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===Holly 2007a===
+
===Bareis & Nordrun 2015a===
 
<bibentry>
 
<bibentry>
@inproceedings{Holly 2007a,
+
@proceedings{Bareis & Nordrun 2015a,
author = {Holly, Werner},
+
  title = {How to Make Believe. The Fictional Truths of the Re&shy;presentati&shy;onal Arts},
  title = {Audiovisuelle Hermeneutik: Am Beispiel des TV-Spots der Kampagne ‚Du bist Deutschland’},
+
  year = {2015},
booktitle = {Linguistische Hermeneutik},
+
  editor = {Bareis, J. Alexander; Lene Nordrum},
  year = {2007},
+
  publisher = {de Gruyter},
  editor = {Fritz Hermanns},
+
  address = {Berlin},
pages = {389–428},
 
  publisher = {Niemeyer},
 
  address = {Tübingen},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
url = {},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Holly & Jäger 2011a===
+
===Bareis 2014a===
 
<bibentry>
 
<bibentry>
@inproceedings{Holly & Jäger 2011a,
+
@inproceedings{Bareis 2014a,
  author = {Holly, Werner & Jäger, Ludwig},
+
  author = {Bareis, J. Alexander},
  title = {Transkriptionstheoretische Medienanalyse. Vom Anders-lesbar-Machen durch intermediale Bezugnahmepraktiken},
+
  title = {Fiktionen als Make-Believe },
  booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
+
  booktitle = {Fikti&shy;onali&shy;tät. Ein inter&shy;diszi&shy;plinä&shy;res Handbuch},
  year = {2011},
+
  year = {2014},
  editor = {Jan Geog Schneider & Hartmut Stöckl},
+
  editor = {Klauk, T. & Köppe, T.},
  pages = {},
+
  pages = {50-67},
  publisher = {Halem},
+
  publisher = {de Gruyter},
  address = {Köln},
+
  address = {Berlin},
note = {erscheint Frühjahr 2011},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Geiger & Henn-Memmesheimer 1998a===
 
<bibentry>
 
@article{Geiger & Henn-Memmesheimer 1998a,
 
author = {Geiger, Susi & Henn-Memmesheimer, Beate},
 
title = {Visuell-verbale Textgestaltung von Werbeanzeigen},
 
journal = {Kodikas/Code – Ars Semeiotica},
 
year = {1998},
 
volume = {21},
 
number = {1/2},
 
pages = {55–74},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 49: Zeile 29:
 
</bibentry>
 
</bibentry>
  
===Gaede 1981a===
+
===Bareis 2015a===
 
<bibentry>
 
<bibentry>
@book{Gaede 1981a,
+
@inproceedings{Bareis 2015a,
  author = {Gaede, Werner},
+
  author = {Bareis, J. Alexander},
  title = {Vom Wort zum Bild: Kreativ-Methoden der Visualisierung},
+
  title = {Fictional Truths, Principles of Generation, and Inter&shy;pretation},
year = {1981},
+
  booktitle = {How to Make Believe. The Fictional Truths of the Re&shy;presenta&shy;tional Arts},
editor = {},
+
  year = {2015},
  publisher = {Langen Müller/Herbig},
+
  editor = {Bareis, J. A. & Nordrum, L.},
address = {München},
+
  pages = {165-183},
note = {},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Eddiks 2004a===
 
<bibentry>
 
@misc{Eddiks 2004a,
 
author = {Eddiks, Christina},
 
title = {Dem Emblem auf der Spur},
 
howpublished = {},
 
year = {2004},
 
note = {Diplomarbeit},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Durand 1987a===
 
<bibentry>
 
@inproceedings{Durand 1987a,
 
author = {Durand, Jacques},
 
title = {Rhetorical Figures in the Advertising Image},
 
booktitle = {Marketing and Semiotics},
 
  year = {1987},
 
  editor = {J.U. Sebeok},
 
  pages = {295–318},
 
 
  publisher = {de Gruyter},
 
  publisher = {de Gruyter},
 
  address = {Berlin},
 
  address = {Berlin},
Zeile 93: Zeile 46:
 
</bibentry>
 
</bibentry>
  
===Doelker 2007a===
+
===Barthes 1981a===
 
<bibentry>
 
<bibentry>
@inproceedings{Doelker 2007a,
+
@book{Barthes 1981a,
  author = {Doelker, Christian},
+
  author = {Barthes, Roland},
  title = {Figuren der visuellen Rhetorik in werblichen Gesamttexten},
+
  title = {Camera Lucida. Reflections on Photo&shy;graphy},
booktitle = {Bildrhetorik},
+
  year = {1981},
  year = {2007},
+
  publisher = {Hill and Wang},
editor = {J. Knape},
+
  address = {New York},
pages = {71–112},
 
  publisher = {Koerner},
 
  address = {Baden-Baden},
 
 
  note = {},
 
  note = {},
  hidden = {},
+
  hidden = {Übersetzt von Richard Howard},
url = {},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Diekmannshenke & Klemm & Stöckl 2010a===
+
===Branigana 1992===
 
<bibentry>
 
<bibentry>
@book{Diekmannshenke & Klemm & Stöckl 2010a,
+
@book{Branigana 1992,
  author = {Diekmannshenke, Hajo & Klemm, Michael & Stöckl, Hartmut},
+
  author = {Branigan, Edward},
  title = {Bildlinguistik},
+
  title = {Narrative Compre&shy;hension and Film},
  year = {2010},
+
  year = {1992},
editor = {},
+
  publisher = {Routledge},
publisher = {Erich Schmidt},
+
  address = {London},
address = {Berlin},
 
note = {erscheint Ende 2010},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Christian 2009a===
 
<bibentry>
 
@book{Christian 2009a,
 
author = {Christian, Alexander},
 
title = {Piktogramme, Kritischer Beitrag zu einer Begriffsbestimmung},
 
year = {2009},
 
editor = {},
 
  publisher = {Shaker},
 
  address = {Aachen},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 138: Zeile 72:
 
</bibentry>
 
</bibentry>
  
===Drosdowski 1989a===
+
===Bunia 2020a===
 
<bibentry>
 
<bibentry>
@book{Drosdowski 1989a,
+
@proceedings{Bunia 2020a,
author = {Drosdowsi, Günther},
+
  title = {Formen der Fiktion. Theorie und Geschichte},
  title = {DUDEN Etymologie. Herkunftwörterbuch der deutschen Sprache.},
+
  year = {2020fc},
  year = {1989},
+
  editor = {Bunia, Remi&shy;gius},
  editor = {},
+
  publisher = {Wilhelm Fink},
  publisher = {Dudenverlag 2.},
+
  address = {München},
  address = {Mannheim [u.a.]},
+
  note = {in Vorbe&shy;reitung},
  note = {völlig neu bearbeitete und erweiterte Auflage},
 
 
  hidden = {},
 
  hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Drosdowski 1988a===
+
===Cohn 1999a===
 
<bibentry>
 
<bibentry>
@book{Drosdowski 1988a,
+
@book{Cohn 1999a,
  author = {Drosdowsi, Günther},
+
  author = {Cohn, Dorrit},
  title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wärter im Satz.},
+
  title = {The Distinction of Fiction},
  year = {1988},
+
  year = {1999},
editor = {},
+
  publisher = {Johns Hopkins UP},
  publisher = {Dudenverlag 2.},
+
  address = {Baltimore},
  address = {Mannheim [u.a.]},
+
  note = {},
  note = {völlig neu bearbeitete und erweiterte Auflage},
 
 
  hidden = {},
 
  hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Dudenredaktion 2003a===
+
===Currie 1990a===
 
<bibentry>
 
<bibentry>
@book{Dudenredaktion 2003a,
+
@book{Currie 1990a,
  author = {Dudenredaktion (Hg.)},
+
  author = {Currie, Grego&shy;ry},
  title = {DUDEN. Das Stilwörterbuch.},
+
  title = {The Nature of Fiction},
  year = {2003},
+
  year = {1990},
editor = {},
+
  publisher = {Cambridge UP},
  publisher = {Dudenverlag 8.},
+
  address = {Cambridge, Ma},
  address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Graumann 1966a===
 
<bibentry>
 
@book{Graumann 1966a,
 
author = {Graumann, Carl Friedrich},
 
title = {Grundzüge der Verhaltensbeobachtung},
 
year = {1966},
 
editor = {in: Meyer, Ernst / Maier, Hans: Fernsehen in der Lehrerbildung, Neue Forschungsansätze in Pädagogik.},
 
publisher = {Manz 1966, S. 86-107.},
 
address = {München},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 194: Zeile 111:
 
</bibentry>
 
</bibentry>
  
===Kluge 2002a===
+
===Currie 2007a===
 
<bibentry>
 
<bibentry>
@book{Kluge 2002a,
+
@inproceedings{Currie 2007a,
  author = {Kluge, Friedrich},
+
  author = {Currie, Gregory},
  title = {Etymologisches Wörterbuch der deutschen Sprache.},
+
  title = {Was ist fikti&shy;onale Rede?},
  year = {2002},
+
  booktitle = {Fiktion, Wahrheit, Wirklich&shy;keit. Philo&shy;sophi&shy;sche Grund&shy;lagen der Lite&shy;ratur&shy;theorie},
editor = {Bearbeitet von Elmar Seebold. 24.},
+
  year = {2007},
publisher = {de Gruyter.},
+
  editor = { Reicher, M.E.},
address = {Berlin, New York},
+
  pages = {37-53},
note = {durchgesehene und erweiterte Auflage.},
+
  publisher = {Mentis},
hidden = {},
+
  address = {Pader&shy;born},
}
 
</bibentry>
 
 
 
===Müller 1985a===
 
<bibentry>
 
@book{Müller 1985a,
 
author = {Müller, Wolfgang},
 
title = {DUDEN Bedeutungswörterbuch = DUDEN Band 10},
 
  year = {1985},
 
  editor = {},
 
publisher = {Dudenverlag},
 
address = {Mannheim [u.a.]},
 
note = {völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {},
 
}
 
</bibentry>
 
 
 
===Schulze 2000a===
 
<bibentry>
 
@book{Schulze 2000a,
 
author = {Schulze, Gerhard},
 
  title = {Die Erlebnis-Gesellschaft. Kultursoziologie der Gegenwart. 8. Auflage. Studienausgabe.},
 
year = {2000},
 
editor = {},
 
  publisher = {Campus-Verlag},
 
  address = {Frankfurt am Main, New York},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Strauß 1998a===
+
===Currie 2010a===
 
<bibentry>
 
<bibentry>
@book{Strauß 1998a,
+
@book{Currie 2010a,
  author = {Strauß, Bernd (Hg.)},
+
  author = {Currie, Gregory},
  title = {Zuschauer},
+
  title = {Narratives and Narrators. A Philo&shy;sophy of Stories},
  year = {1998},
+
  year = {2010},
editor = {},
+
  publisher = {Oxford UP},
  publisher = {Hogrefe},
+
  address = {Oxford},
  address = {Göttingen [u.a.]},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 250: Zeile 141:
 
</bibentry>
 
</bibentry>
  
 
+
===Doležel 1995a===
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__TOC__
 
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==A==
 
===Adelmann 2004a===
 
 
<bibentry>
 
<bibentry>
@inproceedings{Adelmann 2004a,  
+
@article{Doležel 1995a,
  author = {Adelmann, Ralf},  
+
  author = {Doležel, Lubomír},
  title = {Digitale Animationen in dokumentarischen Fernsehformaten?},
+
  title = {Fictional Worlds. Density, Gaps, and Inference},
booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
+
  journal = {Style: From Possible Worlds to Virtual Realities: Approaches to Post&shy;modernism},
year = {2004},
+
  year = {1995},
editor = {Schröter & Böhnke},
+
  volume = {29},
pages = {387-406},
+
  number = {2},
publisher = {Transcript},
+
  pages = {201-214},
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Adelmann 2009a===
 
<bibentry>
 
@proceedings{Adelmann 2009a,
 
editor = {Adelmann, Ralf},
 
title = {Datenbilder. Zur digitalen Bildpraxis in den Naturwissenschaften},
 
year = {2009},  
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Amelunxen 1996a===
 
<bibentry>
 
@book{Amelunxen 1996a,
 
author = {Amelunxen, Hubertus},
 
title = {Fotografie nach der Fotografie},
 
year = {1996}, 
 
publisher = {},
 
address = {Dresden u.a.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Appadurai 2003a===
 
<bibentry>
 
@inproceedings{Appadurai 2003a,
 
author = {Appadurai, Arjun},
 
title = {Archive and Aspiration},
 
  booktitle = {Information is Alive},
 
year = {2004},
 
editor = {Brouwer, Joke; Mulder, Arjen},
 
pages = {14-25},
 
publisher = {},
 
address = {Rotterdam},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Austin 1972a===
 
<bibentry>
 
@book{Austin 1972a,
 
author = {Austin, John L.},
 
title = {Zur Theorie der Sprechakte},
 
  year = {1972},
 
  publisher = {Reclam},
 
  address = {Stuttgart},
 
note = {orig.: How to do things with Words, 1962},
 
}
 
</bibentry>
 
 
 
==B==
 
===Badakshi 2006a===
 
<bibentry>
 
@inproceedings{Badakshi 2006a,
 
author = {Badakshi, Harun},
 
title = {Körper in/aus Zahlen. Digitale Bildgebung in der Medizin},
 
booktitle = {The Picture's Image. Wissenschaftliche Visualisierung als Komposit},
 
year = {2006},
 
editor = {Hinterwaldner, Inge; Buschhaus, Markus},
 
  pages = {199-205},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Badt 1963a===
 
<bibentry>
 
@book{Badt 1963a,
 
author = {Badt, Kurt },
 
title = {Raumphantasien und Raumillusionen. Wesen der Plastik}
 
year = {1963},
 
publisher = {DuMont},
 
address = {Köln},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Balazs 2001a===
 
<bibentry>
 
@book{Balazs 2001a,
 
author = {Balazs, Bela},
 
title = {Der Geist des Films},
 
year = {2001},
 
publisher = {Suhrkamp},
 
address = {Frankfurt a.M.},
 
 
  note = {},
 
  note = {},
}
 
</bibentry>
 
 
===Barthes 1977a===
 
<bibentry>
 
@inproceedings{Barthes 1977a,
 
author = {Barthes, Roland},
 
title = {Rhetoric of the Image},
 
booktitle = {Image, Music, Text},
 
year = {1977},
 
editor = {Stephen Heath},
 
pages = {32–51},
 
publisher = {Fontana},
 
address = {London},
 
note = {orig. 1964 in Communications},
 
 
  hidden = {},
 
  hidden = {},
 
  url = {},
 
  url = {},
Zeile 405: Zeile 157:
 
</bibentry>
 
</bibentry>
  
===Batchen 1998a===
+
===Eco 1987a===
 
<bibentry>
 
<bibentry>
@article{Batchen 1998a,
+
@book{Eco 1987a,
author = {Batchen, Geoffrey},
+
  author = {Eco, Umberto},
title = {Photogenics/Fotogenik},
+
  title = {Lector in fabula. Die Mit&shy;arbeit der Inter&shy;pretation in erzäh&shy;lenden Texten},
journal = {Camera Austria},
+
  year = {1987},
year = {1998},
+
  publisher = {Hanser},
volume = {},
+
  address = {München},
number = {62/63},
 
pages = {5-16},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Baudrillard 1978a===
 
<bibentry>
 
@book{Baudrillard 1978a,
 
  author = {Baudrillard, Jean},
 
  title = {Agonie des Realen},
 
  year = {1978},
 
  publisher = {Merve},
 
  address = {Berlin},
 
 
  note = {},
 
  note = {},
 +
hidden = {Übersetzt von Heinz-Georg Held},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Baudrillard 2000a===
+
===Eco 2000a===
 
<bibentry>
 
<bibentry>
@inproceedings{Baudrillard 2000a,
+
@book{Eco 2000a,
  author = {Baudrillard, Jean},
+
  author = {Eco, Umberto},
  title = {Das perfekte Verbrechen},
+
  title = {Kant und das Schnabel&shy;tier},
booktitle = {Theorie der Fotografie IV 1980-1995},
 
 
  year = {2000},
 
  year = {2000},
editor = {von Amelunxen},
+
  publisher = {Hanser},
pages = {256-260},
 
  publisher = {},
 
 
  address = {München},
 
  address = {München},
 
  note = {},
 
  note = {},
 +
hidden = {Übersetzt von Frank Herrmann},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Baumberger 2010===
+
===Eder 2008a===
 
<bibentry>
 
<bibentry>
@book{Baumberger 2010,
+
@book{Eder 2008a,
  author = {Baumberger, Christoph},
+
  author = {Eder, Jens},
  title = {Gebaute Zeichen. Eine Symboltheorie der Architektur},
+
  title = {Was sind Figuren? Ein Beitrag zur inter&shy;diszi&shy;plinä&shy;ren Fiktions&shy;theorie},
  year = {2010},
+
  year = {2008},
  publisher = {Ontos},
+
  publisher = {Mentis},
  address = {Heusenstamm},
+
  address = {Pader&shy;born},
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Batchen 2000a===
+
===Eder et al. 2010a===
 
<bibentry>
 
<bibentry>
@inproceedings{Batchen 2000a,
+
@inproceedings{Eder et al. 2010a,
  author = {Batchen, Geoffrey},
+
  author = {Eder, Jens; Jannidis, Foris & Schneider, Ralf},
  title = {Ectoplasm. Photography in the Digital Age},
+
  title = {Fictional Characters in Literary and Media Studies. A Survey of the Research},
  booktitle = {Over Exposed. Essays on Contemporary Photography},
+
  booktitle = {Characters in Fictional Worlds. Under&shy;standing Imaginary Beings in Literature, Film, and Other Media},
year = {2000},
 
editor = {Squiers, Carol},
 
pages = {9.23},
 
publisher = {},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bechtloff 2001a===
 
<bibentry>
 
@article{Bechtloff 2001a,
 
author = {Bechtloff, Dieter (Hg.)},
 
title = {Choreographie der Gewalt},
 
journal = {Kunstforum International},
 
year = {2001},
 
volume = {},
 
number = {Hefte 153, 155 & 156},
 
pages = {},
 
note = {Heft 153: Der gerissene Faden. Nichtlineare Techniken in der Kunst; Heft 156: Plateau der Menschheit},
 
}
 
</bibentry>
 
 
 
===Beil 2010a===
 
<bibentry>
 
@book{Beil 2010a,
 
author = {Beil, Benjamin},
 
title = {First Person Perspectives. Point of View und figurenzentrierte Erzählformen im Film und im Computerspiel},
 
 
  year = {2010},
 
  year = {2010},
  publisher = {},
+
  editor = {Eder, J.; Janni&shy;dis, F. & Schneider, R.},
address = {Münster},
+
  pages = {3-66},
note = {},
+
  publisher = {de Gruyter},
}
 
</bibentry>
 
 
 
===Berz 2009a===
 
<bibentry>
 
@inproceedings{Berz 2009a,
 
author = {Berz, Peter},
 
title = {Bitmapped Graphic},
 
booktitle = {Zeitkritische Medien},
 
year = {2009},
 
editor = {Volmar, Axel},
 
  pages = {127-154},
 
  publisher = {},
 
 
  address = {Berlin},
 
  address = {Berlin},
note = {},
 
}
 
</bibentry>
 
 
===Bloomfield 1933a===
 
<bibentry>
 
@book{Bloomfield 1933a,
 
author = {Bloomfield, Leonard},
 
title = {Language},
 
year = {1933},
 
publisher = {Henry Holt and Co},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
===Boehm 1994a===
 
<bibentry>
 
@inproceedings{Boehm_1994a,
 
author = {Boehm, Gottfried},
 
title = {Die Bilderfrage},
 
booktitle = {Was ist ein Bild?},
 
year = {1994},
 
editor = {Gottfried Boehm},
 
pages = {325-343},
 
publisher = {Fink},
 
address = {München},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 543: Zeile 213:
 
</bibentry>
 
</bibentry>
  
===Bonsiepe 1968a===
+
===Fellmann 2000a===
 
<bibentry>
 
<bibentry>
@article{Bonsiepe 1968a,
+
@inproceedings{Fellmann 2000a,
  author = {Bonsiepe, Gui},
+
  author = {Fellmann, Ferdinand},
  title = {Visuell/Verbale Rhetorik},
+
  title = {Bedeutung als Form&shy;problem},
  journal = {Format: Zeitschrift für visuelle Kommunikation},
+
  booktitle = {Vom Realis&shy;mus der Bilder},
  year = {1968},
+
  year = {2000},
  volume = {},
+
  editor = {Sachs-Hombach, K.},
  number = {17},
+
  pages = {17-40},
  pages = {11–18},
+
  publisher = {Scriptum},
 +
address = {Magde&shy;burg},
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 559: Zeile 230:
 
</bibentry>
 
</bibentry>
  
===Bousso 2002a===
+
===Fineman 2012a===
 
<bibentry>
 
<bibentry>
@article{Bousso 2002a,
+
@book{Fineman 2012a,
  author = {Bousso, Raphael},
+
  author = {Fineman, Mia},
  title = {The Holographic Principle},
+
  title = {Faking it. Manipulated Photography before Photoshop},
journal = {Reviews of Modern Physics},
+
  year = {2012},
year = {2002},
+
  publisher = {Yale UP},
volume = {},
+
  address = {New York},
number = {74},
 
pages = {825-874},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Brachfeld 1976a===
 
<bibentry>
 
@inproceedings{Brachfeld_1976a,
 
author = {Brachfeld, Otto},
 
title = {Image},
 
booktitle = {Historisches Wörterbuch der Philosophie. Bd. 4},
 
  year = {1976},
 
editor = {Joachim Ritter et al.},
 
pages = {215-217},
 
  publisher = {Schwabe Verlag},
 
  address = {Basel},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
url = {},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Brunet 2008a===
+
===Flöthmann 2013a===
 
<bibentry>
 
<bibentry>
@inproceedings{Brunet 2008a,
+
@book{Flöthmann 2013a,
  author = {Brunet, François},
+
  author = {Flöthmann, Frank},
  title = {A Better Example is a Photograph': On the Exemplary Value of Photographs in C. S. Peirce's Reflection on Signs},
+
  title = {Grimms Märchen ohne Worte},
booktitle = {The Meaning of Photography},
+
  year = {2013},
  year = {2008},
+
  publisher = {DuMont},
editor = {Kelsey, Robin; Stimson, Blake},
+
  address = {Köln},
pages = {34-49},
 
  publisher = {},
 
  address = {Williamstown},
 
 
  note = {},
 
  note = {},
 +
hidden = {3. Aufl.},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Bruno 2007a===
+
===Goodman 1969a===
 
<bibentry>
 
<bibentry>
@book{Bruno 2007a,
+
@book{Goodman 1969a,
  author = {Bruno, Giuliana},
+
  author = {Goodman, Nelson},
  title = {Public Intimacy. Architecture and the Visual Arts},
+
  title = {Languages of Art. An Approach to a Theory of Symbols},
  year = {2007},
+
  year = {1969},
  publisher = {MIT Press},
+
  publisher = {Oxford UP},
  address = {Cambridge},
+
  address = {London},
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
 
+
===Herder 2017a===
===Bucher 2011a===
 
 
<bibentry>
 
<bibentry>
@inproceedings{Bucher 2011a,
+
@book{Herder 2017a,
  author = {Bucher, Hans-Jürgen},
+
  author = {Herder, Benita},
  title = {“Man sieht, was man hört“. Multimodales Verstehen als interaktionale Aneignung. Handlungstheoretische Medienanalyse.},
+
  title = {Bild und Fiktion. Eine Untersuchung über die Funktion von Bildern in der Erkenntnistheorie},
booktitle = {Medientheorien und Multimodalität. Ein TV-Werbespot – Sieben methodische Beschreibungsansätze},
+
  year = {2017},
  year = {2011},
+
  publisher = {Herbert von Halem},
editor = {Jan Georg Schneider & Hartmut Stöckl},
 
pages = {},
 
  publisher = {Halem},
 
 
  address = {Köln},
 
  address = {Köln},
  note = {im Druck},
+
  note = {},
 
  hidden = {},
 
  hidden = {},
url = {},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Bucher2010a===
+
===Ingarden 1972a===
 
<bibentry>
 
<bibentry>
@inproceedings{Bucher2010a,
+
@book{Ingarden 1972a,
  author = {Bucher, Hans-Jürgen},
+
  author = {Ingarden, Roman},
  title = {Multimodales Verstehen oder Rezeption als Interaktion. Theoretische und empirische Grundlagen einers systematischen Analyse der Multimodalität},
+
  title = {Das literarische Kunstwerk. Mit einem Anhang von den Funktionen der Sprache im Theaterschauspiel},
booktitle = {Bildlinguistik},
+
  year = {1972},
year = {2010},
+
  publisher = {Niemeyer},
editor = {Hajo Diekmannshenke & Michael Klemm & Hartmut Stöckl},
+
  address = {Tübingen},
pages = {121-156},
 
publisher = {Erich Schmidt},
 
address = {Berlin},
 
note = {im Druck},
 
hidden = {},
 
url = {},
 
}
 
</bibentry>
 
 
 
===Buchwald 1989a===
 
<bibentry>
 
@book{Buchwald 1989a,
 
author = {Buchwald, Jed Z.},
 
title = {The Rise of the Wave Theory of Light},
 
  year = {1989},
 
publisher = {},
 
address = {Chicago},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Bühler 1933a===
 
<bibentry>
 
@book{Bühler 1933a,
 
author = {Bühler, Karl},
 
title = {Axiomatik der Sprachwissenschaften},
 
year = {1933},
 
publisher = {Klostermann},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Burckhardt 2001a===
 
<bibentry>
 
@inproceedings{Burckhardt 2001a,
 
author = {Burckhardt, Jacob},
 
title = {Der Cicerone. Eine Anleitung zum Genuss der Kunstwerke Italiens},
 
booktitle = {Werke. Kritische Gesamtausgabe},
 
year = {2001},
 
editor = {B. Roeck et al.},
 
pages = {Bd. 2},
 
publisher = {Beck},
 
address = {München/Basel},
 
note = {Erstveröffentlichung 1855},
 
}
 
</bibentry>
 
 
 
===Büttner & Gottdank 2009a===
 
<bibentry>
 
@book{Büttner & Gottdank 2009a,
 
author = {Büttner, Frank & Gottdank, Andrea},
 
title = {Einführung in die Ikonographie. Wege zur Deutung von Bildinhalten},
 
year = {2009},
 
editor = {},
 
  publisher = {Beck},
 
  address = {München},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 705: Zeile 295:
 
</bibentry>
 
</bibentry>
  
==C==
+
===Iser 1978a===
===Carlbom & Paciorek 1978a===
 
 
<bibentry>
 
<bibentry>
@article{Carlbom & Paciorek 1978a,
+
@book{Iser 1978a,
  author = {Carlbom, Ingrid; Paciorek, Joseph},
+
  author = {Iser, Wolfgang},
  title = {Planar Geometric Projections and Viewing Transformations},
+
  title = {The Act of Reading. A Theory of Aesthetic Response},
journal = {ACM Computing Surveys},
 
 
  year = {1978},
 
  year = {1978},
  volume = {10},
+
  publisher = {Johns Hopkins UP},
  number = {4},
+
  address = {Baltimore},
pages = {465-502},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Carnap 1947a===
+
===Jung & Wilde 2020a===
 
<bibentry>
 
<bibentry>
@book{Carnap 1947a,
+
@inproceedings{Jung & Wilde 2020a,
  author = {Carnap, Rudolf},
+
  author = {Jung, Berenike & Wilde, Lukas R.A.},
title = {Meaning and Necessity: A Study in Semantics and Modal Logic},
+
  title = {Unravelling the ‚Trump Shock,‘ or: The Intertwined Threat Communication of ‚Post-11/9‘},
year = {1947},
+
  booktitle = {Medial Reflections: Threat Communication and the US Order after 9/11},
publisher = {Univ. Press},
+
  year = {2020fc},
address = {Chicago, IL},
+
  editor = {Ossa, V.; Scheu, D. & Wilde, L.R.A.},
note = {},
+
  pages = {in Vorbereitung},
}
+
  publisher = {Routledge},
</bibentry>
 
 
 
===Cunningham et al. 1995a===
 
<bibentry>
 
@article{Cunningham et al. 1995a,
 
author = {Cunningham, M. R.; Roberts A. R.; Barbee A. P.; Druen P. B.; Wu Cheng-Huan},
 
  title = {„Their ideas of beauty are, on the wohle, the same as ours“: consistency and variability in the cross-cultural perception of female physical attractiveness},
 
  journal = {J. Personality and Social Psychology},
 
  year = {1995},
 
  volume = {68},
 
number = {},
 
pages = {261-279},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Cunningham 1986a===
 
<bibentry>
 
@article{Cunningham 1986a,
 
author = {Cunningham, M.R.},
 
title = {Measuring the physical in physical attractiveness: Quasi-experiments on the sociobiology of female facial beauty},
 
journal = {J. Personality and Social Psychology},
 
year = {1986},
 
volume = {50},
 
number = {},  
 
  pages = {925-935},
 
note = {},
 
}
 
</bibentry>
 
 
 
==D==
 
===Darwin 1872a===
 
<bibentry>
 
@book{Darwin 1872a,
 
author = {Darwin, Charles},
 
title = {On the Expression of the Emotions in Man and Animals},
 
year = {1872},
 
  publisher = {Murray},
 
 
  address = {London},
 
  address = {London},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Davies 1991===
+
===Kimmich 2003a===
 
<bibentry>
 
<bibentry>
@article{Davies 1991,
+
@inproceedings{Kimmich 2003a,
  author = {Davies, David},
+
  author = {Kimmich, Dorothee},
  title = {Works, Texts, and Contexts. Goodman on the Literary Artwork},
+
  title = {Die Bildlichkeit der Leerstelle},
  journal = {Canadian Journal of Philosophy},
+
booktitle = {Wissenschaft und Systemveränderung. Rezeptionsforschung in Ost und West – eine konvergente Entwicklung?},
  year = {1991},
+
  year = {2003},
  volume = {21},
+
  editor = {Adam, W.},
  number = {},
+
  pages = {319-393},
  pages = {331-346},
+
  publisher = {Winter},
 +
  address = {Heidelberg},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Deleuze 1989a===
+
===Klauk & Köppe 2014a===
 
<bibentry>
 
<bibentry>
@book{Deleuze 1989a,
+
@proceedings{Klauk & Köppe 2014a,
author = {Deleuze, Gilles},
+
  title = {Fiktionalität. Ein interdisziplinäres Handbuch},
title = {Das Bewegungs-Bild. Kino1},
+
  year = {2014},
year = {1989},
+
  editor = {Klauk, Tobias & Köppe, Tilmann},
publisher = {Suhrkamp},
+
  publisher = {de Gruyter},
address = {Frankfurt a. M},
+
  address = {Berlin},
note = {a. d. Franz. v. U. Christians und U. Bokelmann; Erstveröffentlichung 1983},
 
}
 
</bibentry>
 
 
 
===Demuth 2007a===
 
<bibentry>
 
@inproceedings{Demuth 2007a,
 
author = {Demuth, Volker},
 
  title = {Extreme Expeditionen. Digitale, hybride und künstlerische Räume},
 
booktitle = {RAUM. Orte der Kunst},
 
  year = {2007},
 
  editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
 
pages = {89-104},
 
  publisher = {Verlag für moderne Kunst},
 
  address = {Nürnberg},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Depaulo 1992a===
+
===Konrad 2014a===
 
<bibentry>
 
<bibentry>
@article{Depaulo 1992a,
+
@inproceedings{Konrad 2014a,
  author = {DePaulo, B. M. },
+
  author = {Konrad, Eva-Maria},
title = {Nonverbal Behavior and Self Presentation},
+
  title = {Panfiktionalismus},
journal = {Psychological Bulletin},
+
  booktitle = {Fiktionalität. Ein interdisziplinäres Handbuch},
year = {1992},
+
  year = {2014},
volume = {111},
+
  editor = {Klauk, T. & Köppe. T.},
number = {2},
+
  pages = {235-254},
pages = {203-243},
+
  publisher = {de Gruyter},
note = {},
+
  address = {Berlin},
}
 
</bibentry>
 
 
 
===Derrida 1992a===
 
<bibentry>
 
@book{Derrida 1992a,
 
author = {Derrida, J.},
 
  title = {Die Wahrheit in der Malerei},
 
year = {1992},
 
publisher = {},
 
address = {Wien},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Dion 2002a===
 
<bibentry>
 
@inproceedings{Dion 2002a,
 
author = {Dion, K. K.},
 
title = {Cultural Perspectives on Facial Attractiveness},
 
  booktitle = {Facial Attractiveness. Evolutionary, Cognitive, and Social Perspectives},
 
  year = {2002},
 
  editor = {G. Rhodes & L.A. Zebrowitz },
 
pages = {239-260},
 
publisher = {Ablex},
 
address = {Westport, CT},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Drosdowski 1988a===
 
<bibentry>
 
@book{Drosdowski 1988a,
 
author = {Drosdowski, Günther},
 
title = {DUDEN Stilwörterbuch der deutschen Sprache. Die Verwendung der Wärter im Satz.},
 
year = {1988},
 
publisher = {Dudenverlag},
 
address = {Mannheim [u.a.]},
 
note = {7., völlig neu bearbeitete und erweiterte Auflage},
 
hidden = {= DUDEN Band 2},
 
}
 
</bibentry>
 
 
 
==E==
 
===Eibl-Eibesfeldt & Sütterlin 1992a===
 
<bibentry>
 
@book{Eibl-Eibesfeldt & Sütterlin 1992a,
 
author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
 
title = {Im Banne der Angst. Zur Natur- und Kunstgeschichte menschlicher Abwehrsymbolik},
 
year = {1992},
 
publisher = {Piper},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt & Sütterlin 2008a===
 
<bibentry>
 
@book{Eibl-Eibesfeldt & Sütterlin 2008a,
 
author = {Eibl-Eibesfeldt, I. & Ch. Sütterlin},
 
title = {Weltsprache Kunst. Zur Natur- und Kunstgeschichte bildlicher Kommunikation},
 
year = {2008},
 
publisher = {Brandstätter},
 
address = {Wien},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt 1995a===
 
<bibentry>
 
@book{Eibl-Eibesfeldt 1995a,
 
author = {Eibl-Eibesfeldt. I. },
 
title = {Die Biologie menschlichen Verhaltens. Lehrbuch der Humanethologie},
 
year = {1995},
 
publisher = {Piper},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Eibl-Eibesfeldt 1973a===
 
<bibentry>
 
@inproceedings{Eibl-Eibesfeldt 1973a,
 
author = {Eibl-Eibesfeldt I. },
 
title = {The expressive behavior of the deaf- and blind born},
 
booktitle = {Social Communication and Movement},
 
year = {1973},
 
editor = {M. v. Cranach & I. Vine},
 
pages = {163-194},
 
publisher = {Academic Press},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ekman 1973b===
 
<bibentry>
 
@inproceedings{Ekman 1973b,
 
author = {Ekman, P. },
 
title = {Cross cultural studies of facial expression},
 
booktitle = {Darwin and Facial Expression},
 
year = {1973},
 
editor = {P. Ekman},
 
  pages = {169-222},
 
publisher = {Academic Press},
 
address = {New York, London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ekman 1973a===
 
<bibentry>
 
@proceedings{Ekman 1973a,
 
editor = {Ekman, P. },
 
title = {Darwin and Facial Expression},
 
year = {1973},
 
  publisher = {Academic Press},
 
  address = {London},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Elgin 1992===
+
===Künne 1983a===
 
<bibentry>
 
<bibentry>
@inproceedings{Elgin 1992,
+
@book{Künne 1983a,
  author = {Elgin, Catherine Z.},
+
  author = {Künne, Wolfgang},
  title = {Notation},
+
  title = {Abstrakte Gegenstände. Semantik und Ontologie},
booktitle = {A Companion to Aesthetics},
 
year = {1992},
 
editor = {Cooper, David},
 
pages = {307-309},
 
publisher = {Blackwell},
 
address = {Oxford},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Elgin 1983===
 
<bibentry>
 
@book{Elgin 1983,
 
author = {Elgin, Catherine Z.},
 
title = {With Reference to Reference},
 
 
  year = {1983},
 
  year = {1983},
  publisher = {Hackett},
+
  publisher = {Suhrkamp},
  address = {Indianapolis},
+
  address = {Frankfurt/M.},
note = {},
 
}
 
</bibentry>
 
 
 
===Elkins 1999===
 
<bibentry>
 
@book{Elkins 1999,
 
author = {Elkins, James},
 
title = {The Domain of Images},
 
year = {1999},
 
publisher = {Cornell University Press},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ellgring 1989a===
 
<bibentry>
 
@book{Ellgring 1989a,
 
author = {Ellgring, H.},
 
title = {Nonverbal communication in depression},
 
year = {1989},
 
publisher = {},
 
address = {Cambridge},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ernst & Heidenreich 1999a===
 
<bibentry>
 
@inproceedings{Ernst & Heidenreich 1999a,
 
author = {Ernst, Wolfgang; Heidenreich, Stefan},
 
title = {Digitale Bildarchivierung. Der Wölfflin-Kalkül},
 
booktitle = {Konfigurationen. Zwischen Kunst und Medien},
 
year = {1999},
 
editor = {Schade, Sigrid; Tholen, Georg Christoph},
 
pages = {306-320},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ernst et al. 2003a===
 
<bibentry>
 
@proceedings{Ernst et al. 2003a,
 
editor = {Ernst, Wolfgang et al.},
 
title = {Suchbilder. Visuelle Kultur zwischen Algorithmen und Archiven},
 
year = {2003},
 
publisher = {},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Etcoff 2001a===
 
<bibentry>
 
@book{Etcoff 2001a,
 
author = {Etcoff, N. },
 
title = {Nur die Schönsten überleben. Die Ästhetik des Menschen},
 
year = {2001},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
==F==
 
===Fantz 1966a===
 
<bibentry>
 
@inproceedings{Fantz 1966a,
 
author = {Fantz, R.L. },
 
title = {Pattern discrimination and selective attention as determinants of perceptual development from birth},
 
booktitle = {Perceptual Development in Children},
 
year = {1966},
 
editor = {A.H. Kidd & J.L Rivoire},
 
pages = {143-173},
 
publisher = {University Press},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ferino-Pagden 2009a===
 
<bibentry>
 
@proceedings{Ferino-Pagden 2009a,
 
title = {Wir sind Maske},
 
year = {2009},
 
editor = {Ferino-Pagden, S. },
 
publisher = {Kunsthistorisches Museum},
 
address = {Wien},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 1.066: Zeile 385:
 
</bibentry>
 
</bibentry>
  
===Fiske 2001a===
+
===Lefèvre 2007a===
 
<bibentry>
 
<bibentry>
@inproceedings{Fiske 2001a,
+
@inproceedings{Lefèvre 2007a,
  author = {Fiske, John },
+
  author = {Lefèvre, Pascal},
  title = {Videotech},
+
  title = {Incompatible Visual Ontologies. The Problematic Adaption of Drawn Images},
booktitle = {Grundlagentexte zur Fernsehwissenschaft. Theorie - Geschichte - Analyse},
+
  booktitle = {Film and Comic Books},
year = {2003},
 
editor = {Adelmann, Ralf et al.},
 
publisher = {},
 
address = {Konstanz},
 
note = {},
 
pages = {484-502},
 
}
 
</bibentry>
 
 
 
===Flügge et al. 2007a===
 
<bibentry>
 
@inproceedings{Flügge et al. 2007a,
 
author = {Flügge, Matthias; Kudielka, Robert & Lammert, Angela},
 
title = {Vorwort und Dank},
 
  booktitle = {RAUM. Orte der Kunst},
 
 
  year = {2007},
 
  year = {2007},
  editor = {Flügge, M.; Kudielka, R. & Lammert, A.},
+
  editor = {Gordon, I.; Jancovich, M. & McAllister, M. P.},
  pages = {6-9},
+
  pages = {1-12},
  publisher = {Verlag für moderne Kunst},
+
  publisher = {UP of Mississippi},
  address = {Nürnberg},
+
  address = {Jackson},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Foley et al. 1990a===
+
===Lobsien 1980a===
 
<bibentry>
 
<bibentry>
@book{Foley et al. 1990a,
+
@inproceedings{Lobsien 1980a,
  author = {Foley, James D.; van Dam; Feiner & Hughes },
+
  author = {Lobsien, Eckhar},
  title = {Computer Graphics. Principles and Practice},
+
  title = {Bildlichkeit, Imagination und Wissen},
 +
booktitle = {Bildlichkeit. Internationale Beiträge zur Poetik},
 
  year = {1990},
 
  year = {1990},
  publisher = {Addison Wesley},
+
editor = {Bohn, V.},
  address = {Reading, MA},
+
pages = {80-114},
 +
  publisher = {Suhrkamp},
 +
  address = {Frankfurt/M.},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Fox 2006a===
+
===Lotman 1977a===
 
<bibentry>
 
<bibentry>
@book{Fox 2006a,
+
@book{Lotman 1977a,
  author = {Fox, Mark},
+
  author = {Lotman, Jurij M.},
  title = {Quantum Optics. An Introduction},
+
  title = {Probleme der Kinoaesthetik. Einführung in die Semiotik des Films},
  year = {2006},
+
  year = {1977},
  publisher = {},
+
  publisher = {Syndikat},
  address = {Oxford},
+
  address = {Frankfurt/M.},
 
  note = {},
 
  note = {},
 +
hidden = {Übersetzt von Christiane Böhler-Auras},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
==G==
+
===McDonell 1983a===
===Galison 1997a===
 
 
<bibentry>
 
<bibentry>
@book{Galison 1997a,
+
@article{McDonell 1983a,
  author = {Galison, Peter},
+
  author = {McDonell, Neil},
  title = {Image and Logic. A Material Culture of Microphysics},
+
  title = {Are Pictures Unavoidably Specific?},
  year = {1997},
+
journal = {Synthese},
  publisher = {},
+
  year = {1983},
  address = {Chicago},
+
volume = {57},
 +
  number = {1},
 +
  pages = {83-98},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Gerhardus et al. 1975a===
+
===Mundhenke 2017a===
 
<bibentry>
 
<bibentry>
@book{Gerhardus et al. 1975a,
+
@book{Mundhenke 2017a,
  author = {Gerhardus, Dietfried & Kledzik, S.M. & Reitzig, G.H.},
+
  author = {Mundhenke, Florian},
  title = {Schlüssiges Argumentieren – Logisch-propädeutisches Lehr- und Arbeitsbuch},
+
  title = {Zwischen Dokumentar- und Spielfilm. Zur Repräsentation und Rezeption von Hybrid-Formen},
year = {1975},
+
  year = {2017},
publisher = {Vandenhoeck & Ruprecht},
+
  publisher = {Springer},
address = {Göttingen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Gerstengrabe et al. 2010a===
 
<bibentry>
 
@article{Gerstengrabe et al. 2010a,
 
author = {Gerstengrabe, Carina; Lang, Katharina & Schneider, Anna},
 
title = {Wasserzeichen. Vom 13. Jahrhundert bis zum Digital Watermarking. Kulturen des Kopierschutzes
 
II},
 
journal = {Navigationen. Zeitschrift für Medien- und Kulturwissenschaften},
 
year = {2010},
 
volume = {10},
 
number = {2},
 
pages = {9-61},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Glüher 1998a===
 
<bibentry>
 
@article{Glüher 1998a,
 
author = {Glüher, Gebhard},
 
title = {Von der Theorie der Fotografie zur Theorie des digitalen Bildes},
 
journal = {Kritische Berichte},
 
  year = {1998},
 
volume = {},
 
number = {2},
 
pages = {23-31},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Gooch & Gooch 2001a===
 
<bibentry>
 
@book{Gooch & Gooch 2001a,
 
author = {Gooch, Bruce & Gooch, Amy},
 
title = {Non-Photorealistic Rendering},
 
year = {2001},
 
publisher = {},
 
address = {Natick, MA. },
 
note = {},
 
}
 
</bibentry>
 
 
 
===Goodman 1968a===
 
<bibentry>
 
@book{Goodman 1968a,
 
author = {Goodman, Nelson},
 
title = {Languages of Art},
 
year = {1968, 2. rev. Aufl. 1976},
 
publisher = {Hackett},
 
address = {Indianapolis},
 
note = {dt.: Sprachen der Kunst. Suhrkamp 1998},
 
}
 
</bibentry>
 
 
 
===Goodman & Elgin 1988===
 
<bibentry>
 
@book{Goodman & Elgin 1988,
 
author = {Goodman, Nelson & Elgin, Catherine Z.},
 
title = {Reconceptions in Philosophy and Other Arts and Sciences},
 
year = {1988},
 
publisher = {Hackett},
 
address = {Indianapolis},
 
note = {Deutsch: <em>Revisionen. Philosophie und andere Künste und Wissenschaften</em>. Frankfurt a. M.: Suhrkamp, 1993},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2008a===
 
<bibentry>
 
@article{Grabbe_Kruse_2008a,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Empathische Cues und die Möglichkeit einer Affekt-Sprache des Films},
 
journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
 
year = {2008},
 
volume = {31},
 
number = {3-4},
 
pages = {289-298},
 
publisher = {Gunter Narr},
 
address = {Tübingen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2008b===
 
<bibentry>
 
@article{Grabbe_Kruse_2008b,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Gewalt als Erlebnis. Die somatische Decodierung als Strategie des Filmerlebens in CLOVERFIELD},
 
journal = {Kodikas/Code. Ars Semeiotica. An International Journal of Semiotics},
 
year = {2008},
 
volume = {31},
 
number = {3-4},
 
pages = {299-312},
 
note = {},
 
publisher = {Gunter Narr},
 
address = {Tübingen},
 
}
 
</bibentry>
 
 
 
===Grabbe & Kruse 2009===
 
<bibentry>
 
@inproceedings{Grabbe_Kruse_2009,
 
author = {Grabbe, Lars & Kruse, Patrick},
 
title = {Roland Barthes: Zeichen, Kommunikation und Mythos},
 
booktitle = {Schlüsselwerke der Cultural Studies},
 
year = {2009},
 
editor = {Hepp, Andreas; Krotz, Friedrich & Thomas, Tanja},
 
pages = {21-31},
 
  publisher = {VS/GWV},
 
 
  address = {Wiesbaden},
 
  address = {Wiesbaden},
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Grieshofer 2009a===
+
===Packard 2016c===
 
<bibentry>
 
<bibentry>
@inproceedings{Grieshofer 2009a,
+
@inproceedings{Packard 2016c,
  author = {Grieshofer, F. },
+
  author = {Packard, Stephan},
  title = {Masken im Brennpunkt musealer Sammeltätigkeit},
+
  title = {Bilder erfinden. Fiktion als Reduktion und Redifferenzierung in graphischen Erzählungen},
  booktitle = {Wir sind Maske},
+
  booktitle = {Fiktion im Vergleich der Künste und Medien},
  year = {2009},
+
  year = {2016},
  editor = {Ferino-Pagden, S.},
+
  editor = {Enderwitz, A. & Rajewsky, I. O.},
  pages = {},
+
  pages = {125-143},
  publisher = {Kunsthistorisches Museum},
+
  publisher = {de Gruyter},
  address = {Wien},
+
  address = {Berlin},
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 1.274: Zeile 478:
 
</bibentry>
 
</bibentry>
  
===Groß et al. 1981a===
+
===Packard 2020a===
 
<bibentry>
 
<bibentry>
@inproceedings{Groß et al. 1981a,
+
@inproceedings{Packard 2020a,
  author = {Gross, C.G.; Bruce, C.J.; Desimone, R.; Fleming, J. & Gattass, R.},
+
  author = {Packard, Stephan},
  title = {Cortical visual areas of the temporal lobe: Three areas in the macaque},
+
  title = {Gibt es eine Nullstufe der Fiktion? Praktiken der semiotischen Konstruktion des Fiktionalen und Faktualen},
  booktitle = {Cortical Sensory Organization. Vol. 2: Multiple Visual Areas},
+
  booktitle = {Formen der Fiktion. Theorie und Geschichte},
  year = {1981},
+
  year = {2020fc},
  editor = {C.N. Woolsey},
+
  editor = {Bunia, R.},
  pages = {187-216},
+
  pages = {in Vorbereitung},
  publisher = {Humana Press},
+
  publisher = {Wilhelm Fink},
  address = {Totowa N.J.},
+
  address = {München},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Günzel 2006a===
+
===Panofsky 1939a===
 
<bibentry>
 
<bibentry>
@article{Günzel 2006a,
+
@book{Panofsky 1939a,
  author = {Günzel, Stephan},
+
  author = {Panofsky, Erwin},
  title = {Bildtheoretische Analyse von Computerspielen in der Perspektive Erste Person},
+
  title = {Studies in Iconology. Humanistic Themes in the Art of the Renaissance},
journal = {IMAGE},
+
  year = {1939},
  year = {2006},
+
  publisher = {Oxford UP},
volume = {},
+
  address = {New York},
  number = {4},
 
  pages = {31-43},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Günzel 2008a===
+
===Pichler & Ubl 2014a===
 
<bibentry>
 
<bibentry>
@inproceedings{Günzel 2008a,
+
@book{Pichler & Ubl 2014a,
author = {Günzel, Stephan},
+
  author = {Pichler, Wolfram & Ub, Ralph},
title = {Die Realität des Simulationsbildes. Raum im Computerspiel},
+
  title = {Bildtheorie. Zur Einführung},
booktitle = {Die Realität der Imagination - Architektur und das digitale Bild},
+
  year = {2014},
year = {2008},
+
  publisher = {Junius},
pages = {127-136},
+
  address = {Hamburg},
publisher = {},
 
address = {Weimar},
 
note = {10. internationales Bauhaus-Kolloquium},
 
}
 
</bibentry>
 
 
 
===Günzel 2009a===
 
<bibentry>
 
@inproceedings{Günzel 2009a,
 
author = {Günzel, Stephan},
 
title = {Simulation und Perspektive. Der bildtheoretische Ansatz in der Computerspielforschung},
 
booktitle = {Shooter: eine multdisziplinäre Einführung},
 
year = {2010},
 
editor = {Bopp, Matthias; Wiemer, Serjoscha & Nohr,Rolf F.},
 
pages = {331-352},
 
publisher = {},
 
address = {Münster},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Günzel 2010a===
 
<bibentry>
 
@inproceedings{Günzel 2010a,
 
  author = {Günzel, Stephan},
 
title = {Die Geste des Manipulierens. Zu Gebrauch statischer und beweglicher Digitalbilder}, 
 
booktitle = {Freeze Frames. Zum Verhältnis von Fotografie und Film},
 
year = {2010},
 
editor = {Diekmann & Gerlin},
 
pages = {114-129},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
==H==
 
===Hagen 2002a===
 
<bibentry>
 
@inproceedings{Hagen 2002a,
 
author = {Hagen, Wolfgang},
 
  title = {Die Entropie der Fotografie. Skizzen zu einer Genealogie der digitalelektronischen Bildaufzeichnung},
 
booktitle = {Paradigma Fotografie},
 
  year = {2002},
 
editor = {Wolf},
 
pages = {195-238},
 
  publisher = {},
 
  address = {Frankfurt a.M.},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Hagen 2002b===
+
===Plunze 2002a===
 
<bibentry>
 
<bibentry>
@inproceedings{Hagen 2002b,
+
@inproceedings{Plunze 2002a,
  author = {Hagen, Wolfgang},
+
  author = {Plunze, Christian},
  title = {Es gibt kein ,digitales Bild'. Eine medienepistemologische Anmerkung},
+
  title = {Sagen, Referieren, Implizieren. Das Beispiel definiter Kennzeichnungen},
  booktitle = {Licht und Leitung},
+
  booktitle = {Kommunikatives Verstehen},
 
  year = {2002},
 
  year = {2002},
  editor = {Engel},
+
  editor = {Siebel, M.},
pages = {103-112},
+
  pages = {165-182},
publisher = {},
+
  publisher = {Leipziger Universitätsverlag},
address = {Weimar},
+
  address = {Leipzig},
note = {},
 
}
 
</bibentry>
 
 
 
===Halliday 1996a===
 
<bibentry>
 
@inproceedings{Halliday 1996a,
 
author = {Halliday, Michael A.K.},
 
title = {Language as a Social Semiotic},
 
booktitle = {The Communication Theory Reader},
 
year = {1996},
 
editor = {Cobley, Paul},
 
  pages = {359-383},
 
publisher = {Routledge},
 
address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Hansen 2005a===
 
<bibentry>
 
@inproceedings{Hansen 2005a,
 
author = {Hansen, S. },
 
title = {Neolithische Figuralplastik im südlichen Karpatenbecken},
 
booktitle = {Masken, Menschen, Rituale},
 
year = {2005},
 
editor = {Schier, W.},
 
pages = {},
 
  publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)},
 
  address = {Würzburg},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 1.410: Zeile 538:
 
</bibentry>
 
</bibentry>
  
===Hegel 1970a===
+
===Podro 1983a===
 
<bibentry>
 
<bibentry>
@inproceedings{Hegel 1970a,
+
@inproceedings{Podro 1983a,
  author = {Hegel, Georg W. F.},
+
  author = {Podro, Michael},
  title = {Vorlesungen über die Ästhetik II},
+
  title = {Fiction and Reality in Painting},
  booktitle = {Werke},
+
  booktitle = {Funktionen des Fiktiven},
  year = {1970, Erstveröffentlichung 1835},
+
  year = {1983},
  editor = {E. Moldenhauer & K. M. Michel},
+
  editor = {Henrich, D. & Iser, W.},
pages = {Bd. 14},
+
  pages = {225-237},
publisher = {Suhrkamp},
+
  publisher = {Fink},
address = {Frankfurt a. M.},
+
  address = {München},
note = {},
 
}
 
</bibentry>
 
 
 
===Heidegger 1950a===
 
<bibentry>
 
@inproceedings{Heidegger 1950a,
 
author = {Heidegger, Martin},
 
title = {Die Zeit des Weltbildes},
 
booktitle = {Holzwege},
 
year = {1950},
 
editor = {ders.},
 
  pages = {69-104},
 
  publisher = {},
 
  address = {Frankfurt a.M.},
 
 
  note = {},
 
  note = {},
}
 
</bibentry>
 
 
===Heidenreich 2001a===
 
<bibentry>
 
@inproceedings{Heidenreich 2001a,
 
author = {Heidenreich, Stefan},
 
title = {Effekte der Digitalisierung: Berechenbarkeit und Suche},
 
booktitle = {Verwandlungen durch Licht},
 
year = {2001},
 
editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
 
pages = {259-262},
 
publisher = {},
 
address = {Esslingen},
 
note = {},
 
}
 
</bibentry>
 
 
===Hernadi 1991===
 
<bibentry>
 
@article{Hernadi 1991,
 
author = {Hernadi, Paul},
 
year = {1991},
 
title = {Reconceiving Notation and Performance},
 
journal = {Journal of Aesthetic Education},
 
volume = {25},
 
number = {1},
 
pages = {47-56},
 
note = {},
 
}
 
</bibentry>
 
 
===Herter 1947a===
 
<bibentry>
 
@article{Herter 1947a,
 
author = {Herter, H. },
 
title = {Vom dionysischen Tanz zum komischen Spiel. Die Anfänge der Attischen Komödie},
 
journal = {Darstellung und Deutung},
 
year = {1947},
 
volume = {1},
 
number = {},
 
pages = {},
 
note = {Iserlohn},
 
 
  hidden = {},
 
  hidden = {},
 
  url = {},
 
  url = {},
Zeile 1.485: Zeile 555:
 
</bibentry>
 
</bibentry>
  
===Heßler 2006a===
+
===Rajewsky & Enderwitz 2016a===
<bibentry>
 
@misc{Heßler 2006a,
 
author = {Heßler, Martina},
 
title = {Von der doppelten Unsichtbarkeit digitaler Bilder},
 
year = {2006},
 
howpublished = {Elektronische Ressource},
 
publisher = {},
 
note = {},
 
hidden ={letzter Kontrollaufruf: 07.08.2010},
 
url = {www.zeitenblicke.de/2006/3/Hessler/dippArticle.pdf},
 
}
 
</bibentry>
 
 
 
===Hildebrand 1969a===
 
<bibentry>
 
@inproceedings{Hildebrand 1969a,
 
author = {Hildebrand, Adolf von},
 
title = {Das Problem der Form},
 
booktitle = {Gesammelte Schriften zur Kunst},
 
year = {1969, Erstveröffentlichung 1903},
 
editor = {H. Bock},
 
pages = {41-350},
 
publisher = {Westdeutscher Verlag},
 
address = {Köln/Opladen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Hinterwaldner 2008a===
 
<bibentry>
 
@inproceedings{Hinterwaldner 2008a,
 
author = {Hinterwaldner, Inge},
 
title = {Simulationsmodelle. Zur Verhältnisbestimmung von Modellierung und Bildgebung in interaktiven Echtzeitsimulationen},
 
booktitle = {Visuelle Modelle},
 
year = {2008},
 
editor = {Reichle, Ingeborg; Siegel, Steffen & Spelten, Achim},
 
pages = {301-316},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Hofmann 2007a===
 
<bibentry>
 
@inproceedings{Hofmann 2007a,
 
author = {Hofmann, Werner },
 
title = {Spielräume und Raumverstecke},
 
booktitle = {RAUM. Orte der Kunst},
 
year = {2007},
 
editor = { M. Flügge, R. Kudielka & A. Lammert},
 
pages = {10-22},
 
publisher = {Verlag für moderne Kunst},
 
address = {Nürnberg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Holmes 1980a===
 
<bibentry>
 
@inproceedings{Holmes 1980a,
 
author = {Holmes, Sir Oliver Wendell},
 
title = {Das Stereoskop und der Stereograph},
 
booktitle = {Theorie der Fotografie I. 1839-1912},
 
year = {1980},
 
editor = {Kemp, Wolfgang},
 
pages = {114-122},
 
publisher = {},
 
address = {München},
 
note = {Originalausgabe 1859},
 
}
 
</bibentry>
 
 
 
===Holschbach 2003a===
 
 
<bibentry>
 
<bibentry>
@inproceedings{Holschbach 2003a,
+
@inproceedings{Rajewsky & Enderwitz 2016a,
  author = {Holschbach, Susanne},
+
  author = {Enderwitz, Anne; Irina O. Rajewsky},
 
  title = {Einleitung},
 
  title = {Einleitung},
  booktitle = {Diskurse der Fotografie. Fotokritik am Ende des fotografischen Zeitalters},
+
  booktitle = {Fiktion im Vergleich der Künste und Medien},
  year = {2003},
+
  year = {2016},
  editor = {Wolf, Herta},
+
  editor = {Enderwitz, A. & Rajewsky, I. O.},
pages = {7-21},
+
  pages = {1-17},
publisher = {},
+
  publisher = {de Gruyter},
address = {Frankfurt a. M.},
+
  address = {Berlin},
  note = {BD. 2},
 
}
 
</bibentry>
 
 
 
==I==
 
==J==
 
===Jaubert 1998a===
 
<bibentry>
 
@book{Jaubert 1998a,
 
author = {Jaubert, Alain},
 
title = {Fotos, die lügen: Politik mit gefälschten Bildern},
 
year = {1998},
 
  publisher = {Äthenaum},
 
  address = {Frankfurt a.M.},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Johnson et al. 2001a===
+
===Enderwitz & Rajewsky 2016b===
 
<bibentry>
 
<bibentry>
@book{Johnson et al. 2001a,
+
@proceedings{Enderwitz & Rajewsky 2016b,
  author = {Johnson, Neil F. et al.},
+
  title = {Fiktion im Vergleich der Künste und Medien},
  title = {Information Hiding. Steganography and Watermarking - Attacks and Countermeasures},
+
  year = {2016},
  year = {2001},
+
  editor = {Enderwitz, Anne & Rajewsky, Irina O.},
  publisher = {},
+
  publisher = {de Gruyter},
  address = {Boston, MA},
+
  address = {Berlin, Boston},
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Johnston 2006a===
+
===Reicher 2010a===
 
<bibentry>
 
<bibentry>
@book{Johnston 2006a,
+
@inproceedings{Reicher 2010a,
  author = {Johnston, Sean},
+
  author = {Reicher, Maria E.},
  title = {Holographic Visions. A History of New Science},
+
  title = {The Ontology of Fictional Characters},
  year = {2006},
+
booktitle = {Characters in Fictional Worlds. Understanding Imaginary Beings in Literature, Film, and Other Media},
  publisher = {},
+
  year = {2010},
  address = {Oxford},
+
editor = {Eder, J.; Jannidis, F. & Schneider, R.},
 +
pages = {111-133},
 +
  publisher = {de Gruyter},
 +
  address = {Berlin},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Johnston et al. 2001a===
+
===Ryan 1991a===
 
<bibentry>
 
<bibentry>
@article{Johnston et al. 2001a,
+
@book{Ryan 1991a,
  author = {Johnston, V.S.; Hagel, R.; Franklin, M.; Fink, B. & Grammer, K.},
+
  author = {Ryan, Marie-Laure},
  title = {Male Facial attractiveness. Evidence for hormone-mediated adaptive design},
+
  title = {Possible Worlds, Artificial Intelligence and Narrative Theory},
journal = {Evolution and Human Behavior},
+
  year = {1991},
  year = {2001},
+
  publisher = {Indiana UP},
  volume = {22},
+
  address = {Bloomington},
  number = {},
 
pages = {251-267},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Johnston & Franklin 1993a===
+
===Ryan 2009a===
 
<bibentry>
 
<bibentry>
@article{Johnston & Franklin 1993a,
+
@inproceedings{Ryan 2009a,
  author = {Johnston, V.S. & Franklin, M.},
+
  author = {Ryan, Marie-Laure},
  title = {Is beauty in the eye of the beholder?},
+
  title = {Fiktion, Kognition und nichtverbale Medien},
journal = {Ethology and Sociobiology},
+
  booktitle = {‚Es ist, als ob‘. Fiktionalität in Philosophie Film- und Medienwissenschaft},
year = {1993},
+
  year = {2009},
volume = {14},
+
  editor = {Koch, G. & Voss, C.},
number = {},
+
  pages = {69-86},
pages = {183-199},
+
  publisher = {Fink},
note = {},
 
}
 
</bibentry>
 
 
 
===Jonas 1961a===
 
<bibentry>
 
@article{Jonas 1961a,
 
author = {Jonas, Hans},
 
title = {Die Freiheit des Bildens – Homo pictor und die differentia des Menschen},
 
  journal = {Zeitschrift für Philosophische Forschung},
 
year = {1961},
 
volume = {15},
 
number = {},
 
pages = {161–176},
 
note = {Wieder abgedruckt in: Jonas, Hans: <em>Zwischen Nichts und Ewigkeit – Zur Lehre vom Menschen</em>. Göttingen: Vandenhoeck & Ruprecht, 1987, 26–43},
 
}
 
</bibentry>
 
 
 
===Jung 2003a===
 
<bibentry>
 
@proceedings{Jung 2003a,
 
title = {Holographic Network},
 
  year = {2003a},
 
  editor = {Jung, Dieter},
 
publisher = {},
 
address = {Bramsche},
 
note = {},
 
}
 
</bibentry>
 
 
 
==K==
 
===Kamlah & Lorenzen 1973a===
 
<bibentry>
 
@book{Kamlah & Lorenzen 1973a,
 
author = {Kamlah, Wilhelm & Lorenzen, Paul},
 
  title = {Logische Propädeutik - Vorschule des vernünftigen Redens},
 
year = {1973},
 
  publisher = {BI Wissenschaftsverlag},
 
 
  address = {München},
 
  address = {München},
 
  note = {},
 
  note = {},
}
+
  hidden = {Übersetzt von Sylvia Zirden},
</bibentry>
 
 
 
===Kant 1974a===
 
<bibentry>
 
@book{Kant 1974a,
 
author = {Kant, I.},
 
title = {Kritik der Urteilskraft},
 
year = {1974},
 
publisher = {},
 
address = {Hamburg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Kant 1787a===
 
<bibentry>
 
@book{Kant 1787a,
 
author = {Kant, I.},
 
title = {Kritik der reinen Vernunft},
 
  year = {1787},
 
 
  url = {},
 
  url = {},
publisher = {},
 
address = {},
 
note = {},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Kecskesi 1982a===
+
===Ryan 2014b===
 
<bibentry>
 
<bibentry>
@book{Kecskesi 1982a,
+
@inproceedings{Ryan 2014b,
  author = {Kecskesi, M. },
+
  author = {Ryan, Marie-Laure},
  title = {Kunst aus dem alten Afrika},
+
  title = {Possible-Worlds Theory},
  year = {1982},
+
booktitle = {Handbook of Narratology, Bd. 2},
  publisher = {Pinguin},
+
  year = {2014},
  address = {Innsbruck},
+
editor = {Hühn, P.; Meister, J. C.; Pier J. & Schmid, W.},
  note = {},
+
pages = {726-742},
 +
  publisher = {de Gruyter},
 +
  address = {Berlin},
 +
  note = {2. Aufl.},
 
  hidden = {},
 
  hidden = {},
}
 
</bibentry>
 
 
===Kracauer 1992a===
 
<bibentry>
 
@book{Kracauer 1992a,
 
author = {Kracauer, Siegfried},
 
title = {Der verbotene Blick},
 
year = {1992},
 
publisher = {Reclam},
 
address = {Leipzig},
 
note = {},
 
}
 
</bibentry>
 
 
===Krewani 2003a===
 
<bibentry>
 
@misc{Krewani 2003a,
 
author = {Krewani, Anna Maria},
 
title = {Philosophie der Malerei bei Jacques Derrida},
 
howpublished = {Elektronische Publikation},
 
url = {http://deposit.ddb.de/cgi-bin/dokserv?idn=973507624},
 
year = {2003},
 
hidden = {Dissertation},
 
}
 
</bibentry>
 
 
===Kripke 1972a===
 
<bibentry>
 
@inproceedings{Kripke 1972a,
 
author = {Kripke, Saul A.},
 
title = {Naming and Necessity},
 
booktitle = {Semantics of Natural Language},
 
year = {1972},
 
editor = {Davidson, D. & Harman, G.},
 
pages = {253-355, 763-769},
 
publisher = {Reidel},
 
address = {Dordrecht},
 
note = {},
 
 
  url = {},
 
  url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Kittler 2002a===
+
===Sachs-Hombach & Schirra 2006a===
 
<bibentry>
 
<bibentry>
@inproceedings{Kittler 2002a,
+
@article{Sachs-Hombach & Schirra 2006a,
author = {Kittler, Friedrich},
+
  author = {Sachs-Hombach, Klaus; Jörg R.J. Schirra},
title = {Computergrafik. Eine halbtechnische Einführung},
+
  title = {Darstellungsstil als bild-rhetorische Kategorie. Einige Vorüberlegungen},
booktitle = {Paradigma Fotografie},
+
  journal = {IMAGE. Themenheft Bild-Stil: Strukturierung der Bildinformation},
year = {2002},
+
  year = {2006},
editor = {Wolf, Hertha},
+
  volume = {3},
pages = {178 - 194},
 
publisher = {},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Kittler 2002b===
 
<bibentry>
 
@book{Kittler 2002b,
 
author = {Kittler, Friedrich},
 
title = {Optische Medien. Berliner Vorlesung 1999},
 
year = {2002},
 
publisher = {},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Kudielka 2005a===
 
<bibentry>
 
@inproceedings{Kudielka 2005a,
 
author = {Kudielka, Robert},
 
title = {Gegenstände der Betrachtung – Orte der Erfahrung. Zum Wandel der Kunstauffassung im 20. Jahrhundert},
 
booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
 
year = {2005},
 
editor = {A. Lammert, M. Diers, R. Kudielka & G. Mattenklott},
 
pages = {44-57},
 
publisher = {Verlag für moderne Kunst},
 
address = {Nürnberg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Künzli 1996/1997a===
 
<bibentry>
 
@article{Künzli 1996/1997a,
 
  author = {Künzli, Hansjörg},
 
title = {Über die Haltbarkeit digitaler Daten},
 
journal = {Rundbrief Fotografie},
 
year = {1996/1997},
 
volume = {},
 
number = {Sonderheft 3},
 
pages = {5-8},
 
note = {},
 
}
 
</bibentry>
 
 
 
==L==
 
===Lammert 2007a===
 
<bibentry>
 
@inproceedings{Lammert 2007a,
 
author = {Lammert, Angela},
 
title = {Die vertrauten Sichtweisen sind umzustoßen. Zum Raum der Nachkriegszeit in ungewohnten Begegnungen},
 
booktitle = {RAUM. Orte der Kunst},
 
year = {2007},
 
editor = {M. Flügge, R. Kudielka & A. Lammert},
 
  pages = {55-69},
 
publisher = {Verlag für moderne Kunst}
 
address = {Nürnberg},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Langlois & Roggman 1990a===
 
<bibentry>
 
@article{Langlois & Roggman 1990a,
 
author = {Langlois, J.H. & Roggman I.A.},
 
title = {Attractive faces are only average},
 
  journal = {American Psychol. Society},
 
  year = {1990},
 
  volume = {1/2},
 
 
  number = {},
 
  number = {},
  pages = {115-121},
+
  pages = {175-191},
 
  note = {},
 
  note = {},
 +
hidden = {letzter Zugriff: 01.11.2019},
 +
url = {www.gib.uni-tuebingen.de/image/ausgaben-300_en?function=fnArticle&showArticle=84},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Latour 2007a===
+
===Sachs-Hombach 2005c===
 
<bibentry>
 
<bibentry>
@book{Latour 2007a,
+
@inproceedings{Sachs-Hombach 2005c,
author = {Latour, Bruno},
+
  author = {Sachs-Hombach, Klaus},
title = {Eine neue Soziologie für eine neue Gesellschaft. Einführung in die Akteur-Netzwerk-Theorie},
+
  title = {Über Sinn und Reichweite der Ähnlichkeitstheorie},
year = {2007},
+
  booktitle = {Symbole, Systeme, Welten. Studien zur Philosophie Nelson Goodmans},
publisher = {},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Law & Whittaker 1988a===
 
<bibentry>
 
@inproceedings{Law & Whittaker 1988a,
 
author = {Law, John & Whittaker, John},
 
title = {On the Art of Representation. Notes on the Politics of Visualisation},
 
booktitle = {Picturing Power: Visual Depiction and Social Relations},
 
year = {1988},
 
editor = {Fyfe, Gordon & Law, John},
 
pages = {160-183},
 
publisher = {},
 
address = {},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lefebvre 2007a===
 
<bibentry>
 
@inproceedings{Lefebvre 2007a,
 
  author = {Lefebvre, Martin},
 
title = {The Art of Pointing: On Peirce, Indexicality, and Photographic Images},
 
booktitle = {Photography Theory},
 
year = {2007},
 
editor = {Elkins, James},
 
pages = {220-244},
 
publisher = {},
 
address = {New York u. a.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lessing 1974a===
 
<bibentry>
 
@inproceedings{Lessing 1974a,
 
author = {Lessing, Gotthold Ephraim},
 
  title = {Laokoon oder über die Grenzen der Malerei und Poesie},
 
  booktitle = {Werke, Bd. 6},
 
year = {1974},
 
editor = {Göpfert, H. G.},
 
pages = {7-187},
 
publisher = {Hanser},
 
address = {München},
 
note = {Erstveröffentlichung 1766},
 
}
 
</bibentry>
 
 
 
===Levinson 1990b===
 
<bibentry>
 
@inproceedings{Levinson 1990b,
 
author = {Levinson, Jerrold},
 
title = {Autographic and Allographic Art Revisited},
 
booktitle = {Music, Art, and Metaphysics},
 
year = {1990},
 
editor = {Levinson, Jerrold},
 
pages = {89-106},
 
publisher = {Cornell University Press},
 
address = {Ithaca},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Levinson 1990a===
 
<bibentry>
 
@inproceedings{Levinson 1990a,
 
author = {Levinson, Jerrold},
 
title = {What a Musical Work is},
 
booktitle = {Music, Art, and Metaphysics},
 
year = {1990},
 
editor = {Levinson, Jerrold},
 
pages = {63-88},
 
publisher = {Cornell University Press},
 
address = {Ithaca},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lipps 1920a===
 
<bibentry>
 
@inproceedings{Lipps 1920a,
 
author = {Lipps, Theodor },
 
title = {»Zur Einfühlung«, in: Psychologische Untersuchungen 2/3, 1913},
 
booktitle = {Die ästhetische Betrachtung und die bildende Kunst},
 
year = {1920},
 
editor = {},
 
pages = {111-491},
 
publisher = {Voss},
 
address = {Leipzig},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lorenz 1970a===
 
<bibentry>
 
@book{Lorenz 1970a,
 
author = {Lorenz, Kuno},
 
title = {Elemente der Sprachkritik – Eine Alternative zum Dogmatismus und Skeptizismus in der Analytischen Philosophie},
 
year = {1970},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Luhmann 1996a===
 
<bibentry>
 
@book{Luhmann 1996a,
 
author = {Luhmann, Niklas},
 
title = {Realität der Massenmedien},
 
year = {1996},
 
publisher = {},
 
address = {Opladen},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Luhmann 1997a===
 
<bibentry>
 
@book{Luhmann 1997a,
 
author = {Luhmann, Niklas},
 
title = {Die Kunst der Gesellschaft},
 
year = {1997},
 
publisher = {},
 
address = {Frankfurt a. M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lunenfeld 2002a===
 
<bibentry>
 
@inproceedings{Lunenfeld 2002a,
 
author = {Levinson, Jerrold},
 
title = {Digitale Fotografie. Das dubitative Bild},
 
booktitle = {Paradigma Fotografies},
 
year = {2002},
 
editor = {Wolf, Herta},
 
pages = {158-177},
 
publisher = {},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Lynch & Edgerton 1988a===
 
<bibentry>
 
@inproceedings{Lynch & Edgerton 1988a,
 
author = {Lynch, Michael & Edgerton, Samuel Y.},
 
title = {Aesthetics and Digital Image Processing. Re-presentational Craft in Contemporary Astronomy},
 
booktitle = {Picturing Power: Visual Depiction and Social Relations},
 
year = {1988},
 
editor = {Fyfe, Gordon & Law, John},
 
pages = {184-220},
 
publisher = {},
 
address = {London u.a.},
 
note = {},
 
}
 
</bibentry>
 
 
 
==M==
 
===Manovich 2001a===
 
<bibentry>
 
@book{Manovich 2001a,
 
author = {Manovich, Lev},
 
title = {The Language of New Media},
 
year = {2001},
 
publisher = {},
 
address = {Cambridge/MA},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Manovich 2005a===
 
<bibentry>
 
@inproceedings{Manovich 2005a,
 
author = {Manovich, Lev},
 
title = {Die Poetik des erweiterten Raums},
 
booktitle = {Topos RAUM. Die Aktualität des Raumes in den Künsten der Gegenwart},
 
 
  year = {2005},
 
  year = {2005},
  editor = {A. Lammert, M. Diers, R. Kudielka & G. Mattenklott},
+
  editor = {Steinbrenner, J.},
  pages = {337-350},
+
  pages = {207-226},
publisher = {Verlag für moderne Kunst},
+
  publisher = {Synchron},
address = {Nürnberg},
+
  address = {Heidelberg},
note = {},
 
}
 
</bibentry>
 
 
 
===Mead 1968a===
 
<bibentry>
 
@book{Mead 1968a,
 
author = {Mead, George Herbert},
 
title = {Geist, Identität und Gesellschaft aus der Sicht des Sozialbehaviorismus},
 
year = {1968},
 
publisher = {Suhrkamp},
 
address = {Frankfurt/M.},
 
note = {Original: <em>Mind, Self, and Society</em>. Hg. v. Charles W. Morris. Chicago, 1934},
 
}
 
</bibentry>
 
 
 
===Mitchell 1986a===
 
<bibentry>
 
@book{Mitchell_1986a,
 
author = {Mitchell, William James Thomas},
 
title = {Iconology. Image, Text, Ideology},
 
year = {1986},
 
editor = {},
 
  publisher = {University of Chicago Press},
 
  address = {London, Chicago},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Mitchell 1992a===
+
===Sachs-Hombach 2011a===
 
<bibentry>
 
<bibentry>
@book{Mitchell 1992a,
+
@inproceedings{Sachs-Hombach 2011a,
  author = {Mitchell, William J.},
+
  author = {Sachs-Hombach, Klaus},
  title = {The Reconfigured Eye. Visual Truth in the Post-Photographic Era},
+
  title = {Sachs-Hombach, Klaus},
year = {1992},
+
  booktitle = {Präsenz im Entzug. Ambivalenzen des Bildes},
  publisher = {},
+
  year = {2011},
address = {Cambridge, MA},
+
  editor = {Stoellger, P. & Klie, T.},
note = {},
+
  pages = {57-82},
}
+
  publisher = {Mohr Siebeck},
</bibentry>
+
  address = {Tübingen},
 
 
===Mitchell 2007a===
 
<bibentry>
 
@inproceedings{Mitchell 2007a,
 
author = {Mitchell, William J.},
 
title = {Realismus im digitalen Bild},
 
booktitle = {Bilderfragen. Die Bildwissenschaften im Aufbruch},
 
  year = {2007},
 
  editor = {Belting, Hans},
 
pages = {237-256},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Morris 1994a===
 
<bibentry>
 
@book{Morris 1994a,
 
author = {Morris, D.},
 
title = {Das Tier Mensch},
 
year = {1994},
 
publisher = {Verlagsgesellschaft},
 
address = {Köln},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Müller-Beck & Albrecht 1978a===
 
<bibentry>
 
@book{Müller-Beck & Albrecht 1978a,
 
author = {Müller-Beck, H. & Albrecht, G. },
 
  title = {Die Anfänge der Kunst vor 30'000 Jahren},
 
year = {1978},
 
  publisher = {Theiss},
 
  address = {Stuttgart},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Musterle & Roessler 1986a===
+
===Sainsbury 2010a===
 
<bibentry>
 
<bibentry>
@article{Musterle & Roessler 1986a,
+
@book{Sainsbury 2010a,
  author = {Musterle, W.A. & Roessler, O.E.},
+
  author = {Sainsbury, Richard M.},
title = {Computer faces: The human Lorenz Matrix},
+
  title = {Fiction and Fictionalism},
journal = {Bio Systems},
+
  year = {2010},
year = {1986},
+
  publisher = {Routledge},
volume = {19},
+
  address = {London},
number = {},
 
pages = {61-80},
 
note = {},
 
}
 
</bibentry>
 
 
 
==N==
 
===Naef 2007a===
 
<bibentry>
 
@book{Naef_2007a,
 
author = {Naef, Silvia},
 
  title = {Bilder und Bilderverbot im Islam},
 
  year = {2007},
 
editor = {},
 
  publisher = {C. H. Beck},
 
  address = {München},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.146: Zeile 712:
 
</bibentry>
 
</bibentry>
  
==O==
+
===Scholz 1999a===
 
 
===Ott 2007a===
 
 
<bibentry>
 
<bibentry>
@book{Ott 2007a,
+
@inproceedings{Scholz 1999a,
  author = {Ott, Michaela},
+
  author = {Scholz, Oliver R.},
  title = {Der unbestimmte Raum in Philosophie und Film},
+
  title = {‚Mein teurer Freund, ich rat’ Euch drum / Zuerst Collegium Syntacticum‘. Das Meisterargument in der Bildtheorie},
  year = {2007},
+
booktitle = {Bildgrammatik. Interdisziplinäre Forschungen zur Syntax bildlicher Darstellungsformen},
  editor = {},
+
  year = {1999},
  publisher = {},
+
  editor = {Sachs-Hombach, K. & Rehkämper, K.},
  address = {},
+
pages = {33-45},
 +
  publisher = {Scriptum},
 +
  address = {Magdeburg},
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
==P==
+
===Schröer 2016a===
===Pang 2002a===
 
<bibentry>
 
@inproceedings{Pang 2002a,
 
author = {Pang, Alex Soojung-Kim},
 
title = {Technologie und Ästhetik der Astrofotografie},
 
booktitle = {Ordnungen der Sichtbarkeit. Fotografie in Wissenschaft, Kunst und Technologie},
 
year = {2002},
 
editor = {Geimer, Peter},
 
pages = {101-141},
 
address = {Frankfurt a.M.},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Panofsky 1924a===
 
<bibentry>
 
@inproceedings{Panofsky 1924a,
 
author = {Panofsky, Erwin},
 
title = {Die Perspektive als symbolische Form (1924)},
 
booktitle = {Erwin Panofsky, Deutschsprachige Aufsätze Bd. 2},
 
year = {1998},
 
editor = {K. Michels & M. Warnke},
 
pages = {664-757},
 
publisher = {Akademie},
 
address = {Berlin},
 
note = {Erstpublikation in: <em>Vorträge der Bibliothek Warburg (1924/25)</em>. Leipzig, 1927, 258-330},
 
}
 
</bibentry>
 
 
 
===Paret 1960a===
 
 
<bibentry>
 
<bibentry>
@inproceedings{Paret_1960a,
+
@inproceedings{Schröer 2016a,
  author = {Paret, Rudi},
+
  author = {Schröer, Marie},
  title = {Textbelege zum islamischen Bilderverbot},
+
  title = {Graphic Memoirs – autobiographische Comics},
  booktitle = {Das Werk des Künstlers. Studien zur Ikonographie und Formgeschichte},
+
  booktitle = {Comics und Graphic Novels. Eine Einführung},
  year = {1960},
+
  year = {2016},
  editor = {Hans Fegers},
+
  editor = {Abel, J. & Klein, C.},
  pages = {36-48},
+
  pages = {263-275},
  publisher = {Kohlhammer},
+
  publisher = {Metzler},
 
  address = {Stuttgart},
 
  address = {Stuttgart},
 
  note = {},
 
  note = {},
Zeile 2.209: Zeile 746:
 
</bibentry>
 
</bibentry>
  
===Paret 1968===
+
===Schröter 2016a===
 
<bibentry>
 
<bibentry>
@inproceedings{Paret_1968a,
+
@inproceedings{Schröter 2016a,
  author = {Paret, Rudi},
+
  author = {Schröter, Jens},
  title = {Das islamische Bilderverbot und die Schia},
+
  title = {Überlegungen zu Medientheorie und Fiktionalität},
  booktitle = {Festschrift Werner Caskel. Zum siebzigsten Geburtstag 5. März 1966 gewidmet von Freunden und Schülern},
+
  booktitle = {Fiktion im Vergleich der Künste und Medien},
  year = {1968},
+
  year = {2016},
  editor = {Erwin Gräf},
+
  editor = {Enderwitz, A. & Rajewsky, I.O.},
  pages = {242-232},
+
  pages = {97-124},
  publisher = {Brill},
+
  publisher = {de Gruyter},
  address = {Leiden},
+
  address = {Berlin},
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.226: Zeile 763:
 
</bibentry>
 
</bibentry>
  
===Pesch 2001a===
+
===Schröter 2020a===
 
<bibentry>
 
<bibentry>
@article{Pesch 2001a,
+
@inproceedings{Schröter 2020a,
  author = {Pesch, Martin},
+
  author = {Schröter, Jens},
  title = {Raumbilder-Bildräume. Zu den Arbeiten von Julia Ziegler},
+
  title = {Fiktionalität in der Bildwissenschaft (Kunstgeschichte/Fotografie)},
journal = {Kunstforum International},
+
  booktitle = {Grundthemen der Literaturwissenschaft: Fiktionalität},
year = {2001},
+
  year = {2020fc},
volume = {153},
+
  editor = {Missinne, L.; Schneider, R. & van Dam, B.T.},
number = {},
+
  pages = {},
pages = {261-267},
+
  publisher = {de Gruyter},
note = {},
+
  address = {Berlin},
}
+
  note = {in Vorbereitung},
</bibentry>
 
 
 
===Pias 2003a===
 
<bibentry>
 
@misc{Pias 2003a,
 
author = {Pias, Claus},
 
  title = {Das digitale Bild gibt es nicht. Über das (Nicht-)Wissen der Bilder und die informatische Illusion},
 
howpublished = {Elektronische Publikation},
 
url = {http://www.zeitenblicke.de/2003/01/pias/pias.pdf}
 
year = {2003},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Pillow 2003===
 
<bibentry>
 
@article{Pillow 2003,
 
author = {Pillow, Kirk},
 
title = {Did Goodman's Distinction Survive LeWitt?},
 
journal = {Journal of Aesthetics and Art Criticism},
 
  year = {2003},
 
  volume = {61},
 
number = {},
 
pages = {365-380},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Plinius 2004===
 
<bibentry>
 
@proceedings{Plinius 2004,
 
title = {G. Plinius Secundus d. Ä: Naturkunde / Naturalis historia : lateinisch-deutsch},
 
  year = {1990–2004},
 
editor = {Roderich König et al.},
 
  publisher = {Artemis},
 
  address = {Zürich},
 
  note = {unkritische Ausgabe des lateinischen Textes mit Übersetzung und Erläuterungen},
 
 
  hidden = {},
 
  hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Pöppel 1982a===
+
===Scruton 2006a===
<bibentry>
 
@book{Pöppel 1982a,
 
author = {Pöppel, E.},
 
title = {Lust und Schmerz},
 
year = {1982},
 
publisher = {Severin & Siedler},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Pollmeier 2005a===
 
<bibentry>
 
@misc{Pollmeier 2005a,
 
author = {Pollmeier, Klaus},
 
title = {Vom Baryt zum Bit. Zur Konservierung analoger und digitaler fotografischer Bilder. Digitale Bildverarbeitung, eine Erweiterung oder radikale Veränderung der Fotografie?},
 
howpublished = {},
 
year = {2005},
 
note = {Hasenpflug (Red.): Dokumentation des Symposiums am 12./13. November 2004 im Museum Folkwang, Essen, Ludwigsburg},
 
}
 
</bibentry>
 
 
 
===Pratschke 2005a===
 
<bibentry>
 
@book{Pratschke 2005a,
 
author = {Pratschke, Margarete},
 
title = {Digitale Form},
 
year = {2005},
 
publisher = {},
 
address = {Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Pratschke 2008a===
 
<bibentry>
 
@inproceedings{Pratschke 2008a,
 
author = {Pratschke, Margarete},
 
title = {Interaktion mit Bildern. Digitale Bildgeschichte am Beispiel grafischer  Benutzeroberflächen},
 
booktitle = {Technische Bilder},
 
year = {2008},
 
editor = {Bredekamp, Horst et al.},
 
pages = {68-80},
 
publisher = {},
 
address = {},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Predelli 1999===
 
 
<bibentry>
 
<bibentry>
@article{Predelli 1999,
+
@inproceedings{Scruton 2006a,
  author = {Predelli, Stefano},
+
  author = {Scruton, Roger},
  title = {Goodman and the Score},
+
  title = {Photography and Representation},
  journal = {British Journal of Aesthetics},
+
  booktitle = {Philosophy of Film and Motion Pictures. An Anthology},
year = {1999},
 
volume = {39},
 
number = {},
 
pages = {138-147},
 
note = {},
 
}
 
</bibentry>
 
 
 
==Q==
 
==R==
 
===Raphael 1986a===
 
<bibentry>
 
@book{Raphael 1986a,
 
author = {Raphael, Max},
 
title = {Raumgestaltungen. Der Beginn der modernen Kunst im Kubismus und im Werk von Georges Braque},
 
year = {1986, Erstausgabe 1949},
 
publisher = {Campus}
 
address = {Frankfurt a. M./New York},
 
note = {hg. v. H.-J. Heinrichs},
 
}
 
</bibentry>
 
 
 
===Renz 2006a===
 
<bibentry>
 
@book{Renz 2006a,
 
author = {Renz, U.},
 
title = {Schönheit. Eine Wissenschaft für sich},
 
 
  year = {2006},
 
  year = {2006},
  publisher = {Berlin Verlag},
+
editor = {Carroll, N. & Choi, J.},
  address = {Berlin},
+
pages = {19-34},
 +
  publisher = {Blackwell},
 +
  address = {Malden},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Rieger 2009a===
+
===Searle 1975a===
 
<bibentry>
 
<bibentry>
@inproceedings{Rieger 2009a,
+
@article{Searle 1975a,
  author = {Rieger, Stefan},
+
  author = {Searle, John R.},
title = {Holographie. Das Versprechen der Ganzheit},
+
  title = {The Logical Status of Fictional Discourse},
booktitle = {Das holographische Wissen},
+
  journal = {New Literary History},
year = {2009},
+
  year = {1975},
editor = {ders. & Schröter, Jens},
+
  volume = {6},
pages = {87-106},
+
  number = {2},
publisher = {},
+
  pages = {318-332},
address = {Zürich/Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Rieger & Schröter 2009a===
 
<bibentry>
 
@proceedings{Rieger & Schröter 2009a,
 
  title = {Das holographische Wissen}, year = {2009},
 
editor = {Rieger, Stefan & Schröter, Jens},
 
publisher = {},
 
address = {Zürich/Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Riegl 1931a===
 
<bibentry>
 
@book{Riegl 1931a,
 
author = {Riegl, Alois},
 
title = {Das holländische Gruppenporträt},
 
year = {1931, Erstveröffentlichung 1902},
 
publisher = {Staatsdruckerei},
 
address = {Wien},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ritchin 1990a===
 
<bibentry>
 
@book{Ritchin 1990a,
 
author = {Ritchin, Fred},
 
title = {In Our Image: The Coming Revolution in Photography. How Computer Technology is Changing our View of the World},
 
  year = {1990},
 
publisher = {},
 
address = {New York},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ritchin 1990b===
 
<bibentry>
 
@inproceedings{Ritchin 1990b,
 
author = {Ritchin, Fred},
 
title = {Photojournalism in the Age of Computers},
 
booktitle = {The Critical Image. Essays on Contemporary Photography},
 
year = {1990},
 
editor = {Squiers},
 
pages = {28.37},
 
publisher = {},
 
address = {Seattle},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Roch 1998a===
 
<bibentry>
 
@inproceedings{Roch 1998a,
 
author = {Roch, Axel},
 
title = {Radartechnologie und Computergraphik. Zur Geschichte der Beleuchtungsmodelle in computergenerierten Bildern},
 
booktitle = {Geschichte der Medien},
 
  year = {1998},
 
editor = {Faßler, Manfred & Halbach, Wulf R.},
 
pages = {227-254},
 
  publisher = {},
 
  address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Roloff 1972a===
 
<bibentry>
 
@inproceedings{Roloff_1972a,
 
author = {Roloff, D.},
 
title = {Eidolon, Eikon, Bild},
 
booktitle = {Historisches Wörterbuch der Philosophie. Bd.2},
 
year = {1972},
 
editor = {Joachim Ritter et al.},
 
  pages = {330-332},
 
publisher = {Schwabe Verlag},
 
address = {Basel},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.466: Zeile 813:
 
</bibentry>
 
</bibentry>
  
===Ros 2005a===
+
===Searle 1986a===
 
<bibentry>
 
<bibentry>
@book{Ros 2005a,
+
@inproceedings{Searle 1986a,
  author = {Ros, Arno},
+
  author = {Searle, John R.},
  title = {Materie und Geist. Eine philosophische Untersuchung},
+
  title = {Meaning, Communication, and Representation},
year = {2005},
+
  booktitle = {Philosophical Grounds of Rationality. Intentions, Categories, Ends},
publisher = {Mentis},
+
  year = {1986},
  address = {Paderborn},
+
  editor = {Grandy, R. E. & Warner, R.},
note = {},
+
  pages = {209-226},
}
+
  publisher = {Clarendon},
</bibentry>
+
  address = {Oxford},
 
 
===Ros 1999a===
 
<bibentry>
 
@inproceedings{Ros 1999a,
 
author = {Ros, Arno},
 
title = {Was ist Philosophie?},
 
booktitle = {Philosophieren über Philosophie}
 
  year = {1999},
 
  editor = {Raatzsch, Richard},
 
  pages = {36–58},
 
  publisher = {Leipziger Universitätsverlag},
 
  address = {Leipzig},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ros 1989a===
 
<bibentry>
 
@article{Ros 1989a,
 
author = {Ros, Arno},
 
title = {“Bedeutung”, “Idee” und “Begriff” – Zur Behandlung einiger bedeutungstheoretischer Paradoxien durch Leibniz},
 
journal = {Studia Leibnitiana},
 
year = {1989},
 
volume = {21},
 
number = {},
 
pages = {133-154},
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.509: Zeile 830:
 
</bibentry>
 
</bibentry>
  
===Ros 1979a===
+
===Smith 1979a===
 
<bibentry>
 
<bibentry>
@book{Ros 1979a,
+
@inproceedings{Smith 1979a,
  author = {Ros, Arno},
+
  author = {Smith, Barry},
  title = {Objektkonstitution und elementare Sprachhandlungsbegriffe},
+
  title = {Roman Ingarden. Ontological Foundations for Literary Theory},
 +
booktitle = {Language, Literature and Meaning I. Problems of Literary Theory},
 
  year = {1979},
 
  year = {1979},
  publisher = {Hain},
+
editor = {Odmark, J.},
  address = {Königstein/Ts.},
+
pages = {273-390},
 +
  publisher = {Benjamins},
 +
  address = {Amsterdam},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Rosch 1978a===
+
===Stöckl 2016a===
 
<bibentry>
 
<bibentry>
@inproceedings{Rosch 1978a,
+
@inproceedings{Stöckl 2016a,
  author = {Rosch, E.H.},
+
  author = {Stöckl, Hartmut},
  title = {Principles of categorization}
+
  title = {Multimodales Verstehen – Zwischen Zeichensystemwissen und Textsortenkompetenz},
booktitle = {Cognition and Categorization},
+
  booktitle = {Verstehen und Verständigung. Intermediale, multimodale und interkulturelle Aspekte von Kommunikation und Ästhetik},
year = {1978},
+
  year = {2016},
editor = {Rosch, E.H.},
+
  editor = {Sachs-Hombach, K.},
pages = {27-48},
+
  pages = {88-112},
publisher = {Hillsdale},
 
address = {},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Rosler 2000a===
 
<bibentry>
 
@inproceedings{Rosler 2000a,
 
author = {Rosler, Martha},
 
title = {Bildsimulationen, Computermanipulationen: einige Überlegungen},
 
  booktitle = {Theorie der Fotografie IV. 1980-1995},
 
year = {2000},
 
editor = {von Amelunxen, Hubertus},
 
pages = {129-170},
 
publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Rötzer 1993a===
 
<bibentry>
 
@proceedings{Rötzer 1993a,
 
author = {Rötzer, Florian},
 
title = {Cyberspace. Zum medialen Gesamtkunstwerk},
 
  year = {1993},
 
  publisher = {},
 
address = {München},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Ruff 2009a===
 
<bibentry>
 
@book{Ruff 2009a,
 
author = {Ruff, Thomas},
 
title = {Jpegs},
 
year = {2009},
 
publisher = {},
 
address = {Köln},
 
note = {},
 
}
 
</bibentry>
 
 
 
==S==
 
===Sachs-Hombach 2003a===
 
<bibentry>
 
@book{Sachs-Hombach 2003a,
 
author = {Sachs-Hombach, Klaus},
 
  title = {Das Bild als kommunikatives Medium. Elemente einer allgemeinen Bildwissenschaft}
 
year = {2003},
 
 
  publisher = {Herbert von Halem},
 
  publisher = {Herbert von Halem},
 
  address = {Köln},
 
  address = {Köln},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Sachs-Hombach & Schirra 2009a===
+
===Thon 2014c===
 
<bibentry>
 
<bibentry>
@inproceedings{Sachs-Hombach_Schirra_2009a,
+
@inproceedings{Thon 2014c,
  author = {Sachs-Hombach, Klaus & Schirra, J&ouml;rg R.J. },
+
  author = {Thon, Jan-Noël},
  title = {Medientheorie, visuelle Kultur und Bildanthropologie},
+
  title = {Fiktionalität in Film- und Medienwissenschaft},
  booktitle = {Bildtheorien. Anthropologische und kulturelle Grundlagen des Visualistic Turn},
+
  booktitle = {Fiktionalität. Ein interdisziplinäres Handbuch},
  year = {2009},
+
  year = {2014},
  editor = {Sachs-Hombach, Klaus},
+
  editor = {Klauk, T.& Köppe, T.},
  pages = {393-424},
+
  pages = {443-466},
  publisher = {Suhrkamp},
+
  publisher = {de Gruyter},
  address = {Frankfurt/M.},
+
  address = {Berlin},
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Salomon 2006a===
+
===Thon 2017a===
 
<bibentry>
 
<bibentry>
@book{Salomon 2006a,
+
@article{Thon 2017a,
  author = {Salomon, David},
+
  author = {Thon, Jan-Noël},
  title = {Transformations and Projections in Computer Graphics},
+
  title = {Transmedial Narratology Revisited. On the Intersubjective Construction of Storyworlds and the Problem of Representational Correspondence in Films, Comics, and Video Games},
year = {2006},
+
  journal = {Narrative},
publisher = {},
+
  year = {2017},
address = {London},
+
  volume = {25},
note = {},
+
  number = {3},
}
+
  pages = {286-320},
</bibentry>
 
 
 
===Salomon 2008a===
 
<bibentry>
 
@book{Salomon 2008a,
 
author = {Salomon, David},
 
  title = {A Concise Introduction to Data Compression},
 
  year = {2008},
 
  publisher = {},
 
  address = {London},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Saxena & Sahay 2005a===
 
<bibentry>
 
@book{Saxena & Sahay 2005a,
 
author = {Saxena, Anupam; Sahay, Birendra},
 
title = {Computer Aided Engineering Design},
 
year = {2005},
 
publisher = {},
 
address = {New York u.a},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schier 2005a===
 
<bibentry>
 
@inproceedings{Schier 2005a,
 
author = {Schier, W. },
 
title = {Die Maske von Uivar},
 
booktitle = {Masken, Menschen, Rituale},
 
year = {2005},
 
editor = {Schier, W. },
 
  pages = {},
 
publisher = {Universität (Lehrstuhl für Vor- und Frühgeschichtliche Archäologie)},
 
address = {Würzburg },
 
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.656: Zeile 897:
 
</bibentry>
 
</bibentry>
  
===Schirra 2007a===
+
===Thon 2019a===
 
<bibentry>
 
<bibentry>
@proceedings{Schirra 2007a,
+
@article{Thon 2019a,
  editor = {Schirra, Jörg R.J. (Hg.)},
+
  author = {Thon, Jan-Noël},
  title = {Computational Visualistics and Picture Morphology},
+
  title = {Post/Documentary. Referential Multimodality in 'Animated Documentaries' and 'Documentary Games'},
publisher = {IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
+
  journal = {Poetics Today},
  note = {Themenbeiheft zu Band 5},
+
  year = {2019},
  year = {2007},
+
  volume = {40},
  url = {http://www.jrjs.de/Work/Projects/Image/IMAGE5-Themenbeiheft.pdf},
+
  number = {2},
</bibentry>
+
  pages = {269-297},
 
 
===Schirra 2006a===
 
<bibentry>
 
@inproceedings{Schirra 2006a,
 
  author = {Schirra, Jörg R.J.},
 
title = {Begriffsgenetische Betrachtungen in der Bildwissenschaft: Fünf Thesen},
 
booktitle = {Bild und Medium. Kunstgeschichtliche und philosophische Grundlagen der interdisziplinären Bildwissenschaft},
 
year = {2006},
 
editor = {Sachs-Hombach, Klaus},
 
  pages = {197-215},
 
publisher = {Halem},
 
address = {Köln},
 
 
  note = {},
 
  note = {},
  url = {http://www.jrjs.de/Work/Papers/P06/P06-3/index.html},
+
  hidden = {},
}
 
</bibentry>
 
 
 
===Schirra 2005a===
 
<bibentry>
 
@book{Schirra 2005a,
 
author = {Schirra, J&ouml;rg R.J.},
 
title = {Foundation of Computational Visualistics},
 
year = {2005},
 
 
  url = {},
 
  url = {},
publisher = {DUV},
 
address = {Wiesbaden},
 
abstract = {},
 
note = {ISBN: 3-8350-6015-5},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra 2005b===
+
===Walton 1993a===
 
<bibentry>
 
<bibentry>
@article{Schirra 2005b,
+
@book{Walton 1993a,
author = {Schirra, J&ouml;rg R.J.},
+
author = {Walton, Kendall L.},
  title = {Ein Disziplinen-Mandala für die Bildwissenschaft - Kleine Provokation zu einem Neuen Fach},
+
  title = {Mimesis as Make-Believe. On the Foundations of the Representational Arts},
  year = {2005},
+
  year = {1993},
  url = {http://www.jrjs.de/Work/Papers/P05/P05-1/index.html},
+
  publisher = {Harvard UP},
  journal ={IMAGE - Zeitschrift für interdisziplinäre Bildforschung},
+
  address = {Cambridge, Ma},
volume = {1},
 
pages = {30-45},
 
 
  note = {},
 
  note = {},
  abstract = {Von der Bildwissenschaft als einer Disziplin, die über die Grenzen von Kunstgeschichte oder Kunstwissenschaft hinausgeht und sich wissenschaftlich mit allen Aspekten des Umgehens mit Bildern und verwandten visuellen Repräsentations- und Zeichensystemen befaßt, wird erst seit etwa der Mitte der 1990'er Jahre gesprochen. In den folgenden Überlegungen geht es insbesondere um die Bildwissenschaft als den Versuch, ein Fachgebiet zu etablieren, in dem ein modernes Verständnis dessen, was eine etablierte Disziplin sein kann, verwirklicht sein soll. Zentrales Kriterium für in dem hier gemeinten Sinne "Neue" Disziplinen ist ihre Interdisziplinarität und die dadurch bedingte starke Methodenpluralität. Grundsätzlich muß daher die Frage geklärt werden, wie das Verhältnis der Teildisziplinen zueinander, insbesondere das Wechselspiel der jeweils eingesetzten Methoden betreffend, zu denken ist. Dem Forschungssujet der Bildwissenschaft entsprechend soll in dem Beitrag versucht werden, das Beziehungsgeflecht der beteiligten Elterndisziplinen (zumindest teilweise) in Form eines Bildes anzugeben. },
+
  hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra 2005c===
+
===Wenninger 2014a===
 
<bibentry>
 
<bibentry>
@inproceedings{Schirra 2005c,
+
@inproceedings{Wenninger 2014a,
  author = {Schirra, Jörg R.J.},
+
  author = {Wenninger, Regina},
  title = {Computervisualistik},
+
  title = {Fiktionalität in Kunst- und Bildwissenschaften},
  booktitle = { Bildwissenschaft. Disziplinen, Themen, Methoden},
+
  booktitle = {Fiktionalität. Ein interdisziplinäres Handbuch},
  year = {2005},
+
  year = {2014},
  editor = {Sachs-Hombach, K.},
+
  editor = {Klauk, T. & Köppe, T.},
  pages = {268-280},
+
  pages = {467-495},
  publisher = {Suhrkamp},
+
  publisher = {de Gruyter},
  address = {Frankfurt/M.},
+
  address = {Berlin},
 
  note = {},
 
  note = {},
  url = {http://www.jrjs.de/Work/Papers/P05/P05-2/index.html},
+
  hidden = {},
  abstract = {Bausteine vieler Disziplinen müssen in eine allgemeine Bildwissenschaft integriert werden. Als Beitrag aus der Informatik versteht sich die Computervisualistik, die alle Aspekte rechnergestützten Umgangs mit Bildern umfaßt. Zwei Grundbegriffe der Informatik werden vorgestellt und bestimmen, auf den Begriff "Bild" angewendet, den methodologischen Kern der Computervisualistik. Als Beitrag der Informatik zum Gegenstand der Bildtheorie werden interaktive Bilder betrachtet. Schließlich werden die Beziehungen zu anderen "Bildwissenschaften" kurz umrissen. },
+
  url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra 2001a===
+
===Wilde 2017a===
 
<bibentry>
 
<bibentry>
@inproceedings{Schirra 2001a,
+
@article{Wilde 2017a,
  author = {Schirra, Jörg R.J.},
+
  author = {Wilde, Lukas R.A.},
  title = {Bilder &nbsp;&nbsp;  —— &nbsp;&nbsp;  Kontextbilder},
+
  title = {‚Backwards and batshit-fucking-bonkers‘. Das innovative Kommunikationsgefüge non-narrativer Webcomics},
  booktitle = {Bildhandeln – Interdisziplinäre Forschungen zur Pragmatik bildhafter Darstellungsformen},
+
  journal = {Closure. Kieler e-Journal für Comicforschung},
  year = {2001},
+
  year = {2017},
  editor = {Sachs-Hombach, K.},
+
  volume = {4},
  pages = {77-100},
+
  number = {},
  publisher = {Skriptum},
+
  pages = {68-104},
address = {Magdeburg},
 
 
  note = {},
 
  note = {},
  url = {http://www.jrjs.de/Work/Papers/P01/P01-5/index.html},
+
  hidden = {letzter Zugriff: 01.11.2019},
  abstract = {Bildkommunikation und die Verständigung mit Aussagen scheinen wenig gemein zu haben. Genauere logisch-pragmatische Analysen der Kontextrelativität von Aussagen zeigen jedoch eine enge systematische Abhängigkeit beider Kommunikationsformen im Begriff der Kontextbildung, den Bilder auf ausgezeichnete Weise implementieren. Prädikatorische und nominatorische Verwendungen von Bildern sind aus der grundlegenden Funktion zur Kontextbildung ableitbar. },
+
  url = {www.closure.uni-kiel.de/closure4/wilde},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra 2000a===
+
===Wilde 2018a===
 
<bibentry>
 
<bibentry>
@inproceedings{Schirra 2000a,
+
@book{Wilde 2018a,
  author = {Schirra, Jörg R.J.},
+
  author = {Wilde, Lukas R.A.},
  title = {Täuschung, Ähnlichkeit und Immersion: Die Vögel des Zeuxis},
+
  title = {Im Reich der Figuren. Meta-narrative Kommunikationsfiguren und die ‚Mangaisierung‘ des japanischen Alltags},
booktitle = {Vom Realismus der Bilder: Interdisziplinäre Forschungen zur Semantik bildhafter Darstellungsformen},
+
  year = {2018},
  year = {2000},
+
  publisher = {Herbert von Halem},
editor = {Rehkämper, K.& Sachs-Hombach, K.},
+
  address = {Köln},
pages = {119-135},
 
  publisher = {Skriptum},
 
  address = {Magdeburg},
 
 
  note = {},
 
  note = {},
  url = {http://www.jrjs.de/Work/Papers/P00/P00-1/index.html},
+
  hidden = {},
abstract = {Bilder gibt es als solche – von ihrem Begriff her – immer nur für Individuen, die sich in einer bestimmten Weise verhalten, oder die gewisse Handlungen vollziehen. Wenn dies aber der Fall ist, scheint es ratsam, den Begriff "Bild" nicht, wie es gewöhnlich geschieht, als einen Begriff für einen isoliert vorkommenden Gegenstand zu erläutern, sondern als Komponente der Begriffe für bestimmte Verhaltens- oder Handlungsfähigkeiten. Ausgehend von der antiken Zeuxis-Anekdote werden in diesem Sinne erste Schritte zu einem handlungstheoretischen Ähnlichkeitsbegriff versucht.},
 
}
 
</bibentry>
 
 
 
===Schirra 1999a===
 
<bibentry>
 
@inproceedings{Schirra 1999a,
 
author = {Schirra, Jörg R.J.},
 
title = {Syntaktische Dichte oder Kontinuität - Ein mathematischer Aspekt der Visualistik},
 
booktitle = {bildgrammatik. interdisziplinäre forschungen zur syntax bildlicher darstellungsformen},
 
year = {1999},
 
editor = {Sachs-Hombach, K. & Rehkämper, K.},
 
pages = {103-119},
 
publisher = {Skriptum},
 
address = {Magdeburg},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P99/P99-3/index.html},
 
abstract = {Der Begriff Dichte spielt eine zentrale Rolle in Diskussionen zur Bildsyntax, wird aber selten in Beziehung zum mathematisch verwandten Kontinuumsbegriff gestellt. Dabei ist die Frage, ob Bilder syntaktisch nur als dicht oder gar als kontinuierlich verstanden werden sollten, durchaus relevant, wie anhand von informatischen und neuropsychologischen Argumenten gezeigt wird.},
 
}
 
</bibentry>
 
 
 
===Schirra 1995a===
 
<bibentry>
 
@inproceedings{Schirra 1995a,
 
author = {Schirra, Jörg R.J.},
 
title = {Understanding Radio Broadcasts On Soccer. The Concept `Mental Image' and Its Use in Spatial Reasoning},
 
booktitle = {Bilder im Geiste: Zur kognitiven und erkenntnistheoretischen Funktion piktorialer Repräsentationen},
 
year = {1995},
 
editor = {Sachs-Hombach, K.},
 
pages = {107-136},
 
publisher = {Rodopi},
 
address = {Amsterdam},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P95/index.html},
 
abstract = {Most cognitive theories agree that a listener of a sports broadcast on radio usually imagines the scene described; the concept `mental image' appears in a specific sort of explanations. In contrast to this conception, it is argued that this concept should rather be understood as part of a certain kind of  grounding explanations of the radio listener's understanding. This particular conception is based on the distinction between `specification' and `implementation' as found in the theory of abstract data types. Its application to the field of spatial concepts leads to a computational system (ANTLIMA) which exemplifies how the expression `mental image' could be used while explaining a speaker's ability to control the resolvability of ambiguities in an objective report of what the speaker sees. },
 
}
 
</bibentry>
 
 
 
===Schirra 1994a===
 
<bibentry>
 
@book{Schirra 1994a,
 
author = {Schirra, J&ouml;rg R.J.},
 
title = {Bildbeschreibung als Verbindung von visuellem und sprachlichem Raum},
 
year = {1994},
 
publisher = {DISKI},
 
address = {St. Augustin},
 
abstract = {},
 
note = {ISBN 3-929037-71-8},
 
url = {http://www.jrjs.de/Work/Papers/P94/P94-1-d/index.html},
 
}
 
</bibentry>
 
 
 
===Schirra 1993a===
 
<bibentry>
 
@inproceedings{Schirra 1993a,
 
author = {Schirra, Jörg R.J.},
 
title = {Connecting Visual and Verbal Space: Preliminary Considerations Concerning the Concept »Mental Image«},
 
booktitle = {Semantics of Time, Space, and Movement},
 
year = {1993},
 
editor = {M. Aurnague, A. Borillo, M. Borillo & M. Bras},
 
pages = {105-121},
 
publisher = {Univ. Paul Sabatier},
 
address = {Toulouse},
 
note = {},
 
url = {http://www.jrjs.de/Work/Papers/P93/P93-2/index.html},
 
abstract = {AI research concerning the connection between seeing and speaking mainly employs what is called reference semantics. Within this framework, the notion of `mental image' is often used while explaining how somebody not situated in the same perceptual context is able to anchor his understanding of an utterance describing the scene visually perceived by the speaker. We give a foundation for considering mental images as propositions with respect to a certain field of concepts: these fields have to provide a syntactically dense set of concepts distinguishing locations. The use of such propositions in the reference semantic explanations of understanding utterances about visually perceived scenes is motivated by applying Kant's idea of the introduction of new types of objects: we conceive spatial relations as relations only applicable to sortal objects, i.e., individuated objects which are synthetically introduced on a syntactically dense field providing their potential locations. The concept `mental image' which results from these preliminary studies is applied to two current projects in AI, one dealing with the semantics of particular spatial prepositions, and the other more generally concerned with the logic of the connection between visual and verbal space.},
 
}
 
</bibentry>
 
 
 
===Schirra & Sachs-Hombach 2010a===
 
<bibentry>
 
@article{Schirra_Sachs-Hombach_2010a,
 
author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
 
title = {Homo pictor and the Linguistic Turn: Revisiting Hans Jonas’ Picture Anthropology},
 
journal = {Linguistic and Philosophical Investigations},
 
year = {2010},
 
volume = {9},
 
number = {},
 
pages = {144–181},
 
url = {http://www.jrjs.de/Work/Papers/P10/P10-2/index.html},
 
note = {},
 
abstract = {There has been a long tradition of characterizing man as the animal that talks. However, the remarkable ability of using pictures also only belongs to human beings, after all we know empirically so far. Are there conceptual reasons for that coincidence? The paper is dedicated to a philosophical programme of “concept-genetic” considerations dealing in particular with the dependencies between those two abilities: The conceptual relation between the competence to use assertive language and the faculty of employing pictures must be conceived of as being much closer than usually expected. Indeed we conclude, there cannot be creatures with only one of them.},
 
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra & Sachs-Hombach 2006a===
+
===Wilde 2019a===
 
<bibentry>
 
<bibentry>
@article{Schirra_Sachs-Hombach_2006a,
+
@article{Wilde 2019a,
  author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
+
  author = {Wilde, Lukas R.A.},
  title = {Bild und Wort. Ein Vergleich aus bildwissenschaftlicher Sicht},
+
  title = {9/11, Comics, and the Threatened Orders of Pictorial Media. Non-Fictional Comics as Historical Re-enactment},
  journal = {ELiSe: Essener Linguistische Skripte – elektronisch},
+
  journal = {ImageTexT},
  year = {2006},
+
  year = {2019},
  volume = {6},
+
  volume = {11},
 
  number = {1},
 
  number = {1},
  pages = {51-72},
+
  pages = {(online)},
url = {http://www.uni-due.de/germanistik/elise/ausgabe_12006},
 
hidden = {(letzter Zugriff: 15. September 2009)},
 
note = {},
 
abstract ={Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie, wie sie der Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt, eignet - und in deren Rahmen sie hier auch behandelt wird. Eine Gegenüberstellung der beiden Fähigkeiten zum Gebrauch von Wort und Bild führt zu eine Reihe von Ähnlichkeiten und Unterschieden: Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von (darstellenden) Bildern Sprache gegenüber durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. In beiden Fällen hängen die Aufgliederungen mit der Funktion der Kontextbildung zusammen, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung mündet daher in das Programm einer begriffsgenetischen Betrachtung von Bild- und Sprachvermögen, die eine derartige Begründung zu liefern imstande wäre. },
 
}
 
</bibentry>
 
 
 
===Schirra & Sachs-Hombach 2006b===
 
<bibentry>
 
@article{Schirra_Sachs-Hombach_2006b,
 
author = {Schirra J&ouml;rg R.J. & Sachs-Hombach, Klaus},
 
title = {Fähigkeiten zum Bild- und Sprachgebrauch },
 
journal = {Deutsche Zeitschrift für Philosophie},
 
year = {2006},
 
volume = {54},
 
number = {6},
 
pages = {887-905},
 
url = {http://www.jrjs.de/Work/Papers/P06/P06-5/index.html},
 
 
  note = {},
 
  note = {},
  abstract = {Es hat eine lange Tradition, den Menschen als sprachbegabtes Tier zu charakterisieren. Aber auch die merkwürdige Fähigkeit, Bilder zu verwenden, ist, nach allem was wir empirisch wissen, nur dem Menschen eigen. Gibt es begriffliche Gründe für diese Koinzidenz? Eine solche Frage gehört ebensogut in die allgemeine Sprachwissenschaft und Sprachphilosophie wie in die Bildwissenschaft, die sich als von der Kunstgeschichte unabhängige Disziplin erst seit kurzem zu formieren beginnt und in deren Rahmen sie hier auch behandelt wird. Ein erster Vergleich der beiden Fähigkeiten zum Gebrauch von Wort und Bild listet eine Reihe von Ähnlichkeiten und Unterschieden auf. Neben Wahrnehmungsnähe, die sich als eine wichtige Differenz von Bildern gegenüber Sprache durch verschiedene Nutzungsmodi beim Zeichengebrauch handlungstheoretisch näher bestimmen läßt, fällt ins Auge, daß die jeweiligen Zeichenhandlungen auf je spezifische Weise mit Figur-Grund-Differenzierungen assoziiert sind. Der strukturale Vergleich klärt zwar die begrifflichen Zusammenhänge, kann aber nicht erläutern, warum die konzeptuellen Strukturen gerade so sein sollten. Die Abhandlung weitet sich daher zu einer begriffsgenetischen Skizzierung von Bild- und Sprachvermögen, wobei sich die Begriffe des sortalen Gegenstands und des Verhaltenskontextes als zentral herausstellen. Mit ihnen kann die Beziehung zwischen den beiden Fähigkeiten genauer untersucht werden: Sie ergibt sich insbesondere aus der Funktion der Kontextbildung, durch die es dem Menschen kommunikativ möglich ist, sich auf andere Kontexte als die gerade aktuelle Verhaltenssituation zu beziehen. Im Rahmen der begriffsgenetischen Betrachtung ergeben sich schließlich Argumente dafür, die Beziehung als eine wechselseitige Abhängigkeit zu charakterisieren, wobei auch eine Vorschlag zur Analyse des Begriffs des inneren Bildes - oder besser: des Vorstellungsvermögens eingeschlossen ist. },
+
  hidden = {letzter Zugriff: 01.11.2019},
 +
url = {imagetext.english.ufl.edu/archives/v11_1/wilde},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schirra & Scholz 1998a===
+
===Wilde 2019b===
 
<bibentry>
 
<bibentry>
@inproceedings{Schirra & Scholz 1998a,
+
@inproceedings{Wilde 2019b,
  author = {Schirra, Jörg R.J. & Scholz, Martin},
+
  author = {Wilde, Lukas R.A.},
  title = {Abstraction versus Realism: Not the Real Question},
+
  title = {LEGO als Marke, Lego als Material: Transmedialisierbarkeit und Wahrnehmbarkeit dargestellter Welten.},
  booktitle = {Computer Visualization – Graphics, Abstraction, and Interactivity},
+
  booktitle = {Kulturelle Dynamiken/Cultural Dynamics. Transmedialisierung},
  year = {1998},
+
  year = {2019},
  editor = {Strothotte, T. (et al.)},
+
  editor = {Coelsch-Foisner, S. & Herzog, C.},
  pages = {379-401},
+
  pages = {333-364},
  publisher = {Springer},
+
  publisher = {Universitätsverlag Winter},
 
  address = {Heidelberg},
 
  address = {Heidelberg},
note = {Chapter 22},
 
url = {http://www.jrjs.de/Work/Papers/P98/P98-3/index.html},
 
abstract = {When browsing through a book on computer graphics, one usually finds a lot of more or less interesting pictures that are produced by means of computers. These pictures are embedded in pages of technical texts describing how this image generation was performed and why it provides a better way to do so than other methods. Less space is usually given to the methodological background and the motivation underlying the preoccupation with computer visualization. In this chapter, we want to complement the more technically oriented part of this book with some reflections as to why such techniques can be interesting not only for computer graphics researchers, and where, from a communication-theoretic point of view, they might be of use in our society.},
 
}
 
</bibentry>
 
 
===Schleicher 1859a===
 
<bibentry>
 
@article{Schleicher 1859a,
 
author = {Schleicher, August},
 
title = {Zur Morphologie der Sprache},
 
journal = {Mémoires de l'académdie impériale des sciences de St. Pétersbourg},
 
year = {1859},
 
volume = {1?},
 
number = {7},
 
pages = {1-38},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 +
url = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schlenstedt & George 2005===
+
===Wolf 2016a===
 
<bibentry>
 
<bibentry>
@inproceedings{Schlenstedt_George_2005a,
+
@inproceedings{Wolf 2016a,
  author = {Schlenstedt, Dieter; George, Marion},
+
  author = {Wolf, Werner},
  title = {Typisch/Typ(us)},
+
  title = {Fiktion. Eine relevante Kategorie der Metareferenz in Literatur und anderen Medien?},
  booktitle = {Ästhetische Grundbegriffe. Ein historisches Wörterbuch in sieben Bänden. Bd. 1},
+
  booktitle = {Fiktion im Vergleich der Künste und Medien},
  year = {2005},
+
  year = {2016},
  editor = {Karlheinz Barck et al.},
+
  editor = {Enderwitz, A. & Rajewsky, I.O.},
  pages = {191-246},
+
  pages = {227-244},
  publisher = {J. B. Metzler},
+
  publisher = {de Gruyter},
  address = {Stuttgart},
+
  address = {Berlin, Boston},
 
  note = {},
 
  note = {},
 
  hidden = {},
 
  hidden = {},
Zeile 2.925: Zeile 1.022:
 
</bibentry>
 
</bibentry>
  
===Schmid 2009a===
+
===Zipfel 2001a===
<bibentry>
 
@inproceedings{Schmid 2009a,
 
author = {Schmid, Gabriele},
 
title = {Zwischen Bildern. Die holographische Installation als Handlungsfeld},
 
booktitle = {holographische Wissen},
 
year = {2009},
 
editor = {Rieger, Stefan & Schröter, Jens},
 
pages = {161-180},
 
publisher = {},
 
address = {Zürich/Berlin},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schneider 2009a===
 
 
<bibentry>
 
<bibentry>
@inproceedings{Schneider 2009a,
+
@book{Zipfel 2001a,
  author = {Schneider, Birgit},
+
  author = {Zipfel, Frank},
  title = {Wissenschaftsbilder zwischen digitaler Transformation und Manipulation. Einige Anmerkungen zur Diskussion des “digitalen Bildes”},
+
  title = {Fiktion, Fiktivität, Fiktionalität. Analysen zur Fiktion in der Literatur und zum Fiktionsbegriff in der Literaturwissenschaft},
booktitle = {Logik des Bildlichen. Zur Kritik der ikonischen Vernunft},
 
year = {2009},
 
editor = {Heßler & Mersch},
 
pages = {188-200},
 
publisher = {},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Schneider Berz 2002a===
 
<bibentry>
 
@inproceedings{Schneider & Berz 2002a,
 
author = {Schneider, Birgit & Berz, Peter},
 
title = {Bildtexturen. Punkte, Zeilen, Spalten. I. Textile Processing/II. Bildtelegraphie}
 
booktitle = {Mimetische Differenzen. Der Spielraum der Medien zwischen Abbildung und Nachbildung},
 
year = {2002},
 
editor = {Flach, Sabine & Tholen, Georg Christoph},
 
pages = {181-220},
 
publisher = {},
 
address = {Kassel},
 
note = {},
 
}
 
</bibentry>
 
 
 
===Scholz 2004a===
 
<bibentry>
 
@book{Scholz 2004a,
 
author = {Scholz, Oliver R.},
 
title = {Bild, Darstellung, Zeichen. Philosophische Theorien bildhafter Darstellungen},
 
year = {2004},
 
publisher = {Klostermann},
 
address = {Frankfurt a. M.},
 
note = {2., vollständig überarbeitete Aufl.},
 
}
 
</bibentry>
 
 
 
===Schröter 2001a===
 
<bibentry>
 
@inproceedings{Schröter 2001a,
 
author = {Schröter, Jens},
 
title = {Eine kurze Geschichte der digitalen Fotografie},
 
booktitle = {Verwandlungen durch Licht. Fotografieren in Museen & Archiven & Bibliotheken},
 
 
  year = {2001},
 
  year = {2001},
editor = {Hesse, Wolfgang & Jaworek, Wolfgang},
+
  publisher = {Erich Schmidt},
pages = {249-257},
+
  address = {Berlin},
  publisher = {},
 
  address = {Esslingen},
 
 
  note = {},
 
  note = {},
 +
hidden = {},
 
}
 
}
 
</bibentry>
 
</bibentry>
  
===Schröter 2003a===
+
<!---                                                                    -->
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+
<!---                                                                    -->
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+
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  author = {Schröter, Jens},
+
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  title = {Virtuelle Kamera. Zum Fortbestand fotografischer Medien in computergenerierten Bildern},  
+
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journal = {Fotogeschichte},
+
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year = {2003},
+
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volume = {23},
+
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  number = {88},
+
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+
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+
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{{GlossarBoxSub}}__TOC__</div>
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===Schröter 2004a===
+
==A==
<bibentry>
+
{{Bibliography-A}}
@inproceedings{Schröter 2004a,
 
author = {Schröter, Jens},
 
title = {Das Ende der Welt. Analoge und Digitale Bilder - mehr oder weniger Realität?},
 
booktitle = {Analog/Digital - Opposition oder Kontinuum? Beiträge zu Theorie und Geschichte einer Unterscheidung},
 
year = {2004},
 
editor = {Schröter & Böhnke},
 
pages = {335-354},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
  
===Schröter 2004b===
+
==B==
<bibentry>
+
{{Bibliography-B}}
@book{Schröter 2004b,
 
author = {Schröter, Jens},
 
title = {Das Netz und die Virtuelle Realität. Zur Selbstprogrammierung der Gesellschaft durch die universelle Maschine},
 
year = {2004},
 
publisher = {Transcript},
 
address = {Bielefeld},
 
note = {},
 
}
 
</bibentry>
 
  
===Schröter 2004c===
+
==C==
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pages = {139-155},
 
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===Schröter 2004d===
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==X==
+
===Lunenfeld 2002a===
==Y==
 
==Z==
 
===Zaloscer 1974a===
 
 
<bibentry>
 
<bibentry>
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Aktuelle Version vom 14. November 2019, 19:00 Uhr

Bareis & Nordrun 2015a

Bareis, J. Alexander; Lene Nordrum (Hg.)(2015): How to Make Believe. The Fictional Truths of the Re­presentati­onal Arts.
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Bareis 2014a

Bareis, J. Alexander (2014): Fiktionen als Make-Believe.
In: Klauk, T. & Köppe, T. (Hg.), Fikti­onali­tät. Ein inter­diszi­plinä­res Handbuch. de Gruyter, Berlin, 50-67.
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Bareis 2015a

Bareis, J. Alexander (2015): Fictional Truths, Principles of Generation, and Inter­pretation.
In: Bareis, J. A. & Nordrum, L. (Hg.), How to Make Believe. The Fictional Truths of the Re­presenta­tional Arts. de Gruyter, Berlin, 165-183.
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Barthes 1981a

Barthes, Roland (1981): Camera Lucida. Reflections on Photo­graphy.
Hill and Wang, New York
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Branigana 1992

Branigan, Edward (1992): Narrative Compre­hension and Film.
Routledge, London.
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Bunia 2020a

Bunia, Remi­gius (Hg.)(2020fc): Formen der Fiktion. Theorie und Geschichte.
Wilhelm Fink, München, in Vorbe­reitung.
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Cohn 1999a

Cohn, Dorrit (1999): The Distinction of Fiction.
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Currie 1990a

Currie, Grego­ry (1990): The Nature of Fiction.
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Currie 2007a

Currie, Gregory (2007): Was ist fikti­onale Rede?.
In: Reicher, M.E. (Hg.), Fiktion, Wahrheit, Wirklich­keit. Philo­sophi­sche Grund­lagen der Lite­ratur­theorie. Mentis, Pader­born, 37-53.
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Currie 2010a

Currie, Gregory (2010): Narratives and Narrators. A Philo­sophy of Stories.
Oxford UP, Oxford.
(Typ: 'Buch')

Doležel 1995a

Doležel, Lubomír (1995): Fictional Worlds. Density, Gaps, and Inference.
Style: From Possible Worlds to Virtual Realities: Approaches to Post­modernism, 29, 2, 201-214.
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Eco 1987a

Eco, Umberto (1987): Lector in fabula. Die Mit­arbeit der Inter­pretation in erzäh­lenden Texten.
Hanser, München
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Eco 2000a

Eco, Umberto (2000): Kant und das Schnabel­tier.
Hanser, München
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Eder 2008a

Eder, Jens (2008): Was sind Figuren? Ein Beitrag zur inter­diszi­plinä­ren Fiktions­theorie.
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Eder et al. 2010a

Eder, Jens; Jannidis, Foris & Schneider, Ralf (2010): Fictional Characters in Literary and Media Studies. A Survey of the Research.
In: Eder, J.; Janni­dis, F. & Schneider, R. (Hg.), Characters in Fictional Worlds. Under­standing Imaginary Beings in Literature, Film, and Other Media. de Gruyter, Berlin, 3-66.
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Fellmann 2000a

Fellmann, Ferdinand (2000): Bedeutung als Form­problem.
In: Sachs-Hombach, K. (Hg.), Vom Realis­mus der Bilder. Scriptum, Magde­burg, 17-40.
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Fineman 2012a

Fineman, Mia (2012): Faking it. Manipulated Photography before Photoshop.
Yale UP, New York.
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Flöthmann 2013a

Flöthmann, Frank (2013): Grimms Märchen ohne Worte.
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Goodman 1969a

Goodman, Nelson (1969): Languages of Art. An Approach to a Theory of Symbols.
Oxford UP, London.
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Herder 2017a

Herder, Benita (2017): Bild und Fiktion. Eine Untersuchung über die Funktion von Bildern in der Erkenntnistheorie.
Herbert von Halem, Köln.
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Ingarden 1972a

Ingarden, Roman (1972): Das literarische Kunstwerk. Mit einem Anhang von den Funktionen der Sprache im Theaterschauspiel.
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Iser 1978a

Iser, Wolfgang (1978): The Act of Reading. A Theory of Aesthetic Response.
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Jung & Wilde 2020a

Jung, Berenike & Wilde, Lukas R.A. (2020fc): Unravelling the ‚Trump Shock,‘ or: The Intertwined Threat Communication of ‚Post-11/9‘.
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Kimmich, Dorothee (2003): Die Bildlichkeit der Leerstelle.
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Klauk & Köppe 2014a

Klauk, Tobias & Köppe, Tilmann (Hg.)(2014): Fiktionalität. Ein interdisziplinäres Handbuch.
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Konrad, Eva-Maria (2014): Panfiktionalismus.
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Künne, Wolfgang (1983): Abstrakte Gegenstände. Semantik und Ontologie.
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Lefèvre, Pascal (2007): Incompatible Visual Ontologies. The Problematic Adaption of Drawn Images.
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Lobsien, Eckhar (1990): Bildlichkeit, Imagination und Wissen.
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Lotman, Jurij M. (1977): Probleme der Kinoaesthetik. Einführung in die Semiotik des Films.
Syndikat, Frankfurt/M.
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McDonell, Neil (1983): Are Pictures Unavoidably Specific?.
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Mundhenke, Florian (2017): Zwischen Dokumentar- und Spielfilm. Zur Repräsentation und Rezeption von Hybrid-Formen.
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Packard 2016c

Packard, Stephan (2016): Bilder erfinden. Fiktion als Reduktion und Redifferenzierung in graphischen Erzählungen.
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Packard 2020a

Packard, Stephan (2020fc): Gibt es eine Nullstufe der Fiktion? Praktiken der semiotischen Konstruktion des Fiktionalen und Faktualen.
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Panofsky, Erwin (1939): Studies in Iconology. Humanistic Themes in the Art of the Renaissance.
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Pichler & Ubl 2014a

Pichler, Wolfram & Ub, Ralph (2014): Bildtheorie. Zur Einführung.
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Plunze, Christian (2002): Sagen, Referieren, Implizieren. Das Beispiel definiter Kennzeichnungen.
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Podro, Michael (1983): Fiction and Reality in Painting.
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Rajewsky & Enderwitz 2016a

Enderwitz, Anne; Irina O. Rajewsky (2016): Einleitung.
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Enderwitz & Rajewsky 2016b

Enderwitz, Anne & Rajewsky, Irina O. (Hg.)(2016): Fiktion im Vergleich der Künste und Medien.
de Gruyter, Berlin, Boston.
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Reicher, Maria E. (2010): The Ontology of Fictional Characters.
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Ryan, Marie-Laure (2014): Possible-Worlds Theory.
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Sachs-Hombach, Klaus (2005): Über Sinn und Reichweite der Ähnlichkeitstheorie.
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Sainsbury, Richard M. (2010): Fiction and Fictionalism.
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Thon, Jan-Noël (2014): Fiktionalität in Film- und Medienwissenschaft.
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Wilde, Lukas R.A. (2017): ‚Backwards and batshit-fucking-bonkers‘. Das innovative Kommunikationsgefüge non-narrativer Webcomics.
Closure. Kieler e-Journal für Comicforschung, 4, 68-104
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Wilde 2018a

Wilde, Lukas R.A. (2018): Im Reich der Figuren. Meta-narrative Kommunikationsfiguren und die ‚Mangaisierung‘ des japanischen Alltags.
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Wilde 2019a

Wilde, Lukas R.A. (2019): 9/11, Comics, and the Threatened Orders of Pictorial Media. Non-Fictional Comics as Historical Re-enactment.
ImageTexT, 11, 1, (online)
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Wilde 2019b

Wilde, Lukas R.A. (2019): LEGO als Marke, Lego als Material: Transmedialisierbarkeit und Wahrnehmbarkeit dargestellter Welten..
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Wolf, Werner (2016): Fiktion. Eine relevante Kategorie der Metareferenz in Literatur und anderen Medien?.
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Zipfel, Frank (2001): Fiktion, Fiktivität, Fiktionalität. Analysen zur Fiktion in der Literatur und zum Fiktionsbegriff in der Literaturwissenschaft.
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