − | + | year = {2016}, | |
| − | + | volume = {7}, | |
| − | note = {}, | + | number = {4}, |
| + | pages = {}, | ||
| + | note = {în Vorbereitung}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bartz et al. 2012 a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Bartz et al. 2012 a, |
| − | + | title = {Hand­buch der Medio­logie. Signa­turen des Medi­alen}, | |
| − | title = { | + | year = {2012}, |
| − | year = { | + | editor = {Bartz, Christina & Jäger, Ludwig & Krause, Marcus & Linz, Erika}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Barwise & Perry 1984a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Barwise & Perry 1984a, |
| − | author = { | + | author = {Barwise, Jon & Perry, John }, |
| − | + | title = {Situations and Attitudes}, | |
| − | + | year = {1984}, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {Cam­bridge, MA}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bataille 1981a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bataille 1981a, |
| − | author = { | + | author = {Bataille, Georges}, |
| − | title = { | + | title = {Die Tränen des Eros}, |
| − | year = { | + | year = {1981}, |
| − | publisher = { | + | publisher = {Matthes und Seitz}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | note = {}, | + | note = {mit einer Einfüh­rung von Lo Duca und unver­öffent­lichten Briefen Batail­les}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Batchen 1998a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Batchen 1998a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Photo­genics / Foto­genik}, |
| − | + | journal = {Camera Austria}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {}, | |
| − | + | number = {62/63}, | |
| − | + | pages = {5-16}, | |
| − | |||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Batchen 2000a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Batchen 2000a, |
| − | author = { | + | author = {Batchen, Geoffrey}, |
| − | title = { | + | title = {Ecto­plasm. Photo­graphy in the Digi­tal Age}, |
| − | year = { | + | booktitle = {Over Ex­posed. Essays on Contem­porary Photo­graphy}, |
| − | publisher = { | + | year = {2000}, |
| − | address = { | + | editor = {Squiers, C.}, |
| + | pages = {9.23}, | ||
| + | publisher = {New Press}, | ||
| + | address = {New York}, | ||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Batteux 1746a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Batteux 1746a, |
| − | author = { | + | author = {Batteux, Charles}, |
| − | title = { | + | title = {Les Beaux-Arts réduits à un même principe}, |
| − | year = { | + | year = {1746}, |
| − | publisher = { | + | publisher = {Durand}, |
| − | address = { | + | address = {Paris}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Batteux 1746/1770a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Batteux 1746/1770a, |
| − | author = { | + | author = {Batteux, Charles}, |
| − | title = { | + | title = {Einschrän­kung der schönen Künste auf einen einzi­gen Grund­satz}, |
| − | year = { | + | year = {1770}, |
| − | publisher = { | + | publisher = {Weidmann}, |
| − | address = { | + | address = {Leipzig}, |
note = {}, | note = {}, | ||
| + | hidden = {Aus dem Französischen übersetzt und mit Abhandlungen begleitet von Johann Adolf Schlegel}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bauch 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bauch 1994a, |
| − | author = { | + | author = {Bauch, Kurt}, |
| − | title = { | + | title = {Ima­go}, |
| − | year = { | + | booktitle = {Was ist ein Bild?}, |
| − | + | year = {1994}, | |
| − | address = { | + | editor = {Boehm, G.}, |
| + | pages = {275-​299}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Baudrillard 1978a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baudrillard 1978a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Ago­nie des Realen}, |
| − | year = { | + | year = {1978}, |
| − | publisher = { | + | publisher = {Merve}, |
address = {Berlin}, | address = {Berlin}, | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baudrillard 2000a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Baudrillard 2000a, |
| − | author = { | + | author = {Baudrillard, Jean}, |
| − | title = { | + | title = {Das perfek­te Verbre­chen}, |
| − | booktitle = { | + | booktitle = {Theorie der Foto­grafie IV 1980-1995}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Ame­lunxen, H.}, |
| − | pages = { | + | pages = {256-260}, |
| − | publisher = { | + | publisher = {Schirmer & Mosel }, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bauer & Ernst 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bauer & Ernst 2010a, |
| − | author = { | + | author = {Bauer, Matthias & Ernst, Christoph}, |
| − | title = { | + | title = {Dia­gram­matik. Einfüh­rung in ein kultur- und medien­wissen­schaftli­ches Forschungs­feld}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {trans­cript}, |
| − | + | address = {Biele­feld}, | |
| − | + | note = {}, | |
| − | |||
| − | address = { | ||
| − | note | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumann 2011a, |
| − | author = { | + | author = {Baumann, Mario}, |
| − | title = { | + | title = {Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones}, |
| − | + | year = {2011}, | |
| − | year = { | + | publisher = {De Gruyter}, |
| − | |||
| − | |||
| − | publisher = { | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumberger 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baumberger 2010a, |
| − | author = { | + | author = {Baumberger, Christoph}, |
| − | title = { | + | title = {Ge­baute Zeichen. Eine Symbol­theorie der Archi­tektur}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Ontos}, |
| − | + | address = {Heusen­stamm}, | |
| − | + | note = {}, | |
| − | |||
| − | note = { | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumberger 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Baumberger 2013g-a, |
| − | author = { | + | author = {Baumberger, Christoph}, |
| − | title = { | + | title = {Notation}, |
| − | + | ausgabe = {1}, | |
| − | year = { | + | year = {2013}, |
| − | |||
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| − | url = {}, | + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Notation&oldid=21423}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baumgarten 2011a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baumgarten 2011a, |
| − | author = { | + | author = {Baumgarten, Alexander Gottlieb}, |
| − | title = { | + | title = {Metaphysica – Metaphysik}, |
| − | year = { | + | year = {2011}, |
| − | publisher = { | + | publisher = {Frommann-Holzboog}, |
| − | address = { | + | address = {Stuttgart}, |
| − | note = { | + | note = {übersetzt und herausgeg. von Gawlick, G. & Kreimendahl, l.; lateinisch/deutsch}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Baxandall 1972a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baxandall 1972a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Claren­don Press}, |
| − | address = { | + | address = {Ox­ford}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Baxandall 1990a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baxandall 1990a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Ursachen der Bilder. Über das historische Erklären von Kunst}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Reimer}, |
| − | + | address = {Berlin}, | |
| − | + | note = {zuerst engl.: Patterns of intentention, 1985}, | |
| − | |||
| − | note = { | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxandall 1998a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Baxandall 1998a, |
| − | author = { | + | author = {Baxandall, Michael}, |
| − | title = { | + | title = {Löcher Im Licht}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxandall 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Baxandall 1999a, |
| − | author = { | + | author = {Baxan­dall, Michael}, |
| − | title = { | + | title = {Die Wirklich­keit der Bilder. Male­rei und Erfah­rung im Ita­lien der Re­nais­sance}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Klaus Wagen­bach}, |
| − | + | address = {Berlin}, | |
| − | publisher = { | + | hidden = {nach der korrigierten zweiten Auflage von: <em>Painting and Experience in 15<sup>th</sup> Century Italy. A Primer in the Social History of Pictorial Style</em>, Ox­ford Uni­versity Press 1988}, |
| − | address = { | ||
| − | |||
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Baxmann 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Baxmann 2001a, |
| − | author = { | + | author = {Baxmann, Inge}, |
| − | + | title = {Körper­zita­te}, | |
| − | year = { | + | booktitle = {Zitier-​Fähig­keit. Findun­gen und Erfin­dungen des Ande­ren}, |
| − | + | year = {2001}, | |
| − | address = { | + | editor = {Guten­berg, A. & Poole, R.J.}, |
| + | pages = {292-​309}, | ||
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bayer 1984a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bayer 1984a, |
| − | author = { | + | author = {Bayer, Udo}, |
| − | title = {Das | + | title = {Laokoon – Momen­te einer semio­tischen Ästhe­tik}, |
| − | year = { | + | booktitle = {Das Lao­koon-Projekt: Pläne einer semio­tischen Ästhe­tik}, |
| − | publisher = { | + | year = {1984}, |
| − | address = { | + | editor = {Gebau­er, G.}, |
| + | pages = {59-101}, | ||
| + | publisher = {Metzler}, | ||
| + | address = {Stutt­gart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bazin 2009a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bazin 2009a, |
| − | author = { | + | author = {Bazin, André}, |
| − | title = { | + | title = {Onto­logie des photo­graphi­schen Bildes}, |
| − | year = { | + | booktitle = {Was ist Film?}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Fi­scher, R.}, |
| + | pages = {33-42}, | ||
| + | publisher = {Ale­xander }, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bechtloff 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bechtloff 2001a, |
| − | author = { | + | author = {Bechtloff, Dieter (Hg.)}, |
| − | title = { | + | title = {Cho­reo­graphie der Gewalt}, |
| + | journal = {Kunst­forum Inter­nati­onal}, | ||
year = {2001}, | year = {2001}, | ||
| − | + | volume = {}, | |
| − | + | number = {Hefte 153, 155 & 156}, | |
| − | + | pages = {}, | |
| − | + | note = {Heft 153: ''Der geris­sene Faden. Nicht­line­are Techni­ken in der Kunst''; Heft 156: ''Plateau der Mensch­heit''}, | |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Becker 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Becker 2010a, |
| − | author = { | + | author = {Becker, Thomas}, |
| − | title = { | + | title = {Graphic Novel – eine ‚illegitime‘ Medienkombination?}, |
| − | + | booktitle = {Der neue Wettstreit der Künste}, | |
| − | publisher = { | + | year = {2010}, |
| − | address = { | + | editor = {Degner, U.}, |
| − | note = { | + | pages = {167-186}, |
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Becker-Cantarino 2005a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Becker-Cantarino 2005a, |
| − | author = { | + | author = {Becker-Cantarino, Barbara}, |
| − | title = { | + | title = {Ut pictu­ra poesis? Zu Hars­dörffers Theorie der ‘Bildkunst’}, |
| − | + | booktitle = {Georg Philipp Hars­dörffer und die Künste}, | |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Gerstl, D.}, |
| − | note = { | + | pages = { 9-21}, |
| − | + | publisher = {Carl}, | |
| + | address = {Nürnberg}, | ||
| + | note = {}, | ||
| + | hidden = {Schriftenreihe der Akademie der Bildenden Künste in Nürnberg. Bd. 10}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Beckmann 1995a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beckmann 1995a, |
| − | author = { | + | author = {Beckmann, Jan P.}, |
| − | title = { | + | title = {Wilhelm von Ockham}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Beck}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 828: | Zeile 857: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beil 2010a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beil 2010a, |
| − | author = { | + | author = {Beil, Benja­min}, |
| − | title = { | + | title = {First Person Perspec­tives. Point of View und figu­renzen­trierte Erzähl­formen im Film und im Compu­terspiel}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {LIT Verlag}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beil & Schröter 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Beil & Schröter 2011a, |
| − | author = { | + | author = {Beil, Benja­min & Schröter, Jens}, |
| − | title = { | + | title = {Die Paral­lelper­spekti­ve im digi­talen Bild}, |
| − | + | journal = {Zeit­schrift für Medien­wissen­schaft}, | |
| − | year = { | + | year = {2011}, |
| − | + | volume = {4}, | |
| − | + | number = {1}, | |
| − | + | pages = {127-137}, | |
| − | + | note = {}, | |
| − | note = { | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| Zeile 858: | Zeile 885: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belach & Jacobsen 1993a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belach & Jacobsen 1993a, |
| − | author = { | + | author = {Belach, Helga & Jacobsen, Wolfgang}, |
| − | title = { | + | title = {Cine­maScope. Zur Ge­schich­te der Breit­wand­filme}, |
| − | + | year = {1993}, | |
| − | year = { | + | publisher = {Spiess}, |
| − | publisher = { | + | address = {Berlin}, |
| − | address = { | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Stiftung Deutsche Kinemathek}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beller 2005a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Beller 2005a, |
| − | author = { | + | author = {Beller, Hans}, |
| − | title = { | + | title = {Aspekte der Filmmontage - Eine Art Einführung}, |
| − | year = { | + | booktitle = {Handbuch der Filmmontage. Praxis und Prinzipien des Filmschnitts}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Beller, H.}, |
| + | publisher = {TR-Verlagsunion}, | ||
| + | address = {München}, | ||
| + | pages = {9-33}, | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {5., gegenüber der 4. unveränderte Auflage}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting & Haustein 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting & Haustein 1998a, |
| − | + | author = {Belting, Hans & Haustein, Lydia}, | |
| − | title = { | + | title = {Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 898: | Zeile 927: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 1983a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 1983a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte?}, |
| − | year = { | + | year = {1983}, |
| − | publisher = { | + | publisher = {Deutscher Kunstverlag}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 1998a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 1998a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = {Das | + | title = {Das unsicht­bare Meister­werk. Die moder­nen Mythen der Kunst}, |
| − | + | year = {1998a}, | |
| − | year = { | + | publisher = {C.H. Beck}, |
| − | + | address = {München}, | |
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 2001a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Bild­anthro­polo­gie. Entwür­fe für eine Bild­wissen­schaft}, |
| − | + | year = {2001}, | |
| − | year = { | + | publisher = {Wilhelm Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Belting 2002a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2002a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Verlag C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | hidden = {} | + | note = {2., erweiterte Auflage}, |
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Belting 2004a, |
| − | + | author = {Belting, Hans}, | |
| − | title = { | + | title = {Bild und Kult. Eine Geschichte des Bildes vor dem Zeitalter der Kunst}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
| − | note = {}, | + | note = {6. Auflage}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Belting 2008a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Belting 2008a, |
| − | author = { | + | author = {Belting, Hans}, |
| − | title = { | + | title = {Florenz und Bagdad. Eine west­östli­che Geschich­te des Blicks}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {C.H. Beck}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 982: | Zeile 1.005: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Beniger 1986a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Beniger 1986a, |
| − | author = { | + | author = {Beni­ger, James}, |
| − | title = { | + | title = {The Control Revo­lution. Techno­logical and Eco­nomic Origins of the Infor­mation Soci­ety}, |
| − | year = { | + | year = {1986}, |
| − | publisher = { | + | publisher = {Har­vard Uni­versity Press}, |
| − | address = { | + | address = {Cam­bridge}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Benjamin 1939a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Benjamin 1939a, |
| − | author = { | + | author = {Benjamin, Walter}, |
| − | title = { | + | title = {Das Kunst­werk im Zeit­alter seiner techni­schen Repro­duzier­barkeit}, |
| − | booktitle = { | + | booktitle = {Walter Benja­min: Medien­ästhe­tische Schriften}, |
| − | year = { | + | year = {2002}, |
| − | editor = { | + | editor = {Schöttker, D.}, |
| − | pages = { | + | pages = {351–​383}, |
| − | publisher = { | + | publisher = {Suhr­kamp }, |
| − | address = { | + | address = {Frank­furt/M.}, |
| − | note = {}, | + | note = {dritte, auto­risier­te letzte Fas­sung, 1939}, |
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Benjamin 1974a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Benjamin 1974a, |
| − | author = { | + | author = {Walter, Benja­min }, |
| − | title = { | + | title = {Walter Benja­min – Gesam­melte Schriften. Bd. I.2}, |
| − | + | editor = {Tiede­mann, R. & Schweppen­häuser, H.}, | |
| − | + | year = {1974}, | |
| − | + | publisher = {Suhr­kamp}, | |
| − | + | address = {Frank­furt/M.}, | |
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Benjamin 1974b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Benjamin 1974b, |
| − | author = { | + | author = {Benjamin, Walter}, |
| − | title = { | + | title = {Charles Baude­laire. Ein Lyri­ker im Zeital­ter des Hochka­pita­lismus}, |
| − | year = { | + | year = {1974}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Benko 1976a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Benko 1976a, |
| − | + | editor = {Benko, Loránd}, | |
| − | title = { | + | title = {A ma­gyar nyelv törté­neti-​eti­moló­giai szótá­ra. I-IV}, |
| − | + | year = {1976}, | |
| − | year = { | + | publisher = {Aka­démiai Kiadó}, |
| − | + | address = {Buda­pest}, | |
| − | + | note = {}, | |
| − | publisher = { | ||
| − | address = { | ||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bergande 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Bergande 2013g-a, |
| − | author = | + | author = {Bergande, Wolfram}, |
| − | title = { | + | title = {Traumbild}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Traumbild&oldid=21473}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berger 1972a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Berger 1972a, |
| − | author = | + | author = {Berger, John}, |
| − | title = { | + | title = {Ways of See­ing}, |
| − | year = { | + | year = {1972}, |
| − | publisher = { | + | publisher = {Penguin Books}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {First published by the British Broadcasting Cooperation and Penguin Books 1972, reissued as a part of the Penguin Design Series 2008}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bergson 1948a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bergson 1948a, |
| − | author = { | + | author = {Bergson, Henri}, |
| − | title = { | + | title = {Das Mög­liche und das Wirk­liche}, |
| − | booktitle = { | + | booktitle = {Denken und Schöpfe­risches Werden. Aufsät­ze und Vorträ­ge}, |
| − | year = { | + | year = {1948}, |
| − | editor = { | + | editor = {Bergson, H.}, |
| − | + | publisher = {Hain}, | |
| − | + | address = {Meisen­heim am Glan}, | |
| − | + | note = {}, | |
| − | + | pages = {110-125}, | |
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berlewi 1924a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Berlewi 1924a, |
| − | author = { | + | author = {Berlewi, Henryk}, |
| − | title = { | + | title = {Mechano-Faktur}, |
| − | year = { | + | journal = {Der Sturm}, |
| − | + | year = {1924}, | |
| − | + | volume = {}, | |
| + | number = {15}, | ||
| + | pages = {155-159}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bernays 1970a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bernays 1970a, |
| − | author = { | + | author = {Bernays, Jacob}, |
| − | title = { | + | title = {Grund­züge der verlo­renen Abhand­lung des Aris­tote­les über Wirkung der Tragö­die}, |
| − | year = { | + | year = {1970} |
| − | publisher = { | + | publisher = {G. Olms}, |
| − | address = { | + | address = {Hildes­heim}, |
| + | hidden = {} | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Berndt 2015a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Berndt 2015a, | ||
| + | author = {Berndt, Jaqueline}, | ||
| + | title = {Images to be ‘Read’: Murakamai Takashi’s Mangaesque Paintings}, | ||
| + | booktitle = {Manga: Medium, Kunst und Material / Manga: Medium, Art and Material}, | ||
| + | year = {2015}, | ||
| + | editor = {Berndt, J.}, | ||
| + | pages = {191-202}, | ||
| + | publisher = {Leipziger Universitätsverlag}, | ||
| + | address = {Leipzig}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Berndt 2013a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Berndt 2013a, |
| − | author = { | + | author = {Berndt, Jaqueline}, |
| − | title = { | + | title = {‘Asian Graphic Narratives’, Nonnanba, and Manga}, |
| − | year = { | + | booktitle = {From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative}, |
| − | publisher = { | + | year = {2013}, |
| − | address = { | + | editor = {Stein, D. & Thon, J.-N.}, |
| + | pages = {363-384}, | ||
| + | publisher = {De Gruyter}, | ||
| + | address = {Berlin }, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berndt & Drügh 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Berndt & Drügh 2009a, |
| − | + | editor = { Berndt, Frauke & Drügh, Heinz J. }, | |
| − | title = { | + | title = {Sym­bol – Grund­lagen­texte aus Ästhe­tik, Poetik und Kultur­wissen­schaft }, |
| − | + | year = {2009}, | |
| − | + | publisher = {Suhr­kamp}, | |
| − | address = { | + | address = {Frank­furt/M.}, |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bernhardt et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bernhardt et al. 2009a, |
| − | author = { | + | author = {Bernhardt, Petra; Hadj-​Abdou, Leila; Liebhart, Karin & Pri­bersky, Andreas}, |
| − | title = { | + | title = {EUro­päische Bild­poli­tiken. Poli­tische Bild­ana­lyse an Beispie­len der EU-​Poli­tik}, |
| − | + | year = {2009}, | |
| − | year = { | + | publisher = {facul­tas UTB}, |
| − | + | address = {Wien}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bernhardt & Drechsel 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Bernhardt & Drechsel 2013g-a, |
| − | author = { | + | author = {Bernhardt, Petra & Drechsel, Benjamin }, |
| − | title = { | + | title = {Bildpolitik}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| − | url = { | + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Bildpolitik&oldid=21343}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bertram et al. 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bertram et al. 2008a, |
| − | author = { | + | author = {Bertram, Georg W.; Lauer, David; Liptow, Jasper; & Seel, Martin}, |
| − | title = { | + | title = {In der Welt der Sprache: Konsequenzen des semantischen Holismus}, |
| − | + | year = {2008}, | |
| − | year = { | + | publisher = {Suhr­kamp}, |
| − | + | address = {Frank­furt/M.}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Berz 2009a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Berz 2009a, |
| − | author = { | + | author = {Berz, Peter}, |
| − | title = { | + | title = {Bit­mapped Graphic}, |
| − | booktitle = { | + | booktitle = {Zeit­kriti­sche Medien}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Volmar, A.}, |
| − | pages = { | + | pages = {127-154}, |
| − | publisher = { | + | publisher = {Kadmos}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Betz 2012a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Betz 2012a, |
| − | author = { | + | author = {Betz, Juli­ane}, |
| − | title = { | + | title = {Ein ‘Bedürf­niß und Eigen­thum Aller’. Die Verbrei­tung von Kunst durch Repro­dukti­onen im 19. Jahrhun­dert}, |
| − | booktitle = { | + | booktitle = {Déjà-vu? Die Kunst der Wieder­holung von Dürer bis You­Tube}, |
| − | year = { | + | year = {2012}, |
| − | editor = { | + | editor = {Mensger, A.}, |
| − | pages = {95 | + | pages = {86-95}, |
| − | publisher = { | + | publisher = {Kerber}, |
| − | address = { | + | address = {Biele­feld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.244: | Zeile 1.262: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bevers 1985a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bevers 1985a, |
| − | author = { | + | author = {Bevers, Antonius M.}, |
| − | title = { | + | title = {Dy­namik der Formen bei Georg Simmel. Eine Studie über die metho­dische und theore­tische Einheit eines Gesamt­werkes}, |
| − | + | year = {1985}, | |
| − | year = { | + | publisher = {Duncker & Humblot}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {Sozialwissenschaftliche Abhandlungen der Görres-Gesellschaft, Band 13}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Beyme 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Beyme 2004a, |
| − | author = { | + | author = {Beyme, Klaus von}, |
| − | title = { | + | title = {Poli­tische Iko­nolo­gie der moder­nen Archi­tektur}, |
| − | + | booktitle = {Poli­tikwis­senschaft als Kultur­wissen­schaft. Theorien, Metho­den, Problem­stellun­gen}, | |
| − | year = { | + | year = {2004}, |
| − | + | editor = {Schwel­ling, B.}, | |
| − | + | pages = {351-​372}, | |
| − | + | publisher = {Verlag für Sozial­wissen­schaften}, | |
| + | address = {Wiesba­den}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.276: | Zeile 1.292: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bidlo 2006a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bidlo 2006a, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Martin Buber. Ein verges­sener Klassi­ker der Kommu­nika­tionswis­senschaft? Dialog­philo­sophie in kommu­nika­tionswis­senschaft­licher Perspek­tive}, |
| − | year = { | + | year = {2002}, |
| − | publisher = { | + | publisher = {Tectum}, |
| − | address = { | + | address = {Marburg}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bidlo 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bidlo 2008a, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Vilém Flusser. Ein­führung}, |
| − | + | year = {2008}, | |
| − | + | publisher = {Ol­dib}, | |
| − | + | address = {Essen}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bidlo 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Bidlo 2013g-a, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Kommunikologie}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Kommunikologie&oldid=21395}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bidlo 2013g-b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Bidlo 2013g-b, |
| − | author = { | + | author = {Bidlo, Oliver}, |
| − | title = { | + | title = {Technisches Bild}, |
| − | + | ausgabe = {1}, | |
| − | year = { | + | year = {2013}, |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Technisches_Bild&oldid=21465}, | |
| − | |||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Biederman 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Biederman 1995a, |
| − | author = { | + | author = {Bieder­man, Irving}, |
| − | title = { | + | title = {Visual Object Re­cogni­tion}, |
| − | + | booktitle = {An Invi­tation to Cogni­tive Science, Vol. 2, Visual Cogni­tion}, | |
| − | publisher = { | + | year = {1995}, |
| − | address = { | + | editor = {Kosslyn, S. F. & Osher­son, D. N.}, |
| − | note = {}, | + | pages = {121-165}, |
| + | publisher = {MIT}, | ||
| + | address = {Cam­bridge MA}, | ||
| + | note = {2<sup>nd</sup> edition}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bieger 2007a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bieger 2007a, |
| − | author = { | + | author = {Bieger, Laura}, |
| − | title = { | + | title = {Ästhe­tik der Immer­sion. Raum-​Erle­ben zwi­schen Welt und Bild}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {trans­cript}, |
| − | address = { | + | address = {Biele­feld}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Biernoff 2002a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Biernoff 2002a, |
| − | + | author = {Biernoff, Suzannah}, | |
| − | + | title = {Sight and Embodiment in the Middle Ages}, | |
| − | + | year = {2002}, | |
| − | publisher = { | + | publisher = {Palgrave Macmillan}, |
| − | address = { | + | address = {New York et al.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.376: | Zeile 1.387: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Billeter 1990a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Billeter 1990a, |
| − | author = { | + | author = {Billeter, Jean François}, |
| − | title = { | + | title = {The Chinese Art of Writing}, |
| − | + | year = {1990}, | |
| − | year = { | + | publisher = {Skira/​Rizzo­li}, |
| − | + | address = {Geneva}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2011a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Birk 2011a, |
| − | author = { | + | author = {Birk, Elisabeth}, |
| − | title = { | + | title = {Bezug­nahme und Weltkon­struktion. Ele­mente einer symbol­theore­tischen Bild­ana­lyse}, |
| − | booktitle = { | + | editor = {Schneider, J.G. & Stöckl, H.}, |
| − | + | booktitle = {Medien­theorien und Multi­moda­lität}, | |
| − | + | address = {Köln}, | |
| − | pages = { | + | publisher = {Halem}, |
| − | + | pages = {169-​189}, | |
| − | + | year = {2011}, | |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.409: | Zeile 1.417: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2012a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Birk 2012a, |
| − | author = { | + | author = {Birk, Elisabeth}, |
| − | title = { | + | title = {Nelson Good­mans Begriff der Exem­plifi­kation und seine Anwen­dung in den Bild­wissen­schaften}, |
| − | booktitle = { | + | booktitle = {Medien­bewe­gun­gen. Prakti­ken der Bezug­nahme}, |
| − | year = { | + | year = {2012}, |
| − | editor = { | + | editor = {Jäger, L.; Fehr­mann, G. & Adam M.}, |
| − | pages = { | + | pages = {87-100}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.426: | Zeile 1.434: | ||
</bibentry> | </bibentry> | ||
| + | ===Birk 2012b=== | ||
| + | <bibentry> | ||
| + | @misc{Birk 2012b, | ||
| + | author = {Birk, Elisa­beth}, | ||
| + | title = {Review to: Frede­rik Stjern­felt: Dia­gramma­tolo­gy: An Inves­tiga­tion on the Border­lines of Pheno­meno­logy, Onto­logy, and Semio­tics, New York 2007}, | ||
| + | year = {2012}, | ||
| + | publisher = {The Linguis­tic List}, | ||
| + | address = {}, | ||
| + | note = {}, | ||
| + | hidden = {letzter Kontrollaufruf: 8.1.2012}, | ||
| + | url = {linguistlist.org/pubs/reviews/get-review.cfm?SubID=197848 }, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Birk 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Birk 2013g-a, |
| − | author = { | + | author = {Birk, Elisabeth }, |
| − | title = { | + | title = {Bilderschrift und Piktogramm}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Bilderschrift_und_Piktogramm&oldid=21329}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2013g-b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Birk 2013g-b, |
| − | author = { | + | author = {Birk, Elisabeth }, |
| − | title = { | + | title = {Pseudoschriften}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | + | note = {}, | |
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Pseudoschriften&oldid=21437}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Birk 2013g-c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Birk 2013g-c, |
| − | author = { | + | author = {Birk, Elisabeth }, |
| − | title = { | + | title = {Referenz, Denotation, Exemplifikation}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Referenz,_Denotation,_Exemplifikation&oldid=21445}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Birk et al. 2014a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Birk et al. 2014a, |
| − | author = { | + | author = {Birk, Elisabeth & Halawa, Mark A. & Mosbach, Doris }, |
| − | title = { | + | title = {Semi­otik}, |
| − | year = { | + | booktitle = {Bild und Metho­de. Theore­tische Hinter­gründe und metho­dische Verfah­ren der Bild­wissen­schaft}, |
| − | publisher = { | + | year = {2014}, |
| − | address = { | + | editor = {Netz­werk Bild­philo­sophie}, |
| + | pages = {127-153}, | ||
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Black 1954a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Black 1954a, |
| − | author = { | + | author = {Black, Max}, |
| − | title = { | + | title = {Die Meta­pher (1954)}, |
| − | booktitle = { | + | booktitle = {Theorie der Meta­pher}, |
| − | year = { | + | year = {1983}, |
| − | editor = { | + | editor = {Haver­kamp, A.}, |
| − | pages = { | + | pages = {55-79}, |
| − | publisher = { | + | publisher = {WBG}, |
| − | address = { | + | address = {Darm­stadt}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.497: | Zeile 1.521: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Black 1972a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Black 1972a, |
| − | author = { | + | author = {Black, Max}, |
| − | title = { | + | title = {How do Pictures Represent?}, |
| − | booktitle = { | + | booktitle = {Art, Perception, and Reality}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {Gombrich, E.H.; Hochberg, J. & Black, M.}, |
| − | pages = { | + | pages = {95-130}, |
| − | publisher = { | + | publisher = {John Hopkins Uni­versity Press}, |
| − | address = { | + | address = {Baltimore/London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.514: | Zeile 1.538: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke 1998a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Blanke 1998a, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = { | + | title = {Semi­oti­sche Perspek­tiven auf das Bild}, |
| − | journal = { | + | journal = {Zeit­schrift für Semi­otik}, |
| − | year = { | + | year = {1998}, |
| − | volume = { | + | volume = {20}, |
| − | number = {}, | + | number = {3-4}, |
| − | pages = { | + | pages = {219–​224}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.530: | Zeile 1.554: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke 1998b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Blanke 1998b, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = { | + | title = {Model­le des iko­nischen Zeichens}, |
| − | + | journal = {Zeit­schrift für Semi­otik}, | |
| − | year = { | + | year = {1998}, |
| − | + | volume = {20}, | |
| − | + | number = {}, | |
| − | + | pages = {285–​303}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.547: | Zeile 1.570: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Blanke 2003a, |
| − | author = { | + | author = {Blanke, Börries}, |
| − | title = { | + | title = {Vom Bild zum Sinn. Das iko­nische Zeichen zwi­schen struktu­ralis­tischer Semio­tik und ana­lyti­scher Philo­sophie}, |
| − | + | year = {2003}, | |
| − | + | publisher = {Deut­scher Uni­versi­tätsver­lag}, | |
| − | + | address = {Wies­baden}, | |
| − | year = { | ||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Reihe Bildwissenschaft, Bd. 4}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blanke et al. 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blanke et al. 2005a, |
| − | author = { | + | author = {Blanke, Börries & Giannone, Antonella & Vaillant, Pascal}, |
| − | title = { | + | title = {Semiotik}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hom­bach, K.}, |
| − | pages = { | + | pages = {149-162}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.580: | Zeile 1.600: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bliss 1949a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bliss 1949a, |
| − | + | author = {Bliss, Charles K.}, | |
| − | + | title = {Seman­togra­phy – Blissym­bolics}, | |
| − | + | year = {1949}, | |
| − | publisher = { | + | publisher = {Seman­togra­phy – Blissym­bolics Publi­cations}, |
| − | address = { | + | address = {Sydney}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.594: | Zeile 1.613: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Block 1990a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Block 1990a, |
| − | author = { | + | author = {Block, Ned}, |
| − | title = { | + | title = {The Computer Model of the Mind}, |
| − | booktitle = { | + | booktitle = {Thinking. An Invitation to Cognitive Science, Vol. 3}, |
| − | year = { | + | year = {1990}, |
| − | editor = { | + | editor = {Osherson, D.N. & Smith E.E.}, |
| − | pages = { | + | pages = {}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cam­bridge}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.611: | Zeile 1.630: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bloesch 1943a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bloesch 1943a, |
| − | author = { | + | author = {Bloesch, Hansjörg}, |
| − | title = { | + | title = {Agal­ma. Kleinod, Weihge­schenk, Götter­bild. Ein Beitrag zur früh­griechi­schen Kultur- und Reli­gionsge­schichte}, |
| − | + | year = {1943}, | |
| − | year = { | + | publisher = {Bente­li}, |
| − | + | address = {Bern}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bloomfield 1933a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bloomfield 1933a, |
| − | + | author = {Bloomfield, Leonard}, | |
| − | + | title = {Lan­guage}, | |
| − | + | year = {1933}, | |
| − | publisher = { | + | publisher = {Henry Holt and Co}, |
| − | address = { | + | address = {New York}, |
note = {}, | note = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Blümle & von der Heiden 2005a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Blümle & von der Heiden 2005a, |
| − | + | title = {Blick­zähmung und Augen­täuschung. Zu Jacques Lacans Bild­theorie}, | |
| − | title = { | + | year = {2005}, |
| − | + | editor = {Blümle, Claudia & von der Heiden, Anne}, | |
| − | year = { | + | publisher = {Diapha­nes}, |
| − | editor = { | + | address = {Zürich, Berlin}, |
| − | |||
| − | publisher = { | ||
| − | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Blumenberg 1957a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Blumenberg 1957a, |
| − | author = { | + | author = {Blumen­berg, Hans}, |
| − | title = { | + | title = {'Nach­ahmung der Natur'. Zur Vorge­schichte der Idee des schöpfe­rischen Menschen}, |
| − | + | journal = {Studium Gene­rale}, | |
| − | year = { | + | year = {1957}, |
| − | + | volume = {10}, | |
| − | + | number = {5}, | |
| − | + | pages = {266-283}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.678: | Zeile 1.684: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1969a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Blumenberg 1969a, |
| − | author = { | + | author = {Blumen­berg, Hans}, |
| − | title = { | + | title = {Wirklich­keitsbe­griff und Möglich­keit des Romans}, |
| − | booktitle = { | + | booktitle = {Nach­ahmung und Illu­sion. Poetik und Herme­neutik 1}, |
| − | year = { | + | year = {1969}, |
| − | editor = { | + | editor = {Jauß, H.R.}, |
| − | pages = { | + | pages = {9-27}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1986a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Blumenberg 1986a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Anthropologische Annäherungen an die Aktualität der Rhetorik}, |
| − | + | booktitle = {Wirklichkeiten in denen wir leben}, | |
| − | publisher = { | + | year = {1986}, |
| − | address = { | + | editor = {Blumenberg, H.}, |
| + | pages = {104-136}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Stutt­gart}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Blumenberg 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Blumenberg 1999a, |
| − | author = { | + | author = {Blumenberg, Hans}, |
| − | title = { | + | title = {Para­digmen zu einer Meta­phoro­logie}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Suhr­kamp}, |
| − | + | address = {Frank­furt/M.}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böcking 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Böcking 2008a, |
| − | author = { | + | author = {Böcking, Saskia}, |
| − | title = { | + | title = {Grenzen der Fiktion? Von Suspen­sion of Dis­belief zu einer Tole­ranzthe­orie für die Filmre­zeption}, |
| − | + | year = {2008a}, | |
| − | year = { | + | publisher = {Halem}, |
| − | + | address = {Köln}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| − | hidden | + | hidden = {}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boeder 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boeder 1996a, |
| − | author = { | + | author = {Boeder, Maria}, |
| − | title = { | + | title = {Visa et vox. Sprache und Bild in der spätantiken Literatur}, |
| − | + | year = {1996}, | |
| − | + | publisher = {Lang}, | |
| − | + | address = {Frank­furt/M.}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1969a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 1969a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Stu­dien zur Perspek­tivi­tät. Philo­sophie und Kunst in der frühen Neu­zeit}, |
| − | + | year = {1969}, | |
| − | year = { | + | publisher = {Carl Winter}, |
| − | + | address = {Heidel­berg}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1977a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Boehm | + | @inproceedings{Boehm 1977a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Plas­tik und plasti­scher Raum}, |
| − | booktitle = { | + | booktitle = {Skulptur. Ausstel­lung in Münster}, |
| − | year = { | + | year = {1977}, |
| − | editor = { | + | editor = {Buß­mann, K. & König, K. }, |
| − | pages = { | + | pages = {23-44}, |
| − | publisher = { | + | publisher = {Land­schafts­verband Westfa­len-​Lippe}, |
| − | address = { | + | address = {Münster}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.793: | Zeile 1.786: | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1978a, |
author = {Boehm, Gottfried}, | author = {Boehm, Gottfried}, | ||
| − | title = { | + | title = {Zu einer Herme­neutik des Bildes}, |
| − | + | booktitle = {Die Herme­neutik und die Wissen­schaft}, | |
| − | year = { | + | year = {1978}, |
| − | + | editor = {Gada­mer, H. & Boehm, G.}, | |
| − | + | pages = {444-​471}, | |
| − | + | publisher = {Suhr­kamp}, | |
| + | address = {Frank­furt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1980a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Boehm 1980a, |
| − | title = { | + | author = {Boehm, Gottfried }, |
| − | year = { | + | title = {Bild­sinn und Sinnes­orga­ne}, |
| − | + | journal = {Neue Hefte für Philo­sophie}, | |
| − | publisher = { | + | year = {1980}, |
| + | volume = {18/19}, | ||
| + | number = {}, | ||
| + | pages = {118-​132}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Boehm 1985a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Boehm 1985a, | ||
| + | author = {Boehm, Gottfried}, | ||
| + | title = {Der Ande­re als Proto­typ}, | ||
| + | booktitle = {Bildnis und Indi­vidu­um. Über den Ursprung der Porträt­male­rei in der ita­lieni­schen Renais­sance}, | ||
| + | year = {1985}, | ||
| + | editor = {Boehm, G.}, | ||
| + | pages = {}, | ||
| + | publisher = {Prestel}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | ===Boehm | + | ===Boehm 1994a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1994a, |
| − | title = { | + | author = {Boehm, Gottfried}, |
| − | + | title = {Die Wie­der­kehr der Bilder}, | |
| − | editor = {Boehm, | + | booktitle = {Was ist ein Bild?}, |
| + | editor = {Boehm, G.}, | ||
| + | pages = {11-38} | ||
| + | year = {1994}, | ||
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| Zeile 1.835: | Zeile 1.852: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1994b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 1994b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | + | title = {Die Bilder­frage}, | |
| − | + | booktitle = {Was ist ein Bild?}, | |
| − | + | year = {1994}, | |
| − | address = { | + | editor = {Boehm, G.}, |
| + | pages = {325-​343}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 1994c=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm 1994c, |
| − | + | title = {Was ist ein Bild?}, | |
| − | + | year = {1994}, | |
| − | + | editor = {Boehm, Gottfried}, | |
| − | publisher = { | + | publisher = {Fink}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.862: | Zeile 1.882: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 1995a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1995a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Bild­be­schreibung. Über die Grenzen von Bild und Sprache}, |
| − | booktitle = { | + | booktitle = {Beschrei­bungskunst, Kunstbe­schreibung: Ekphra­sis von der Anti­ke bis zur Gegen­wart}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Boehm, G. & Pfoten­hauer, H.}, |
| − | pages = {}, | + | pages = {23-40}, |
| − | publisher = { | + | publisher = {Fink}, |
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
| Zeile 1.880: | Zeile 1.899: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 1999a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 1999a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Zwi­schen Auge und Hand. Bilder als Instru­mente der Erkennt­nis (1999)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeu­gen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, G.}, |
| − | pages = { | + | pages = {94-​113}, |
| − | publisher = { | + | publisher = {Berlin Uni­ver­sity Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.897: | Zeile 1.916: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2001a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm 2001a, |
| − | + | title = {Homo Pictor}, | |
| − | title = { | + | year = {2001}, |
| − | + | editor = {Boehm, Gottfried}, | |
| − | year = { | + | publisher = {Saur}, |
| − | editor = { | + | address = {München, Leipzig}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.913: | Zeile 1.929: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2004a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Jen­seits der Sprache? Anmer­kungen zur Logik der Bilder (2004)}, |
| − | booktitle = { | + | booktitle = {Wie Bilder Sinn erzeu­gen. Die Macht des Zeigens}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Boehm, G.}, |
| − | pages = { | + | pages = {34-53}, |
| − | publisher = { | + | publisher = {Berlin Uni­ver­sity Press}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.931: | Zeile 1.946: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 2004b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2004b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Bild in der Kunst­wissen­schaft. Inter­view mit Gott­fried Boehm}, |
| − | + | booktitle = {Wege zur Bild­wissen­schaft. Inter­views}, | |
| − | + | year = {2004}, | |
| − | + | editor = {Sachs-​Hom­bach, K.}, | |
| − | + | pages = {11-21}, | |
| − | + | publisher = {Halem}, | |
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.948: | Zeile 1.963: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 2005a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2005a, |
| − | title = { | + | author = {Boehm, Gottfried}, |
| − | year = { | + | title = {Das Bild und die herme­neuti­sche Refle­xion}, |
| − | editor = { | + | booktitle = {Dimen­sionen des Herme­neuti­schen. Heideg­ger und Gada­mer}, |
| − | publisher = { | + | year = {2005}, |
| − | address = { | + | editor = {Figal, G. & Gander H. H. (Martin-​Heideg­ger-Gesell­schaft)}, |
| + | pages = {23-35}, | ||
| + | publisher = {Vitto­rio Kloster­mann}, | ||
| + | address = {Frank­furt/M.}, | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Schriftenreihe Band 7}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 2007a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Boehm 2007a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Wie Bilder Sinn erzeu­gen. Die Macht des Zei­gens}, |
| − | + | year = {2007}, | |
| − | year = { | + | publisher = {Berlin Uni­ver­sity Press}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2007b=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2007b, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Iconic Turn. Ein Brief}, |
| − | booktitle = { | + | booktitle = {Bilder­fragen. Die Bild­wissen­schaft im Aufbruch}, |
| − | year = { | + | year = {2007}, |
| − | editor = { | + | editor = {Belting, H.}, |
| − | pages = { | + | pages = {27-36}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.996: | Zeile 2.010: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2007c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2007c, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Die Hin­ter­grün­digkeit des Zeigens. Deikti­sche Wurzeln des Bildes}, |
| − | + | booktitle = {Wie Bilder Sinn erzeu­gen}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Boehm, G.}, | |
| − | + | pages = {19-33}, | |
| − | + | publisher = {Fink}, | |
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Berlin University Press}, |
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2007d=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2007d, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das bildnerische Kontinuum}, |
| − | year = { | + | booktitle = {Wie Bilder Sinn erzeugen}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Boehm, G.}, |
| + | pages = {159–179}, | ||
| + | publisher = {Berlin University Press}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2008a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Au­gen­maß. Zur Gene­se der iko­nischen Evi­denz}, |
| − | + | booktitle = {Movens Bild. Zwischen Evi­denz und Affekt}, | |
| − | year = { | + | year = {2008}, |
| − | + | editor = {Boehm, G. & Mers­mann, B. & Spies, Ch.}, | |
| − | + | pages = {15-43}, | |
| − | + | publisher = {Fink}, | |
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Boehm 2009a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Boehm 2009a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Spur und Gespür. Zur Archä­olo­gie der Zeich­nung}, |
| − | booktitle = { | + | booktitle = {Öffnun­gen. Zur Theorie und Geschich­te der Zeichnung}, |
| − | year = { | + | year = {2009}, |
| − | editor = { | + | editor = {Bach, F. T. & Pichler, W.}, |
| − | pages = { | + | pages = {43-59}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.057: | Zeile 2.078: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Boehm 2010a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Das Zeigen der Bilder}, |
| − | year = { | + | booktitle = {Zeigen. Die Rheto­rik des Sichtba­ren}, |
| − | + | year = {2010}, | |
| − | address = { | + | editor = {Boehm, G. & Egen­hofer, S. & Spies, Ch.}, |
| + | pages = {19-53}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Boehm 2011a, |
| − | author = { | + | author = {Boehm, Gottfried}, |
| − | title = { | + | title = {Iko­nische Diffe­renz}, |
| − | year = { | + | journal = {Rhein­sprung 11 – Zeit­schrift für Bildkri­tik}, |
| − | + | year = {2011}, | |
| − | + | volume = {1}, | |
| + | number = {}, | ||
| + | pages = {170-​178}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {rheinsprung11.unibas.ch/fileadmin/documents/Edition_PDF/Ausgabe1/glossar-boehm.pdf}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm & Mersmann & Spies 2008a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Mersmann & Spies 2008a, |
| − | + | title = {Mo­vens Bild. Zwischen Evi­denz und Affekt}, | |
| − | title = { | + | year = {2008}, |
| − | + | editor = {Boehm, Gott­fried; Mers­mann, Birgit & Spies, Christian}, | |
| − | year = { | + | publisher = {Fink}, |
| − | editor = { | + | address = {München}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Boehm & Pfotenhauer 1995a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Boehm & Pfotenhauer 1995a, |
| − | + | title = {Beschrei­bungskunst, Kunstbe­schreibung: Ekphra­sis von der Anti­ke bis zur Gegen­wart}, | |
| − | title = { | + | year = {1995}, |
| − | + | editor = {Boehm, Gott­fried & Pfoten­hauer, Helmut}, | |
| − | year = { | + | publisher = {Fink}, |
| − | editor = { | + | address = {München}, |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhme & Böhme 1985a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Böhme & Böhme 1985a, |
| − | author = { | + | author = {Böhme, Hartmut & Böhme, Gernot}, |
| − | title = { | + | title = {Das Andere der Vernunft: Zur Entwicklung von Rationalitätsstrukturen am Beispiel Kants}, |
| − | year = { | + | year = {1985a}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.130: | Zeile 2.150: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Böhme 1999a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Böhme 1999a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Theorie des Bildes}, |
| − | + | year = {1999}, | |
| − | year = { | + | publisher = {Wilhelm Fink}, |
| − | + | address = {München}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Böhme 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Böhme 2004a, |
| − | author = { | + | author = {Böhme, Gernot}, |
| − | title = { | + | title = {Der Raum leibli­cher Anwe­senheit und der Raum als Medium von Darstel­lung}, |
| − | year = { | + | booktitle = {Perfor­mati­vität und Medi­ali­tät}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Krämer, S.}, |
| + | pages = {}, | ||
| + | publisher = {Wil­helm Fink}, | ||
| + | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Böhn 1999a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Böhn 1999a, |
| − | author = { | + | author = {Böhn, Andreas}, |
| − | title = { | + | title = {Inter­medi­ale Form- und Stilzi­tate in Photo­graphie und Film bei Godard, Greena­way und Cindy Sherman}, |
| − | + | booktitle = {Form­zita­te, Gattungs­paro­dien, iro­nische Formver­wendung: Gat­tungs­formen jenseits von Gat­tungs­grenzen}, | |
| − | year = { | + | year = {1999}, |
| − | + | editor = {Böhn, A.}, | |
| − | + | pages = {175-198}, | |
| − | + | publisher = {Röhrig}, | |
| + | address = {St. Ingbert}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.177: | Zeile 2.197: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bogen & Thürlemann 2003a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bogen & Thürlemann 2003a, |
| − | author = { | + | author = {Bogen, Steffen & Thürle­mann, Felix}, |
| − | title = { | + | title = {Jenseits der Oppo­sition von Text und Bild}, |
| − | booktitle = { | + | booktitle = {Die Bildwelt der Diagram­me Joachims von Fiore: Zur Media­lität reli­giös-poli­tischer Program­me im Mittel­alter}, |
year = {2003}, | year = {2003}, | ||
| − | editor = { | + | editor = {Patschov­sky, A.}, |
| − | pages = { | + | pages = {1-22}, |
| − | publisher = { | + | publisher = {Jan Thor­becke}, |
| − | address = { | + | address = {Ost­fildern}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bogen 2005a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Bogen 2005a, |
| − | author = { | + | author = {Bogen, Steffen}, |
| − | title = { | + | title = {Kunstgeschichte/Kunstwissenschaft}, |
| − | booktitle = { | + | booktitle = {Bildwissenschaft. Disziplinen, Themen, Methoden}, |
| − | year = { | + | year = {2005}, |
| − | editor = { | + | editor = {Sachs-Hom­bach, K.}, |
| − | pages = {}, | + | pages = {52-67}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.212: | Zeile 2.230: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bogen 2005b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bogen 2005b, |
| − | author = { | + | author = {Bogen, Steffen}, |
| − | title = { | + | title = {Schatten­riss und Sonnen­uhr. Über­legun­gen zu einer kunst­histo­rischen Diagram­matik}, |
| + | journal = {Zeit­schrift für Kunstge­schichte}, | ||
year = {2005}, | year = {2005}, | ||
| − | + | volume = {68}, | |
| − | + | number = {2}, | |
| + | pages = {153-176}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bolter & Grusin 2000a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bolter & Grusin 2000a, |
| − | author = { | + | author = {Bolter, Jay D. & Richard Grusin}, |
| − | title = { | + | title = {Remediation: Understanding New Media}, |
| − | year = { | + | year = {2000}, |
| − | publisher = { | + | publisher = {MIT Press}, |
| − | address = { | + | address = {Cambridge}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.240: | Zeile 2.259: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bolton et al 2007a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Bolton et al 2007a, |
| − | + | title = {Robot ghosts and wired dreams. Japanese science fiction from origins to anime}, | |
| − | + | year = {2007a}, | |
| − | + | editor = {Christopher Bolton}, | |
| − | publisher = { | + | publisher = {Uni­versity of Minnesota Press}, |
| − | address = { | + | address = {Minneapolis}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.254: | Zeile 2.272: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bonnemann 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Bonnemann 2013g-a, |
| − | author = { | + | author = {Bonnemann, Jens}, |
| − | title = { | + | title = {Bildbewusstsein}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | + | note = {}, | |
| − | + | hidden = {}, | |
| − | + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Bildbewusstsein&oldid=21327}, | |
| − | } | + | } |
</bibentry> | </bibentry> | ||
| − | === | + | ===Bonsiepe 1968a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bonsiepe 1968a, |
| − | author = { | + | author = {Bonsiepe, Gui}, |
| − | + | title = {Vi­suell/​Verba­le Rheto­rik}, | |
| − | year = { | + | journal = {Format: Zeit­schrift für visu­elle Kommu­nika­tion}, |
| − | + | year = {1968}, | |
| − | + | volume = {}, | |
| + | number = {17}, | ||
| + | pages = {11–18}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bonsiepe 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bonsiepe 1996a, |
| − | author = { | + | author = {Bonsiepe, Gui}, |
| − | title = { | + | title = {Visu­ell-verba­le Rheto­rik. Über eini­ge Techni­ken der persu­asi­ven Kommu­nika­tion}, |
| − | year = { | + | booktitle = {Inter­face. Design neu begrei­fen}, |
| − | publisher = { | + | year = {1996}, |
| − | address = { | + | editor = {Bon­siepe, G.}, |
| − | note = { | + | pages = {85-103 }, |
| + | publisher = {Boll­mann}, | ||
| + | address = {Mann­heim }, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bordwell 1989a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bordwell 1989a, |
| − | author = { | + | author = {Bordwell, David}, |
| − | title = { | + | title = {Making Meaning. Inference and Rhetoric in the Interpretation of Cinema}, |
| − | + | year = {1989}, | |
| − | year = { | + | publisher = {Cambridge UP}, |
| − | + | address = {Cambridge}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Borgo & Masolo 2010a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Borgo & Masolo 2010a, |
| − | author = { | + | author = {Borgo, Stefano & Masolo, Claudio}, |
| − | title = { | + | title = {Full Mereo­geome­tries}, |
| − | journal = { | + | journal = {The Review of Sym­vbolic Logic}, |
year = {2010}, | year = {2010}, | ||
| − | volume = { | + | volume = {3}, |
| − | number = { | + | number = {4}, |
| − | pages = { | + | pages = {521 - 567}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.98.2266}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Born 1983a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Born 1983a, |
| − | author = { | + | author = {Born, Rainer}, |
| − | title = { | + | title = {Schizo-​Seman­tik: Provo­kati­onen zum Thema Bedeu­tungsthe­orien und Wissen­schaftsphi­loso­phie im allge­meinen}, |
| − | year = { | + | journal = {Concep­tus}, |
| − | + | year = {1983}, | |
| − | + | volume = {17}, | |
| + | number = {41/42}, | ||
| + | pages = {101-116}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bossi 2012a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bossi 2012a, |
| − | author = { | + | author = {Bossi, Laura}, |
| − | title = { | + | title = {De l'agal­mato­philie ou L'amour des statues}, |
| − | + | year = {2012}, | |
| − | year = { | + | publisher = {l'Échoppe}, |
| − | + | address = {Paris}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bousso 2002a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Bousso 2002a, |
| − | author = { | + | author = {Bousso, Raphael}, |
| − | title = { | + | title = {The Holographic Principle}, |
| − | journal = { | + | journal = {Reviews of Modern Physics}, |
| − | year = { | + | year = {2002}, |
| − | + | volume = {}, | |
| − | + | number = {74}, | |
| − | + | pages = {825-874}, | |
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bouyer 2014a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bouyer 2014a, |
| − | author = { | + | author = {Bouyer, Sylvain}, |
| − | title = { | + | title = {There is no Specificity at the Number You have Dialed (1986)}, |
| − | year = { | + | booktitle = {The French Comics Theory Reader}, |
| − | publisher = { | + | year = {2014}, |
| − | address = { | + | editor = {Miller, A. & Beaty, B.}, |
| + | pages = {75-82}, | ||
| + | publisher = {Leuven UP}, | ||
| + | address = {Leuven}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brachfeld 1976a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brachfeld 1976a, |
| − | author = { | + | author = {Brachfeld, Otto}, |
| − | title = { | + | title = {Image}, |
| − | + | booktitle = {Histo­risches Wörter­buch der Philo­sophie. Bd. 4}, | |
| − | year = { | + | year = {1976}, |
| − | editor = { | + | editor = {Ritter, J. et al.}, |
| − | pages = { | + | pages = {215-217}, |
| − | publisher = { | + | publisher = {Schwabe}, |
| − | address = { | + | address = {Basel}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brandom 2000a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brandom 2000a, |
| − | + | author = {Brandom, Robert}, | |
| − | + | title = {Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994)}, | |
| − | + | year = {2000}, | |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {übersetzt von E. Gilmer und H. Vetter}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brandt 1999a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brandt 1999a, |
| − | author = { | + | author = {Brandt, Reinhard}, |
| − | title = { | + | title = {Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild}, |
| − | year = { | + | year = {1999}, |
| − | publisher = { | + | publisher = {Carl Hanser}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.429: | Zeile 2.450: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brandt 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Brandt 2004a, |
| − | author = { | + | author = {Brandt, Reinhard}, |
| − | title = { | + | title = {Das Bild: Gesehen und erkannt}, |
| − | year = { | + | booktitle = {Wege zur Bildwissenschaft. Interviews}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Sachs-Hombach, K.}, |
| + | pages = {170-182}, | ||
| + | publisher = {Herbert von Halem Verlag}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brandt 2010a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Brandt 2010a, |
| − | author = { | + | author = {Brandt, Reinhard}, |
| − | title = {Das | + | title = {Das Denken und die Bilder}, |
| − | year = { | + | booktitle = {In Bildern denken? Kognitive Potentiale von Visualisierung in Kunst und Wissenschaft}, |
| + | year = {2010}, | ||
| + | editor = {Nortmann, U. & Wagner, Ch.}, | ||
| + | pages = {29–42}, | ||
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Branigana 1992=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Branigana 1992, |
| − | author = { | + | author = {Branigan, Edward}, |
| − | title = { | + | title = {Narrative Compre­hension and Film}, |
| − | year = { | + | year = {1992}, |
| − | publisher = { | + | publisher = {Routledge}, |
| − | address = { | + | address = {London}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.469: | Zeile 2.497: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brecht 1992a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Brecht 1992a, |
| − | author = { | + | author = {Brecht, Bertholt}, |
| − | title = { | + | title = {Der Rund­funk als Kommu­nika­tionsap­parat}, |
| − | booktitle = { | + | booktitle = {Gesam­melte Werke. Band 18}, |
| − | year = { | + | year = {1992}, |
| − | editor = { | + | editor = {Hauptmann, E.}, |
| − | pages = { | + | pages = {552-557}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.486: | Zeile 2.514: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp & Schneider 2006a=== |
| + | <bibentry> | ||
| + | @book{Bredekamp & Schneider 2006a, | ||
| + | author = {Bredekamp, Horst & Schneider, Pablo}, | ||
| + | title = {Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt}, | ||
| + | year = {2006}, | ||
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bredekamp 1994a=== | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 1994a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp}, |
| − | + | journal = {Texte zur Kunst}, | |
| − | year = { | + | year = {1994}, |
| − | + | volume = {}, | |
| − | + | number = {14}, | |
| − | + | pages = {108-13}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.503: | Zeile 2.543: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Bredekamp 2000a, |
| − | author = { | + | author = {Brede­kamp, Horst}, |
| − | title = { | + | title = {Anti­kensehn­sucht und Maschi­nenglau­ben. Die Geschich­te der Kunstkam­mer und die Zukunft der Kunstge­schichte}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Wagen­bach}, |
| − | + | address = {Berlin}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2003a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Bredekamp 2003a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {A Neglected Tradition? Art History as Bildwissenschaft}, |
| − | + | journal = {Critical Inquiry}, | |
| − | year = { | + | year = {2003}, |
| − | + | volume = {29}, | |
| − | + | number = {3}, | |
| − | + | pages = {418-428}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = { | + | url = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2003b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bredekamp 2003b, |
| − | author = { | + | author = {Brede­kamp, Horst}, |
| − | title = { | + | title = {Bild­wissen­schaft}, |
| − | year = { | + | booktitle = {Metzler Lexi­kon Kunst­wissen­schaft. Ideen, Metho­den, Begrif­fe}, |
| − | publisher = { | + | year = {2003}, |
| − | address = { | + | editor = {Pfisterer, U.}, |
| + | pages = {56-58}, | ||
| + | publisher = {J. B. Metzler}, | ||
| + | address = {Stutt­gart/Weimar}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bredekamp 2004a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Bredekamp 2004a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Drehmomente. Merkmale und Ansprüche des Iconic Turn}, |
| − | year = { | + | booktitle = {Iconic Turn. Die neue Macht der Bilder}, |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Maar, C. & Burda, H.}, |
| + | pages = {}, | ||
| + | publisher = {DuMont}, | ||
| + | address = {Köln}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2005a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2005a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte}, |
| − | year = { | + | year = {2005}, |
| − | publisher = { | + | publisher = {Klaus Wagenbach}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.575: | Zeile 2.619: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Bredekamp 2007a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2007a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Galilei der Künstler. Der Mond. Die Sonne. Die Hand}, |
| − | year = { | + | year = {2007}, |
| − | publisher = { | + | publisher = {Akademie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 2.588: | Zeile 2.632: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bredekamp 2010a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp 2010a, |
| − | author = { | + | author = {Bredekamp, Horst}, |
| − | title = { | + | title = {Theorie des Bild­akts. Frank­furter Ador­no-​Vorle­sungen 2007}, |
| − | year = { | + | year = {2010}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
address = {Frank­furt/M.}, | address = {Frank­furt/M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Bredekamp et al. 2008a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Bredekamp et al. 2008a, |
| − | author = { | + | author = {Bredekamp, Horst; Schneider, Birgit & Dünkel, Vera}, |
| − | title = { | + | title = {Das Tech­nische Bild. Kompen­dium zu einer Stil­geschich­te wissen­schaftli­cher Bilder}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Aka­demie}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brentano 1874a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brentano 1874a, |
| − | author = { | + | author = {Brenta­no, Franz}, |
| − | title = { | + | title = {Psycho­logie vom empi­rischen Standpunkt}, |
| − | year = { | + | year = {1874}, |
| − | publisher = { | + | publisher = {Duncker & Humblot}, |
| − | address = { | + | address = {Leipzig}, |
| − | note = { | + | note = {}, |
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Brentano 1930a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Brentano 1930a, |
| − | author = { | + | author = {Brentano, Franz}, |
| − | title = { | + | title = {Wahrheit und Evidenz}, |
| − | year = { | + | year = {1930}, |
| − | publisher = { | + | publisher = {Felix Meiner}, |
| − | address = { | + | address = {Ham­burg}, |
| − | note = { | + | note = {Nachdruck 1975}, |
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Britz et al. 2009a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Britz et al. 2009a, |
| − | author = { | + | author = {Britz, Juliane; Landis, Theodor & Michel, Christoph M.}, |
| − | + | title = {Right Pari­etal Brain Activ­ity Pre­cedes Percep­tual Alter­nation of Bi­stable Stim­uli}, | |
| − | + | journal = {Cereb. Cortex 19}, | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
year = {2009}, | year = {2009}, | ||
| − | + | volume = {19}, | |
| − | + | number = {1}, | |
| + | pages = {55-65}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Britz et al. 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Britz et al. 2010a, |
| − | author = { | + | author = {Britz, Juliane; Pitts, Michael A. & Michel, Christoph M.}, |
| − | title = { | + | title = {Right Pari­etal Brain Activ­ity Pre­cedes Percep­tual Alter­nation During Binoc­ular Ri­valry}, |
| − | + | journal = {Hum. Brain Mapping}, | |
| − | year = { | + | year = {2010}, |
| − | + | volume = {9}, | |
| − | + | number = {32}, | |
| − | + | pages = {1432-42}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | url = {}, | + | url = {www.ncbi.nlm.nih.gov/pubmed/20690124}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brodatz 1966a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Brodatz 1966a, |
| − | author = { | + | author = {Brodatz, Phil}, |
| − | title = { | + | title = {Textures: A Photographic Album for Artists and Designers}, |
| − | + | year = {1966}, | |
| − | year = { | + | publisher = {Dover}, |
| − | + | address = {Mineola, NY}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Brugger & Brugger 1993a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{Bulgakowa 2001a, | + | @article{Brugger & Brugger 1993a, |
| − | author = {Bulgakowa, Oksana}, | + | author = {Brugger, Peter & Brugger, Susanne}, |
| + | title = {The Easter­bunny in Octo­ber: Is It Dis­guised as a Duck}, | ||
| + | journal = {Percep­tual and Motor Skills}, | ||
| + | year = {1993}, | ||
| + | number = {76}, | ||
| + | pages = {577–578}, | ||
| + | volume = {2}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brugger 1999a=== | ||
| + | <bibentry> | ||
| + | @article{Brugger 1999a, | ||
| + | author = {Brugger, Peter}, | ||
| + | title = {One Hundred Years of an Am­bigu­ous Figure: Happy Birth­day, Duck/​Rabbit}, | ||
| + | journal = {Percep­tual and Motor Skills}, | ||
| + | year = {1999}, | ||
| + | number = {89}, | ||
| + | pages = {973–977}, | ||
| + | volume = {3 Pt 1}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bruhn 2000a=== | ||
| + | <bibentry> | ||
| + | @book{Bruhn 2000a, | ||
| + | author = {Bruhn, Sieglind}, | ||
| + | title = {Mucial Ecphrasis: Composers Responding to Poetry and Painting}, | ||
| + | year = {2000}, | ||
| + | publisher = {Pendragon Press}, | ||
| + | address = {New York}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brunet 2008a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Brunet 2008a, | ||
| + | author = {Brunet, François}, | ||
| + | title = {‘A Better Example is a Photo­graph’: On the Exemp­lary Value of Photo­graphs in C. S. Peirce's Reflec­tion on Signs}, | ||
| + | booktitle = {The Meaning of Photo­graphy}, | ||
| + | year = {2008}, | ||
| + | editor = {Kelsey, R. & Stimson, B.}, | ||
| + | pages = {34-49}, | ||
| + | publisher = {Clark Art Insti­tute}, | ||
| + | address = {Williams­town}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brunner 2009a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Brunner 2009a, | ||
| + | title = {Das Funda­ment der Kunst. Die Skulptur und ihr Sockel in der Mo­derne}, | ||
| + | year = {2009}, | ||
| + | editor = {Brunner, D. }, | ||
| + | publisher = {Edition Braus}, | ||
| + | address = {Heidel­berg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Brunner-Traut 1992a=== | ||
| + | <bibentry> | ||
| + | @book{Brunner-Traut 1992a, | ||
| + | author = {Brunner-Traut, Emma}, | ||
| + | title = {Früh­formen des Erken­nens am Beispiel Alt­ägyp­tens}, | ||
| + | year = {1992}, | ||
| + | publisher = {Wissen­schaftli­che Buchge­sellschaft}, | ||
| + | address = {Darm­stadt}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bruno 2007a=== | ||
| + | <bibentry> | ||
| + | @book{Bruno 2007a, | ||
| + | author = {Bruno, Giuliana}, | ||
| + | title = {Public Intimacy. Architecture and the Visual Arts}, | ||
| + | year = {2007}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cam­bridge}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bryson 2001a=== | ||
| + | <bibentry> | ||
| + | @book{Bryson 2001a, | ||
| + | author = {Bryson, Norman }, | ||
| + | title = {Das Sehen und die Malerei}, | ||
| + | year = {2001}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buber 1995a=== | ||
| + | <bibentry> | ||
| + | @book{Buber 1995a, | ||
| + | author = {Martin Buber}, | ||
| + | title = {Ich und Du}, | ||
| + | year = {1995}, | ||
| + | publisher = {Reclam}, | ||
| + | address = {Stutt­gart}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bucher 2011a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bucher 2011a, | ||
| + | author = {Bucher, Hans-Jürgen}, | ||
| + | title = {“Man sieht, was man hört“. Multi­moda­les Verste­hen als inter­aktio­nale Aneig­nung. Handlungs­theore­tische Medien­ana­lyse}, | ||
| + | booktitle = {Medien­theori­en und Multi­moda­lität. Ein TV-Werbe­spot – Sieben metho­dische Beschrei­bungsan­sätze}, | ||
| + | year = {2011}, | ||
| + | editor = {Schneider, J.-G. & Stöckl, H.}, | ||
| + | pages = {109-150}, | ||
| + | publisher = {Halem}, | ||
| + | address = {Köln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bucher 2010a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bucher 2010a, | ||
| + | author = {Bucher, Hans-Jürgen}, | ||
| + | title = {Multi­moda­les Verste­hen oder Rezep­tion als Inter­aktion. Theore­tische und empi­rische Grundla­gen einer syste­mati­schen Ana­lyse der Multi­moda­lität}, | ||
| + | booktitle = {Bild­lingu­istik}, | ||
| + | year = {2010}, | ||
| + | editor = {Diekmanns­henke, H.; Klemm, M. & Stöckl, H.}, | ||
| + | pages = {121-156}, | ||
| + | publisher = {Erich Schmidt}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buchholz 1999a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Buchholz 1999a, | ||
| + | author = {Buchholz, Kai}, | ||
| + | title = {Zum Verhält­nis von Bild­syntax und Darstel­lungswert am Beispiel künstle­rischer Grafik}, | ||
| + | booktitle = {Bild­gramma­tik. Inter­diszi­plinä­re For­schun­gen zur Syntax bildli­cher Darstel­lungsfor­men}, | ||
| + | year = {1999}, | ||
| + | editor = {Sachs-​Hom­bach, K. & Rehkäm­per, K.}, | ||
| + | pages = {255-270}, | ||
| + | publisher = {Scrip­tum}, | ||
| + | address = {Magde­burg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buchholz & Schirra 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Buchholz & Schirra 2001a, | ||
| + | author = {Buchholz, Kai & Schirra, Jörg R.J.}, | ||
| + | title = {Das Haus als Gesamt­kunst­werk – Eine Heraus­forde­rung an die Compu­tervi­sualis­tik}, | ||
| + | booktitle = {Bildhan­deln. Inter­diszi­plinä­re Forschun­gen zur Prag­ma­tik bildhaf­ter Darstel­lungsfor­men}, | ||
| + | year = {1999}, | ||
| + | editor = {Sachs-​Hom­bach, K.}, | ||
| + | pages = {241-​268}, | ||
| + | publisher = {Scriptum}, | ||
| + | address = {Magde­burg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {jrjs.de/Work/Papers/P01/P01-6/index.html}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buchner 1665a=== | ||
| + | <bibentry> | ||
| + | @book{Buchner 1665a, | ||
| + | author = {Buchner, August}, | ||
| + | title = {Poet} | ||
| + | year = {1665}, | ||
| + | publisher = {Otto Prätorius}, | ||
| + | address = {Wittenberg}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buchwald 1989a=== | ||
| + | <bibentry> | ||
| + | @book{Buchwald 1989a, | ||
| + | author = {Buchwald, Jed Z.}, | ||
| + | title = {The Rise of the Wave Theory of Light}, | ||
| + | year = {1989}, | ||
| + | publisher = {Uni­versity of Chica­go Press}, | ||
| + | address = {Chica­go}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buck-Morss 2000a=== | ||
| + | <bibentry> | ||
| + | @book{Buck-Morss 2000a, | ||
| + | author = {Buck-Morss, Susan}, | ||
| + | title = {Dream­world and Catas­trophe. The Pass­ing of Mass Utopia in East and West}, | ||
| + | year = {2000}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cam­bridge, MA}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Buck-Morss 1989a=== | ||
| + | <bibentry> | ||
| + | @book{Buck-Morss 1989a, | ||
| + | author = {Buck-Morss, Susan}, | ||
| + | title = {The Dia­lectics of Seeing. Walter Benja­min and the Arcades-​Project}, | ||
| + | year = {1989}, | ||
| + | publisher = {MIT Press}, | ||
| + | address = {Cam­bridge, MA}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bühler 1933a=== | ||
| + | <bibentry> | ||
| + | @book{Bühler 1933a, | ||
| + | author = {Bühler, Karl}, | ||
| + | title = {Axio­matik der Sprach­wissen­schaften}, | ||
| + | year = {1933}, | ||
| + | publisher = {Kloster­mann}, | ||
| + | address = {Frank­furt/M.}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bühler 1934a=== | ||
| + | <bibentry> | ||
| + | @book{Bühler 1934a, | ||
| + | author = {Bühler, Karl}, | ||
| + | title = {Sprach­theorie. Die Darstel­lungsfunk­tion der Sprache}, | ||
| + | year = {1965}, | ||
| + | publisher = {Fischer }, | ||
| + | address = {Stutt­gart}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bühler 1999a=== | ||
| + | <bibentry> | ||
| + | @book{Bühler 1999a, | ||
| + | author = {Bühler, Karl}, | ||
| + | title = {Sprach­theorie. Die Darstel­lungsfunk­tion der Sprache}, | ||
| + | year = {1999}, | ||
| + | publisher = {Lucius & Lucius}, | ||
| + | address = {Stutt­gart}, | ||
| + | note = {3. Aufl.}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bühler 2000a=== | ||
| + | <bibentry> | ||
| + | @book{Bühler 2000a, | ||
| + | author = {Bühler, Karl}, | ||
| + | title = {Die Krise der Psycho­logie}, | ||
| + | year = {2000}, | ||
| + | publisher = {Velbrück}, | ||
| + | address = {Weilers­wist}, | ||
| + | note = {(orig.: 1927)}, | ||
| + | hidden = {hrsg. von Eschbach, A. & Kapitzky, J.}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bürger 1784a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bürger 1784a, | ||
| + | author = {Bürger, Gottfried August}, | ||
| + | title = {Von der Popularität der Poesie [1784]}, | ||
| + | booktitle = {Sämtliche Werke}, | ||
| + | year = {1987}, | ||
| + | editor = {Hintzschel G. & Hintzschel H.}, | ||
| + | pages = {725-730}, | ||
| + | publisher = {Hanser}, | ||
| + | address = {München}, | ||
| + | note ={}, | ||
| + | hidden = {Erstveröffentlichung 1784}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Büttner & Gottdank 2009a=== | ||
| + | <bibentry> | ||
| + | @book{Büttner & Gottdank 2009a, | ||
| + | author = {Büttner, Frank & Gottdank, Andrea}, | ||
| + | title = {Ein­führung in die Iko­nogra­phie. Wege zur Deutung von Bild­inhal­ten}, | ||
| + | year = {2009}, | ||
| + | publisher = {Beck}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Büttner 2002a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Büttner 2002a, | ||
| + | author = {Büttner, Andreas}, | ||
| + | title = {Vom Körper zum Raum. Eini­ge Anmer­kungen zu den medi­alen Möglich­keiten der Plastik}, | ||
| + | booktitle = {Wettstreit der Künste}, | ||
| + | year = {2002}, | ||
| + | editor = {Mai, E.}, | ||
| + | pages = {38-51}, | ||
| + | publisher = {Edi­tion Miner­va}, | ||
| + | address = {Wolfrats­hausen}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Büttner 2003a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Büttner 2003a, | ||
| + | author = {Büttner, Frank}, | ||
| + | title = {Perspek­tive}, | ||
| + | booktitle = {Metzler Lexi­kon Kunstwis­senschaft. Ideen – Metho­den – Begrif­fe}, | ||
| + | year = {2003}, | ||
| + | editor = {Pfiste­rer, U.}, | ||
| + | pages = {265}, | ||
| + | publisher = {JB Metzler}, | ||
| + | address = {Stutt­gart, Weimar}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Bulgakowa 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Bulgakowa 2001a, | ||
| + | author = {Bulgakowa, Oksana}, | ||
title = {Film/filmisch}, | title = {Film/filmisch}, | ||
| − | booktitle = {Ästhetisches Wörterbuch in sieben Bänden. Bd. 2: Dekadent — Grotesk}, | + | booktitle = {Ästhetisches Wörterbuch in sieben Bänden. Bd. 2: Dekadent — Grotesk}, |
| − | year = {2001}, | + | year = {2001}, |
| − | editor = {Barck, K. & Fontius, M. & Schlenstedt, D. & Steinwachs, B. & Wolfzettel, F.}, | + | editor = {Barck, K. & Fontius, M. & Schlenstedt, D. & Steinwachs, B. & Wolfzettel, F.}, |
| − | pages = {429-462}, | + | pages = {429-462}, |
| − | publisher = {J. B. Metzler}, | + | publisher = {J. B. Metzler}, |
| − | address = {Stutt­gart, Weimar}, | + | address = {Stutt­gart, Weimar}, |
| − | note = {}, | + | note = {}, |
| − | hidden = {}, | + | hidden = {}, |
| − | url = {}, | + | url = {}, |
| − | } | + | } |
| − | </bibentry> | + | </bibentry> |
| − | + | ||
| − | ===Burckhardt 2001a=== | + | ===Bunge 1996a=== |
| − | <bibentry> | + | <bibentry> |
| − | @inproceedings{Burckhardt 2001a, | + | @book{Bunge 1996a, |
| − | author = {Burckhardt, Jacob}, | + | author = {Bunge, Matthias}, |
| − | title = {Der Cice­rone. Eine Anlei­tung zum Genuss der Kunst­werke Ita­liens}, | + | title = {Zwischen Intuition und Ratio, Pole des Bildnerischen Denkens bei Kandinsky, Klee und Beuys}, |
| − | booktitle = {Werke. Kri­tische Gesamt­ausga­be}, | + | year = {1996}, |
| − | year = {2001}, | + | publisher = {Franz Steiner}, |
| − | editor = {B. Roeck et al.}, | + | address = {Stuttgart}, |
| − | pages = {Bd. 2}, | + | note = {}, |
| − | publisher = {Beck}, | + | hidden = {}, |
| − | address = {München, Basel}, | + | } |
| − | note = {}, | + | </bibentry> |
| − | hidden = {Erstveröffentlichung 1855}, | + | |
| − | } | + | ===Bunia 2020a=== |
| − | </bibentry> | + | <bibentry> |
| − | + | @proceedings{Bunia 2020a, | |
| − | ===Burke 2003a=== | + | title = {Formen der Fiktion. Theorie und Geschichte}, |
| − | <bibentry> | + | year = {2020fc}, |
| − | @book{Burke 2003a, | + | editor = {Bunia, Remi­gius}, |
| − | author = {Burke, Peter}, | + | publisher = {Wilhelm Fink}, |
| − | title = { | + | address = {München}, |
| − | year = {2003}, | + | note = {in Vorbe­reitung}, |
| − | publisher = { | + | hidden = {}, |
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Burckhardt 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Burckhardt 2001a, | ||
| + | author = {Burckhardt, Jacob}, | ||
| + | title = {Der Cice­rone. Eine Anlei­tung zum Genuss der Kunst­werke Ita­liens}, | ||
| + | booktitle = {Werke. Kri­tische Gesamt­ausga­be}, | ||
| + | year = {2001}, | ||
| + | editor = {B. Roeck et al.}, | ||
| + | pages = {Bd. 2}, | ||
| + | publisher = {Beck}, | ||
| + | address = {München, Basel}, | ||
| + | note = {}, | ||
| + | hidden = {Erstveröffentlichung 1855}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Burke 2003a=== | ||
| + | <bibentry> | ||
| + | @book{Burke 2003a, | ||
| + | author = {Burke, Peter}, | ||
| + | title = {Augen­zeugen­schaft. Bilder als histo­rische Quellen}, | ||
| + | year = {2003}, | ||
| + | publisher = {Wagen­bach}, | ||
address = {Berlin}, | address = {Berlin}, | ||
note = {}, | note = {}, | ||
| Zeile 2.752: | Zeile 3.154: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Busch & Därmann 2007a=== | ===Busch & Därmann 2007a=== | ||
| Zeile 2.779: | Zeile 3.180: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Bußmann 1983a=== | ===Bußmann 1983a=== | ||
Aktuelle Version vom 25. August 2023, 18:34 Uhr
Inhaltsverzeichnis
- 1 Baader 2003a
- 2 Baader 2003b
- 3 Bachmann 2013a
- 4 Bachmann-Medick 2006a
- 5 Badakshi 2006a
- 6 Badt 1963a
- 7 Baetens 2011a
- 8 Bätschmann 1984a
- 9 Bätschmann 2009a
- 10 Baigrie 1996a
- 11 Bal 1999a
- 12 Bal 2003a
- 13 Balavoine 1981a
- 14 Balázs 2001a
- 15 Balázs 2001b
- 16 Baltrušaitis 1977a
- 17 Barabash 2010a
- 18 Barbieri 2002a
- 19 Barck et al. 2000ffa
- 20 Bareis 2014a
- 21 Bareis 2015a
- 22 Bareis & Nordrun 2015a
- 23 Barthes 1957a
- 24 Barthes 1961a
- 25 Barthes 1963a
- 26 Barthes 1964a
- 27 Barthes 1964b
- 28 Barthes 1964c
- 29 Barthes 1967a
- 30 Barthes 1977a
- 31 Barthes 1981a
- 32 Barthes 1989a
- 33 Bartosch 2016a
- 34 Bartz et al. 2012 a
- 35 Barwise & Perry 1984a
- 36 Bataille 1981a
- 37 Batchen 1998a
- 38 Batchen 2000a
- 39 Batteux 1746a
- 40 Batteux 1746/1770a
- 41 Bauch 1994a
- 42 Baudrillard 1978a
- 43 Baudrillard 2000a
- 44 Bauer & Ernst 2010a
- 45 Baumann 2011a
- 46 Baumberger 2010a
- 47 Baumberger 2013g-a
- 48 Baumgarten 2011a
- 49 Baxandall 1972a
- 50 Baxandall 1990a
- 51 Baxandall 1998a
- 52 Baxandall 1999a
- 53 Baxmann 2001a
- 54 Bayer 1984a
- 55 Bazin 2009a
- 56 Bechtloff 2001a
- 57 Becker 2010a
- 58 Becker-Cantarino 2005a
- 59 Beckmann 1995a
- 60 Beil 2010a
- 61 Beil & Schröter 2011a
- 62 Belach & Jacobsen 1993a
- 63 Beller 2005a
- 64 Belting & Haustein 1998a
- 65 Belting 1983a
- 66 Belting 1998a
- 67 Belting 2001a
- 68 Belting 2002a
- 69 Belting 2004a
- 70 Belting 2008a
- 71 Beniger 1986a
- 72 Benjamin 1939a
- 73 Benjamin 1974a
- 74 Benjamin 1974b
- 75 Benko 1976a
- 76 Bergande 2013g-a
- 77 Berger 1972a
- 78 Bergson 1948a
- 79 Berlewi 1924a
- 80 Bernays 1970a
- 81 Berndt 2015a
- 82 Berndt 2013a
- 83 Berndt & Drügh 2009a
- 84 Bernhardt et al. 2009a
- 85 Bernhardt & Drechsel 2013g-a
- 86 Bertram et al. 2008a
- 87 Berz 2009a
- 88 Betz 2012a
- 89 Bevers 1985a
- 90 Beyme 2004a
- 91 Bidlo 2006a
- 92 Bidlo 2008a
- 93 Bidlo 2013g-a
- 94 Bidlo 2013g-b
- 95 Biederman 1995a
- 96 Bieger 2007a
- 97 Biernoff 2002a
- 98 Billeter 1990a
- 99 Birk 2011a
- 100 Birk 2012a
- 101 Birk 2012b
- 102 Birk 2013g-a
- 103 Birk 2013g-b
- 104 Birk 2013g-c
- 105 Birk et al. 2014a
- 106 Black 1954a
- 107 Black 1972a
- 108 Blanke 1998a
- 109 Blanke 1998b
- 110 Blanke 2003a
- 111 Blanke et al. 2005a
- 112 Bliss 1949a
- 113 Block 1990a
- 114 Bloesch 1943a
- 115 Bloomfield 1933a
- 116 Blümle & von der Heiden 2005a
- 117 Blumenberg 1957a
- 118 Blumenberg 1969a
- 119 Blumenberg 1986a
- 120 Blumenberg 1999a
- 121 Böcking 2008a
- 122 Boeder 1996a
- 123 Boehm 1969a
- 124 Boehm 1977a
- 125 Boehm 1978a
- 126 Boehm 1980a
- 127 Boehm 1985a
- 128 Boehm 1994a
- 129 Boehm 1994b
- 130 Boehm 1994c
- 131 Boehm 1995a
- 132 Boehm 1999a
- 133 Boehm 2001a
- 134 Boehm 2004a
- 135 Boehm 2004b
- 136 Boehm 2005a
- 137 Boehm 2007a
- 138 Boehm 2007b
- 139 Boehm 2007c
- 140 Boehm 2007d
- 141 Boehm 2008a
- 142 Boehm 2009a
- 143 Boehm 2010a
- 144 Boehm 2011a
- 145 Boehm & Mersmann & Spies 2008a
- 146 Boehm & Pfotenhauer 1995a
- 147 Böhme & Böhme 1985a
- 148 Böhme 1999a
- 149 Böhme 2004a
- 150 Böhn 1999a
- 151 Bogen & Thürlemann 2003a
- 152 Bogen 2005a
- 153 Bogen 2005b
- 154 Bolter & Grusin 2000a
- 155 Bolton et al 2007a
- 156 Bonnemann 2013g-a
- 157 Bonsiepe 1968a
- 158 Bonsiepe 1996a
- 159 Bordwell 1989a
- 160 Borgo & Masolo 2010a
- 161 Born 1983a
- 162 Bossi 2012a
- 163 Bousso 2002a
- 164 Bouyer 2014a
- 165 Brachfeld 1976a
- 166 Brandom 2000a
- 167 Brandt 1999a
- 168 Brandt 2004a
- 169 Brandt 2010a
- 170 Branigana 1992
- 171 Brecht 1992a
- 172 Bredekamp & Schneider 2006a
- 173 Bredekamp 1994a
- 174 Bredekamp 2000a
- 175 Bredekamp 2003a
- 176 Bredekamp 2003b
- 177 Bredekamp 2004a
- 178 Bredekamp 2005a
- 179 Bredekamp 2007a
- 180 Bredekamp 2010a
- 181 Bredekamp et al. 2008a
- 182 Brentano 1874a
- 183 Brentano 1930a
- 184 Britz et al. 2009a
- 185 Britz et al. 2010a
- 186 Brodatz 1966a
- 187 Brugger & Brugger 1993a
- 188 Brugger 1999a
- 189 Bruhn 2000a
- 190 Brunet 2008a
- 191 Brunner 2009a
- 192 Brunner-Traut 1992a
- 193 Bruno 2007a
- 194 Bryson 2001a
- 195 Buber 1995a
- 196 Bucher 2011a
- 197 Bucher 2010a
- 198 Buchholz 1999a
- 199 Buchholz & Schirra 2001a
- 200 Buchner 1665a
- 201 Buchwald 1989a
- 202 Buck-Morss 2000a
- 203 Buck-Morss 1989a
- 204 Bühler 1933a
- 205 Bühler 1934a
- 206 Bühler 1999a
- 207 Bühler 2000a
- 208 Bürger 1784a
- 209 Büttner & Gottdank 2009a
- 210 Büttner 2002a
- 211 Büttner 2003a
- 212 Bulgakowa 2001a
- 213 Bunge 1996a
- 214 Bunia 2020a
- 215 Burckhardt 2001a
- 216 Burke 2003a
- 217 Busch & Därmann 2007a
- 218 Busch 2004a
- 219 Bußmann 1983a
- 220 Butler 1995a
- 221 Butler 1997a
- 222 Butler 2001a
Baader 2003a
Baader, Hannah (2003): Paragone.
In: Pfisterer, U. (Hg.), Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe. J.B. Metzler, Stuttgart, Weimar, 263.
(Typ: 'Beitrag in Sammelband')
Baader 2003b
Baader, Hannah (2003): Einfluss.
In: Pfisterer, U. (Hg.), Metzler Lexikon Kunstwissenschaft. Ideen – Methoden – Begriffe. Metzler, Stuttgart, Weimar, 73-76.
(Typ: 'Beitrag in Sammelband')
Bachmann 2013a
Bachmann, Christian A. (2013): Der Comic als Labor semiotischer Interpiktorialitätsforschung. Paul Karasiks und David Mazzucchellis City of Glass.
In: Isekenmeier, G. (Hg.), Interpiktorialität. Theorie und Geschichte der Bild-Bild-Bezüge. transcript, Bielefeld, 299-318.
(Typ: 'Beitrag in Sammelband')
Bachmann-Medick 2006a
Bachmann-Medick, Doris (2006): Cultural Turns. Neuorientierungen in den Kulturwissenschaften.
Rowohlt, Reinbek.
(Typ: 'Buch')
Badakshi 2006a
Badakshi, Harun (2006): Körper in/aus Zahlen. Digitale Bildgebung in der Medizin.
In: Hinterwaldner, I.; Buschhaus, M. (Hg.), The Picture's Image. Wissenschaftliche Visualisierung als Komposit. Fink, München, 199-205.
(Typ: 'Beitrag in Sammelband')
Badt 1963a
Badt, Kurt (1963): Raumphantasien und Raumillusionen. Wesen der Plastik.
DuMont, Köln.
(Typ: 'Buch')
Baetens 2011a
Baetens, Jan (2011): Abstraction in Comics.
SubStance, 40, 124, 94-113
( Special issue: Graphic Narratives and Narrative Theory ).
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Bätschmann 1984a
Bätschmann, Oskar (1984): Einführung in die kunstgeschichtliche Hermeneutik.
WBG, Darmstadt.
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Bätschmann 2009a
Bätschmann, Oskar (2009): Beschreibung und Illustration.
In: Kofler, Peter (Hg.), Ekstatische Kunst – besonnenes Wort. Aby Warburg und die Denkräume der Ekphrasis. Studien-Verlag, Wien, 55-66.
(Typ: 'Beitrag in Sammelband')
Baigrie 1996a
Baigrie, Brian S. (Hg.)(1996): Picturing Knowledge. Historical and Philosophical Problems Concerning the Use of Art in Science.
University of Toronto Press, Toronto, Buffalo, London.
(Typ: 'Sammelband')
Bal 1999a
Bal, Mieke (1999): Quoting Caravaggio. Contemporary Art, Preposterous History.
The University of Chicago Press, Chicago.
(Typ: 'Buch')
Bal 2003a
Bal, Mieke (2003): Visual Essentialism and the Object of Visual Culture.
Journal of Visual Culture, 1, 2, 5-32
link: http://people.ucsc.edu/~stamp/200a/FILM_200A/Readings_files/Bal-visualessentialism.pdf.
(Typ: 'Artikel in Zeitschrift')
Balavoine 1981a
Balavoine, Claudio (1981): Archéologie de l’emblème littéraire. La dédicace à Conrad Peutinger des Emblemata d’André Alciat.
In: Jones-Davies, M. T. (Hg.), Emblèmes et devises au temps de la Renaissance. Touzot, Paris, 9-21.
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Balázs 2001a
Balázs, Béla (2001): Der Geist des Films.
Suhrkamp, Frankfurt/M..
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Balázs 2001b
Balázs, Béla (2001): Der sichtbare Mensch.
In: Albersmeier, F.-J. (Hg.), Texte zur Theorie des Films. Philip Reclam jun., Stuttgart, 224-233.
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Baltrušaitis 1977a
Baltrušaitis, Jurgis (1977): Anamorphic Art.
Chadwyck-Healey, Cambridge, (zuerst: Paris 1969)
( aus dem Französischen von W.J. Strachan ).
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Barabash 2010a
Barabash, Igor (2010): Das Bildzitat im Internet.
Shaker, Aachen.
(Typ: 'Buch')
Barbieri 2002a
Barbieri, Daniele (2002): Zeit und Rhythmus in der Bilderzählung.
In: Hein, M.; Hüners, M. & Michaelsen, T. (Hg.), Ästhetik des Comic. Erich Schmidt, Berlin, 125-142.
(Typ: 'Beitrag in Sammelband')
Barck et al. 2000ffa
Barck, Karlheinz; Fontius, Martin; Schlenstedt, Dieter; Steinwachs, Burkhart & Wolfzettel, Friedrich (Hg.)(2000–2005): Ästhetische Grundbegriffe. Historisches Wörterbuch in sieben Bänden.
J. B. Metzler, Stuttgart, Weima.
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Bareis 2014a
Bareis, J. Alexander (2014): Fiktionen als Make-Believe.
In: Klauk, T. & Köppe, T. (Hg.), Fiktionalität. Ein interdisziplinäres Handbuch. de Gruyter, Berlin, 50-67.
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Bareis 2015a
Bareis, J. Alexander (2015): Fictional Truths, Principles of Generation, and Interpretation.
In: Bareis, J. A. & Nordrum, L. (Hg.), How to Make Believe. The Fictional Truths of the Representational Arts. de Gruyter, Berlin, 165-183.
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Bareis & Nordrun 2015a
Bareis, J. Alexander; Lene Nordrum (Hg.)(2015): How to Make Believe. The Fictional Truths of the Representational Arts.
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Barthes 1957a
Barthes, Roland (1996): Mythen des Alltags.
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Barthes 1961a
Barthes, Roland (1961): Le message photographique.
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Barthes 1963a
Barthes, Roland (1963): Le message publicitaire.
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Barthes 1964a
Barthes, Roland (1990): Rhetorik des Bildes (1964).
In: Barthes, R. (Hg.), Der entgegenkommende und der stumpfe Sinn. Kritische Essays III. Suhrkamp, Frankfurt/M., 28-46
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Barthes 1964b
Barthes, Roland (1964): Rhétorique de l'image.
In: Marty, É. (Hg.), Roland Barthes. Oeuvres Complètes, Band I (1993). Éditions du Seuil, Paris, 1417-1429.
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Barthes 1964c
Barthes, Roland (1964): Rhétorique de l'image.
Communications, 4, 40-51.
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Barthes 1967a
Barthes, Roland (1967): Système de la Mode.
Éditions du Seuil, Paris.
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Barthes 1977a
Barthes, Roland (1977): Rhetoric of the Image.
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Barthes 1981a
Barthes, Roland (1981): Camera Lucida. Reflections on Photography.
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Barthes 1989a
Barthes, Roland (1989): Die helle Kammer. Bemerkung zur Photographie.
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Bartosch 2016a
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Bartz et al. 2012 a
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Barwise & Perry 1984a
Barwise, Jon & Perry, John (1984): Situations and Attitudes.
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Bataille 1981a
Bataille, Georges (1981): Die Tränen des Eros.
Matthes und Seitz, Berlin, mit einer Einführung von Lo Duca und unveröffentlichten Briefen Batailles.
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Batchen 1998a
Batchen, Geoffrey (1998): Photogenics / Fotogenik.
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Batchen 2000a
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Batteux 1746a
Batteux, Charles (1746): Les Beaux-Arts réduits à un même principe.
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Batteux 1746/1770a
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Bauch 1994a
Bauch, Kurt (1994): Imago.
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Baudrillard 1978a
Baudrillard, Jean (1978): Agonie des Realen.
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Baudrillard 2000a
Baudrillard, Jean (2000): Das perfekte Verbrechen.
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Bauer & Ernst 2010a
Bauer, Matthias & Ernst, Christoph (2010): Diagrammatik. Einführung in ein kultur- und medienwissenschaftliches Forschungsfeld.
transcript, Bielefeld.
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Baumann 2011a
Baumann, Mario (2011): Bilder schreiben. Virtuose Ekphrasis in Philostrats Eikones.
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Baumberger 2010a
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Baumberger 2013g-a
Baumberger, Christoph (2013): Notation. (Ausg. 1).
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Baumgarten 2011a
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Baxandall 1972a
Baxandall, Michael (1972): Painting and Experience in Fifteenth Century Italy. A Primer in the Social History of Pictorial Style.
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Baxandall 1990a
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Baxandall, Michael (1998): Löcher Im Licht.
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Baxandall 1999a
Baxandall, Michael (1999): Die Wirklichkeit der Bilder. Malerei und Erfahrung im Italien der Renaissance.
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Baxmann 2001a
Baxmann, Inge (2001): Körperzitate.
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Bayer 1984a
Bayer, Udo (1984): Laokoon – Momente einer semiotischen Ästhetik.
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Bazin 2009a
Bazin, André (2009): Ontologie des photographischen Bildes.
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Bechtloff 2001a
Bechtloff, Dieter (Hg.) (2001): Choreographie der Gewalt.
Kunstforum International, Hefte 153, 155 & 156, Heft 153: ''Der gerissene Faden. Nichtlineare Techniken in der Kunst''; Heft 156: ''Plateau der Menschheit''.
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Becker 2010a
Becker, Thomas (2010): Graphic Novel – eine ‚illegitime‘ Medienkombination?.
In: Degner, U. (Hg.), Der neue Wettstreit der Künste. transcript, Bielefeld, 167-186.
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Becker-Cantarino 2005a
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Belting, Hans & Haustein, Lydia (1998): Das Erbe der Bilder. Kunst und moderne Medien in den Kulturen der Welt.
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Belting, Hans (1998a): Das unsichtbare Meisterwerk. Die modernen Mythen der Kunst.
C.H. Beck, München.
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Belting, Hans (2002): Das Ende der Kunstgeschichte. Eine Revision nach zehn Jahren.
Verlag C.H. Beck, München, 2., erweiterte Auflage.
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Benjamin 1974a
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Benjamin 1974b
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Duncker & Humblot, Berlin
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Beyme 2004a
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Bidlo, Oliver (2002): Martin Buber. Ein vergessener Klassiker der Kommunikationswissenschaft? Dialogphilosophie in kommunikationswissenschaftlicher Perspektive.
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Bidlo, Oliver (2013): Kommunikologie. (Ausg. 1).
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Bidlo, Oliver (2013): Technisches Bild. (Ausg. 1).
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Birk, Elisabeth (2012): Nelson Goodmans Begriff der Exemplifikation und seine Anwendung in den Bildwissenschaften.
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Birk, Elisabeth (2012): Review to: Frederik Stjernfelt: Diagrammatology: An Investigation on the Borderlines of Phenomenology, Ontology, and Semiotics, New York 2007.
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Birk 2013g-a
Birk, Elisabeth (2013): Bilderschrift und Piktogramm. (Ausg. 1).
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Birk 2013g-b
Birk, Elisabeth (2013): Pseudoschriften. (Ausg. 1).
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Birk, Elisabeth (2013): Referenz, Denotation, Exemplifikation. (Ausg. 1).
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Black, Max (1972): How do Pictures Represent?.
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Blanke, Börries (1998): Semiotische Perspektiven auf das Bild.
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Deutscher Universitätsverlag, Wiesbaden
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Blumenberg, Hans (1969): Wirklichkeitsbegriff und Möglichkeit des Romans.
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Boehm 1999a
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Boehm, Gottfried (2007): Jenseits der Sprache? Anmerkungen zur Logik der Bilder (2004).
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Boehm 2007a
Boehm, Gottfried (2007): Wie Bilder Sinn erzeugen. Die Macht des Zeigens.
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Boehm, Gottfried (2007): Iconic Turn. Ein Brief.
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Boehm 2007c
Boehm, Gottfried (2007): Die Hintergründigkeit des Zeigens. Deiktische Wurzeln des Bildes.
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Bonsiepe 1968a
Bonsiepe, Gui (1968): Visuell/Verbale Rhetorik.
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Bonsiepe 1996a
Bonsiepe, Gui (1996): Visuell-verbale Rhetorik. Über einige Techniken der persuasiven Kommunikation.
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Bordwell 1989a
Bordwell, David (1989): Making Meaning. Inference and Rhetoric in the Interpretation of Cinema.
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Borgo & Masolo 2010a
Borgo, Stefano & Masolo, Claudio (2010): Full Mereogeometries.
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Born 1983a
Born, Rainer (1983): Schizo-Semantik: Provokationen zum Thema Bedeutungstheorien und Wissenschaftsphilosophie im allgemeinen.
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Bossi 2012a
Bossi, Laura (2012): De l'agalmatophilie ou L'amour des statues.
l'Échoppe, Paris.
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Bousso 2002a
Bousso, Raphael (2002): The Holographic Principle.
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Bouyer 2014a
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Brachfeld 1976a
Brachfeld, Otto (1976): Image.
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Brandom 2000a
Brandom, Robert (2000): Expressive Vernunft. Begründung, Repräsentation und diskursive Festlegung (1994).
Suhrkamp, Frankfurt/M.
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Brandt 1999a
Brandt, Reinhard (1999): Die Wirklichkeit der Bilder. Sehen und Erkennen – Vom Spiegel zum Kunstbild.
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Brandt 2004a
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Brandt 2010a
Brandt, Reinhard (2010): Das Denken und die Bilder.
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Branigana 1992
Branigan, Edward (1992): Narrative Comprehension and Film.
Routledge, London.
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Brecht 1992a
Brecht, Bertholt (1992): Der Rundfunk als Kommunikationsapparat.
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Bredekamp & Schneider 2006a
Bredekamp, Horst & Schneider, Pablo (2006): Visuelle Argumentationen. Die Mysterien der Repräsentation und die Berechenbarkeit der Welt.
Wilhelm Fink, München.
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Bredekamp 1994a
Bredekamp, Horst (1994): Die digitale Kunstkammer. Ein Interview mit Horst Bredekamp.
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Bredekamp 2000a
Bredekamp, Horst (2000): Antikensehnsucht und Maschinenglauben. Die Geschichte der Kunstkammer und die Zukunft der Kunstgeschichte.
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Bredekamp 2003a
Bredekamp, Horst (2003): A Neglected Tradition? Art History as Bildwissenschaft.
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Bredekamp 2003b
Bredekamp, Horst (2003): Bildwissenschaft.
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Bredekamp 2004a
Bredekamp, Horst (2004): Drehmomente. Merkmale und Ansprüche des Iconic Turn.
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Bredekamp 2005a
Bredekamp, Horst (2005): Darwins Korallen. Die frühen Evolutionsdiagramme und die Tradition der Naturgeschichte.
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Bredekamp 2007a
Bredekamp, Horst (2007): Galilei der Künstler. Der Mond. Die Sonne. Die Hand.
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Bredekamp 2010a
Bredekamp, Horst (2010): Theorie des Bildakts. Frankfurter Adorno-Vorlesungen 2007.
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Bredekamp et al. 2008a
Bredekamp, Horst; Schneider, Birgit & Dünkel, Vera (2008): Das Technische Bild. Kompendium zu einer Stilgeschichte wissenschaftlicher Bilder.
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Brentano 1874a
Brentano, Franz (1874): Psychologie vom empirischen Standpunkt.
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Brentano 1930a
Brentano, Franz (1930): Wahrheit und Evidenz.
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Britz et al. 2009a
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Brodatz 1966a
Brodatz, Phil (1966): Textures: A Photographic Album for Artists and Designers.
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Brugger & Brugger 1993a
Brugger, Peter & Brugger, Susanne (1993): The Easterbunny in October: Is It Disguised as a Duck.
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Brugger 1999a
Brugger, Peter (1999): One Hundred Years of an Ambiguous Figure: Happy Birthday, Duck/Rabbit.
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Bruhn 2000a
Bruhn, Sieglind (2000): Mucial Ecphrasis: Composers Responding to Poetry and Painting.
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Brunet 2008a
Brunet, François (2008): ‘A Better Example is a Photograph’: On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs.
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Brunner, D. (Hg.)(2009): Das Fundament der Kunst. Die Skulptur und ihr Sockel in der Moderne.
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Brunner-Traut 1992a
Brunner-Traut, Emma (1992): Frühformen des Erkennens am Beispiel Altägyptens.
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Bryson, Norman (2001): Das Sehen und die Malerei.
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Bucher, Hans-Jürgen (2010): Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einer systematischen Analyse der Multimodalität.
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Buchholz 1999a
Buchholz, Kai (1999): Zum Verhältnis von Bildsyntax und Darstellungswert am Beispiel künstlerischer Grafik.
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Buchholz, Kai & Schirra, Jörg R.J. (1999): Das Haus als Gesamtkunstwerk – Eine Herausforderung an die Computervisualistik.
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Buchner 1665a
Buchner, August (1665): Poet.
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Buchwald 1989a
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Bürger 1784a
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Büttner & Gottdank 2009a
Büttner, Frank & Gottdank, Andrea (2009): Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten.
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Büttner 2002a
Büttner, Andreas (2002): Vom Körper zum Raum. Einige Anmerkungen zu den medialen Möglichkeiten der Plastik.
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Bulgakowa 2001a
Bulgakowa, Oksana (2001): Film/filmisch.
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Bunge 1996a
Bunge, Matthias (1996): Zwischen Intuition und Ratio, Pole des Bildnerischen Denkens bei Kandinsky, Klee und Beuys.
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Bunia 2020a
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Wilhelm Fink, München, in Vorbereitung.
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Burckhardt 2001a
Burckhardt, Jacob (2001): Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens.
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Burke 2003a
Burke, Peter (2003): Augenzeugenschaft. Bilder als historische Quellen.
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Busch & Därmann 2007a
Busch, Kathrin & Därmann, Iris (Hg.)(2007): pathos. Konturen eines kulturwissenschaftlichen Grundbegriffes.
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Busch 2004a
Busch, Kathrin (2004): Geschicktes Geben. Aporien der Gabe bei Jacques Derrida.
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Bußmann 1983a
Bußmann, Hadumod (1983): Lexikon der Sprachwissenschaft.
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Butler 1995a
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Butler 1997a
Butler, Judith (1997): Körper von Gewicht.
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Butler 2001a
Butler, Judith (2001): Psyche der Macht. Das Subjekt der Unterwerfung.
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