Vorlage:Bibliography-K: Unterschied zwischen den Versionen
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hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kadrey 1997a=== | ||
| + | <bibentry> | ||
| + | @book{Kadrey 1997a, | ||
| + | author = {Kadrey, Richard}, | ||
| + | title = {From Myst to Riven. The Creations & Inspirations}, | ||
| + | year = {1997}, | ||
| + | publisher = {Hyperion}, | ||
| + | address = {New York}, | ||
| + | hidden = {}, | ||
| + | note = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| Zeile 19: | Zeile 32: | ||
@article{Kalkofen 2006a, | @article{Kalkofen 2006a, | ||
author = {Kalkofen, Herrmann}, | author = {Kalkofen, Herrmann}, | ||
| − | title = { | + | title = {In­version und Ambi­guität. Ein Kapi­tel aus der psycho­logi­schen Optik}, |
| − | journal = { | + | journal = {IM­AGE 3}, |
year = {2006}, | year = {2006}, | ||
pages = {25-42}, | pages = {25-42}, | ||
| Zeile 28: | Zeile 41: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kamlah & Lorenzen 1973a=== | ===Kamlah & Lorenzen 1973a=== | ||
| Zeile 76: | Zeile 88: | ||
@inproceedings{Kanizsa & Luccio 1995a, | @inproceedings{Kanizsa & Luccio 1995a, | ||
author = {Kanizsa, Gaetano & Luccio, Riccardo}, | author = {Kanizsa, Gaetano & Luccio, Riccardo}, | ||
| − | title = { | + | title = {Multi­stabil­ity as a Research Tool in Exper­imen­tal Phe­nomenol­ogy}, |
| − | booktitle = { | + | booktitle = {Ambi­guity in Mind and Na­ture. Multi­stable Cogni­tive Phenom­ena}, |
year = {1995}, | year = {1995}, | ||
editor = {Kruse, P. & Stadler, M.}, | editor = {Kruse, P. & Stadler, M.}, | ||
| Zeile 89: | Zeile 101: | ||
</bibentry> | </bibentry> | ||
| + | ===Kannenberg 2001a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kannenberg 2001a, | ||
| + | author = {Kannenberg, Gene. Jr.}, | ||
| + | title = {The Comics of Chris Ware. Text, Image, and Visual Narrative Strategies}, | ||
| + | booktitle = {The Language of Comics. Word and Image}, | ||
| + | year = {2001}, | ||
| + | editor = {Varnum, R. & Gibbons, C. T.}, | ||
| + | pages = {174-200}, | ||
| + | publisher = {UP of Mississippi}, | ||
| + | address = {Jackson}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
===Kant 1787a=== | ===Kant 1787a=== | ||
| Zeile 102: | Zeile 130: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kant 1960a=== | ===Kant 1960a=== | ||
| Zeile 120: | Zeile 147: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kant 1968a=== | ===Kant 1968a=== | ||
| Zeile 133: | Zeile 159: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kant 1974a=== | ===Kant 1974a=== | ||
| Zeile 146: | Zeile 171: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kant 1977a=== | ===Kant 1977a=== | ||
| Zeile 160: | Zeile 184: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kapfhammer 2006a=== | ===Kapfhammer 2006a=== | ||
<bibentry> | <bibentry> | ||
@inproceedings{Kapfhammer 2006a, | @inproceedings{Kapfhammer 2006a, | ||
| − | author = {Kapfhammer,Hans-Peter}, | + | author = {Kapfhammer, Hans-Peter}, |
title = {Alb­traum, Pavor noctur­nus und ande­re Gespens­ter der Nacht}, | title = {Alb­traum, Pavor noctur­nus und ande­re Gespens­ter der Nacht}, | ||
booktitle = {Schlaf und Traum}, | booktitle = {Schlaf und Traum}, | ||
| Zeile 178: | Zeile 201: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kaplan 2004a=== | ===Kaplan 2004a=== | ||
| Zeile 195: | Zeile 217: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kapust 2009a=== | ===Kapust 2009a=== | ||
| Zeile 201: | Zeile 222: | ||
@inproceedings{Kapust 2009a, | @inproceedings{Kapust 2009a, | ||
author = {Kapust, Antje}, | author = {Kapust, Antje}, | ||
| − | title = { | + | title = {Phäno­meno­logi­sche Bildpo­sitio­nen}, |
| − | booktitle = { | + | booktitle = {Bild­theorien. Anthro­polo­gische und kultu­relle Grund­lagen des Visua­listic Turn}, |
year = {2009}, | year = {2009}, | ||
editor = {Sachs-Hom­bach, K.}, | editor = {Sachs-Hom­bach, K.}, | ||
| Zeile 214: | Zeile 235: | ||
</bibentry> | </bibentry> | ||
| + | ===Kapust 2013g-a=== | ||
| + | <bibentry> | ||
| + | @inglossar{Kapust 2013g-a, | ||
| + | author = {Kapust, Antje}, | ||
| + | title = {Phänomenologische Bildtheorien}, | ||
| + | ausgabe = {1}, | ||
| + | year = {2013}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Ph%C3%A4nomenologische_Bildtheorien&oldid=27981}, | ||
| + | } | ||
| + | </bibentry> | ||
===Kardaun 1993a=== | ===Kardaun 1993a=== | ||
| Zeile 225: | Zeile 258: | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kashtan 2013a=== | ||
| + | <bibentry> | ||
| + | @article{Kashtan 2013a, | ||
| + | author = {Kashtan, Aaron}, | ||
| + | title = {My Mother was a Typewriter. Fun Home and the Importance of Materiality in Comics Studies}, | ||
| + | journal = {Journal of Graphic Novels and Comics}, | ||
| + | year = {2013}, | ||
| + | volume = {4}, | ||
| + | number = {1}, | ||
| + | pages = {92-116}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| Zeile 243: | Zeile 292: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Keates 1982a=== | ===Keates 1982a=== | ||
| Zeile 275: | Zeile 323: | ||
@inproceedings{Keitz 1994a, | @inproceedings{Keitz 1994a, | ||
author = {Keitz, Ursula von}, | author = {Keitz, Ursula von}, | ||
| − | title = { | + | title = {Dialo­gizi­tät der Bilder. Bemer­kungen zum Ver­hält­nis von Bilden­der Kunst und Film aus semi­oti­scher Sicht}, |
| − | booktitle = {Film, | + | booktitle = {Film, Fernse­hen, Video. Stra­te­gien der Inter­medi­ali­tät}, |
year = {1994}, | year = {1994}, | ||
editor = {Paech, J.}, | editor = {Paech, J.}, | ||
| Zeile 287: | Zeile 335: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Keller 1995a=== | ===Keller 1995a=== | ||
| Zeile 302: | Zeile 349: | ||
</bibentry> | </bibentry> | ||
| + | ===Kelly 1998a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Kelly 1998a, | ||
| + | title = {Encyclopedia of Aesthetics}, | ||
| + | year = {1998}, | ||
| + | editor = {Kelly, Michael}, | ||
| + | publisher = {University Press}, | ||
| + | address = {Oxford}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
===Kemp 1974a=== | ===Kemp 1974a=== | ||
| Zeile 331: | Zeile 390: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kemp 1985a=== | ===Kemp 1985a=== | ||
| Zeile 337: | Zeile 395: | ||
@inproceedings{Kemp 1985a, | @inproceedings{Kemp 1985a, | ||
author = {Kemp, Wolfgang}, | author = {Kemp, Wolfgang}, | ||
| − | title = { | + | title = {Verständ­lichkeit und Spannung. Über Leer­stellen in der Male­rei des 19. Jahr­hun­derts}, |
| − | booktitle = {Der | + | booktitle = {Der Betrach­ter ist im Bild. Kunstwis­senschaft und Rezep­tionsäs­thetik}, |
year = {1985}, | year = {1985}, | ||
editor = {Kemp, W.}, | editor = {Kemp, W.}, | ||
number = {}, | number = {}, | ||
| − | pages = {253-278}, | + | pages = {253-​278}, |
publisher = {DuMont}, | publisher = {DuMont}, | ||
address = {Köln}, | address = {Köln}, | ||
| Zeile 350: | Zeile 408: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kemp 1995a=== | ===Kemp 1995a=== | ||
| Zeile 356: | Zeile 413: | ||
@inproceedings{Kemp 1995a, | @inproceedings{Kemp 1995a, | ||
author = {Kemp, Wolfgang}, | author = {Kemp, Wolfgang}, | ||
| − | title = { | + | title = {Prakti­sche Bildbe­schreibung. Über Bilder in Bildern, beson­ders bei Van Eyck und Man­tegna}, |
| − | booktitle = { | + | booktitle = {Beschrei­bungskunst – Kunstbe­schreibung. Ekphra­sis von der Anti­ke bis zur Gegen­wart}, |
year = {1995}, | year = {1995}, | ||
| − | editor = {Boehm, G. & | + | editor = {Boehm, G. & Pfoten­hauer, H.}, |
pages = {99-119}, | pages = {99-119}, | ||
publisher = {Fink}, | publisher = {Fink}, | ||
| Zeile 368: | Zeile 425: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kempson 1975a=== | ===Kempson 1975a=== | ||
| Zeile 383: | Zeile 439: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kerr et al. 1982a=== | |
| − | ===Kerr | ||
<bibentry> | <bibentry> | ||
| − | @article{Kerr | + | @article{Kerr et al. 1982a, |
author = {Kerr, N. & Foulkes, D. & Schmidt, M.}, | author = {Kerr, N. & Foulkes, D. & Schmidt, M.}, | ||
| − | title = {The | + | title = {The Struc­ture of Labo­rato­ry Dream Reports in Blind and Sighted Subjects}, |
| − | journal = {The Journal of Nervous and Mental | + | journal = {The Journal of Nervous and Mental Dis­ease}, |
year = {1982}, | year = {1982}, | ||
volume = {170}, | volume = {170}, | ||
number = {5}, | number = {5}, | ||
| − | pages = {286-294}, | + | pages = {286-​294}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 400: | Zeile 455: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Khordoc 2001a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{Kittler 1986a, | + | @inproceedings{Khordoc 2001a, |
| − | author = {Kittler, Friedrich}, | + | author = {Khordoc, Catherine}, |
| + | title = {The Comic Book’s Soundtrack: Visual Sound Effects in Asterix}, | ||
| + | booktitle = {The Language of Comics. Word and Image}, | ||
| + | year = {2001}, | ||
| + | editor = {Varnum, R. & Gibbons, C. T. }, | ||
| + | pages = {156-173}, | ||
| + | publisher = {UP of Mississippi}, | ||
| + | address = {Jackson}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kimmich 2003a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kimmich 2003a, | ||
| + | author = {Kimmich, Dorothee}, | ||
| + | title = {Die Bildlichkeit der Leerstelle}, | ||
| + | booktitle = {Wissenschaft und Systemveränderung. Rezeptionsforschung in Ost und West – eine konvergente Entwicklung?}, | ||
| + | year = {2003}, | ||
| + | editor = {Adam, W.}, | ||
| + | pages = {319-393}, | ||
| + | publisher = {Winter}, | ||
| + | address = {Heidelberg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kittler 1986a=== | ||
| + | <bibentry> | ||
| + | @book{Kittler 1986a, | ||
| + | author = {Kittler, Friedrich}, | ||
title = {Grammo­phon, Film, Type­writer}, | title = {Grammo­phon, Film, Type­writer}, | ||
year = {1986}, | year = {1986}, | ||
| Zeile 412: | Zeile 500: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kittler 1989a=== | ===Kittler 1989a=== | ||
| Zeile 425: | Zeile 512: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kittler 1993a=== | ===Kittler 1993a=== | ||
| Zeile 441: | Zeile 527: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kittler 2002a=== | ===Kittler 2002a=== | ||
| Zeile 457: | Zeile 542: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kittler 2002b=== | ===Kittler 2002b=== | ||
| Zeile 470: | Zeile 554: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kittler 2003a=== | ===Kittler 2003a=== | ||
| Zeile 501: | Zeile 584: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kjörup 1974a=== | ===Kjörup 1974a=== | ||
<bibentry> | <bibentry> | ||
@article{Kjörup 1974a, | @article{Kjörup 1974a, | ||
| − | author = { | + | author = {Kjørup, Søren}, |
title = {George Inness and the Battle at Hastings, or Doing Things with Pictures}, | title = {George Inness and the Battle at Hastings, or Doing Things with Pictures}, | ||
journal = {The Monist}, | journal = {The Monist}, | ||
| Zeile 518: | Zeile 600: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kjörup 1978a=== | ===Kjörup 1978a=== | ||
<bibentry> | <bibentry> | ||
@article{Kjörup 1978a, | @article{Kjörup 1978a, | ||
| − | author = { | + | author = {Kjørup, Søren}, |
| − | title = { | + | title = {Picto­rial Speech Acts}, |
| − | journal = { | + | journal = {Erkennt­nis}, |
year = {1978}, | year = {1978}, | ||
volume = {12}, | volume = {12}, | ||
| Zeile 535: | Zeile 616: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kjørup 1978a=== | ===Kjørup 1978a=== | ||
| Zeile 541: | Zeile 621: | ||
@article{Kjørup 1978a, | @article{Kjørup 1978a, | ||
author = {Kjørup, Søren}, | author = {Kjørup, Søren}, | ||
| − | title = { | + | title = {Picto­rial Speech Acts}, |
| − | journal = { | + | journal = {Erkennt­nis}, |
year = {1978}, | year = {1978}, | ||
volume = {12}, | volume = {12}, | ||
| − | number = {}, | + | number = {1}, |
pages = {55-71}, | pages = {55-71}, | ||
note = {}, | note = {}, | ||
| Zeile 553: | Zeile 633: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Klar 2011a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Klar 2011a, |
| − | author = { | + | author = {Klar, Elisabeth}, |
| − | title = { | + | title = {Wir sind alle Superhelden! Über die Eigenart des Körpers im Comic – und über die Lust an ihm}, |
| − | + | booktitle = {Theorien des Comics. Ein Reader}, | |
| − | year = { | + | year = {2011}, |
| − | + | editor = {Eder, B., Klar, E. & Reichert, R.}, | |
| − | pages = { | + | pages = {219-236}, |
| + | publisher = {transcript}, | ||
| + | address = {Bielefeld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 569: | Zeile 650: | ||
</bibentry> | </bibentry> | ||
| + | ===Klauk & Köppe 2014a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Klauk & Köppe 2014a, | ||
| + | title = {Fiktionalität. Ein interdisziplinäres Handbuch}, | ||
| + | year = {2014}, | ||
| + | editor = {Klauk, Tobias & Köppe, Tilmann}, | ||
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
===Klee 1925a=== | ===Klee 1925a=== | ||
| Zeile 583: | Zeile 676: | ||
</bibentry> | </bibentry> | ||
| + | ===Klee 1956a=== | ||
| + | <bibentry> | ||
| + | @book{Klee 1956a, | ||
| + | author = {Klee, Paul}, | ||
| + | title = {Das bildnerische Denken: Schriften zur Form- und Gestaltungslehre}, | ||
| + | year = {1956}, | ||
| + | publisher = {Schwabe}, | ||
| + | address = {Basel, Stuttgart}, | ||
| + | note = {}, | ||
| + | hidden = {bearb.: Jürg Spiller}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Klee 1961a=== | ||
| + | <bibentry> | ||
| + | @book{Klee 1961a, | ||
| + | author = {Klee, Paul }, | ||
| + | title = {Notebooks, Band 1: The Thinking Eye}, | ||
| + | year = {1961}, | ||
| + | publisher = {Geroge Wittenborn, Lund Humpries}, | ||
| + | address = {New York, London}, | ||
| + | note = {}, | ||
| + | hidden = {hg & bearb. v. J. Spiller}, | ||
| + | } | ||
| + | </bibentry> | ||
===Kleiner & Wilke 2013a=== | ===Kleiner & Wilke 2013a=== | ||
<bibentry> | <bibentry> | ||
@proceedings{Kleiner & Wilke 2013a, | @proceedings{Kleiner & Wilke 2013a, | ||
| − | title = { | + | title = { Per­for­ma­tivi­tät und Medi­ali­tät Popu­lärer Kultu­ren. Theo­rien, Ästhe­tiken, Prakti­ken}, |
year = {2013}, | year = {2013}, | ||
editor = {Kleiner, Marcus S. & Wilke, Thomas}, | editor = {Kleiner, Marcus S. & Wilke, Thomas}, | ||
| − | publisher = {Springer VS | + | publisher = {Springer VS}, |
| − | address = { | + | address = {Wiesba­den}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Kleiner 2013a=== | ===Kleiner 2013a=== | ||
| Zeile 602: | Zeile 719: | ||
@inproceedings{Kleiner 2013a, | @inproceedings{Kleiner 2013a, | ||
author = {Kleiner, Marcus S.}, | author = {Kleiner, Marcus S.}, | ||
| − | title = { | + | title = {Po­pu­läre Kultu­ren, Popkul­turen, Popu­läre Medien­kultu­ren als missing link im Diskurs zur Perfor­mati­vität von Kultu­ren und Kultu­ren des Perfor­mati­ven }, |
| − | booktitle = { | + | booktitle = {Perfor­mati­vität und Medi­ali­tät Popu­lärer Kultu­ren}, |
year = {2013}, | year = {2013}, | ||
editor = {Kleiner, M. S. & Wilke, T.}, | editor = {Kleiner, M. S. & Wilke, T.}, | ||
pages = {13-48}, | pages = {13-48}, | ||
publisher = {Springer VS}, | publisher = {Springer VS}, | ||
| − | address = { | + | address = {Wies­baden}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 615: | Zeile 732: | ||
</bibentry> | </bibentry> | ||
| + | ===Klemm 1919a=== | ||
| + | <bibentry> | ||
| + | @book{Klemm 1919a, | ||
| + | author = {Klemm, Otto}, | ||
| + | title = {Sinnes­täuschun­gen}, | ||
| + | year = {1919}, | ||
| + | publisher = {Dürr’sche Buch­handlung}, | ||
| + | address = {Leipzig}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
===Klopfenstein-Arii 1992a=== | ===Klopfenstein-Arii 1992a=== | ||
<bibentry> | <bibentry> | ||
@book{Klopfenstein-Arii 1992a, | @book{Klopfenstein-Arii 1992a, | ||
| − | author = {Klopfenstein, | + | author = {Klopfenstein-​Arii, Suishū Tomo­ko}, |
| − | title = {Schrift und | + | title = {Schrift und Schrift­kunst in China und Japan}, |
year = {1992}, | year = {1992}, | ||
publisher = {Lang}, | publisher = {Lang}, | ||
| − | address = {Bern}, | + | address = {Bern [u.a.]}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 642: | Zeile 771: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Klopstock 1779a=== | ===Klopstock 1779a=== | ||
| Zeile 660: | Zeile 788: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Klotz 1995a=== | ===Klotz 1995a=== | ||
| Zeile 683: | Zeile 810: | ||
@book{Kluge 2002a, | @book{Kluge 2002a, | ||
author = {Kluge, Friedrich}, | author = {Kluge, Friedrich}, | ||
| − | title = { | + | title = {Ety­molo­gisches Wörter­buch der deutschen Sprache}, |
year = {2002}, | year = {2002}, | ||
editor = {Seebold, E.}, | editor = {Seebold, E.}, | ||
publisher = {de Gruyter}, | publisher = {de Gruyter}, | ||
address = {Berlin, New York}, | address = {Berlin, New York}, | ||
| − | note = { | + | note = {}, |
| − | hidden = {}, | + | hidden = {24. durchgesehene und erweiterte Auflage}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Knape 1994a=== | ===Knape 1994a=== | ||
| Zeile 710: | Zeile 836: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Knape 2005a=== | ===Knape 2005a=== | ||
| Zeile 716: | Zeile 841: | ||
@inproceedings{Knape 2005a, | @inproceedings{Knape 2005a, | ||
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = { | + | title = {Rheto­rik}, |
| − | booktitle = { | + | booktitle = {Bild­wis­sen­schaft. Diszi­plinen, Themen, Metho­den}, |
year = {2005}, | year = {2005}, | ||
| − | editor = {Sachs-Hom­bach, K.}, | + | editor = {Sachs-​Hom­bach, K.}, |
pages = {134-148}, | pages = {134-148}, | ||
publisher = {Suhr­kamp}, | publisher = {Suhr­kamp}, | ||
| Zeile 728: | Zeile 853: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Knape 2007a=== | ===Knape 2007a=== | ||
| Zeile 734: | Zeile 858: | ||
@inproceedings{Knape 2007a, | @inproceedings{Knape 2007a, | ||
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = { | + | title = {Bild­rheto­rik. Einfüh­rung in die Beiträ­ge des Bandes}, |
| − | booktitle = { | + | booktitle = {Bild­rheto­rik}, |
year = {2007}, | year = {2007}, | ||
editor = {Knape, J.}, | editor = {Knape, J.}, | ||
pages = {9-32}, | pages = {9-32}, | ||
publisher = {Koerner}, | publisher = {Koerner}, | ||
| − | address = {Baden-Baden}, | + | address = {Baden-​Baden}, |
| + | note = {}, | ||
| + | hidden = {Saecvla Spiritalia 45}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Knape 2007b=== | ||
| + | <bibentry> | ||
| + | @proceedings{Knape 2007b, | ||
| + | title = {Bild­rheto­rik}, | ||
| + | year = {2007}, | ||
| + | editor = {Knape, Joachim}, | ||
| + | publisher = {Koerner}, | ||
| + | address = {Baden-​Baden}, | ||
note = {}, | note = {}, | ||
hidden = {Saecvla Spiritalia 45}, | hidden = {Saecvla Spiritalia 45}, | ||
| Zeile 751: | Zeile 889: | ||
@inproceedings{Knape 2008a, | @inproceedings{Knape 2008a, | ||
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = { | + | title = {Rheto­rik der Künste}, |
| − | booktitle = { | + | booktitle = {Rheto­rik und Stilis­tik / Rhetoric and Stylis­tics. Ein inter­natio­nales Handbuch histo­rischer und syste­mati­scher Forschung / An Inter­national Handbook of Histor­ical and System­atic Research, 1. Halb­band/​Volume 1}, |
year = {2008}, | year = {2008}, | ||
editor = {Fix, U.; Gardt, A. & Knape, J.}, | editor = {Fix, U.; Gardt, A. & Knape, J.}, | ||
pages = {894-927}, | pages = {894-927}, | ||
publisher = {de Gruyter}, | publisher = {de Gruyter}, | ||
| − | address = {Berlin | + | address = {Berlin, New York}, |
note = {}, | note = {}, | ||
hidden = {HSK. Handbücher zur Sprach- und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science, 31.1}, | hidden = {HSK. Handbücher zur Sprach- und Kommunikationswissenschaft / Handbooks of Linguistics and Communication Science, 31.1}, | ||
| Zeile 768: | Zeile 906: | ||
@inproceedings{Knape 2010a, | @inproceedings{Knape 2010a, | ||
author = {Knape, Joachim}, | author = {Knape, Joachim}, | ||
| − | title = {Werk, Bildtext und Medium in | + | title = {Werk, Bildtext und Medium in ago­naler Kunst­rheto­rik}, |
| − | booktitle = { | + | booktitle = {Gedächt­nispa­rago­ne – inter­media­le Konstel­latio­nen}, |
year = {2010}, | year = {2010}, | ||
editor = {Heiser, S. & Holm, Ch.}, | editor = {Heiser, S. & Holm, Ch.}, | ||
pages = {79-92}, | pages = {79-92}, | ||
publisher = {V&R}, | publisher = {V&R}, | ||
| − | address = { | + | address = {Göttin­gen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 781: | Zeile 919: | ||
</bibentry> | </bibentry> | ||
| + | ===Knape 2013g-a=== | ||
| + | <bibentry> | ||
| + | @inglossar{Knape 2013g-a, | ||
| + | author = {Knape, Joachim}, | ||
| + | title = {Bildrhetorik}, | ||
| + | ausgabe = {1}, | ||
| + | year = {2013}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Bildrhetorik&oldid=21347}, | ||
| + | } | ||
| + | </bibentry> | ||
===Knieper & Müller 2003a=== | ===Knieper & Müller 2003a=== | ||
| Zeile 786: | Zeile 936: | ||
@inproceedings{Knieper & Müller 2003a, | @inproceedings{Knieper & Müller 2003a, | ||
author = {Knieper, Thomas & Müller, Marion G.}, | author = {Knieper, Thomas & Müller, Marion G.}, | ||
| − | title = { | + | title = {Vor­wort}, |
| − | booktitle = { | + | booktitle = {Authen­tizi­tät und Insze­nierung von Bilder­welten}, |
year = {2007}, | year = {2007}, | ||
editor = {Knieper, T. & Müller, M. G.}, | editor = {Knieper, T. & Müller, M. G.}, | ||
| Zeile 798: | Zeile 948: | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | |||
===Knieper & Müller 2005a=== | ===Knieper & Müller 2005a=== | ||
| Zeile 804: | Zeile 953: | ||
@book{Knieper & Müller 2005a, | @book{Knieper & Müller 2005a, | ||
author = {Knieper, Thomas & Müller, Marion G.}, | author = {Knieper, Thomas & Müller, Marion G.}, | ||
| − | title = {War Visions. | + | title = {War Visions. Bild­kommu­nika­tion und Krieg}, |
year = {2005}, | year = {2005}, | ||
publisher = {Halem}, | publisher = {Halem}, | ||
| Zeile 813: | Zeile 962: | ||
</bibentry> | </bibentry> | ||
| + | ===Köhler 1986a=== | ||
| + | <bibentry> | ||
| + | @book{Köhler 1986a, | ||
| + | author = {Köhler, Johannes B.}, | ||
| + | title = {Der «Emble­matum liber» von Andreas Alci­atus (1492-​1550). Eine Unter­suchung zur Entste­hung, Formung anti­ker Quellen und päda­gogi­scher Wirkung im 16. Jahrhun­dert}, | ||
| + | year = { 1986}, | ||
| + | publisher = {Lax}, | ||
| + | address = {Hildes­heim}, | ||
| + | note = {}, | ||
| + | hidden = {Beiträge zur Historischen Bildungsforschung. Bd. 3}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Köller 2004a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Köller 2004a, |
| − | author = { | + | author = {Köller, Wilhelm}, |
| − | title = { | + | title = {Perspek­tivi­tät und Sprache. Zur Struktur von Ob­jek­tivie­rungsfor­men in Bildern, im Denken und in der Sprache}, |
| − | year = { | + | year = {2004}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin, New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 827: | Zeile 988: | ||
</bibentry> | </bibentry> | ||
| − | + | ===König & Obrist 1993a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{König & Obrist 1993a, |
| − | + | title = {Der zerbro­chene Spiegel. Posi­tionen zur Male­rei}, | |
| − | title = { | + | year = {1993}, |
| − | year = { | + | editor = {König, Kasper & Obrist, Hans-Ulrich}, |
| − | publisher = { | + | publisher = {Kunsthal­le Wien / Deichtor­hallen Ham­burg}, |
| − | address = { | + | address = {Wien}, |
| − | note = {}, | + | note = {Ausstel­lungska­talog}, |
| − | hidden = {}, | + | hidden = {Ausstellungskatalog Kunsthalle Wien / Deichtorhallen Ham­burg}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kocher 2007a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kocher 2007a, |
| − | author = { | + | author = {Kocher, Ursula}, |
| − | title = { | + | title = {‘Ima­gines’ und ‘pictu­rae’. Wissens­orga­nisa­tion durch Emble­matik und Mnemo­nik}, |
| − | booktitle = { | + | booktitle = {Topik und Tradi­tion. Prozes­se der Neuord­nung von Wissens­über­liefe­rungen des 13. bis 17. Jahrhun­derts. Mit 21 Abbil­dungen}, |
year = {2007}, | year = {2007}, | ||
| − | editor = { | + | editor = {Frank, T. & Kocher, U. & Tarnow, U.}, |
| − | pages = {}, | + | pages = {31-45}, |
| − | publisher = { | + | publisher = {Vanden­hoeck & Ruprecht}, |
| − | address = { | + | address = {Göttin­gen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 858: | Zeile 1.018: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kocher 2010a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kocher 2010a, |
| − | author = { | + | author = {Kocher, Ursula}, |
| − | title = { | + | title = {Bild und Gedan­ke. Georg Philipp Hars­dörffers Emble­matik­theorie}, |
| − | booktitle = { | + | booktitle = {Georg Philipp Hars­dörffers «Kunst­verstän­dige Discur­se». Beiträ­ge zu Kunst, Lite­ratur und Wissen­schaft in der Frühen Neuzeit}, |
| − | year = { | + | year = {2010}, |
| − | editor = { | + | editor = {Thimann, M. & Zittel, C.}, |
| − | pages = {}, | + | pages = {151-165}, |
| − | publisher = { | + | publisher = {Manu­tius}, |
| − | address = { | + | address = {Heidel­berg}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 876: | Zeile 1.035: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kocher 2011a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kocher 2011a, |
| − | author = { | + | author = {Kocher, Ursula}, |
| − | title = { | + | title = {„Die maech­tige Bildung unse­rer Gedan­ken“. Zur Emble­matik­theorie Georg Philipp Hars­dörffers}, |
| − | booktitle = { | + | booktitle = {Georg Philipp Hars­dörffers Uni­versa­lität. Beiträ­ge zu einem uomo uni­versa­le des Barock}, |
| − | year = { | + | year = {2011}, |
| − | editor = { | + | editor = {Keppler-​Tasaki, S. & Kocher, U.}, |
| − | pages = {}, | + | pages = {181-196}, |
| − | publisher = { | + | publisher = {de Gruyter}, |
| − | address = { | + | address = {Berlin, New York}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 894: | Zeile 1.052: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kohns 2007a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kohns 2007a, |
| − | author = { | + | author = {Kohns, Oliver}, |
| − | title = { | + | title = {Die Verrücktheit des Sinns. Wahnsinn und Zeichen bei Kant, E.T.A. Hoffmann und Thomas Carlyle}, |
| − | year = { | + | year = {2007a}, |
| − | publisher = { | + | publisher = {transcript Verlag}, |
| − | address = { | + | address = {Bielefeld}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 908: | Zeile 1.065: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Koller 1954a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Koller 1954a, |
| − | author = { | + | author = {Koller, Hermann}, |
| − | title = { | + | title = {Die Mime­sis in der Anti­ke. Nach­ahmung, Darstel­lung, Aus­druck}, |
| − | year = { | + | year = {1954}, |
| − | publisher = { | + | publisher = {Francke}, |
| − | address = { | + | address = {Bern}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 922: | Zeile 1.078: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2007a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kondor 2007a, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Old Patterns, New Bewitchments}, |
| − | year = { | + | booktitle = {Philosophy of the Information Society: Papers of the 30th International Wittgenstein Symposium}, |
| − | publisher = { | + | year = {2007}, |
| − | address = { | + | editor = {Hrachovec, H.; Pichler. A. & Wang, J.}, |
| + | pages = {}, | ||
| + | publisher = {Ontos}, | ||
| + | address = {Heusenstamm}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2007b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kondor 2007b, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {The Mobile Image: Experience on the Move}, |
| − | + | booktitle = {Mobile Studies: Paradigms and Perspectives}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Nyíri, K.}, | |
| − | + | pages = {}, | |
| − | + | publisher = {Passagen}, | |
| + | address = {Vienna}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 953: | Zeile 1.112: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2007c=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Kondor 2007c, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Multimodal Integration: From a Philosophical Point of View}, |
| − | + | booktitle = {Proceedings of the IADIS International Conference: Mobile Learning}, | |
| − | year = { | + | year = {2007}, |
| − | + | editor = {Arnedillo-Sánchez, I. & Isaías, P.}, | |
| − | + | pages = {}, | |
| − | + | publisher = {IADIS Press}, | |
| + | address = {Avila}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 970: | Zeile 1.129: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2008a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kondor 2008a, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Embedded Thinking: Multimedia and the New Rationality}, |
| − | year = { | + | year = {2008}, |
| − | publisher = { | + | publisher = {Lang, P.}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 984: | Zeile 1.142: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2013g-a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Kondor 2013g-a, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Gestalt}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Gestalt&oldid=21371}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kondor 2013g-b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @inglossar{Kondor 2013g-b, |
| − | author = { | + | author = {Kondor, Zsuzsanna}, |
| − | title = { | + | title = {Ungarisch: 'kép' / Hungarian: 'kép'}, |
| − | year = { | + | ausgabe = {1}, |
| − | publisher = { | + | year = {2013}, |
| − | address = { | + | note = {(2 Sprachen)}, |
| + | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Ungarisch:_%27k%C3%A9p%27&oldid=21481}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Konersmann 1991a=== | ||
| + | <bibentry> | ||
| + | @book{Konersmann 1991a, | ||
| + | author = {Konersmann, Ralf}, | ||
| + | title = {Leben­dige Spiegel. Die Meta­pher des Subjekts}, | ||
| + | year = {1991}, | ||
| + | publisher = {Suhr­kamp}, | ||
| + | address = {Frank­furt/M.}, | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Konersmann 2006a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Konersmann 2006a, |
| − | title = { | + | author = {Konersmann, Ralf}, |
| − | year = { | + | title = {Kul­turel­le Tatsa­chen}, |
| − | + | year = {2006}, | |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.025: | Zeile 1.194: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Konersmann 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Konersmann 2011a, |
| − | author = { | + | author = {Konersmann, Ralf}, |
| − | title = { | + | title = {Vor­wort: Figu­rati­ves Wissen}, |
| − | year = { | + | booktitle = {Wörter­buch der philo­sophi­schen Meta­phern}, |
| − | publisher = { | + | year = {2011}, |
| − | address = { | + | editor = {Koners­mann, R.}, |
| − | note = {}, | + | pages = {7-20}, |
| + | publisher = {Wissen­schaftli­che Buchge­sellschaft}, | ||
| + | address = {Darmstadt}, | ||
| + | note = {3., erwei­terte Aufla­ge}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Konrad 2014a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Konrad 2014a, |
| − | author = { | + | author = {Konrad, Eva-Maria}, |
| − | title = { | + | title = {Panfiktionalismus}, |
| − | year = { | + | booktitle = {Fiktionalität. Ein interdisziplinäres Handbuch}, |
| − | publisher = { | + | year = {2014}, |
| − | address = { | + | editor = {Klauk, T. & Köppe. T.}, |
| − | note = { | + | pages = {235-254}, |
| + | publisher = {de Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kornmeier & Bach 2009a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Kornmeier & Bach 2009a, |
| − | author = { | + | author = {Kornmeier, Jürgen & Bach, Michael}, |
| − | title = { | + | title = {Ob­ject Percep­tion: When Our Brain Is Im­pressed but We Do Not No­tice It}, |
| − | year = { | + | journal = {Journal of Vision}, |
| − | + | year = {2009}, | |
| − | + | volume = {9}, | |
| + | number = {}, | ||
| + | pages = {7}, | ||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kornmeier et al. 2009a=== |
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Kornmeier et al. 2009a, |
| − | author = { | + | author = {Kornmeier, Jürgen; Hein, Christine Maira & Bach, Michael}, |
| − | title = { | + | title = {Multi­stable Percep­tion: When Bottom-up and Top-down Co­incide}, |
| − | journal = { | + | journal = {Brain and Cogni­tion}, |
| − | year = { | + | year = {2009}, |
| − | volume = { | + | volume = {69}, |
| − | number = { | + | number = {}, |
| − | pages = { | + | pages = {138–147}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Korte 2003a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Korte 2003a, |
| − | author = { | + | author = {Korte, Helmut}, |
| − | title = { | + | title = {Einführung in die Systematische Filmanalyse}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {ESB}, |
| − | address = { | + | address = {Tü­bingen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.095: | Zeile 1.273: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Koschatzky 1975a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Koschatzky 1975a, |
| − | author = { | + | author = {Koschatzky, Walter}, |
| − | title | + | title = {Die Kunst der Graphik. Technik, Geschich­te, Meister­werke}, |
| − | + | year = {1975}, | |
| − | + | publisher = {dtv}, | |
| − | + | address = {München}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Koschorke 1999a=== | ||
| + | <bibentry> | ||
| + | @book{Koschorke 1999a, | ||
| + | author = {Koschorke, Albrecht}, | ||
| + | title = {Körperströme und Schriftverkehr. Mediologie des 18. Jahrhunderts}, | ||
| + | year = {2003}, | ||
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {2., durchgesehene Auflage}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Koselleck 1979a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Koselleck 1979a, |
| − | + | title = {Histo­rische Seman­tik und Begriffs­geschich­te}, | |
| − | title = { | + | year = {1979}, |
| − | year = { | + | editor = {Koselleck, Reinhart}, |
| − | publisher = { | + | publisher = {Klett-​Cotta}, |
| − | address = { | + | address = {Stutt­gart}, |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kracauer 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kracauer 1992a, |
| − | author = { | + | author = {Kracauer, Siegfried}, |
| − | title = { | + | title = {Der ver­bote­ne Blick}, |
| − | + | year = {1992}, | |
| − | year = { | + | publisher = {Rec­lam}, |
| − | + | address = {Leip­zig}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krämer 2003a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer 2003a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {“Schrift­bildlich­keit” oder: Über eine (fast) verges­sene Dimen­sion der Schrift}, |
| − | booktitle = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Krämer, S. & Brede­kamp, H.}, |
| − | pages = { | + | pages = {157-176}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.161: | Zeile 1.341: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer 2004a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2004a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | + | title = {Fried­rich Kittler – Kultur­techni­ken der Zeit­achsen­mani­pula­tion}, | |
| − | + | booktitle = {Medien­theorien. Eine philo­sophi­sche Einfüh­rung}, | |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Lagaay, A.}, |
| + | pages = {201-224}, | ||
| + | publisher = {Campus}, | ||
| + | address = {Frank­furt/M.}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krämer 2004b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2004b, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | + | title = {Was haben ‘Perfor­mati­vität’ und ‘Media­lität’ mit­einan­der zu tun? Plädo­yer für eine in der ‘Aisthe­tisie­rung’ gründen­de Konzep­tion des Perfor­mati­ven}, | |
| − | + | booktitle = {Perfor­mati­vität und Media­lität}, | |
| − | publisher = { | + | year = {2004}, |
| − | address = { | + | editor = {Krämer, S.}, |
| + | pages = {13-32}, | ||
| + | publisher = {Wilhelm Fink}, | ||
| + | address = {Mün­chen}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krämer 2004c=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Krämer 2004c, |
| − | + | title = {Per­for­mati­vität und Media­lität}, | |
| − | + | year = {2004}, | |
| − | + | editor = {Krämer, Sybille}, | |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {Mün­chen}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.202: | Zeile 1.388: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krämer 2005a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2005a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {“Ope­ra­tions­raum Schrift”: Über einen Per­spek­tiven­wechsel in der Be­trach­tung der Schrift}, |
| − | + | booktitle = {Schrift. Kultur­technik zwischen Auge, Hand und Maschi­ne}, | |
| − | + | year = {2005}, | |
| − | + | editor = {Grube, G.; Kogge, W. & Krämer, S.}, | |
| − | hidden = { | + | pages = {23-57}, |
| + | publisher = {Fink}, | ||
| + | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer 2009a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krämer 2009a, |
| − | author = { | + | author = {Krämer, Sybille}, |
| − | title = { | + | title = {Ope­rati­ve Bildlich­keit: Von der Gramma­tolo­gie zu einer Diagram­mato­logie? Refle­xionen über erken­nendes ‚Sehen’}, |
| − | year = { | + | booktitle = {Logik des Bild­lichen. Zur Kritik der iko­nischen Vernunft}, |
| − | publisher = { | + | year = {2009}, |
| − | address = { | + | editor = {Heßler, M. & Mersch, D.}, |
| + | pages = {94-123}, | ||
| + | publisher = {trans­cript}, | ||
| + | address = {Biele­feld}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krämer & Bredekamp 2003a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krämer & Bredekamp 2003a, |
| − | author = { | + | author = {Krämer, Sybille & Bredekamp, Horst}, |
| − | title = { | + | title = {Kultur, Technik, Kulturtechnik: Wider die Diskursivierung der Kultur}, |
| − | booktitle = { | + | booktitle = {Bild, Schrift, Zahl}, |
| − | year = { | + | year = {2003}, |
| − | editor = { | + | editor = {Krämer, S. & Bredekamp, H.}, |
| − | pages = { | + | pages = {}, |
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer & Giertler 2011a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Krämer & Giertler 2011a, |
| − | + | editor = {Krämer, Sybille & Giertler, Mareike}, | |
| − | title = { | + | title = {Schrift­bildlich­keit}, |
| − | + | year = {2011}, | |
| − | year = { | + | publisher = {W. Fink}, |
| − | + | address = {Pader­born}, | |
| − | + | note = {Themen­heft der Zeit­schrift <em>Sprache und Lite­ratur</em>, 42/107}, | |
| − | + | hidden = {}, | |
| − | + | url = {}, | |
| − | + | } | |
| − | url = {}, | ||
| − | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krämer et al. 2012a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Krämer et al. 2012a, |
| − | + | title = {Schrift­bild­lich­keit. Wahr­nehm­bar­keit, Mate­ria­li­tät und Ope­rati­vität von Nota­tionen}, | |
| − | + | year = {2012}, | |
| − | year = { | + | editor = {Krämer, Sybille; Cancik-Kirsch­baum, Eva & Totzke, Rainer}, |
| − | + | publisher = {Aka­demie}, | |
| − | + | address = {Berlin}, | |
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krafft 1978a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krafft 1978a, |
| − | author = { | + | author = {Krafft, Ulrich}, |
| − | title = { | + | title = {Comics lesen. Untersuchungen zur Textualität von Comics}, |
| − | + | year = {1978}, | |
| − | year = { | + | publisher = {Klett-Cotta}, |
| − | + | address = {Stuttgart}, | |
| − | |||
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Krah & Titzmann2013a=== | ||
| + | <bibentry> | ||
| + | @book{Krah & Titzmann2013a, | ||
| + | author = {Krah, Hans & Titzmann, Michael}, | ||
| + | title = {Medien und Kommu­nika­tion. Eine inter­diszi­plinäe Einfüh­rung}, | ||
| + | year = {2013}, | ||
| + | publisher = {Stutz}, | ||
| + | address = {Passau}, | ||
| + | note = {dritte erwei­terte Aufl.}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Kranz 1976a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @proceedings{Kranz 1976a, |
| − | + | title = {Ge­dich­te auf Bilder. Antho­logie und Gale­rie}, | |
| − | + | year = {1976}, | |
| − | + | editor = {Kranz, Gisbert}, | |
| − | publisher = { | + | publisher = {DTV}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.302: | Zeile 1.505: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kraus 1991a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kraus 1991a, |
| − | author = { | + | author = {Kraus, Richard Curt}, |
| − | title = { | + | title = {Brushes with Power}, |
| − | year = { | + | year = {1991}, |
| − | publisher = { | + | publisher = {Uni­versity of California Press}, |
| − | address = { | + | address = {Berkeley}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.316: | Zeile 1.518: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krauss 1990a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 1990a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Passages in Modern Sculpture}, |
| − | + | year = {1990 }, | |
| − | year = { | + | publisher = {MIT Press}, |
| − | + | address = {London}, | |
| − | + | note = {Reprint der Erst­ausga­be von 1977}, | |
| − | |||
| − | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krauss 1998a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 1998a, |
| − | + | author = {Krauss, Rosa­lind}, | |
| − | title = { | + | title = {Das Photo­graphi­sche. Eine Theorie der Ab­stände}, |
| − | year = { | + | year = {1998}, |
| − | publisher = { | + | publisher = {Wilhelm Fink}, |
| − | address = { | + | address = {München}, |
| − | note = { | + | note = {}, |
| − | hidden = {}, | + | hidden = {übers. v. Henning Schmidgen}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krauss 1999a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Krauss 1999a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Re­inven­ting the Medium}, |
| − | year = { | + | journal = {Criti­cal Inqui­ry}, |
| − | + | year = {1999}, | |
| − | + | volume = {25,}, | |
| + | number = {2}, | ||
| + | pages = {289-305}, | ||
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {Winter}, |
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krauss 2000a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 2000a, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {A Voyage on the North Sea. Art in the Age of the Post-Medium Condition}, |
| − | + | year = {2000}, | |
| − | year = { | + | publisher = {Thames & Hudson}, |
| − | + | address = {London}, | |
| − | |||
| − | |||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krauss 2000b=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krauss 2000b, |
| − | author = { | + | author = {Krauss, Rosalind}, |
| − | title = { | + | title = {Skulptur im erwei­terten Feld (1978)}, |
| − | booktitle = { | + | booktitle = {Die Ori­gina­lität der Avant­garde und ande­re Mythen der Moder­ne}, |
| − | year = { | + | year = {2000}, |
| − | editor = { | + | editor = {Wolf, H.}, |
| − | pages = {}, | + | pages = {331-346}, |
| − | publisher = { | + | publisher = {Verlag der Kunst}, |
| − | address = { | + | address = {Amster­dam}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.396: | Zeile 1.590: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krauss 2000c=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krauss 2000c, |
| − | author = { | + | author = {Krauss, Rosa­lind}, |
| − | + | title = {Die Ori­gina­lität der Avant­garde und ande­re Mythen der Moder­ne}, | |
| − | + | year = {2000}, | |
| − | + | publisher = {Philo}, | |
| + | address = {Amster­dam/Dres­den}, | ||
note = {}, | note = {}, | ||
| − | hidden = { | + | hidden = {übers. v. Jörg Enninger}, |
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krebs 2006a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Krebs 2006a, |
| − | author = { | + | author = {Krebs, Stefan}, |
| − | title = { | + | title = {On the Anticipation of ethical conflicts between humans and robots in Japanese mangas}, |
| − | + | journal = {International Review of Information Ethics}, | |
| − | year = { | + | year = {2006a}, |
| − | + | volume = {6}, | |
| − | + | number = {}, | |
| − | + | pages = {63-68}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.428: | Zeile 1.619: | ||
</bibentry> | </bibentry> | ||
| + | ===Kreimeier 2012a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kreimeier 2012a, | ||
| + | author = {Kreimeier, Klaus}, | ||
| + | title = {Die Poesie der Maschine. Gedankensplitter zu einer Theorie des frühen Kinos}, | ||
| + | booktitle = {Kritik des Ästhetischen - Ästhetik der Kritik}, | ||
| + | year = {2010a}, | ||
| + | editor = {Kirchner, A. & Pohl, A. & Riedel, P.}, | ||
| + | pages = {153-159}, | ||
| + | publisher = {Schüren}, | ||
| + | address = {Marburg}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Kress & Leeuwen 1996a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kress & Leeuwen 1996a, |
| − | author = { | + | author = {Kress, Gunther & Leeuwen, Theo van}, |
| − | title = { | + | title = {Read­ing Im­ages. The Grammar of Visual Design}, |
| − | + | year = {1996}, | |
| − | year = { | + | publisher = {Rout­ledge}, |
| − | + | address = {London}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Kress & Leeuwen 2001a=== | ||
| + | <bibentry> | ||
| + | @book{Kress & Leeuwen 2001a, | ||
| + | author = {Kress, Gunther & Leeuwen, Theo van}, | ||
| + | title = {Multi­modal Dis­course. The Modes and Media of Contem­porary Commu­nica­tion}, | ||
| + | year = {2001}, | ||
| + | publisher = {Arnold}, | ||
| + | address = {London}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Kress 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kress 2010a, |
| − | author = { | + | author = {Kress, Gunther}, |
| − | title = { | + | title = {Multi­modal­ity. A Social-Semi­otic Approach to Contem­porary Commu­nica­tion}, |
| − | + | year = {2010}, | |
| − | year = { | + | publisher = {Rout­ledge}, |
| − | + | address = {London}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Krewani 2003a=== | ||
| + | <bibentry> | ||
| + | @misc{Krewani 2003a, | ||
| + | author = {Krewani, Anna Maria}, | ||
| + | title = {Phi­loso­phie der Male­rei bei Jacques Derri­da}, | ||
| + | howpublished = {Elek­troni­sche Publi­kation}, | ||
| + | url = {webdoc.sub.gwdg.de/ebook/dissts/Bochum/Krewani2003.pdf}, | ||
| + | year = {2003}, | ||
| + | hidden = {Dissertation}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Krieger 1992a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Krieger 1992a, |
| − | + | author = {Krieger, Murray} | |
| − | + | title = {Ekphrasis - the Illussion of the Natural Sign}, | |
| − | + | year = {1992}, | |
| − | publisher = { | + | publisher = {John Hopkins Uni­versity Press}, |
| − | address = { | + | address = {Baltimore [u.a.]}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.478: | Zeile 1.700: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krieger 1995a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Krieger 1995a, |
| − | author = { | + | author = {Krieger, Murray}, |
| − | title = { | + | title = {Das Problem der Ekphra­sis: Wort und Bild, Raum und Zeit – und das lite­rari­sche Werk}, |
| − | booktitle = { | + | booktitle = {Beschrei­bungskunst, Kunstbe­schreibung: Ekphra­sis von der Anti­ke bis zur Gegen­wart}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Boehm, G. & Pfoten­hauer, H.}, |
| − | pages = { | + | pages = {41-57}, |
publisher = {Fink}, | publisher = {Fink}, | ||
address = {München}, | address = {München}, | ||
| − | |||
| − | |||
| − | |||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kripke 1972a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kripke 1972a, |
| − | author = { | + | author = {Kripke, Saul A.}, |
| − | title = { | + | title = {Naming and Neces­sity}, |
| − | booktitle = { | + | booktitle = {Seman­tics of Natu­ral Lan­guage}, |
| − | year = { | + | year = {1972}, |
| − | editor = { | + | editor = {David­son, D. & Harman, G.}, |
| − | pages = { | + | pages = {253-355, 763-769}, |
| − | publisher = { | + | publisher = {Reidel}, |
| − | address = { | + | address = {Dordrecht}, |
note = {}, | note = {}, | ||
| − | |||
url = {}, | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kris & Kurz 1995a=== |
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kris & Kurz 1995a, |
| − | author = { | + | author = {Kris, Ernst & Kurz, Otto}, |
| − | title = { | + | title = {Die Legen­de vom Künstler. Ein ge­schicht­licher Versuch}, |
| − | year = { | + | year = {1995}, |
| − | publisher = { | + | publisher = {Suhr­kamp}, |
| − | address = { | + | address = {Frank­furt/M.}, |
note = {}, | note = {}, | ||
| − | hidden = {}, | + | hidden = {mit einem Vorwort von E. H. Gombrich}, |
} | } | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Krkac 2010a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @article{Krkac 2010a, |
| − | author = { | + | author = {Krkac, Kristijan}, |
| − | title = { | + | title = {Witt­gen­steins’s Dubbit III}, |
| − | year = { | + | journal = {Wittgen­stein-Studien}, |
| − | + | year = {2010}, | |
| − | + | volume = {1}, | |
| + | number = {}, | ||
| + | pages = {121-149}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kroeber-Riel & Esch 2000a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @book{Kroeber-Riel & Esch 2000a, |
| − | author = { | + | author = {Kroeber-Riel, Werner & Esch, Franz-​Rudolf}, |
| − | title = { | + | title = {Stra­tegie und Technik der Werbung. Verhal­tens­wis­sen­schaft­liche Ansät­ze}, |
| − | + | year = {2000}, | |
| − | + | publisher = {Kohl­hammer}, | |
| − | + | address = {Stutt­gart}, | |
| − | |||
| − | publisher = { | ||
| − | address = { | ||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kroeber-Riel 1996a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kroeber-Riel 1996a, |
| − | author = { | + | author = {Kroeber-Riel, Werner}, |
| − | title = { | + | title = {Bild­kommu­nika­tion. Ima­gery­strate­gien für die Werbung}, |
| − | year = { | + | year = {1996}, |
| − | publisher = { | + | publisher = {Vahlen}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.570: | Zeile 1.785: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krois 2006a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inproceedings{Krois 2006a, |
| − | author = { | + | author = {Krois, John Michael}, |
| − | title = { | + | title = {Für Bilder braucht man keine Augen. Zur Verkör­perungs­theorie des Ikoni­schen}, |
| + | booktitle = {Kultu­relle Exis­tenz und symbo­lische Form. Philo­sophi­sche Essays zu Kultur und Medien}, | ||
year = {2006}, | year = {2006}, | ||
| − | publisher = { | + | editor = {Krois, J.M. & Meuter, N.}, |
| − | address = { | + | pages = {167-189}, |
| + | publisher = {Parer­ga}, | ||
| + | address = {Berlin}, | ||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krois 1995a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @article{ | + | @article{Krois 1995a, |
| − | author = { | + | author = {Krois, John Michael}, |
| − | title = { | + | title = {Semiotische Transformation der Philosophie: Verkörperung und Pluralismus bei Cassirer und Peirce}, |
| − | journal = { | + | journal = {Dialektik}, |
| − | year = { | + | year = {1995}, |
| − | volume = { | + | volume = {}, |
| − | number = {}, | + | number = {1}, |
| − | pages = { | + | pages = {61-72}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.601: | Zeile 1.818: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krüger 2001a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Krüger 2001a, |
| − | author = { | + | author = {Krüger, Klaus}, |
| − | title = { | + | title = {Das Bild als Schleier des Unsichtbaren. Ästhetische Illusion in der Kunst der frühen Neuzeit in Italien}, |
| − | year = { | + | year = {2001}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.615: | Zeile 1.831: | ||
</bibentry> | </bibentry> | ||
| − | + | ===Krüger 2015g-a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Krüger 2015g-a, |
| − | author = { | + | author = {Krüger, Matthias}, |
| − | title = { | + | title = {Textur}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2015}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Textur&action=info}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kruse 2003a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @book{ | + | @book{Kruse 2003a, |
| − | author = { | + | author = {Kruse, Christi­ane}, |
| − | title = { | + | title = {Wozu Menschen malen. Histo­rische Begrün­dungen eines Bildme­diums}, |
| − | year = { | + | year = {2003}, |
| − | publisher = { | + | publisher = {Fink}, |
| − | address = { | + | address = {München}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| Zeile 1.643: | Zeile 1.857: | ||
</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse & Grabbe 2013g-a=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Kruse & Grabbe 2013g-a, |
| − | + | author = {Kruse, Patrick & Grabbe, Lars }, | |
| − | + | title = {Bildmontage}, | |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | + | note = {}, | |
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</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse & Grabbe 2013g-b=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Kruse & Grabbe 2013g-b, |
| − | + | author = {Kruse, Patrick & Grabbe, Lars }, | |
| − | + | title = {Video}, | |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
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| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Video&oldid=21485}, | ||
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</bibentry> | </bibentry> | ||
| − | === | + | ===Kruse & Grabbe 2013g-c=== |
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Kruse & Grabbe 2013g-c, |
| − | author = { | + | author = {Kruse, Patrick & Grabbe, Lars }, |
| − | title = { | + | title = {Virtualität}, |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Virtualit%C3%A4t&oldid=27979}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| − | + | ===Kruse et al. 2013g-a=== | |
| − | === | ||
<bibentry> | <bibentry> | ||
| − | @ | + | @inglossar{Kruse et al. 2013g-a, |
| − | author = { | + | author = {Kruse, Patrick; Grabbe, Lars & Wulf, Hans J.}, |
| − | + | title = {Fernsehen}, | |
| − | + | ausgabe = {1}, | |
| − | + | year = {2013}, | |
| − | |||
| − | |||
| − | |||
note = {}, | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {www.gib.uni-tuebingen.de/netzwerk/glossar/index.php?title=Fernsehen&oldid=21301}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
| + | ===Kruse & Stadler 1995a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Kruse & Stadler 1995a, | ||
| + | editor = {Kruse, Peter & Stadler, Michael}, | ||
| + | title = {Ambi­guity in Mind and Na­ture. Multi­stable Cogni­tive Phenom­ena}, | ||
| + | year = {1995}, | ||
| + | publisher = {Springer}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {Papers originally presented at the International Symposium on Perceptual Multistability and Semantic Ambiguity held at the Uni­versity of Bremen, Germany, March 22-25, 1993}, | ||
| + | } | ||
| + | </bibentry> | ||
| − | === | + | ===Kruse et al. 1995a=== |
<bibentry> | <bibentry> | ||
| − | @inproceedings{ | + | @inproceedings{Kruse et al. 1995a, |
| − | author = { | + | author = {Kruse, Peter; Strüber, Daniel & Stadler, Michael}, |
| − | title = { | + | title = {Signif­icance of Percep­tual Multi­stabil­ity for Research on Cogni­tive Self-orga­niza­tion}, |
| − | booktitle = { | + | booktitle = {Ambi­guity in Mind and Na­ture. Multi­stable Cogni­tive Phenom­ena}, |
| − | year = { | + | year = {1995}, |
| − | editor = { | + | editor = {Kruse, P. & Stadler, M.}, |
| − | pages = { | + | pages = {69–84}, |
| − | publisher = { | + | publisher = {Springer}, |
| − | address = { | + | address = {Berlin}, |
note = {}, | note = {}, | ||
hidden = {}, | hidden = {}, | ||
url = {}, | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kudielka 2005a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kudielka 2005a, | ||
| + | author = {Kudielka, Robert}, | ||
| + | title = {Gegen­stände der Betrach­tung – Orte der Erfah­rung. Zum Wandel der Kunst­auffas­sung im 20. Jahrhun­dert}, | ||
| + | booktitle = {Topos RAUM. Die Aktu­ali­tät des Raumes in den Künsten der Gegen­wart}, | ||
| + | year = {2005}, | ||
| + | editor = {Lam­mert, A.; Diers, M.; Ku­diel­ka, R. & Matten­klott, G.}, | ||
| + | pages = {44-57}, | ||
| + | publisher = {Ver­lag für mo­der­ne Kunst}, | ||
| + | address = {Nürn­berg}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kühne-Bertram 6 Rodi 2008a=== | ||
| + | <bibentry> | ||
| + | @proceedings{Kühne-Bertram & Rodi 2008a, | ||
| + | title = {Dilthey und die hermeneutische Wende in der Philosophie: Wirkungsgeschichtliche Aspekte seines Werkes}, | ||
| + | year = {2008}, | ||
| + | editor = {Kühne-Bertram, Gudrun & Rodi, Frithjof }, | ||
| + | publisher = {Vandenhoeck & Ruprecht}, | ||
| + | address = {Göttingen}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Külpe 1923a=== | ||
| + | <bibentry> | ||
| + | @book{Külpe 1923a, | ||
| + | author = {Külpe, Oswald}, | ||
| + | title = {Vorlesungen über Logik}, | ||
| + | year = {1923}, | ||
| + | publisher = {Hirzel}, | ||
| + | address = {Leipzig}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Künne 1983a=== | ||
| + | <bibentry> | ||
| + | @book{Künne 1983a, | ||
| + | author = {Künne, Wolfgang}, | ||
| + | title = {Abstrakte Gegenstände. Semantik und Ontologie}, | ||
| + | year = {1983}, | ||
| + | publisher = {Suhrkamp}, | ||
| + | address = {Frankfurt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Künzli 1996/1997a=== | ||
| + | <bibentry> | ||
| + | @article{Künzli 1996/1997a, | ||
| + | author = {Künzli, Hansjörg}, | ||
| + | title = {Über die Haltbar­keit digi­taler Daten}, | ||
| + | journal = {Rund­brief Foto­grafie}, | ||
| + | year = {1996/1997}, | ||
| + | volume = {}, | ||
| + | number = {Sonder­heft 3}, | ||
| + | pages = {5-8}, | ||
| + | note = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Küster 2012a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Küster 2012a, | ||
| + | author = {Küster, Bärbel}, | ||
| + | title = {Reisen zwischen Ori­ginal und Kopie im 18. Jahrhun­dert}, | ||
| + | booktitle = {Déjà-vu? Die Kunst der Wieder­holung von Dürer bis YouTube}, | ||
| + | year = {2012}, | ||
| + | editor = {Mensger, A.}, | ||
| + | pages = {64-75}, | ||
| + | publisher = {Kerber}, | ||
| + | address = {Biele­feld}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kuhn 1973a=== | ||
| + | <bibentry> | ||
| + | @book{Kuhn 1973a, | ||
| + | author = {Kuhn, Thomas}, | ||
| + | title = {Die Struktur wissen­schaftli­cher Revo­lution}, | ||
| + | year = {1973}, | ||
| + | publisher = {Suhr­kamp}, | ||
| + | address = {Frank­furt/M.}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kuhn & Veits 2015a=== | ||
| + | <bibentry> | ||
| + | @inproceedings{Kuhn & Veits 2015a, | ||
| + | author = {Kuhn, Markus & Veits, Andreas}, | ||
| + | title = {Narrative Mediation in Comics. Narrative Instances and Narrative Levels in Paul Hornschemeier’s «The Three Paradoxes»}, | ||
| + | booktitle = {Author and Narrator. Transdiciplinary Contributions to a Narratological Debate}, | ||
| + | year = {2015}, | ||
| + | editor = {Birke, D. & Köppe, T.}, | ||
| + | pages = {235-262}, | ||
| + | publisher = {De Gruyter}, | ||
| + | address = {Berlin}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kukkonen 2013a=== | ||
| + | <bibentry> | ||
| + | @book{Kukkonen 2013a, | ||
| + | author = {Kukkonen, Karin}, | ||
| + | title = {Contemporary Comics Storytelling}, | ||
| + | year = {2013}, | ||
| + | publisher = {U of Nebraska P}, | ||
| + | address = {Lincoln}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kulvicki 2006a=== | ||
| + | <bibentry> | ||
| + | @book{Kulvicki 2006a, | ||
| + | author = {Kulvicki, John}, | ||
| + | title = {On Images: Their Structure and Content}, | ||
| + | year = {2006}, | ||
| + | publisher = {Ox­ford UP}, | ||
| + | address = {Ox­ford}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kulvicki 2010a=== | ||
| + | <bibentry> | ||
| + | @article{Kulvicki 2010a, | ||
| + | author = {Kulvicki, John}, | ||
| + | title = {Knowing with Im­ages: Medium and Mes­sage}, | ||
| + | journal = {Philo­sophy of Science}, | ||
| + | year = {2010}, | ||
| + | volume = {77}, | ||
| + | number = {}, | ||
| + | pages = {295-​313}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | url = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kwo 1981a=== | ||
| + | <bibentry> | ||
| + | @book{Kwo 1981a, | ||
| + | author = {Kwo, Da-wei}, | ||
| + | title = {Chi­nese Brush­work – Its His­tory, Aesthet­ics and Tech­niques}, | ||
| + | year = {1981}, | ||
| + | publisher = {Allan­held & Schram}, | ||
| + | address = {Montclair}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
| + | } | ||
| + | </bibentry> | ||
| + | |||
| + | ===Kwo 1981a=== | ||
| + | <bibentry> | ||
| + | @book{, | ||
| + | author = {Kwo, Da-wei}, | ||
| + | title = {Chinese Brushwork. Its History, Aesthetics, and Techniques}, | ||
| + | year = {1981}, | ||
| + | publisher = {Allanheld & Schram}, | ||
| + | address = {Montclair}, | ||
| + | note = {}, | ||
| + | hidden = {}, | ||
} | } | ||
</bibentry> | </bibentry> | ||
Aktuelle Version vom 16. Dezember 2019, 15:33 Uhr
Inhaltsverzeichnis
- 1 Kaczmarek 2007a
- 2 Kadrey 1997a
- 3 Kalkofen 2006a
- 4 Kamlah & Lorenzen 1973a
- 5 Kamp 1990a
- 6 Kandinsky 1926a
- 7 Kanizsa & Luccio 1995a
- 8 Kannenberg 2001a
- 9 Kant 1787a
- 10 Kant 1960a
- 11 Kant 1968a
- 12 Kant 1974a
- 13 Kant 1977a
- 14 Kapfhammer 2006a
- 15 Kaplan 2004a
- 16 Kapust 2009a
- 17 Kapust 2013g-a
- 18 Kardaun 1993a
- 19 Kashtan 2013a
- 20 Katz & Fodor 1963a
- 21 Keates 1982a
- 22 Kecskesi 1982a
- 23 Keitz 1994a
- 24 Keller 1995a
- 25 Kelly 1998a
- 26 Kemp 1974a
- 27 Kemp 1979a
- 28 Kemp 1985a
- 29 Kemp 1995a
- 30 Kempson 1975a
- 31 Kerr et al. 1982a
- 32 Khordoc 2001a
- 33 Kimmich 2003a
- 34 Kittler 1986a
- 35 Kittler 1989a
- 36 Kittler 1993a
- 37 Kittler 2002a
- 38 Kittler 2002b
- 39 Kittler 2003a
- 40 Kiyomitsu 2004a
- 41 Kjörup 1974a
- 42 Kjörup 1978a
- 43 Kjørup 1978a
- 44 Klar 2011a
- 45 Klauk & Köppe 2014a
- 46 Klee 1925a
- 47 Klee 1956a
- 48 Klee 1961a
- 49 Kleiner & Wilke 2013a
- 50 Kleiner 2013a
- 51 Klemm 1919a
- 52 Klopfenstein-Arii 1992a
- 53 Klopstock 1774a
- 54 Klopstock 1779a
- 55 Klotz 1995a
- 56 Kluge 2002a
- 57 Knape 1994a
- 58 Knape 2005a
- 59 Knape 2007a
- 60 Knape 2007b
- 61 Knape 2008a
- 62 Knape 2010a
- 63 Knape 2013g-a
- 64 Knieper & Müller 2003a
- 65 Knieper & Müller 2005a
- 66 Köhler 1986a
- 67 Köller 2004a
- 68 König & Obrist 1993a
- 69 Kocher 2007a
- 70 Kocher 2010a
- 71 Kocher 2011a
- 72 Kohns 2007a
- 73 Koller 1954a
- 74 Kondor 2007a
- 75 Kondor 2007b
- 76 Kondor 2007c
- 77 Kondor 2008a
- 78 Kondor 2013g-a
- 79 Kondor 2013g-b
- 80 Konersmann 1991a
- 81 Konersmann 2006a
- 82 Konersmann 2011a
- 83 Konrad 2014a
- 84 Kornmeier & Bach 2009a
- 85 Kornmeier et al. 2009a
- 86 Korte 2003a
- 87 Koschatzky 1975a
- 88 Koschorke 1999a
- 89 Koselleck 1979a
- 90 Kracauer 1992a
- 91 Krämer 2003a
- 92 Krämer 2004a
- 93 Krämer 2004b
- 94 Krämer 2004c
- 95 Krämer 2005a
- 96 Krämer 2009a
- 97 Krämer & Bredekamp 2003a
- 98 Krämer & Giertler 2011a
- 99 Krämer et al. 2012a
- 100 Krafft 1978a
- 101 Krah & Titzmann2013a
- 102 Kranz 1976a
- 103 Kraus 1991a
- 104 Krauss 1990a
- 105 Krauss 1998a
- 106 Krauss 1999a
- 107 Krauss 2000a
- 108 Krauss 2000b
- 109 Krauss 2000c
- 110 Krebs 2006a
- 111 Kreimeier 2012a
- 112 Kress & Leeuwen 1996a
- 113 Kress & Leeuwen 2001a
- 114 Kress 2010a
- 115 Krewani 2003a
- 116 Krieger 1992a
- 117 Krieger 1995a
- 118 Kripke 1972a
- 119 Kris & Kurz 1995a
- 120 Krkac 2010a
- 121 Kroeber-Riel & Esch 2000a
- 122 Kroeber-Riel 1996a
- 123 Krois 2006a
- 124 Krois 1995a
- 125 Krüger 2001a
- 126 Krüger 2015g-a
- 127 Kruse 2003a
- 128 Kruse & Grabbe 2013g-a
- 129 Kruse & Grabbe 2013g-b
- 130 Kruse & Grabbe 2013g-c
- 131 Kruse et al. 2013g-a
- 132 Kruse & Stadler 1995a
- 133 Kruse et al. 1995a
- 134 Kudielka 2005a
- 135 Kühne-Bertram 6 Rodi 2008a
- 136 Külpe 1923a
- 137 Künne 1983a
- 138 Künzli 1996/1997a
- 139 Küster 2012a
- 140 Kuhn 1973a
- 141 Kuhn & Veits 2015a
- 142 Kukkonen 2013a
- 143 Kulvicki 2006a
- 144 Kulvicki 2010a
- 145 Kwo 1981a
- 146 Kwo 1981a
Kaczmarek 2007a
Kaczmarek, Ludger (2007): Allyfying Leibniz. Einige Aspekte von Kompossibilität und Diegese in filmischen Texten.
montage AV - Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation, 12, 2, 131-145.
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Kadrey 1997a
Kadrey, Richard (1997): From Myst to Riven. The Creations & Inspirations.
Hyperion, New York.
(Typ: 'Buch')
Kalkofen 2006a
Kalkofen, Herrmann (2006): Inversion und Ambiguität. Ein Kapitel aus der psychologischen Optik.
IMAGE 3, 25-42.
(Typ: 'Artikel in Zeitschrift')
Kamlah & Lorenzen 1973a
Kamlah, Wilhelm & Lorenzen, Paul (1973): Logische Propädeutik. Vorschule des vernünftigen Redens.
BI Wissenschaftsverlag, München
( 2. Aufl. (11967, 31996) ).
(Typ: 'Buch')
Kamp 1990a
Kamp, Hans (1990): On the Representation and Transmission of Information: Sketch of a Theory of Verbal Communication Based On Discourse Representation Theory.
In: Klein, E. & Veltman, F. (Hg.), Natural Language and Speech. Springer, Berlin, 135-158.
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Kandinsky 1926a
Kandinsky, Wassily (1926): Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente.
Albert Langen, München.
(Typ: 'Buch')
Kanizsa & Luccio 1995a
Kanizsa, Gaetano & Luccio, Riccardo (1995): Multistability as a Research Tool in Experimental Phenomenology.
In: Kruse, P. & Stadler, M. (Hg.), Ambiguity in Mind and Nature. Multistable Cognitive Phenomena. Springer, Berlin, 47–68.
(Typ: 'Beitrag in Sammelband')
Kannenberg 2001a
Kannenberg, Gene. Jr. (2001): The Comics of Chris Ware. Text, Image, and Visual Narrative Strategies.
In: Varnum, R. & Gibbons, C. T. (Hg.), The Language of Comics. Word and Image. UP of Mississippi, Jackson, 174-200.
(Typ: 'Beitrag in Sammelband')
Kant 1787a
Kant, Immanuel (1787): Kritik der reinen Vernunft.
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Kant 1960a
Kant, Immanuel (1960): Logik.
In: Weischedel, W. (Hg.), Kant: Werke in 12 Bänden. Suhrkamp, Wiesbaden, Bd. VI.
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Kant 1968a
Kant, Immanuel (1968): Kritik der reinen Vernunft.
de Gruyter, Berlin, A: 1781, B: 1787.
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Kant 1974a
Kant, Immanuel (1974): Kritik der Urteilskraft.
Suhrkamp, Frankfurt/M..
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Kant 1977a
Kant, Immanuel (1977): Kritik der Urteilskraft.
Suhrkamp, Frankfurt/M.
( Werkausgabe Band X, hrsg. von Wilhelm Weischedel ).
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Kapfhammer 2006a
Kapfhammer, Hans-Peter (2006): Albtraum, Pavor nocturnus und andere Gespenster der Nacht.
In: Wiegand, M. H. & Spreti, F. v. & Förstl, H. & Boothe, B. (Hg.), Schlaf und Traum. Schattauer, Stuttgart, 171-200.
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Kaplan 2004a
Kaplan, Frédéric (2004a): Who is afraid of the humanoid? Investigating cultural differences in the acceptance of robots.
International Journal of Humanoid Robotics, 1, 3, 1-16.
(Typ: 'Artikel in Zeitschrift')
Kapust 2009a
Kapust, Antje (2009): Phänomenologische Bildpositionen.
In: Sachs-Hombach, K. (Hg.), Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn. Suhrkamp, Frankfurt/M., 255-283.
(Typ: 'Beitrag in Sammelband')
Kapust 2013g-a
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Kripke, Saul A. (1972): Naming and Necessity.
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Kris & Kurz 1995a
Kris, Ernst & Kurz, Otto (1995): Die Legende vom Künstler. Ein geschichtlicher Versuch.
Suhrkamp, Frankfurt/M.
( mit einem Vorwort von E. H. Gombrich ).
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Krkac 2010a
Krkac, Kristijan (2010): Wittgensteins’s Dubbit III.
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Kroeber-Riel & Esch 2000a
Kroeber-Riel, Werner & Esch, Franz-Rudolf (2000): Strategie und Technik der Werbung. Verhaltenswissenschaftliche Ansätze.
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Kroeber-Riel 1996a
Kroeber-Riel, Werner (1996): Bildkommunikation. Imagerystrategien für die Werbung.
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Krois 2006a
Krois, John Michael (2006): Für Bilder braucht man keine Augen. Zur Verkörperungstheorie des Ikonischen.
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Krois 1995a
Krois, John Michael (1995): Semiotische Transformation der Philosophie: Verkörperung und Pluralismus bei Cassirer und Peirce.
Dialektik, 1, 61-72.
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Krüger 2001a
Krüger, Klaus (2001): Das Bild als Schleier des Unsichtbaren. Ästhetische Illusion in der Kunst der frühen Neuzeit in Italien.
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Krüger 2015g-a
Krüger, Matthias (2015): Textur. (Ausg. 1).
In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.) Glossar der Bildphilosophie. (2012-2024).
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(Typ: 'Glossarlemma')
Kruse 2003a
Kruse, Christiane (2003): Wozu Menschen malen. Historische Begründungen eines Bildmediums.
Fink, München.
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Kruse & Grabbe 2013g-a
Kruse, Patrick & Grabbe, Lars (2013): Bildmontage. (Ausg. 1).
In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.) Glossar der Bildphilosophie. (2012-2024).
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(Typ: 'Glossarlemma')
Kruse & Grabbe 2013g-b
Kruse, Patrick & Grabbe, Lars (2013): Video. (Ausg. 1).
In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.) Glossar der Bildphilosophie. (2012-2024).
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Kruse & Grabbe 2013g-c
Kruse, Patrick & Grabbe, Lars (2013): Virtualität. (Ausg. 1).
In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.) Glossar der Bildphilosophie. (2012-2024).
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Kruse et al. 2013g-a
Kruse, Patrick; Grabbe, Lars & Wulf, Hans J. (2013): Fernsehen. (Ausg. 1).
In: Schirra, J.R.J.; Halawa, M. & Liebsch, D. (Hg.) Glossar der Bildphilosophie. (2012-2024).
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Kruse & Stadler 1995a
Kruse, Peter & Stadler, Michael (Hg.)(1995): Ambiguity in Mind and Nature. Multistable Cognitive Phenomena.
Springer, Berlin
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Kruse et al. 1995a
Kruse, Peter; Strüber, Daniel & Stadler, Michael (1995): Significance of Perceptual Multistability for Research on Cognitive Self-organization.
In: Kruse, P. & Stadler, M. (Hg.), Ambiguity in Mind and Nature. Multistable Cognitive Phenomena. Springer, Berlin, 69–84.
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Kudielka 2005a
Kudielka, Robert (2005): Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert.
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Kühne-Bertram 6 Rodi 2008a
Kühne-Bertram, Gudrun & Rodi, Frithjof (Hg.)(2008): Dilthey und die hermeneutische Wende in der Philosophie: Wirkungsgeschichtliche Aspekte seines Werkes.
Vandenhoeck & Ruprecht, Göttingen.
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Külpe 1923a
Külpe, Oswald (1923): Vorlesungen über Logik.
Hirzel, Leipzig.
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Künne 1983a
Künne, Wolfgang (1983): Abstrakte Gegenstände. Semantik und Ontologie.
Suhrkamp, Frankfurt/M..
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Künzli 1996/1997a
Künzli, Hansjörg (1996/1997): Über die Haltbarkeit digitaler Daten.
Rundbrief Fotografie, Sonderheft 3, 5-8.
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Küster 2012a
Küster, Bärbel (2012): Reisen zwischen Original und Kopie im 18. Jahrhundert.
In: Mensger, A. (Hg.), Déjà-vu? Die Kunst der Wiederholung von Dürer bis YouTube. Kerber, Bielefeld, 64-75.
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Kuhn 1973a
Kuhn, Thomas (1973): Die Struktur wissenschaftlicher Revolution.
Suhrkamp, Frankfurt/M..
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Kuhn & Veits 2015a
Kuhn, Markus & Veits, Andreas (2015): Narrative Mediation in Comics. Narrative Instances and Narrative Levels in Paul Hornschemeier’s «The Three Paradoxes».
In: Birke, D. & Köppe, T. (Hg.), Author and Narrator. Transdiciplinary Contributions to a Narratological Debate. De Gruyter, Berlin, 235-262.
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Kukkonen 2013a
Kukkonen, Karin (2013): Contemporary Comics Storytelling.
U of Nebraska P, Lincoln.
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Kulvicki 2006a
Kulvicki, John (2006): On Images: Their Structure and Content.
Oxford UP, Oxford.
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Kulvicki 2010a
Kulvicki, John (2010): Knowing with Images: Medium and Message.
Philosophy of Science, 77, 295-313.
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Kwo 1981a
Kwo, Da-wei (1981): Chinese Brushwork – Its History, Aesthetics and Techniques.
Allanheld & Schram, Montclair.
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Kwo 1981a
Kwo, Da-wei (1981): Chinese Brushwork. Its History, Aesthetics, and Techniques.
Allanheld & Schram, Montclair.
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